IFTA Elections: New Chairperson & Board from STUDIOCANAL, Highland Film, More Announced

Posted by Larry Gleeson

INDEPENDENT FILM & TELEVISION ALLIANCE® ANNOUNCES NEW CHAIRPERSON & BOARD OF DIRECTORS FOR 2025-2027 TERM

Paul Bales of The Asylum Elected Chair; Executives from  Artist View Entertainment, Entertainment Squad, Gleneagles Films, Highland Film Group, STUDIOCANAL, TPC and Vision Films added to Board

Los Angeles, CA – October 30, 2025 – The Independent Film & Television Alliance® (IFTA®), the global trade association for independent film and television production, finance, distribution, and sales companies, today announced the results of its annual elections of the Chairperson and Board of Directors for the 2025-2027 term.  The newly seated Board underscores IFTA’s ongoing commitment to leadership that advances the growth, strength, and global influence of the independent film and television industry.

Paul Bales

Paul Bales, Partner and Chief Operating Officer at The Asylum, has been elected Chairperson. Bales, who has served several terms on the IFTA Board since 2015, succeeds outgoing Chair Clay Epstein (Film Mode Entertainment) who served two consecutive 2-year terms.

Bales joins IFTA’s 15-member Board of Directors, along with seven IFTA member executives : Scott Bedno, Managing Director, Sales & Acquisitions, TPC, Shaked Berenson, CEO, Entertainment Squad, Scott Jones, President/CEO, Artist View Entertainment, Chloé Marquet, Head of International Sales, STUDIOCANAL, Delphine Perrier, COO, Highland Film Group, Lise Romanoff, Managing Director/CEO, Vision Films, and Michael Ryan, Director, Gleneagles Films. This marks the first term on the IFTA Board for Jones and Perrier.

Directors currently serving the second year of their two-year Board term are Brian Beckmann, CFO, Arclight Films,Caroline Couret-Delegue, Managing Director, Film Seekers Limited, Michael Dwyer, EVP, Worldwide Sales & Distribution, Resurgence Media Group, Michael Favelle, CEO, Odin’s Eye Entertainment, Diane Ferrandez, SVP, Worldwide Sales & Distribution, AGC Studios, George Hamilton, Chief Commercial Officer, Protagonist Pictures, and Alice Laffille, VP, International Sales, FilmNation Entertainment.

“I’m proud to serve as Chairperson and to continue IFTA’s vital work on behalf of the Independents,” said Bales. “These are challenging times for the industry, and I’m especially pleased to serve alongside such an experienced and thoughtful group of Directors, each possessing great instincts, knowledge, and the ability to persevere. Our members are the bedrock of a creative and innovative industry and IFTA is committed to supporting their efforts to get independent films made and to reach audiences around the world.”

“Paul’s deep understanding of our business and unwavering commitment to IFTA will make him an outstanding Chairperson,” said Jean Prewitt, IFTA President & CEO. “His leadership, together with our newly appointed Board, will be invaluable as we navigate both the ongoing challenges and new opportunities ahead. Their resilience continues to define what it means to be independent.”

Since 2006, Paul Bales has been the Chief Operating Officer and Partner at The Asylum, a production and distribution company based in Burbank, California. Since its founding in 1997, The Asylum has released more than 500 films and built a library of over 300 original productions, including top-rated series for Syfy and Netflix, and the Sharknadofranchise. Prior to joining The Asylum, Bales served as National Director of SAGIndie, the Screen Actors Guild outreach program for independent producers. Bales has been active with IFTA, having played a key role as an elected member of the Board of Directors throughout his career, most recently during the 2023–2025 term. He is also a long-time member of the Producers Guild of America and the Academy of Television Arts & Sciences.

About the Independent Film & Television Alliance
IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to its member companies in more than 20 countries consisting of independent production and distribution companies, sales agents, and financial institutions engaged in production finance. Each November, it produces the American Film Market, the world’s largest motion picture event, drawing thousands of industry leaders from 80 countries and leading to more than $1 Billion in distribution and film financing deals. IFTA also develops and publishes the IFTA Model Agreements which articulate the industry-wide standards and key definitions for licensing international rights in motion pictures and television programming and are reviewed and revised regularly to keep pace with the evolving worldwide film and television industry. For more information on IFTA, visit www.IFTA-online.org.

Media Contact:
Jennifer Garnick |VP, Communications
Independent Film & Television Alliance
jgarnick@ifta-online.org| +1.310.446.1006
AmericanFilmMarket.com | IFTA-online.org

AFI FEST 2025 PRESENTED BY CANVA ANNOUNCES SPONSORS AND PARTNERS – OPENS ON WEDNESDAY, OCTOBER 22

Posted by Larry Gleeson

AFI FEST 2025 PRESENTED BY CANVA ANNOUNCES SPONSORS AND PARTNERS FESTIVAL TO PRESENT OVER 160 FILMS
OPENS ON WEDNESDAY, OCTOBER 22

Tickets and Passes Available Online and at the AFI FEST Box Office During Festival

FOR IMMEDIATE RELEASE – Los Angeles, CA, October 20, 2025 — The American Film Institute (AFI) announced today the sponsors and partners for AFI FEST 2025 presented by Canva. This year’s festival runs from Wednesday, October 22 through Sunday, October 26 in Hollywood and the festival line-up includes 7 Red Carpet Premieres, 12 Special Screenings, 14 Luminaries selections, 15 Discovery films, 20 World Cinema selections, 15 Documentaries, 6 After Dark titles, 44 films in the Short Film Competition, and 23 films from the AFI Conservatory Showcase. There are 5 World Premieres, 5 North American Premieres and 5 U.S. Premieres.

Passes and tickets are available at FEST.AFI.com and at the AFI FEST Box Office located inside the TCL Chinese 6 Theatres Lobby during the festival. Sold-out screenings, including Red Carpet Premieres, will have a rush line.

“The worlds of art and entertainment are reliant on the support of those who believe, as AFI does, that film and festivals inspire a communal connection at a time we need them most,” said Bob Gazzale, AFI President & CEO.  “We are deeply grateful for the imperative support of our sponsors that ensure AFI FEST will lift the spirits of the tens of thousands of film lovers who are part of the AFI community.”

Canva returns as this year’s Presenting Sponsor for AFI FEST 2025 presented by Canva. The festival is proud to welcome an exceptional roster of Corporate Partners, including Official Water Partner FIJI Water, Premium Sponsor Apple Original Films, Northern Trust, AMC Networks, AT&T, Amazon MGM Studios, Netflix, and IMDbPro.

AFI FEST is delighted to welcome back AT&T, IMDbPro, Dell Technologies, and Stella Artois. The festival is also excited to welcome new sponsors Northern Trust, HitsBev, and Francis Ford Coppola’s Inglenook Wines.

AT&T returns with UNTOLD STORIES, its $1.2 million production grant program. Immediately following the screening of HONEYJOON—a winning project from the program—AT&T will host a discussion and invite filmmakers in the audience to submit applications for this prestigious grant opportunity.

IMDbPro returns as an AFI FEST sponsor and will host a portrait studio at the invite-only AFI FEST Filmmaker Party, empowering IMDbPro members in attendance with a complimentary professional headshot to enhance their industry presence. IMDbPro Premium members can add these and other images to their IMDb and IMDbPro name pages and select their primary and featured images as part of a suite of tools to manage and showcase their IMDb profile.

Building on last year’s successful workshop, Canva is hosting Design Without Limits: Panel and Workshop with Patty Jenkins and William Means on October 25 at 10:30am. AFI Alumni and collaborators on JUNKIE—screening at the Festival, October 26—director/screenwriter/producer William Means and executive producer Patty Jenkins will share their creative process and vision, from initial concept to final cut.

FIJI Water, the No. 1 premium imported bottled water in the U.S., proudly returns as the Official Water of AFI FEST. FIJI Water will once again appear at all red carpet premieres with its signature FIJI Water Bar, and throughout the festival, providing 500 mL bottles made from 100% recycled plastic (rPET) to keep attendees refreshed as they celebrate another year of exceptional achievements in film.

Northern Trust is the sponsor of the Red Carpet Premiere screening of JAY KELLY on October 23. AMC Networks is once again presenting the AFI Conservatory Showcase, scheduled for October 23-24.

This year’s In-Kind Sponsors include Panavision, Illuminar, Eventive, Ovation Hollywood, TCL Chinese Theatres, US Blanks, Cinegear and SirReel.

The Envelope by The Los Angeles Times is back as the festival’s Primary Media Partner and the Red Carpet Premieres Media Partner.

The Wall Street Journal, Variety, The Hollywood Reporter and ABC7 On the Red Carpet are Official Media Partners.

Affiliate Media Partners include TheWrap, IndieWire, Screen International, Los Angeles Magazine and KCRW.

The Official Media Partners and Affiliate Media Partners will each be presenting a dedicated Special Screening. The Wall Street Journal will present RENTAL FAMILY, Variety will present BUGONIA, The Hollywood Reporter will present TRAIN DREAMS, ABC7 On the Red Carpet will present IS THIS THING ON?, TheWrap will present REBUILDING, IndieWire will present THE CHRONOLOGY OF WATER, Screen International will present THE CHORAL and Los Angeles Magazine will present MERRILY WE ROLL ALONG.

This year’s Cultural Supporters include the European Languages and Movies in America (ELMA), Farhang Foundation, Japan House and SAGindie.

This year’s Community Partners are African Film Critics Association, Amoeba Music, Animation is Film, Antigravity Academy, Armenian Film Society, Asian American Media Alliance, ASIFA (Association International of Film Animation), BAFTA North America, Black Film Space, CalARTS, CAPE, The Cinegogue, Consulate General of France LA, Consulate General of Spain, Consulate of Belgium, Consulate of Croatia, Film Fatales, Film Independent, German Films Service, Ghetto Film School, GLAAD, Goethe Institute, GoldHouse, Hollywood Shorts, Italian Institute of Culture LA, LALIFF(Los Angeles Latino International Film Festival), Latino Filmmakers Network, International Documentary Association, Korean Cultural Center, LACMA, NALIP (National Association of Latino Independent Producers), New Filmmakers LA, Nimruz, Queer Film LA, Reframe, Revival Hub, SEEfest (South East European Film Festival), Trade Commission of Spain LA, Tramp Stamp Grannys, Undocumented Filmmakers Collective, USC Women of Cinematic Arts, VC Media, We The Latin, Women Independent Producers and Women in Film.

As previously announced, the festival will open with SPRINGSTEEN: DELIVER ME FROM NOWHERE and will close with the World Premiere of SONG SUNG BLUE.

JAY KELLY, NUREMBERG, DEAD MAN’S WIRE, CHRISTY and the World Premiere of THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS complete the Red Carpet Premieres section.

To learn more about AFI FEST and to view the full festival lineup visit FEST.AFI.com

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to FEST passes and exclusive one-of-a-kind opportunities at AFI FEST. To learn more, email Advancement@AFI.com.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

About AFI FEST
Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, X.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva
Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

Press contact: Shari Mesulam

Shari@themesulamgroup.com

American Film Institute

 

AFI FEST 2025 PRESENTED BY CANVA ANNOUNCES FULL FESTIVAL LINEUP

Posted by Larry Gleeson

AFI FEST 2025 PRESENTED BY CANVA ANNOUNCES FULL FESTIVAL LINEUP

Global Cinema Spotlights Include Films by Paolo Sorrentino, Werner Herzog, Kaouther Ben-Hania, Ildikó Enyedi, and Charlie Kaufman, Plus World Premieres by William Means, Joan Bofill Amargós as Part of a Program of More Than 160 Films

Official Selections Represent 56 Countries and Include 19 Best International Feature Oscar® Submissions   

Passes and Ticket Bundles Available Now

Tickets on Sale October 6

 

FOR IMMEDIATE RELEASE, Los Angeles, CA, September 30, 2025 — Today, the American Film Institute (AFI) unveiled the full lineup of 161 films screening at this year’s AFI FEST presented by Canva, taking place in Los Angeles from October 22-26. Passes are now available at FEST.AFI.com. 10-ticket bundles are also on sale, with ticket selection opening Friday, October 3. Individual tickets will be available starting Monday, October 6.

This year’s festival lineup includes 7 Red Carpet Premieres, 12 Special Screenings, 14 Luminaries selections, 15 Discovery films, 20 World Cinema selections, 15 Documentaries, 6 After Dark titles, 44 films in the Short Film Competition, and 23 films from the AFI Conservatory Showcase presented by AMC Networks. There are 5 World Premieres, 5 North American Premieres and 5 U.S. Premieres. Of the official selections, 39% are directed by women and 29% are directed by BIPOC filmmakers.

 

Jim Jarmusch’s Venice Golden Lion Winner FATHER MOTHER SISTER BROTHER

 

Rounding out the impressive slate of already announced titles are highlights such as Jim Jarmusch’s Venice Golden Lion Winner FATHER MOTHER SISTER BROTHER; Kaouther Ben-Hania’s Venice Silver Lion Jury Prize winner THE VOICE OF HIND RAJAB; Werner Herzog’s  GHOST ELEPHANTS; Charlie Kaufman’s highly anticipated short film HOW TO SHOOT A GHOST, starring Oscar®-nominee Jessie Buckley; Paolo Sorrentino’s LA GRAZIA; Mascha Schilinski’s SOUND OF FALLING; Charlie Polinger’s (AFI Class of 2017) THE PLAGUE, starring Joel Edgerton; Ildikó Enyedi’s SILENT FRIEND; Shih-Ching Tsou’s LEFT-HANDED GIRL, co-produced, co-written and edited by Sean Baker; plus the World Premieres of William Means’ (AFI Class of 2021) feature debut JUNKIE, executive produced by Patty Jenkins (AFI Class of 2000), and Joan Bofill Amargós’ documentary THE HANGING OF STUART CORNFELD, a portrait of film producer Stuart Cornfeld (AFI Class of 2000) featuring close friends and collaborators, including Jack Black, Mel Brooks, David Cronenberg, Guillermo del Toro, David Lynch, Steven Soderbergh and Ben Stiller.

 

Toronto-premiered debut feature AMOEBA from Singaporean filmmaker Siyou Tan’s (AFI DWW+ Class of 2019)

 

Additional highlights include several highly anticipated international titles making their U.S. or North American Premieres, including Singaporean filmmaker Siyou Tan’s (AFI DWW+ Class of 2019) Toronto-premiered debut feature AMOEBA; Iranian filmmaker Ali Asgari’s Venice-debuted DIVINE COMEDY; Thai filmmaker Pen-Ek Ratanaruang’s San Sebastián-premiered MORTE CUCINA; Armenian filmmaker Tamara Stepanyan’s MY ARMENIAN PHANTOMS, Armenia’s Best International Feature Oscar® submission; Mexican filmmaker Fernando Eimbcke’s Berlin-debuted OLMO, produced by Dede Gardner, Jeremy Kleiner and Eréndira Núñez Larios; Oscar®-nominated documentarian Daniel Raim’s (AFI Class of 1999) Venice-premiered THE OZU DIARIES; German filmmaker Julian Radlmaier’s Locarno-premiered PHANTOMS OF JULY; UK filmmaker Oscar Hudson’s Venice Critics’ Week Award Winner STRAIGHT CIRCLE; and French filmmaker Stéphane Demoustier’s Cannes-debuted THE GREAT ARCH, starring Claes Bang, Xavier Dolan and Swann Arlaud.

 

Fatih Akin’s AMRUM

 

This year’s edition will also include new works from top auteurs like Fatih Akin (AMRUM), Cherien Dabis (ALL THAT’S LEFT OF YOU), Jean-Pierre and Luc Dardenne (YOUNG MOTHERS), Lav Diaz (MAGELLAN), Annemarie Jacir (PALESTINE 36), Radu Jude (KONTINENTAL ‘25), Nadav Lapid (YES), Sergei Loznitsa (TWO PROSECUTORS), László Nemes (ORPHAN), François Ozon (THE STRANGER), Amanda Kramer (BY DESIGN), Hylnur Pálmason (THE LOVE THAT REMAINS), Christian Petzold (MIROIRS NO. 3), Ira Sachs (PETER HUJAR’S DAY), Lee Sang-il (KOKUHO), Hong Sang-soo (WHAT DOES THAT NATURE SAY TO YOU), Erige Sehiri (PROMISED SKY) and Carla Simón (ROMERÍA).

 

Clay Tweel’s ANDY KAUFMAN IS ME

 

Among the other high-profile documentary selections screening at this year’s festival are Clay Tweel’s ANDY KAUFMAN IS ME; Gianfranco Rosi’s BELOW THE CLOUDS; Laura Poitras and Mark Obenhaus COVER-UP; Ben Proudfoot’s THE EYES OF GHANA; Brandon Kramer’s HOLDING LIAT; Daniel Junge and Sam Pollard’s I WAS BORN THIS WAY; Chai Vasarhelyi and Jimmy Chin’s LOVE+WAR; Tamara Kotevska’s THE TALE OF SILYAN; plus Brittany Shyne’s SEEDS and Isabel Castro’s SELENA Y LOS DINOS, both Sundance award winners.

 

International Feature Oscar submissions, ALL THAT’S LEFT OF YOU. (Jordan)

 

This year’s program represents 56 countries and includes 19 Best International Feature Oscar® submissions, including ALL THAT’S LEFT OF YOU (Jordan), EAGLES OF THE REPUBLIC (Sweden), FIUME OR DEATH! (Croatia), HAPPY BIRTHDAY (Egypt), KOKUHO (Japan), LEFT-HANDED GIRL (Taiwan), THE LOVE THAT REMAINS (Iceland), MAGELLAN (Philippines), MY ARMENIAN PHANTOMS (Armenia), THE MYSTERIOUS GAZE OF THE FLAMINGO (Chile), ORPHAN (Hungary), PALESTINE 36 (Palestine), A POET (Colombia), THE PRESIDENT’S CAKE (Iraq), SOUND OF FALLING (Germany), THE TALE OF SILYAN (North Macedonia), A USEFUL GHOST (Thailand, THE VOICE OF HIND RAJAB (Tunisia), and YOUNG MOTHERS (Belgium).

 

Todd Hitchcock, Director of AFI FEST and the AFI Silver Theatre and Cultural Center

“With more than 90 features and nearly 70 shorts, AFI FEST 2025 will be our biggest program in recent memory,” said Todd Hitchcock, Director of AFI FEST and the AFI Silver Theatre and Cultural Center. “But more importantly, this year’s selection reflects a diversity of viewpoints, artistry and daring from filmmakers across the globe.”

 

Abbie Algar, Director of Programming, AFI FEST and AFI Silver Theatre and Cultural Cente

“AFI FEST’s unique mix of red carpet premieres, major works from established auteurs and impressive debuts from new talents makes for an action-packed five days of great cinema, which will spark conversation and stir imagination,” said Abbie Algar, Director of Programming, AFI FEST and AFI Silver Theatre and Cultural Center. “We look forward to welcoming the film lovers of Los Angeles back to the iconic TCL Chinese Theatre, as well as, this year, The Egyptian Theatre.”

Canva is the exclusive Presenting Sponsor of AFI FEST. FIJI Water is the festival’s Official Water Sponsor.

 

Frankenstein. Writer/Director/Producer Guillermo del Toro of Frankenstein. Cr. John Wilson/Netflix © 2025.

As previously announced, Academy Award®-winning filmmaker Guillermo del Toro will serve as Guest Artistic Director of this year’s festival. Del Toro’s selected screenings will include Stanley Kubrick’s BARRY LYNDON (1975), Federico Fellini’s CASANOVA (1976), Ridley Scott’s THE DUELLISTS (1977), and Pupi Avati’s ARCANE SORCERER (1996). The festival will open on October 22 with SPRINGSTEEN: DELIVER ME FROM NOWHERE and will close on Sunday, October 26 with the World Premiere of SONG SUNG BLUE. Gala Screenings include JAY KELLY on Thursday, October 23, NUREMBERG on Friday, October 24, DEAD MAN’S WIRE on the afternoon of Saturday, October 25, and CHRISTY on the evening of Saturday, October 25 and the World Premiere of THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS on the afternoon of Sunday, October 26.

 

Special Screenings section, BAD APPLES

 

AFI also announced the lineup for the Special Screenings section, which will include BAD APPLES, BUGONIA, THE CHORAL, THE CHRONOLOGY OF WATER, IS THIS THING ON?, A MAGNIFICENT LIFE, MERRILY WE ROLL ALONG, the World Premiere of NEBRASKA LIVE, REBUILDING, RENTAL FAMILY, THE TESTAMENT OF ANN LEE and TRAIN DREAMS.

 

 

Passes to AFI FEST 2025 are now available for purchase online at FEST.AFI.com. Festivalgoers have the opportunity to purchase a Star Pass or upgrade to a Patron Pass. The AFI FEST Star Pass is a five-day pass with access to all screenings (excluding Red Carpet Premieres), early screening selection before individual tickets go on sale, priority theater access, entry to the festival lounge, invitation to the festival mixer to mingle with filmmakers and guests, a complimentary AFI FEST tote and free Rush Line access to all screenings. The AFI FEST Patron Pass features all the benefits of the Star Pass plus two tickets to each of the star-studded Red Carpet Premieres held at the historic TCL Chinese Theatre and priority screening selection before Star passholders.

AFI FEST is recognized by the Academy of Motion Picture Arts and Sciences as a qualifying festival for the Live Action, Animated and Documentary Short Film categories for the annual Academy Awards®. AFI FEST is also a qualifying festival for consideration for the British Short Film categories of both the BAFTA Film Awards and the British Independent Film Awards (BIFA).

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to exclusive one-of-a-kind opportunities at AFI events, including AFI FEST. To learn more, email Advancement@AFI.com.

Canva, the all-in-one visual communication and collaboration platform, returns as the exclusive Presenting Sponsor of AFI FEST 2025. Designed to empower entertainment professionals to visualize their ideas into impactful film and TV projects, Canva will be integrated throughout AFI FEST including hosting industry networking events, hands-on training workshops for filmmakers, and powering the festival’s digital and printed materials. Entertainment professionals can explore resources to pitch projects, plan shoots, and bring creative visions to life at canva.com/entertainment.

 

Harvey Keitel and Daphna Kastner – AFI FEST 2021 Red Carpet Premiere Screening of THE POWER OF THE DOG, TCL Chinese Theatre, Los Angeles, California, Nov. 11, 2021 – Photo Credit: Rob Latour/AFI/Shutterstock

 

Red Carpet Premieres

AFI rolls out the red carpet for some of the biggest films of the festival. Sure to be an exciting celebration of the best in film, the section delivers world-class filmmakers and artisans, and a dose of Hollywood magic that can only be found at the iconic TCL Chinese Theatre.

CHRISTY
In David Michôd’s stirring biopic CHRISTY, Christy Martin (Sydney Sweeney) never imagined life beyond her small-town roots in West Virginia—until she discovered a knack for knocking people out. Fueled by grit, raw determination, and an unshakable desire to win, she charges into the world of boxing under the guidance of her trainer and manager-turned-husband, Jim (Ben Foster). But while Christy flaunts a fiery persona in the ring, her toughest battles unfold outside it—confronting family, identity, and a relationship that just might become life-or-death. Based on remarkable true events, Christy Martin’s story is one of resilience, courage, and the fight to reclaim one’s life. DIR David Michôd. SCR Mirrah Foulkes, David Michôd. CAST Sydney Sweeney, Ben Foster, Merritt Wever, Katy O’Brian, Chad L. Coleman. USA

DEAD MAN’S WIRE
Gus Van Sant returns with the incredible true story of an infamous 1977 kidnapping and ransom over a business deal gone bad, with the kidnapper (Bill Skarsgård) demanding restitution and an apology from the mortgage broker whose company ripped him off. DIR Gus Van Sant. SCR Austin Kolodney. CAST Bill Skarsgård, Dacre Montgomery, Cary Elwes, Myha’la, Colman Domingo, Al Pacino. USA

JAY KELLY
JAY KELLY, the new film from Academy Award nominee Noah Baumbach, follows famous movie actor, Jay Kelly (George Clooney), as he embarks on a journey of self-discovery confronting both his past and present, accompanied by his devoted manager Ron (Adam Sandler). Poignant and humor filled, epic and intimate, JAY KELLY is pitched at the intersection of life’s regrets and notable glories. DIR Noah Baumbach. SCR Noah Baumbach, Emily Mortimer. CAST George Clooney, Adam Sandler, Laura Dern, Billy Crudup, Riley Keough, Greta Gerwig, Emily Mortimer. USA

NUREMBERG
NUREMBERG chronicles the true story of the war crimes trials held by the Allies against the defeated Nazi regime. The film centers on American psychiatrist Douglas Kelley (Rami Malek), who is tasked with determining whether Nazi prisoners are fit to stand trial for their atrocities and finds himself in a complex battle of wits with former Reichsmarschall Hermann Göring (Russell Crowe), Hitler’s right-hand man. DIR James Vanderbilt. SCR James Vanderbilt. CAST Russell Crowe, Rami Malek, Michael Shannon, Richard E. Grant, Leo Woodall, John Slattery. USA

SONG SUNG BLUE
Based on a true story, two down-on-their-luck musicians (Hugh Jackman and Kate Hudson) form a joyous Neil Diamond tribute band, proving it’s never too late to find love and follow your dreams. Written, directed and produced by Craig Brewer. DIR Craig Brewer. SCR Craig Brewer. CAST Hugh Jackman, Kate Hudson, Michael Imperioli, Fisher Stevens, Jim Belushi. USA

SPRINGSTEEN: DELIVER ME FROM NOWHERE
SPRINGSTEEN: DELIVER ME FROM NOWHERE chronicles the making of Bruce Springsteen’s legendary 1982 acoustic album “Nebraska,” written and recorded at a pivotal time in the young musician’s life, on the cusp of global superstardom. Starring Jeremy Allen White as the Boss and Jeremy Strong as his manager Jon Landau. DIR Scott Cooper. SCR Scott Cooper. CAST Jeremy Allen White, Jeremy Strong, Paul Walter Hauser, Stephen Graham, Odessa Young. USA

THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS
Arrrr you ready? SpongeBob and his Bikini Bottom friends set sail in their biggest adventure yet, THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS. Desperate to be a big guy, SpongeBob sets out to prove his bravery to Mr. Krabs by following The Flying Dutchman — a mysterious swashbuckling ghost pirate — on a seafaring comedy-adventure that takes him to the deepest depths of the deep sea, where no Sponge has gone before. DIR Derek Drymon. SCR Pam Brady, Matt Lieberman. CAST Tom Kenny, Clancy Brown, Rodger Bumpass, Bill Fagerbakke, Carolyn Lawrence. USA

* PRECEDED BY: TEENAGE MUTANT NINJA TURTLES: CHROME ALONE 2 — LOST IN NEW JERSEY
When a mysterious toy company exploits the Turtles’ newfound fame, the brothers follow the clues to New Jersey where they stumble upon a shocking discovery. DIR Kent Seki. USA

Special Screenings

Highlighting the most acclaimed films of the season from both master filmmakers and emerging talents, these films stand apart for their artistry and unforgettable stories, characters and performances.

BAD APPLES
In this delectably dark satire, an exquisite Saoirse Ronan plays an overworked schoolteacher whose pupils’ studies improve after she removes a foulmouthed and violent student from her classroom — by inadvertently kidnapping and locking him up in her basement. DIR Jonatan Etzler. SCR Jess O’Kane. CAST Saoirse Ronan, Eddie Waller, Nia Brown, Jacob Anderson, Rakie Ayola, Robert Emms, Sean Gilder. UK

BUGONIA
Two conspiracy-obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth. DIR Yorgos Lanthimos. SCR Will Tracy. CAST Emma Stone, Jesse Plemons, Aidan Delbis, Stavros Halkias, Alicia Silverstone. UK

IS THIS THING ON?
Bradley Cooper’s beautifully affecting comedic drama stars Will Arnett and Laura Dern in standout performances as a New York couple whose separation leads to major midlife self-reckoning and reinvention. When Arnett’s character attempts open-mic standup at a comedy club with confessional, self-deprecating material, a whole new world opens for him. DIR Bradley Cooper. SCR Bradley Cooper, Will Arnett, Mark Chappell. CAST Will Arnett, Laura Dern, Andra Day, Bradley Cooper, Amy Sedaris, Sean Hayes, Christine Ebersole, Ciarán Hinds, Scott Icenogle. USA

A MAGNIFICENT LIFE (MARCEL ET MONSIEUR PAGNOL)
In 1955, 60-year-old Marcel Pagnol is a well-known and acclaimed playwright and filmmaker. When the editor-in-chief of ELLE magazine commissions a weekly column about Pagnol’s childhood, he sees this as a great opportunity to go back to his artistic roots: writing. Realizing his memory is failing him and deeply affected by the disappointing results of his last two plays, Pagnol starts doubting his ability to pursue his work. That is, until Little Marcel – the young boy he used to be – appears to him as if by magic. Together, they will explore Marcel Pagnol’s incredible life and bring back to life his most cherished encounters and memories. DIR Sylvain Chomet. SCR Sylvain Chomet. CAST Matthew Gravelle, Lu Corfield, Jonathan Keeble, Celyn Jones, Jess Nesling, Flora Montgomery. France, Luxembourg, Belgium

MERRILY WE ROLL ALONG
Spanning three decades, Stephen Sondheim and George Furth’s Merrily We Roll Along charts the turbulent relationship between composer Franklin Shepard and his two lifelong friends — writer Mary and lyricist & playwright Charley. Originally produced on Broadway in 1981, then becoming an inventive cult-classic ahead of its time, Merrily We Roll Along features some of Stephen Sondheim’s most celebrated and personal songs. DIR Maria Friedman. SCR Music and lyrics by Stephen Sondheim, book by George Furth, based on the original play by George S. Kaufman and Moss Hart. CAST Daniel Radcliffe, Jonathan Groff, Lindsay Mendez, Crystal Joy Brown, Katie Rose Clarke, Reg Rogers. USA

NEBRASKA LIVE
Bruce Springsteen performs the songs from his 1982 album “Nebraska” for the first time ever in its entirety in an intimate soundstage setting. Shot in moody black-and-white, the film is directed by Springsteen’s longtime filmic collaborator Thom Zimny. DIR Thom Zimny. CAST Bruce Springsteen. USA

REBUILDING
Divorced and displaced Colorado rancher Dusty (Josh O’Connor) re-enters the lives of his ex-wife Ruby (Meghann Fahy) and young daughter when he loses his family ranch to a devastating wildfire. DIR Max Walker-Silverman. SCR Max Walker-Silverman. CAST Josh O’Connor, Meghann Fahy, Amy Madigan, Kali Reis, Lily LaTorre, Nancy Morlan, Zeilyanna Martinez. USA

RENTAL FAMILY
Academy Award® winner Brendan Fraser plays an American actor in modern-day Tokyo hired by a “rental family” agency to serve as a stand-in for clients. As he immerses himself in his clients’ worlds, he begins to form genuine bonds that blur the lines between performance and reality. Confronting the moral complexities of his work, he rediscovers purpose, belonging, and the quiet beauty of human connection. DIR HIKARI. SCR HIKARI, Stephen Blahut. CAST Brendan Fraser, Takehiro Hira, Mari Yamamoto, Shannon Gorman, Akira Emoto. USA, Japan

THE CHORAL
1916. As war rages on the Western Front, the Choral Society in Ramsden, Yorkshire has lost most of its men to the army. The Choral’s ambitious committee, determined to press ahead, decides to recruit local young males to swell their ranks. They must also engage a new chorus master, and despite their suspicions that he has something to hide, their best bet seems to be Dr. Henry Guthrie (Ralph Fiennes) – driven, uncompromising, and recently returned from a career in Germany. As conscription papers start to arrive, the whole community discovers that the best response to the chaos that is laying waste to their lives is to make music together. DIR Nicholas Hytner. SCR Alan Bennett. CAST Ralph Fiennes, Roger Allam, Mark Addy, Alun Armstrong, Robert Emms, Lyndsey Marshal, Ron Cook, Amara Okereke, Emily Fairn, Shaun Thomas, Jacob Dudman, Oliver Briscombe, Taylor Uttley, Simon Russell Beale. UK

THE CHRONOLOGY OF WATER
Kristen Stewart’s staggering directorial debut adapts Lidia Yuknavitch’s memoir of abuse and healing, anchored by a raw and revelatory performance from Imogen Poots. DIR Kristen Stewart. SCR Kristen Stewart. CAST Imogen Poots, Thora Birch, Earl Cave, Kim Gordon, Jim Belushi, Tom Sturridge. USA, France, Latvia

THE TESTAMENT OF ANN LEE
A bold colonial-era musical, THE TESTAMENT OF ANN LEE follows visionary Shaker leader Ann Lee as she builds a radical utopian faith in 18th century America. Amanda Seyfried stars as Lee in a career-defining role. Academy Award® winner Daniel Blumberg composed the score and original songs for the film. DIR Mona Fastvold. SCR Mona Fastvold, Brady Corbet. CAST Amanda Seyfried, Thomasin McKenzie, Lewis Pullman, Tim Blake Nelson, Christopher Abbott. UK

TRAIN DREAMS
Based on Denis Johnson’s beloved novella, Train Dreams is the moving portrait of Robert Grainier (Joel Edgerton), a logger and railroad worker who leads a life of unexpected depth and beauty in the rapidly changing America of the early 20th Century. DIR Clint Bentley. SCR Clint Bentley, Greg Kwedar. CAST Joel Edgerton, Felicity Jones, Kerry Condon, William H. Macy, Nathaniel Arcand, Clifton Collins Jr., John Diehl, Paul Schneider. USA

Luminaries

The latest films from world-renowned filmmakers whose work continues to challenge and inspire.

AMRUM
Germany, 1945: a 12-year-old boy on the isolated North Sea Island of Amrum begins to learn the truth about his country, which is on the precipice of total defeat, despite the propaganda fed to him. Fatih Akin directs, from an autobiographical screenplay by octogenarian filmmaker Hark Bohm. DIR Fatih Akin. SCR Hark Bohm, Fatih Akin. CAST Jasper Billerbeck, Laura Tonke, Lisa Hagmeister, Kian Köppke, Diane Kruger. Germany

FATHER MOTHER SISTER BROTHER
Winner of the Golden Lion at this year’s Venice International Film Festival and starring Tom Waits, Adam Driver and Cate Blanchett, legendary indie auteur Jim Jarmusch’s newest work is a wry gem about the timeworn drift of familial intimacy. DIR Jim Jarmusch. SCR Jim Jarmusch. CAST Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett, Vicky Krieps, Indya Moore, Luka Sabbat. USA, Ireland, France

GHOST ELEPHANTS
Part nature detective documentary, part fever dream, Werner Herzog’s latest documentary journeys into Angola’s remote highlands, alongside National Geographic explorer Dr. Steve Boyes, on a quest to document the existence of the mythic “ghost elephant.” DIR Werner Herzog. SCR Werner Herzog. CAST Steve Boyes, Werner Herzog. USA

HOW TO SHOOT A GHOST
This impressionistic short film, from visionary director Charlie Kaufman, stars Jessie Buckley as a ghost roaming the streets of Athens in search of the city’s past and present. DIR Charlie Kaufman. SCR Eva H.D.. CAST Jessie Buckley, Josef Akiki, Eva H.D.. USA, Greece

KONTINENTAL ’25
Radu Jude won the Best Screenplay award at the 2025 Berlin Film Festival for this scabrous black comedy about a guilt-wracked civil servant’s effort to clear her conscience, instead discovering that guilt is only a relative concept in contemporary Romania. DIR Radu Jude. SCR Radu Jude. CAST Eszter Tompa, Gabriel Spahiu, Adonis Tanța, Oana Mardare, Șerban Pavl. Romania

LA GRAZIA
Filmmaker Paolo Sorrentino reunites with actor Toni Servillo in this parable-like tale of parliamentary politics and ethical decisions, where Servillo’s aging, depressive president must weigh up and decide on a series of increasingly difficult legal dilemmas. DIR Paolo Sorrentino. SCR Paolo Sorrentino. CAST Toni Servillo, Anna Ferzetti, Massimo Venturiello. Italy

MAGELLAN (MAGALHÃES)
Gael García Bernal stars as infamous navigator Ferdinand Magellan in Filipino filmmaker Lav Diaz’s monumental story of colonialism and resistance. DIR Lav Diaz. SCR Lav Diaz. CAST Gael García Bernal, Ângela Azevedo, Amado Arjay Babon, Ronnie Lazaro, Hazel Orencio. Portugal, Spain, France, Philippines, Taiwan

MIROIRS NO. 3
The survivor of a car crash is taken in by a nearby family in this drama of mysterious connections from director Christian Petzold and his frequent collaborator, actress Paula Beer. DIR Christian Petzold. SCR Christian Petzold. CAST Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs. Germany

PETER HUJAR’S DAY
Legendary photographer Peter Hujar (Ben Whishaw) spends an afternoon with writer Linda Rosenkrantz (Rebecca Hall), regaling her with the minute, gossip-filled details of his previous day. Recorded in 1974, the re-discovered transcript serves as the basis for Ira Sach’s luminous ode to a bygone New York. DIR Ira Sachs. SCR Ira Sachs. CAST Rebecca Hall, Ben Whishaw. USA, Germany

SILENT FRIEND
This century-spanning drama from Ildikó Enyedi (ON BODY AND SOUL) unites the stories of three researchers, from the same university but separated by generations, who study the inner life of plants and expand their sense of time and perception in the process. DIR Ildikó Enyedi. SCR Ildikó Enyedi. CAST Tony Leung Chiu-wai, Luna Wedler, Enzo Brumm, Sylvester Groth, Martin Wuttke. Germany, France, Hungary

THE STRANGER (L’ÉTRANGER)
François Ozon brings Albert Camus’ acclaimed 1942 novel to the big screen as a sun-baked, black-and-white neo-noir, a potent blend of psychological thriller and anti-colonial critique. DIR François Ozon. SCR François Ozon. CAST Benjamin Voisin, Rebecca Marder, Pierre Lottin, Swann Arlaud, Denis Lavant. France, Belgium, Morocco

TWO PROSECUTORS
Set in 1937 at the peak of Josef Stalin’s Great Purge — yet chillingly relevant today — Sergei Loznitsa’s dark parable of tyranny is based on a short story by the dissident writer and scientist Georgy Demidov, who was himself imprisoned for nearly 20 years. DIR Sergei Loznitsa. SCR Sergei Loznitsa. CAST Aleksandr Kuznetsov, Aleksandr Filippenko, Anatoli Beliy, Andris Keišs, Vytautas Kaniušonis. France, Germany, Netherlands, Latvia, Romania, Lithuania

WHAT DOES THAT NATURE SAY TO YOU
Tensions arise when a struggling, idealistic poet meets his girlfriend’s family at their idyllic, hillside countryside home in Hong Sang-soo’s latest feature — a quietly profound meditation on the complexities of filial love and familial strife. DIR Hong Sang-soo. SCR Hong Sang-soo. CAST Ha Seongguk, Kwon Haehyo, Cho Yunhee, Kang Soyi, Park Miso. South Korea

YOUNG MOTHERS (JEUNES MÈRES)
In a Liège group home, five teenage mothers navigate abandonment, fractured families, and the steep learning curve of parenthood — finding unexpected strength and solace in each other’s company in this tender, unflinching drama from the Dardenne brothers. DIR Jean-Pierre Dardenne, Luc Dardenne. SCR Jean-Pierre Dardenne, Luc Dardenne. CAST Babette Verbeek, Elsa Houben, Janaina Halloy Fokan, Lucie Laruelle, Samia Hilmi. Belgium, France

Discovery

A showcase for exciting new voices that push the boundaries of contemporary cinema with cutting-edge themes and original visions.

A POET (UN POETA)
Winner of Cannes’ Un Certain Regard Jury Prize, Colombian director Simón Mesa Soto’s delightfully deadpan sophomore feature is an absurdist tragicomedy about a washed-up poet mentoring a gifted teen writer. DIR Simón Mesa Soto. SCR Simón Mesa Soto. CAST Ubeimar Rios, Rebeca Andrade, Guillermo Cardona, Allison Correa, Margarita Soto. Colombia, Germany, Sweden

A USEFUL GHOST (PEE CHAI DAI KA)
When Academic Ladyboy calls a repairman to fix his possessed vacuum cleaner, two interconnected stories of reincarnation unearth a heartfelt plea for the remembrance of personal history and a biting proclamation for collective labor dissent in Thai filmmaker Ratchapoom Boonbunchachoke’s absurdist feature debut. DIR Ratchapoom Boonbunchachoke. SCR Ratchapoom Boonbunchachoke. CAST Davika Hoorne, Witsarut Himmarat, Apasiri Nitibhon, Wanlop Rungkumjad, Wisarut Homhuan. Thailand, Singapore, France, Germany

AMOEBA
At an elite all-girls Chinese school in Singapore, 16-year-old Choo and her gang of misfits challenge the authoritarian faculty and the strict doctrines that bind them in this sharp-witted debut from rising filmmaker Siyou Tan (AFI DWW Class of 2019). DIR Tan Siyou. SCR Tan Siyou. CAST Ranice Tay, Nicole Lee, Lim Shi-An, Genevieve Tan, Jack Kao. Singapore, Netherlands, France, Spain, South Korea

FANTASY LIFE
Recently laid-off Sam Stein is a lifelong neurotic who struggles with panic attacks, but his mental state starts changing for the better when he begins babysitting the grandchildren of his psychiatrist. DIR Matthew Shear. SCR Matthew Shear. CAST Amanda Peet, Matthew Shear, Alessandro Nivola, Judd Hirsch, Bob Balaban. USA

HAPPY BIRTHDAY
Toha — the child maid of an upper-class Cairo family — forges an unlikely bond with her employer’s daughter Nelly and becomes fixated on planning her new friend’s ninth birthday celebration. DIR Sarah Goher. SCR Sarah Goher, Mohamed Diab. CAST Doha Ramadan, Nelly Karim, Hanan Motawie, Hanan Youssef. Egypt

HONEYJOON
In the beautiful Azorean Islands, an American woman and her Persian-Kurdish mother reckon with memory, exile and the complicated bond between them. HONEYJOON mixes humor, heartbreak and stunning landscapes to reveal how loss can fracture — and ultimately renew — the ties that hold us together. DIR Lilian T. Mehrel. SCR Lilian T. Mehrel. CAST Ayden Mayeri, Amira Casar, José Condessa. USA

JUNKIE
AFI Conservatory alum William Means’ (AFI Class of 2021) spirited debut is an eccentric odyssey through rural America — following meth-addicted, perpetual screwup Stevie (Rocky Shay) on a quest to evade rehab, repay her debts and reconcile with her estranged son. DIR William Means. SCR William Means. CAST Rocky Shay, Jessica Lea Risco, Kian Morr, Rett Keeter, Drew Faulkner. USA

LUCKY LU
After his e-bike gets stolen, delivery driver Lu goes on a desperate journey across New York’s Chinatown in this visceral social realist drama about the cost of the American Dream. DIR Lloyd Lee Choi. SCR Lloyd Lee Choi. CAST Chang Chen, Fala Chen, Carabelle Manna Wei. USA, Canada

MY FATHER’S SHADOW
In 1993 Lagos, on the day of the first election in a decade, young brothers Akin and Remi reunite with their absent father on a hasty road trip. History, memory and nostalgia blends into a vividly realized work of autofiction in Nigeria’s first ever Cannes selection. DIR Akinola Davies Jr.. SCR Wale Davies, Akinola Davies Jr.. CAST Ṣọpẹ́ Dìrísù, Chibuike Marvellous Egbo, Godwin Egbo. Nigeria, UK

SILENT REBELLION (A BRAS-LE-CORPS)
Set in neutral Switzerland during World War II, this triumphant debut feature is a feminist coming-of-age drama that weighs the costs of courage on two fronts: the neighboring war and a young woman’s refusal to lead a life she never wanted. DIR Marie-Elsa Sgualdo. SCR Marie-Elsa Sgualdo, Nadine Lamari. CAST Lila Gueneau, Sasha Gravat Harsch, Cyril Metzger. Switzerland, Belgium, France

SOUND OF FALLING (IN DIE SONNE SCHAUEN)
Mascha Schilinski’s stunning sophomore feature is a hypnotic, time-traversing portrait of four generations of women living in the same isolated German farmhouse over the course of a century. DIR Mascha Schilinski. SCR Louise Peter, Mascha Schilinski. CAST Hanna Heckt, Lena Urzendowsky, Laeni Geiseler, Lea Drinda, Susanne Wuest. Germany

THE MYSTERIOUS GAZE OF THE FLAMINGO (LA MISTERIOSA MIRADA DEL FLAMENCO)
Queer love shines with contradicting exuberance in Diego Céspedes’ audacious Cannes prize-winning debut about a commune of crossdressers set in a reimagined desert town in Chile during the dawn of the AIDS epidemic. DIR Diego Céspedes. SCR Diego Céspedes. CAST Tamara Cortés, Matías Catalán, Paula Dinamarca, Claudia Cabezas, Luis Dubó. Chile, France, Germany, Spain, Belgium

THE PLAGUE
AFI Conservatory Alum Charlie Polinger (AFI Class of 2017) makes his striking feature debut with this toxic story of pre-teen posturing at an all-boys’ water polo camp. Equal parts hilarious and disturbing (puberty in a nutshell), Polinger melds body horror with a razor-sharp insight into the subconscious psyche of adolescence. DIR Charlie Polinger. SCR Charlie Polinger. CAST Joel Edgerton, Everett Blunck, Kayo Martin, Kenny Rasmussen, Lucas Adler. USA, Romania

THE PRESIDENT’S CAKE (MAMLAKET AL-QASAB)
Set in 1990s Iraq under Saddam Hussein’s authoritarian rule, Hasan Hadi’s Cannes award-winning debut follows a young girl’s perilous quest to bake a cake to mark her school’s mandatory Presidential birthday celebrations. DIR Hasan Hadi. SCR Hasan Hadi. CAST Baneen Ahmed Nayyef, Sajad Mohamad Qasem, Waheeda Thabet Khreibat, Rahim AlHaj. Iraq, USA, Qatar

WE BELIEVE YOU (ON VOUS CROIT)
Family secrets unravel over the course of a crucial day as a mother fights for her children in a tense custody battle in this astutely layered, gripping debut feature. DIR Charlotte Devillers, Arnaud Dufeys. SCR Charlotte Devillers, Arnaud Dufeys. CAST Myriem Akheddiou, Laurent Capelluto, Natali Broods, Ulysse Goffin, Adèle Pinckaers. Belgium

World Cinema

The best in global cinema comes to the movie capital of the world, celebrating the diversity of world culture through the shared language of cinema.

1001 FRAMES
Actresses in an audition for Scheherazade in “A Thousand and One Nights” endure increasingly confrontational and innuendo-laden questioning from their male director in Iranian American filmmaker Mehrnoush Alia’s provocative debut feature. DIR Mehrnoush Alia. SCR Mehrnoush Alia. CAST Mohammad Aghebati, Mahin Sadri, Leili Rashidi, Mahsa Rezaei, Behafarid Ghaffarian. Iran, USA

ALL THAT’S LEFT OF YOU (اللي باقي منك)
In the Occupied West Bank of the 1980s, a Palestinian teenager is swept into a protest that changes the course of his family’s life. Reeling from its aftermath, his mother, Hanan, shares the story that led them to that fateful moment. Spanning seven decades, this epic drama traces the hopes and heartaches of one uprooted family, revealing not only the scars of displacement, but the unbreakable spirit of survival. DIR Cherien Dabis. SCR Cherien Dabis. CAST Saleh Bakri, Cherien Dabis, Adam Bakri, Maria Zreik, Mohammad Bakri. Germany, Cyprus, Palestine, Jordan, Greece, Qatar, Saudi Arabia

CASE 137 (DOSSIER 137)
A tenacious internal affairs investigator in Paris confronts police brutality, political pressure and personal doubt when she takes on a controversial case involving a protester gravely injured by riot police. DIR Dominik Moll. SCR Dominik Moll, Gilles Marchand. CAST Léa Drucker, Yoann Blanc, Guslagie Malanda. France

DIVINE COMEDY (KOMEDIE ELAHI)
Notable Iranian filmmaker Ali Asgari (TERRESTRIAL VERSES) blurs the lines between fiction and reality in his latest feature, which follows filmmaker Bahram Ark and producer Sadaf Asgari (as thinly veiled versions of themselves) on a mission to screen their banned film for a local audience in Iran. DIR Ali Asgari. SCR Alireza Khatami, Bahram Ark, Ali Asgari. CAST Hossein Soleimani, Mohammad Soori, Amirreza Ranjbaran, Faezeh Rad. Iran, Italy, France, Germany, Turkey

EAGLES OF THE REPUBLIC
Tarik Saleh’s latest political thriller stars Fares Fares as the most famous actor in Egypt, who is offered a role he can’t refuse: portraying current president Abdel Fattah Al-Sisi as a heroic soldier. DIR Tarik Saleh. SCR Tarik Saleh. CAST Fares Fares, Lyna Khoudri, Zineb Triki, Amr Waked, Cherien Dabis. Sweden, France, Denmark

KOKUHO
Sang-il Lee’s sumptuous epic tells a decades-spanning tale of devotion and sacrifice for the revered craft of Kabuki. Beginning in 1964 Nagasaki and unfolding over the next 50 years, young Kikuo (Soya Kurokawa) is taken under the wing of renowned Kabuki maestro Hanjiro Hanai (Ken Watanabe) after his yakuza father was slain. DIR Sang-il Lee. SCR Satoko Okudera. CAST Ryo Yoshizawa, Ryusei Yokohama, Mitsuki Takahata, Shinobu Terajima, Nana Mori. Japan

LEFT-HANDED GIRL
Shih-Ching Tsou’s solo debut, co-written and produced by longtime collaborator Sean Baker, is a vibrant iPhone-shot portrait of Taipei as seen through the eyes of three generations of women navigating family, tradition and independence. DIR Shih-Ching Tsou. SCR Shih-Ching Tsou, Sean Baker. CAST Shih-Yuan Ma, Janel Tsai, Nina Ye, Teng-Hui Huang. Taiwan, France, USA, UK

LIVING THE LAND (SHENG XI ZHI DI)
Young director Huo Meng (Best Director, 2025 Berlin Film Festival) confirms his talent with this epic tale of a farm family navigating life-changing events in ‘90s rural China, recalling the work of both early Zhang Yimou and Meng’s mentor, Jia Zhangke. DIR Huo Meng. SCR Huo Meng. CAST Wang Shang, Zhang Chuwen, Zhang Yanrong, Zhang Caixia, Cao Lingzhi. China

OLMO
In this heartfelt coming-of-age story set in 1979 New Mexico, a teen navigates family duty and first love on his quest to beg, borrow and steal his way to a neighborhood party. DIR Fernando Eimbcke. SCR Fernando Eimbcke, Vanesa Garnica. CAST Aivan Uttapa, Gustavo Sánchez Parra, Andrea Suárez Paz, Rosa Armendariz, Melanie Frometa. USA, Mexico

ORPHAN (ÁRVA)
László Nemes, an Oscar® winner for 2015’s SON OF SAUL, returns with another trenchant exploration of Hungary’s 20th century history — this time set in 1957, just one year after the USSR brutally suppressed the Hungarian Uprising. Andor (Bojtorján Barabas) longs for the return of his father, missing since the war, but his mother suggests his father may actually be another man. DIR László Nemes. SCR László Nemes, Clara Royer. CAST Bojtorján Barabas, Andrea Waskovics, Grégory Gadebois, Elíz Szabó, Soma Sándor, Hermina Fátyol. Hungary, UK, France, Germany

PALESTINE 36
Annemarie Jacir’s sweeping, timely and deeply affecting historical epic brings to life a pivotal period in Palestinian history in the months leading up to the Arab Revolt of 1936. DIR Annemarie Jacir. SCR Annemarie Jacir. CAST Hiam Abbass, Kamel Al Basha, Yasmine Al Massri, Jalal Altawil, Liam Cunningham, Jeremy Irons. France, Palestine, Qatar, Saudi Arabia, UK

PHANTOMS OF JULY (SEHNSUCHT IN SANGERHAUSEN)
An ethereal, intoxicating comedy, Julian Radlmaier’s fifth feature is as light as a summer breeze, but its simple pleasures hide profound truths about the ghosts of the past and the mysteries of the present in the sleepy East German village of Sangerhausen. DIR Julian Radlmaier. SCR Julian Radlmaier. CAST Clara Schwinning, Maral Keshavarz, Henriette Confurius, Paula Schindler, Ghazal Shojaei, Kyung-Taek Lie. Germany

PIN DE FARTIE
Adapting Samuel Beckett’s iconic 1957 play “Endgame” with gleeful, reckless abandon, maverick Argentine filmmaker Alejo Moguillansky discovers moments of magic in the registers and resonances of Beckett’s text as repetitions, refractions, music and dance crescendo into a glittering, literary and formal masterwork. DIR Alejo Moguillansky. SCR Luciana Acuña, Alejo Moguillansky, Mariano Llinás. CAST Santiago Gobernori, Cleo Moguillansky, Laura Paredes, Marcos Ferrante, Luciana Acuña, Maxi Prietto. Argentina

PROMISED SKY (PROMIS LE CIEL)
In this gorgeously crafted and heartfelt drama from Erige Sehiri, three Ivorian women’s close-knit bonds are tested when the Tunisian government ramps up an immigration crackdown that could target each of them. DIR Erige Sehiri. SCR Erige Sehiri, Malika Cécile Louati, Anna Ciennik. CAST Aïssa Maiga, Debora Lobe Naney, Laetitia Ky, Estelle Kenza Dogbo, Foued Zaazaa. Tunisia, France, Qatar

ROMERÍA
Orphaned at a young age, Marina arrives in the glittering Galician port city of Vigo ready to meet her father’s family for the first time. Acclaimed Spanish auteur Carla Simón’s return to the fervent ground of her childhood is a deeply personal meditation on memory, identity and familial myth making. DIR Carla Simón. SCR Carla Simón. CAST Llúcia Garcia, Mitch, Tristán Ulloa, Alberto Gracia, Miryam Gallego. Spain, Germany

THE CURRENTS (LAS CORRIENTES)
After jumping into a frigid Swiss lake on a work trip, fashion designer Lina returns to Buenos Aires a changed woman. Now deathly afraid of water, she sleepwalks through life unable to explain her malaise. With surreal flourishes and bursts of absurdity, filmmaker Milagros Mumenthaler casts a beguiling, dreamlike spell that delicately examines motherhood, class and identity. DIR Milagros Mumenthaler. SCR Milagros Mumenthaler. CAST Isabel Aimé González Sola, Esteban Bigliardi, Claudia Sánchez, Ernestina Gatti, Jazmín Carballo. Switzerland, Argentina

THE GREAT ARCH (L’INCONNU DE LA GRANDE ARCHE)
Stéphane Demoustier’s THE GREAT ARCH dramatizes the true story of Danish architect Johan Otto von Spreckelsen (played brilliantly by Claes Bang), whose improbable 1980s design for Paris’s La Défense arch sets off battles over artistic vision and obsession versus French bureaucracy. DIR Stéphane Demoustier. SCR Stéphane Demoustier. CAST Claes Bang, Sidse Babett Knudsen, Xavier Dolan, Swann Arlaud, Michel Fou. France

THE LOVE THAT REMAINS (ÁSTIN SEM EFTIR ER)
Set against the majestic grandeur of Iceland’s rugged landscape, filmmaker Hlynur Pálmason (GODLAND, AFI FEST 2022) pens a surprisingly sensitive and poignant exploration of a crumbling marriage on the brink of ending. DIR Hlynur Pálmason. SCR Hlynur Pálmason. CAST Saga Garðarsdóttir, Sverrir Guðnason, Ída Mekkín Hlynsdóttir, Grímur Hlynsson, Þorgils Hlynsson. Iceland, Denmark, Sweden, France

THE VOICE OF HIND RAJAB
The latest film from filmmaker Kaouther Ben Hania, and Tunisia’s Oscar® entry for Best International Feature, is a bold and inspired drama that blurs the lines between fiction and documentary to recount the heartbreaking story of five-year-old Hind Rajab, a Palestinian girl murdered during Israel’s invasion of the Gaza Strip. DIR Kaouther Ben Hania. SCR Kaouther Ben Hania. CAST Saja Kilani, Motaz Malhees, Clara Khoury, Amer Hlehel. Tunisia, France

YES
Financially struggling musician Y has been tasked with composing a new anthem for a nation he morally opposes. Israeli filmmaker Nadav Lapid’s latest tour de force is an absurdist, boldly surprising condemnation of his homeland. DIR Nadav Lapid. SCR Nadav Lapid. CAST Ariel Bronz, Efrat Dor, Naama Preis, Alexey Serebryakov. France, Israel, Cyprus, Germany

Documentary

Powerful real-life stories bravely told: the subjects and themes explored in documentary filmmaking are profound, and these insightful works are sure to enlighten, educate and entertain.

ANDY KAUFMAN IS ME
Equal parts icon and enigma, comedian Andy Kaufman defied convention — and this illuminating documentary dives deep into the life and art of one of the most ingenious entertainers of our time. DIR Clay Tweel. SCR Clay Tweel, Luis Lopez, Shannon E. Riggs. CAST Michael Kaufman, Carol Kaufman, David Letterman, Carol Kane, Tim Heidecker, Eric Andre, Kristin Schaal. USA

BELOW THE CLOUDS (SOTTO LE NUVOLE)
Winner of the Special Jury Prize at the Venice Film Festival, documentary master Gianfrano Rosi (SACRO GRA, FIRE AT SEA) explores the city and surroundings of Naples, Italy, a place where every day, thousands of years of history echo and resonate for its people. DIR Gianfranco Rosi. SCR Gianfranco Rosi, Marie-Pierre Muller, Carmelo Marabello. Italy

COVER-UP
Oscar® winner Laura Poitras and veteran documentarian Mark Obenhaus explore Pulitzer-winning journalist Seymour Hersh’s fearless exposés of U.S. power abuses — from My Lai to Abu Ghraib — blending biography, political thriller and urgent reflection on truth and press freedom. DIR Laura Poitras, Mark Obenhaus. CAST Seymour Hersh. USA

FIUME O MORTE!
Winner of both the Tiger Award and the FIPRESCI prize at this year’s Rotterdam Film Festival, Croatian director Igor Bezinović’s inventive hybrid documentary re-enacts scenes from Gabriele D’Annunzio’s siege and occupation of the Adriatic seaport of Fiume (now Croatia’s Rijeka) in the aftermath of World War I. DIR Igor Bezinović. SCR Igor Bezinović. CAST Izet Medošević, Ćenan Beljulji, Albano Vučetić, Tihomir Buterin, Andrea Marsanich. Croatia, Italy, Slovenia

HOLDING LIAT
Brandon Kramer’s profile of an Israeli family seeking the return of their kidnapped loved ones who were abducted during the October 7 Hamas attack won the award for Best Documentary at the Berlin Film Festival. Executive produced by AFI Alum Darren Aronofsky. DIR Brandon Kramer. CAST Yehuda Beinin, Liat Beinin Atzili, Chaya Beinin, Tal Beinin. USA

I WAS BORN THIS WAY
The cultural impact of singer Carl Bean extends far beyond his 1977 gay anthem “I Was Born This Way.” Award-winning filmmaker duo Sam Pollard and Daniel Junge dive into the untold legacy of this uniquely inspirational artist whose outspoken voice and lyrics influenced a generation. DIR Daniel Junge, Sam Pollard. CAST Archbishop Carl Bean, Billy Porter, Questlove, Lady Gaga, Dionne Warwick, Rep. Maxine Waters. USA

LOVE+WAR
This gripping portrait of New York Times war photographer Lynsey Addario explores her fearless work — from the frontlines of Ukraine to the Middle East and beyond — and the tension between motherhood and a life spent documenting conflict. DIR Chai Vasarhelyi, Jimmy Chin. CAST Lynsey Addario. USA

MY ARMENIAN PHANTOMS (MES FANTÔMES ARMÉNIENS)
Personal memoirs and collective cinematic nostalgia converge in Tamara Stepanyan’s tender love letter to her late father and a faded past of Soviet Armenia. DIR Tamara Stepanyan. SCR Tamara Stepanyan, Jean-Christophe Ferrari. France, Armenia

SEEDS
Winner of the U.S. Grand Jury Prize for Documentary at this year’s Sundance Film Festival, this black-and-white, engrossing and profoundly feature debut from Brittany Shyne explores the lives of a multi-generational family of Black farmers whose agrarian way of life is threatened by historic injustices. DIR Brittany Shyne. USA

SELENA Y LOS DINOS
The life and legacy of Selena, the “Queen of Tejano Music,” is recounted in this affectionate documentary utilizing never-before-seen archival footage from the family’s extensive personal collection. DIR Isabel Castro. USA

THE EYES OF GHANA
Two-time Oscar®-winning director Ben Proudfoot reteams with the Obamas’ Higher Grounds Productions for this documentary spotlighting the remarkable yet under-recognized Ghanaian filmmaker Chris Hesse, who captured essential footage — previously thought to be lost — of the African independence movements as a personal cameraman to revolutionary leader Kwame Nkrumah. DIR Ben Proudfoot. CAST Chris Hesse, Anita Afonu, Edmund Addo. USA

THE HANGING OF STUART CORNFELD
Stuart Cornfeld (AFI Class of 1975) looks back on his colorful career as a creative producer, collaborating with Anne Bancroft, Mel Brooks, David Lynch, Steven Soderbergh, David Cronenberg, Guillermo Del Toro and Ben Stiller, among others. Featuring a wealth of interviews, Joan Bonfill’s intimate and insightful documentary portrait delves into the mysterious chemistry of creative collaboration. DIR Joan Bofill Amargós. SCR Joan Bofill Amargós, Joan Marimón. CAST Stuart Cornfeld, Jack Black, Mel Brooks, David Cronenberg, Guillermo del Toro, David Lynch, Steven Soderbergh, Ben Stiller. USA, Spain

THE KING OF COLOR
A compelling tribute to Larry Herbert, the visionary mind behind the Pantone Matching System, which not only standardized color across industries, but rippled out to change commerce, culture and perception itself. DIR Patrick Creadon. CAST Larry Herbert. USA

THE OZU DIARIES
Drawing from a treasure trove of archival materials — journals, photographs, interviews and unseen home movies — Academy Award®-nominated filmmaker Daniel Raim offers both an intimate biography and revelatory portrait of prolific Japanese master Yasujiro Ozu, one of cinema’s most original and enduring auteurs. DIR Daniel Raim. SCR Daniel Raim. CAST Yasujiro Ozu, Kiyoshi Kurosawa, Wim Wenders, Luc Dardenne, Tsai Ming-liang, Kyoko Kagawa. USA

THE TALE OF SILYAN
In a Macedonian village, Nikola, a fledgling middle-aged farmer, is left behind after his family immigrates to Germany, and soon forms a poignant bond with an injured stork. Tamara Kotevska (HONEYLAND) weaves folklore, striking images and intimate observation into a poetic documentary about loss, resilience, and the delicate thread binding humans to nature. DIR Tamara Kotevska. CAST Nikola Conev, Jana Coneva, Aleksandra Coneva, Aleksandar Conev, Ilina Coneva. North Macedonia

After Dark

Take a walk on the wild side and tune in to the late-night vibes of these adventurous selections, celebrating the pleasures of genre cinema and uncategorizable originality.

BY DESIGN
In Amanda Kramer’s fantastical, avant-garde curiosity BY DESIGN, Camille (Juliette Lewis) — motivated by deep-seated envy — makes a fateful wish to be just as desirable as an exquisitely expensive wooden chair. DIR Amanda Kramer. SCR Amanda Kramer. CAST Juliette Lewis, Mamoudou Athie, Samantha Mathis, Robin Tunney, Clifton Collins Jr. USA

ENDLESS COOKIE
Written and directed by half-brothers Seth and Peter Scriver, one a resident of Toronto, the other a resident of Shamattawa First Nation in the far north of Manitoba, ENDLESS COOKIE is a kooky, ramshackle rumination on collective remembering and family bonds. Fans of Adult Swim will delight in its surreal animation and subversive humor. DIR Seth Scriver, Peter Scriver. SCR Seth Scriver, Peter Scriver. CAST Seth Scriver, Peter Scriver, Kristin “Cookie” Scriver, Dezray “Dez” Scriver, Ada Scriver. Canada

FUCKTOYS
Sex worker A.P. (played by breakout writer/director/producer/star Annapurna Sriram) needs a thousand dollars and a baby lamb to break a curse, setting her on a quest for a few quick paydays and a whole lot of misadventure in Trashtown, USA. DIR Annapurna Sriram. SCR Annapurna Sriram. CAST Annapurna Sriram, Sadie Scott, Francois Arnaud, Big Freedia, Brandon Flynn. USA

MĀRAMA
Taratoa Stappard’s haunting and visceral debut feature — a gothic revenge horror filtered through a Māori lens — melds the chills of a haunted house thriller with a stark exploration of Britain’s dark colonial legacy. DIR Taratoa Stappard. SCR Taratoa Stappard. CAST Ariāna Osborne, Toby Stephens, Umi Myers, Evelyn Towersey, Erroll Shand. New Zealand

MORTE CUCINA
Deliciously tense with sumptuous cinematography by Christopher Doyle, Thai New Wave writer/director Pen-Ek Ratanaruang’s (LAST LIFE IN THE UNIVERSE) latest feature is an innovative, culinary take on the rape-revenge thriller. DIR Pen-Ek Ratanaruang. SCR Pen-ek Ratanaruang. CAST Bella Boonsang, Kris Srepoomseth, Punika Ranschaya, Nopachai Chaiyanam, Wisit Junloon. Thailand

STRAIGHT CIRCLE
Winner of the top prize at Venice Critics’ Week, Oscar Hudson’s debut feature is a surrealist anti-war satire about two soldiers stationed at a fictional desert border who lose their grip on reality. DIR Oscar Hudson. SCR Oscar Hudson. CAST Elliott Tittensor, Luke Tittensor, Neil Maskell. UK

Guest Artistic Director

In a special Spotlight section, AFI FEST honors Oscar®-winning filmmaker Guillermo del Toro — who most recently wrote and directed his spectacular re-imagining of Mary Shelley’s gothic horror story FRANKENSTEIN — and who has selected four of his favorite films to present to AFI FEST audiences: BARRY LYNDON, FELLINI’S CASANOVA, THE DUELLISTS and ARCANE SORCERER. Films will screen throughout the festival, with introductions by del Toro.

BARRY LYNDON

Stanley Kubrick’s visually stunning, Academy Award®-winning 18th-century epic — which marks its 50th anniversary this year — follows the rise of a reluctant conscript (Ryan O’Neal) through war, romance and intrigue across Europe. DIR Stanley Kubrick. SCR Stanley Kubrick. CAST Ryan O’Neal, Marisa Berenson, Patrick Magee, Hardy Kruger, Diana Koerner, Gay Hamilton. USA

 

FELLINI’S CASANOVA

Federico Fellini’s infamous 1976 take on Giacomo Casanova’s tale is a visual and sonic spectacle — a lavish, hallucinatory reimagining of the legendary Venetian seducer’s life, starring Donald Sutherland and set to an unforgettable score by Nino Rota. DIR Federico Fellini, SCR Federico Fellini, Bernardino Zapponi. CAST Donald Sutherland, Tina Aumont. Italy

THE ARCANE SORCERER
A personal favorite of Guillermo del Toro, this richly atmospheric, spiritual horror film follows a disgraced seminary student as he takes refuge with an excommunicated monsignor with a penchant for the occult. Forced to participate in increasingly macabre rituals and tests, Giacomo is consumed by the sinister — as apparitions, ghosts and deadly rumors start to accumulate.DIR Pupi Avati, SCR Pupi Avati, CAST Carlo Cecchi, Stefano Dionisi, Arnaldo Ninchi, Andrea Scorzoni, Consuelo Ferrara. Italy

THE DUELLISTS
Ridley Scott’s striking Cannes prize-winning debut feature is a visually arresting tale of honor, obsession and pride chronicling the 16-year feud between two French officers (Keith Carradine and Harvey Keitel) against the backdrop of the Napoleonic wars. DIR Ridley Scott, SCR Gerald Vaughan-Hughes, CAST Harvey Keitel, Keith Carradine, Albert Finney, Edward Fox, Cristina Raines. USA

Short Film Competition

The short film program highlights unique voices from around the world, from both emerging and established filmmakers. These short films push the form of storytelling in inventive, challenging and unexpected ways – all in 40 minutes or less.

After Dark Shorts

MY WONDERFUL LIFE
Grace Lee, an overworked mom in Singapore, collapses at work. She gets admitted into the hospital where she finds newfound freedom as a patient. DIR Calleen Koh. Singapore

LAST CALL
Claudia, a fast-riding motorcycle rebel, indulges in her worst vices to avoid confrontation with a mysterious serpent woman who taps into her most grotesque fantasies. DIR Winnie Cheung. USA

THE FISHERMAN
A devout fisherman has his faith tested as a series of supernatural phenomena plague him and his family. DIR Calvin Brown. USA

WATER SPORTS
Jelson and Ipe, students deeply in love, undergo trials of the mind and body as they prepare to survive a world devastated by climate change. DIR Whammy Alcazaren. Philippines

MR. OGRE’S CASTLE
A group of teenagers enjoys an illicit stay at a luxurious villa while the mysterious owner is away. Their party gets spoiled when a CCTV camera operator calls to inform the police. DIR Maxime Chudeau. USA

DEMONS TO DIAMONDS
In the cold business district of La Défense, where steel towers pierce a restless sky and CCTV watches every shadow, a wave of suicides exposes the fractures of a crumbling society. DIR Valentin Noujaïm. France

Animation Shorts 1

OSTRICH
A sparrow sees images of ostriches everywhere. In awe of the ostriches with their long necks, dazzling eyes and muscular legs, the little bird wants to be just like them. DIR Marie Kenov. Switzerland

CARCASSONNE-ACAPULCO
As flight 7836 reaches cruising speed above the Atlantic Ocean, the pilot, co-pilot and flight attendant are startled by an unexpected knock at the door — causing chaos and confusion to ensue. DIR Marjorie Caup, Olivier Héraud. France

APPLE GATHERERS
APPLE GATHERERS shows the loneliness and dissatisfaction in a labour-intensive world and the brief reprieve we have in moments of real human connection. The moment is fleeting, yet powerful. DIR Danielle Rhoda Addae-Boateng. UK

SNOW BEAR
Set in a rapidly changing world, SNOW BEAR tells the story of a polar bear in an unforgiving environment on his quest to find a friend. DIR Aaron Blaise. USA

PETRA AND THE SUN (PETRA Y EL SOL)

During a heavy snowmelt in the Andes, Petra discovers the perfectly preserved corpse of a lost mountaineer — bringing him to her wooden chalet and sparking an unexpected romantic story. DIR Malu Furche, Stefania Malacchini. Chile

S THE WOLF
A middle-aged man reflects on his tumultuous adolescence through intricate and deeply personal musings all tied to his hair growing or receding. Over time, we accumulate meaning into the larger journey of his life. DIR Sameh Alaa. France

DOLLHOUSE ELEPHANT
In a world that demands community participation, individual desires inevitably collide. A group of neighbors, each focused on their own goals, must learn to communicate and consider one another. DIR Jenny Jokela. Finland

9 MILLION COLORS (9 MILIONŮ BAREV)
The ocean is paradise for Fran the shrimp. For blind fish Milva, it’s a fight to survive. Fran sees Milva as beautiful and wants her to see the ocean in the same way. DIR Bára Anna. Czech Republic, Germany, Norway

Animation Shorts 2

DORMILÓN
In a quest to become the performer of his dreams, Dormilón, a starry-eyed and middle-aged janitor living in an abandoned theater, must confront his nightmares face-to-face. DIR Olivia Marie Valdez. USA

DOG ALONE (CÃO SOZINHO)
After the death of its owner and its companions, a dog is left alone. Howls day and night disturbing all the neighborhood. In the house next door, a widowed man’s granddaughter returns from London. DIR Marta Reis Andrade. Portugal | France

FOREVERGREEN
A joyful adventure featuring an orphaned bear cub and a fatherly tree turns serious when the cub is tempted by the allure of easy food. DIR Nathan Engelhardt, Jeremy Spears. USA

MINE!
In the early 20th century Midwest USA, deep underground, a group of coal miners make an incredible discovery. DIR Lou Morton. USA

DESI OON
Through the story of Balu Mama and his revered flock of Deccani sheep, Desi Oon contrasts a rich heritage with the modern neglect of India’s native sheep and wool industry. DIR Suresh Eriyat. India

AMARELO BANANA
After yet another night of insomnia, a man comes across a strange community living in his building and discovers an elaborate illusion they have created. DIR Alexandre Sousa. Portugal, Hungary

ONCE IN A BODY
While dealing with a strange being that lives inside of her, a woman seeks reconciliation with her sister over an incident from their adolescence. DIR María Cristina Pérez González. Colombia

MURMURATION (ZWERMEN)
An elderly man realizes that he’s suddenly turning into a bird. DIR Janneke Swinkels, Tim Frijsinger. Netherlands

Documentary Shorts 1
MY MEMORY-WALLS (MES MURS-MÉMOIRE)
Rose G. Lévesque, an almost nonagenarian painter and poet, painted the story of her life on her house’s walls to transform it into a museum. DIR Axel Robin. Canada

LOCAL ONE
The Amazon Labor Union launches a nationwide strike during peak holiday shopping season. LOCAL ONE takes us into the first days of the strike at two Amazon warehouses in NYC. DIR Stephen Maing, Brett Story. USA

MEMENTO MORI (ZINC)
As rhythmic machines press zinc sheets into coffins, factory workers reflect on their own mortality. Does daily contact with death heighten their awareness of life’s impermanence? DIR Ainara Vera. USA

BENEATH WHICH RIVERS FLOW (ابراهيم)
Ibrahim is tethered to the river, reeds and buffalo he tends, but as the rivers dry and the landscape withers, he faces unrelenting forces threatening the only life he’s ever known. DIR Ali Yahya. Iraq

BIG MONEY: A SPIRITUAL MANIFESTO
Oscar® and Grammy®-winning musician Jon Batiste crafts an album with legendary producer No ID — blending joy, lineage, alchemy and protest into something deeply personal. DIR David Henry Gerson. USA

WELCOME HOME FRECKLES
After four years apart, a daughter returns home to confront the unresolved family conflicts and violence that plagued her childhood, discovering the generational cycle of abuse only she can break. DIR Huiju Park. UK, South Korea

Documentary Shorts 2
PAVILHÃO
Set in Rio de Janeiro, Aleksia wanders on a journey through time — unveiling the origins of samba and its emergence from resilience, joy, spirituality and resistance of her Afro-Brazilian community. DIR Victoria Fiore. Brazil

CORRECT ME IF I’M WRONG (如你所愿)
In a struggle of love, legacy and belief, a southwest Chinese family tries to purge an unwanted entity from their queer heir. DIR Hao Zhou. Germany, USA

LONG LIVE LIVIA
An animator discusses a scene from the TV series, THE SOPRANOS, while meticulously crafting stop-motion recreations of his family’s home movies. DIR Zach Dorn. USA

LAB MAN
LAB MAN is a docu-portrait about Arturo Arnold, a master of emulsion who processes all the 8mm and 16mm motion picture film for a busy film lab in North Hollywood. DIR Neil Butler. USA

SHANTI RIDES SHOTGUN
On Manhattan’s jam-packed streets, NYC’s most iconic driving instructor prepares students for the road ahead. DIR Charles Frank. USA

AL BASATEEN (THE ORCHARDS)
In 2015, the Basateen al-Razi district of Damascus was destroyed as punishment for the population’s uprising against Bashar al-Assad’s regime. A decade later, memories are awakened, resisting deliberate erasure. DIR Antoine Chapon. France

Live Action Shorts
POSTER BOY
In the cutthroat world of 1990s boy bands, a desperate 16-year-old dancer betrays his best friend and bandmates in a misguided attempt to secure his spot in the limelight. DIR India Opzoomer. Canada

NERVOUS ENERGY
On the cusp of success/failure, two unhinged female filmmakers decide to break up with their boyfriends and for once, make a bold decision with their lives. DIR Eve Liu. USA

STRANGER, BROTHER
When self-absorbed and lonely millennial Adam wakes to find his estranged half-brother on his doorstep one morning, he must face the family he’s been running from. DIR Annelise Hickey. Australia

COYOTES
A Palestinian surgeon drives home after a long night shift, but little does she know that a commute through a desolate West Bank road will change her forever. DIRECTOR Said Zagha. France, Palestine, Jordan

CASI SEPTIEMBRE
Alejandra struggles with the fear of abandonment. Living year-round with her family in a camping resort, a blossoming romance with a tourist brings her latent insecurities to the surface. DIR Lucía G. Romero. Spain

Live Action Shorts 2
THE SINGERS
In this film adaptation of a 19th-century short story written by Ivan Turgenev, downtrodden patrons commiserating at a lowly pub connect unexpectedly through an impromptu sing-off. DIR Sam Davis. USA

THE MAN OF SHIT (L’HOMME DE MERDE)
Between college and her luxury hotel job, Fernanda wonders if she’ll ever achieve something meaningful in life. The arrival of The Man of Shit will give her an unexpected opportunity. DIR Sorel França. France

RED EGG & GINGER
Hannah, a half-white, half-Chinese teenager, meets her newborn, 100% Chinese half-sister at a traditional Chinese event, forcing Hannah to question her cultural identity and where she fits in her family. DIR Olivia Owyeung. UK

MAJONEZË
Elyria follows the strict rules imposed by her father, hiding her anger with obedience. A powerful desire for rebellion grows in her day by day that leads to a necessary act of revolution. DIR Giulia Grandinetti. Italy

MERMAIDS (GORGONES)
Summer holidays in Greece. Under the scorched sun, a flirt pushes two opposite friend groups on a journey of sexual discovery, lust, consent and complete transformation. DIR Dimitris Tsakaleas, Lida Vartzioti. Greece

AFI Conservatory Showcase

A collection of short narrative films from the most recent graduates of the world-renowned AFI Conservatory.

CONSERVATORY SHOWCASE 1

THE APPLE PICKER’S SON
Afaaq, a Kashmiri boy with supernatural powers, learns his father will be picking apples in a war-torn region of Kashmir. Afaaq must stop him from leaving before the apples ripen and the harvest begins. DIR Yang Zimik. SCRYang Zimik, Dulguun Bayasgalan, PRODUCER Cathy Ni, DIRECTOR OF PHOTOGRAPHY Liz Mealey, EDITOR Shiyi Xie and PRODUCTION DESIGNER Oscar O’Neill. USA

JIA
Jia loves her bestie Nina more than anything, but when Nina tells Jia she wants to attend the school dance with a boy and not with Jia as planned, a choice is made that changes their friendship forever. DIR Samantha Mandich, SCRSamantha Mandich, PRODUCER Paloma Pinto, DIRECTOR OF PHOTOGRAPHY Rebecca Richard, EDITOR Sydney Sullivan, and PRODUCTION DESIGNER Natalie Peracchio. USA

PATAKHA
Radha, an 11-year-old girl in rural India, loses her backpack on her first day of work at a factory. She journeys to retrieve the school bag and with it, her dreams for the future. DIR Rohit Relan, SCR Umut Ipek, PRODUCER Tiffany Wu, DIRECTOR OF PHOTOGRAPHY Brooke Mueller, EDITOR Siddharth Lal and PRODUCTION DESIGNER Reem Alshaini. USA

BEWARE THE WOLVES
During an extended stay, Carlisle and his older sister endure strict treatment from their grandmother and ailing grandfather. When Carlisle witnesses a disturbing violation, he must forge a path for their escape. DIR Alex Bush, SCR Alex Bush, Annabel Newland, PRODUCER Ilias Kyriakidis, DIRECTOR OF PHOTOGRAPHY Matthew Rove Roveto, EDITOR Vaishnavi Upadhyay and PRODUCTION DESIGNER Demie Cao. USA

CONSERVATORY SHOWCASE 2

DOG SEES GOD
When a meteor lands in his backyard, killing his beloved dog, suburban misfit Atticus channels his grief into his garage-punk band as he wrestles with teenage angst, fractured family dynamics and a growing government presence in his neighborhood. DIR Yana Gladkikh, SCR Alex Bush, Ilias Kyriakidis, PRODUCER Andrew Svistunov, DIRECTOR OF PHOTOGRAPHY Junxiong Joshua Zhu, EDITOR Zheyu Ian Jiang
and PRODUCTION DESIGNER Shengtao Anakin Li. USA

AZUL
Struggling to cope with her sister’s unexpected passing, 17-year-old Azul finds solace in an unexpected place: a lady Lowrider Car Club. DIR Santos Arrué, SCR Santos Arrué, PRODUCER Yoko Chen, DIRECTOR OF PHOTOGRAPHY Alexandra Geneviève Agar, EDITOR Lu Li and PRODUCTION DESIGNER Jessica Burnam. USA

BEHIND THE MASK
After a famous actor’s death, his estranged daughter looks for closure at his house. She discovers a magical theater mask that whisks her back in time to a grand stage where she comes face-to-face with him as a young man. DIR Catherine Andre, SCR Catherine Andre, PRODUCER Becca E. Davis, DIRECTOR OF PHOTOGRAPHY Simran Sawhney, EDITOR Matthew Gelzer and PRODUCTION DESIGNER Irena Weaver. USA

OLDMAN’S BLUES
Grappling with dementia, eighty-year-old Kang longs to return to China. When a yellow crane appears, memory and reality blur — guiding his spirit home in a final goodbye seen only by his granddaughter. DIR Ziyi Zeng, SCR Ziyi Zeng, PRODUCER Tianyu Yang, Ali Buckner, DIRECTOR OF PHOTOGRAPHY Keren Paldi, EDITOR Ann Zhao and PRODUCTION DESIGNER Tang Hu. USA

TEEN MARY
Teen Mary gets pregnant by Nazareth’s biggest player, Gabriel. Facing death, she and her gay BFF Joseph hatch a plan: convince everyone that God is the father, turning scandal into scripture to survive. DIR Ali Rosenthal, SCR Ali Rosenthal, PRODUCER Bridger Zadina, Hector Martinez, DIRECTOR OF PHOTOGRAPHY Jodi Savitz, EDITOR Carter Huang and PRODUCTION DESIGNER Abbie Vance. USA

CONSERVATORY SHOWCASE 3

MARASCHINO
When a former centerfold suffers a breakdown on her partner’s birthday, she must outwit her smart home device on a blood-soaked path to having her own cake and eating it, too. DIR Alyssa Cody Garcia, SCR Alyssa Cody Garcia, Simona Galant, PRODUCER Simona Galant, DIRECTOR OF PHOTOGRAPHY Mads Fridolin Vejlby, EDITOR Qiqi Deng and PRODUCTION DESIGNER Maui McDonald. USA

POOLBOY
Kaspar is a medical tech diagnosed with terminal cancer and six months to live. Confronting mortality, he quits his job to pursue his childhood dream of becoming a Los Angeles pool boy. DIRHaoran Ma, SCR Ben Keeshin, PRODUCER Zhedan Deng, DIRECTOR OF PHOTOGRAPHY Simon Gulergun, EDITOR Yu Sun and PRODUCTION DESIGNER Xuefei Rong. USA

FINDING YIYI
After losing her mother’s cherished dumpling recipe, 65-year-old YiYi embarks on a journey to piece it back together, leading her to reconnect with a childhood friend and explore the relationship they never had. DIR Kim Caicedo, SCR Kim Caicedo, Bao Le Cheok, PRODUCER Michelle Levinger, DIRECTOR OF PHOTOGRAPHY Bao Le Cheok, EDITOR Attila Tayefeh and PRODUCTION DESIGNER Zaina Tripp. USA

CLUB RATS
When young golfer Penny wins the club championship on a dubious hole-in-one, her status and reputation are called into question. Leading the charge is Penny’s former lover and fiercest rival, causing her to doubt the truth. DIR Grace Francis Godvin, SCR Grace Francis Godvin, PRODUCER Chenning Yang, DIRECTOR OF PHOTOGRAPHY Jasper Khadjenouri, EDITOR Daniel Elder and PRODUCTION DESIGNER Juliana Newman. USA

NIGHT FEEDS
An Arab American mother struggles with postpartum as a night nurse unsettles her, and war floods her screens. This psychological horror where nightmare bleeds into reality paints a visceral portrait of motherhood in our time. DIR Rana Roy, SCR Rana Roy, PRODUCER Adia Ivey, DIRECTOR OF PHOTOGRAPHY Julia Maixer, EDITOR Joan Mao and PRODUCTION DESIGNER Janhvi Gupta. USA

CONSERVATORY SHOWCASE 4

SONG OF SILENCE
In a war-torn 2071 America, Greta must protect a deadly secret in a hidden village of women, forcing her to choose between her only son’s life and the safety of her community. DIR Vasilisa Kuzmina, SCR Vasilisa Kuzmina, Daisy Anderson, PRODUCER Qiuping Han, DIRECTOR OF PHOTOGRAPHY Dominika Podczaska, EDITOR Yuntong Hazel Dai and PRODUCTION DESIGNER Elli Kypriadis. USA

THE END IS AT HAND
A reclusive phone repairman discovers a pulsing, slime-covered organism growing inside a mysterious device. When it disappears from his desk, he searches for it — but the more he looks, the more he dreads what he’ll find. DIR Japhet Velazquez
SCR Sam Gallen, PRODUCER Sam Gallen, DIRECTOR OF PHOTOGRAPHY Diana Dahllund, EDITOR Junwu Tan and PRODUCTION DESIGNER Yuheng Kuang. USA

BEST EYES
While commuting between her inner city neighborhood and elite private school, a biracial teen forms a friendship that challenges the version of herself her mother believes will keep her safe — leading her toward self-acceptance. DIR Kira Powell, SCR Kira Powell, Lauren Thomas, PRODUCER Tara Austin, Bonnie von Duyke, DIRECTOR OF PHOTOGRAPHY Udit Nijhawan, EDITOR Sharon Shen and PRODUCTION DESIGNER Disha Shah. USA

YOU & ME, CHAZ & RODNEY
Best friends Elisa and Valerie set out on an adventure to Rodney’s house with plans to hook up for the first time. But as the night progresses, the curious 13-year-olds are confronted by their own shifting friendship. DIR Lillian Lion, SCR Lillian Lion, Cecilia Cereijido-Bloche, PRODUCER Yang Qian, DIRECTOR OF PHOTOGRAPHY Jessica Hayes, EDITOR Elise Beers and PRODUCTION DESIGNER Nicole Baroudi. USA

IRON LAKE
On a scouting trip in the 1990s, a volatile teenager expresses secret feelings for another boy. When he’s rejected, he’ll go to dark lengths to keep his secret hidden. DIR Grant Swanson, SCR Grant Swanson, PRODUCER Annine Fan Zhang, DIRECTOR OF PHOTOGRAPHY Ioana Vasile, EDITOR Yuchen Bobby Fang and PRODUCTION DESIGNER Emily Henninger. USA

CONSERVATORY SHOWCASE 5

JOE HUNT
After his father’s mysterious death, thirteen-year-old William turns to his imaginary hero, Joe Hunt, for guidance. As they search for answers, the line between protector and menace blurs, forcing William to question who he can truly trust. DIR Matthew Genecov, SCR Matthew Genecov, PRODUCER Muqing Evelyn Tang, DIRECTOR OF PHOTOGRAPHY Yoshihisa Toda, EDITOR Yiming Wang and PRODUCTION DESIGNER Zixi Roey Zhang. USA

TĀ 他
In a bleak, dystopian modern city, an agent of the underworld intersects with the lives of those lost in despair — guiding them on a surreal, transformative journey into death and beyond. DIR Jiyuan Ler, SCR Jiyuan Ler, Jack Ruefli, PRODUCER Jack Ruefli, DIRECTOR OF PHOTOGRAPHY Arman Meinecke, EDITOR Anushri Srinivasan and PRODUCTION DESIGNER Jing Chen. USA

PAPER BOY
An artist escapes into a fragile paper world. As his imagination grows into vast cities and impossible creatures, fantasy blurs with reality. As it collapses, he must face the truths he’s hidden and the weight they carry. DIR Saulius Baradinskas, SCR Saulius Baradinskas, Juan-Arturo Maldonado, PRODUCER Ella Danna, DIRECTOR OF PHOTOGRAPHY Nyssa Glück, EDITOR Wenzhe Brandon Li and PRODUCTION DESIGNER Bing Yi Liao. USA

DANDELION
In 1970s Los Angeles, rebellious queer teen Margaret gets thrown out of yet another foster placement and finds herself in the company of a social worker tasked with finding her a new home. DIR Fiona Obertinca, SCR Corey Pinchoff, PRODUCER Tori Ichikowitz, DIRECTOR OF PHOTOGRAPHY Bruce Wang, EDITOR Jing Ace Wang and PRODUCTION DESIGNER Ana Visuetti.

 

About the American Film Institute (AFI)  

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

About AFI FEST
Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, Twitter.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva
Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

Press contact:

American Film Institute

Shari Mesulam  shari@themesulamgroup.com

The News about AFI FEST presented by Canva keeps getting better!

Posted by Larry Gleeson

The news about AFI FEST presented by Canva keeps getting better!

 

Following the announcement of  the Red Carpet Premieres section: Noah Baumbach’s JAY KELLY, starring George Clooney and Adam Sandler; CHRISTY, starring Sydney Sweeney; NUREMBERG, starring Russell Crowe; and Gus Van Sant’s DEAD MAN’S WIRE, starring Bill Skarsgård, several new titles have been added  to the Special Screenings section!

 

Passes on Sale!

A limited number of tickets will go on sale October 6. For priority access, purchase a Patron Pass. A Patron Pass allows you to reserve two tickets to each Red Carpet Premiere with priority access to Special Screenings before they go on sale to the general public.Joining AFI today gets you 20% off AFI FEST tickets plus complimentary tickets at the Cinephile level and above. Upgrading to Premiere Circle gives exclusive access including Red Carpet Premieres. For more info, contact Peter Indall at pindall@AFI.com

 

AFI ANNOUNCES CHRISTY, DEAD MAN’S WIRE, JAY KELLY, AND NUREMBERG AS RED CARPET GALAS AT AFI FEST PRESENTED BY CANVA

Posted by Larry Gleeson

AFI ANNOUNCES CHRISTY, DEAD MAN’S WIRE, JAY KELLY, AND NUREMBERG AS RED CARPET GALAS AT AFI FEST PRESENTED BY CANVA

 

BUGONIA, THE CHORAL, THE CHRONOLOGY OF WATER, IS THIS THING ON?, RENTAL FAMILY, THE TESTAMENT OF ANN LEE and TRAIN DREAMS, plus U.S. Premiere of BAD APPLES and World Premiere of NEBRASKA LIVE Among Films Featured in Special Screenings Section

 Full Slate to be Announced on September 30

FOR IMMEDIATE RELEASE – Los Angeles, CA, September 25, 2025 — The American Film Institute (AFI) announced today that JAY KELLY, NUREMBERG, DEAD MAN’S WIRE and CHRISTY will complete the Red Carpet Premieres section at this year’s AFI FEST presented by Canva. The JAY KELLY Gala Screening will take place on Thursday, October 23; NUREMBERG on Friday, October 24; DEAD MAN’S WIRE on the afternoon of Saturday, October 25; and CHRISTY on the evening of Saturday, October 25. The complete Red Carpet Premieres section includes SPRINGSTEEN: DELIVER ME FROM NOWHERE and the World Premieres of SONG SUNG BLUE and THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS. All Red Carpet Premieres will take place at the historic TCL Chinese Theatre. Festival passes, which include the opportunity to access tickets to the Red Carpet Premieres, are available now at FEST.AFI.com.

 

Bob Gazzale, AFI President and CEO

“AFI FEST is where over 150 films from around the world meet movie lovers in Hollywood,” said Bob Gazzale, AFI President and CEO. “Our goal is nothing short of a global embrace—where we discover and rediscover the power of a shared story on a big screen.”

 

JAY KELLY

JAY KELLY, the new film from Academy Award nominee Noah Baumbach, follows famous movie actor, Jay Kelly (George Clooney), as he embarks on a journey of self-discovery confronting both his past and present, accompanied by his devoted manager Ron (Adam Sandler). Poignant and humor filled, epic and intimate, JAY KELLY is pitched at the intersection of life’s regrets and notable glories.  The film stars George Clooney, Adam Sandler, Laura Dern, Billy Crudup, Riley Keough, Grace Edwards, Stacy Keach, Jim Broadbent, Patrick Wilson, Eve Hewson, Greta Gerwig, Alba Rohrwacher, Josh Hamilton, Lenny Henry, Emily Mortimer, Nicôle Lecky, Thaddea Graham, Isla Fisher, Louis Partridge, Charlie Rowe. The film will premiere on Netflix on December 5.

Jay Kelly. George Clooney as Jay Kelly in Jay Kelly. Cr. Peter Mountain/Netflix © 2025.

 

NUREMBERG

NUREMBERG chronicles the true story of the war crimes trials held by the Allies against the defeated Nazi regime. The film centers on American psychiatrist Douglas Kelley (Rami Malek), who is tasked with determining whether Nazi prisoners are fit to stand trial for their atrocities and finds himself in a complex battle of wits with former Reichsmarschall Hermann Göring (Russell Crowe), Hitler’s right-hand man. The film is directed by James Vanderbilt and stars Rami Malek, Russell Crowe, Michael Shannon, Richard E. Grant, Leo Woodall, John Slattery, Mark O’Brien, Colin Hanks, Lydia Peckham, Wrenn Schmidt, Lotte Verbeek and Andreas Pietschmann. The Sony Pictures Classics film will be released on November 7.

Nuremberg

 

DEAD MAN’S WIRE

Gus Van Sant returns with the incredible true story of an infamous 1977 kidnapping and ransom over a business deal gone bad, with the kidnapper (Bill Skarsgård) demanding restitution and an apology from the mortgage broker whose company ripped him off. The film is directed by Gus Van Sant, and the cast includes Bill Skarsgård, Dacre Montgomery, Colman Domingo, Myha’la, Cary Elwes, Kelly Lynch and Al Pacino. This film is the first acquisition for Row K Entertainment.

DEAD MAN’S WIRE

 

CHRISTY

In David Michôd’s stirring biopic CHRISTY, Christy Martin (Sydney Sweeney) never imagined life beyond her small-town roots in West Virginia—until she discovered a knack for knocking people out. Fueled by grit, raw determination, and an unshakable desire to win, she charges into the world of boxing under the guidance of her trainer and manager-turned-husband, Jim (Ben Foster). But while Christy flaunts a fiery persona in the ring, her toughest battles unfold outside it—confronting family, identity, and a relationship that just might become life-or-death. Based on remarkable true events, Christy Martin’s story is one of resilience, courage, and the fight to reclaim one’s life. The film stars Sydney Sweeney, Ben Foster, Merritt Wever, Katy O’Brian and Ethan Embry. Black Bear Pictures’ inaugural release will be in theaters on November 7.

CHRISTY

 

AFI also announced that BAD APPLES, BUGONIA, THE CHORAL, THE CHRONOLOGY OF WATER, IS THIS THING ON?, A MAGNIFICENT LIFE, MERRILY WE ROLL ALONG, NEBRASKA LIVE, REBUILDING, RENTAL FAMILY, THE TESTAMENT OF ANN LEE and TRAIN DREAMS, will be among the films featured in the Special Screenings section. BAD APPLES will make its U.S. Premiere, after debuting at the Toronto International Film Festival. Thom Zimny’s NEBRASKA LIVE, a stripped-down concert documentary featuring Bruce Springsteen performing the songs from his landmark 1982 album, will be a World Premiere screening. Serendipitously, the screening further complements AFI FEST’s opening night presentation of Scott Cooper’s dramatic feature SPRINGSTEEN: DELIVER ME FROM NOWHERE, centered on the creation of that album.

 

Todd Hitchcock, Director of AFI FEST and the AFI Silver Theatre and Cultural Center.

“AFI FEST’s Special Screenings section includes some of the most buzzed-about films from the festival circuit, an eclectic mix that promises to surprise and delight film lovers,” said Todd Hitchcock, Director of AFI FEST and the AFI Silver Theatre and Cultural Center. “We look forward to welcoming Los Angeles audiences to what we are sure to be some of the most memorable screening experiences in this year’s festival.”

 

BAD APPLES | U.S. Premiere

Director: Jonatan Etzler

In this delectably dark satire, an exquisite Saoirse Ronan plays an overworked schoolteacher whose pupils’ studies improve after she removes a foulmouthed and violent student from her classroom—by inadvertently kidnapping and locking him up in her basement

 

BUGONIA

Director: Yorgos Lanthimos

Two conspiracy-obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth. The film stars Jesse Plemons and Emma Stone and newcomer Aidan Delbis.

 

THE CHORAL

Director: Nicholas Hytner

1916. As war rages on the Western Front, the Choral Society in Ramsden, Yorkshire has lost most of its men to the army. The Choral’s ambitious committee, determined to press ahead, decides to recruit local young males to swell their ranks. They must also engage a new chorus master, and despite their suspicions that he has something to hide, their best bet seems to be Dr. Henry Guthrie (Ralph Fiennes) – driven, uncompromising, and recently returned from a career in Germany. As conscription papers start to arrive, the whole community discovers that the best response to the chaos that is laying waste to their lives is to make music together.

 

THE CHRONOLOGY OF WATER

Director: Kristen Stewart

Kristen Stewart’s staggering directorial debut adapts Lidia Yuknavitch’s memoir of abuse and healing, anchored by a raw and revelatory performance from Imogen Poots.

 

IS THIS THING ON?

Director: Bradley Cooper

Bradley Cooper’s beautifully affecting comedic drama stars Will Arnett and Laura Dern in standout performances as a New York couple whose separation leads to major midlife self-reckoning and reinvention. When Arnett’s character attempts open-mic standup at a comedy club with confessional, self-deprecating material, a whole new world opens for him.

 

A MAGNIFICENT LIFE

Director: Sylvian Chomet

In 1955, 60-year-old Marcel Pagnol is a well-known and acclaimed playwright and filmmaker. When the editor-in-chief of ELLE magazine commissions a weekly column about Pagnol’s childhood, he sees this as a great opportunity to go back to his artistic roots: writing. Realizing his memory is failing him and deeply affected by the disappointing results of his last two plays, Pagnol starts doubting his ability to pursue his work. That is, until Little Marcel – the young boy he used to be – appears to him as if by magic. Together, they will explore Marcel Pagnol’s incredible life and bring back to life his most cherished encounters and memories.

 

MERRILY WE ROLL ALONG

Director: Maria Friedman

Spanning three decades, Stephen Sondheim and George Furth’s Merrily We Roll Along charts the turbulent relationship between composer Franklin Shepard and his two lifelong friends — writer Mary and lyricist & playwright Charley. Originally produced on Broadway in 1981, then becoming an inventive cult-classic ahead of its time, Merrily We Roll Along features some of Stephen Sondheim’s most celebrated and personal songs.

 

NEBRASKA LIVE | World Premiere

Director: Thom Zimny

Bruce Springsteen performs the songs from his 1982 album “Nebraska” for the first time ever in its entirety in an intimate soundstage setting. Shot in moody black-and-white, the film is directed by Springsteen’s longtime filmic collaborator Thom Zimny.

 

REBUILDING

Director: Max Walker-Silverman

Divorced and displaced Colorado rancher Dusty (Josh O’Connor) re-enters the lives of his ex-wife Ruby (Meghann Fahy) and young daughter when he loses his family ranch to a devastating wildfire.

 

RENTAL FAMILY

Director: HIKARI

Academy Award® winner Brendan Fraser plays an American actor in modern-day Tokyo hired by a “rental family” agency to serve as a stand-in for clients. As he immerses himself in his clients’ worlds, he begins to form genuine bonds that blur the lines between performance and reality. Confronting the moral complexities of his work, he rediscovers purpose, belonging, and the quiet beauty of human connection.

 

THE TESTAMENT OF ANN LEE

Director: Mona Fastvold

A bold colonial-era musical, THE TESTAMENT OF ANN LEE follows visionary Shaker leader Ann Lee as she builds a radical utopian faith in 18th century America. Amanda Seyfried stars as Lee in a career-defining role. Academy Award® winner Daniel Blumberg composed the score and original songs for the film.

 

TRAIN DREAMS

Director: Clint Bentley

Based on Denis Johnson’s beloved novella, Train Dreams is the moving portrait of Robert Grainier (Joel Edgerton), a logger and railroad worker who leads a life of unexpected depth and beauty in the rapidly changing America of the early 20th Century. The film also stars Felicity Jones, Kerry Condon and William H. Macy.

The full festival lineup for AFI FEST 2025 will be unveiled on September 30. Passes and 10-ticket bundles are now available at FEST.AFI.com. A pass alone does not grant entry to a screening, and passholders must reserve tickets in advance of the festival. Patron passholders will have priority access to screening selection on October 1 beginning at 11:00 a.m. PT. Star passholders will have early access to screening selection on October 2 beginning at 11:00 a.m. PT. Individual tickets will be available on October 6. Learn more at FEST.AFI.com.

Canva is the exclusive Presenting Sponsor of AFI FEST. FIJI Water is the festival’s Official Water Sponsor.

The festival will take place October 22–26 at the TCL Chinese Theatres in the heart of Hollywood and feature a curated selection of Red Carpet Premieres, Special Screenings, World Cinema, Documentaries and Short Films.

As previously announced, Academy Award®-winning filmmaker Guillermo del Toro will serve as the Guest Artistic Director for this year’s festival.  SPRINGSTEEN: DELIVER ME FROM NOWHERE, will open the festival on October 22, the World Premiere of THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS will screen on the afternoon of Sunday, October 26 and the World Premiere of SONG SUNG BLUE will close the festival on October 26.

Passes to AFI FEST 2025 are now available for purchase online at FEST.AFI.com. Festivalgoers have the opportunity to purchase a Star Pass or upgrade to a Patron Pass. The AFI FEST Star Pass is a five-day pass with access to all screenings (excluding Red Carpet Premieres), early screening selection before individual tickets go on sale, priority theater access, entry to the festival lounge, invitation to the festival mixer to mingle with filmmakers and guests, a complimentary AFI FEST tote and free Rush Line access to all screenings. The AFI FEST Patron Pass features all the benefits of the Star Pass plus two tickets to each of the star-studded Red Carpet Premieres held at the historic TCL Chinese Theatre and priority screening selection before Star passholders.

AFI FEST is recognized by the Academy of Motion Picture Arts and Sciences as a qualifying festival for the Live Action, Animated and Documentary Short Film categories for the annual Academy Awards®. AFI FEST is also a qualifying festival for consideration for the British Short Film categories of both the BAFTA Film Awards and the British Independent Film Awards (BIFA).

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to exclusive one-of-a-kind opportunities at AFI events, including AFI FEST. To learn more, email Advancement@AFI.com.

Canva, the all-in-one visual communication and collaboration platform, returns as the exclusive Presenting Sponsor of AFI FEST 2025. Designed to empower entertainment professionals to visualize their ideas into impactful film and TV projects, Canva will be integrated throughout AFI FEST including hosting industry networking events, hands-on training workshops for filmmakers, and powering the festival’s digital and printed materials. Entertainment professionals can explore resources to pitch projects, plan shoots, and bring creative visions to life at canva.com/entertainment.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

About AFI FEST
Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, Twitter.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva
Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

Press contact:       American Film Institute

Shari Mesulam:.    shari@themesulamgroup.com

WORLD PREMIERE OF THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS SET FOR AFI FEST 2025 PRESENTED BY CANVA

Posted by Larry Gleeson

WORLD PREMIERE OF THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS SET FOR AFI FEST 2025 PRESENTED BY CANVA

 

Patrick Star (Bill Fagerbakke) and SpongeBob SquarePants (Tom Kenny) in The Spongebob Movie: Search For Squarepants from Paramount Animation and Nickelodeon.

 

FOR IMMEDIATE RELEASE — Los Angeles, CA, September 18, 2025 – Today, the American Film Institute (AFI) announced that THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS from Paramount Animation and Nickelodeon Movies, in association with Domain Entertainment and MRC, will have its World Premiere at AFI FEST 2025 presented by Canva. Desperate to be a big guy, SpongeBob sets out to prove his bravery to Mr. Krabs by following The Flying Dutchman — a mysterious swashbuckling ghost pirate — on a seafaring comedy-adventure that takes him to the deepest depths of the deep sea where no Sponge has gone before. The family-friendly film, directed by Derek Drymon, will screen in the afternoon on October 26, the Closing Day of the festival, at the historic TCL Chinese Theatre as part of the Red Carpet Premieres section. Passes are available at FEST.AFI.com.

Bob Gazzale, AFI President and CEO

“If nautical nonsense be something you wish, then join AFI for the World Premiere of THE SPONGEBOB MOVIE:       SEARCH FOR SQUAREPANTS,” said Bob Gazzale, AFI President and CEO. “Spongebob is an American icon — absorbent and yellow and porous is he — and AFI is honored to host this celebration under the sea.”

 

The film features Tom Kenny, Clancy Brown, Rodger Bumpass, Bill Fagerbakke, Carolyn Lawrence, Mr. Lawrence, George Lopez, Isis “Ice Spice” Gaston, Arturo Castro, Sherry Cola with Regina Hall and Mark Hamill, and it will be released on December 19.

Making its Los Angeles debut with the feature is the new short film TEENAGE MUTANT NINJA TURTLES CHROME ALONE 2: LOST IN NEW JERSEY. From producers Seth Rogen, Evan Goldberg, James Weaver, Jeff Rowe, and Ramsay McBean and directed by Kent Seki, the film reunites audiences with the Turtle brothers from the 2023 feature TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM for a festive adventure. When a mysterious toy company seeks to profit off the turtles’ new hero status, the brothers follow the clues to New Jersey and make a shocking discovery in this all new original short.

The festival will take place October 22–26 at the TCL Chinese Theatres in the heart of Hollywood and feature a curated selection of Red Carpet Premieres, Special Screenings, World Cinema, Documentaries and Short Films.

As previously announced, Academy Award®-winning filmmaker Guillermo del Toro will serve as the Guest Artistic Director for this year’s festival, and the festival will open with SPRINGSTEEN: DELIVER ME FROM NOWHERE and will close with the World Premiere of SONG SUNG BLUE.

Passes to AFI FEST 2025 are now available for purchase online at FEST.AFI.com. Festivalgoers have the opportunity to purchase a Star Pass or upgrade to a Patron Pass. The AFI FEST Star Pass is a five-day pass with access to all screenings (excluding Red Carpet Premieres), early screening selection before individual tickets go on sale, priority theater access, entry to the festival lounge, invitation to the festival mixer to mingle with filmmakers and guests, a complimentary AFI FEST tote and free Rush Line access to all screenings. The AFI FEST Patron Pass features all the benefits of the Star Pass plus two tickets to all of the star-studded Red Carpet Premieres held at the historic TCL Chinese Theatre and priority screening selection before Star passholders.

The full festival lineup will be unveiled on September 30. Individual tickets will be available on October 6.

AFI FEST is recognized by the Academy of Motion Picture Arts and Sciences as a qualifying festival for the Live Action, Animated and Documentary Short Film categories for the annual Academy Awards®. AFI FEST is also a qualifying festival for consideration for the British Short Film categories of both the BAFTA Film Awards and the British Independent Film Awards (BIFA).

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to exclusive one-of-a-kind opportunities at AFI events, including AFI FEST. To learn more, email Advancement@AFI.com.

Canva, the all-in-one visual communication and collaboration platform, returns as the exclusive Presenting Sponsor of AFI FEST 2025. Designed to empower entertainment professionals to visualize their ideas into impactful film and TV projects, Canva will be integrated throughout AFI FEST including hosting industry networking events, hands-on training workshops for filmmakers, and powering the festival’s digital and printed materials. Entertainment professionals can explore resources to pitch projects, plan shoots, and bring creative visions to life at canva.com/entertainment.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

 

About AFI FEST

Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, Twitter.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva

Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

Press Contact: American Film Institute

Shari Mesulam, Shari@themesulamgroup.com

World Premiere of Focus Features’ SONG SUNG BLUE to Close 2025 AFI FEST, October 26th.

Posted by Larry Gleeson

 

 

WORLD PREMIERE OF SONG SUNG BLUE TO CLOSE AFI FEST 2025 PRESENTED BY CANVA

PASSES NOW ON SALE

FOR IMMEDIATE RELEASE – Los Angeles, CA, September 10, 2025 — Today, the American Film Institute (AFI) announced that the World Premiere of Focus Features’ SONG SUNG BLUE, written and directed by Craig Brewer, will close the 39th edition of AFI FEST presented by Canva on Sunday, October 26.

Based on a true story, the film follows two down-on-their-luck musicians, played by Hugh Jackman and Kate Hudson, who form a joyous Neil Diamond tribute band, proving it’s never too late to find love and follow your dreams. The film is produced by John Davis (p.g.a.), John Fox (p.g.a.) and Craig Brewer (p.g.a.) and features Michael Imperioli, Ella Anderson, King Princess, Mustafa Shakir, Hudson Hensley, with Fisher Stevens, and Jim Belushi.

 

Bob Gazzale, AFI President and CEO

“AFI FEST is proud to close our annual celebration of excellence and artistry with the World Premiere of SONG SUNG BLUE – a timely film about love and resilience – music and magic,” said Bob Gazzale, AFI President and CEO. “Audiences will leave the theater chanting the refrain of “Sweet Caroline” – so good, so good, so good!”

 

The festival will take place October 22–26 at the TCL Chinese Theatres in the heart of Hollywood and feature a curated selection of Red Carpet Premieres, Special Screenings, World Cinema, Documentaries and Short Films.

As previously announced, Academy Award®-winning filmmaker Guillermo del Toro will serve as the Guest Artistic Director for this year’s festival, and the festival will open with SPRINGSTEEN: DELIVER ME FROM NOWHERE, starring Jeremy Allen White and written for the screen and directed by Scott Cooper.

Passes to AFI FEST 2025 are now available for purchase online at FEST.AFI.com. Festivalgoers have the opportunity to purchase a Star Pass or upgrade to a Patron Pass. The AFI FEST Star Pass is a five-day pass with access to all screenings (excluding Red Carpet Premieres), early screening selection before individual tickets go on sale, priority theater access, entry to the festival lounge, invitation to the festival mixer to mingle with filmmakers and guests, a complimentary AFI FEST tote and free Rush Line access to all screenings. The AFI FEST Patron Pass features all the benefits of the Star Pass plus two tickets to all of the star-studded Red Carpet Premieres held at the historic TCL Chinese Theatre and priority screening selection before Star passholders.

The full festival lineup will be unveiled on September 30. Individual tickets will be available on October 6.

AFI FEST is recognized by the Academy of Motion Picture Arts and Sciences as a qualifying festival for the Live Action, Animated and Documentary Short Film categories for the annual Academy Awards®. AFI FEST is also a qualifying festival for consideration for the British Short Film categories of both the BAFTA Film Awards and the British Independent Film Awards (BIFA).

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to exclusive one-of-a-kind opportunities at AFI events, including AFI FEST. To learn more, email Advancement@AFI.com.

Canva, the all-in-one visual communication and collaboration platform, returns as the exclusive Presenting Sponsor of AFI FEST 2025. Designed to empower entertainment professionals to visualize their ideas into impactful film and TV projects, Canva will be integrated throughout AFI FEST including hosting industry networking events, hands-on training workshops for filmmakers, and powering the festival’s digital and printed materials. Entertainment professionals can explore resources to pitch projects, plan shoots, and bring creative visions to life at canva.com/entertainment.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

About AFI FEST
Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, Twitter.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva
Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

Press contact:

American Film Institute: Shari Mesulam, shari@themesulamgroup.com

IFTA/AFM Announces CEO Jean Prewitt to Step Down after 25 Years

Posted by Larry Gleeson

 

INDEPENDENT FILM & TELEVISION ALLIANCE® PRESIDENT & CEO JEAN PREWITT  TO STEP DOWN AFTER 25 YEARS OF LEADERSHIP

Prewitt to Depart at End of 2025 Following the American Film Market’s Highly Anticipated Return to Los Angeles

 

LOS ANGELES, CA – September 3, 2025 — The Independent Film & Television Alliance® (IFTA®), the global trade association of the independent industry and producer of the American Film Market® (AFM®), announced today that President & CEO Jean Prewitt will step down at year-end following a 25-year tenure with the organization.

IFTA retained the firm McCormack + Kristel to support its search for Prewitt’s successor. This transition has been thoughtfully considered with Prewitt and the IFTA Board for several months. She committed to continue in her role until AFM was firmly relocated back to Los Angeles and to lead the IFTA team through the 2025 Market. She will work with the organization’s next leader, once appointed, to support a smooth transition.

Throughout her tenure, Prewitt has guided IFTA and AFM through a rapidly evolving global marketplace, giving the independent sector a seat at decision-making tables and advocating for its unique needs. She championed Independents’ access to new markets and their ability to compete in a consolidating industry, while strengthening AFM’s role as a premier destination for the international community to conduct business. Under her direction, IFTA solidified its standing as the definitive voice for Independents and advanced its policy work on issues vital to the sector in the U.S. and around the world, including copyright protections, removing trade barriers, tax incentives, royalty collections, and changes in licensing practices.

“Jean’s vision and dedication have been instrumental in shaping both IFTA and AFM into the global pillars of our industry they are today,” said Clay Epstein, IFTA Chairperson and President of Film Mode Entertainment. “Her leadership has navigated profound challenges while ensuring that independent film and television companies have a powerful voice and the resources to thrive in a constantly evolving business. It will be difficult to match her impact, but we are excited about the future for IFTA she has set in motion.”

“It has been a privilege to serve IFTA and the independent sector for the past 25 years,” said Prewitt. “Driving IFTA through recent transitions — including AFM’s return to Los Angeles in 2025 and strengthening the independent industry’s capacity to meet change — has been immensely rewarding. This feels like the right moment to pass the torch as the Alliance prepares for its next chapter. I am proud of what we have accomplished together and optimistic about the opportunities that lie ahead for the Independents.”

About the Independent Film & Television Alliance® (IFTA®)

IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to its member companies in more than 20 countries consisting of independent production and distribution companies, sales agents, and financial institutions engaged in production finance. Each November, it produces the American Film Market, the world’s largest motion picture event, drawing thousands of industry leaders from 80 countries and leading to more than $1 Billion in distribution and film financing deals. IFTA also develops and publishes the IFTA Model Agreements which articulate the industry-wide standards and key definitions for licensing international rights in motion pictures and television programming and are reviewed and revised regularly to keep pace with the evolving worldwide film and television industry. For more information on IFTA, visit www.IFTA-online.org.

 

McCormack + Kristel

For more information on the company, please visit https: www.mccormackkristel.com

 

Media Contact:

Jennifer Garnick | VP, Communications

Independent Film & Television Alliance

jgarnick@ifta-online.org, 310-446-1006

AFI ANNOUNCES 2025-2026 CANVA FELLOWSHIP RECIPIENTS

Posted by Larry Gleeson

AFI ANNOUNCES 2025-2026 CANVA FELLOWSHIP RECIPIENTS

Scholarship Program Extends AFI’s Partnership With Canva

 

 

FOR IMMEDIATE RELEASE, Los Angeles, CA, August 28, 2025 – Today, the American Film Institute (AFI) announced the recipients of the 2025-2026 Canva Fellowship at the AFI Conservatory. This marks the third year of Canva partnering with AFI to further their shared mission of educating and inspiring the next generation of filmmakers. The scholarship supports one Fellow from each of the six disciplines at the AFI Conservatory: Cinematography, Directing, Editing, Producing, Production Design and Screenwriting.

The recipients of The Canva Fellowship for 2025-2026 are AFI First Year Fellows are Maghsoud Eghrari (Screenwriting), Brianna Kolybaba (Production Design), Mahsati Moorhead (Cinematography), Zhizong Qu (Editing), Aemilia Scott (Directing) and Allisa Tsukimori (Producing).

 

The Fellows will start their Master of Fine Arts filmmaking program at the AFI Conservatory on the AFI Campus in Los Angeles this August. Over the course of their two-year AFI Conservatory MFA program, each Fellow will receive a $40,000 scholarship, with a total of $240,000 awarded to the six recipients.

Susan Ruskin, Dean, AFI Conservatory/Executive Vice President, American Film Institute

“At the AFI Conservatory, we’re committed to bringing emerging filmmakers together through learning the craft of storytelling,” said Susan Ruskin, Dean of the AFI Conservatory. “For the third consecutive year, we’re proud to partner with Canva to help our Fellows amplify their voices as they grow into leaders in their creative communities and bring a wide range of perspectives to audiences around the world.”

 

The second class of The Canva Fellowship at the AFI Conservatory recently shared their thoughts after completing their first year of their education at AFI.

 

 

 

Kate Marsden, Global Head of Brand Partnerships and Design School at Canva

“We’re incredibly proud to mark our third year of partnership with AFI, continuing our support for this vital fellowship. At Canva, we strongly believe in empowering the next generation of visual storytellers, and it’s truly inspiring to see these emerging creators flourish and bring their unique visions to life through this program,” said Kate Marsden, Global Head of Brand Partnerships and Design School at Canva. ”

 

About the 2025-2026 Recipients

 

Maghsoud “Hami” Eghrari – Screenwriting Fellow

Maghsoud “Hami” Eghrari moved to the U.S. from Iran in 2017 and recently graduated from The University of Texas at Dallas where he earned a BS in Healthcare Studies. Driven by a passion for storytelling, he pivoted to filmmaking. Since 2022, he has co-directed large-scale theatrical productions, A NEW DRESS FOR MONA and THE KINGFISHER’S WING. His work in coordinating intensive community-building programs in underserved Dallas neighborhoods inspired him to write “Even Birds Have a Nest,” his fiction work published in “The Southern Quill” in 2023. In 2024, Eghrari created the short films WRONG WHITE and BLIND SPOT, marking his filmmaking debut.

Brianna Kolybaba – Production Design Fellow

Brianna Kolybaba is a Canadian-Ukrainian film, theater, and opera designer. She brings her passion for world-building through design. She has a BFA in Theatre Design from the University of Alberta. She was a contributor of Prague Quadrennial Performance Design and Space conference in 2019 and 2023. Kolybaba won the Outstanding Production Design Award at FAVA Fest in 2024 for her work on the short NIGIQTUQ ᓂᒋᖅᑐᖅ. Her credits include BEFORE I CHANGE MY MIND, THE LAND OF NOD, UNSPEAKABLE, and THE MURDER OF JONBENET RAMSEY.

Zhizong “Jason” Qu – Editing Fellow

Zhizong “Jason” Qu is a recent graduate of SCAD, with a BFA in Film and TV and a minor in Sound Editing. Qu is interested in editing narratives and trailers while also having a passion for production audio. He will often do both production audio and editing on the same project to get the best audio and workflow. Qu is currently editing the feature film, SECRETS OF SAVANNAH.

Aemilia Scott – Directing Fellow

Aemilia Scott graduated from Columbia University with a degree in History. Before directing and writing she worked as an actor in TV, Film and at Second City Chicago. Her most recent short film, HELP ME UNDERSTAND, premiered at the Sundance Film Festival. Her first short film, BEST IF USED BY, premiered at Clermont-Ferrand and won a BAFTA LA Award at Aspen Shortsfest. Her feature screenplay,”Three Hours,” was a semifinalist for the Academy Nicholl Screenwriter’s prize and won the Blacklist/Cassian Elwes Screenwriter’s Fellowship. Scott’s feature screenplay, “Donna,” was a finalist at the Austin Screenwriter’s Competition.

Mahsati Moorhead – Cinematography Fellow

Mahsati Moorhead is a graduate of Spelman College with a BA in Photography and Cultural Anthropology. She studied in Paris and London assisting cinematographer Bradford Young, ASC, with film installations and Tribe 7 archives. She interned at TRIBE7 London, worked with Rap Research Lab and supported Simone Leigh’s “Loophole of Retreat” at the Venice Biennale. Moorhead’s film AUSPICIOUS RETURN screened at BlackStar Film Festival and Maryland Film Festival and is featured in programs at Georgetown University and Duke Ellington School. She has worked in the camera and art departments on SPACE JAM, REALLY LOVE, AS TOLD TO G/D THYSELF, THE KING & AND THE VIKING, and the Telfar brand.

Allisa Tsukimori – Producing Fellow

Allisa Tsukimori is an Australian Japanese producer based in Queensland, Australia. She has produced the feature film THE AEGEAN as well as PLANTED, an eight-episode web series. Outside of her work in film, Tsukimori has earned her Bachelor of Laws (LLBHons) from Queensland University of Technology and has built a legal career focused on employment and discrimination law working in the not-for-profit space.

 

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked the #1 film school in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at increasing diversity in the storytelling community, including AFI DWW+ and the AFI Cinematography Intensive for Women. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstituteYouTube.com/AFIX.com/AmericanFilmTikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

 

About the AFI Conservatory

The AFI Conservatory opened its doors in 1969 to an inaugural class that included Terrence Malick, Caleb Deschanel and Paul Schrader. Today, the Conservatory offers a two-year MFA degree in six filmmaking disciplines: Cinematography, Directing, Editing, Producing, Production Design and Screenwriting. In a collaborative production environment, AFI Fellows learn to master the art of storytelling, collectively creating up to 175 films a year. Fellows actively participate in the entire life cycle of a film, from development through production and exhibition.

 

Alumni of this elite program, ranging from modern masters to bold new voices defining the state of the art form, include Andrea Arnold, Darren Aronofsky, Ari Aster, Deniese Davis, Sam Esmail, Brad Falchuk, Affonso Gonçalves, Susannah Grant, Liz Hannah, Patty Jenkins, Janusz Kamiński, Matthew Libatique, David Lynch, Melina Matsoukas, Polly Morgan, Rachel Morrison and Wally Pfister, among others.

 

About Canva
Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

 

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

 

About the AFI Conservatory

The AFI Conservatory opened its doors in 1969 to an inaugural class that included Terrence Malick, Caleb Deschanel and Paul Schrader. Today, the Conservatory offers a two-year MFA degree in six filmmaking disciplines: Cinematography, Directing, Editing, Producing, Production Design and Screenwriting. In a collaborative production environment, AFI Fellows learn to master the art of storytelling, collectively creating up to 175 films a year. Fellows actively participate in the entire life cycle of a film, from development through production and exhibition.

 

Alumni of this elite program, ranging from modern masters to bold new voices defining the state of the art form, include Andrea Arnold, Darren Aronofsky, Ari Aster, Deniese Davis, Sam Esmail, Brad Falchuk, Affonso Gonçalves, Susannah Grant, Liz Hannah, Patty Jenkins, Janusz Kamiński, Matthew Libatique, David Lynch, Melina Matsoukas, Polly Morgan, Rachel Morrison and Wally Pfister, among others.

 

Press contact: American Film Institute

Shari Mesulam, Shari@themesulamgroup.com

SPRINGSTEEN: DELIVER ME FROM NOWHERE

STARRING JEREMY ALLEN WHITE

TO OPEN AFI FEST 2025 PRESENTED BY CANVA

FOR IMMEDIATE RELEASE – Los Angeles, CA, August 21, 2025 — Today, the American Film Institute (AFI) announced that 20th Century Studios’ SPRINGSTEEN: DELIVER ME FROM NOWHERE, written for the screen and directed by Scott Cooper, will open the 39th edition of AFI FEST presented by Canva on Wednesday, October 22.

Jeremy Allen White stars as Bruce Springsteen in the film, which traces the musician in 1981 and 1982 on the cusp of global superstardom as he records his landmark album “Nebraska” and struggles to reconcile the pressures of success with the ghosts of his past.

“AFI FEST is the stage and the screens where the world’s stories come together in Hollywood,” said Bob Gazzale, AFI President and CEO. “To open with SPRINGSTEEN: DELIVER ME FROM NOWHERE honors the global impact of an American icon and the true artistry it takes to tell his tale.”

Bob Gazzale, AFI President and CEO

“It’s a true honor to open AFI FEST with SPRINGSTEEN: DELIVER ME FROM NOWHERE. AFI has always championed bold, meaningful storytelling, and I’m grateful to be part of that tradition. While Bruce’s roots will forever be in New Jersey, Los Angeles played a profound role in shaping his artistic voice. I want to thank Bob Gazzale and everyone at AFI for this extraordinary privilege,” said Scott Cooper.

About the Film

SPRINGSTEEN: DELIVER ME FROM NOWHERE chronicles the making of Bruce Springsteen’s 1982 “Nebraska” album when he was a young musician on the cusp of global superstardom, struggling to reconcile the pressures of success with the ghosts of his past. Recorded on a 4-track recorder in Springsteen’s New Jersey bedroom, the album marked a pivotal time in his life and is considered one of his most enduring works—a raw, haunted acoustic record populated by lost souls searching for a reason to believe. Starring Jeremy Allen White as the Boss, the film is written for the screen and directed by Scott Cooper, based on the book “Deliver Me from Nowhere” by Warren Zanes. The film also features Jeremy Strong as Springsteen’s long-time confidant and manager, Jon Landau; Paul Walter Hauser as guitar tech Mike Batlan; Stephen Graham as Springsteen’s father, Doug; Odessa Young as love interest, Faye; Gaby Hoffman as Springsteen’s mom, Adele; Marc Maron as Chuck Plotkin and David Krumholtz as Columbia executive, Al Teller. The film is produced by Cooper, Ellen Goldsmith-Vein, Eric Robinson, and Scott Stuber. Tracey Landon, Jon Vein, and Zanes executive produce. The film will be released in theaters on October 24, 2025.

The 39th edition of the Institute’s annual film festival will take place October 22–26 at the TCL Chinese Theatres in the heart of Hollywood and feature a curated selection of Red Carpet Premiere screenings, Special Screenings, World Cinema, Documentaries and Short Films. 


Passes to AFI FEST 2025 are now available for purchase online at FEST.AFI.com. Festivalgoers have the opportunity to purchase a Star Pass or upgrade to a Patron Pass.

The full festival lineup will be unveiled on September 30. Individual tickets will be available on October 6. 

AFI FEST is recognized by the Academy of Motion Picture Arts and Sciences as a qualifying festival for the Live Action, Animated and Documentary Short Film categories for the annual Academy Awards®. AFI FEST is also a qualifying festival for consideration for the British Short Film categories of both the BAFTA Film Awards and the British Independent Film Awards (BIFA). 

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to exclusive one-of-a-kind opportunities at AFI events, including AFI FEST. To learn more, email Advancement@AFI.com.

Canva, the all-in-one visual communication and collaboration platform, returns as the exclusive Presenting Sponsor of AFI FEST 2025. Designed to empower entertainment professionals to visualize their ideas into impactful film and TV projects, Canva will be integrated throughout AFI FEST including hosting industry networking events, hands-on training workshops for filmmakers, and powering the festival’s digital and printed materials. Entertainment professionals can explore resources to pitch projects, plan shoots, and bring creative visions to life at canva.com/entertainment.  

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at increasing diversity in the storytelling community, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.comand follow us on social media at Facebook.com/AmericanFilmInstituteYouTube.com/AFIX.com/AmericanFilmTikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

 

About AFI FEST
Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFESTTwitter.com/AFIFESTInstagram/AmericanFilmInstituteTikTok/@AmericanFilmInstitute and YouTube.com/AFI.

 

About Canva
Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

 

Press contact:

American Film Institute: Shari Mesulam, shari@themesulamgroup.com

AMERICAN FILM MARKET® RETURNS TO LOS ANGELES WITH STRONG GLOBAL MOMENTUM FOR 2025 EDITION NOVEMBER 11-16

With Exhibition Space Selling Rapidly, Leading Production, Sales, and Buying Companies from Over 60 Countries Have Registered

American Film Market makes its highly anticipated return to Los Angeles at the Fairmont Century Plaza, November 11-16, 2025.

Los Angeles, CA – August 7, 2025 — The American Film Market® (AFM®) today announced the current lineup of participating Exhibitors for its 46th edition, taking place November 11–16, 2025, at the Fairmont Century Plaza in Los Angeles. With more than three months to go before AFM’s highly anticipated return to Los Angeles, Market organizers are seeing remarkable early interest and commitments from across the global film and television industry.

Exhibition space is already substantially sold, and production, sales, and buying companies from over 60 countries have registered to attend to date. This early momentum signals a renewed sense of optimism and engagement across the independent film and television industry, as well as highlights AFM’s enduring position for global players to gather to do business, network, present and screen completed films and works-in-progress and gain insights into the current marketplace.

AFM 2025 Exhibitors currently include leading international companies and organizations such as: 13 Films, AGC Studios, Altitude, Anton, Architect, The Asylum, Bankside Films, Beta Cinema, Blue Fox Entertainment, Charades, Cornerstone Films, Embankment Films, Entertainment Squad, Essential, Film Mode Entertainment, Filmax, Fortitude International, Gaumont, GOODFELLAS / Wild Bunch International, HanWay Films, Highland Film Group, K5 International, Kinostar, Lionsgate, The Match Factory, Myriad Pictures, NEON, north.five.six, Pathé Films, Protagonist Pictures, SND M6 Group, STUDIOCANAL, STUDIO TF1, TrustNordisk, Upgrade, The Veterans, Vision Films, UMG / Lakeshore, Voltage Pictures, WME Independent, and XYZ Films, among many others.

In addition, National Umbrella Stands hosting sales and production companies will represent countries including China, France, Germany, Italy, and Thailand, organized respectively by China Film Co-Production Corporation, Unifrance, German Films – Service + Marketing, the Italian Trade Agency with the DGCA Ministry of Culture, and Thailand’s Department of International Trade Promotion (DITP).

AFM Screenings will take place just steps away from the Fairmont Century Plaza at the AMC Century City 15, offering a premium theatrical setting for showcasing films and presentations to Buyers and industry professionals.

Alongside the Market, AFM’s LocationEXPO® is expanding this year, reflecting increased demand from national and regional film commissions, production service companies, and attendees seeking global production support, shooting locations, and incentives.

AFM 2025 will also feature the return of its highly regarded conference series, The AFM Sessions.Spanning four full days, the program will bring leading voices from across the global industry to its stages to explore the trends and technologies shaping the film and television landscape — from development through distribution. Speakers and additional session details will be announced in the coming weeks.

For the current list of AFM Exhibitors, visit:https://exhibitors.americanfilmmarket.com/exhibitor-list-2025/

For the initial schedule for The AFM Sessions, visit:


For more information on AFM and to register, visit: americanfilmmarket.com

# # #

About the American Film Market® (AFM®)
The AFM is where the global film and television business comes to life every November. The only independently produced international sales market, hundreds of finance, production, sales and distribution companies and thousands of professionals from every segment of the industry, convene at AFM for six days of discovery, development, deal making, networking, marketplace discussions and world-class conferences. The AFM is produced by the Independent Film & Television Alliance® (IFTA®) and serves as the annual fundraiser for the association.

About the Independent Film & Television Alliance® (IFTA®)
IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to independent companies around the world. 


Media Contact:

Jennifer Garnick | VP, Communications & Programming

Independent Film & Television Alliance

jgarnick@ifta-online.org | +1.310.446.1006

AmericanFilmMarket.com IFTA-online.org

TCM’s Summer Under the Stars Returns This August

Posted by Larry Gleeson

TCM’s ultimate movie star showcase, Summer Under the Stars, returns this August  paying tribute to 31 stars over 31 days, including 8 star newcomers to the franchise.

Check out this year’s trailer. Then, read on.

 

After partaking in this year’s TCM 31 Days of Oscar, the juices are flowing for the TCM 2025 Summer Under The Stars as I anticipate more films helping to define our culture. And, in my opinion, what makes TCM stand out are the nuanced film star introductions. The stars , the definitive hallmark of classic film, propelled the U.S. film industry into a global force  (Warner Bros. Global Entertainment) via the studio system.

 

Larry Gleeson, left, with Hollywood starlet, Angie Dickinson. (Photo credit: HollywoodGlee)

 

Personally, TCM film programs provide insight into the emergence and subsequent changes to  filmmaking, and the mirroring effect as films helps define culture while culture is reflected in film in the same vein as a snapshot photograph captures a moment in time. While film is a business it is also an art form paying homage to fashion, personalities, social commentary and ultimately, a driver of conversation and debate. So, I encourage moviegoers, film lovers, and cinephiles of all ages to tune in and partake in the 2025 TCM Summer Under the Stars. You’ll be glad you did! Check out the schedule below…

SUMMER UNDER THE STARS 2025 Full Schedule Click Here

 

Press Contact:
Elina Novik
Elina.Novik@wbd.com

 

Francis Ford Coppola Honored at 50th AFI Life Achievement Award Gala Tribute

Posted by Larry Gleeson

FRANCIS FORD COPPOLA HONORED

AT 50TH AFI LIFE ACHIEVEMENT AWARD GALA TRIBUTE

 

Francis Ford Coppola

 

Robert De Niro, Harrison Ford, Morgan Freeman, Dustin Hoffman, Ron Howard, Spike Lee, George Lucas, Steven Spielberg, Al Pacino including Family Members Gia Coppola and Roman Coppola Celebrated His Legacy

Special to Premiere on TNT on June 18 at 10:00 pm ET/PT

 Gala Raises Over $2.5 Million to Support
AFI’s Education Program
s

FOR IMMEDIATE RELEASE, Los Angeles, CA, April 26, 2025 – The American Film Institute (AFI) presented the 50th AFI Life Achievement Award to Francis Ford Coppola on Saturday, April 26, at a Gala Tribute at the Dolby Theatre in Hollywood, surrounded by icons in the entertainment community. The televised special, THE AFI LIFE ACHIEVEMENT AWARD: A TRIBUTE TO FRANCIS FORD COPPOLA, will premiere on TNT on June 18 at 10:00 pm ET/PT, with an encore airing on TCM on July 31 at 8:00 pm ET/PT. This marks the 10th year the Emmy®-winning AFI Life Achievement Award special.

 

HOLLYWOOD, CALIFORNIA – APRIL 26: (L-R) George Lucas, Francis Ford Coppola and Steven Spielberg attend the 50th AFI Life Achievement Award: A Tribute To Francis Ford Coppola at Dolby Theatre on April 26, 2025 in Hollywood, California. (Photo by Lester Cohen/Getty Images for AFI)

The evening began with welcome remarks from Bob Gazzale, AFI President and CEO, and included tributes to Coppola’s illustrious career and his influence on filmmaking from Robert De Niro, Adam Driver, Harrison Ford, Morgan Freeman, Dustin Hoffman, Ron Howard, C. Thomas Howell, Diane Lane, Spike Lee, Ralph Macchio and Al Pacino, plus family members Gia Coppola and Roman Coppola and a performance by Josh Groban of “Brucia La Terra” from THE GODFATHER, CODA: THE DEATH OF MICHAEL CORLEONE. Also included in the show were video clips of an exclusive interview, conducted by his daughter, Oscar®-winning filmmaker Sofia Coppola.

 

 

In presenting the award, Steven Spielberg, recipient of the 23rd AFI Life Achievement Award said, “you have taken what came before and redefined the canon of American film” and George Lucas, recipient of the 33rd AFI Life Achievement Award, commented, “we hoped to beat the system, and we did. We had no rules. We wrote the rules with you holding the pen. Thank you for creating an era of filmmakers that loved the movies.” Coppola accepted the award to a standing ovation. In his acceptance speech, he said, “all the beautiful faces are welcoming me back because I am and will always be nothing more than one of you.”

 

HOLLYWOOD, CALIFORNIA – APRIL 26: Francis Ford Coppola holds the 50th AFI Life Achievement Award onstage at the 50th AFI Life Achievement Award: A Tribute To Francis Ford Coppola at Dolby Theatre on April 26, 2025 in Hollywood, California. (Photo by Lester Cohen/Getty Images for AFI)

 

The event also included a special remembrance of David Lynch (AFI Class of 1970) – who passed away in January of this year, and who had been the Franklin J. Schaffner Alumni Medal inaugural recipient in 1991. The medal is awarded to an Alum of either the AFI Conservatory or AFI DWW+, who best embodies the qualities of Schaffner: talent, taste, dedication and commitment to quality filmmaking.

 

HOLLYWOOD, CALIFORNIA – APRIL 26: (L-R) Steven Spielberg, Bob Gazzale, CEO, American Film Institute, Francis Ford Coppola and George Lucas attend the 50th AFI Life Achievement Award: A Tribute To Francis Ford Coppola at Dolby Theatre on April 26, 2025 in Hollywood, California. (Photo by Anna Webber/Getty Images for AFI)

 

The event concluded with attendees receiving an exclusive AFI commemorative tribute book about Coppola’s career. Guests were also introduced to the new online tribute site chronicling Coppola’s life and career at http://AFI.com/coppola.

 

HOLLYWOOD, CALIFORNIA – APRIL 26: Gia Coppola attends the 50th AFI Life Achievement Award: A Tribute To Francis Ford Coppola at Dolby Theatre on April 26, 2025 in Hollywood, California. (Photo by Anna Webber/Getty Images for AFI)

 

Over $2.5 million raised at the AFI Life Achievement Award Gala will support educational programs at the American Film Institute, a nonprofit organization. To donate to AFI, visit AFI.com/support.

The AFI Life Achievement Award, established by the AFI Board of Trustees in 1973, is presented to a single honoree each year based on the following criteria as mandated through a resolution passed by the AFI Board of Trustees: “The recipient should be one whose talent has in a fundamental way advanced the film art; whose accomplishment has been acknowledged by scholars, critics, professional peers and the general public; and whose work has stood the test of time.”

 

HOLLYWOOD, CALIFORNIA – APRIL 26: Diane Lane speaks onstage at the 50th AFI Life Achievement Award: A Tribute To Francis Ford Coppola at Dolby Theatre on April 26, 2025 in Hollywood, California. (Photo by Lester Cohen/Getty Images for AFI)

 

HOLLYWOOD, CALIFORNIA – APRIL 26: Adam Driver speaks onstage during the 50th AFI Life Achievement Award: A Tribute To Francis Ford Coppola at Dolby Theatre on April 26, 2025 in Hollywood, California. (Photo by Lester Cohen/Getty Images for AFI)

 

GALLERY PHOTOS

 

 

The official sponsor of the 50th AFI Life Achievement Award Gala dinner was Canva, the all-in-one visual communication platform. The official water sponsor was FIJI Water.

AFI Life Achievement Award Recipients

1973   John Ford

1974   James Cagney

1975   Orson Welles

1976   William Wyler

1977   Bette Davis

1978   Henry Fonda

1979   Alfred Hitchcock

1980   James Stewart

1981   Fred Astaire

1982   Frank Capra

1983   John Huston

1984   Lillian Gish

1985   Gene Kelly

1986   Billy Wilder

1987   Barbara Stanwyck

1988   Jack Lemmon

1989   Gregory Peck

1990   David Lean

1991   Kirk Douglas

1992   Sidney Poitier

1993   Elizabeth Taylor

1994   Jack Nicholson

1995   Steven Spielberg

1996   Clint Eastwood

1997   Martin Scorsese

1998   Robert Wise

1999   Dustin Hoffman

2000   Harrison Ford

2001   Barbra Streisand

2002   Tom Hanks

2003   Robert De Niro

2004   Meryl Streep

2005   George Lucas

2006   Sean Connery

2007   Al Pacino

2008   Warren Beatty

2009   Michael Douglas

2010   Mike Nichols

2011   Morgan Freeman

2012   Shirley MacLaine

2013   Mel Brooks

2014   Jane Fonda

2015   Steve Martin

2016   John Williams

2017   Diane Keaton

2018   George Clooney

2019   Denzel Washington

2022   Julie Andrews

2024   Nicole Kidman

Learn more at AFI.com.

 

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow AFI on social media at:

Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute

 

About TNT

TNT, a Warner Bros. Discovery brand, is watched by more people than any other cable network and known for big, lean-forward television that takes viewers on a thrill ride of electrifying stories, dynamic characters and premium events. TNT is home to some of television’s most popular sports franchises and scripted originals including “The Librarians: The Next Chapter.” TNT also presents primetime specials and sports coverage, including the NHL, NBA and NCAA Division I Men’s Basketball Championships. Website:www.tntdrama.com

 

About Turner Classic Movies (TCM)

Turner Classic Movies(TCM) is a two-time Peabody Award-winning network that presents classic films, uncut and commercial-free, from the largest film libraries in the world highlighting “Where Then Meets Now.” TCM features insights from Primetime host Ben Mankiewicz along with hosts Alicia Malone, Dave Karger, Jacqueline Stewart and Eddie Muller, plus interviews with a wide range of special guests and serves as the ultimate movie lover destination. With three decades as a leading authority in classic film, TCM offers critically acclaimed series like The Essentials and Reframed along with annual programming events like 31 Days of Oscar® and Summer Under the Stars. TCM also directly connects with movie fans through popular events such as the annual TCM Classic Film Festival in Hollywood and the TCM Classic Cruise. In addition, TCM produces the wildly successful podcast “The Plot Thickens.” TCM hosts a wealth of material online attcm.comand through the Watch TCM mobile app. Fans can also enjoy a classic movie experience on the TCM hub on Max.

 

Press contact:

American Film Institute

Shari Mesulam, Shari@themesulamgroup.com

 

 

See Why Conan O’Brien is returning to host the 2026 Oscars

Posted by Larry Gleeson

THE OSCARS¨ – 97th Oscars¨ hosted by Conan OÕBrien. (Disney/Andrew Eccles)

 

HOST CONAN O’BRIEN AND EXECUTIVE PRODUCERS RAJ KAPOOR  AND KATY MULLAN ARE REUNITING FOR 98TH OSCARS

JEFF ROSS AND MIKE SWEENEY RETURN AS PRODUCERS

THE OSCARS SET TO AIR LIVE MARCH 15, 2026, ON ABC

 

LOS ANGELES, CA – For a second consecutive year, Emmy® Award-winning television host, writer, producer and comedian Conan O’Brien will return to host the Oscars® broadcast, and Emmy Award-winning live television event producers Raj Kapoor and Katy Mullan return as the show’s executive producers for the third consecutive year, Academy CEO Bill Kramer and Academy President Janet Yang announced today. Jeff Ross and Mike Sweeney will return as producers for a second time, and Sweeney will also serve as a writer. The 98th Oscars will air live on ABC on Sunday, March 15, 2026, at 7 p.m. ET/4 p.m. PT.

Emmy Award-winning live television event producers Raj Kapoor and Katy Mullan return as the show’s executive producers for the third consecutive year. (Photo courtesy of The Academy)

 

“We are thrilled to bring back Conan, Raj, Katy, Jeff and Mike for the 98th Oscars!” said Kramer and Yang. “This year, they produced a hugely entertaining and visually stunning show that celebrated our nominees and the global film community in the most beautiful and impactful way. Conan was the perfect host – skillfully guiding us through the evening with humor, warmth and reverence. It is an honor to be working with them again.”

“The only reason I’m hosting the Oscars next year is that I want to hear Adrien Brody finish his speech,” said O’Brien.

“Conan delivered an unforgettable performance at ‘The Oscars,’ and we’re honored to have him and the producing team back next year,” said Craig Erwich, president of Disney Television Group. “Conan’s unique comedic style perfectly captured the moment, and I’m excited to have his talents back onstage next year to helm another indelible performance.”

“We are both so honored to be returning in our roles for the 98th Oscars,” said Kapoor and Mullan. “We can’t wait to work with Conan and his entire team as we continue to explore even more special and heartfelt opportunities to celebrate next year’s nominees and the impact of film around the world.”

Hosted by O’Brien, the 97th Oscars, held earlier this month on March 2, delivered a five-year high in both total viewers (19.69 million) and adults 18-49 (4.54 rating) and ranked as the number one primetime entertainment telecast in both total viewers and adults for the 2024-2025 season. The 97th Oscars earned 104.2 million total social interactions, ranking as the number one most social TV program season-to-date, outperforming both “The Grammy Awards” (102.2 million interactions) and “The Super Bowl” (62.4 million) this season for the first time on record.

O’Brien is best known for hosting the late-night talk shows “Late Night with Conan O’Brien,” “The Tonight Show with Conan O’Brien” and “Conan.” Before his more than two-decade hosting career, he served as a writer for “Saturday Night Live” and “The Simpsons.” Currently, O’Brien hosts the “Conan O’Brien Needs a Friend” podcast, MAX travel show “Conan O’Brien Must Go” and has a supporting role in the feature film “If I Had Legs I’d Kick You.” He has won five Primetime Emmys® and earned 31 nominations for his work.

Kapoor has earned eight Emmy Award nominations and won Emmys for his work on the 96th Oscars and for executive producing the Outstanding Variety Special (Pre-Recorded) “Adele: One Night Only.” In addition to several Oscars shows, Kapoor’s credits include “The Grammy Awards®,” “ACM Awards,” “Latin Grammys,” “The Emmy Awards,” “Hannah Waddingham: Home for Christmas,” “Beauty and the Beast: A 30th Celebration,” “Norman Lear: 100 Years of Music and Laughter” and “The Paris Olympics LA28 Handover Closing Ceremony.”

Mullan is an executive producer, showrunner and partner of the global live event production company Done + Dusted. Her work in live entertainment ranges from producing the London Olympics opening and closing ceremonies to “The Little Mermaid Live!.” She won an Emmy for the 96th Oscars, and her other credits include “Hannah Waddingham: Home for Christmas,” “Beauty and the Beast: A 30th Celebration,” “Step Into…The Movies,” several Christmas and New Year’s Eve television specials and the “Disney Family Singalong” franchise.

Ross is a producer whose credits include “Conan O’Brien Needs a Friend,” “Conan O’Brien Must Go,” “Conan Without Borders,” “Conan,” “The Tonight Show with Conan O’Brien”, “Late Night with Conan O’Brien” and “The Kids in the Hall.”  He has won a Primetime Emmy and earned 15 nominations for his work.

Sweeney is a producer, writer and director whose credits include “Conan O’Brien Must Go,” “Conan,” “The Tonight Show with Conan O’Brien” and “Late Night with Conan O’Brien.” He has won three Primetime Emmys and earned 22 nominations for his work.

The 98th Oscars will be held on Sunday, March 15, 2026, at the Dolby® Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide.

ABOUT THE ACADEMY

The Academy of Motion Picture Arts and Sciences is home to a global membership of more than 10,500 of the most accomplished film industry artists and leaders. The Academy recognizes and celebrates all aspects of the arts and sciences of moviemaking through renowned awards for cinematic achievement, including the Oscars®. With the largest film-related collection in the world, the Academy is a leader in the fields of conservation, preservation and exhibition of film-related objects and materials. Through its Academy Museum of Motion Pictures, the Academy presents powerful exhibitions, screenings and programs about cinema’s past, present, and future. The Academy also inspires young artists and creates opportunities for underrepresented communities to engage with the film world. Across all initiatives, the Academy connects global audiences – its members, the film industry, and film fans – through their shared passion for making and watching films.

 

 

 

AFI DWW+ SHOWCASE CELEBRATES FILMS FROM EMERGING DIRECTORS

Posted by Larry Gleeson

FOR IMMEDIATE RELEASE, Los Angeles, CA, March 6, 2025 – The American Film Institute (AFI) premiered films from the AFI DWW+ Class of 2025 directors – Julia Bales, Jahmil Eady, MG Evangelista, Marissa High, Jasmine J. Johnson, Natasha Mynhier, Karina Lomelin Ripper and Ezra Rose – to a full house at the annual AFI DWW+ showcase on Wednesday, March 5 at the Directors Guild of America (DGA) Theater in Los Angeles. Founded in 1974, AFI DWW+ is a tuition-free year-long directing program, open to all applicants, that supports emerging narrative filmmakers through the production cycle of a short film, providing hands-on instruction led by industry experts.

Susan Ruskin, Dean of the AFI Conservatory and Executive Vice President of the American Film Institute, opened the event with welcome remarks and congratulated the eight members of the Class of 2025 as they now join a legion of artists who have participated in the program since it began over 50 years ago. She noted the program’s “signature superpower” is its ability to bring artists together whose work aims to drive culture forward.

Ruskin then introduced AFI DWW+ Alum and Class of 2025 Guest Artistic Director Hanelle M. Culpepper (STAR WARS: THE ACOLYTE, STAR TREK: PICARD, WESTWORLD), who mentored the directors and oversaw the artistic curriculum for the 2024–2025 program. She celebrated the achievements of the filmmakers and their dedication to their craft. “[They are] eight directors with passionate visions, talent, curiosity, unafraid to ask for what they need, and completely open to learning, to collaboration, and to feedback while supporting each other however they can,” said Culpepper. “Their work will have a social impact by challenging us and expanding our thinking while never failing to entertain us.”

Distinguished keynote speaker Emmy® Award-winning writer/director/producer Lucia Aniello (HACKS, BROAD CITY, ROUGH NIGHT) brought her signature humor to her address to the graduates, inspiring participants and guests alike with advice about the creative process and the unexpected places they may find story ideas. Aniello encouraged the directors to take in as many unique experiences as possible to help shape their point of view as a filmmaker, “Be disciplined – not with your output but with your life experiences and how present you are with them… And write everything down.”

Aniello is currently writing, directing and executive producing the fourth season of Max’s Original comedy series, HACKS starring Jean Smart, which she also co-created alongside Paul W. Downs and Jen Statsky.

Following the remarks, the audience, which included filmmakers, actors, producers, agents, managers, studio executives and more, screened films directed by the AFI DWW+ Class of 2025 participants during the intensive program.

Learn more about the directors and their projects at: https://conservatory.afi.com/dww-showcase/.

As one of the longest-running and preeminent film and television workshops nationwide, AFI DWW+ has trained hundreds of artists whose directorial work has entertained global audiences and defined our collective cultural landscape. Distinguished Alums of the AFI DWW+ program include Maya Angelou, Anne Bancroft, Neema Barnette, Pippa Bianco, Tessa Blake, Tricia Brock, Ellen Burstyn, Rebecca Cammisa, Dyan Cannon, Dime Davis, Jan Eliasberg, Naomi Foner, Jennifer Getzinger, Lesli Linka Glatter, Lyn Goldfarb, Randa Haines, Siân Heder, Victoria Hochberg, Marianne Jean-Baptiste, Matia Karrell, Maggie Kiley, Lynne Littman, Nancy Malone, Gandja Monteiro, Amber Sealy, Sarah Gertrude Shapiro, Becky Smith, Cicely Tyson, Jude Weng and Joanne Woodward. View full list of 350+ AFI DWW Alums here.

AFI DWW+ is part of the AFI Conservatory’s Department of Innovative Programs, which also includes the AFI Cinematography Intensive Workshop. Through a range of learning opportunities, Innovative Programs serves a diverse community of aspiring visual storytellers to cultivate cutting-edge technological and media-making skills, bridge access to professional networks and place participants on an upward career trajectory.

Learn more at Conservatory.AFI.com/Innovative-Programs/.

 

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

 

About the AFI Conservatory

The AFI Conservatory opened its doors in 1969 to an inaugural class that included Terrence Malick, Caleb Deschanel and Paul Schrader. Today, the Conservatory offers a two-year MFA degree in six filmmaking disciplines: Cinematography, Directing, Editing, Producing, Production Design and Screenwriting. In a collaborative production environment, AFI Fellows learn to master the art of storytelling, collectively creating up to 175 films a year. Fellows actively participate in the entire life cycle of a film, from development through production and exhibition.

Alumni of this elite program, ranging from modern masters to bold new voices defining the state of the art form, include Andrea Arnold, Darren Aronofsky, Ari Aster, Deniese Davis, Sam Esmail, Brad Falchuk, Affonso Gonçalves, Susannah Grant, Liz Hannah, Patty Jenkins, Janusz Kamiński, Matthew Libatique, David Lynch, Melina Matsoukas, Polly Morgan, Rachel Morrison and Wally Pfister, among others.

Press contact: American Film Institute
Shari Mesulam,  Shari@themesulamgroup.com

Oscar Winners 2025

Posted by Larry Gleeson

It was quite a night at the 97th Academy Awards inside the Dolby Theatre at Ovation in Hollywood, California. Indie filmmaker Sean Baker walked away with four Oscars for his latest work, Anora. Meanwhile, his lead actress, Mikey Madison, walked away with an Oscar of her own, Best Performance by an Actress in a Leading Role, for her portrayal of sex worker Anora. There were many highlights to the evening including a stand up performance by Conan O’Brien as this year’ s host, a magical opening montage, A-list presenters, song and dance routines, a tribute to the late Quincy Jones, and a “wicked” performance from Arianna Grande and Cynthia Erivo. A complete list of Oscar winners is below:

Oscar Winners 2025

Best Picture

  • Anora – WINNER
  • The Brutalist
  • A Complete Unknown
  • Conclave
  • Dune: Part Two
  • Emilia Pérez
  • I’m Still Here
  • Nickel Boys
  • The Substance
  • Wicked

Best Director

  • Sean Baker (Anora) – WINNER
  • Brady Corbet (The Brutalist)
  • James Mangold (A Complete Unknown)
  • Jacques Audiard (Emilia Pérez)
  • Coralie Fargeat (The Substance)

Actor in a Leading Role

  • Adrien Brody (The Brutalist) – WINNER
  • Timothée Chalamet (A Complete Unknown)
  • Colman Domingo (Sing Sing)
  • Ralph Fiennes (Conclave)
  • Sebastian Stan (The Apprentice)

Actress in a Leading Role

  • Cynthia Erivo (Wicked)
  • Karla Sofía Gascón (Emilia Pérez)
  • Mikey Madison (Anora) – WINNER
  • Demi Moore (The Substance)
  • Fernanda Torres (I’m Still Here)

Actor in a Supporting Role

  • Yura Borisov (Anora)
  • Kieran Culkin (A Real Pain) – WINNER
  • Edward Norton (A Complete Unknown)
  • Guy Pearce (The Brutalist)
  • Jeremy Strong (The Apprentice)

Actress in a Supporting Role

  • Monica Barbaro (A Complete Unknown)
  • Ariana Grande (Wicked)
  • Felicity Jones (The Brutalist)
  • Isabella Rossellini (Conclave)
  • Zoe Saldaña (Emilia Pérez) – WINNER

Writing (Adapted Screenplay)

  • A Complete Unknown
  • Conclave – WINNER
  • Emilia Pérez
  • Nickel Boys
  • Sing Sing

Writing (Original Screenplay)

  • Anora – WINNER
  • The Brutalist
  • A Real Pain
  • September 5
  • The Substance

Cinematography

  • The Brutalist – WINNER
  • Dune: Part Two
  • Emilia Pérez
  • Maria
  • Nosferatu

Animated Feature Film

  • Flow – WINNER
  • Inside Out 2
  • Memoir Of A Snail
  • Wallace & Gromit: Vengeance Most Fowl
  • The Wild Robot

Music (Original Score)

  • The Brutalist – WINNER
  • Conclave
  • Emilia Pérez
  • Wicked
  • The Wild Robot

Music (Original Song)

  • El Mal (Emilia Pérez) – WINNER
  • The Journey (The Six Triple Eight)
  • Like A Bird (Sing Sing)
  • Mi Camino (Emilia Pérez)
  • Never Too Late (Elton John: Never Too Late)

Production Design

  • The Brutalist
  • Conclave
  • Dune: Part Two
  • Nosferatu
  • Wicked – WINNER

Film Editing

  • Anora – WINNER
  • The Brutalist
  • Conclave
  • Emilia Pérez
  • Wicked

Documentary Feature Film

  • Black Box Diaries
  • No Other Land – WINNER
  • Porcelain War
  • Soundtrack To A Coup D’Etat
  • Sugarcane

Documentary Short Film

  • Death By Numbers
  • I Am Ready, Warden
  • Incident
  • Instruments Of A Beating Heart
  • The Only Girl In The Orchestra – WINNER

International Feature Film

  • I’m Still Here (Brazil) – WINNER
  • The Girl With The Needle (Denmark)
  • Emilia Pérez (France)
  • The Seed Of The Sacred Fig (Germany)
  • Flow (Latvia)

Makeup and Hairstyling

  • A Different Man
  • Emilia Pérez
  • Nosferatu
  • The Substance – WINNER
  • Wicked

Visual Effects

  • Alien: Romulus
  • Better Man
  • Dune: Part Two – WINNER
  • Kingdom Of The Planet Of The Apes
  • Wicked

Costume Design

  • A Complete Unknown
  • Conclave
  • Gladiator II
  • Nosferatu
  • Wicked – WINNER

Animated Short Film

  • Beautiful Men
  • In The Shadow Of The Cypress – WINNER
  • Magic Candies
  • Wander To Wonder
  • Yuck!

Live-Action Short Film

  • A Lien
  • Anuja
  • I’m Not A Robot – WINNER
  • The Last Ranger
  • The Man Who Could Not Remain Silent

Sound

  • A Complete Unknown
  • Dune: Part Two – WINNER
  • Emilia Pérez
  • Wicked
  • The Wild Robot

Who is Ninotchka? Greta Garbo

Written and reviewed by Larry Gleeson during the annual TCM 31 Days of Oscar

Ninotchka, is a black and white, 1939 American romantic comedy film made for Metro-Goldwyn-Mayer by producer and director Ernst Lubitsch  (The Shop Around the Corner) and starring Greta Garbo (Camille, Grand Hotel) and Melvyn Douglas. Billy Wilder was one of the writers along with Charles Brackett and Walter Reisch. One of the film’s best lines came in the form of a question and answer. When Ninotchka was asked how things were in Russia, her response was, ” Very Good. The last mass trials were a great success. There are going to be fewer but better Russians.”

Lubitsch and Garbo

The film featured a  rare comedic performance by Garbo. It was also the first time I have seen Garbo onscreen. Poster’s advertising the film read “Garbo Laughs.” Garbo received an Oscar nomination for Best Actress for her depiction of the lead character, “Envoy Extraordinary” Nina Ivanovna Yakushov, known simply as Ninotchka.

The film has special relevance as it was the first film to depict a stolid and rigid Stalinist Russia in juxtaposition to the free and open lively Pre-war, Parisian backdrop.  The film itself is much lighter and is regarded as a light satirical romantic comedy. Garbo portrays a stern and cold-hearted Russian woman,  set to Paris to oversee the sale of jewels stolen from the Russian nobility after three Russian comrades muff the sale and are held to task for staying at a luxurious French hotel instead of a cheap one. Not that the film needs it but these three comrades add refreshing comedic relief.

Comrades

While waiting for the sale Ninotchka busies herself visiting and studying the architecture and engineering in Paris. Enter  Count Leon, Melvyn Douglas, a suave and sophisticated Westerner, who is also the retainer of the Russian Duchess , the rightful  owner of the jewels who is refusing to let the jewels go without a fight willing to forego the her jewels if Ninotchka leaves Paris.

Garbo, Douglas, and Claire

But Leon and Ninotchka have chemistry. It is undeniable. Hats off to Douglas and Garbo. Yet Ninotchka represses her attraction as she epitomizes Walter as a representation of Western cultural demise. While Leon pursues  Ninotchka full force and even manages to steal a few kisses with full force. It isn’t until Leon falls off his chair in a humorous moment that causes Ninotchka to laugh hysterically allowing her to open up psychologically. Nevertheless, Ninotchka is a dutiful soldier and returns to Russia. The time the film was made, 1939, Hollywood demanded happy endings and more often than not, Hollywood got its way. And Ninotchka is no exception.

Garbo and Lugosi

Ninotchka was nominated for four Oscars; best Picture, Best Actress in a leading role and two for writing, Original Story and Screenplay. The film was shot at the MGM Studio in Culver City, Calif. A 1960 television movie remake starring  Maria Schell as Ninotchka and Gig Young as Leon Dolga, featured Zsa Zsa Gabor, and an appearance towards the end of the film by Bela Lugosi (Count Dracula)

With a runtime of one hour and fifty minutes, Ninotchka is fun and wholeheartedly entertaining with that sweet and endearing Lubitsch touch. Warmly recommended unless you haven’t seen Greta Garbo onscreen in which case it’s a “must-see!”

 

 

 

 

 

Double Indemnity doubles down with double entendres

Written and reviewed by Larry Gleeson during the annual TCM 31 Days of Oscar (2025)

Double Indemnity, possibly the definite film that firmly establishes the tenants of film noir with its dark visuals and dark narrative with an unflinching pitch-black worldview reminiscent of German Expressionism. Fred MacMurray (Walter Neff) a successful insurance salesman crosses path with femme fatale, Phyllis Dietrichson (Barbara Stanwyck). Neff isn’t a bad sort of a person. Unfortunately, he finds himself at the whims of Phyllis who wants her husband dead. Phyllis entices Neff with just a towel and a pair of gams. What unfolds is a blueprint for as close to a perfect film noir as there is.

Film noir typically uses a voice-over narration, flashbacks, low-key lighting, shadows that conceal emotion, rain-slicked pavements representing fragmented psyches all wrapped around a criminal act with a woman who leads an unsuspecting man down the prim rose path. Double Indemnity has all of this and more. Boasting an excellent cast headlined by Stanwyck, MacMurray, and Edward G. Robinson, and one of the most talented and enigmatic comedic writer/directors in cinematic history, Billy Wilder. Art direction was headed by two German Weimar cinema artists, Hans Drier and Hal Pereira, steeped in German Expressionism. Pioneering low-key lighting cinematographer, John F. Seitz joined in to create visual and thematic motifs from the very beginning of the film.

Every detail of the coldly expressed, mise-en-scen reveals Walter, driving on a rain slicked road in the dark of night. As he makes his way into his insurance office, the illusory visuals of Walter as imprisoned inside a prison yard with prisoners. As Walter begins his flashback via a Dictaphone, a representational handgun, his imprisonment is unabashedly confirmed. Most of Double Indemnity comes through from Walter’s voice-over narrated flashback. His ironic tone and viewpoint enable him to comment on his actions from an informed point of view. As Phyllis puts on a fresh set of clothes after dazzling Walter with just a towel from her open-air, second floor. The use of overhead lighting added an alluring aura. Walter’s desire is undeniable as he voices, “I wanted to see her again without that silly staircase between us.” As the double entendres fly, Walter has taken the bait, hook line and sinker.

Most interesting, is Wilder’s use of doubles, or the doubling effect linking crime and narrative, used widely by Alfred Hitchcock. In a suspenseful moment following Walter and Phyllis’s murder of Phyllis’s husband, Walter’s boss, Mr. Keyes (Robinson) has dropped by Walter’s apartment unexpectedly to inform Walter of doubts of an accidental death for Mr., Dietrichson . Walter listens fully aware Phyllis is on her way over. Phyllis hears Keyes inside Walter’s apartment before he walks out, she hides behind the door. Walter holds open the door chatting as Keyes starts to leave. This is the pivotal moment of truth for Walter. Whose side will Walter’s soul choose? Does he even have a choice? His unconscious, animalistic attraction to Phyllis dictates Walter’s doom and demise. Being under the Production Code, Phyllis needs to be punished. What will Walter do? Tune in and find out! Nominated for seven Oscars, Double Indemnity is highly recommended.

 

 

The Maltese Falcon, It’s What Dreams Are Made Of

Reviewed by Larry Gleeson during the annual TCM 31 Days of Oscar.

The Maltese Falcon (1941), directed by John Houston, tells the story of hard-boiled detective, Sam Spade, hired for a missing person case. When his partner is murdered, the stakes are raised. What unfolds is a tale of Spade, his partner’s wife (Gladys George), a stunningly beautiful liar (Mary Astor), two police detectives, and three eccentric criminals. In what could consider an homage to Alfred Hitchcock, Huston uses a McGuffin. In addition, the film is shot by cinematographer, Arthur Edeson, with impeccable attention to detail. The film is based on a novel by Dashiell Hammett. What really makes The Maltese Falcon are the characters. All the actors seem to embody their respective characters with an attitude. In retrospect, American society was emerging from the Depression. Men are hardened and society is full of greed. And, as The Maltese Falcon shows, murder is not out of the question.

Interestingly, The Maltese Falcon was John Huston’s first shot at directing. The film allowed Huston the opportunity to continue making films for the next forty years with the same distinctive style. Bogart would take his performance as Sam Spade and reprise it several times over. The role also elevated Bogart to a starring leading man. Additionally, the film introduced Sydney Greenstreet, the Fat Man, Mr. Gutman. Greenstreet would go on top make several more films with Peter Lorre, including Casablanca starring Bogart and Lauren Bacall. The Maltese Falcon was nominated for three Oscars; Best Picture, Best Director, and Best Writing, Screenplay.

Some film historians argue The Maltese Falcon marks the arrival of film noir. There is a criminal element. The music creates suspense. The use of heavy shadows and low-key lighting define it further. Costuming (Orry Kelly) is befitting with the use of overcoats and fedoras. Undoubtedly,  the most telling characteristic is the mise-en-scen. Additionally, when the detectives visit Spade for the first-time, both detectives leave their coats and hats on. Edeson catches the sergeant in a terrific Rembrandt shot as they question Spade about the murder of his partner, Miles Archer (Jerome Cowan). Film noir was staring back into the camera lens.

Both Huston and Hammett are credited with writing the screenplay. The dialogue makes Spade a tough, cynical, and hard character. Much like the unforgettable line from Lauren Bacall’s character (“You know how to whistle, don’t you? You just put your lips together and blow,” in To Have and Have Not (1944), The Maltese Falcon delivers several. Most cinephiles go verbatim with Spade’s opening response to the beautiful liar, Brigid O’Shaunessy, pleading with Spade to help her:

You won’t need much of anybody’s help. You’re good. You’re very good. It’s chiefly your eyes, I think, and that throb you get in your voice when you say things like ‘Be generous, Mr. Spade.”

Spade’s ending response is considered classic as well:

“Well, if you get a good break, you’ll be out [of prison] in twenty years and you can come back to me then. I hope they don’t hang you, precious, by that sweet neck. The chances are you’ll get off with life. If you’re a good girl, you’ll be out in twenty years. I’ll be waiting for you. If they hang you, I’ll always remember you.”

and, just before the elevator bars close across O’Shaunessy’s face, foreshadowing a long prison sentence, the police sergeant asks Spade what the falcon is “for.” Spade responds,

It’s the stuff dreams are made of.”

A telling ending. Huston had been a writer at Warner Bros, before directing The Maltese Falcon. The studio wanted a happy ending. Huston argued against it. There is a lot to unpack in the one hour and forty-minute film. Yes, the characters are an eyeful. And the plot has more than a few twists. Pay attention, it’s worth it. Highly recommended.

Some Like It Hot (Billy Wilder, 1959), One For The Ages

Reviewed by Larry Gleeson during the annual TCM 31 Days of Oscar

Some Like it Hot (1959), directed, co-written, and produced by Billy Wilder, a seven-time Oscar winner (with 21 Oscar nominations). Wilder is considered one the most brilliant and versatile filmmakers of the Classical Hollywood Era. His classic film noir. Double Indemnity (1944), won Wilder his first Oscar for Best Director. On the set of Some Like It Hot, Wilder had his hands full with Marilyn Monroe, a method actor with a painstakingly slow process. The two had worked together one time previously on The Seven Year Itch (1955). Wilder vowed to never work with Monroe again after Some Like It Hot. Tragically, Monroe would only complete one more film before her untimely passing, The Misfits (1961). Regardless, the pair, along with a top-notch cast including Jack Lemmon and Tony Curtis, hit a home run with Some Like It Hot, widely regarded as one of the greatest films of all time.

The narrative revolves around two musicians, Joe (Tony Curtis) and Jerry (Jack Lemon), who witness a mobster murder, and flee Chicago, Illinois, disguised as women in an all-female band, Sweet Sue’s Society Syncopators. As the two are waiting to board the train, Marilyn Monroe’s character, Sugar Cane, passes the two on the train platform. In a classical male gaze, the camera shifts from a forty-five-degree angle of the two actors, dressed in drag, to their eye line, a full-on, direct shot of Sugar Cane’s derriere. Adding two steam blasts as Sugar walks and the two men following her swinging gait seems a reference the title of the film. A good portion of the film is set on the moving train with some of the film’s most comedic moments.

Life is looking up for Joe, now known as Josephine, and Jerry, now known as Daphne. Both characters receive more attention as women than is comfortable for either. Yet, both Curtis and Lemmon pull it off with impeccable comedic timing. Josephine and Daphne are both smitten with Sugar Cane. Josephine has a young bell hop hitting are her for the remainder of the film. Daphne eventually acquiesces and plays a wingman to Curtis’s pursuit of Sugar. Josephine is passing himself off to Sugar as the heir to Shell Oil. A wrench is thrown into their plans, however, when the mobsters arrive for a meeting. Another gangland killing occurs forcing Shell, Jr., and Daphne to flee with Osgood. Sugar makes it into the boat as Osgood heads out to his parked yacht in the Miami harbor. Joe E. Brown, as millionaire, Osgood Fielding III, is relentless in his pursuit of Daphne. While Daphne continuously objects, Osgood overcomes the objections and gets “the girl” in the end. Shell, Jr reveals himself as Joe and wins over Sugar.

Some like It Hot was originally imagined as a star vehicle for Tony Curtis as Joe, the struggling saxophonist and dogged ladies’ man. However, when Marilyn Monroe was brought in, Wilder crafted the role of Sugar Cane to fit Monroe’s persona. As wonderful and zany as the film is, the lone Oscar was for Best Costume Design (Orr Kelly), out of its six nominations. While at the Seminole Ritz Carlton, Sugar performs, “I Want To Be Loved By You” in the most extravagant and titillating dress. The Collection of Motion Picture Costume Design describes the dress as:

“Fitted 1920’s style dress, with sheer fabric from the bust up, flesh colored silk from bust down with extremely low cut back, beaded heavily at bust area, ornamented with gold sequins in a wash pattern on silk areas with clear bead tassels, heart shaped cut on at rear surrounded by red beads and drops; swans down stole attached to chiffon backing.”

With a run time of two hours and one minute, Some Like It Hot is a roller coaster ride from start to finish. Lemmon is new and fresh. Curtis is polished and debonair. And Marilyn Monroe is Marilyn Monroe…..at her finest. Very highly recommended.

FILM REVIEW: I Am a Fugitive from a Chain Gang (1932) Who’s Mad as Hell and Won’t Take it Anymore

Written and reviewed by Larry Gleeson during the annual TCM 31 Days of Oscar

I Am a Fugitive from a Chain Gang (1932), a Pre-code production from Warner Brothers’ Vitaphone, is based on the true story of Robert Elliot Burns, wrongly convicted of robbery and sentenced to ten years on a brutal and inhumane chain gang. The film received three Oscar nominations for Best Picture, Best Actor and Best Sound. Mervyn LeRoy directed with Paul Muni starring as the lead character, James Allen. Allen has returned home from The World War a changed man. Allen served with the Engineer Corps. and had other ideas than returning to his position at the Parker Shoe Manufacturing Co., Home of Kumfort Shoes. He desires to get away from routine of office work and Army life. Rather, he dreams of accomplishing things building and constructing bridges. When Mother (Louise Carter) Allen expresses concern, Allen’s minister brother (Hale Hamilton), interjects a lofty incantation of Allen getting a good night’s sleep, going to the factory, and Allen becoming a soldier of peace instead of a soldier of war. Allen reacts vehemently of being a soldier of any kind.

Nevertheless, Allen takes the advice and returns to his old position at the factory. As he is preparing to file bills of laden, explosions and jack hammers fill the air drawing his interest. A new bridge is being constructed. Allen hangs around the site returning late from lunch everyday disappointing Mr. Parker. Mother Allen encourages her son to pursue what is in his heart. Allen gleefully sets off for New England. He works in a quarry but is laid off quickly. From New England, Allen heads to New Orleans arriving a week late. All the positions are filled. This continues until Allen bounces into the St. Louis/East St. Louis area. Here, Allen meets up with a dubious character, Pete (Preston Foster), at a boarding house. Pete entices Allen to go out for hamburger. Unfortunately, Pete pulls a handgun and robs the hamburger joint and is killed by police in a shootout. As Allen tries to get away, the police nab him and find the robbery money in his pocket.

Allen gets sentenced to ten years in prison for being a part of the robbery.  The judge had no mercy, and Allen gets a hard labor sentence for trying to run away from the robbery scene. Allen is in the wrong place at the wrong time. What transpires next is the first visual, filmic insight into the sordid chain gang system depicting the harsh realities of the chain gang system, a brutal and inhumane manner of cutting costs predominantly in Georgia, Texas, and Florida. Inmates who have not put in a good day’s work are whipped with a razor’s belt. The worst part is the systematic binding with chains. The binding changes the gait of men who have challenges walking without the chains upon their releases.

Technically, the film very well put together achieving the suspension of disbelief with continuity editing.  In addition, the use of dissolves with frames of calendar pages, pay slips, and newspaper headlines establish settings, show the passage of time, and informs the audience. The mise-en-scen and cinematography work extremely well together, too, revealing mood and story line with depth and clarity. The actors are credible. Hair, makeup, and costuming match the characters on the chain gangs and in society. Muni, one of the top actors of his time and one of the biggest stars at Warner Brothers, embodies the character, James Allen, with strength and power, albeit with a gullibility that thwarts his life following his first escape. Truthfully, both escape scenes contain a plethora of highly engaging and visually appealing action shots with blood hounds, shotguns, rifles, speeding dump trucks, and explosives. Furthermore, the narrative moves along with veracity and contains moments of sharply witted dialogue.

I found the chain gang system incredulous as depicted in I Am a Fugitive from a Chain Gang. With a bastion of corruption from the state governors, through the prison board commissioners and down to the wardens, the film raises important issues about the penal system and the impact of incarceration on individuals and on society. Interestingly, the film’s exhibition created such an uproar that it prompted reforms within the prison system. I Am a Fugitive from a Chain Gang is an early example of socially conscious film making that worked. With a runtime of one hour and thirty-two minutes, I Am a Fugitive from a Chain Gang, is an exceptionally well-constructed film that engages and pokes the audience toward discernment. Highly recommended.

 

 

Bullitt (1968), faster than a speeding train

Reviewed by Larry Gleeson during the annual TCM 31 Days of Oscar

Bullitt (1968), directed by Peter Yates, is a star vehicle for actor Steve McQueen. McQueen’s Solar Productions produced the Warner Bros. film. Bullitt was shot on location in San Francisco and features the groundbreaking car chase that is considered one of the greatest car chases in film history. The chase scene is clocked at nine minutes and forty-two seconds. Both vehicles involved in the high-speed chase scene had reinforcements to handle the steep San Francisco hills. McQueen (Lt. Frank Bullitt) drove a 1968 Ford Mustang GT Fastback. The other vehicle was a Dodge Charger with a 460-horsepower engine. Speeds topping 100 miles per hour were recorded during the chase scene. Bullitt won the 1969 Best Editing Oscar for Frank P. Keller’s efforts.

Bullitt is a non-conforming Lieutenant in the San Francisco Police Department assigned, under request from U.S. Senator Walter Chalmers (Robert Vaughn) to guard Johnny Rossi, an infamous West Coast racketeer turned whistleblower.  In a mix-up, two men get access to the apartment where Rossi is holding up blasting a shotgun and wounding a police officer while mortally wounding Rossi. Bullitt has a hunch foul play is at work. What transpires is a game of cat and mouse involving police captains, detectives, doppelgangers, racketeers, and a United States Senator. Senator Chalmers demands Bullitt take responsibility for Rossi’s murder with a sworn statement. However, it’s a Sunday and the statement cannot be completed on a Sunday. This gives Bullitt the time he needs to bring to fruition his hunch.

As I was watching the infamous chase scene, I began noticing a few interesting anomalies with a green Volkswagen Beetle. In addition, the Dodge Charger lost three hubcaps. Yet, the vehicle had three hubcaps on before crashing and burning. Due to an accidental fire while filming, footage was destroyed. Editor Keller stitched scene footage from different cameras for coverage. Typically, the majority of films aim for a seamless edit through continuity editing. The chase scene is a prime example of discontinuity editing. Nevertheless, the chase scene generated significant buzz in the film-going world. Interestingly, the 1972 comedy, What Up Doc? parodies the scene including a few moments of discontinuity. But that’s for another time…

I couldn’t help but compare Bullitt’s sound design to James Mangold’s Ford v Ferrari, winner of the 2020 Oscar for Best Achievement in Sound Editing. Bullitt received a nomination in 1969 for Best Sound. The sounds of the 1968 Mustang GT Fastback roared impressively and to a lesser degree the sounds of screeching tires, and cars launching and landing on the hilly streets of San Francisco sounded quite realistic.  While McQueen did not receive a nomination it established him as a top box office draw. With a budget of $5.5 million, the film grossed over $42 million. Bullitt also established San Francisco as a premium film location outside of Los Angeles.

Lastly, the narrative of Bullitt has twists and turns. It’s complex and it requires attention to make sense of the ending. The payoff is definitely worth the price. The film is based on Robert L. Fish’s 1963 novel, Mute Witness, and features a strong cast, including a young Jacqueline Bisset (Cathy). One of the film’s more colorful scenes has Cathy escorting Bullitt to the location of a potential witness in a canary yellow, 1965 Porche Cabriolet convertible. With a compact and succinct runtime of one hour and fifty-one minutes, and for the original modern-day car chase – one of the greatest in cinematic history – Bullitt is a “must-see!”

Black Narcissus awes with production values, stuns with narrative

Written and reviewed by Larry Gleeson during the annual TCM 31 Days of Oscar

The first time I saw Black Narcissus was the Egyptian Theatre in Hollywood, California, during the TCM Classic Film Festival. Martin Scorsese introduced the film. While introducing the film, Scorsese informed the audience the Egyptian had been recently retrofitted to allow for silver nitrate film stock to be safely screened and tonight’s screening of Black Narcissus would be from a 35mm silver nitrate film reel. It was my first and, as far as I know, the only time I’ve seen a film on 35mm silver nitrate film stock. As most of you probably know, the film industry moved away from the stock as it had the propensity to combust when not stored properly. Nevertheless, the screening was majestic with a vibrant array of grays, deep blacks, and shimmering silver, unparalled in my filmic experience. Technicolor added rich and saturated color palette, as well.

Black Narcissus, adapted from a novel by Rumer Godden, was written, produced and directed by Michael Powell and Emeric Pressburger. The narrative revolves around a group of nuns sent to an old, dilapidated Palace of Nopu to establish a school and a hospital for the natives. Sister Clodagh, young and not considered experienced enough by the Reverend Mother Superior (Nancy Roberts), was selected to be the Sister Superior at Nopu. To accompany Sister Clodagh, the  Reverend Mother selected four other nuns: Sister Briony (Judith Furse), picked for her strength; Sister Philippa (Flora Robson), picked for her gardening skills; Sister Honey (Jenny Laird), the most popular nun in the order, picked to help with popularity among the local populace; and Sister Ruth (Kathleen Bryon), who is ill but in need of challenge and a sense of importance.

A voice-over informs the audience of the contents of the letter from the General. The Palace of Nopu is perched on a mountain shelf had been where a General had housed his ladies (harem) and was locally known as the House of the Women. The wind blows constantly. The natives live below. The men are men, the woman are women, and the children are children. In addition, a holy man sits above the palace day and night and the locals revere him with food and drink. A caretaker, Angu Ayah (May Hallatt) lives in the palace by herself imagining what life must have been like in its heyday.

As the nuns arrive and make the palace home, the audience is treated to majestic views of the populace and the stunning vistas. The air is clear and fresh. Soon, however, Sister Briony and Sister Clodagh begin having flashbacks of their lives before taking their vows. Both are troubled by these memories. The tension in the environment is so thick a butter knife could cut through it. There’s tension between the Sisters. There’s tension between Mr. Dean and two of the Sisters. Lastly, Sister Ruth does not renew her vows. What unfolds is a cold and stark reality of the environment. Lessons are learned. Lives are lost.

Nevertheless, the production design (Alfred Junge) of Black Narcissus is magnificent. The mise-en-scen underscores the palace history and helps reveal the narrative. The costuming works in establishing time and place. The Oscar-winning cinematography, by Jack Cardiff ,adds an artistic dimension with various camera angles allowing for power, something awry, god shot perspectives and character emotionality. Continuity editing (Reginald Mills) is evident and used to great effect in more than one scene  In addition, Kerr and Bryon turn in stellar performances. Roberts is very convincing as Mother Superior. Meanwhile, Farrar fills the scene with masculinity in his scenes throughout the film. Furse, Robson, and Laird more than hold their own. With a runtime of one hour and forty-one minutes there is nary a dull moment. This is a production that awes! Highly recommended.

 

 

 

 

 

Cabin in the Sky (1943), from start to finish, is a gem of a musical

Written and reviewed by Larry Gleeson

Cabin in the Sky, another classic film from the 2025 TCM 31 Days of Oscar, directed by Vincente Minelli, is based on a jazz and blues-influenced, musical play with book by Lynn Root, lyrics by John Latouche and music by Vernon Duke. With an all-black cast the film is very dynamic with elements of folklore and spiritual themes. The film came out in 1943. Most all black cast films were known as “race films.” With the Production Code of 1930 in full force, most race films had to have music, religion, and down-home characters. In Cabin in the Sky, the Production Code would not give approval due to the character of Georgia Brown. The character was toned down. Lena Horne, a jazz singer, actress, civil rights activist and one of the first black performers to be signed by a major studio, portrays Georgia Brown.

The story revolves around Little Joe, portrayed by a comedian from the Jack Benny radio show, Eddie “Rochester” Anderson. Little Joe is a compulsive gambler with a devoted and religious wife, Petunia. Petunia is portrayed by Ethel Waters, a well-known Broadway singer. In addition, Waters was the second African American to be nominated for an Academy Award, the first African American to star on her won television show, and the first African American nominated for a Primetime Emmy. Petunia wants Joe to repent and be saved by Reverend Green, at the upcoming evening service.

The church is full and the congregation breaking into song as they work themselves up into religious fervor. It is a sight and sound to behold. As repentance begins, Petunia nudges Joe to go on up. Joe isn’t there. Petunia believes Joe has already go up to be saved for his sins.  But three hustling polecats distracted Joe, who is now outside the church being coerced into a dice game with Domino Johnson, another ner’ do well. Joe tries to plea he’s given up gambling for Petunia’s sake. But when the hustlers tell Joe, he’ll be rolling with their money, their dice, and that Georgia Brown would be there, Joe seems to lose his will power and is dragged off to the dice game.

At the dice game, Joe loses all the money and is deeply indebted. Joe gets shot and as he lays on his deathbed The Devil and his “coal heavers” have come for Joe. Petunia gets on her knees bedside and prays to God and several of heaven’s soldiers appear to do battle for Joe’s soul. God decides to give Joe six months to turn his life around. But the Devil has given Joe a 1-A classification. This is where the film really gets interesting. New characters are introduced including Louis “Satchmo” Armstrong, one of the most influential figures in Jazz history with such classics as “Hello Dolly,” “It’s a Wonderful World,” and “Dream a Little Dream of Me,” among many others. Armstrong is playing the trumpet at the private Hades Hotel Idea Dept., and his cohorts start dancing and clapping when suddenly Lucifer, Jr. (Rex Ingram) comes in and chastises them under the guise of office efficiency.

It doesn’t take the Idea Dept. long to come up with a way to get Joe’s soul. Joe wins the Irish sweepstakes. Lucifer, Jr., sends Georgia Brown to tempt Joe. In a misunderstanding with Petunia Joe goes off with Georgia Brown and is living fast. In a spectacular nightclub scene with Duke Ellington and his Jazz Orchestra, trombone player J.J. Johnson engages the crowd in a one-of-a-kind call and response number. Petunia shows up in a glittering gown and wants half of the money Joe won.   Georgia Brown wants a cut, too, and Domino Johnson has come for Joe as well.

Not giving away the ending, suffice to say Cabin in the Sky is an enormously entertaining film. The costuming, set designs, acting, the narrative, and the choreography are special as they are spectacular. The song and dance numbers are fluid and full of vim and verve. Lena Horne, as Georgia Brown, is vivacious with her voice and look.  There might be one or two moments where the audience can catch a breather. From start to finish, Cabin in the Sky is a gem. Highly recommended.

The Bad and The Beautiful (Vincente Minnelli, 1952): U.S.A.

Written and reviewed by Larry Gleeson during the annual TCM 31 Days of Oscar

The Bad and the Beautiful (1952), directed by Vincente Minelli and music by David Raskin, tells the story of an ambitious producer, Jonathan Shields, portrayed by Kirk Douglas. Minelli utilizes flashbacks with voice over narration from the individuals who had worked with Shields; Writer James Lee Bartlow, portrayed by Dick Powell, a star Georgia Lorrison, portrayed by Hollywood starlet, Lana Turner, and Director Fred Amiel, portrayed by Barry Sullivan.

Kirk Douglas and Lana Turner

Interestingly, The Bad and The Beautiful seems to loosely imitate Akira Kurasowa’s Rashomon, winner of the 1951 Golden Lion, the top prize at the oldest and one of the most prestigious film festivals in the world. The film world was taken awestruck by Kurasowa’s work and style. Furthermore, the use of the voice-over-narration, especially in the first act of The Bad and The Beautiful, Minelli employs the technique in a fashion closely resembling Billy Wilder’s use in Double Indemnity.

While The Bad and The Beautiful is typically regarded as a drama, I argue it is on the cusp of being a melodrama with the stereotypical characters, exaggerated emotions, and simplistic plot. Raskin’s musical score is impressive, and it supports the musical styles in melodramas such as Douglas Sirk’s All That Heaven Allows. What sets The Bad and The Beautiful apart is its cinematography by Robert Surtees, A.S.C., a three-time Oscar winner for Best Cinematography [King Solomon’s Mines (1951), The Bad and The Beautiful (1952), Ben Hur, 1960)]. Nevertheless, even the New York Times film critic, Bosley Crowther provides a melodramatic opening to his review:

“The widely circulated notion that there are monsters in Hollywood, aside and apart entirely from the grim and ghoulish get of Frankenstein, is given unqualified endorsement, with no reservations and no holds barred, in Metro’s “The Bad and the Beautiful,”…

Back to the film. After the beginning credits roll with Lana Turner and Kirk Douglas receive top billing – in that order, the film transitions to black and a diegetic ringing is heard. The opening frame is of a solitary black rotary phone, the camera slowly pulls out as a man in a gray suit moves towards the phone and answers it. Meanwhile, the camera continues to pull out to a high angle “god shot” revealing a row of light stands spread out across the top of a large shelving apparatus above the phone.

Boom

The man answers the phone with, “Stage Five…Mr. Amiel’s on a camera boom rehearsing right now.” The film cuts to a moving elevated lift (boom) mounted with a camera, and Mr. providing direction. Also, an entire crew comes into frame as the boom moves in for a close up of a blonde-haired woman in a vertical position. Amiel directs the woman to move her hand up around her throat.  The gray-suited man comes into frame with the phone announcing, “transatlantic, Paris, Jonathan Shield calling you. the camera moves into a tight-medium frame shot revealing a studio camera and Mr. Amiel operating it. Amiel doesn’t take the call and instead calls out direction for the next shot.

Camera Operator/Cinematographer

In my opinion, this is the film’s overwhelming strength. Minelli provides the viewer with an inside look at how films were made in the 1950’s and the people who are involved in the filmmaking process – everything from stories to scripts, producing, financing, make up, costuming, directing, and effectively handling the sensitivities of Hollywood stars in the era. The film is shot in black and white which helps with the idea of moral business ethics – one of the underlying themes of The Bad and the Beautiful. Stylistically, the film is very easy on the eyes with terrific lighting, attractive and alluring actors, and interesting mise-en-scen. Very warmly recommended, unless you’re a Lana Turner fan, then it’s highly recommended!

 

 

The Life of Emile Zola (1937) kicks of the 2025 TCM 31 Days of Oscar

Posted and written by Larry Gleeson

Paul Muni as a young, struggling Emile Zola.

The Life of Emile Zola (1937) kicked off the 2025 Turner Classic Movies annual “31 Days of Oscar,” with an introduction from TCM host, Ben Mankiewicz. The Life of Emile Zola is set in Paris, 1862, signified by an extraordinary opening frame coupled with a Gothic alphanumeric text overlay. For his work Anton Grot received an Oscar nomination for Best Art Direction. Moreover, the impeccable mise-en-scen follows the story’s timeline to a T within the trajectory of Zola’s life. The film stars Paul Muni {Scarface, 1932) in the title role and is directed by William Dieterle (The Life  of Louis Pasteur, 1936). The film opens inside an artist loft containing French impressionist painter, Paul Cezanne, portrayed by Vladimir Sokoloff, and Zola, with a whimsical, non-diegetic score from Max Steiner, (nominated for Best Score, Music). Zola is in love with Paris and intends to write about her. Cezanne, on the other hand is much more pessimistic saying, “it’s hopeless.”

The film leaps forward from where the opening loft scene ended with Alexandrine Zola, portrayed by Gloria Holden, announcing Zola came into a job that would allow him to marry. Zola imagined time to write, finishing his book and publishing it. After Alexandrine implores Emile to ask for an advance to meet the rent, Emile is questioned by a police officer over his new controversial book, “The Confessions of Claude,” as well as assaulting Emile’s critical writings about the current state of French society. The police officer orders Emile to stop writing as his writings have upset the prosecutor. The situation results in Emile’s discharge from his employer. Emile thanks his employer for now allowing him to write critically full-time and proclaims to continue his critical writings “until the stench is strong enough that something will be done about it.”

Zola, one of France’s most significant 19th century writers, enters a period of great literary productivity and comes to a point where he concludes his work is complete. He is well-respected having received a letter of admittance to the French Academy, a legendary council established in 1635 by Cardinal Richelieu to protect and purify the French language in all matters pertaining to the French. Without much ado, then with great consternation, Zola risks his own well-being as he sees his Cezanne portrait, and undertakes the cause of Alfred Dreyfus, portrayed by Joseph Schildkraut. Dreyfus is a French Army Captain falsely accused of treason and is serving out a life sentence on France’s infamous Devil’s Island (Papillon, 1973). With Zola’s pen what unfolds becomes known as the Dreyfus Affair, an historic, unjust moment in French history, that culminates in a restoration of France’s shining commitment to truth, liberty and justice.

The Life of Emile Zola is an exceptional work that stands the test of time. Zola is shot on 35mm black and white film stock, with a runtime of one hour and fifty-seven minutes and has the distinction of being the first Warner Brothers film to win an Academy Award for Best Picture as noted in Mankiewicz’s introduction.  In addition, Schildkraut garnered an Academy Award for Best Supporting Actor as did the writing team of Norman Reilly Raine, Heinz Herald, and Geza Herczeg, for Best Screenplay. The film was nominated for ten Oscars, a record at the time, and is still considered one of the greatest biographical, big screen films of all time. Interestingly, the film uses dissolves in editing to show the passing of time. The make up and costuming support the narrative as well. But what really caught my eye was the film’s camera work and its subtle panning and tracking shots.  The Life of Emile Zola is a highly recommended film.

HollywoodGlee Holiday Films for 2024, Meet Me in St. Louis (1944)

Posted by Larry Gleeson

Meet Me in St. Louis (1944)

“Young love and childish fears highlight a year in the life of a turn-of-the-century family.” – IMDb

Seeing and hearing Judy Garland sing “Have Yourself a Merry Little Christmas,” puts MGM’s Meet Me in St. Louis on my list of holiday films for 2024. This classic film was set, as the title indicates, in St. Louis, Missouri. The film takes place in and around 1904 when St. Louis was the fourth largest city in the United States behind Los Angeles, New York, and Chicago, 1904 was a very special time in St. Louis. The 1904 World’s Fair was held in St. Louis, as were the 1904 Olympic Games.

Made and produced in 1944 during the Golden Age of Hollywood and at the heyday of the Studio System, this period film’s production values are excellent as our the costuming. and casting. In addition to Judy Garland (Esther), the film cast boasted, Margaret O’Brien (as show-stopper, Tuttie), Mary Astor (Mrs. Smith), Lucille Bremmer (Rose) and Leon Ames (Mr. Smith) Last but not least,  the film was directed by Vicente Minnelli, and has some remarkable tunes like “Skip to my Lou,” “The Trolley Song,” “Under the Bamboo Tree,” “Over the Bannister,” “Meet me in E. St Louis,” and “Say Goodnight.” to name several.

The film closes at the (this post’s featured photo) Grand Basin in Forest Park.I enjoyed the colorful ending for several reasons including the genesis of out door electricity and the farris wheel on display., However, in reality, the Grand Basin at the 1904 World’s Fair looked  more like the Grand Canal in Venice, Italy, and even more like Lido’s vaparetta docks, only on a grander scale.

The Jewel Box in Forest Park (Photo by LarryGleeson/HollywoodGlee)

Stay tuned for more 2024 Holiday films!

FILM REVIEW: The Substance (Coralie Fargeat), 2024

Posted by Larry Gleeson

“Have you ever dreamt of a better version of yourself? You. Only better in every way. Seriously. You’ve got to try this new product. It’s called The Substance.”

The Substance Writer/Director, Coralie Fargeat gave the Cinema Society a master class on film construction in a Q & A moderated by Santa Barbara International Film Festival’s Executive Director Roger Durling, at the Riviera Theatre, November 22, 2024, in Santa Barbara, California. (Photo by Larry Gleeson/HollywoodGlee)

Sometimes it’s better to be lucky than good…I went to the Riviera Theatre to watch The Substance. It turned out to be a SBIFF Cinema Society ($$) screening. By the time I entered the screening. The few remaining seats were upfront.Viewing The Substance from the front row would be akin to viewing a Cinerama from the front row. I had extreme reactions from a feeling I was about to vomit to a deep feeling of ecstatic joy from the visual stimulations – utterly unparallelled in my experience. The Substance vacillates between drama, psychological horror, dark comedy, monster horror, and body horror.Admittedly, I had not experienced much cinema in the form of body horror until recently. I had the distinct pleasure of seeing David Cronenberg’s The Shrouds at the recent AFI FEST 2o24 at the TC Chinese Theatre in Hollywood, Calif.

Writer/Director Coralie Fargeat has created a visual masterpiece with an undulating soundtrack in The Substance starring Demi Moore, Margaret Qualley, and Dennis Quaid. Moore portrays an aged actress, Elisabeth, relegated to leading televised Jane Fonda-like aerobics classes to a national audience.Elisabeth is involved in a smash up car crash on her birthday. Miraculously, she survives the crash with shaken sensibilities and no apparent physical complications. After the initial exam, a young physician feels the spinal cord and utters, “you’d be a fine candidate.”

This is the moment. Elisabeth ponders the experience and arrives back to her high-rise condominium with floor to ceiling glass view of the cityscape, In her direct line of sight is a massive billboard of herself in a Columbian Blue aerobics’ instructor leotard.  Elisabeth makes the call for The Substance, a procedure that promises to make Elisabeth young again. What transpires could be seen as cliche were it not for the dynamic visual storytelling. I’ve seen a lot of films, and I have never had such a visceral response to a film.

The performances were highly nuanced and beyond the realm of normalcy. Quaid is a sight-to-behold in numerous extreme, wide-angle closeups focusing on everything from his feet to his hair on the top of his head as well as smacking chops as he ravages shrimp and dip. The French filmmakers have an extraordinary fetish with photographing food as it’s being devoured, in my filmic experiences. As for Margaret Qualley, Fargeat creates a phenomenal physicality with Qualley’s impressive screen presence.

However, the star goes to Moore and her character, Elisabeth (pun intended). Moore is not only a mature, veteran actress with time and again proven chops, she is a tour-de-force in The Substance. A visual nod was given in The Substance with female gaze to Moore’s Vanity Fair cover featuring a bared, very pregnant Moore. one of numerous nuances Fargeat injects.

The Substance is an extraordinary film with an exceptional mise-en-scen and soundtrack. Fargeat’s attention to detail in a highly constructed mise-en-scen allowed the narrative to unfold in exquisite cinematic language. With a runtime of 140 minutes, viewers with a faint of heart, the temptation to vacate may enter the imagination. Trust me, the end is well worth staying for. Absolutely brilliant.

 

“Have you ever dreamt of a better version of yourself? You. Only better in every way. Seriously. You’ve got to try this new product. It’s called The Substance. It changed my life. It generates another you. A new, younger, more beautiful, more perfect, you. And there’s only one rule: You share time. One week for you. One week for the new you. Seven days each. A perfect balance. Easy. Right? If you respect the balance… what could possibly go wrong?” —Festival Cannes

California Dreamin’: Hollywood’s Filmic Class Consciousness Represented in Parasite, Harlan County, U.S.A., and Hoffa (1992)

Posted and written by Larry Gleeson

Written by Larry Gleeson

The imbalance of power created through the exploitation of the working class, and the attempts by individuals to overcome the vast economic disparity between the working class and the capitalist class are represented in the films, Parasite, Harlan County, U.S.A., and Hoffa (1992). Director Bong-ho through the film Parasite, provides social commentary on globalization in contrasting two families, in an upstairs/downstairs, upper class-lower-class, framework. The Parks represent the upper-class capitalists, surviving on the labor carried out by the Kim family who are indicative of the lower working class. Hoffa (1992), on the other hand, creates a vivid, compelling portrait of large-scale class warfare, from angry confrontations between the Teamster labor union truck drivers and management from the 1930’s through the Red Scare and into the violent 1970’s. Barbara Kopple’s 1976 documentary, Harlan County, U.S.A., provides an intimate look at a striking Eastern Kentucky labor union, United Mine Workers, coal miners and their violent fight with bottom-line-minded capitalist corporations, corrupt public officials, and gun-wielding anti-strike thugs. Through a comparison and contrast of these three films, two narrative films and one documentary film, similar characteristics from the respective opposing parties form a classist ideology.

In contrast to traditional class systems, Poststructuralism and Marxism see class as a constantly shifting set of relations that can be quite subjective. In “All That Hollywood Allows: Film and the Working Class,” Linda Dittmar posits, “Film theory and identity politics are not inherently resistant to class analysis, but they have tended to function this way, even if inadvertently.” In contrast to traditional class systems, Poststructuralism and Marxism see class as a constantly shifting set of relations that can be quite subjective. All three films, Harlan County, U.S.A., Hoffa, and Parasite, create very fluid narratives pitting working class against working class as well as capitalist class against the working class.

In “A Marxist Analysis of Class Consciousness in Bong Joon-ho’s Parasite,” Shatabdi Mishra postulates “The Communist Manifesto, written collaboratively by Karl Marx and Friedrich Engels, saw the history of the world because of class struggles… The working class who sells their labour as a commodity to sustain and support the economy have been reduced to mere objects that live only to be exploited and taken advantage of by the capitalists.” In Harlan County, U.S.A., and Hoffa, the capitalists have not only their private goons, but they also have regular police confronting and attacking the union members fighting for better pay and safer working conditions. In addition, the wealth gap and allocation of resources are much wider as the upper class has public servants such as the bailiffs, judges, and police ensuring that the non-striking workers are given free access to the Eastover Mining Company coal mines. These situations augment the class oppression as the workers must continue working suffering more serious conditions to receive disability benefits. In America on Film, Benshoff refers to this as an implied critique of capitalism. (p.188)

Parasite delves into self-alienation and auto-destruction and provides an element of social learning. After the release of Parasite, the South Korean government announced plans to financially support 1,500 households living in semi-basement apartments, similar to the ones depicted in the film. In addition, Parasite provides class analyses on the South Korean government representation of South Korean capitalism, Native Americans (through the Parks’ son), and its relationship to American corporate capitalism, while vividly and humorously showing clashes between the working class. After the Kims have sabotaged the maid’s livelihood with the Parks through overt acts misrepresenting the maid’s health to Mrs. Parks, the Kims discover the former maid’s husband has been living in an underground bunker below the Parks home. An all-out battle ensues for control of who will remain in the service of the Kims.

In, “All That Hollywood Allows: Film and the Working Class.” Dittmar argues, correctly in my opinion, “all films are available for class analysis…. Working-class people in particular… are often made the butt of jokes, a cause for distaste, or objects for admiration, but rarely initiators of in-depth debate concerning social justice or the possibility of social change.” Without a doubt the Kims are made the butt of jokes due to some odiferous smell the Park family finds offensive. Yet, the plight of the Kim family became a catalyst for social change. James R. Hoffa was a catalyst for the Teamsters and became an agent for social change. Consequently, Hoffa became an object of admiration exemplified by the dual line of trucks with supportive and cheering truckers lining the roadway as Hoffa is being transported to the prison at the end of the road.

Harlan County, U.S.A. – a film by Barbara Kopple

In Harlan County, U.S.A., Kopple seems to capture both sides of the working class as some are a cause for distaste (the gun thugs) while others were objects of admiration as they spoke for the camera on the importance of collective bargaining and the need to strike for better pay and better working conditions. Kopple also captures footage, at the height of the feminist movement, of a press conference given by Norman Yarborough, President of the Eastover Mining Company (owned by Duke Power). The first question posed to Yarborough asked what Yarborough thought of the role the miners’ wives play in the strike. Kopple pushes the camera in for a three-quarter profile, extreme close up capturing the emotionality of the moment. Yarborough boldly grins with his eyes cast downward before answering with a sexist tone, “They certainly played a big role. I’d hate to think my wife would play this kind of role.” The reporter followed up with a “Why?” Yarborough continued, “There’s been some conduct that I don’t like to think that, that our American women wouldn’t have to revert to.”

An almost seamless jump cut with the camera captures the four Eastover Mining Company representative sitting behind an ornate meeting table at the height of the feminist movement. All four men are dressed in coat and tie with untrustworthy looks on their faces as a second question is posed from behind the camera, “Is it a fact that the Duke Power Company maintains housing for its employees that has no water and no indoor plumbing?” As Yarborough begins answering with a “Yes.” Kopple cuts to show the what appears to be a predominantly male, press pool with several cameras and high-key backlighting.  Yarborough continued with, “We were attempting to move our people,” Kopple captures a cameraman moving into the center of the frame as Yarborough continues answering the question. Kopple cuts back to another close up of Yarborough, center-frame with highlights in his eyes as Yarborough is positioned almost as though he is looking into the camera. Yarborough proceeds with shifting eyes. “And these are our people. They’re my people. And we’re going to upgrade our people into trailers.  Upgrade our people into better housing. Better conditions. In all directions. Because they’ll make us better people when we are able to do this.”

The next scene Kopple shows a cramped street with several dogs and children with cars parked alongside a one lane street before showing a young boy in an open lot with strewn trash, abandoned front end of a truck amidst ramshackle houses. A voice narration reinforces the Marxian premise of class struggle by telling the audience there are two classes of people in Harlan County (the haves and the have nots), “It’s a feudal system, I think. There is a very rich class of people and then there’s the coal miners.” Kopple continues showing b-roll footage of the area with residents calling children, carrying sticks in an area reminiscent of a landfill. “And then there are the people on relief and that’s about it in Harlan. They want to keep it this way. The way…” Kopple reveals the voice that has been narrating with an extreme closeup of Houston Elmore, UMW (United Mine Workers) Organizer. “The way they keep it this way is by keeping a monopoly on the labor market. They do that by keeping other competitors or industries that will be competitive for the labor. They keep them out.”  While the end seems to justify the means in Harlan County, U.S.A., an ideological conflict is uncovered. The situations are very fluid with hegemonic negotiations showing concessions being earned then negated and absorbed into the dominant ideology. Per Marxism and its “superstructure” all the elements of culture and ideology are determined by a given society’s economic base.” The corporate capitalists espouse that by moving the coal miners into new trailers they themselves will become better people. Meanwhile Kopple records and reveals the over determinist, internalized, populist ideologies of Harlon County citizens commenting on unions as communists and as inflationary drivers.

With Parasite Mishra argues “how Marxist class consciousness enables the characters in the film Parasite to challenge the status quo and the hegemony of the capitalist class. The characters in the films rise their level of class and try to subvert the growing oppression that not only alienates them from others, but also from their own self. Parasite is a satire on the dominant class; it shows how the characters mask their identity in the film to infiltrate into the lives of the Park family by donning a “new” identity to reclaim their position. Such a situation shows up the bleak condition of humanity, of the class, and the society in general. The rich become richer, and the poor becomes even poorer.” The Kims seem to reinforce the pessimistic notion that upward economic mobility is the new normal. (Maestu, Week 6). In addition, the Kims suffer from imposter syndrome and strive to perform in a capitalist world to subvert their growing oppression that not only alienates them from others but also from themselves.

In “They Must Be Represented? Problems in Theories of Working-Class Representation,” Peter Hitchcock argues, “Most…critics visibly wince at the mention of working-class representation as a significant component of cultural analysis (“too sociological,” “too political,” some may say, while others might offer more interesting but no less dismissive assessments: “too realist,” “too easy,” “too coarse,” or simply “too late”) …. The difficulty is not intrinsically about processes of adjudication but more about the elusive and unstable nature of class itself, the consciousness of which provides its own forms of historical intervention.” (pg. 21) In the film, Hoffa, Director Danny DeVito, weaves an historic fictional narrative beginning in the 1930’s, of James R. Hoffa. Hoffa, a rank-and-file member of the International Brotherhood of Teamsters who moved from organizer to National President, arguably became one of the most influential and powerful union leaders in the history of the American labor movement. Harold Myerson in “What did Hoffa Want,” claims “It’s …Hoffa himself, whose ego, brilliance, rage, and willingness to employ violent and corrupt means transformed an entire sector of once marginalized workers into a blue-collar middle class for several decades while simultaneously casting unions into a public opprobrium from which it has taken labor decades to recover.” In keeping with Hollywood filmic tradition both Hoffa and Parasite punished those who transgressed middle-class morality or civil law. Audiences, on the other hand, related with those who fought against the system.

While the films in some ways support a critique of class, in other ways the films support a capitalist, imperialist, and classist agenda. Hoffa does this through his involvement with mob money to finance the teamster’s retirement funding. This approach has its seed in the social problem films, such as Public Enemy, from the 1930’s. Parasite, in juxtaposition, uses the Park family, representative of the capitalist class, and the conniving Kim family, representative of the oppressed, scheming to overtake the capitalists Parks in their own home. The Kims are Bong-ho’s parasites lying their way into high class jobs and then leaching money from the wealthy Park family.  Harlan County, U.S.A., uses corporate capitalism as its oppositional force to the coal miners’ strike in Harlan County. Classism and the struggles that occur within the working class continue to evolve and often enable white patriarchal capitalism to exploit the working class in a manner that seems one-sided. While concessions are given, the concessions are soon replaced by the other class.

The films are reflective of the socioeconomic conditions of the time in which they were produced and the time in which they are set. Harlan County, U.S.A., uncovers the intersectionality of a civil rights labor struggle with the coal industry dating back to the 1930’s. As Benshoff states on page 179, “As per basic Marxism, American culture has consistently produced images that reflect its capitalist economic base, and its motion pictures are certainly part of this dynamic.” Hoffa follows this trend of the 1950’s film that circumvent class oppression by showing how Hoffa overcame rather easily, this economic stratification through his rugged determination and his aptitude for numbers. Harlan reveals the role of feminism, as Kopple produces a seminal documentary on the Eastover strike of 1973.

Meanwhile, Parasite satirizes the vast socioeconomic differences in present-day South Korea. In “Parasite A House Divided,” Amy Taubin references her interview with Bong-ho at the 2019 Cannes Film Festival. Bong-ho said Parasite “was set in the present day and that there are neighborhoods in Seoul where poverty is even direr than in the neighborhood in the film where Ki-taek’s family lives. And that the actual gap between the rich and the poor is as unbridgeable as he showed it to be.” What Bong-ho didn’t say is that the film is also rooted in Postcolonial criticism as the appearance of the housekeeper and her stow-away husband hint towards indentured servitude. So even though the working class believes it has made it, in Korean life, it is a social construct embedded within false consciousness.

Per Marxian theory, as the concept of class is always evolving it is more easily identified by a relational set of characteristics at any point in time. In Harlan County, U.S.A, Kopple captures this evolutionary element through the film’s diegetic soundtrack. Kopple uses music to create an ethereal aesthetic related to the labor movement in Harlan County. In Hoffa, DeVito uses flashback through the eyes of Bobby Cairo. The mise-en-scen of Bobby’s flashbacks provide a sense of surrealism and create a feeling of the dream state where any set of relational characteristics can come together at any moment in time to create class. Furthermore, the ending of Parasite creates false consciousness in Ki Woo’s hallucinatory, dream-like voice over narration of his ambitious pursuit of success and attaining the class, and home, of the Park family. Seemingly, for fleeting moments the working class imagines itself migrating into a socioeconomic middle-class. But, despite all the efforts of the working class, over time the working class is still the working class.

After watching the savage representation of class warfare in these three films, it is wholly plausible – advisable – that individuals are better off pursuing that which makes them happy instead of chasing after an illusory American Dream.

Works Cited

Benshoff, Harry M.; Griffin, Sean. America on film: representing race, class, gender, and sexuality at the movies. https://cacclsbarbara.primo.exlibrisgroup.com/discovery/delivery/01CACCL_SBARBARA:SBARBARA/1241872840005285  3rd Edition. Wiley Blackwell. April 20, 2021. Accessed 10 November 2024.

Ditmar, Linda. “All That Hollywood Allows: Film and the Working Class.” The Radical Teacher. No. 46, Spring 1995, Working-Class Studies. Published by: Center for Critical Education, Inc.

https://www.jstor.org/stable/i20709820. Accessed 10 November 2024.

Hitchcock, Peter. “They Must Be Represented? Problems in Theories of Working-Class Representation.” Publications of the Modern Language Association of America. Volume 115  Issue 1: Special Topic: Rereading Class , January 2000 , pp. 20 – 32. Cambridge University Press:  23 October 2020. Accessed 10 November 2024

Maestu, Nico. FS 109. Units 1-6. Santa Barbara City College Film Studies Department. Fall 2024.

Mishra, Shatabdi. “A Marxist Analysis of Class Consciousness in Bong Joon-ho’s Parasite,” Global Media Journal. Vol.20 No.51:308. 2022. Accessed 10 November 2024.

Myerson, Harold. “What did Hoffa Want,” https://prospect.org/culture/what-did-hoffa-want. Accessed 10 November 2024.

 

2023 TCMFF Opening Night

Posted by Larry Gleeson

Opening Night of the 14th annual TCM Classic Film Festival kicked off with a screening of Rio Bravo (1959) in celebration of Warner Bros.’ 100th anniversary, featuring a conversation with WBD CEO David Zaslav and The Film Foundation Board members Steven Spielberg and Paul Thomas Anderson about the mission of The Film Foundation as well as Rio Bravo star Angie Dickinson.

Even with a slight drizzle the red carpet was abuzz at the historic Chinese Theatre in the heart of Hollywood.

TCM Classic Film Festival to Host The World Premiere Screening of 4K Restoration of Giant (1956)

Posted  by Larry Gleeson

2022 TCM CLASSIC FILM FESTIVAL TO HOST WORLD PREMIERE SCREENING OF 4K RESTORATION OF GIANT (1956) WITH STEVEN SPIELBERG, MARGARET BODDE, AND GEORGE STEVENS, JR IN ATTENDANCE

 

Giant (1956)

 

Turner Classic Movies will be expanding its partnership with The Film Foundation with a multi-year financial commitment to fund the education and restoration of classic movies. As part of this partnership, the world premiere of the newly restored George Stevens production GIANT (1956) from Warner Bros. will be featured at the TCM Classic Film Festival. Prior to the screening at the TCL Chinese Theatre, TCM host Ben Mankiewicz will host a conversation with The Film Foundation board member Steven Spielberg, executive director Margaret Bodde, and George Stevens Jr.

Since its founding by Martin Scorsese more than 30 years ago, The Film Foundation has restored more than 900 classic movies. Scorsese and fellow board member Spielberg hand-picked this title as one of the group’s latest restoration projects, working with the Warner Bros. archives team for a year to complete the process.

The new 4K restoration was completed by sourcing both the original camera negatives and protection RGB separation master positives for the best possible image, and color corrected in high dynamic range for the latest picture display technology. The audio was sourced primarily from a 1995 protection copy of the Original Magnetic Mono soundtrack. The picture and audio restoration were completed by Warner Bros. Post Production Creative Services: Motion Picture Imaging and Post Production Sound.

“Anything that presumes to call itself GIANT better have the goods to keep such a lofty promise,” said Steven Spielberg.  “Both Edna Ferber and George Stevens far exceeded the title to bring such an epic American story to the big screen and I’m proud to have been a small part of the restoration team of this classic motion picture.”

George Stevens, Sr. won his second Oscar® for directing the sweeping family saga set in Texas during the days of the oil boom. GIANT stars Elizabeth Taylor, Rock Hudson, and James Dean. Based on Edna Ferber’s controversial novel, the movie’s release in 1956 was a massive box office hit and garnered 10 Academy Award® nominations.

“I was with my father during the writing of the GIANT screenplay and he measured films by how they stood ‘the test of time’,” said George Stevens, Jr. “GIANT has more than met that test and he would be grateful that Steven, Marty, The Film Foundation and Warner Bros. have achieved this brilliant restoration, so a new generation can see GIANT on the big screen, streaming and Blu-ray.”

Considered by critics as ahead of its time, GIANT is admired today for the breadth of its humanity more than its epic scale with its grand themes of generational conflict, racial tolerance, and social change. It exposed the marginalization and segregation of Mexican Americans for the first time on the big screen. At the center of the film, Elizabeth Taylor, as Leslie Benedict, portrays a strong and progressive woman who acts to stem the patterns of injustice

Festival passes, which include admission to GIANT (1956), and the full schedule of all festival events can be found here. Individual tickets will be sold as standby only at the event. This 4K restoration of GIANT (1956) will also be available on HBO Max later this year.

GIANT (1956)

Elizabeth Taylor, Rock Hudson, and James Dean star in a sweeping saga of jealousy, racism, and the clash of cultures set in the vast Texas oilfields. Wealthy rancher Bick Benedict (Hudson) and dirt-poor cowboy Jett Rink (Dean) both woo Leslie Lynnton (Taylor) a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict’s disagreement over prejudice fuels conflict that runs across generations.

 

 

About the 2022 TCM Classic Film Festival

Movie lovers from around the globe will descend upon Hollywood for the 13th edition of the TCM Classic Film Festival. The 2022 Festival is set to take place Thursday, April 21 – Sunday, April 24, 2022. Over four packed days and nights, attendees will be treated to an extensive lineup of great movies, appearances by legendary stars and filmmakers, fascinating presentations and panel discussions, special events, and more.

TCM Primetime host Ben Mankiewicz will serve as the official host of the TCM Classic Film Festival. The Festival’s official hotel and central gathering point will be The Hollywood Roosevelt Hotel, which has a longstanding role in movie history and was the site of the first Academy Awards® ceremony. The Hollywood Roosevelt Hotel will also offer special rates for Festival attendees. Screenings and events during the Festival will be held at the TCL Chinese Theatre IMAX®, the TCL Chinese 6 Theatres, the Hollywood Legion Theater at Post 43, and the El Capitan Theatre. For the latest news and information, follow us on social at #TCMFF.

This year’s theme is “All Together Now: Back to the Big Screen.” In 2022, reunite with fellow fans, the movies, the memories, the stars, and the glamour. It’s all back live and in person, just as it should be and where it all began in Hollywood. From high school reunions to homecomings, TCM will celebrate milestones from the past as we look forward to making new memories together.

 

About The Film Foundation

The Film Foundation is a nonprofit organization created by Martin Scorsese in 1990 to protect and preserve motion picture history. By working in partnership with archives and studios, the foundation has helped to restore over 925 films, which are made accessible to the public through programming at festivals, museums, and educational institutions worldwide. The Film Foundation’s World Cinema Project has restored 47 films from 27 countries to date, representing the rich diversity of cinema from around the globe. The foundation’s free educational curriculum, The Story of Movies, teaches young people – over 10 million to date – about film language and history.

TCM NEWS: TCM Classic Film Festival Reveals Fortieth Anniversary Screening of Blockbuster Hit – E.T. the Extra-Terrestrial

Posted by Larry Gleeson

 

Steven Spielberg, Kathleen Kennedy, and Frank Marshall To Attend Opening Night

 

Turner Classic Movies (TCM) will kick off the 13th annual TCM Classic Film Festival on Thursday, April 21stwith a 40th-anniversary screening of the beloved family sci-fi film E.T. the Extra-Terrestrial, from Universal Pictures and Amblin Entertainment, with Academy Award®-winning director Steven Spielberg in attendance along with Academy Award®-nominated producers Kathleen Kennedy and Frank Marshall. The 2022 TCM Classic Film Festival, held in the heart of Hollywood April 21st-24th, will center around the theme “All Together Now: Back to the Big Screen.”

 

 

TCM Host, Ben Mankiewicz, at the 2017 TCM Classic Film Festival Press Conference (Photo by Larry Gleeson/HollywoodGlee)

“I was 15 years old when E.T. came out and what was true then remains so today; the film continues to speak to both children and adults. And it’s fair to say that this is the most influential family film since The Wizard of Oz,” said Ben Mankiewicz, TCM primetime anchor and official host of the TCM Classic Film Festival. “When Steven Spielberg started work on E.T., he didn’t imagine he was making a movie with mass appeal. We don’t get to say this often, but boy was Spielberg wrong.”

 

Pola Changnon

“E.T. is the perfect example of a modern classic movie that combines both innovative direction and heartfelt performances,” said, Pola Changnon, general manager of TCM. “This film is beloved by millions around the world and we’re honored to have it open our festival.”

 

 

At the center of E.T. the Extra-Terrestrial is Elliott, is a young boy who befriends an extra-terrestrial who is accidentally left behind on Earth. As Elliott attempts to help his new friend contact his home planet, so that he might be rescued, they must elude scientists and government agents determined to apprehend the alien for their own purposes…which results in an adventure greater than any of them could have imagined. Premiering on June 11, 1982, the film was a box office hit that became the highest-grossing film at the time, beating out Star Wars. The beloved masterpiece was directed by Spielberg and produced by Kennedy and Marshall.

TCM has previously announced iconic actress and comedian Lily Tomlin will be honored with a hand and footprint ceremony in the courtyard of the world-famous TCL Chinese Theatre Imax® in Hollywood. In addition, the third Robert Osborne Award, recognizing an individual who has helped keep the cultural heritage of classic film alive for future generations, will be presented to one of the world’s most respected film critics and historians, Leonard Maltin.

About E.T. the Extra-Terrestrial

Journey back to the magic and adventure of “one of the great American films” (Leonard Maltin) with E.T. The Extra-Terrestrial, the beloved masterpiece from Academy Award®-winning director Steven Spielberg. Henry Thomas, Drew Barrymore, and Robert MacNaughton star in the unforgettable story of a lost alien and the 10-year-old boy who helps him find his way home. Digitally remastered for optimal picture and sound, this astounding story is sure to thrill viewers of all ages again with its timeless message of trust, courage, and the overwhelming power of friendship.

About the 2022 TCM Classic Film Festival

Movie lovers from around the globe will descend upon Hollywood for the 13th edition of the TCM Classic Film Festival. The 2022 festival is set to take place from Thursday, April 21 – to Sunday, April 24, 2022. Over four packed days and nights, attendees will be treated to an extensive lineup of great movies, appearances by legendary stars and filmmakers, fascinating presentations and panel discussions, special events, and more.

TCM Primetime host Ben Mankiewicz will serve as the official host of the TCM Classic Film Festival. The festival’s official hotel and central gathering point will be The Hollywood Roosevelt Hotel, which has a longstanding role in movie history and was the site of the first Academy Awards® ceremony. The Hollywood Roosevelt Hotel will also offer special rates for festival attendees. Screenings and events during the festival will be held at the TCL Chinese Theatre IMAX®, the TCL Chinese 6 Theatres, the Hollywood Legion Theater at Post 43, as well as other Hollywood venues.

 

Larry Gleeson poses in front of TCM Past exhibit at the TCM Classic Film Festival in Hollywood, Calif. (Photo courtesy of HollywoodGlee)

(News release provided by Taryn Jacobs)

Game On! KING RICHARD Team @AFIFEST Red Carpet Premiere With Serena And Venus Williams

Posted by Larry Gleeson

Last night the Will Smith-led, Warner Bros. Pictures, King Richard, had a Red Carpet Premiere at the historic Chinese Theatre in Hollywood, Calif., for the American Film Institute’s AFI FEST 2021 –  elevating the best films in global cinema.

At 7:02 P.M. the house lights dimmed and an announcement for the audience to please take their seats came over the public address system. The anticipation was so thick, a butter knife was needed to slice through it. It wouldn’t be long now, I thought to myself as I took my seat up front and close.

King Richard had screened at the recent Telluride Film Festival and I had imagined it was a remake of a Shakespearean work. Now, I knew better. This was about Richard Williams, the unabashed father of the two greatest sisters and women tennis players to grace the game. Think Arthur Ashe with an uber-talented younger brother chomping at his heels.

American Film Institute President and CEO, Bob Gazzale was introduced. Gazzale spoke of the imperative of storytelling and the joy of witnessing it together then plugged the AFI Conservatory and the Cinematographer for King Richard, Robert Elswit, ASC, a graduate of the esteemed film school.

Without further adieu, Reinaldo Marcus Green, Director of King Richard, was introduced. Next came the cast led by Tony Goldwyn with the versatile Will Smith bringing up the rear. Smith is an entertainer through and through and never seems to be at a loss for words and this night was no exception.

The last two peeps to make their presence known, front and center, were the Williams sisters, Venus and Serena. I felt the energy as the audience seemed to come out of their seats, not levitating, just giving a standing ovation. The tone was set. It was game on!

With a run time of 144 minutes, King Richard seemed to reached it’s conclusion too quickly. That’s a tribute to how mesmerizing King Richard is. Numerous times the audience erupted with applause and approval as the Williams family overcame obstacle after obstacle. Will Smith portrayed Richard Williams with fortitude and a tenderness – qualities not always evident from Richard Williams’ public persona.

Richard Williams was often seen as brash, touting with a braggadociousness how his daughters were coming to dominate women’s tennis, the likes of which had never been seen before, would never be seen again, and there wasn’t anything anyone could do about it. What he didn’t tell the public is he also wanted his daughters to have a real childhood and a meaningful adolescence and to be prepared to lead successful lives. And, above all, to always have fun!

Throughout King Richard, Richard Williams came across as a devoted husband, father, and coach delving into some of his formative life experiences growing up in a racist environment. Rearing his family in Compton, California, also had its challenges for Williams. But, Richard Williams had a plan – he wanted a better life for his family.

And, AFI Conservatory Alumnus, Cinematographer Robert Elswit’s work didn’t disappoint either. Utilizing natural lighting with some traditional lenses and frames for establishing shots juxtaposed with fast zoom lenses to capture action with tight framing and some extreme closeups of the Williams sisters, played by Sanitaya Sidney and Demi Singleton, generating some major pace with their ground strokes and capturing winning overhead smashes, Elswit created some riveting moments.

Editor Pamela Martin, Ace, made the shots and their complementary counterparts (returns) appear seamless with the utmost continuity. Non-diegetic sounds kept the film’s pace and helped match the film’s tone and the actors emotionality. Kris Bowers is credited with the music.

And, last but not least, Director Reinaldo Marcus Green, helming only his second feature film, steered King Richard to a beautiful conclusion culminating in Venus’s first professional matches and first tennis matches of any kind in three years. The excitement she (and Serena later) brought to the game of tennis encouraged an entire generation of young African-American girls that anything is possible if they are willing to put in the work.

King Richard served as the 2021 AFI FEST Closing Night Film – chock full of inspiration and hope. Ahhh…the power of film and the magic of AFI FEST – Hollywood. Talk about speaking truth to power.

Until next year, I’ll see you at the movies!

 

Will Smith, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Jada Pinkett Smith, Will Smith, Willow Smith and Jaden Smith, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Jada Pinkett Smith, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Daniele Lawson, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Mikayla Bartholomew, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Layla Crawford, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstoc
London Hughes, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Sarunas J. Jackson, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
LisaRaye McCoy, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Tony Goldwyn, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Serena Williams, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Aunjanue Ellis, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Demi Singleton, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Will Smith and Jada Pinkett Smith – AFI FEST 2021 Red Carpet Screening of KING RICHARD, TCL Chinese Theatre, Los Angeles, CA – Nov. 14, 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
John Bernthal – AFI FEST 2021 Red Carpet Screening of KING RICHARD, TCL Chinese Theatre, Los Angeles, CA – Nov. 14, 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Demi Singleton, Serena Williams, Venus Williams and Saniyya Sidney, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – John Salangsang/AFI/Shutterstock
Seniyya Sidney, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Serena Williams and Venus Williams, King Richard Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Reinaldo Marcus Green, King Richard, Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Venus Williams, King Richard, Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock
Serena Williams, King Richard, Red Carpet Premiere Screening, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 14 Nov 2021 – Photo Credit: John Salangsang/AFI/Shutterstock

 

The Power of a Dog Left Audience Members Howling for More @AFIFEST 2021

Posted by Larry Gleeson

Jane Campion’s latest film, The Power of the Dog, with Campion, Benedict Cumberbatch, Kirsten Dunst, Kodi Smit-McPhee present, lit up the Chinese Theatre on Hollywood Boulevard last night with an AFI FEST 2021 Red Carpet Premiere.

Once inside the hallowed Hollywood landmark, AFI President Bob Gazzale welcomed the audience before eloquently introducing the film and Director Jane Campion to loud cheers and hearty rounds of applause. Following the film’s screening a conversation moderated by Hollywood’s delightful Kathryn Hahn entertained the house.

The Power of the Dog, a semi-dark psychological drama, is a magnificent and majestic work tantalizing and titillating – a bonafied Oscar contender in multiple categories.

The evening embodied a new peak for film festival entertainment as post-screening actors, editor, cinematographer, and director sparred, cajoled and informed under the watchful eye of moderator Hahn as she effectively marshaled the energies of The Power of the Dog conversation.

Kirsten Dunst, Red Carpet Premiere Screening of ‘The Power of the Dog’, Intro and Q and A, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 11 Nov 2021
Kodi Smit-McPhee, Jane Campion, Kirsten Dunst and Benedict Cumberbatch – AFI FEST 2021 Red Carpet Premiere Screening of THE POWER OF THE DOG, TCL Chinese Theatre, Los Angeles, California, Nov. 11, 2021

The AFI FEST continues through November 14th, offering the best in global cinema.

Tickets Are Still Available for Select In-person Screenings Tomorrow! Check out these selections for your viewing.

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Until next time, I’ll see you at the movies!

THE POWER OF THE DOG ADDED AS RED CARPET PREMIERE AT HOLLYWOOD AFI FEST 2021

Posted by Larry Gleeson

Jane Campion’s Award-Winning Film

To Screen at the TCL Chinese Theatre on November 11

FOR IMMEDIATE RELEASE, Los Angeles, CA, October 19, 2021 — Today, the American Film Institute (AFI) announced that critically acclaimed THE POWER OF THE DOG, written and directed by Academy Award® winner Jane Campion, has been added to the AFI FEST 2021 lineup. Honors for the film include Campion receiving the Silver Lion Award at Venice Film Festival for directing. The film stars Academy Award® nominee Benedict Cumberbatch, Kristen Dunst, Jesse Plemons, Kodi Smit-McPhee, Frances Conroy, Thomasin McKenzie, Geneviève Lemon and Academy Award® winner Keith Carradine. A See-Saw Films, Bad Girl Creek and Max Films production in association with Brightstar, The New Zealand Film Commission, Cross City Films and BBC Film, THE POWER OF THE DOG is produced by Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier. The film will be released in theaters on November 17 and on Netflix December 3.

About THE POWER OF THE DOG

Severe, pale-eyed, handsome, Phil Burbank is brutally beguiling. All of Phil’s romance, power and fragility is trapped in the past and in the land: He can castrate a bull calf with two swift slashes of his knife; he swims naked in the river, smearing his body with mud. He is a cowboy as raw as his hides. The year is 1925. The Burbank brothers are wealthy ranchers in Montana. At the Red Mill restaurant on their way to market, the brothers meet Rose, the widowed proprietress, and her impressionable son Peter. Phil behaves so cruelly he drives them both to tears, reveling in their hurt and rousing his fellow cowhands to laughter – all except his brother George, who comforts Rose then returns to marry her. As Phil swings between fury and cunning, his taunting of Rose takes an eerie form – he hovers at the edges of her vision, whistling a tune she can no longer play. His mockery of her son is more overt, amplified by the cheering of Phil’s cowhand disciples. Then Phil appears to take the boy under his wing. Is this latest gesture a softening that leaves Phil exposed, or a plot twisting further into menace?

Benedict Cumberbatch delivers a dark and deep presence as Phil Burbank in Jane Campion’s THE POWER OF THE DOG. (Photo credit: Kristy Griffin/Netflix 2021

AFI FEST 2021 takes place from November 10 – 14, 2021 in Los Angeles.  The World Premiere of  tick, tick…BOOM! directed by Pulitzer Prize and Tony Award® winner Lin-Manuel Miranda will open the festival and KING RICHARD directed by Reinaldo Marcus Green will close the festival.  Additional Red Carpet Premieres include the World Premieres of Academy Award® winner Halle Berry’s directorial debut BRUISED and Academy Award®  winner Benjamin Cleary’s feature directorial debut SWAN SONG, and PARALLEL MOTHERS, directed by Academy Award® winner Pedro Almodóvar.  The full program can be found here.

 

This year’s hybrid festival will feature both in-person screenings and events, as well as virtual screenings, showcasing transformative stories from groundbreaking artists.

 

With health and safety being top priority, AFI FEST 2021 will require all festival-goers who attend in-person events and/or screenings to be fully vaccinated.

 

Top Sponsors for AFI FEST 2021 include AT&T, Apple Original Films, National Geographic Documentary Films and Dell.

 

Passes to AFI FEST 2021 are currently available on FEST.AFI.com and individual tickets will be available to members on October 19 and the general public on October 20.   AFI Members receive exclusive discounts and benefits to the festival. To become an AFI member, visit AFI.com/join/.

 

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FESTAFI DOCS and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. Other pioneering programs include workshops aimed at increasing diversity in the storytelling community, including the AFI Directing Workshop for Women and the AFI Cinematography Intensive for Women. AFI’s newest program is AFI Movie Club, a daily global engagement for those who love the movies. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, Twitter.com/AmericanFilm and Instagram.com/AmericanFilmInstitute.

 

About AFI FEST
Now in its 35th year, AFI FEST is a world-class event, showcasing the best films from across the globe. With an innovative slate of programming, the five-day festival historically presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. This year’s edition takes place in-person and online November 10-14, 2021. The festival includes Special Presentations of high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts presented in established AFI FEST sections. Additional information about AFI FEST is available at FEST.AFI.com. Connect with AFI FEST at Facebook.com/AFIFESTTwitter.com/AFIFESTInstagram/AmericanFilmInstitute and YouTube.com/AFI.

***Featured photo: Benedict Cumberbatch as Phil Burbank in THE POWER OF THE DOG. Credit Kristy Griffin/Netflix 2021.

AFI FEST 2021 Lineup Announced

Posted by Larry Gleeson

Featuring 115 titles, the 2021 American Film Institute’s AFI Fest  will showcase internationally acclaimed and award-winning films, including Sony Pictures Classics’ PARALLEL MOTHERS, written and directed by Academy Award® winner Pedro Almodóvar, which will screen as a Red Carpet Premiere at the historic TCL Chinese Theatre on Saturday, November 13. The film joins the previously announced Red Carpet Premiere titles which include Pulitzer Prize and Tony Award® winner Lin-Manuel Miranda’s tick, tick…BOOM!, Reinaldo Marcus Green’s KING RICHARD starring Will Smith, Academy Award® winner Halle Berry’s directorial debut BRUISED and Academy Award®  winner Benjamin Cleary’s feature directorial debut SWAN SONG.

The complete AFI FEST program represents 50 countries and includes six World Premieres, and of the 115 titles, 51% are directed by women, 40% directed by BIPOC filmmakers and 13% are directed by LGBTQIA+ filmmakers.

 

“We are excited to celebrate AFI FEST 2021 in person at the historic TCL Chinese theater and showcase both master filmmakers and emerging voices,” said Sarah Harris, Director of Programming, AFI Festivals.  “In a time when we need movies more than ever, we look forward to audiences being inspired by the best films from around the world screening at this year’s AFI FEST.”

 

Early bird passes are now available at FEST.AFI.com, and individual tickets for in-person and virtual screenings and events will be available to AFI members on October 19 and the general public on October 20. With health and safety being top priority, AFI FEST 2021 will require all festival-goers who attend in-person events and/or screenings to be fully vaccinated. AFI members receive exclusive discounts and benefits to the film festival. To become an AFI member, visit AFI.com/join/.

Returning filmmakers to FEST include Hany Abu-Assad (HUDA’S SALON), Andrea Arnold (COW), Jacques Audiard (PARIS, 13TH DISTRICT), Sean Baker (RED ROCKET), Michel Franco (SUNDOWN), Miguel Gomes (THE TSUGUA DIARIES), Mahamat-Saleh Haroun (LINGUI, THE SACRED BONDS), Céline Sciamma (PETITE MAMAN), Apichatpong Weerasethakul (MEMORIA), and Zhang Yimou (ONE SECOND).

Internationally acclaimed and award-winning films include AHED’S KNEE (DIR Nadav Lapid), COSTA BRAVA, LEBANON (DIR Mounia Akl), DRIVE MY CAR  (DIR Ryusuke Hamaguchi), THE GIRL AND THE SPIDER (DIR Ramon Zürcher, Silvan Zürcher), GOOD MADAM (DIR Jenna Bass), GREAT FREEDOM (DIR Sebastian Meise), HAPPENING (DIR Audrey Diwan), JOCKEY (DIR Clint Bentley), MEMORIA (DIR Apichatpong Weerakethakul), PRAYERS FOR THE STOLEN (DIR Tatiana Huezo), UNCLENCHING THE FISTS (DIR Kira Kovalenko), WHAT DO WE SEE WHEN WE LOOK AT THE SKY? (DIR Aleksandre Koberidze) and THE WORST PERSON IN THE WORLD (DIR Joachim Trier).

NBC News’ Meet the Press Film Festival at AFI FEST, now in its fifth year, will spotlight 15 compelling short documentaries about pressing issues facing our society. Since its launch, the Meet the Press Film Festival has showcased nearly 100 issue-based short films from nine countries, including more than a dozen Oscar® and Emmy® nominees. This year’s festival will feature five program tracks spotlighting issues from racial and gender equality, immigration and democracy to identity, criminal justice and police reform among others. Films include BREE WAYY: PROMISE WITNESS REMEMBRANCE by 2021 AFI DOCS Charles Guggenheim Symposium honoree Dawn Porter about art as a means of protesting and healing; CODED: THE HIDDEN LOVE OF J.C. LEYENDECKER about legendary early-20th century gay illustrator J.C. Leyendecker; and THE TRAIN STATION about the Lejac Indian Residential School by Lyana Patrick. The screenings of the films will be followed by conversations moderated by NBC News correspondents and anchors, including Meet the Press moderator Chuck Todd.

 

AFI FEST 2021 Full Lineup

 

RED CARPET PREMIERES
A celebration of the most anticipated films of the year, showcasing excellence in the art form.

BRUISED
Marking the directorial debut of Academy Award® winner Halle Berry, BRUISED is a triumphant story of a fighter who reclaims her power, in and out of the ring, when everyone has counted her out. DIR Halle Berry. SCR Michelle Rosenfarb. CAST Halle Berry, Adan Canto, Adriane Lenox, Sheila Atim, Valentina Shevchenko, Lela Loren, Nikolai Nikolaef, Danny Boyd, Jr., Shamier Anderson, Stephen Henderson. USA. World Premiere.

KING RICHARD
Based on the inspiring true story, KING RICHARD follows the journey of a family whose unwavering resolve and unconditional belief ultimately deliver two of the world’s greatest sports legends – Venus and Serena Williams. DIR Reinaldo Marcus Green. SCR Zach Baylin. CAST Will Smith, Aunjanue Ellis, Saniyya Sidney, Demi Singleton, Jon Bernthal, Tony Goldwyn. USA

PARALLEL MOTHERS
Two women, Janis and Ana, are both single mothers that meet in the hospital before giving birth to their daughters. Their bond quickly becomes complicated in the latest drama from Spanish auteur Pedro Almodóvar. DIR Pedro Almodóvar. SCR Pedro Almodóvar. CAST Penélope Cruz, Melina Smit, Israel Elejalde, Aitana Sanchez-Gijon, Rossy de Palma, Julieta Serrano. Spain

SWAN SONG
Cameron (two-time Academy Award® winner Mahershala Ali), a loving husband and father diagnosed with a terminal illness, is presented with an alternative solution by his doctor to shield his family from grief. DIR Benjamin Cleary. SCR Benjamin Cleary. CAST Mahershala Ali, Naomie Harris, Glenn Close, Awkwafina. USA. World Premiere.

TICK, TICK…BOOM!
Pulitzer Prize and Tony Award® winner Lin-Manuel Miranda makes his feature directorial debut with tick, tick…BOOM!, an adaptation of the autobiographical musical by composer and playwright Jonathan Larson, who revolutionized theater as the creator of “Rent.” DIR Lin-Manuel Miranda. SCR Steven Levenson. CAST Andrew Garfield, Alexandra Shipp, Robin de Jesús, Vanessa Hudgens, Joshua Henry, Bradley Whitford, Tariq Trotter, Judith Light. USA. World Premiere.

WORLD CINEMA
The best in contemporary cinema from renowned storytellers and new voices from across the globe.

AHED’S KNEE
Filmmaker Y has just arrived in the remote Arava Valley to introduce a retrospective of his films at the local library when librarian Yahalom presents him with a waiver restricting certain topics. DIR Nadav Lapid. SCR Nadav Lapid. CAST Avshalom Pollak, Nur Fibak, Avshalom Pollak, Nur Fibak, Yoram Honig, Lidor Ederi, Yonathan Kugler, Yehonathan Vilozni, Naama Preis. Israel

ALI & AVA
In this working-class romance filled with rich performances, Ali and Ava must navigate the emotional turmoil of their pasts to keep their newfound passion alive. DIR Clio Barnard. SCR Clio Barnard. CAST Claire Rushbrooke, Adeel Akhtar. UK

CASABLANCA BEATS (HAUT ET FORT)
A group of young students in Morocco begin a passionate journey of self-discovery and artistic expression by practicing rap as they confront the social issues explored in their lyrics. DIR Nabil Ayouch. SCR Nabil Ayouch with Maryam Touzani. CAST Meryem Nekkach, Anas Basbousi, Nouhaila Arif, Ismail Adouab. Morocco, France

CINEMA SABAYA
Rona is an Israeli teaching a film class to a diverse group of eight women. The class becomes the catalyst for deeper discovery as these women bond over their shared experience. DIR Orit Fouks Rotem. SCR Orit Fouks Rotem. CAST Dana Ivgy, Joanna Said, Amal Murkus, Ruth Landau, Yulia Tagil, Marlene Bajali, Aseel Farhat, Orit Samuel, Liora Levi, Khawlah Hag Debsy. Israel

COSTA BRAVA, LEBANON
In this feature debut from Lebanese filmmaker Mounia Akl, a whimsical, close-knit family eludes the political and environmental crises of Beirut by isolating in the remote mountains – until their peaceful days are disrupted. DIR Mounia Akl. SCR Mounia Akl, Clara Roquet. CAST Nadine Labaki, Saleh Bakri, Nadia Charbel, Ceana and Geana Restom, Yumna Marwan, Liliane Chacar Khoury, François Nour. Lebanon, France, Spain, Sweden, Denmark, Norway, Qatar

DRIVE MY CAR (DORAIBU MAI KÂ)
Based on a Haruki Murakami short story and awarded Best Screenplay at Cannes, Ryusuke Hamaguchi’s epic explores what is left behind when a love is lost and a city is decimated. DIR Ryusuke Hamaguchi. SCR Ryusuke Hamaguchi, Takamasa Oe. CAST Hidetoshi Nishijima, Toko Miura, Masaki Okada, Masaki Okada, Reika Kirishima, Park Yurim, Jin Daeyeon. Japan

THE GIRL AND THE SPIDER
Lisa is moving out of the apartment she shares with Mara. Friends and neighbors arrive to assist and unspoken tensions simmer just beneath the surface. DIR Ramon Zürcher, Silvan Zürcher. SCR Ramon Zürcher, Silvan Zürcher. CAST Henriette Confurius, Liliane Amuat, Ursina Lardi, Flurin Giger, André M. Hennicke, Ivan Georgiev, Dagna Litzenberger Vinet, Lea Draeger, Sabine Timoteo, Margherita Schoch, Seraphina Schweiger, Birte Schnöink. Switzerland

GOOD MADAM (MLUNGU WAM)
In Jenna Cato Bass’ psychological thriller steeped in remnants of postcolonialism and apartheid, Tsidi moves in with her estranged mother Mavis, a housekeeper under the spell of her mysterious and reclusive Madam. DIR Jenna Cato Bass. SCR Jenna Cato Bass, Babalwa Baartman, Chumisa Cosa, Nosipho Mtebe, Kamvalethu Jonas Raziya, Sanda Shandu, Khanyiso Kenqa, Chris Gxalaba, Peggy Tunyiswa, Sizwe Ginger Lubengu, Siya Sikawuti, Steve Larter. CAST Nosipho Mtebe, Chumisa Cosa, Kamvalethu Jonas Raziya, Khanyiso Kenqa, Sanda Shandu, Sizwe Ginger Lubengu, Siya Sikawuti, Peggy Tunyiswa, Chris Gxalaba. South Africa

GREAT FREEDOM (GROSSE FREIHEIT)
Winner of Cannes’ Un Certain Regard Jury Prize, this unlikely love story by director Sebastian Meise depicts the engrossing life of Hans, a man in postwar Germany who is continuously imprisoned for being gay. DIR Sebastian Meise. SCR Thomas Reider, Sebastian Meise. CAST Franz Rogowski, Georg Friedrich, Anton von Lucke, Thomas Prenn. Austria, Germany

HAPPENING (L’ÉVÉNEMENT)
Winner of the Golden Lion at the Venice Film Festival, Audrey Diwan’s timely adaptation of Annie Ernaux’s autobiographical novel depicts a young woman caught between her ambitions and an unexpected pregnancy in 1960s France. DIR Audrey Diwan. SCR Audrey Diwan and Marcia Romano. CAST Anamaria Vartolomei, Kacey Mottet-Klein, Luàna Bajrami, Louise Orry Diquiero, Louise Chevillotte, Pio Marmaï, Sandrine Bonnaire, Anna Mouglalis. France

HIT THE ROAD (JADDE KHAKI)
An endearing yet frenzied family of four embarks on a mysterious road trip to an unknown destination in this distinctive and surprising debut from Panah Panahi, the son of acclaimed Iranian filmmaker Jafar Panahi. DIR Panah Panahi. SCR Panah Panahi. CAST Hassan Madjooni, Pantea Panahiha, Rayan Sarlak, Amin Simiar. Iran

HOLY EMY (AGIA EMY)
Living in Athens and keeping to themselves, Emy and Teresa live a simple life centered around attending mass, working in a fish market and avoiding the locals, but the outside world soon encroaches. DIR Araceli Lemos. SCR Araceli Lemos, Giulia Caruso. CAST Abigael Loma, Hasmine Kilip, Angeli Bayani, Ku Aquino, Michalis Siriopoulos, Irene Inglesi. Greece, France, USA

HUDA’S SALON
Academy Award®-nominated filmmaker and AFI FEST alum Hany Abu-Assad (OMAR; PARADISE NOW) portrays the harrowing experience of a Palestinian mother who is blackmailed one fateful day at Huda’s Salon. DIR Hany Abu-Assad. SCR Hany Abu-Assad. CAST Ali Suliman, Maisa Abd Elhadi, Manal Awad, Kamel El Basha, Samer Bisharat, Omar Abu Amer. Palestine, Egypt, Netherlands

ÎNTREGALDE
The mission of three humanitarian aid workers is diverted when they offer a ride to an elderly man along the side of the road and find themselves suddenly stranded. DIR Radu Muntean. SCR Radu Muntean, Răzvan Rădulescu, Alexandru Baciu. CAST Maria Popistașu, Alex Bogdan, Ilona Brezoianu, Luca Sabin. Romania

JOCKEY
An aging jockey hopes to win one last title for his longtime trainer who has acquired what appears to be a championship horse. But the years – and injuries – have taken a toll on his body, throwing into question his ability to continue his lifelong passion. DIR Clint Bentley. SCR Clint Bentley, Greg Kwedar. CAST Clifton Collins Jr., Molly Parker, Moises Arias. USA

LINGUI, THE SACRED BONDS (LINGUI)
Despite abortion being illegal in Chad and forbidden in Islam, Amina is determined to support her teenage daughter’s decision to end her pregnancy and must navigate the fragile fabric of female support within a patriarchal society. DIR Mahamat-Saleh Haroun. SCR Mahamat-Saleh Haroun. CAST Achouackh Abakar Souleymane, Rihane Khalil Alio, Youssouf Djaoro, Briya Gomdigue, Hadjé Fatimé Ngoua. Chad, France, Germany, Belgium

MEDUSA
Anita Rocha da Silveira (KILL ME PLEASE) returns to AFI FEST with a horror-satire that fiercely critiques evangelical fanaticism, focusing on a virtuous Christian girl gang that is hellbent on publicly shaming sinful women. DIR Anita Rocha da Silveira. SCR Anita Rocha da Silveira. CAST Mari Oliveira, Lara Tremouroux, Joana Medeiros, Felipe Frazão, Bruna G. Brazil

MEMORIA
While visiting Bogotá, Colombia, Jessica (Tilda Swinton), a Scottish orchid farmer grappling with deep existential unease, becomes tormented by a sound only she can hear. DIR Apichatpong Weerasethakul. SCR Apichatpong Weerasethakul. CAST Tilda Swinton. Colombia, Thailand, UK, Mexico, France

ONE SECOND
Master Chinese filmmaker Zhang Yimou crafts a charming celebration of cinema in this epic story of an escaped prisoner bonding with an orphan and a village projectionist. DIR Zhang Yimou. SCR Zhang Yimou, Zou Jingzhi. CAST Fan Wei, Liu Haocun, Zhang Yi. China

PARIS, 13TH DISTRICT (LES OLYMPIADES, PARIS 13E)
A response to a roommate ad and a case of mistaken identity blossoms into a complex web of love and friendship in this modern, panoramic tale by director Jacques Audiard. DIR Jacques Audiard. SCR Jacques Audiard, Lea Mysius, Céline Sciamma, Adrian Tomine. CAST Noémie Merlant, Geneviève Doang, Jehnny Beth, Line Phé, Stephen Manas. France

PETITE MAMAN
In Céline Sciamma’s (PORTRAIT OF A LADY ON FIRE) enchanting and poetic coming-of-age story, eight-year-old Nelly – mourning the recent death of her beloved grandmother – meets a girl building a tree fort, like her mother once did. DIR Céline Sciamma. SCR Céline Sciamma. France

PLEASURE
In this raw and powerful debut feature, Bella arrives in Los Angeles from Sweden to pursue her dreams of stardom – in the adult film industry.DIR Ninja Thyberg. SCR Ninja Thyberg, Peter Modestij. CAST Sofia Kappel, Revika Anne Reustle, Evelyn Claire. Sweden, Netherlands, France

PRAYERS FOR THE STOLEN (NOCHE DE FUEGO)
This devastating narrative debut from documentary filmmaker Tatiana Huezo set in the mountains of Mexico follows Ana and her two best friends who live under the constant threat of kidnappings and drug cartel violence. DIR Tatiana Huezo. SCR Tatiana Huezo. CAST Mayra Batalla, Marya Membreño, Ana Cristina Ordoñez Gonzalez. Mexico

RED ROCKET
In Sean Baker’s bold and provocative new film, Simon Rex gives a hypnotic performance as an adult film star and hustler returning to his hometown in search of a fresh start. DIR Sean Baker. SCR Sean Baker, Chris Bergoch. CAST Simon Rex, Suzanna Son, Bree Elrod, Brenda Deiss, Ethan Darbone, Brittney Rodriguez, Judy Hill. USA

SUNDOWN
Opting to stay on permanent vacation instead of tending to family, wealthy heir Neil Bennett quietly fights to control his life in a world where violence and leisure are one and the same. DIR Michel Franco. SCR Michel Franco. CAST Tim Roth, Iazua Larios, Charlotte Gainsbourg. Mexico

THE TSUGUA DIARIES (DIÁRIOS DE OTSOGA)
Friends Crista, Carloto and João are building a greenhouse for butterflies, cleaning out an above-ground pool and participating in spontaneous dance parties when there is a sudden global virus outbreak. DIR Maureen Fazendeiro, Miguel Gomes. SCR Maureen Fazendeiro, Miguel Gomes, Mariana Ricardo. CAST Crista Alfaiate, Carloto Cotta, João Nunes Monteiro. Portugal, France

UNCLENCHING THE FISTS (RAZZHIMAYA KULAKI)
In a remote mining town, Ada is coming of age in a deeply dysfunctional family isolated by the men that surround her. The welcome attentions of a local boy present the possibility of new experiences, and a potential escape. DIR Kira Kovalenko. SCR Kira Kovalenko, Anton Yarush, Lyubov Mulmenko. CAST Milana Aguzarova, Alik Karaev, Soslan Khugaev, Khetag Bibilov, Arsen Khetagurov, Milana Pagieva. Russia

VERA DREAMS OF THE SEA (VERA ANDRRON DETIN)
Reeling from her husband’s suicide, sign language interpreter Vera (Teuta Ajdini) must summon untapped strength when her inheritance is violently challenged by a male in-law in deeply patriarchal Kosovo. DIR Kaltrina Krasniqi. SCR Doruntina Basha. CAST Teuta Ajdini, Alketa Sylaj, Astrit Kabashi, Refet Abazi. Kosovo, North Macedonia, Albania

WHAT DO WE SEE WHEN WE LOOK AT THE SKY?
Alexandre Koberidze’s Berlinale FIPRESCI Prize winner follows Lisa and Giorgi who fall in love at first sight, only for a curse to strike the pair, leaving them unrecognizable to one another. DIR Alexandre Koberidze. SCR Alexandre Koberidze. CAST Giorgi Bochorishvili, Ani Karseladze, Oliko Barbakadze, Giorgi Ambroladze, Vakhtang Fanchulidze. Georgia, Germany

WILDHOOD
Link, an indigenous Mi’kmaw teen, and his younger half-brother go on a journey to find Link’s long-lost mother. Joining their trek, Pasmay, a two-spirit teen, awakens something new inside of Link. DIR Bretten Hannam. SCR Bretten Hannam. CAST Phillip Lewitski, Joshua Odjick, Avery Winters-Anthony, Michael Greyeyes. Canada

THE WORST PERSON IN THE WORLD
This modern dramedy chronicles four years in the life of Julie, a young woman navigating love and life in Oslo. DIR Joachim Trier. SCR Joachim Trier, Eskil Vogt. CAST Renate REINSVE, Herbert Nordrum, Anders Danielsen Lie. Norway, France, Sweden, Denmark

 

DOCUMENTARIES
The most engaging and powerful real-life stories depicted in global nonfiction cinema that enlighten, educate and entertain.

BERNSTEIN’S WALL
Director Douglas Tirola documents the life of composer Leonard Bernstein (WEST SIDE STORY) from his early life in New England, to his early orchestral career, his work on television and his constant advocacy of worthy causes. DIR Douglas Tirola. USA

CITIZEN ASHE
Filmmakers Rex Miller and Sam Pollard (MLK/FBI) honor the life and enduring impact of groundbreaking tennis champion, civil rights activist and humanitarian Arthur Ashe in this stirring documentary. DIR Rex Miller, Sam Pollard. USA, UK

COW
A mother. A provider. A cow. AFI Alumna Andrea Arnold’s first-ever documentary is a visceral, up-close portrait of Luma, a singular dairy cow who despite her tenacity is subject to the whim of others. DIR Andrea Arnold. UK

THE FIRST WAVE
In early 2020, New York City is the number one hotspot for COVID-19 in the United States. Academy Award®-nominated documentary filmmaker Matthew Heineman takes a poignant look at the turmoil and resilience on the hospital frontlines. DIR Matthew Heineman. USA

JUICE WRLD
This intimate documentary explores the life and death of the young hip hop star Juice WRLD. DIR Tommy Oliver. FEATURING JuiceWRLD, The Kid Laroi, Lil Bibby, Polo G, G Herbo, Benny Blanco, Rex Kudo, Hit-Boy, Cole Bennett, Trippie Redd. USA. World Premiere.

JULIA
Highlighting delightful, never-before-seen clips from Julia Child’s public television show, veteran filmmakers Julie Cohen and Betsy West explore the trailblazing career of a culinary icon. DIR Julie Cohen, Betsy West. USA

A NIGHT OF KNOWING NOTHING
In Payal Kapadia’s semi-fictionalized experimental documentary, the diary of a student to her absent lover recounts a period of political upheaval in India, her own heartbreak reflecting that of a generation of students. DIR Payal Kapadia. SCR Payal Kapadia, Himanshu Prajapati. France, India

PROCESSION
Robert Greene’s poignant documentary chronicles six men using drama therapy to process childhood sexual abuse and explores their journey to create something truly beautiful out of horrible trauma. DIR Robert Greene. USA

THE REAL CHARLIE CHAPLIN
This uniquely crafted portrait of iconic silent film comedian Charlie Chaplin features rare insights and never-before-heard recordings by those closest to the mercurial film legend, introducing characters previously written out of the narrative.  DIR Peter Middleton, James Spinney. USA

SIMPLE AS WATER
Oscar-winning director Megan Mylan documents a handful of courageous refugee families affected by the Syrian civil war and the efforts to rebuild their lives in new surroundings around the world. DIR Megan Mylan. USA

TO WHAT REMAINS
This powerful documentary follows Project Recover, an organization with a mission to bring home missing-in-action World War II veterans from forgotten South Pacific battlefields. DIR Chris Woods. SCR Mark Monroe. USA. World Premiere.

WHO WE ARE: A CHRONICLE OF RACISM IN AMERICA
Filmmakers Emily Kunstler and Sarah Kunstler chronicle ACLU lawyer Jeffrey Robinson’s essential deep dive into America’s 400-year history of white supremacy and anti-Black racism. DIR Emily Kunstler, Sarah Kunstler. SCR Jeffery Robinson. USA

 

MEET THE PRESS FILM FESTIVAL AT AFI FEST
In partnership with NBC’s Meet the Press, these short documentaries spotlight compelling stories about pressing issues facing our society with conversations moderated by NBC News journalists.

BREE WAYY: PROMISE WITNESS REMEMBRANCE
A film by award-winning director and 2021 AFI DOCS Charles Guggenheim Symposium honoree Dawn Porter that looks at how the art world responded to the death of Breonna Taylor by using art not only as a form of protest but as a space to heal. DIR Dawn Porter. USA

CAMP CONFIDENTIAL: AMERICA’S SECRET NAZIS
During WWII, a group of young Jewish refugees are sent to a secret POW camp near Washington, DC, and they soon discover that the prisoners are Hitler’s top scientists. DIR Daniel Sivan, Mor Loushy. USA

CODED: THE HIDDEN LOVE OF J.C. LEYENDECKER
The coded advertisements of legendary early-20th century gay illustrator J.C. Leyendecker quietly, but directly, acknowledged a community that was forced to live in the closet. DIR Ryan White. USA

THE FACILITY
A group of immigrants, detained inside an infamous American detention center as the pandemic spreads, organize in protest to demand protections and their release. DIR Seth Freed Wessler. USA

GOLDEN AGE KARATE
Teen karate pro Jeff Wall teaches senior citizens self-defense at a local nursing home, giving them the tools to feel in control, connected and cared for. DIR Sindha Agha. USA

THE INTERVIEW
The film forces viewers to confront their own feelings about justice and mercy, while revealing the heavy toll our current system takes on incarcerated people and their families. DIR Jonathan Miller, Zachary Russo. USA

LEAD ME HOME
A short presenting the epidemic of homelessness in America with candid testimonials from the unhoused. A poetic portrait of our culture’s fraying edges and the people who inhabit them. DIR Pedro Kos, Jon Shenk. USA

LYNCHING POSTCARDS: ‘TOKEN OF A GREAT DAY’
From 1880–1968 over 4,000 African Americans were lynched at the hands of white mobs. These lynchings were commemorated through souvenir postcards that would ultimately be subverted by Black activists to expose racist violence in the U.S. DIR Christine Turner. USA

MELTDOWN IN DIXIE
A film exploring the broader role of Confederate symbolism in the 21st century and the lingering racial oppression which these symbols help maintain. DIR Emily Harrold. USA

MISSION: HEBRON
Israeli soldiers are recruited at age 18 and, only months later, are already overseeing Palestinian civil life. Former soldiers describe their time in Hebron, the most troubled city in the West Bank. DIR Rona Segal. Israel

PARTY LINE
At the early voting line in Ohio’s most populous county, civic duty is a public performance. DIR Lydia Cornett. USA

RED TAXI
As protests unfold in Hong Kong, RED TAXI shows a city in upheaval through the eyes of those who must traverse the streets day and night to make a living. DIR Anonymous. Hong Kong, USA

TAKEOVER
An exploration of July 14, 1970, when members of the Young Lords Party stormed the Lincoln Hospital in South Bronx, making their cries for decent healthcare heard by the world. DIR Emma Francis-Snyder. USA

THEY WON’T CALL IT MURDER
Mothers, sisters and grandmothers of those killed by Columbus police, seeking justice in a community bound together by grief and a system that refuses to call these killings murder. DIR Melissa Gira Grant, Ingrid Raphael. USA

THE TRAIN STATION
In this beautifully animated documentary short, filmmaker Lyana Patrick narrates her family’s powerful story of love and survival at Lejac Indian Residential School. DIR Lyana Patrick. Canada

 

SHORT FILM COMPETITION
Emerging and established filmmakers push the form of storytelling in inventive, challenging and sometimes hilarious ways – all in 40 minutes or less.

AL-SIT
In a cotton farming village in Sudan, Nafisa has a crush on Babiker, but her parents have arranged her marriage to Nadir, a young Sudanese businessman. Can Nafisa choose for herself? DIR Suzannah Mirghani. Sudan,Qatar

ANXIOUS BODY
Living things, artificial things, geometry shapes and lines. When these different things encounter, a new direction is born. DIR Yoriko Mizushiri. Japan, France

ARE YOU STILL THERE?
On a hot day, Safa’s car battery dies, leaving her stranded in a strip mall parking lot. When her mom arrives, the two struggle to jump-start a car. DIR Rayka Zehtabchi, Sam Davis. USA

BABYBANGZ
BABYBANGZ visualizes the story of Anastasia Ebel, owner of a natural hair salon in Mid-city, and her mission to foster opportunities for intentional reflection, for herself and her community. DIR Juliana Kasumu. USA

THE DEATH CLEANER (EL LIMPIADOR)
For a forensic cleaner in Mexico City, healing is at the core of his service. DIR Louise Monlaü. Mexico, Spain, France

EL CARRITO
Nelly slogs through another unsuccessful day of street vending in Queens, New York. Determined to improve her circumstances, she makes a risky business decision that ends in misfortune. DIR Zahida Pirani. USA

ENVIAR Y RECIBIR
A warehouse worker at a fast fashion company forms an attachment to a piece of damaged inventory. DIR Cosmo Collins Salovaara. USA

GRANNY’S SEXUAL LIFE (BABIČINO SEKSUALNO ŽIVLJENJE)
A trip into grandmother’s youth and the memories of her intimate life illustrate the status of Slovenian women in the first half of the 20th century. DIR Urška Djukić, Émilie Pigeard. Slovenia, France

GREEN (ZIELEŃ)
Roadside greenery is created to be driven past, not to be in. Geometrical, artificial and overgrown by weeds. Your body is the same, dragged through life instead of living it. DIR Karolina Kajetanowicz. Poland

H.A.G.S.
Feeling anxious about adulthood, Sean Wang found comfort in the innocence of middle school through his old yearbooks. Curious about how his old friends were handling adulthood, he called them. DIR Sean Wang. USA

HER DANCE (RIKUD HASSIDI)
After not being invited to her sister’s wedding, Aya, a transwoman, shows up by surprise on a Shabbat night at the Orthodox Jewish community where her family lives. DIR Bar Cohen. Israel

IN FLOW OF WORDS
The narratives of three interpreters of the International Criminal Tribunal for the former Yugoslavia, who interpreted shocking testimonies without regard for their own feelings and personal histories. DIR Eliane Esther Bots. Netherlands

LOVE, DAD (MILÝ TATI)
She finds letters full of love her dad wrote her years ago. DIR Diana Cam Van Nguyen. Czech Republic, Slovakia

MANO SANTA
A grandfather harbors his runaway grandson after fleeing the constraints of home. DIR Stephanie Camacho Casillas. Puerto Rico

MISERY LOVES COMPANY
One night, Seolgi is lying on a grass field with friends. A shooting star falls, and dark and intrusive thoughts hits her and her melancholy blooms into “flower people.” DIR Sasha Lee. South Korea, USA

MISTRESS DISPELLER
A professional “mistress dispeller” works with a married couple struggling with infidelity in contemporary China. DIR Elizabeth Lo. USA,China

MON AMI QUI BRILLE DANS LA NUIT
A ghost loses their memory after being struck by lightning. They meet Arthur, who tries to help them. DIR Grégoire de Bernouis, Jawed Boudaoud, Simon Cadilhac, Hélène Ledevin. France

MOTORCYCLIST’S HAPPINESS WON’T FIT INTO HIS SUIT (AL MOTOCICLISTA NO LE CABE LA FELICIDAD EN EL TRAJE)
He sits proudly on his motorbike, encompassed in majestic red and the dazzling admiration of others. A playful re-enactment with reversed roles that targets the hubris of colonial conquerors. DIR Gabriel Herrera. Mexico

NALUJUK NIGHT
Every January 6th, families in the Inuit community of Nain, Canada, celebrate Nalujuk Night, when eerie figures in tattered fur clothing arrive to reward the good and punish the bad. DIR Jennie Williams. Canada

NEW ABNORMAL
Based on a true story, NEW ABNORMAL is a reflection on human life during the COVID-19 pandemic, as well as under the Emergency decree. DIR Sorayos Prapapan. Thailand

ONLY THE MOON STANDS STILL (明月依旧)
Three generations of Chinese women say goodbye to their family ballroom dance studio. Executive produced by Lena Waithe, starring Shirley Chen and Mardy Ma. DIR Johnson Cheng. USA, China

PLAY IT SAFE
Jonathan is out of place in his drama school. Pigeonholed and typecast in parts, Jonathan decides to demonstrate to his peers their prejudices during a class role-play exercise. DIR Mitch Kalisa. UK

PLAYTIME (GIOCHI)
A mother wants to play with her son. A boy wants to find out what his friend is giving a girl. A cat has disappeared. But these are only games. DIR Simone Bozzelli. Italy

PRIDE
An aspiring writer finalizes stories for “Pride,” a student-run newspaper. Over a hectic two days in the early 1990s, she puts the finishing touches on the upcoming issue. DIR Kevin Jerome Everson, Claudrena N. Harold. USA

SALES PER HOUR
The film tells the story of a young woman who faces a moral dilemma when she witnesses a sexual encounter at the clothing store where she works. DIR Michelle Uranowitz, Daniel Jaffe. USA

SANDSTORM (MULAQAT)
Zara shares a sensual dance video with her virtual boyfriend, who blackmails her. She begins her search for the strength to reject the confines of a patriarchal society. DIR Seemab Gul. Pakistan

SHARK
SHARK follows the continuing adventures of Jack, who loves to prank. But in his latest relationship he may have finally met his match. DIR Nash Edgerton. Australia

SOFT ANIMALS
Two ex-lovers cross paths in a train station. DIR Renee Zhan. UK

STRAWBERRY CHEESECAKE
In Singapore, where even vapes are illegal, three rebellious schoolgirls are caught smoking by the principal. Their revenge prank takes a sinister turn. DIR Siyou Tan. Singapore

A SUMMER PLACE
On the day of Tina’s birthday, she is ready to give up on everything until an extraordinary encounter changes her life. DIR Alexandra Matheou. Cyprus, France

VIDEO VISIT
Each week, people visit the Brooklyn Public Library to video call incarcerated loved ones. A story of two mothers and their sons, and the librarians who keep the families connected. DIR Malika Zouhali-Worrall. USA

YOUR STREET (DEINE STRASSE)
The grey present of an industrial area is being charged with its past, linked to a tragic episode in the history of Germany. Are public memorials collective remembrance or repression? DIR Güzin Kar. Switzerland

YORUGA
A lonely old man pays a visit to Yoruga, one of the last animals on Earth. DIR Federico Torrado Tobón. Colombia

ZONDER MEER
A boy has disappeared and may have drowned. Five-year-old Lucie is trying to understand what is going on around her. How long can you hold your breath? DIR Meltse Van Coillie. Belgium

 

AFI Conservatory Showcase
A collection of short fiction films from the most recent graduates of the AFI Conservatory.
The theatrical screenings will conclude with a special AFI Fellows-focused premiere of Executive Producer David Fincher’s latest Netflix series, VOIR.

VOIR
A special screening of Executive Producer David Fincher’s latest Netflix series: A collection of visual essays…for the love of cinema. DIR David Prior, Taylor Ramos, Tony Zhou. World Premiere.

APART, TOGETHER
Yiru is a Chinese teenager traveling to the U.S. as a translator for her mom, who is searching for her first daughter she gave up for adoption under the one-child policy. DIR Hang “Olivia” Zhou. USA

BOYS OF A CERTAIN AGE
Stalked by an ominous driver, a boy on the cusp of puberty faces danger and excitement during a weekend of self-discovery with his best friend. DIR Spencer Wardwell. USA

THE BRIGHT SIDE OF THINGS
During the hottest heat wave in Southern California, Bobby wakes up to find his AC stolen from his window. Soon, a journey for revenge becomes one of self-discovery. DIR Andrew Pollack. USA

A BUTTERFLY VANISHES
The peace between Leo and his grieving father is disrupted when the young boy finds a butterfly that he believes to be his deceased mother. DIR Juan Pablo Arias Muñoz. USA

COLD WALL
After a video of a miscarriage suffered by a student goes viral, a shocked 16-year-old Chinese girl, Katie, attempts to solve a personal crisis in unfamiliar territory. DIR Jiaying “Lilly” Hu. USA

EUREKA
A young indentured Chinese prostitute must overcome her toxic dependency on the brothel madam on the eve of the 1885 anti-Chinese riot in Eureka, California. DIR Lixing “Mida” Chu. USA

GUIDE ON
On her first day of basic training, an army recruit stands out as she defiantly fights to be the first female guidon bearer. DIR Paige Compton. USA

THE HIDEAWAY
After hearing a rumor that her mother is a stripper, 14-year-old Nika becomes determined to discover the truth, unknowingly crossing the threshold into adulthood. DIR Jane Stephens Rosenthal. USA

KUSH: A BUBBLEGUM WESTERN
Brent and Perry, a broke and in-love couple, run into trouble when they decide to transport weed across the country. DIR Anthony Sneed. USA

LI
Li, a recent immigrant, hopes for a better education for her son while dealing with potentially losing her career, and learns how to do what’s best for her son. DIR Shengxi “Clement” Yang. USA

LIKE US
A lonely woman saves an alien who cannot experience emotions. As she tries to teach it what love is, she discovers that you can’t teach what you don’t know yourself. DIR Mikhail Saburov. USA

LUX NOCTIS
In a post-apocalyptical-matriarchal community, Lina faces her trial to bring light or perish to the darkness. Mara’s compassion pushes Lina to create an unprecedented light. DIR Damiana Acuña. USA

MASS AVE
Over a day of landscaping work, a first generation African American and his immigrant father have their relationship and outlooks on life transformed irreversibly when racially profiled by police. DIR Omar Kamara. USA

THE MONKEY KING
Bao, a small-time Chinese opera performer, finally gets a chance to perform for the city’s V.I.P.s. However, his son’s departure brings conflict between their relationship and a potential break. DIR Yingqi “Niko” Ren. USA

RIDING SCOOTERS
A socially awkward Chinese-American teenager spends an evening trying to impress his crush at a friend’s unusual party. DIR Terry Hou. USA

SPACESHIP
When a Latina transwoman in East LA is on the verge of losing her daughter to child services, she begins to unravel after confronting her buried traumas and fears. DIR Jorge Camarena. USA

YOURS TO BURY
When an innocent game puts two sisters face to face with death, one must choose whether or not to protect the other from the irreversible consequences of their play. DIR Sydney Ribot. USA

Dawn Hudson Announces This Term Will Be Her Last As Academy CEO

Posted by Larry Gleeson

FOR IMMEDIATE RELEASE
ACADEMY CEO DAWN HUDSON CHARTS NEXT STEPS 
FOLLOWING THE BUILDING OF AN INNOVATIVE ACADEMY 
AND THE SUCCESS OF MUSEUM OPENING

LOS ANGELES, CA – Dawn Hudson, chief executive officer of the Academy of Motion Picture Arts and Sciences, announced today that, after a successful and transformational tenure, this current term will be her last as Academy CEO.

“After more than ten years and the incredibly successful opening of our new museum, I’ve decided, when this term concludes, it will be time for me to explore other opportunities and adventures as this can hardly be topped,” said Hudson. “We’ve achieved so much together that’s been most important to me — our ongoing commitment to representation and inclusion; adapting the Academy into a digitally sophisticated global institution; and creating the world’s premier movie museum that will be the destination of film fans for decades. The Board of Governors and I are mutually committed to a seamless transition to new leadership. I’m excited for what the future holds, for both the Academy and for me.”

“Dawn has been, and continues to be, a groundbreaking leader for the Academy. Advancements in the diversity and gender parity of our membership, our increased international presence, and the successful opening of a world-class Academy Museum — a project she revived, guided and championed — are already part of her legacy. I know the Board of Governors joins me in looking forward to our collaboration with Dawn in the many months ahead, as we map out a plan for succession,” said Academy President David Rubin.

Hudson joined the Academy as CEO in 2011.  In her role, she oversees the Academy’s 450-person staff in Los Angeles, New York and London; operations and outreach, including awards, membership, marketing, communications, finance and technology; the Academy Museum of Motion Pictures and the Academy Foundation. The Foundation includes educational initiatives, fellowships and grants, the Margaret Herrick Library and the Academy Film Archive.

With Hudson at the helm building and overseeing its financial assets, including the Oscars®, the Academy has become more accessible to its members and people around the world. The institution has achieved advances in technology and the modernization of its infrastructure, which have enabled greater global outreach, member communications and events, online voting and streaming on the Academy Screening Room, and a significantly expanded social media presence.

Under her leadership, Hudson has driven significant diversity, inclusion and representation initiatives across the Academy membership, governance and staff. As a result, the Academy more than doubled the number of women and underrepresented ethnic/racial communities within its membership through the A2020 initiative, bringing in the most diverse class in the organization’s history at that time. Hudson also oversaw the creation of Aperture 2025, establishing inclusion standards for Oscars eligibility, to further the Academy’s efforts to advance representation in the entertainment industry.

Hudson was integral to the development of the Academy Museum, which opened to the public in September and is the largest museum in the United States devoted to the arts and sciences of moviemaking.

A search for Hudson’s successor will soon be underway, and she will have a vital role in the transition.

 

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the Academy Museum of Motion Pictures.

AFI Announces KING RICHARD as Closing Night Film for FEST 2021

KING RICHARD

Starring Will Smith to Close AFI FEST 2021

The Closing Night film for AFI FEST 2021 has been officially crowned! The 35th edition of AFI’s annual film festival celebrating the best in world cinema will close with Warner Bros. Pictures’ KING RICHARD, directed by Reinaldo Marcus Green with cinematography by Robert Elswit (AFI Class of 1977), written by Zach Baylin and starring two-time Academy Award® nominee Will Smith. Based on a true story that will inspire the world, the film follows Richard Williams, an undeterred father who, with the support of his family, is instrumental in raising two of the most extraordinarily gifted athletes of all time, Venus and Serena Williams. The Closing Night screening will take place on Sunday, November 14 at the historic TCL Chinese Theatre.

“AFI’s mission includes inspiring audiences, and KING RICHARD sets the bar for this year,” said Sarah Harris, Director of Programming at AFI Festivals. “Movies often deliver when we need them most, and now is the perfect time for this film to remind young people that nothing is out of reach, and that with perseverance and determination they can influence future generations.”

This year’s hybrid festival will feature both in-person screenings and events, as well as virtual screenings, showcasing transformative stories from groundbreaking artists. As previously announced, the World Premiere of tick, tick…BOOM! directed by Pulitzer Prize and Tony Award® winner Lin-Manuel Miranda will open the festival on Nov. 10.

With health and safety being top priority, AFI FEST 2021 film festival will require all festival-goers who attend in-person events and/or screenings to be fully vaccinated. Tickets and passes to AFI FEST 2021 will be available soon on FEST.AFI.com. AFI Members receive exclusive discounts and benefits to the festival. To become an AFI member, visit AFI.com/join/.

FELIX & PAUL STUDIOS AND TIME STUDIOS FILM FIRST-EVER 3D, 360o SCENES OUTSIDE THE INTERNATIONAL SPACE STATION FOR EMMY-NOMINATED SERIES, SPACE EXPLORERS: THE ISS EXPERIENCE

Millions of Viewers Will Soon Experience the Wonder of Floating in Space Outside the International Space Station

(NEW YORK, NY) August 27, 2021—Felix & Paul Studios, the EMMY-award winning creator of immersive entertainment experiences and the leading Space Media company, in partnership with NASA and TIME Studios, the EMMY-award winning television, film and immersive division of TIME, today announced the filming of the first-ever scenes in outer space captured in immersive 3D, 360°virtual reality format. Audiences will soon be able to experience what it is truly like to float in outer space by seeing everything completely around them, as if they were there in real life. The captured scenes have been made possible by Felix & Paul Studios’ customized virtual reality “Outer Space Camera”, attached to the Canadarm2 robotic arm which functioned as a “Space Crane” on the world’s first zero-gravity movie set.


These incredible, highly-immersive scenes will be included in episodes three and four of Space Explorers: The ISS Experience, an immersive series being produced by Felix & Paul Studios in association with TIME Studios. These forthcoming episodes will be available in 360° mobile format on 5G-enabled tablets and smartphones through leading telcos – including LGU+ (South Korea), KDDI (Japan), AIS (Taiwan), Orange (France) and Deutsche Telekom (Germany); at leading Big Screen venues, domes, planetariums, space visitor centers and science centers; in fully-immersive virtual reality on the Oculus Store for RIFT, Quest and Quest 2 devices; and as a main feature of the major, touring lifescale interactive exhibit, THE INFINITE, produced in partnership with PHI Studio.


“Today’s immersive cinematic capture of scenes in outer space is the culmination of close to three years of preparation. We are excited, honoured and truly humbled to have the opportunity to film in the most challenging environment known to humankind,” said Félix Lajeunesse, co-founder of Felix & Paul Studios and Director of Space Explorers: The ISS Experience. “Our mission since day one was to enable billions of people to experience what it is like to float in space and witness Planet Earth from above and we are pleased that this one-time dream will soon become reality in the final two episodes of our ISS Experience series.”


Less than 250 astronauts have ever conducted an extravehicular activity (EVA) – known as a “spacewalk” – and never before have audiences been able to experience what it is like to float in space as if they were astronauts themselves. The outer space scenes being captured in 3D will bring viewers “into the action” like never before and are being directed remotely by veteran directors Félix Lajeunesse and Paul Raphaël in both the Felix & Paul Studios facilities in Montreal and in the Canadian Space Agency facilities.


“Capturing the Earth in stereoscopic 3D, 360-degree format from space, outside the space station, has never been attempted until now,” said Jonathan Woods, Executive Producer of Space Explorers: The ISS Experience at TIME Studios and Emmy-winning producer of A Year in Space. “It’s beyond exciting and surreal to see this happening, knowing that the dream for this ambitious project started over five years ago in 2015.”


Felix & Paul Studios’ state-of-the-art Outer Space Camera is a customized Z-Cam V1 Pro camera consisting of nine 4K sensors allowing for a 3D, a 360-degree image at 8K resolution, and has been specially hardened by Nanoracks to withstand the harsh conditions of low atmosphere orbit, including vacuum, solar ultraviolet (UV) radiation, charged particle (ionizing) radiation, plasma, surface charging and arcing, temperature extremes, thermal cycling, and impacts from micrometeoroids and orbital debris (MMOD), and environment‐induced contamination from micrometeoroids and orbital debris (MMOD), and environment‐induced contamination.

The Outer Space Camera can store approximately 15 hours of 3D, 360-degree footage with custom lenses made to withstand extreme light and heat to minimize flare when directly exposed to the Sun (external temperatures ranging from -250° F to +250° F). About Space Explorers: The ISS Experience Space Explorers.

The ISS Experience is a four-part immersive series created in collaboration with the ISS U.S. National Laboratory, NASA, the Canadian Space Agency and other space agencies involved with the International Space Station and is filmed entirely on board and outside of the ISS using Felix & Paul Studios’ specialized 3D, 360-degree virtual reality ISS Camera and customized Outer Space Camera. Astronauts including Anne McClain, David Saint-Jacques, Christina Koch, Nick Hague, Jessica Meir, Andrew Morgan, Luca Parmitano and Victor Glover star as cast, film crew and narrators in this four-part immersive series, the largest production ever filmed in space.

The trailer for The ISS Experience is available here and stills are available here. Stills of the scenes filmed outside the International Space Station are available here. Behind the scenes footage is available at Time.com/Space.

About Felix & Paul Studios

Felix & Paul Studios is an EMMY® Award-winning creator of immersive entertainment experiences, creating unparalleled, highly engaging, presence-based experiences for the next generation of technology-enabled devices and venues. The studio’s catalogue of over thirty 3D, 360-degree experiences exhibits the “industry’s best” in the new medium of immersive storytelling, including:

  • Originals: The Space Explorers series, Traveling While Black, MIYUBI, the Nomads series, Strangerswith Patrick Watson.
  • Productions with notable franchises: Jurassic World, Cirque du Soleil, Fox Searchlight’s Wild and Isle of Dogs, and The Confessionals series with Just for Laughs starring Howie Mandel, Lilly Singh, Jud Apatow and Trevor Noah.
  • Collaborations with world-renowned leaders and performers: President Barack Obama and Michelle Obama, LeBron James, President Bill Clinton, Eminem, Wes Anderson, Brie Larson, Jeff Goldblum, Bill Murray and many others.

The studio’s content is available for distribution in a range of immersive formats including 360-degree mobile on 5G-enabled smartphones, tablets and headsets; 360-degree fulldome projection in domes and planetariums; fully-immersive VR on Facebook’s Oculus and other high-end virtual reality platforms; Giant Screen projection for science centers, space welcome centers and large-format cinemas; and the touring life-scale interactive exhibit, THE INFINITE, produced in partnership with PHI Studio. Felix & Paul Studios is the leading Space Media Company and the only media company recognized as an “Official Implementation Partner” by the ISS U.S. National Laboratory.


About TIME

StudiosFrom one of the most globally iconic brands, TIME Studios is an Emmy Award®-winning television, film and immersive studio focusing on the development, production and distribution of truth-based premium unscripted and scripted premium storytelling that moves the world. With technical innovation and a brand defining visual language that dates back 98 years, TIME Studios aims to impact communities and the world at large with ideas that forge true progress. Combining the industry’s leading creators with TIME, one of the most trusted brands that reaches an audience of over 100 million people globally, TIME Studios is uniquely positioned to bring massive audiences to the world’s most impactful stories. Recent projects include, Black Gold (Paramount+), Big Vape (Netflix), John Lewis: Good Trouble (CNN Films), Amazing Grace (Neon), Right to Offend (A&E), Ricky Powell: The Individualist (Showtime), Mass Effect: The Story of YouTube, Kid of the Year (Nickelodeon/CBS), TIME 100 (ABC) and the first scripted project for TIME Studios, Women of the Year (Amazon).

AMERICAN FILM MARKET® PIVOTS TO ONLINE EVENT FOR 2021

Los Angeles, CA – August 26, 2021 – The American Film Market® (AFM®) will move its 2021 edition entirely online, the Independent Film & Television Alliance® (IFTA®) announced today. AFM 2021 Online will be held Monday, November 1 to Friday, November 5 – shifting one day earlier than its original dates. Registration for the five-day online event is now open.

AFM 2021 Online will feature Industry Offices, Screenings, Conferences, Panels and Workshops, the Networking Pavilion, LocationEXPO, and more. Event updates will be announced regularly via email, social media, and the AFM Website.


“We wish we could welcome the global industry back to Santa Monica but travel regulations, increased concerns about coronavirus variants around the world, and government restrictions on the ground prevent us from moving forward,” said Michael Ryan, Chairperson, IFTA and Partner, GFM Films. “However, IFTA is thrilled to host the market the industry expects – where no one will be excluded and all of our stakeholders can immerse themselves for five days dedicated to deal making, discovery, education, and reconnecting.”

About the American Film Market®(AFM®)

The AFM is the most efficient film acquisition, development and networking event in the world. More than US$1 billion in production and distribution deals are closed every year — on both completed films and those in every stage of development and production. Over five days in November, 7,000+ professionals from 70+ countries access the entire global catalogue of available films and projects, attend world class conferences, and connect with decision makers. The AFM is produced by the Independent Film & Television Alliance®.

About the Independent Film & Television Alliance® (IFTA®)

IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to independent companies from 22 countries.

*Sourced from AFM Press release

SANTA BARBARA INTERNATIONAL FILM FESTIVAL ANNOUNCES CLAUDIA PUIG AS PROGRAMMING DIRECTOR

August 12, 2021 – Santa Barbara, CA.  The Santa Barbara International Film Festival announced today the appointment of Claudia Puig as Programming Director. In her role, Puig will lead the curation of the film slate for the 2022 edition of the Festival. The program will include a broad array of over 200 international and independent films with a commitment to diversity and inclusion, with most films being World or U.S. Premieres. Puig will lead insightful Q&As and seminar discussions with hundreds of attending filmmakers, and she will report to Roger Durling, Executive Director of the Santa Barbara International Film Festival. Puig is currently serving as president of the Los Angeles Film Critics Association and is a longtime critic on NPR’s Film Week. 

 

“Claudia has tremendous film festival programming expertise, and we are thrilled to welcome her to the team. We have the utmost faith in her ability to bring forward a program of unmatched quality to share with our community; and with both Claudia and I being Latino, this marks a first for any major Film Festival’s artistic leads,” said Roger Durling, SBIFF’s Executive Director.

Prior to joining SBIFF, she handled programming for AFI Fest, the Mendocino Film Festival, and the Napa Valley Film Festival. She has been a speechwriter for the Academy of Motion Picture Arts and Sciences. In addition, Claudia has a film consulting business specializing in cultural consulting and teaches a college class on Diversity in the Media. Previously, she was USA Today’s film critic for 15 years. During that time, she also hosted The Screening Room video series and wrote film reviews and analytical articles about the film industry. Before that, she was a staff writer at the Los Angeles Times for 11 years covering city government, courts, and the entertainment industry.

 

The 37th Santa Barbara International Film Festival, presented by UGG®, will take place LIVE on March 2 through March 12, 2022. Official events including screenings, filmmaker Q&As, industry panels, and celebrity tributes, will be held throughout the city, including at the historic Arlington Theatre. This year’s lineup will be announced February 2022. 

 

Over the past 36 years, SBIFF has become one of the leading film festivals in the world attracting 100,000+ attendees throughout the week. Funds raised through the festival directly support SBIFF’s year-round free programs that serve over 18,000 people. Passes for the 2022 Festival will be on sale for 25% off starting next Monday, August 16th. For additional information or to buy passes, visit sbiff.org.

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 35 years, SBIFF has become one of the leading film festivals in the United States – attracting 100,000+ attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

In 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day. In 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.

AFI DOCS 2021 Award Winners

Posted by Larry Gleeson

Audience Award for Best Feature Goes to

STORM LAKE

Audience Award for Best Short Goes to SHELTER

Short Film Grand Jury Prize Goes to RED TAXI

Among the Participants in 19th Annual Festival of Documentary Film:

Senator Amy Klobuchar, Morgan Neville, Garrett Bradley, Dawn Porter

FOR IMMEDIATE RELEASE

JUNE 28, 2021, WASHINGTON, DC — The American Film Institute (AFI) has announced the AFI DOCS 2021 Award Winners, concluding the six-day festival, with screenings presented online and in-person at the AFI Silver Theatre and Cultural Center. The festival’s Audience Award for Best Feature went to STORM LAKE, directed by Jerry Risius and Beth Levison. The Audience Award for Best Short went toSHELTER, directed by Smriti Mundhra.

This year’s voting jury for the competitive Short Films slate was comprised of Mike Attie, award-winning filmmaker and professor of film at the University of the Arts in Philadelphia; Greta Hagen-Richardson, Director of Programming at the Hot Springs Documentary Film Festival and Lead Features Programmer at the New Orleans Film Festival; and Yvonne Ashley Kouadjo, Associate Producer for The New York Times’ award-winning short documentary series Op-Docs.

The Grand Jury Prize for Short Films went to RED TAXI, directed byAnonymous. The jury said of RED TAXI: “For its creative and accessible approach to telling a story from the perspective of those living and working in a moment of political upheaval, we award the Shorts Grand Jury Prize to RED TAXI. The courage of the anonymous filmmaker struck us for their commitment to depicting the nuances of reality on the ground.” The Shorts Grand Jury Prize at AFI DOCS is a qualifying award for Academy Award® eligibility.

The jury also awarded the Special Jury Prize to two films: THE COMMUNION OF MY COUSIN ANDREA, directed by BrandánCerviño Abeledo, saying,

“For its ability to tell a reflexive story with levity and tenderness, we award a Special Jury Prize to THE COMMUNION OF MY COUSIN ANDREA”; and S P A C E S (M E Z E R Y), directed by Nora Štrbová, saying, “For its intelligent use of multi-dimensional media in telling a fraught, emotional story, we award a Special Jury Prize to S P A C E S (M E Z E R Y).”

The 19th edition of AFI DOCS presented a diverse slate of 78 films from 23 countries, shedding light on overlooked stories from the past, honoring champions of change and giving us glimpses into the everyday lives of subjects close to home and around the world. This year, 52% of AFI DOCS films were directed by women, 40% by BIPOC directors and 18% by LGBTQ directors.

Among the festival participants were filmmakers and notables including Minnesota Senator Amy Klobuchar; Academy Award®winners Morgan Neville, Sean Fine, Andrea Nix Fine and Mark Ronson; Academy Award®-nominated filmmakers Julie Cohen, Betsy West and Steve James; Pulitzer Prize-winning journalist Art Cullen; award-winning filmmaker Dawn Porter; Emmy® Award winner Chris Nee; CNN political contributor and host Van Jones; author and The New Yorker contributor Jelani Cobb; filmmaker and actor Sonja Sohn; musician and filmmaker Ahmir “Questlove” Thompson; Smithsonian National Museum of African American History and Culture Curator Dwandalyn Reece; President of the African American Film Critics Association Gil Robertson; Georgetown University Professor Dr. Janet Mann; rapper KYLE; and son of late comedian and activist Dick Gregory Christian Gregory.

The festival’s panels and discussions provided filmmakers, film subjects and audiences the opportunity to delve deeper into the films with conversations led by some of the nation’s top journalists, including: NBC News Correspondent Morgan Radford; NBC News’ Meet the Press Moderator and NBC News Political Director Chuck Todd; NBC News Correspondent Anne Thompson; MSNBC Correspondent Trymaine Lee; Variety’s Film Awards Editor Clayton Davis; Axios Justice and Race Reporter Russell Contreras; Senior Segment Producer of WGN Morning News and WGN’s Entertainment Producer Tyra Martin; entertainment journalist & TV producer KJ Matthews; CQ Roll Call Deputy Editor Jason Dick andHealth Care Editor Rebecca Adams; and The Washington Post’s Managing Editor for Diversity and Inclusion Krissah Thompson, Chief Film Critic Ann Hornaday, Global Opinions writer Jason Rezaian, National Security Editor Peter Finn, Religion Reporter Michelle Boorstein, and Host and Editor of Food Video Mary Beth Albright.

This year’s inaugural DOCS Talks programming included the World Premiere of Netflix’s and Higher Ground’s WE THE PEOPLE, as well as “History Is Out of the Closet: Excavating Queer Stories for the Screen,” a live stream conversation celebrating LGBTQ+ pride. The AFI DOCS Industry Forum explored building accessibility practices into all steps of the production process, demystifying investigative documentaries, the making of the hit series PHILLY D.A., how documentaries shape conversations on racial violence, a behind-the-scenes look at the Hindsight Project films and new collaborations between public media and indie filmmakers. This year’s Industry Forum programming also included closed captioning and American Sign Language (ASL) interpretation. The AFI DOCS Industry Forum is supported by the Corporation for Public Broadcasting and the National Endowment for the Arts.

RED TAXI

DIR: Anonymous. As protests in Hong Kong escalate, taxi drivers experience a city in upheaval driving the streets day and night. Anonymously filmed by locals.

SHORT FILM SPECIAL JURY PRIZE

THE COMMUNION OF MY COUSIN ANDREA

DIR: Brandán Cerviño Abeledo. Andrea’s First Communion ceremony lacks glamour. For Andrea, things without sparkles are meaningless.

SHORT FILM SPECIAL JURY PRIZE

S P A C E S (M E Z E R Y)

DIR: Nora Štrbová. A multi-textured animated exploration of memory as a container of identity, based on the personal story of the filmmaker and her brother who was diagnosed with a brain tumor.

This year’s Premium Sponsor is Apple Original Films. The Corporation for Public Broadcasting (CPB) returns as Official Sponsor of the festival. NBC News’ Meet the Press with Chuck Todd and The Washington Post return this year as Primary Media Partners. Variety and The Hollywood Reporter are this year’s Official Media Partners. The Wrap is an Affiliate Media Partner.Screen Sponsors include SHOWTIME® Documentary Films, Netflix, WarnerMedia and HBO Documentary Films. Participant, National Geographic, and Eventive serve as Major Sponsors. This year’s Contributing Sponsors are ESPN, the National Endowment for the Arts and the DC Office of Cable Television, Film, Music, and Entertainment (OCTFME). Supporting Sponsors include the Maryland Film Office, Greater Silver Spring Chamber of Commerce and Rev. The Embassy of Denmark in Washington, DC, and the Farhang Foundation are this year’s Cultural Sponsors. Generous individual support comes from Stephanie and Hunter Hunt.

 

About AFI DOCS

AFI DOCS is the American Film Institute’s annual documentary festival historically held in Washington, DC.  Presenting the year’s best documentaries, AFI DOCS is the only festival in the U.S. dedicated to screenings and events that connect audiences, filmmakers and policy leaders in the heart of our nation’s government. The AFI DOCS advisory board includes Ken Burns, Davis Guggenheim, Chris Hegedus, Werner Herzog, Rory Kennedy, Barbara Kopple, Spike Lee, Errol Morris, Stanley Nelson and Frederick Wiseman. Now in its 19th year, the festival will be held June 22-27, 2021. Visit DOCS.AFI.com and connect onTwitter.com/AFIDOCSFacebook.com/AFIDOCSYouTube.com/AFIand Instagram.com/AmericanFilmInstitute.

 

About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s nonprofit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstituteYouTube.com/AFITwitter.com/AmericanFilmand Instagram.com/AmericanFilmInstitute.

 

About the Corporation for Public Broadcasting

The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of more than 1,500 locally managed and operated public television and radio stations nationwide. CPB is also the largest single source of funding for research, technology and program development for public radio, television and related online services. For more information, visit www.cpb.org and follow us on Twitter @CPBmedia, Facebook and LinkedIn, and subscribefor email updates.

About The Washington Post and Washington Post Press Freedom Partnership

The Washington Post is an award-winning news leader whose mission is to connect, inform and enlighten local, national and global readers with trustworthy reporting, in-depth analysis and engaging opinions. It combines world-class journalism with the latest technology and tools so readers can interact with The Post anytime, anywhere.

 

The Press Freedom Partnership is a public service initiative from The Washington Post to promote press freedom and raise awareness of the rights of journalists who are in pursuit of the truth. Learn more at www.wapo.st/pressfreedom

About Meet the Press with Chuck Todd

Meet the Press with Chuck Todd is where newsmakers come to make news — setting the political agenda and spotlighting the impact Washington decision-making has on Americans across the country. It is the #1 most-watched Sunday public affairs show for the 2019-2020 season, reaching more than three million viewers every Sunday and millions more through social, digital and on-demand platforms. Meet the Press brings its authority and influencer interviews to MSNBC with MTP Daily weekdays at 1 p.m. ET, to the ongoing weekly podcast, The Chuck ToddCast, and to Meet the Press Reports, a 30-minute program on NBC News NOW and Peacock, focusing on a single topic explored through the Meet the Press lens. It’s the longest-running show in television history, recently expanding its brand to also include a political short-documentary film festival in collaboration with the American Film Institute. Chuck Todd is the political director of NBC News and the moderator of Meet the Press; John Reiss is the executive producer.

CONTACT:

Elizabeth Ward, AFI DOCS PR, elizabeth@prcollaborative.com

American Film Institute: Stacy Adamski, 323.856.7759,SAdamski@AFI.com

THE AMERICAN FILM INSTITUTE ANNOUNCES SPONSORS FOR AFI DOCS 2021

THE AMERICAN FILM INSTITUTE ANNOUNCES
SPONSORS FOR AFI DOCS 2021

Support Comes From Wide Range of Art and Cultural Institutions, Media Partners and Corporations

Apple Original Films Joins AFI DOCS as a Premium Sponsor

FOR IMMEDIATE RELEASE, June 18, 2021, WASHINGTON, DC — The American Film Institute (AFI) has announced the sponsors for AFI DOCS 2021. Support for the festival comes from both local organizations based in the DC-metro area and major corporations across the nation. The 19th edition of AFI DOCS will run June 22–27, with films available to view on DOCS.AFI.com as well as in-person screenings at the AFI Silver Theatre and Cultural Center in Silver Spring, MD.

“AFI DOCS reaches a nationwide audience with the support of our sponsors,” said Sarah Harris, AFI Festivals Director of Programming. “It is their generosity that amplifies the voices of today’s most vital storytellers, and we thank them on behalf of all who find inspiration in the arts.” 

In addition to supporting AFI DOCS film programming and events, sponsors provide services and exclusive experiences to filmmakers and audiences throughout the festival. Sponsor participation includes sponsoring specific film screenings, panels and events as well as national and local promotion of the festival.  

This year, AFI is proud to have Apple Original Films support AFI DOCS for the first time as a Premium Sponsor. Top festival sponsors will give audiences sneak peeks at exclusive upcoming trailers and content on the festival’s streaming platform and in the AFI DOCS Festival Hub. Media partners will also provide DOCS audiences with access to their digital issues during the week of the festival via a virtual newsstand.

The Corporation for Public Broadcasting (CPB) returns as Official Sponsor of the festival. CPB is Official Sponsor of the AFI DOCS Industry Forum and the Spotlight on the Hindsight Project, a special selection of short filmsthat chronicle the experiences of BIPOC communities in the American South and U.S. Territories during the unprecedented events of 2020.  

NBC News’ Meet the Press with Chuck Todd and The Washington Post return this year as Primary Media Partners. Meet the Press and The Washington Post, in conjunction with the Washington Post Press Freedom Partnership, will provide moderators for a number of films in this year’s festival. Highlights include Meet the Press Moderator and NBC Political Director Chuck Todd moderating LFG and NBC News Correspondent Morgan Radford moderating the discussion following the Opening Night World Premiere of NAOMI OSAKA. In addition to supporting post-screening discussions, Washington Post Live, The Post’s live journalism platform, will host a conversation with ROADRUNNER: A FILM ABOUT ANTHONY BOURDAIN filmmaker Morgan Neville. Post Managing Editor for Diversity and Inclusion Krissah Thompson will also moderate the World Premiere of WE THE PEOPLE in the inaugural DOCS Talks program.

Variety and The Hollywood Reporter are this year’s Official Media Partners. This year, Variety sponsors the Charles Guggenheim Symposium, which will feature a conversation between the 2021 Guggenheim honoree Dawn Porter and Variety’s Clayton Davis, and The Hollywood Reporter will be a media partner for the screening of SUMMER OF SOUL (…OR WHEN THE REVOLUTION COULD NOT BE TELEVISED). 

The Wrap joins AFI DOCS as an Affiliate Media Partner this year and is a media partner for the screening of TOM PETTY: SOMEWHERE YOU FEEL FREE.

Screen Sponsors are SHOWTIME® Documentary Films, Netflix, WarnerMedia and HBO Documentary Films. SHOWTIME® Documentary Films will once again host a networking event for filmmakers and industry, adjusted to be virtual instead of the in-person event they have hosted in the past. SHOWTIME® willalso send a special, customized gift to the festival filmmakers as they celebrate AFI DOCS from home.

Participant returns as a Major Sponsor, along with new sponsors National Geographic and Eventive. 

This year’s Contributing Sponsors are ESPN, the National Endowment for the Arts and the DC Office of Cable Television, Film, Music, and Entertainment (OCTFME). 

Supporting Sponsors include the Maryland Film Office, Greater Silver Spring Chamber of Commerce and Rev. 

The Embassy of Denmark in Washington, DC, and the Farhang Foundation are this year’s Cultural Sponsors. 

Generous individual support comes from Stephanie and Hunter Hunt.

About AFI DOCS 

AFI DOCS is the American Film Institute’s annual documentary festival historically held in Washington, DC.  Presenting the year’s best documentaries, AFI DOCS is the only festival in the U.S. dedicated to screenings and events that connect audiences, filmmakers and policy leaders in the heart of our nation’s government. The AFI DOCS advisory board includes Ken Burns, Davis Guggenheim, Chris Hegedus, Werner Herzog, Rory Kennedy, Barbara Kopple, Spike Lee, Errol Morris, Stanley Nelson and Frederick Wiseman. Now in its 19th year, the festival will be held June 22-27, 2021. Visit DOCS.AFI.comand connect on Twitter.com/AFIDOCS,Facebook.com/AFIDOCSYouTube.com/AFI andInstagram.com/AmericanFilmInstitute

About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s nonprofit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media atFacebook.com/AmericanFilmInstitute,YouTube.com/AFI, Twitter.com/AmericanFilm andInstagram.com/AmericanFilmInstitute.

About the Corporation for Public Broadcasting  

The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of more than 1,500 locally managed and operated public television and radio stations nationwide. CPB is also the largest single source of funding for research, technology and program development for public radio, television and related online services. For more information, visit www.cpb.org and follow us on Twitter @CPBmedia,Facebook and LinkedIn, and subscribe for email updates. 

About The Washington Post and Washington Post Press Freedom Partnership  

The Washington Post is an award-winning news leader whose mission is to connect, inform and enlighten local, national and global readers with trustworthy reporting, in-depth analysis and engaging opinions. It combines world-class journalism with the latest technology and tools so readers can interact with The Post anytime, anywhere.  

The Press Freedom Partnership is a public service initiative from The Washington Post to promote press freedom and raise awareness of the rights of journalists who are in pursuit of the truth. Learn more at www.wapo.st/pressfreedom

About Meet the Press with Chuck Todd 

Meet the Press with Chuck Todd is where newsmakers come to make news — setting the political agenda and spotlighting the impact Washington decision-making has on Americans across the country. It is the #1 most-watched Sunday public affairs show for the 2019-2020 season, reaching more than three million viewers every Sunday and millions more through social, digital and on-demand platforms. Meet the Press brings its authority and influencer interviews to MSNBC with MTP Daily weekdays at 1 p.m. ET, to the ongoing weekly podcast, The Chuck ToddCast, and to Meet the Press Reports, a 30-minute program on NBC News NOW and Peacock, focusing on a single topic explored through the Meet the Press lens. It’s the longest-running show in television history, recently expanding its brand to also include a political short-documentary film festival in collaboration with the American Film Institute. Chuck Todd is the political director of NBC News and the moderator of Meet the Press; John Reiss is the executive producer. 

CONTACT: 

Elizabeth Ward, AFI DOCS PR,elizabeth@prcollaborative.com 

American Film Institute: Stacy Adamski, 323.856.7759,SAdamski@AFI.com

Dawn Porter AFI DOCS 2021 Guggenheim Honoree

Posted by Larry Gleeson

AFI Tradition Includes Honorees Spike Lee, Barbara Kopple,
Martin Scorsese, Errol Morris, Lee Grant, Stanley Nelson

AFI DOCS Will Celebrate Award-Winning Filmmaker on June 23, 2021

AFI DOCS, the American Film Institute’s documentary film festival, has announced that it will honor Dawn Porter as the 2021 Charles Guggenheim Symposium honoree.

Each year, the AFI DOCS Charles Guggenheim Symposium honors a master of the nonfiction art form. This year’s virtual Symposium will include a free screening of Dawn Porter’s new documentary with National Geographic Documentary Films RISE AGAIN: TULSA AND THE RED SUMMER and an in-depth conversation with Porter, moderated by Variety’s Clayton Davis.

“Dawn Porter’s voice echoes with power by combining the political with the deeply personal,” said Bob Gazzale, AFI President and CEO. “Her presence is imperative in today’s world, and we are honored to shine a light upon her life and her work at AFI DOCS.”

AFI President, Bob Gazzale (Photo byTom Kochel)

Porter’s new film RISE AGAIN: TULSA AND THE RED SUMMER follows award-winning Washington Post journalist DeNeen Brown as her investigation into a mass grave in her home state of Oklahoma leads her to dig deeper into the racial violence of the early 20th century. The film comes one hundred years after the Tulsa Massacre of 1921, during which hundreds of Tulsa’s Black residents were murdered and thousands were displaced.

“With each of her projects, Dawn Porter turns our attention to a previously unexamined topic or invites us to take a fresh look at something we thought we already knew – and she does that again with RISE AGAIN: TULSA AND THE RED SUMMER,” said Sarah Harris, AFI Festivals Director of Programming. “This is the kind of film that embodies the spirit of AFI DOCS, and we are honored to have it as part of our programming.”

A University of Georgetown Law School alumna, Dawn Porter turned her career from law to film in the late 2000s, executive-producing documentary, and narrative films. Porter made her directorial debut with GIDEON’S ARMY (2013), a documentary about three Black public defenders in the South, which won best editing at Sundance and was nominated for an Independent Spirit Award and an Emmy®. GIDEON’S ARMY is now part of the US Department of State’s American Film Showcase, the State Department’s cultural diplomacy program, and film collection.

Porter’s documentaries SPIES OF MISSISSIPPI (2014), about a secret, state-funded anti-civil rights movement, and TRAPPED (2016), exploring TRAP Laws (“Targeted Regulation of Abortion Providers”) that regulate abortion clinics in the South, both aired as part of PBS’ Independent Lens series. Additionally, TRAPPED won the Special Jury Prize for Social Impact Filmmaking at Sundance and went on to win a Peabody Award.

Throughout her career, Porter has been commissioned by the Center for Investigative Reporting, Time and Essence Magazines, The New York Times Op Docs, and Amazon to create and direct films. Her most recent works, all released in 2020, examine the lives of three varied Americans who made an impact on the political and social climates, including Obama White House photographer Pete Souza (THE WAY I SEE IT), Clinton advisor and Civil Rights leader Vernon Jordan (VERNON JORDON: MAKE IT PLAIN), and Civil Rights icon Congressman John Lewis (JOHN LEWIS: GOOD TROUBLE).

Porter’s next major project will be an AppleTV+ documentary series with Oprah Winfrey and Prince Harry about mental illness and mental well-being.

Porter joins a renowned list of Guggenheim Symposium honorees: Charles Guggenheim (2003), Barbara Kopple (2004), Martin Scorsese (2006), Jonathan Demme (2007), Spike Lee (2008), Albert Maysles (2009), Frederick Wiseman (2010), Chris Hegedus and D. A. Pennebaker (2011), Joe Berlinger and Bruce Sinofsky (2012), Errol Morris (2013), Alex Gibney (2014), Stanley Nelson (2015), Werner Herzog (2016), Laura Poitras (2017), Steve James (2018), Freida Lee Mock (2019), and Lee Grant (2020).

Passes to AFI DOCS 2021 are now available at DOCS.AFI.com. Early Bird pricing will be available until June 1. Tickets for individual and in-person screenings will be available June 8. To become an AFI member, visit AFI.com/join.

HollywoodGlee Speaks with INVISIBLE VALLEY filmmakers Aaron Maurer and Zachary McMillan

Posted by Larry Gleeson

This year’s Santa Barbara International Film Festival presented by UGG, will open on March 31, 2021, with Invisible Valley, showcasing the work of Director Aaron Maurer and Producer Zachary McMillan.

Invisible Valley is set in the Coachella Valley: world-renowned for its extravagant golf resorts, unmatched winter weather, and A-list celebrity music festivals, projecting an image of money, class, and fame. From its earliest days as a health resort and continuing through a century of rapid growth and expansion, the Valley has retained its richly earned status as one of the leading winter playgrounds in the U.S., and the most desirable golfing destinations in the world. A prime affluent-tourist magnet demands caviar standards of taste and excellence and the Coachella Valley delivers.

Yet this outward image of luxury and leisure masks another reality. Field workers – many of them undocumented – constitute a large part of the Valley’s population. Living outside the gates of success, these immigrants bear the burden of harvesting a large amount of our country’s food source. Second and third jobs are common, and when the vacationing season ends and the crops have been harvested, most families must uproot their children, and travel north for the next season’s harvest. Many workers sleep in their trucks or in the fields, while others struggle to ensure housing for their families. The disruption to the stability of these families has resulted in poverty and puts the children into a category of risk across the board.

Invisible Valley weaves together the disparate stories of undocumented farmworkers, wealthy snowbirds, and music festival-goers over the course of a year in California’s Coachella Valley.  In exploring the history as well its imperiled future, the film uncovers an imminent environmental and social crisis and the looming consequences for the people who call it home.

What follows is a question and answer (Q&A) session by film critic Larry Gleeson (“LG”) with Director Aaron Maurer (“AM”) and Producer Zachary McMillan (“ZM”) on the film, the actors, the filmmakers’ sensibilities on making the film, and the impactful discoveries they made extending across the State of California and into the County of Santa Barbara.

 

Q & A with Director Aaron Maurer and Producer Zachary McMillan

 

LG: What initially sparked the idea for this story?

AM: I first got involved when Zach approached me with an initial idea; let’s look at the residents of the Coachella Valley as ‘migrants’ traveling in and out through the seasons. The word ‘Migrant’ has taken on such a loaded meaning over the last few years especially, that simple reframing of the word was a really interesting place to start from and generated a lot of ideas and questions. I knew right away there was something worth digging deeper into. From that launching point, we were able to weave a lot of ideas together and find stories in the Valley that added a sense of humanity and emotion to the conceptual ideas.

LG: Why did you decide to focus the story around the Coachella Valley and the migrant underclass? 

 ZM: Aaron and I both grew up in the Midwest, in Minneapolis, which is known for its winters and is the habitat of quite a few Snowbirds – people who head to warmer climates during the coldest months. My mother-in-law, Mary Ingebrand-Pohlad, is one such Snowbird and has been going to the Palm Springs area for the greater part of her adult life. However, about a decade ago she read an advertisement on her church bulletin for a program called Read With Me in Palm Desert. She then volunteered in this literacy advocacy program and was amazed by how many students in the Valley came from migrant farm working families. Suddenly her eyes opened to a new world: one that had almost literally existed across the street from her own community. As she became more involved with the schools and became closer to the students and the teachers, she increasingly felt the desire to make a bigger impact, and eventually, this led her to think that a documentary could be the best medium to show the other side of a place that is world-renowned for its golf courses and music festivals. After she talked to me about this idea, I went exploring around the Valley, driving out to the unincorporated town of Mecca trying to meet people, talk to people and realized there was something fascinating, and fascinatingly complex, about the relationships that exist in that area… of course things change a bit when you bring cameras around. But we were lucky enough to meet incredible people who welcomed us into their lives, into their homes. It’s still almost staggering that they did this.

LG: How much research and preparation did you do before starting?

AM: This was our first documentary and it really was a trial by fire. We had no script, no outline even, it was just a matter of spending time in the communities of the Valley and getting as much footage as we could. There was little planning you could do in advance because you are working with migrant families who are living on the move and below the poverty line, they don’t always access to phone or internet. So, we needed to be there meeting people and making connections. Gradually ideas started to form around how this mosaic of people and themes could fit together.

LG: What most surprised you about the Coachella Valley and those featured in Invisible Valley?

 ZM: The Coachella Valley is an extreme place, and yet the most surprising thing for me was the day-to-day reality of those extremes. In the grocery store, when you think about how the food, how the produce and the vegetables actually arrived there in front of you, it is possible to imagine the fields, the labor, the picking, and the packaging that goes into it. It is possible but it is completely abstract. Spending time with families that actually do this work, waking up at four in the morning, getting to the bell pepper fields before sunrise, and working into the heat that gets up to 110, 120 degrees Fahrenheit, is surprising. It is surprising when, after that day of work, they would invite us home, make dinner, welcome us like family.

LG: What was a particular challenge you faced while making the film?

AM: The places where we received the most pushback were certainly from the farm owners. Some of the key imagery in the film is of the harvests and we didn’t get any footage of that until after a year of filming. There was a constant fear that we were coming to expose something, although that wasn’t our angle, there just wasn’t any trust there or interest in ‘helping’. Eventually, we made connections to some smaller farms that allowed us in and I’m so grateful we got to capture a bit of the reality of that work.

Why are documentary films so vitally important in today’s world?

ZM: Documentary as a genre is becoming more and more popular, and in turn more and more documentaries are going to be made. As a form, filmmakers will continue pushing what documentary “is” and what it can mean – pushing against what it means to be a nonfiction film – and this is an exciting time for any art form. I don’t know if documentary is specifically more important in today’s world than any other day’s world, but certainly with the heightened attention on it, substantive, thoughtful, challenging, expansive, or otherwise good documentaries are more important than ever

LG: How did you find and connect with the subjects you profiled in your film?

 ZM: It really took time and patience, and then more time. As complete outsiders to the East side of the Valley, we needed to just kind of hang around enough, for long enough, to alert people that we were more than tourists. We needed to meet people, engage with people, and earn people’s trust. One person might introduce us to another person, and then that would lead to another person, but almost all of this wouldn’t be filmed. Over time, we became friends, real friends, with people that lived and worked in the area, and that is when people began to open up a bit: by people vouching for us, lending us their credit. The school teachers Sky and Jose Gijon, Hernan Quintas, who became our field producer, were instrumental. And it wasn’t until we met Angelica Ortiz-Cichocki, our (brilliant and sensitive and nuanced) translator and language consultant, that the interviews really started to feel like a connection.

LG: What challenges did you experience filming in private community settings in an area that values privacy? 

AM: I’d say that most people were hesitant, at best, to be on camera. Between undocumented workers and extremely wealthy folks in the resorts, we had a lot of initial pushback. It took time to gain trust and it usually took a connection of some kind that we’d formed through meeting people along the way. The farmworkers and folks in the East valley, although hesitant at first, were very quick to warm up once they realized we were honestly interested in hearing their stories. By the end of the day, we’d be treated like an extended member of the family. That certainly wasn’t the case when filming at the resorts. There’s so many security, privacy issues, there’s a fear there that we were there to exploit something. And it was actually the opposite. One of our main goals was to not vilify anyone in the film, it’s easy to make rich people look bad if you’re contrasting them with poverty, but it’s a cheap shot. It’s not reflective of the real issues.

LG: Why are documentary films so vitally important in today’s world?

 ZM: Documentary as a genre is becoming more and more popular, and in turn, more and more documentaries are going to be made. As a form, filmmakers will continue pushing what documentary “is” and what it can mean – pushing against what it means to be a nonfiction film – and this is an exciting time for any art form. I don’t know if  documentary is specifically more important in today’s world than any other day’s world, but certainly, with the heightened attention on it, substantive, thoughtful, challenging, expansive, or otherwise good documentaries are more important than ever.

LG: What do you want viewers to learn from seeing your film?

AM: I hope people will be inspired to think differently about the communities around them they see as ”other”. It’s very easy for us to live in our own bubbles, social media and quarantine can amplify those echo chambers, but can also be tools for understanding our neighbors if used with the right intention. As human beings, we all have blinders on some of the time, how else could we get through the day? But it’s important to know they’re on and take them off every once in a while. Although sometimes it may not seem like it, we’re all on this journey together.

LG: What reaction to the film do you expect at SBIFF?

 ZM: There are so many parallels between the Coachella Valley and Santa Barbara and the neighboring areas. Almost all the people we spoke with moved up to more central or northern California as the seasons and the harvests changed. I expect people will see something very familiar in the film, but hopefully, it will spark conversations that come from seeing something from a different angle, in a different light, at a slant.

LG: What does it feel like to bring the film to SBIFF?

AM: It’s really exciting to open SBIFF, this project has been many years in the making so we’re thrilled to be able to start sharing it with audiences and believe Invisible Valley will really resonate with the community in Santa Barbara.

The 36th Santa Barbara International Film Festival, presented by UGG, will take place March 31st through April 10th, 2021, online and at two free ocean-front drive-in theatres. More information, festival passes, and tickets are available at www.sbiff.org.

Until next time, I look forward to seeing you at the drive-in!

Larry Gleeson at the Hollywood Drive-in Cinema in the heart of Hollywood, Calif., for the special screening of Philippe Lecote’s epic drama, Night of the Kings, Friday, January 8, 2021. (Photo by Valerie Rapalee)

(*Photos and intro material courtesy of Linda Brown, Indie-PR)

 

 

36TH SBIFF TO OPEN WITH THE WORLD PREMIERE OF “INVISIBLE VALLEY”

Posted by Larry Gleeson

36TH SBIFF TO OPEN WITH
THE WORLD PREMIERE OF “INVISIBLE VALLEY”
AND CLOSE WITH SANTA BARBARA
DOCUMENTARY SHORT FILMS

FESTIVAL TO PRESENT 47 WORLD PREMIERES
AND 37 U.S. PREMIERES

SCREENING ONLINE AND AT TWO FREE
OCEAN-FRONT DRIVE-IN THEATRES

The 2021 Santa Barbara International Film Festival (SBIFF) will take on an entirely new look this year with the build-out of two state-of-the-art, beachside drive-in theaters sponsored by Toyota Mirai, where every film screening will be offered to the community for free, alongside a ticketed online component that will feature the entire film program in addition to SBIFF’s notable celebrity tributes, industry panels, and filmmaker Q&As.

 

SBIFF Director Roger Durling on the red carpet at the Opening Night Film ‘Diving Deep:The Life And Times Of Mike deGruy’ during 34th Santa Barbara International Film Festival at the historic Arlington Theatre, January 31, 2019, in Santa Barbara, California. (Photo by Larry Gleeson/HollywoodGlee)

SBIFF’s Executive Director Roger Durling stated, “This year’s Festival will look different on many fronts, but we are unchanged when it comes to what’s most important: our love of film, and our dedication to bringing forward a program of unmatched quality and sharing it with our community. We are so excited to have the opportunity to be a source of joy and optimism.”

OPENING NIGHT

SBIFF 2021 will start with the Opening Night Film, presented by UGG®, on Wednesday, March 31, online and at both Drive-in theatres with the WORLD Premiere of INVISIBLE VALLEY directed by Aaron Maurer.

INVISIBLE VALLEY skillfully weaves together the seemingly disparate stories of undocumented farmworkers, wealthy snowbirds, and music festival-goers over the course of a year in California’s Coachella Valley. The intimate, on-the-ground profiles drive home the incongruity of the lifestyles that coexist in an affluent community. In exploring the history of the region as well as its future, the film uncovers an undercurrent of a looming ecological crisis threatening it all.

CLOSING NIGHT

Closing Night Film on Saturday, April 10, the spotlight is on Santa Barbara to highlight a series of short documentaries by local filmmakers. This distinctive selection of films covers a range of iconic people and places in the Santa Barbara area including the Chumash people’s annual trip to their historical village site, one woman’s journey to restore ecosystems with her flock of sheep, a local musician who received care and support from Hospice of Santa Barbara, the story of a community surviving 2020 through outdoor dancing, an artist who specializes in miniature diorama art, and a celebrated local roller-skating icon who sparked a community group known as the SB Rollers.

FREE OCEAN-FRONT DRIVE-IN THEATRES

Check out the schedule for the drive-ins. RSVPs for each film will open 24 hours in advance of showtime. Stay tuned for more!

 

SBIFF 2021 Announces Outstanding Directors of the Year Honorees – Chloé Zhao, David Fincher, Lee Isaac Chung and Thomas Vinterberg

Posted by Larry Gleeson

CHLOÉ ZHAO, DAVID FINCHER, LEE ISAAC CHUNG, AND THOMAS VINTERBERG

TO BE HONORED WITH THE OUTSTANDING DIRECTORS OF THE YEAR AWARD

AT 2021 SANTA BARBARA INTERNATIONAL FILM FESTIVAL

SANTA BARBARA, CA (Tuesday, March 23, 2021) – The Santa Barbara International Film Festival is thrilled to announce this year’s recipients of the Outstanding Directors of the Year Award, sponsored by The Hollywood Reporter. This honor was created to recognize a select group of directors who have pushed the boundaries in their storytelling and created films that showcase the art of filmmaking at its best. Chloé Zhao (Nomadland), David Fincher (Mank), Lee Isaac Chung (Minari), and Thomas Vinterberg (Another Round) will receive their awards and discuss their work on Tuesday, April 6th at 6:00 pm PST in a live-streamed event. The tribute will be moderated by The Hollywood Reporter’s longtime awards columnist and host of its popular Awards Chatter podcast, as well as a professor at Chapman University’s Dodge College of Film and Media Arts, Scott Feinberg.

Get Tickets Here

SBIFF Director Roger Durling on the red carpet at the Opening Night Film ‘Diving Deep: The Life And Times Of Mike deGruy’ during 34th Santa Barbara International Film Festival at the historic Arlington Theatre, January 31, 2019, in Santa Barbara, California. (Photo by Larry Gleeson/HollywoodGlee)

“In this past difficult year, these four exemplary storytellers showed us ways to dream and reevaluate our perception of the world at large. They’re all rewriting cinema history, and lucky for us to get to hear them converse with one another.” comments Roger Durling, SBIFF’s Executive Director.

 

Chloé Zhao is a Chinese writer, director, editor, and producer.  She was born in Beijing, raised there, and in Brighten, England.  After moving to the US, she studied Political Science at Mount Holyoke College and Film Production at NYU.  Her feature debut Songs My Brothers Taught Me premiered at the 2015 Sundance Film Festival and was nominated for Best First Feature at the Independent Spirit Awards.  Her second feature, The Rider, premiered at Directors Fortnight at the 2017 Cannes Film Festival and was awarded the Art Cinema Award as well as Best Feature Film at the 2018 Gotham Awards. Her most recent film Nomadland premiered at the 2020 Venice Film Festival and was awarded the Golden Lion. Chloé went on to win the Golden Globe award for Best Director in addition to the film winning for Best Picture – Drama and recently received 4 Oscar nominations, including Best Director, Best Adapted Screenplay, Best Editing and Best Picture. Chloé wrote and directed Marvel Studios’ Eternals, which is expected to release November 5, 2021.

 

David Fincher directs movies, commercials, and music videos. He hopes that people like them, but if they don’t, it is not for lack of effort.

 

Lee Isaac Chung grew up in Lincoln, Arkansas, on a small farm in the Ozark Mountains. He is an award-winning writer and director. His first feature film was the Rwandan family drama Munyurangabo, which premiered at the 2007 Cannes Film Festival to great acclaim. His other feature films are Lucky Life and Abigail Harm. He received his BA in Biology at Yale University and his MFA in Film Studies at the University of Utah. He was awarded a USA Artist Ford Fellowship In 2012 for his work.

 

Thomas Vinterberg is one of Denmark’s most important, award-winning, and internationally celebrated directors. His latest effort was the large-scale, international drama Kursk (2019), about the Russian submarine tragedy in the year 2000. Another recent success of his, The Commune (2016), was selected for the main competition at the Berlin Film Festival and netted Trine Dyrholm, a Silver Bear for Best Actress. In 2012, Thomas Vinterberg won worldwide acclaim for this Oscar and Golden Globe-nominated drama The Hunt (2013), which also won Mads Mikkelsen the Award for Best Actor at the prestigious Cannes Film Festival. Other notable works include the adaptation of the Thomas Hardy novel Far from the Madding Crowd (2015), which Matthias Schoenaerts and Carey; Dear Wendy (2005); and It’s All About Love (2003). Vinterberg got his international breakthrough in 1998 with Festen – the world’s first Dogme 95-film, which received several international awards, including the Cannes Jury Prize. Thomas Vinterberg made his feature debut with The Biggest Heroes (1996), after graduating from the National Film School of Denmark in 1993.

SANTA BARBARA, CALIFORNIA – JANUARY 23: Scott Feinberg and Bong Joon-ho onstage at the Outstanding Directors of the Year during the 35th Santa Barbara International Film Festival at the Arlington Theatre on January 23, 2020 in Santa Barbara, California. (Photo by Matt Winkelmeyer/Getty Images for SBIFF)

The 36th Santa Barbara International Film Festival, presented by UGG, will take place March 31st through April 10th, 2021 online and at two free ocean-front drive-in theatres. More information, festival passes, and tickets are available at www.sbiff.org.

 

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 34 years, SBIFF has become one of the leading film festivals in the United States – attracting 95,000 attendees and offering 11 days of 200+ films, tributes, and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

 

SBIFF continues its commitment to education and the community through many free educational programs and events. In 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day. In 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.

(Press release provided by Sunshine Sachs)

The 27th Annual San Luis Obispo International Film Festival announces this year’s film lineup

Posted by Larry Gleeson

The 2021 San Luis Obispo International Film Festival

Announces Film Lineup

(March 9-14)

 

 

Philippe Falardeau’s MY SALINGER YEAR is the Opening Night

selection and Brittany App’s WHERE THERE ONCE WAS WATER

will make its US Premiere on Closing Night.

 

Surf Nite returns to SLO Film Fest at the Drive-in

 

San Luis Obispo, CA (February 10, 2021) – The 27th Annual San Luis Obispo International Film Festival (March 9-14) announced this year’s film lineup including the Opening Night selection of Philippe Falardeau’s drama MY SALINGER YEAR, starring Margaret Qualley and Sigourney Weaver, and the US premiere of local photographer Brittany App’s environmental documentary WHERE THERE ONCE WAS WATER on Closing Night. The festival will primarily be a virtual presentation, following the success of last year’s edition in the virtual space. However, SLO Film Fest’s signature Surf Nite event will be held at the Sunset Drive-in (255 Elks Lane), marking the first in-person event for the film festival since March 2019.

This year’s film lineup will feature 111 presentations, including 30 feature films (10 narrative, 20 documentary), 63 short films, and 18 music videos.

“Following last year’s whirlwind experience to shift our film festival to an online presentation seemingly overnight due to the onset of the pandemic, it’s a gift to know that the same dedication we put into selecting our films is matched by the SLO Film Fest audience’s anticipation to see them – virtually or in-person. But safety is still the priority, so while we will all go to the drive-in for Surf Nite, the rest of the time, we will once again be coming into our film faithful’s homes to deliver the best movies we could find,” said San Luis Obispo Film Festival Director Skye McLennan.

San Luis Obispo Film Festival Director Skye McLennan

 

Falardeau’s MY SALINGER YEAR is toplined by one of the hottest young actresses (Margaret Qualley, ONCE UPON A TIME IN HOLLYWOOD), and one of the most distinctively singular actresses, Sigourney Weaver in film today. It’s a tale of a young woman who takes a job working for an old-style literary agent whose chief client is J.D. Salinger. The struggling writer-to-be starts to discover her own voice as she begins personalizing the responses to his fan mail.

 

Brittany App’s WHERE THERE ONCE WAS WATER marks the photographer’s return to the San Luis Obispo International Film Festival, where she could frequently be seen in years’ past catching the directors and stars on the red carpet. Now, she is the director making her feature film debut with a documentary about our personal relationship with water, an increasingly finite resource in need of fresh new approaches to conservation and perhaps even, appreciation for the role it plays in our lives.

 

THE ENDLESS SUMMER

SLO Film Fest’s one-of-a-kind surfing film event will be presented on Wednesday, March 10 at the Sunset Drive-In with a double feature of Brent Storm’s new WHITE RHINO and Bruce Brown’s all-time surfing classic THE ENDLESS SUMMER (1965). WHITE RHINO features the surfers and the photographers who followed them during three historic swells hitting the beaches of the South Pacific in 2011-12. Brown’s THE ENDLESS SUMMER, which follows two young surfers chasing the perfect wave, maybe the most iconic surfing documentary ever made. Surf Nite will also include the traditional appearance of some classic 60’s surfing autos to add to the atmosphere of what could be called the “Rocky Horror Picture Show” for the surfing film lover.

 

BLOOM, THE DOG WHO WOULDN’T BE QUIET, SIX MINUTES TO MIDNIGHT

Additional highlights among the narrative features include; Xuan Liu’s exquisite Chinese love story BLOOM told through a conversation a man has with his younger self; Ana Katz’s Argentinian drama THE DOG WHO WOULDN’T BE QUIET about a man dealing with life’s curve balls, makes its first post-Sundance stop at SLO Film Fest; frequent indie film presence Joshua Leonard steps behind the camera for the comedy FULLY REALIZED HUMANS which takes a look at a couple trying to exhaust their bucket list experiences before impending parenthood; Cassio Pereira dos Santos’ Brazilian drama VALENTINA follows a transgender teen trying to make a fresh start at a new school after having been bullied at the last one; and a Special Presentation of  Andy Goddard’s SIX MINUTES TO MIDNIGHT. Starring Eddie Izzard and Judi Dench, the drama follows the conflict when a new teacher (Izzard) tries to raise the alarm after arriving at a posh finishing school that is training the daughters of Nazis to be ambassadors for the coming Third Reich.

 

AHEAD OF THE CURVE, BLEEDING AUDIO, MISSING IN BROOKS COUNTY

Documentaries are featured in the special presentations of Jen Rainin and Rivkah Beth Meadow’s AHEAD OF THE CURVE about the history of Curve Magazine, which became a lesbian cultural institution, and Judith Ehrlich’s THE BOYS WHO SAID NO! which explores the Selective Service System, the federal justice system, and the prosecution and trials of war resisters. Other highlights in a typically strong SLO Film Fest documentary lineup include; Aurélia Rouvier and Seamus Haley’s BANKSY: MOST WANTED which explores the elusive identity of the rogue street artist; Chelsea Christer’s award-winning BLEEDING AUDIO, which chronicles the rise and disbanding of 90s rock group The Matches; and Lisa Molomot and Jeff Bemiss’ MISSING IN BROOKS COUNTY, another award-winner, which looks at the tragic side of the immigration crisis, through the eyes of families of missing loved ones that have never been found.

 

The San Luis Obispo International Film festival will once again put local filmmakers on a pedestal via its always-popular Central Coast Showcase, encourage the filmmaking ambitions of elementary, middle school, and high school students with its Filmmakers of Tomorrow Showcase, and put an added emphasis of inclusion and diversity with the introduction of its Short Films, Big Stories: A Program of Diverse Voices section.

Passes are now on sale and information on the film festival can be found at https://slofilmfest.org.

 

The 2021 San Luis Obispo International Film Festival official selections:

Opening Night Selection

MY SALINGER YEAR

Director: Philippe Falardeau

Country: USA, Running Time: 101 min

In New York City’s late nineties, a young aspiring writer lands a day-job at J.D. Salinger’s literary agency. While her eccentric and old-fashioned boss tasks her to process Salinger’s voluminous fan mail, she struggles to find her own voice.

 

Closing Night Selection

WHERE THERE ONCE WAS WATER

Director: Brittany App

Country: USA, Running Time: 74 min

A story about water. A song for the sacred in all of us. A documentary centered on solutions. WHERE THERE ONCE WAS WATER takes a look at the driest of places – California and the Southwest USA – and the deepest of spaces – our inner worlds. It presents an invitation to change our perspective and heal our relationship with water … one watershed, one meal, one raindrop, at a time.

 

SURF NITE

WHITE RHINO

Director: Brent Storm

Country: USA, Running Time: 64 min

WHITE RHINO is a parallel story from the surfers and photographers who witnessed three historic swells that hit the shorelines of the South Pacific in 2011-2012. Photographer Brian Bielmann takes the audience on an edge of your seat adventure as we discover the stories behind some of his most iconic photos and what really transpired on those memorable days. WHITE RHINO features notable big wave riders Nathan Fletcher, Dave Wassel, Bruce Irons, Mark Healey, Kohl Christensen and Kalani Chapman.

THE ENDLESS SUMMER (1965)

Director: Bruce Brown

Country: USA, Running Time: 95 min

The crown jewel to ten years of Bruce Brown surfing documentaries. Brown follows two young surfers around the world in search of the perfect wave, and ends up finding quite a few in addition to some colorful local characters.

 

SPECIAL PRESENTATIONS

AHEAD OF THE CURVE

Directors: Jen Rainin, Rivkah Beth Meadow

Country: US, Running Time: 95 min

From its start in 1990, Curve magazine was a visionary and unapologetic celebration of lesbian life from cover to cover. Facing the magazine’s possible demise in 2019, director Jen Rainin and Curve founder Franco Stevens explore questions of lesbian visibility, legacy, and current day issues through interviews with contemporary LGBTQIA+ tastemakers, “celesbians” including Melissa Etheridge, Jewelle Gomez, Denise Frohman, Kate Kendell, and Lea DeLaria, along with rich archival footage recounting the formation of a lesbian cultural institution.

 

THE BOYS WHO SAID NO!

Director: Judith Ehrlich

Country: USA, Running Time: 90 min

THE BOYS WHO SAID NO! explores the Selective Service System, the federal justice system, and the prosecution and trials of war resisters, showing news footage of anti-war demonstrations and The Resistance’s rising visibility, anti-draft meetings, and smuggled film of resisters serving time in Federal prison as well as the influence of Ghandian nonviolence and the Civil Rights Movement.

 

SIX MINUTES TO MIDNIGHT

Director: Andy Goddard

Countries: Canada/Ireland, Running Time: 99 min.

Eddie Izzard and Judi Dench star in this brand new film directed by Andy Goddard (Downtown Abbey). In the summer of 1939, influential families in Nazi Germany sent their daughters to a finishing school in an English seaside town, run by a strict but humane head mistress (Dench), to learn the language and be ambassadors for the future Nazi state. Eddie Izzard who also co-wrote and produced, plays a new teacher who tries to raise the alarm. But the authorities believe he is the problem. Jim Broadbent plays a supporting character in this fascinating story based on historical facts.

 

 SNEAK PREVIEW SCREENING

ECHOES OF THE EMPIRE: BEYOND GENGHIS KHAN

Director: Robert H. Lieberman

Country: USA, Running Time: 73 min

Film director/novelist Robert H. Lieberman takes us into this vast country little known by many, creating a stunning cinematic view of Mongolia’s past and present. The film leads us through the remarkable evolution of Genghis Khan’s Mongol Empire—a realm that once encompassed all of Asia, the Middle East and Europe leading up to the doorsteps of Vienna.

 

 NARRATIVE FEATURES

BLOOM

Director: Xuan Liu

Country: China, Running Time: 90 min

An amazing first film from Xuan Liu, BLOOM is a richly layered, poetic love story that takes place in late 1990s Beijing. Uniquely told through conversations between Mu Ke and his younger self, it weaves together memories, disillusions and hope. Gorgeous cinematography and superb acting help elevate this film into the realm of great art.

 

THE DOG WHO WOULDN’T BE QUIET

Director: Ana Katz

Country: Argentina, Running Time: 73 min

Straight from a World Premiere at Sundance, this charming film from Argentina follows Sebastian, a man in his thirties, who works a series of temporary jobs as he deals with life’s curve balls. He slowly transforms as he encounters love, loss and crisis.

 

FULLY REALIZED HUMANS

Director: Joshua Leonard

Country: USA, Running Time: 74 min

When parents-to-be Elliot and Jackie are confronted with the fear of pending parenthood, they decide to embark on a journey of self-discovery, crossing adventures off their bucket list while they still can. Dealing with the grandparents-to-be is all part of the fun in this hilarious portrait of parenthood in all its iterations.

 

MONKEY BEACH

Director: Loretta Todd

Country: Canada, Running Time: 104 min

Indigenous Canadian filmmaker Loretta Todd has done justice to Eden Robinson’s novel about a complex family story of love, loyalty and spiritual beliefs. Filmed on the coast of British Columbia in the Haisla Nation in Kitamaat, Lisa Hill returns from Vancouver to her family home after visions warn that her brother is in danger.

 

SISTERS: THE SUMMER WE FOUND OUR SUPERPOWERS

Directors: Silje Salomonsen, Arild Ostin Ommundsen

Country: Norway, Running Time: 78 min

Two sisters, ages 9 and 5, go on an exciting outdoor hike with their adventurous dad, but he suddenly has an accident and the girls are left to figure out what to do next. They take us on a childlike journey through the wilderness of Norway as they navigate their way to find help, discovering strength in sisterhood along the way.

 

SMALL TIME

Director: Niav Conty

Country: USA, Running Time: 104 min

SMALL TIME eloquently mixes the sweet innocence of young Emma growing up in rural Pennsylvania, with poverty, the opioid crisis and “the war on terror.” In a stand-out debut performance, Audrey Grace Marshal takes us on an empathetic and darkly humorous journey through family drama exasperated by addiction and trauma.

 

VALENTINA

Director: Cassio Pereira dos Santos

Country: Brazil, Running Time: 95 min

Valentina, 17, moves to rural Brazil with her mother to start fresh, after being bullied at her last high school. When enrolling with her new name, she faces an unexpected dilemma when the new school requires a second parental signature, exposing the real-life hardships that young trans people must endure as they embrace who they are.

 

DOCUMENTARY FEATURES

ALICE STREET

Director: Spencer I. Wilkinson

Country: USA, Running Time: 96 min

A powerful, colorful display of community and culture is showcased in this battle to preserve Oakland’s downtown from the onslaught of gentrification. A mural comes alive, dedicated to the diverse artists that intersect Alice Street. The community rallies to fight a condo that will obstruct the mural and transform the cultural landscape.

 

 BANKSY: MOST WANTED

Directors: Aurélia Rouvier, Seamus Haley

Country: France, Running Time: 90 min

With Banksy, the prevailing question is not about his art, but something more basic — who is he? How can someone so provocative, and who stirs up so much emotion, manage to stay so hidden? BANKSY: MOST WANTED combines a journalistic approach and love of art in a true modern day whodunnit.

 

BLEEDING AUDIO

Director: Chelsea Christer

Country: USA, Running Time: 91 min

Told through the eyes of quirky, charming and humble bandmates Shawn, Jon, Matt and Justin, Chelsea Christer’s BLEEDING AUDIO is an intimate portrait detailing The Matches’ promising career, defeating break up, and inspiring reunion, as they reflect on what success truly means for musicians in today’s digital industry. A recent Slamdance 2021 pick!

 

THE BOOK MAKERS

Director: James Kennard

Country: USA, Running Time: 58 min

What should books become in the digital age now that they’re freed from the burden of fulfilling tasks like encyclopedias and the Yellow Pages? An eclectic group of people are dedicating their lives to answering that question. This film spins a tale of the enduring vitality of the book in a world where physical pages are being creatively reinvented.

 

LIKE A WOMAN

Director: Gail Mooney

Country: USA, Running Time: 52 min

A helicopter pilot. A Goodyear blimp pilot. All are women with moxie who are succeeding in male-dominated fields in this inspiring film that includes current and former female deans at Cal Poly. “There’s no such thing as a boy thing or a girl thing,” one woman says. “There’s the thing that speaks to you, and if it speaks to you, go out and do it.”

 

MEDICINE MAN: THE STAN BROCK STORY

Director: Paul Michael Angell

Country: UK, Running Time: 96 min

This is the incredible life story of Amazonian cowboy turned U.S. TV star, Stan Brock, who sacrificed everything to bring free healthcare to millions of people in need. It is a heart-warming tribute to the unifying power of volunteerism, and an exploration of a perennial outsider’s search for meaning through selflessness and deep compassion.

 

MISSING IN BROOKS COUNTY

Directors: Lisa Molomot, Jeff Bemiss

Country: USA, Running Time: 90 min

This exceptional documentary takes us boldly into an American border town that has been caught in the middle of the daily life and death situation created by our current immigration system. We meet vigilante ranchers, humanitarian activists, Border Patrol and others locked in an endless battle of human rights and politics.

 

THE RACE TO ALASKA

Director: Zach Carver

Country: USA, Running Time: 127 min

Be Safe. Be Bold. Get Over Yourself — is the theme of this 750-mile boat race of a lifetime from Washington to Alaska. Whirlpools, deadly currents, bears and much more test these intrepid mariners to their very limit. The only rule — no engines. The rest is up to the imagination, from state-of-the-art custom craft to a makeshift paddle board.

 

ROAD TO VRINDAVAN

Director: Ravinol Chambers

Country: UK, Running Time: 84 min

On a life-changing journey across India, culture and progress collide as a former Krishna monk re-examines traditional gender roles and the barriers girls face in escaping child marriage and rape. With the obvious need to educate girls, there is the cultural challenge: Will education bring them true equality or transform them into caged butterflies?

 

VAS-Y-COUPE! (WINE CRUSH)

Director: Laura Naylor

Country: USA/France, Running Time: 92 min

A loyal crew of laborers travels from northern France each year to harvest grapes at a small family-owned vineyard. We are privy to the gritty underbelly to the charmed romantic life of the Champagne region. Despite stunning scenery, endless champagne and great food, this is a story of relationships between owners, workers and family.

 

VINYL NATION

Directors: Christopher Boone, Kevin Smokler

Country: USA, Running Time: 90 min

“Everything old is new again!” perfectly sums up the fascinating history of the vinyl record that seemingly vanished into relative obscurity in the 1980s, but is now one of the hottest trends again worldwide. But there’s just something about spinning vinyl, and VINYL NATION does an entertaining deep dive into what that something might be.

 

MOVIES FOR THE HEART AND MIND

Sponsored by The Coastal Awakening / Shanbrom Family Foundation

 

THE FALCONER

Director: Annie Kaempfer

Country: USA, Running Time: 75 min

This is an intimate portrait of master falconer Rodney Stotts on his mission to build a bird sanctuary and provide access to nature for his stressed community. By weaving Rodney’s present-day mission with the story of his past, both deeply rooted in issues of social and environmental injustice, the film reminds us that nature heals.

 

INVITATION TO THE DANCE

Director: Sarah Shoemaker

Country: USA, Running Time: 38 min

Dance teacher Lena Forster introduces us to her adult special-needs ballet class in Greenville, SC where we follow five charming students through a year of dance and life. We get a sensitive and very touching glimpse of a community frequently overlooked, listen to voices frequently unheard and witness the joy of dancing and the arts as it impacts the dancers’ lives.

 

A SHOT THROUGH THE WALL

Director: Aimee Long

Country: USA, Running Time: 88 min

After accidentally killing an unarmed Black man when his gun fires off through an apartment wall, a young Chinese American cop deals with his guilt and begins to unravel as he navigates the charged and complicated worlds of media, justice and racial politics in modern-day New York. The film, drawn from an actual event in Brooklyn, explores systemic racism.

 

SHORT FILMS, BIG STORIES: A PROGRAM OF DIVERSE VOICES

A CONCERTO IS A CONVERSATION

Directors: Kris Bowers, Ben Proudfoot

Country: USA, Running Time: 13 min

 

IN THEIR FLIGHT

Directors: Orion Rose Kelly, Pedro Cota

Country: USA/Brazil, Running Time: 23 min

 

IN WHITE PLACES.

Director: Keith Powell

Countries: USA, Running Time: 10 min

 

PHONY

Director: Jess de la Merced

Country: USA, Running Time: 8 min

 

THIS IS THE WAY WE RISE

Director: Ciara Lacy

Country: USA, Running Time: 12 min

 

 NARRATIVE SHORTS

A PIECE OF CAKE

Director: The Bragg Brothers

Country: USA, Running Time: 12 min

 

ALA KACHUU (TAKE AND RUN)

Director: Maria Brendle

Country: Switzerland, Running Time: 38 min

 

THE AMAZING ADVENTURES OF AWESOME

Director: Allison Brownmoore

Country: UK, Running Time: 6 min

 

COFFEE WITH EXES

Director: Brett A. Hart

Country: USA, Running Time: 10 min

 

THE DELIVERY

Director: Dogus Ozokutan

Country: Cyprus, Running Time: 12 min

 

DISTANCE

Director: Shin Sonoda

Country: Japan, Running Time: 22 min

 

EL REGALO (THE GIFT)

Directors: Sheila and Kenneth Vatan-Woodall

Country: USA, Running Time: 8 min

 

EXIT PACKAGE

Director: John Gray

Country: USA, Running Time: 13 min

 

GUM

Director: Jacob Reed

Country: USA, Running Time: 9 min

 

 HANDSCAPE

Director: Yiru Chen

Country: China, Running Time: 19 min

 

HONOR

Director: Lauren Noll

Country: USA, Running Time: 16 min

 

HOT DOG

Directors: Flore Burban, Logan Cameron, Nicholas Diaz, Chloe Raimondo, Hugues Valin

Country: France, Running Time: 5 min

 

KAPAEMAHU

Directors: Hinaleimoana Wong-Kalu, Dean Hamer, Joe Wilson

Country: USA, Running Time: 8 min

 

MY HERO

Director: Logan Jackson

Country: USA, Running Time: 13 min

 

THE OTHER MORGAN

Director: Alison Rich

Country: USA, Running Time: 14 min

 

OVER MY DEAD BODY 

Director: Meital Cohen Navarro

Country: USA, Running Time: 25 min

 

REBEL

Director: Pier-Phillipe Chevigny

Country: Canada, Running Time: 15 min

 

RENAIDANCE

Directors: Zhike Yang, Wenjie Wu, Han Chen Chang

Country: USA, Running Time: 4 min

 

THE SCAR

Director: George Simon

Country: USA, Running Time: 15 min

 

SOUS LA GLACE

Directors: Luce Grosjean, Ismail Berrahma, Flore Dupont, Laurie Estampes, Quentin Nory, Hugo Potin

Country: France, Running Time: 7 min

 

THOUGHTS AND PRAYERS

Director: Lisa Gold

Country: USA, Running Time: 4 min

 

DOCUMENTARY SHORTS

FULL PICTURE

Director: Jacob Reed

Country: USA, Running Time: 12 min

 

NOT JUST ANOTHER DAY

Director: Ricky Rhodes

Country: USA, Running Time: 14 min

 

THE KHE SAHN PEACE GARDEN

Director: Tihn Mahoney

Country: Vietnam, Running Time: 28 min

 

PANT HOOT

Director: Richard Reens

Country: USA, Running Time: 21 min

 

SHEPHERD’S SONG

Director: Abigail Fuller

Country: USA, Running Time: 18 min

 

VOICE ABOVE WATER

Director: Dana Frankoff

Country: USA, Running Time: 11 min

 

 CENTRAL COAST FILMS

FIRESTORM ’77: THE TRUE STORY OF THE HONDA CANYON FIRE

Directors: Chris Hite, Dennis Ford

Country: USA, Running Time: 54 min

The true story of the terrible fire that occurred on Dec 20, 1977 at Vandenburg Air Force Base. Confused leadership led to a loss of four lives and many injuries.

 

38 MINUTES

Director: Paul Lacovara

Country: USA, Running Time: 17 min

 

BODEGA DE EDGAR

Director: Nick Cavalier

Country: USA, Running Time: 22 min

 

CALIFORNIA LANDSLIDE

Directors: Dana Richardson, Sarah Zentz

Country: USA, Running Time: 18 min

 

COLORS IN HARMONY

Director: Clemencia Macias

Country: USA, Running Time: 7 min

 

ENTWINED

Director: Dale Griffith Stamos

Country: USA, Running Time: 14 min

 

F*UCK YOU, SETH

Director: Barry Galperin

Country: USA, Running Time: 6 min

 

IRON MAN

Director: Curtis Francisco-Sarmiento Yap

Country: USA, Running Time: 4 min

 

ISOLATED DAYDREAMS

Director: Ryan Pavone

Country: USA, Running Time: 3 min

 

LIFT OFF

Director: Alyssa Toledo

Country: USA, Running Time: 13 min

 

THE PROMISE

Director: Carlos Plummer

Country: USA, Running Time: 3 min

 

RESTRICTIONS APPLY

Director: Justice Whitaker

Country: USA, Running Time: 18 min

 

SEANCE-ING

Director: Alix Angelis

Country: USA, Running Time: 9 min

 

STOKE CHASERS

Director: Jo Anna Edmison

Country: USA, Running Time: 10 min

 

TAKE TWO

Director: Curtis Francisco-Sarmiento Yap

Country: USA, Running Time: 12 min

 

MUSIC VIDEOS

CANES CREEK

Director: Michael Everett

Music: Mitchell Tenpenny

Country: USA, Running Time: 4 min

 

DAVID KORESH FAN CLUB

Director: Matthew Oates

Music: Nate Cole

Country: USA, Running Time: 2 min

 

 

FEEL YOUR LOVE

Director: Matt Jermstad

Music: True Zion

Country: USA, Running Time: 3 min

 

FLESH & BONE

Director: Ashley Rodbro

Music: The Robot Song by Joe Iconis

Country: USA, Running Time: 8 min

 

THE GREAT DIVIDE

Director: Paul Trillo

Music: The Shins

Country: USA, Running Time: 4 min

 

GREYHOUND

Director: Aidan Cheeatow

Music: Greenhouse

Country: Canada, Running Time: 4 min

 

GUN

Director: Nave Pinhas

Music: Lyri

Country: Israel, Running Time: 5 min

 

INSUFFERABLE

Director: Casey Wieber

Music: Heart to Heart

Country: USA, Running Time: 4 min

 

I AM SAMANTHA

Director: T Cooper

Music: Benjamin Scheuer

Country: USA, Running Time: 4 min

 

I DON’T NEED ANOTHER

Directors: Justin Lacy, J. Noel Sullivan

Music: Justin Lacy

Country: USA, Running Time: 5 min

 

THE LIGHT

Directors: Guillaume Heulard, Benoît Aubert

Music: L’An2000

Country: France, Running Time: 6 min

 

LOS BRAVOS

Director: Jonathan Shepard

Music: LPT

Country: USA, Running Time: 5 min

 

 PARACHUTE

Director: Taisia Deeva

Music: Paul Kalkbrenner

Country: Germany, Running Time: 4 min

 

RED WATCH

Director: David Kennedy

Music/Spoken Word: Kyla Kennedy

Country: USA, Running Time: 4 min

 

TV

Director: rubberband.

Music: Lewis del Mar

Country: USA, Running Time: 4 min

 

WE CAN’T BREATHE

Directors: Miranda Winters, Rocky Romano

Country: USA, Running Time: 9 min

 

THE WRONG LOVE

Director: Francesco Faralli

Music: Giacomo Rossetti

Country: Italy, Running Time: 4 min

 

YOU BRING CHAOS

Director: Oliver Blair

Music: Lowrie

Country: UK, Running Time: 4 min

 

 FILMMAKERS OF TOMORROW SHOWCASE

ELEMENTARY SCHOOL

MOBILE FOLKTALES

Directors: Beichen Elementary School Film and Animation Creation Club

Country: Taiwan, Running Time: 10 min

 

MIDDLE SCHOOL

SYSTEM ERROR – ANIMATED

Director: Piotr Kazmierczak

Country: Poland, Running Time: 4 min

 

HIGH SCHOOL

ASCETIC

Director: Gopal Bala

Country: USA, Running Time: 7 min

 

AMPLITUDE OF THOUGHTS

Director: Phoebe Mitchem

Country: USA, Running Time: 8 min

 

BRAIN DEAD

Director: Ian Hammons

Country: USA, Running Time: 5 min

 

DISMAL AND HIMSELF

Director: Zach Larche

Country: USA, Running Time: 7 min

 

HOLOGRAPHIC DREAMS

Director: Satvik Shankar

Country: USA, Running Time: 4 min

 

I WISH MY EDUCATION TAUGHT ME

Directors: Bay Cat Academy

Country: USA, Running Time: 4 min

 

KALAOPSIA

Director: Sage Somma

Country: USA, Running Time: 3 min

 

LA REVERIE

Director: Ian McKay

Country: USA, Running Time: 2 min

 

LAST STOP

Director: Jacob Pincus

Country: USA, Running Time: 10 min

 

MUSIC FOR THE END OF THE WORLD

Director: Emmanuel Li

Country: UK, Running Time: 6 min

 

OFFISH

Director: Emma Nebeker

Country: USA, Running Time: 5 min

 

ONE MINUTE TO MIDNIGHT

Director: James Brammer

Country: USA, Running Time: 7 min

 

SMILE, YOU’RE ON CAMERA

Director: Nat DiCicco

Country: USA, Running Time: 4 min

 

STRONGER THAN STEEL

Director: Jacob Pincus

Country: USA, Running Time: 7 min

 

WE ARE THE REVOLUTION

Director: Akash Dewan

Country: USA, Running Time: 4 min

 

*Featured photo: Larry Gleeson by J. Kevin O’Connor

ABOUT SAN LUIS OBISPO INTERNATIONAL FILM FESTIVAL

Located half-way between Los Angeles and San Francisco, San Luis Obispo’s laid-back vibe and serene natural beauty is the perfect setting for this highly regarded annual film celebration. Filmmakers rave about the warmth and attentiveness that is so much a part of the SLO Film fest experience, as does the swelling tide of industry pros and film critics who are fast discovering the film festival’s thoughtful audiences and unique programming sensibility.

Sundance 2021 Top 10 Picks (So Many Films, So Little Time…)

Posted by Larry Gleeson

HollywoodGlee inside the Sundance Film Festival Headquarters at the Park City Marriott on January 23, 2019, in Park City, Utah, the day before the opening of the 2019 Sundance Film Festival. (Photo credit: Larry Gleeson/HollywoodGlee)

With the shortened Sundance 2021 Sundance Film Festival just around the corner (January 28th – February 3rd), I became aware of a thought, “With all the spectacular screenings this year, I’m going to share some of my top picks for an excellent festival experience and  to help in discovering adventure.” Tickets on sale here.

 

Sundance Welcome

In my experience, the one event that really sets the tone for the festival is the Opening Night Welcome. On Thursday, January 28, 2021, at 4 P.M., audiences all over the world are invited to come together and kick off the reimagined 2021 Sundance Film Festival and to fête the extraordinary artists who make up this year’s festival. During the event, you can expect to hear from Sundance Festival director, Tabitha Jackson, and see many of the faces from the Sundance Festival family. Even though we cannot physically gather with one another, the opportunity to celebrate Utah—the Sundance spiritual home—and experience a unique Sundance Film Festival journey rooted in discovery and adventure remains. Let us begin.

 

Summer of Soul

In 2017, I had the distinct pleasure of seeing Melissa Haizlip’s documentary feature, Mr. Soul!,  at the Smithsonian National Museum of African American History & Culture as part of the American Film Institute’s AFI DOCS. Mr. Soul! showcased extraordinary performances of a plethora of African American artists. In a similar vein, the transporting Ahmir “Questlove” Thompson’s documentary Summer of Soul (Or When The Revolution Could Not Be Televised), an exploration of the 1969 Harlem Cultural Festival, a series of summer concerts radiating a wholesale reevaluating Black History, culture, fashion and music, taking place a mere 100 miles from the much more heralded Woodstock that was held on Max Yasgur’s dairy farm in Bethel, New York, is premiering at 7 P.M. on January 28th.

 

Night of the Kings

Phillip Lecote’s Night of Kings weaves a tale of epic proportions around a young man who is sent to La Maca, a prison in the middle of the Ivorian forest ruled by its inmates. As tradition goes with the rising of the red moon, he is designated by the Boss to be the new “Roman” and must tell a story to the other prisoners. Learning what fate awaits him, he begins to narrate the mystical life of the legendary outlaw named Zama King and has no choice but to make his story last until dawn. Well-choreographed, interpretive song and dance routines sets the viewing experience apart. Night of Kings is receiving high praise after its world premiere at the 2020 Venice Film Festival.

 

Wild Indian

In Wild Indian writer/director Lyle Mitchell Corbine Jr. (Shinaab and Shinaab, Part II, 2017 and 2019 Sundance Film Festivals) tells a story that spans centuries and the continent in a film destined to be a touchstone in Indigenous cinema. Leading an impressive cast, Michael Greyeyes delivers a gripping, enigmatic performance as a modern Native American man who has done terrible, unforgivable things. Decades after covering up his classmate’s murder, Michael (Michael Greyeyes) has moved on from his reservation and fractured past. When a man who shares his violent secret seeks vengeance, Michael goes to great lengths to protect his new life. With a strong and compelling visual style that evokes both fascination and dread, Wild Indian considers the cost of survival in a world as cruel as our own.

 

Passing

Rebecca Hall’s Passing, adapted from Nella Larsen’s acclaimed 1929 Harlem Renaissance novel, Hall is sure to provide some much-needed experiential insight into the pursuit of happiness and authenticity by those navigating the grinding tensions of American racism. Starring Tessa Thompson (Sylvie’s Love) and Ruth Negga (Loving), Passing is sure to seep into the viewer’s psyche in questioning basic belief systems as these two women who can “pass” as white live their lives on opposites sides of the color line. Repression, obsession, and the lies people tell to protect their carefully constructed realities underscore Hall’s debut psychological thriller in this must-see feature attraction.

 

One For The Road

An unexpected delight from one of my earliest festival experiences was Thai Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives. Thailand films are emerging with industry support from the Royal family and I anticipate Director Baz Poonpiriya’s One For the Road, produced by extemporaneous filmmaker Wong Kar Wai, will delight sensibilities in a similar fashion as Boss, a bar owner in New York City, receives a phone call from a sick friend, Aood. Boss returns to Thailand and takes on an amazing journey with Aood, driving from the north of Thailand to the south, looking to bring closure with people from his past. As the secrets from their past are revealed, they are ultimately offered an opportunity for redemption.

 

In the NEXT category, New Orleanian Marion Hill promises to deliver a respite from the COVID blues complete with an acoustic guitar soundtrack with Ma Belle Ma Beauty,  an interracial, polyamorous, relationship-driven dive into the complexities of sexual fluidity and triangulation. Newlywed musicians Bertie and Fred are adjusting to their new life in the beautiful countryside of France. It’s an easy transition for Fred, the son of French and Spanish parents, but New Orleans native Bertie grapples with a nagging depression that is affecting her singing. Lane—the quirky ex who disappeared from their three-way relationship years ago—suddenly shows up for a surprise visit, bringing new energy and baggage of her own. Ma Belle, My Beauty turns into a breezy and meaningful journey through wine-drenched candlelit dinners, firelit vineyard parties, farmers’ markets, and sunny hikes alongside the creek, as Fred, Bertie, and Lane grapple with how to get what they want inside the soup of their desires, passions, and life ambitions. Yum.

 

R#J

From Director Carey Williams, Hailed by Filmmaker Magazine as one of 2018’s New Faces of Independent Film, emanates R#J, a modern-day retelling of the Shakespearan Romeo & Juliet. In fair Verona, a war as old as time is brewing between the rival Houses of Capulet and Montague—but it’s being captured in a new way. Montague and Capulet Gen Zers are using their cell phones to document the eruptions of violence plaguing their communities. Utilizing black and brown bodies and told through text messages and smartphone screens in the social media language of GIF’s, the sharing of Spotify playlists, and Instagram accounts, a plea for peace and a way to escape their star-crossed destiny unfold.

 

Philly D.A.

The docuseries, Philly D.A., spotlights a civil rights attorney, Larry Krasner, and his ascent to become the District Attorney in Philadelphia, while repeatedly calling out discrimination and corruption in America’s most incarcerating major city. In June 2018, Krasner made an unprecedented request for a comprehensive list of police officers who had lied while on duty, used excessive force, racially profiled, or violated civil rights, an unprecedented move in order to spotlight dishonest police officers and check their future courtroom testimony. Directors Ted Passon and Yoni Brook vigorously bring to life the people impacted and incensed by the failings of the system as well as those fighting to maintain the system’s status quo in the first two episodes of this riveting “forthcoming” docuseries.

 

All Light, Everywhere

Using the rise of police body cameras as a point of departure, director Theo Anthony creates a kaleidoscopic portrait of our shared histories of cameras, weapons, policing, and justice in All Light, Everywhere as he explores the personal and philosophical relationships between cameras and weaponry. Moving from the 19th century, where the nascent art of photography went hand in hand with colonial projects and the development of automatic weapons, to the headquarters of Axon, a company with a near-monopoly on body cameras in the United States, Anthony charts a long view of the relationship between photography and violence. Anthony roots his inquiry in Baltimore, a city that has long been a testing ground for new policing technologies.

 

The Pink Cloud

Last but not least (and by no means is this list all-inclusive), is The Pink Cloud. Director Iuli Gerbase has crafted an ambitiously stylish debut feature set in an evocative, not-too-distant world that eerily echoes life in lockdown. Giovana and Yago are strangers who share a spark after meeting at a party. When a deadly cloud mysteriously takes over their city, they are forced to seek shelter with only each other for company. As the months pass and the planet settles into an extended quarantine, their world shrinks, and they are forced to come to terms with an accelerated timeline for their relationship. Both a delicate exploration of what it means to connect in a world we no longer recognize and an unflinchingly honest look at the ways we shape our own reality, The Pink Cloud digs deeply into the underbelly of collective loneliness to offer us a way out.

The Pink Cloud Trailer:

 

And no festival is over until The Wrap.

It’s a Wrap

Before feasting your eyes on the award-winning films from this season, finish off your Sundance Film Festival experience by looking back on the Festival that was. Festival director Tabitha Jackson leads a celebratory end to this all-new experience by bringing audiences together for one last word in the virtual space on February 3rd, 2021, at 8 A.M.

Stay tuned for more as Sundance Film Festival 2021 goes virtual!

 

 

Night of the Kings At Hollywood Legion Drive-In Cinema

Posted by Larry Gleeson

It was a beautiful Friday night evening in the heart of the movie-making capital of the world with the NEON production, Night of the Kings. I hadn’t been to a theatrical screening since I viewed Christopher Nolan’s Tenet on the silver screen at the Metropolitan Fiesta 5 this summer in downtown Santa Barbara, California, with five other mask-wearing moviegoers – the screening theatre was air-conditioned.

The Hollywood Drive-in Cinema, in the heart of Hollywood, Calif., moments before the opening scene of the special screening of Philippe Lecote’s epic drama, Night of the Kings, Friday, January 8, 2021. (Photo by Larry Gleeson)

Night of the Kings, written and directed by Philippe Lecote, was screened outdoors at the Hollywood Legion Drive-in Cinema, and the soft and cool breeze present throughout the film laid down an atmospheric ambiance that no indoor theatre could match. Blazing cinematography with vibrant red, orange, and yellow hues from cinematographer Tobie-Marier Robitaille rivaled Roger Deakins Academy-award winning work from BladeRunner 2049. Robitaille and Night of the Kings received Best Cinematography and Best Sound Awards from the 2020 Chicago International Film Festival.

Night of the Kings

With a surreal tone, Night of the Kings was set inside an infamous Ivory Coast prison, MACA. And, in a similar fashion to the 2017 Shot Caller, the prison seems to be run by a well-heeled influencer inmate. MACA is run by Blackbeard, a large man past his prime who appoints a storyteller for the annual “Night of the red moon.” The guards refer to the storytelling ritual in shamanic terms and that the inmates will be “in trance” all night long.

Enter actor, Bakory Kone, a young, fresh inmate who catches the eye of Blackbeard. Blackbeard anoints the young convict, “Roman.” Roman is the term used to describe the criminal who must entertain the prison population with a nighttime story. The only non-person-of-color (white) actor, Jean Cyrille Digbeau, is a half-baked loser walking around with a pet chicken perched and squawking upon his troubled spirit’s shoulder. But, Digbeau’s character, Half Mad, provides the key to the provocative evening-ending salvation.

Night of the Kings made its world premiere at the Venice Film Festival, the oldest film festival in the world and a launchpad for the Academy Awards season, and Night of the Kings is slated as a Spotlight premiere feature on February 1st at 1:00 P.M., for the upcoming, mostly virtual, 2021 Sundance Film Festival, January 28 – February 3rd.

Night of the Kings turned out to be a special night at the drive-in. In addition to the relaxing atmospherics, exceptional cinematography, epic (literally and figuratively) production design, the stalwart performances, and the classic narrative combined with the writing and the seemingly spontaneous, dynamic, choreographed song and dance routines send this feature film into the stratosphere. Highly recommended!

Until next time, I look forward to seeing you at the movies!

And, yes, I ate the popcorn.

HollywoodGlee at the Hollywood Drive-in Cinema in the heart of Hollywood, Calif., for the special screening of Philippe Lecote’s epic drama, Night of the Kings, Friday, January 8, 2021. (Photo by Valerie Rapalee)

 

 

 

 

 

PALMER Releases Official Trailer

My good friend, Beezee, sent me a heads up on Palmer, an upcoming American drama about an ex-convict who befriends a troubled youth. Palmer is directed by Fisher Stephens and written by Cheryl Guerriero.

Beezee had an ex-girlfriend whose brother-in-law had a sister-in-law named Wynn who had a role in Palmer. Normally when I get a message like this it goes straight into File 13. But, the only other time Beezee sent me a heads up on a film, was on St. Louisan Jim Gunn’s 2014 Guardians of The Galaxy (worldwide box office $773 million). So, I pulled out my phone and took a peek at Palmer and saw a few names I recognized – Justin Timberlake, Alisha Wainwright, and rising-star Juno Temple, who I inauspiciously interviewed here as part of Kat O’Brien’s Lost Transmissions team.

I called Beezee and said Palmer looked good commenting on the cast I saw first while explaining I didn’t see Wynn (I believed Wynn to be a Vietnamese physician I had met in St. Louis) but I would look further into it. Beezee obstreperously informed me Wynn was not Vietnamese and was a successful actress who happened to be a sister-in-law of an ex-girlfriend. I reiterated I would pursue the matter further. I began my research and caught Palmer’s trailer.

Pretty good trailer as far as trailers go. Eye-catching visuals, brief character moments, and some soundtrack. Talented performer Justin Timberlake is the centerpiece. Alisha Wainright is the main course and Wynn Everett (yes, that Wynn) is the dessert. 

Alisha Wainwright (IMDb photo)

And, if the smooth eye-popping trailer wasn’t enough, thanks again to Beezee, I got a chance to peruse Palmer’s soundtrack, a soulful Southern Rock vibe with Nathaniel Rateliff writing and performing most of the tunes. Unfortunately for me, this was the first time I had heard Rateliff. One thing I know for sure, it won’t be the last.

Palmer is scheduled for a January 29th premiere on Apple TV+ and is currently listed as in post-production. Mark the calendar like this one has all the makings for a deep, tear-jerking, emotional roller-coaster ride movie night!

Until next time, stay healthy. Stay happy. I look forward to seeing you at the movies!

Larry Gleeson/HollywoodGlee

*Featured photo: Wynn Everett (IMDb)

 

 

Sundance Film Festival Announces Full Program for 2021

Posted by Larry Gleeson

72 Features, 50 Shorts, 4 Indie Series, 14 New Frontier Projects to Debut

on Feature-Rich Digital Platform & Satellite Screens Nationwide

Passes and Tickets on Sale January 7!

Top L–R: Ma Belle My Beauty; Amy Tan: Unintended Memoir; We’re All Going to The World’s Fair. Bottom L–R: Little Miss Fate; To Miss The Ending; Would You Rather.

PARK CITY, UTAH — The nonprofit Sundance Institute announced today the showcase of new independent work selected across the Feature Film, Short Film, Indie Series, and New Frontier categories for the 2021 Sundance Film Festival. The Festival will take place digitally via a feature-rich, Sundance-built online platform and in-person on Satellite Screens across the country (public health permitting) from January 28-February 3, 2021. Additionally, Festival attendees can gather in virtual waiting rooms, participate in live Q&As, and congregate in new, inspired online environments to interact in a range of ways both new and familiar. The Institute shared details of how the Festival will meet audiences on the online platform and Satellite Screens earlier this month.

The Sundance Film Festival is the flagship public program of Sundance Institute. Throughout the year the majority of the Institute’s resources support independent artists around the world as they make and develop new work through access to Labs, direct grants, fellowships, residencies, and other strategic and tactical interventions.

Robert Redford addresses members of the press at the 2019 Sundance Film Festival Press Conference at the Egyptian Theatre in Park City, Utah, on January 23rd, 2019. (Photo by Larry Gleeson)

“Togetherness has been an animating principle here at the Sundance Institute as we’ve worked to reimagine the Festival for 2021 because there is no Sundance without our community,” said Sundance Institute Founder and President Robert Redford. “Under Tabitha’s leadership, we’ve forged a new collective vision: one that honors the spirit and tradition of these invigorating yearly gatherings in Utah, while making room for imaginative new possibilities in a new online format.”

Keri Putnam addresses members of the press at the 2019 Sundance Film Festival Press Conference at the Egyptian Theatre in Park City, Utah, on January 23rd, 2019. (Photo by Larry Gleeson)

“Of course, the pandemic year demanded adaptation,” said Keri Putnam, Sundance Institute’s Executive Director. “On a deeper level, we also recognize the urgency of supporting independent storytellers at a time of great upheaval in the film and media fields. We’re proud this edition of the Festival is fiercely independent and will reach people everywhere, celebrating both the theatrical experience at our Satellite Screens and streaming on our platform.”

Sundance Institute’s Executive Director, Tabitha Jackson, at The Movie That Blew My Mind, a festival panel at the 2020 Sundance Film Festival. © 2020 Sundance Institute | photo by Maya Dehlin.nnAll photos are copyrighted and may be used by press only for the purpose of news or editorial coverage of Sundance Institute programs. Photos must be accompanied by a credit to the photographer and/or ‘Courtesy of Sundance Institute.’ Unauthorized use, alteration, reproduction or sale of logos and/or photos is strictly prohibited.

“This Festival is a singular response to a singular year – both in design and curation – and we are excited about the new dimensions of possibility it will reveal. But at its core is something that speaks to our most enduring values,” said Tabitha Jackson, Director of the Sundance Film Festival. “For thousands of years, humans have gathered to tell stories and make meaning. In this pandemic year, we gather to celebrate a constellation of artists with unique perspectives that express this current moment and who together are saying, ‘We exist. This is who we are. And this is what we see.'”

“The work in this year’s program is groundbreaking, imaginative, and formally daring,” said Kim Yutani, the Festival’s Director of Programming. “With over half the program made by first-time directors, a sense of discovery remains true to us at Sundance. This year’s Festival presents irrefutable evidence that despite the challenges, the independent voice is as strong as ever.”

Day One films debuting on the platform to open the Festival will be Censor, CODA, Flee, One for the Road, In The Same Breath, and Summer Of Soul (…Or, When The Revolution Could Not Be Televised).

Son of Monarchs, screening in the NEXT section, has been named the winner of the Alfred P. Sloan Feature Film Prize.

Announced today: the full 2021 slate of works, including 72 feature-length films, representing 29 countries and 38 first-time feature filmmakers. 14 films and projects announced today were supported by Sundance Institute in development, through direct granting or residency Labs. 66 of the Festival’s feature films or 92% of the lineup announced today, will be world premieres. These films were selected from 14,092 submissions including 3,500 feature-length films. Of the feature film submissions, 1,377 were from the U.S., and 2,132 were international. Director demographics are available in an editor’s note below.

The projects confirmed for the 2021 Sundance Film Festival are:

U.S. DRAMATIC COMPETITION
Presenting the world premieres of 10 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include Minari, Never Rarely Sometimes Always, The Farewell, Honey Boy, Clemency, Eighth Grade, and Sorry to Bother You.

CODA / U.S.A. (Director and Screenwriter: Siân Heder, Producers: Philippe Rousselet, Fabrice Gianfermi, Patrick Wachsberger) — As a CODA – Child of Deaf Adults – Ruby is the only hearing person in her deaf family. When the family’s fishing business is threatened, Ruby finds herself torn between pursuing her love of music and her fear of abandoning her parents. Cast: Emilia Jones, Eugenio Derbez, Troy Kotsur, Ferdia Walsh-Peelo, Daniel Durant, and Marlee Matlin. World Premiere. DAY ONE

I Was a Simple Man / U.S.A. (Director and Screenwriter: Christopher Makoto Yogi, Producers: Sarah S. Kim, Christopher Makoto Yogi, Matthew Petock, Yamato Cibulka) — As a family in Hawai’i faces the imminent death of their eldest, the ghosts of the past haunt the countryside. Cast: Steve Iwamoto, Constance Wu, Kanoa Goo, Chanel Akiko Hirai, Tim Chiou, Boonyanudh Jiyarom. World Premiere

Jockey / U.S.A. (Director: Clint Bentley, Screenwriters: Clint Bentley, Greg Kwedar, Producers: Clint Bentley, Greg Kwedar, Nancy Schafer) — An aging jockey is determined to win one last championship, but his dream is complicated when a young rookie shows up claiming to be his son. Cast: Clifton Collins Jr., Molly Parker, Moises Arias. World Premiere

John and the Hole / U.S.A. (Director: Pascual Sisto, Screenwriter: Nicolás Giacobone, Producers: Elika Portnoy, Alex Orlovsky, Mike Bowes) — A nontraditional coming-of-age story, set in the unsettling reality of John, a kid who holds his family captive in a hole in the ground. Cast: Charlie Shotwell, Michael C. Hall, Jennifer Ehle, Taissa Farmiga. World Premiere

Mayday / U.S.A. (Director and Screenwriter: Karen Cinorre, Producers: Jonah Disend, Lucas Joaquin, Karen Cinorre, Sam Levy) — Ana is transported to a dreamlike and dangerous land where she joins a team of female soldiers engaged in a never-ending war along a rugged coast. Though she finds strength in this exhilarating world, she comes to realize that she’s not the killer they want her to be. Cast: Grace Van Patten, Mia Goth, Havana Rose Liu, Soko, Théodore Pellerin, Juliette Lewis. World Premiere

On the Count of Three / U.S.A. (Director: Jerrod Carmichael, Screenwriters: Ari Katcher, Ryan Welch, Producers: David Carrico, Adam Paulsen, Tom Werner, Jake Densen, Ari Katcher, Jimmy Price) — Two guns. Two best friends. And a pact to end their lives when the day is done. Cast: Jerrod Carmichael, Christopher Abbott, Tiffany Haddish, J.B. Smoove, Lavell Crawford, Henry Winkler. World Premiere

Passing / U.S.A. (Director and Screenwriter: Rebecca Hall, Producers: Forest Whitaker, Nina Yang Bongiovi, Margot Hand, Rebecca Hall) — Two African-American women who can “pass” as white choose to live on opposite sides of the color line in 1929 New York in an exploration of racial and gender identity, performance, obsession, and repression. Based on the novella by Nella Larsen. Cast: Tessa Thompson, Ruth Negga, André Holland, Alexander Skarsgård, Bill Camp. World Premiere

Superior / U.S.A. (Director: Erin Vassilopoulos, Screenwriters: Erin Vassilopoulos, Alessandra Mesa, Producers: Benjamin Cohen, Grant Curatola, Patrick Donovan) — On the run, Marian returns to her hometown in upstate New York to hide out with her estranged identical twin sister, Vivian. Struggling to put the past behind her, Marian lies about the reason for her return, leaving her sister in the dark until their two worlds begin to collide. Cast: Alessandra Mesa, Ani Mesa, Pico Alexander, Jake Hoffman, Stanley Simons. World Premiere

Together Together / U.S.A. (Director and Screenwriter: Nikole Beckwith, Producers: Anthony Brandonisio, Daniela Taplin Lundberg, Tim Headington) — When young loner Anna is hired as the surrogate for Matt, a single man in his 40s, the two strangers come to realize this unexpected relationship will quickly challenge their perceptions of connection, boundaries and the particulars of love. Cast: Ed Helms, Patti Harrison, Tig Notaro, Julio Torres, Anna Konkle. World Premiere

Wild Indian / U.S.A. (Director and Screenwriter: Lyle Mitchell Corbine Jr., Producers: Lyle Mitchell Corbine Jr., Thomas Mahoney, Eric Tavitian) — Two men are inextricably bound together after covering up the savage murder of a schoolmate. After years of separation following wildly divergent paths, they must finally confront how their traumatic secret has irrevocably shaped their lives. Cast: Michael Greyeyes, Chaske Spencer, Jesse Eisenberg, Kate Bosworth, Phoenix Wilson, Julian Gopal. World Premiere

U.S. DOCUMENTARY COMPETITION:
Ten world-premiere American documentaries that illuminate the ideas, people, and events that shape the present day. Films that have premiered in this category in recent years include Boys State, Crip Camp: A Disability Revolution, APOLLO 11, Knock Down The House, One Child Nation, American Factory, Three Identical Strangers, and On Her Shoulders.

Ailey / U.S.A. (Director: Jamila Wignot, Producer: Lauren DeFilippo) — Alvin Ailey was a visionary artist who found salvation through dance. Told in his own words and through the creation of a dance inspired by his life, this immersive portrait follows a man who, when confronted by a world that refused to embrace him, determined to build one that would. World Premiere

All Light, Everywhere / U.S.A. (Director: Theo Anthony, Producers: Riel Roch-Decter, Sebastian Pardo, Jonna McKone) — An exploration of the shared histories of cameras, weapons, policing, and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens. World Premiere

At the Ready / U.S.A. (Director: Maisie Crow, Producers: Hillary Pierce, Maisie Crow, Abbie Perrault) — Home to one of the region’s largest law enforcement education program, students at Horizon High School in El Paso train to become police officers and Border Patrol agents as they discover the realities of their dream jobs may be at odds with the truths and people they hold most dear. World Premiere

Cusp / U.S.A. (Directors: Parker Hill, Isabel Bethencourt, Producers: Zachary Luke Kislevitz, Parker Hill, Isabel Bethencourt) — In a Texas military town, three teenage girls confront the dark corners of adolescence at the end of a fever dream summer. World Premiere

Homeroom / U.S.A. (Director: Peter Nicks, Producers: Peter Nicks, Sean Havey) — Following the class of 2020 at Oakland High School in a year marked by seismic change, exploring the emotional world of teenagers coming of age against the backdrop of a rapidly changing world. World Premiere

Rebel Hearts / U.S.A. (Director: Pedro Kos, Producers: Kira Carstensen, Shawnee Isaac-Smith, Judy Korin) — A group of pioneering nuns bravely stand up to the Catholic Church patriarchy, fighting for their livelihoods, convictions, and equality against an all-powerful Cardinal. From marching in Selma in 1965 to the Women’s March in 2018, these women have reshaped our society with their bold acts of defiance. World Premiere

Rita Moreno: Just a Girl Who Decided to Go For It / U.S.A. (Director: Mariem Pérez Riera, Producers: Brent Miller, Mariem Pérez Riera, Ilia J. Vélez-Dávila) — Rita Moreno defied both her humble upbringing and relentless racism to become one of a select group who has won an Emmy, Grammy, Oscar and Tony Award. Over a seventy-year career, she has paved the way for Hispanic-American performers by refusing to be pigeonholed into one-dimensional stereotypes. World Premiere

Summer Of Soul (…Or, When The Revolution Could Not Be Televised) / U.S.A. (Director: Ahmir “Questlove” Thompson, Producers: David Dinerstein, Robert Fyvolent, Joseph Patel) — During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America’s history lost – until now. World Premiere. DAY ONE

Try Harder! / U.S.A. (Director: Debbie Lum, Producers: Debbie Lum, Lou Nakasako, Nico Opper) — In a universe where cool kids are nerds, the orchestra is world-class, and being Asian American is the norm, seniors at Lowell High School compete for the top prize: admission to the college of their dreams. World Premiere

Users / U.S.A., Mexico (Director: Natalia Almada, Producers: Elizabeth Lodge Stepp, Josh Penn) — A mother wonders, will my children love their perfect machines more than they love me, their imperfect mother? She switches on a smart-crib lulling her crying baby to sleep. This perfect mother is everywhere. She watches over us, takes care of us. We listen to her. We trust her. World Premiere

WORLD CINEMA DRAMATIC COMPETITION
Ten films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include The Souvenir, The Guilty, Monos, Yardie, The Nile Hilton Incident and Second Mother.

The Dog Who Wouldn’t Be Quiet / Argentina (Director: Ana Katz, Screenwriters: Ana Katz, Gonzalo Delgado, Producers: Laura Huberman, Ana Katz) — Sebastian, a man in his thirties, works a series of temporary jobs and he embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with the possible apocalypse. Cast: Daniel Katz, Julieta Zylberberg, Valeria Lois, Mirella Pascual, Carlos Portaluppi. World Premiere

El Planeta / U.S.A., Spain (Director and Screenwriter: Amalia Ulman, Producers: Amalia Ulman, Kathleen Heffernan, Kweku Mandela) — Amidst the devastation of post-crisis Spain, mother and daughter bluff and grift to keep up the lifestyle they think they deserve, bonding over common tragedy and an impending eviction. Cast: Amalia Ulman, Ale Ulman, Nacho Vigalondo, Zhou Chen, Saoirse Bertram. World Premiere

Fire in the Mountains / India (Director and Screenwriter: Ajitpal Singh, Producers: Ajay Rai, Alan McAlex) — A mother toils to save money to build a road in a Himalayan village to take her wheelchair-bound son for physiotherapy, but her husband, who believes that an expensive religious ritual is a remedy, steals her savings. Cast: Vinamrata Rai, Chandan Bisht, Mayank Singh Jaira, Harshita Tewari, Sonal Jha. World Premiere

Hive / Kosovo, Switzerland, Macedonia, Albania (Director and Screenwriter: Blerta Basholli, Producers: Yll Uka, Valon Bajgora, Agon Uka) — Fahrije’s husband has been missing since the war in Kosovo. She sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return or to continue to persevere. Cast: Yllka Gashi, Çun Lajçi, Aurita Agushi, Kumrije Hoxha, Adriana Matoshi, Kaona Sylejmani. World Premiere

Human Factors / Germany, Italy, Denmark (Director and Screenwriter: Ronny Trocker, Producers: Susanne Mann, Paul Zischler, Martin Rehbock) — A mysterious housebreaking exposes the agony of an exemplary middle-class family. Cast: Sabine Timoteo, Mark Waschke, Jule Hermann, Wanja Valentin Kube, Hannes Perkmann, Daniel Séjourné. World Premiere 

Luzzu / Malta (Director and Screenwriter: Alex Camilleri, Producers: Rebecca Anastasi, Ramin Bahrani, Alex Camilleri, Oliver Mallia) — Jesmark, a struggling fisherman on the island of Malta, is forced to turn his back on generations of tradition and risk everything by entering the world of black market fishing to provide for his girlfriend and newborn baby. Cast: Jesmark Scicluna, Michela Farrugia, David Scicluna. World Premiere

One for the Road / China, Hong Kong, Thailand (Director: Baz Poonpiriya, Screenwriters: Baz Poonpiriya, Nottapon Boonprakob, Puangsoi Aksornsawang, Producer: Wong Kar Wai) — Boss is a consummate ladies’ man, a free spirit and a bar owner in NYC. One day, he gets a surprise call from Aood, an estranged friend who has returned home to Thailand. Dying of cancer, Aood enlists Boss’ help to complete a bucket list – but both are hiding something. Cast: Tor Thanapob, Ice Natara, Violette Wautier, Aokbab Chutimon, Ploi Horwang, Noon Siraphun. World Premiere. DAY ONE

The Pink Cloud / Brazil (Director and Screenwriter: Iuli Gerbase, Producer: Patricia Barbieri) — A mysterious and deadly pink cloud appears across the globe, forcing everyone to stay home. Strangers at the outset, Giovana and Yago try to invent themselves as a couple as years of shared lockdown pass. While Yago is living in his own utopia, Giovana feels trapped deep inside. Cast: Renata de Lélis, Eduardo Mendonça. World Premiere

Pleasure / Sweden, Netherlands, France (Director and Screenwriter: Ninja Thyberg, Producers: Eliza Jones, Markus Waltå, Erik Hemmendorff) — A 20-year-old girl moves from her small town in Sweden to LA for a shot at a career in the adult film industry. Cast: Sofia Kappel, Revika Anne Reustle, Evelyn Claire, Chris Cock, Dana DeArmond, Kendra Spade. World Premiere 

Prime Time / Poland (Director: Jakub Piątek, Screenwriters: Jakub Piątek, Łukasz Czapski, Producer: Jakub Razowski) — On the last day of 1999, 20-year-old Sebastian locks himself in a TV studio. He has two hostages, a gun, and an important message for the world. The story of the attack explores a rebel’s extreme measures and last resort. Cast: Bartosz Bielenia, Magdalena Popławska, Andrzej Kłak, Małgorzata Hajewska-Krzysztofik, Dobromir Dymecki, Monika Frajczyk. World Premiere

WORLD CINEMA DOCUMENTARY COMPETITION
Ten documentaries by some of the boldest filmmakers working around the world today. Films that have premiered in this category in recent years include Honeyland, Sea of Shadows, Shirkers, This is Home, Last Men in Aleppo and Hooligan Sparrow.

Faya Dayi / Ethiopia, U.S.A. (Director, Screenwriter and Producer: Jessica Beshir) — A spiritual journey into the highlands of Harar, immersed in the rituals of khat, a leaf Sufi Muslims chewed for centuries for religious meditations – and Ethiopia’s most lucrative cash crop today. A tapestry of intimate stories offers a window into the dreams of youth under a repressive regime. World Premiere

Flee / Denmark, France, Sweden, Norway (Director: Jonas Poher Rasmussen, Producers: Monica Hellström, Signe Byrge Sørensen) — Amin arrived as an unaccompanied minor in Denmark from Afghanistan. Today, he is a successful academic and is getting married to his long-time boyfriend. A secret he has been hiding for 20 years threatens to ruin the life he has built. World Premiere. DAY ONE

Inconvenient Indian / Canada (Director and Screenwriter: Michelle Latimer, Producers: Stuart Henderson, Justine Pimlott, Jesse Wente) — An examination of Thomas King’s brilliant dismantling of North America’s colonial narrative, which reframes history with the powerful voices of those continuing the tradition of Indigenous resistance. International Premiere

Misha and the Wolves / United Kingdom, Belgium (Director and Screenwriter: Sam Hobkinson, Producers: Poppy Dixon, Al Morrow, Matthew Wells, Gregory Zalcman, Jürgen Buedts) — A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth. World Premiere

The Most Beautiful Boy in the World / Sweden (Directors: Kristina Lindström, Kristian Petri, Producer: Stina Gardell) — Swedish actor/musician Björn Andresen’s life was forever changed at the age of 15, when he played Tadzio, the object of Dirk Bogarde’s obsession in Death in Venice – a role which led Italian maestro Luchino Visconti to dub him “the world’s most beautiful boy.” World Premiere

Playing With Sharks / Australia (Director and Screenwriter: Sally Aitken, Producer: Bettina Dalton) — Valerie Taylor is a shark fanatic and an Australian icon – a marine maverick who forged her way as a fearless diver, cinematographer and conservationist. She filmed the real sharks for Jaws and famously wore a chainmail suit, using herself as shark bait, changing our scientific understanding of sharks forever. World Premiere

President / Denmark, U.S.A., Norway (Director: Camilla Nielsson, Producers: Signe Byrge Sørensen, Joslyn Barnes) — Zimbabwe is at a crossroads. The leader of the opposition MDC party, Nelson Chamisa, challenges the old guard ZANU-PF led by Emmerson Mnangagwa, known as “The Crocodile.” The election tests both the ruling party and the opposition – how do they interpret principles of democracy in discourse and in practice? World Premiere

Sabaya / Sweden (Director and Screenwriter: Hogir Hirori, Producers: Antonio Russo Merenda, Hogir Hirori) — With just a mobile phone and a gun, Mahmud, Ziyad and their group risk their lives trying to save Yazidi women and girls being held by ISIS as Sabaya (abducted sex slaves) in the most dangerous camp in the Middle East, Al-Hol in Syria. World Premiere

Taming the Garden / Switzerland, Germany, Georgia (Director Salomé Jashi, Producers: Vadim Jendreyko, Erik Winker, Martin Roelly, Salomé Jashi) — A poetic ode to the rivalry between men and nature. World Premiere 

Writing With Fire / India (Directors and Producers: Rintu Thomas, Sushmit Ghosh) — In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful. World Premiere

NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Films that have premiered in this category in recent years include The Infiltrators, Searching, Skate Kitchen, A Ghost Story and Tangerine. NEXT presented by Adobe.

The Blazing World / U.S.A. (Director: Carlson Young, Screenwriters: Carlson Young, Pierce Brown, Producers: Brinton Bryan, Elizabeth Avellán) — Decades after the accidental drowning of her twin sister, a self-destructive young woman returns to her family home, finding herself drawn to an alternate dimension where her sister may still be alive. Cast: Udo Kier, Carlson Young, Dermot Mulroney, Vinessa Shaw, John Karna, Soko. World Premiere

Cryptozoo / U.S.A. (Director and Screenwriter: Dash Shaw, Producers: Kyle Martin, Jane Samborski, Bill Way, Tyler Davidson) As cryptozookeepers struggle to capture a Baku (a legendary dream-eating hybrid creature) they begin to wonder if they should display these rare beasts in the confines of a cryptozoo, or if these mythical creatures should remain hidden and unknown. Cast: Lake Bell, Michael Cera, Angeliki Papoulia, Zoe Kazan, Peter Stormare, Grace Zabriskie. World Premiere

First Date / U.S.A. (Directors and Screenwriters: Manuel Crosby, Darren Knapp, Producers: Brandon Kraus, Manuel Crosby, Darren Knapp, Lucky McKee, Charles Horak)Conned into buying a shady ’65 Chrysler, Mike’s first date with the girl-next-door, Kelsey, implodes as he finds himself targeted by criminals, cops, and a crazy cat lady. A night fueled by desire, bullets and burning rubber makes any other first date seem like a walk in the park. Cast: Tyson Brown, Shelby Duclos, Jesse Janzen, Nicole Berry, Ryan Quinn Adams, Brandon Kraus. World Premiere

NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Films that have premiered in this category in recent years include The Infiltrators, Searching, Skate Kitchen, A Ghost Story and Tangerine. NEXT presented by Adobe.

The Blazing World / U.S.A. (Director: Carlson Young, Screenwriters: Carlson Young, Pierce Brown, Producers: Brinton Bryan, Elizabeth Avellán) — Decades after the accidental drowning of her twin sister, a self-destructive young woman returns to her family home, finding herself drawn to an alternate dimension where her sister may still be alive. Cast: Udo Kier, Carlson Young, Dermot Mulroney, Vinessa Shaw, John Karna, Soko. World Premiere

Cryptozoo / U.S.A. (Director and Screenwriter: Dash Shaw, Producers: Kyle Martin, Jane Samborski, Bill Way, Tyler Davidson) As cryptozookeepers struggle to capture a Baku (a legendary dream-eating hybrid creature) they begin to wonder if they should display these rare beasts in the confines of a cryptozoo, or if these mythical creatures should remain hidden and unknown. Cast: Lake Bell, Michael Cera, Angeliki Papoulia, Zoe Kazan, Peter Stormare, Grace Zabriskie. World Premiere

First Date / U.S.A. (Directors and Screenwriters: Manuel Crosby, Darren Knapp, Producers: Brandon Kraus, Manuel Crosby, Darren Knapp, Lucky McKee, Charles Horak)Conned into buying a shady ’65 Chrysler, Mike’s first date with the girl-next-door, Kelsey, implodes as he finds himself targeted by criminals, cops, and a crazy cat lady. A night fueled by desire, bullets and burning rubber makes any other first date seem like a walk in the park. Cast: Tyson Brown, Shelby Duclos, Jesse Janzen, Nicole Berry, Ryan Quinn Adams, Brandon Kraus. World Premiere

Ma Belle, My Beauty / U.S.A., France (Director and Screenwriter: Marion Hill, Producers: Ben Matheny, Kelsey Scult, Marion Hill) A surprise reunion in southern France reignites passions and jealousies between two women who were formerly polyamorous lovers. Cast: Idella Johnson, Hannah Pepper, Lucien Guignard, Sivan Noam Shimon. World Premiere

R#J / U.S.A. (Director: Carey Williams, Screenwriters: Carey Williams, Rickie Castaneda, Alex Sobolev, Producers: Timur Bekmambetov, Igor Tsay, John J. Kelly, Alex Sobolev, Anna Soboleva) A re-imagining of Romeo and Juliet, taking place through their cell phones, in a mash-up of Shakespearean dialogue with current social media communication. Cast: Camaron Engels, Francesca Noel, David Zayas, Diego Tinoco, Siddiq Saunderson, Russell Hornsby. World Premiere

Searchers / U.S.A. (Director: Pacho Velez, Producers: Pacho Velez, Joe Poletto, Cathy Tankosic, Sam Roseme) In encounters alternately humorous and touching, a diverse set of New Yorkers navigate their preferred dating apps in search of their special someone.World Premiere

Son of Monarchs / Mexico, U.S.A. (Director and Screenwriter: Alexis Gambis, Producers: Abraham Dayan, Maria Altamirano)After his grandmother’s death, a Mexican biologist living in New York returns to his hometown, nestled in the majestic monarch butterfly forests of Michoacán. The journey forces him to confront past traumas and reflect on his hybrid identity, sparking a personal and spiritual metamorphosis. Cast: Tenoch Huerta Mejía, Alexia Rasmussen, Lázaro Gabino Rodríguez, Noé Hernández, Paulina Gaitán, William Mapother. Alfred P. Sloan Feature Film Prize 

Strawberry Mansion / U.S.A. (Directors and Screenwriters: Albert Birney, Kentucker Audley, Producers: Taylor Shung, Sarah Winshall, Emma Hannaway, Matisse Rifai)In a world where the government records and taxes dreams, an unassuming dream auditor gets swept up in a cosmic journey through the life and dreams of an aging eccentric named Bella. Together, they must find a way back home. Cast: Penny Fuller, Kentucker Audley, Grace Glowicki, Reed Birney, Linas Phillips, Constance Shulman. World Premiere

We’re All Going to the World’s Fair / U.S.A. (Director and Screenwriter: Jane Schoenbrun, Producers: Sarah Winshall, Carlos Zozaya) — A teenage girl becomes immersed in an online role-playing game. Cast: Anna Cobb, Michael J. Rogers. World Premiere

PREMIERES
A showcase of world premieres of some of the most highly anticipated fiction and nonfiction films of the coming year.. Films that have premiered across the Documentary Premieres category include The Dissident, On the Record, and Miss Americana, and in Premieres past titles include Kajillionaire, Promising Young Woman, The Report, Late Night, The Big Sick and Call Me By Your Name.

Amy Tan: Unintended Memoir / U.S.A. (Director: James Redford, Producers: Karen Pritzker, Cassandra Jabola) — Amy Tan has established herself as one of America’s most respected literary voices. Born to Chinese immigrant parents, it would be decades before the author of The Joy Luck Club would fully understand the inherited trauma rooted in the legacies of women who survived the Chinese tradition of concubinage. World Premiere, Documentary

Bring Your Own Brigade / U.S.A. (Director and Screenwriter: Lucy Walker, Producers: Lucy Walker, Julian Cautherley, Holly Becker, Lyn Lear) — A character-driven verité and revelatory investigation takes us on a journey embedded with firefighters and residents on a mission to understand the causes of historically large wildfires and how to survive them, discovering that the solution has been here all along. World Premiere, Documentary

Eight for Silver / U.S.A., France (Director and Screenwriter: Sean Ellis, Producers: Mickey Liddell, Pete Shilaimon, Sean Ellis) — In the late 1800s, a man arrives in a remote country village to investigate an attack by a wild animal but discovers a much deeper, sinister force that has both the manor and the townspeople in its grip. Cast: Boyd Holbrook, Kelly Reilly, Alistair Petrie, Roxane Duran, Aine Rose Daly. World Premiere, Narrative

How it Ends / U.S.A. (Directors, Screenwriters and Producers: Daryl Wein, Zoe Lister-Jones) — On the last day on Earth, one woman goes on a journey through LA to make it to her last party before the world ends, running into an eclectic cast of characters along the way. Cast: Zoe Lister-Jones, Cailee Spaeny, Olivia Wilde, Fred Armisen, Helen Hunt, Lamorne Morris. World Premiere, Narrative

In The Earth / United Kingdom (Director and Screenwriter: Ben Wheatley, Producer: Andy Starke) — As a disastrous virus grips the planet, a scientist and a park scout venture deep into the forest for a routine equipment run. Through the night, their journey becomes a terrifying voyage through the heart of darkness as the forest comes to life around them. Cast: Joel Fry, Ellora Torchia, Hayley Squires, Reece Shearsmith. World Premiere, Narrative

In The Same Breath / U.S.A. (Director: Nanfu Wang, Producers: Nanfu Wang, Jialing Zhang, Julie Goldman, Christopher Clements, Carolyn Hepburn) — How did the Chinese government turn pandemic coverups in Wuhan into a triumph for the Communist party? An essential narrative of firsthand accounts of the coronavirus, and a revelatory examination of how propaganda and patriotism shaped the outbreak’s course – both in China and in the U.S. World Premiere, Documentary. DAY ONE

Land / U.S.A. (Director: Robin Wright, Screenwriters: Jesse Chatham, Erin Dignam, Producers: Allyn Stewart, Lora Kennedy, Leah Holzer, Peter Saraf) – The poignant story of one woman’s search, in the aftermath of an unfathomable event, for meaning in the vast and harsh American wilderness. Cast: Robin Wright, Demián Bichir, Kim Dickens. World Premiere, Narrative 

Marvelous and The Black Hole / U.S.A. (Director and Screenwriter: Kate Tsang, Producer: Carolyn Mao) — A teenage delinquent befriends a surly magician who helps her navigate her inner demons and dysfunctional family with sleight of hand magic, in a coming-of-age comedy that touches on unlikely friendships, grief, and finding hope in the darkest moments. Cast: Miya Cech, Rhea Perlman, Leonardo Nam, Kannon Omachi, Paulina Lule, Keith Powell. World Premiere, Narrative

Mass / U.S.A. (Director and Screenwriter: Fran Kranz, Producers: Fran Kranz, Casey Wilder Mott, JP Ouellette, Dylan Matlock) — Years after a tragic shooting, the parents of both the victim and the perpetrator meet face-to-face. Cast: Jason Isaacs, Ann Dowd, Martha Plimpton, Reed Birney. World Premiere, Narrative

My Name is Pauli Murray / U.S.A. (Directors: Betsy West, Julie Cohen, Producer: Talleah Bridges McMahon) — Overlooked by history, Pauli Murray was a legal trailblazer whose ideas influenced RBG’s fight for gender equality and Thurgood Marshall’s landmark civil rights arguments. Featuring never-before-seen footage and audio recordings, a portrait of Murray’s impact as a non-binary Black luminary: lawyer, activist, poet, and priest who transformed our world. World Premiere, Documentary

Philly D.A. / U.S.A. (Created By: Ted Passon, Yoni Brook, Nicole Salazar, Producers: Ted Passon, Yoni Brook, Nicole Salazar, Josh Penn, Michael Gottwald) — A groundbreaking inside look at the long shot election and tumultuous first term of Larry Krasner, Philadelphia’s unapologetic District Attorney, and his experiment to upend the criminal justice system from the inside out. World Premiere, Episodic Documentary

Prisoners of the Ghostland / U.S.A. (Director: Sion Sono, Screenwriters: Aaron Hendry, Reza Sixo Safai, Producers: Michael Mendelsohn, Laura Rister, Ko Mori, Reza Sixo Safai, Nate Bolotin) — A notorious criminal is sent to rescue an abducted woman who has disappeared into a dark supernatural universe. They must break the evil curse that binds them and escape the mysterious revenants that rule the Ghostland, an East-meets-West vortex of beauty and violence. Cast: Nicolas Cage, Sofia Boutella, Nick Cassavetes, Bill Moseley, Tak Sakaguchi, Yuzuka Nakaya. World Premiere, Narrative

The Sparks Brothers / United Kingdom (Director: Edgar Wright, Producers: Nira Park, Edgar Wright, George Hencken, Laura Richardson) — How can one rock band be successful, underrated, hugely influential, and criminally overlooked all at the same time? Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band’s favorite band. World Premiere, Documentary

Street Gang: How We Got To Sesame Street / U.S.A. (Director: Marilyn Agrelo, Producers: Trevor Crafts, Ellen Scherer Crafts, Lisa Diamond) — How did a group of rebels create the world’s most famous street? In 1969 New York, this “gang” of mission-driven artists, writers and educators catalyzed a moment of civil awakening, transforming it into Sesame Street, one of the most influential and impactful television programs in history. World Premiere, Documentary

MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include Relic, Greener Grass, Hereditary, Assassination Nation, and The Babadook.

Censor / United Kingdom (Director: Prano Bailey-Bond, Screenwriters: Prano Bailey-Bond, Anthony Fletcher, Producer: Helen Jones) — When film censor Enid discovers an eerie horror that speaks directly to her sister’s mysterious disappearance, she resolves to unravel the puzzle behind the film and its enigmatic director – a quest blurring the lines between fiction and reality in terrifying ways. Cast: Niamh Algar, Nicholas Burns, Vincent Franklin, Sophia La Porta, Adrian Schiller, Michael Smiley. World Premiere. DAY ONE

Coming Home in the Dark / New Zealand (Director: James Ashcroft, Screenwriters: Eli Kent, James Ashcroft, Producers: Mike Minogue, Catherine Fitzgerald, Desray Armstrong) — A family’s outing descends into terror when teacher Alan Hoaganraad, his wife Jill and stepsons Maika and Jordon explore an isolated coastline. An unexpected meeting with a pair of drifters, the enigmatic psychopath Mandrake and his accomplice Tubs, thrusts the family into a nightmare when they find themselves captured. Cast: Daniel Gillies, Erik Thomson, Miriama McDowell, Matthias Luafutu. World Premiere

A Glitch in the Matrix / U.S.A. (Director: Rodney Ascher, Producer: Ross M. Dinerstein) — A multi-media exploration of simulation theory – an idea as old as Plato’s Republic and as current as Elon Musk’s Twitter feed – through the eyes of those who suspect our world isn’t real. Part sci-fi mind-scrambler, part horror story, this is a digital journey to the limits of radical doubt. World Premiere

Knocking / Sweden (Director: Frida Kempff, Screenwriter: Emma Broström, Producer: Erik Andersson) — When Molly moves into her new apartment after a tragic accident, a strange noise from upstairs begins to unnerve her. As its intensity grows, she confronts her neighbors – but no one seems to hear what she is hearing. Cast: Cecilia Milocco. World Premiere

Mother Schmuckers / Belgium (Directors and Screenwriters: Lenny Guit, Harpo Guit, Producers: David Borgeaud, Erika Meda) — Issachar & Zabulon, two brothers in their twenties, are supremely stupid and never bored, as madness is part of their daily lives. When they lose their mother’s beloved dog, they have 24 hours to find it – or she will kick them out. Cast: Harpo Guit, Maxi Delmelle, Claire Bodson, Mathieu Amalric, Habib Ben Tanfous. World Premiere

Violation / Canada (Directors, Screenwriters and Producers: Madeleine Sims-Fewer, Dusty Mancinelli) — A troubled woman on the edge of divorce returns home to her younger sister after years apart. But when her sister and brother-in-law betray her trust, she embarks on a vicious crusade of revenge. Cast: Madeleine Sims-Fewer, Anna Maguire, Jesse LaVercombe, Obi Abili, Jasmin Geljo, Cynthia Ashperger. International Premiere

SPOTLIGHT
The Spotlight program is a tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include The Biggest Little Farm, The Death of Stalin, The Rider, Ida and The Lobster.

Night of the Kings / France, Ivory Coast, Canada, Senegal (Director and Screenwriter: Philippe Lacôte, Producers: Delphine Jaquet, Yanick Létourneau, Ernest Konan, Yoro Mbaye) — A young man is sent to La Maca, a prison on the Ivory Coast in the middle of the forest ruled by its prisoners. With the red moon rising, he is designated by the Boss to be the new “Roman” and must tell a story to the other prisoners. Cast: Koné Bakary, Steve Tientcheu, Digbeu Jean Cyrille, Rasmané Ouédraogo, Issaka Sawadogo, Denis Lavant.

The World to Come / U.S.A. (Director: Mona Fastvold, Screenwriters: Ron Hansen, Jim Shepard, Producers: Casey Affleck, Whitaker Lader, Pamela Koffler, David Hinojosa, Margarethe Baillou) — Somewhere along the mid-nineteenth century American East Coast frontier, two neighboring couples battle hardship and isolation, witnessed by a splendid yet testing landscape, challenging them both physically and psychologically. Cast: Katherine Waterston, Vanessa Kirby, Casey Affleck, Christopher Abbott. North American Premiere

SPECIAL SCREENINGS

Life in a Day 2020 / United Kingdom, U.S.A. (Director: Kevin Macdonald, Producers: Jack Arbuthnott, Tim Partridge) — An extraordinary, intimate, global portrait of life on our planet, filmed by thousands of people across the world, on a single day: 25th July 2020. World Premiere

NEW FRONTIER

Since its launch, the Sundance Film Festival’s New Frontier has served as a showcase for dynamic, innovative work at the crossroads of film, art, and technology. At the Festival’s 2021 edition, a global audience will be able to engage with the works, the artists, and fellow Festivalgoers via a bespoke spatialized platform, developed in partnership with digital experience agency Active Theory and accessible via computer and VR headsets. The New Frontier Gallery hosts the complete slate of live performances, AR, VR, and other emerging media works. Cinema House is the Festival’s social, fully immersive cinema, and Film Party is an interactive bar with 6 screens and more intimate rooms available to the entire community of accredited Festivalgoers so that all can safely gather together, connecting via avatar with proximity audio and video chat.

2020 saw that the entire world can shift and leave humanity in an entirely new state of being. As we stand on the precipice of a new era, we need our artists and visionaries to illuminate the way forward,” said Shari Frilot, Senior Programmer and New Frontier Chief Curator. “The lineup of new media works this year challenge what we once knew to be true. Their works glisten with world building wisdom, and offer time machines that extract the cancer of colonial narratives planted deep within our biology.”
Frilot added, “More than ever, we need to gather our community in a meaningful way. This is why New Frontier has built three spatialized digital venues that orbit the earth right alongside the International Space Station. And at any time, Festivalgoers can take leave of the mothership to visit the astronauts aboard the Station, in the immersive experience Space Explorers: The ISS Experience, co-directed by Félix Lajeunesse and Paul Raphaël, or spend a night on earth, bar hopping in Amsterdam through IDFA DocLab’s do {not} play.

The Sundance Institute New Frontier Program is supported by the John D. and Catherine T. MacArthur Foundation, Unity Technologies, Adobe, Dell Technologies, The Walt Disney Studios’ StudioLAB, and Oculus from Facebook.

4 Feet High VR / Argentina, France (Lead Artists: María Belén Poncio, Rosario Perazolo Masjoan, Damian Turkieh, Ezequiel Lenardón, Key Collaborators: Marie Blondiaux, Marcos Rostagno, Eugenia Foguel, Matias Benedetti, Manuel Yeri, Martin Lopez Funes, Guillermo Mena) — Juana, a 17-year-old wheelchair user, aims to explore her sexuality but is ashamed of her body. Trying to find her place in a new high school, she will go through failure, friendship, fear and politics until she builds her own pride. Cast: Marisol Agostina Irigoyen, Florencia Licera, Marcio Ramses, Natalia Di Cienzo, Francisca Spinotti.

7 Sounds / U.S.A. (Lead Artist: Sam Green, Key Collaborator: JD Samson) — An immersive live-streamed audio-video work exploring the universal influence of sound, weaving seven specific audio recordings into a meditation on the power of sound to bend time, cross borders, and profoundly shape our perception.

Beyond the Breakdown / U.S.A. (Lead Artists: Tony Patrick, Lauren Lee McCarthy, Grace Lee, Key Collaborators: Jesse Cahn Thompson, Aldo Velasco) — Imagining alternate narratives for our near-future reality, inside a browser designed to hack our normal online behaviors and cultivate collaborative spaces for self-reflection and renewal.

The Changing Same: Episode 1 / U.S.A. (Lead Artists: Michèle Stephenson, Joe Brewster, Yasmin Elayat, Key Collaborators: James George, Alexander Porter, Rad Mora, Elliott Mitchell) — An immersive, episodic virtual reality experience where the participant travels through time and space to witness the connected historical experiences of racial injustice in America. A respectful, haunting story infused with magical realism and Afrofuturism about the uninterrupted cycle of the 400-year history of racial terror — past and present.

Fortune! / France, Canada (Lead Artists: Brett Gaylor, Nicolas Bourniquel, Arnaud Colinart, Key Collaborators: Marianne Lévy-Leblond, Rob McLaughlin, Dash Spielgeman, Rolito, Clement Chériot) — Money, from bills to coins, has no intrinsic value beyond what we’ve collectively agreed to grant it. However, there’s no denying that money governs our lives. This series of animated documentary shorts in AR for smartphones, tablets and social media platforms, explores that relationship. Cast: Frank Bourassa.

Namoo / U.S.A. (Lead Artist: Erick Oh, Key Collaborators: Maureen Fan, Larry Cutler, Eric Darnell, Kane Lee, David Kahn) — A narrative poem brought to life as an animated VR film, and an ode to a grandfather’s passing, this story follows the journey of a budding artist – and his tree of life – from beginning to end.

Nightsss / Poland (Lead Artists: Weronika Lewandowska, Sandra Frydrysiak, Key Collaborators: Marcin Macuk, Piotr Apostel, Kaya Kołodziejczyk, Marek Straszak, Arek Zub, Przemek Danowski) — A virtual erotic poem created in artistic animation with ASMR and interactive elements, immersing the viewer in the sensual experience of poetry and dance.

Prison X – Chapter 1 : The Devil and The Sun / Australia, Bolivia, India (Lead Artists: Violeta Ayala, Alap Parikh, Maria Corvera Vargas, Roly Elias, Key Collaborators: Daniel Fallshaw, Rilda Paco Alvarado, Alberto Santiago) — Heavy doors open and you are swept into an infamous Bolivian jail, where you live among devils, saints, wicked characters, corrupt prison guards and even a Western filmmaker. In Prison X, inhabit the dreams and nightmares of the Neo-Andean underworld. Cast: Violeta Ayala, Genesis Owusu, Celina Debassey, Anamaria Gómez Jaramillo, Jesse Odom, Nicole Ukelele.

Rich Kids: A History of Shopping Malls in Tehran / United Kingdom, Iran (Lead Artists: Javaad Alipoor, Kirsty Housley, Key Collaborator: Nick Sweeting) — A darkly comedic, urgent new play about entitlement, consumption and digital technology, exploring the ubiquitous feeling that our societies are falling apart through the story of two young members of the Iranian elite, asking what their deaths tell us about climate change, social collapse and Instagram. Cast: Javaad Alipoor, Peyvand Sadeghian.  

Secret Garden / U.S.A. (Lead Artist: Stephanie Dinkins, Key Collaborators: Ethan Edwards, John Fitzgerald, Matthew Niederhauser, Danielle McPhatter, Sidney San Martín, Kate Stevenson, Adaora Udoji, Chris White) — An immersive web experience and installation, illuminating the power and resilience in Black women’s stories. Interactive audio vignettes generate a multi-generational narrative that collapses past, present, and future. Cast: Dayne Board, Erlene Curry, Tianna Mendez, Melissa Moore, Brandi Porter, Lisa Sainville.

Tinker / U.S.A. (Lead Artist: Lou Ward, Key Collaborators: Shimon Alkon, Lara Bucarey, Avril Martinez, Aileen Paron, Anthony Alan Garcia, Roberto Tan, Cristopher David, Neil Realubit, Anton Arcega, David Conklin, Evan Chavez) — What happens when the memories we spend a lifetime creating begin to disappear? Step inside the Grandfather’s workshop to discover this answer for yourself. In this live, bespoke unscripted performance, reimagine what it means to play, to connect and to hold fast to the memories we create. Cast: Randy Dixon.  

To Miss The Ending / United Kingdom (Lead Artists: Anna West, David Callanan, Key Collaborators: Jamie Finlay, Steph Clarke, Dan Tucker) — A VR cubicle of cardboard boxes begins to glitch, revealing an empty dark space in front of you – until something glimmers in the distance, a wave of blue flooding towards you. A chorus of real memories and imagined futures expands, until only the largest memories are left. Cast: Charlotte Berry, Michael Dodds, Houmi Miura, Ben Kulvichit, Anna West.

Traveling the Interstitium with Octavia Butler / U.S.A. (Lead Artists: Sophia Nahli Allison, idris brewster, Stephanie Dinkins, Ari Melenciano, Terence Nance, Key Collaborators: Yance Ford, Sharon Chang, Kamal Sinclair) — Inspired by the ideas of Octavia Butler, voyaging into the interstitium: a liminal space, a cultural memory, containing the remnants of our ancestors, a place of refuge, a place of recentering, a portal into an alternate dimension.

Weirdo Night / U.S.A. (Lead Artists: Jibz Cameron, Mariah Garnett) — A filmed edition, hosted by Dynasty Handbag, of the wildly popular, underground, eponymous live performance and comedy event that, until COVID-19, was held monthly in Los Angeles. Cast: Patti Harrison, Smiling Beth, Morgan Bassichis, Sarah Squirm, Hedia Maron, Blasia Discoteca.

SHORTS

50 short films will play in the Festival, from 27 countries and chosen from 9,933 submissions – 4,587 from the U.S. and 5,368 international. The Institute’s support for short films extends internationally and year-round, with select Festival shorts presented as a traveling program, virtually in 2020, at theaters in the U.S., Canada and Europe each year, and short films and filmmakers taking part in regional online Master Classes geared towards supporting emerging shorts-makers in several cities. Among the shorts the Festival has shown in recent years are So What If The Goats Die, Fauve, Aziza, Ghosts of Sugar Land, Thunder Road, Whiplash, Sister and Brotherhood.

“In a year unlike any other, short films are still going strong with art and craft unique to the form. We are thrilled to share a lineup with a wild range of characters, styles, ideas and emotions to our audience, wherever you may be,” said Mike Plante, Senior Programmer, Short Film.

The 2021 Sundance Film Festival Short Film program is presented by Southwest Airlines.

U.S. Fiction

Ava From My Class / U.S.A., South Korea (Director: Youmin Kang, Screenwriters: Youmin Kang, Soomin Kang) — Anna thinks Ava is the best actress in her class. International Premiere

Bambirak / U.S.A., Germany (Director and Screenwriter: Zamarin Wahdat) — When Kati stows away in her father’s truck, Faruk must juggle his responsibilities as a single dad while holding down his first job in a new country. As their relationship deepens, a brush with covert racism tests their bond. North American Premiere 

BJ’s Mobile Gift Shop / U.S.A. (Director and Screenwriter: Jason Park) — A young Korean-American hustler runs throughout the city of Chicago making sales out of his “mobile gift shop.” World Premiere

Bruiser / U.S.A. (Director: Miles Warren, Screenwriters: Miles Warren, Ben Medina) — After his father gets into a fight at a bowling alley, Darious begins to investigate the limitations of his own manhood. World Premiere

Don’t Go Tellin’ Your Momma / U.S.A., Germany, France, Italy (Directors and Screenwriters: Topaz Jones, rubberband.) — In 1970, Black educators in Chicago developed an alphabet flashcard set to provide Black-centered teaching materials to the vastly white educational landscape and the Black ABCs were born. Fifty years later, twenty-six scenes provide an update to their meanings. World Premiere

Doublespeak / U.S.A. (Director and Screenwriter: Hazel McKibbin) — A young woman grapples with the aftermath of reporting sexual harassment in the workplace.

i ran from it and was still in it / U.S.A. (Director and Screenwriter: Darol Olu Kae) — A poetic meditation on familial loss and separation, and the love that endures against dispersion.

In the Air Tonight / U.S.A. (Director and Screenwriter: Andrew Norman Wilson) — An insider’s take on the meaning behind Phil Collins’ 1980 single “In the Air Tonight.”

LATA / U.S.A., India (Director: Alisha Mehta, Screenwriters: Alisha Mehta, Mireya Martinez) — Lata, a 23 year old domestic worker, navigates her way through an upper class home in South Mumbai. Doors consistently open and close, giving Lata selective access to the various contending realities that occupy this space.

Raspberry / U.S.A. (Director and Screenwriter: Julian Doan) — A son struggles to say goodbye to his dead father. World Premiere

The Touch of the Master’s Hand / U.S.A. (Director and Screenwriter: Gregory Barnes) — Troubled by an unnatural temptation, a young Mormon missionary must confess the humiliating depths of his pornography addiction. World Premiere

White Wedding / U.S.A. (Director and Screenwriter: Melody C Roscher) — Amidst a racially tense Southern wedding, a biracial bride has the chance to confront her estranged Black father after accidentally hiring his wedding band to perform. World Premiere

Wiggle Room / U.S.A. (Directors and Screenwriters: Sam Guest, Julia Baylis) — Determined to save her wheelchair ramp from repossession, Daisy confronts the shady insurance agent who owes her money. World Premiere

Yoruga / U.S.A., Colombia (Director and Screenwriter: Federico Torrado Tobón) — A lonely old man pays a visit to Yoruga, one of the last animals on Earth. World Premiere 

You Wouldn’t Understand / U.S.A. (Director: Trish Harnetiaux, Screenwriters: Trish Harnetiaux, Jacob A. Ware) — An idyllic picnic of one is upended after the arrival of a stranger.

International Fiction

The Affected / Norway (Director: Rikke Gregersen, Screenwriters: Rikke Gregersen, Trond Arntzen) — Minutes before takeoff, a situation occurs, preventing an airplane from departing: in an attempt to prevent the deportation of one passenger, another refuses to sit down – forcing the pilot to take a political stand.

Black Bodies / Canada (Director and Screenwriter: Kelly Fyffe-Marshall) — A Black man laments as he comes face-to-face with the realities of being Black in the 21st century. International Premiere 

The Criminals / France, Romania, Turkey (Director and Screenwriter: Serhat Karaaslan) — In a town in Turkey, a young couple is looking for some privacy. They are rejected from the hotels because they do not have a marriage certificate. When they think they found a way, the situation gets out of hand. World Premiere 

Excuse Me, Miss, Miss, Miss / Philippines (Director: Sonny Calvento, Screenwriter: Arden Rod Condez) — Vangie, a miserable contractual sales lady, is about to lose her job. But in her desperate attempt to convince her boss not to sack her, Vangie uncovers the ultimate jaw-dropping secret to regularization.

Five Tiger / South Africa (Director and Screenwriter: Nomawonga Khumalo) — A god-fearing woman in present-day South Africa finds herself in a transactional relationship as she tries to support her sick husband and daughter. North American Premiere

Flex / Sweden (Directors and Screenwriters: Josefin Malmen, David Strindberg) — He may be god enough, but is he good enough? A slightly surreal comedic exploration of the fine line between a bodybuilder’s self-loathing and self-loving.

Like the Ones I Used to Know / Canada (Director and Screenwriter: Annie St-Pierre) — December 24, 1983, 10:50 p.m.: Julie and her cousins ate too much sugar, Santa Claus is late. Denis, alone in his car, is anxious at the idea of setting foot in his ex-in-law’s house to pick up his children. World Premiere

Lizard / United Kingdom (Director: Akinola Davies, Jr., Screenwriter: The Davies Brothers) Juwon, an 8-year-old girl with an ability to sense danger, gets ejected from Sunday school service. She unwittingly witnesses the underbelly in and around a megachurch in Lagos. International Premiere

The Longest Dream I Remember / Mexico (Director: Carlos Lenin, Screenwriters: Carlos Lenin, Isa Mora Vera) As Tania leaves her hometown, she must confront what her absence will mean in the search for her disappeared father. World Premiere

Mountain Cat / Mongolia, United Kingdom (Director and Screenwriter: Lkhagvadulam Purev-Ochir) — A troubled girl is coerced into seeing a shaman. Trapped by the ancient beliefs that pacify her mother, she finds peace in the physical realm, unleashing her repressed, youthful spirit on the shaman when she realizes his true identity. U.S. Premiere

Unliveable / Brazil (Directors and Screenwriters: Matheus Farias, Enock Carvalho) — In Brazil, where a trans person is murdered every three days, Marilene searches for her daughter Roberta, a trans woman who is missing. While running out of time, she discovers one hope for the future. North American Premiere

The Unseen River / Vietnam, Laos (Director and Screenwriter: Phạm Ngọc Lân) — Stories told along the river: a woman reunites with her ex-lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple in search of a cure for his insomnia.

We’re Not Animals / France (Director and Screenwriter: Noé Debré) — His ex Marie became an Instagram star (thanks to an activist group focused on the female orgasm). Depressed, Igor believes this is a deliberate campaign to prevent him from finding someone else. World Premiere

Non-Fiction

A Concerto is a Conversation / U.S.A. (Directors: Ben Proudfoot, Kris Bowers) — A virtuoso jazz pianist and film composer tracks his family’s lineage through his 91-year-old grandfather from Jim Crow Florida to the Walt Disney Concert Hall.

Dear Philadelphia / U.S.A., United Kingdom (Director: Renee Osubu) — With the help of their family, friends, and faith, three fathers unravel the incomparable partnership of forgiveness and community in North Philadelphia. International Premiere

The Field Trip / U.S.A. (Directors: Meghan O’Hara, Mike Attie, Rodrigo Ojeda-Beck) — A group of fifth graders learn what it takes to get ahead in the modern American workplace. World Premiere

My Own Landscapes / France (Director: Antoine Chapon) — Before going to war, a former military game designer made video game scenarios that prepared soldiers for cultural shocks and healed trauma. Once back from the war, his relationship with his identity, with life and with the video game changed.

The Rifleman / U.S.A. (Director: Sierra Pettengill, Screenwriters: Daniel Garber, Sierra Pettengill) — Told entirely through archival material, tracing Harlon Carter, considered the “father of the modern NRA,” across the decades, revealing the links between the National Rifle Association, the U.S. Border Patrol, and gun culture.

Snowy / U.S.A. (Directors: Kaitlyn Schwalje, Alex Wolf Lewis) — Snowy, a 4-inch-long pet turtle, has lived an isolated life in the family basement. With help from a team of experts and his caretaker, Uncle Larry, we ask: Can Snowy be happy and what would it take? World Premiere

Spirits and Rocks: an Azorean Myth / Switzerland, Portugal (Director: Aylin Gökmen) — On a volcanic island, inhabitants are caught in an unending cycle: the threat of impending eruptions, and the burden of past traumas, loom over them. Some draw upon myth and religious beliefs to interpret their precarious situation; others demonstrate resilience. International Premiere

Tears Teacher / Japan (Director: Noemie Nakai) — Yoshida is a self-proclaimed “tears teacher.” A firm believer that regular crying promotes healthier living, he’s made it his mission to make more people weep.

This is the Way We Rise / U.S.A. (Director: Ciara Lacy) — An exploration into the creative process, following Native Hawaiian slam poet Jamaica Heolimeleikalani Osorio, as her art is reinvigorated by her calling to protect sacred sites atop Maunakea, Hawai`i.

To Know Her / U.S.A., Hong Kong (Director: Natalie Chao) — A poetic exploration of the camera’s gaze and a family’s relationship with the filmmaker’s mother. International Premiere

When We Were Bullies / U.S.A., Germany (Director and Screenwriter: Jay Rosenblatt) — A mind-boggling “coincidence” leads the filmmaker to track down his fifth grade class – and fifth grade teacher – to examine their memory of and complicity in a bullying incident fifty years ago. World Premiere

Up at Night / Democratic Republic of the Congo, Belgium (Director and Screenwriter: Nelson Makengo) — As dusk fades and another night without electricity falls, Kinshasa’s neighborhoods reveal an unstable environment of violence, political conflict and uncertainty over the building of the Grand Inga 3 hydroelectric dam, promising a permanent source of energy to the Congo. U.S. Premiere

Animation

The Fire Next Time / United Kingdom (Director: Renaldho Pelle, Screenwriter: Kerry Jade Kolbe) — Rioting spreads as social inequality causes tempers in a struggling community to flare, but the oppressive environment takes on a life of its own as the shadows of the housing estate close in.

Forever / U.S.A. (Director and Screenwriter: Mitch McGlocklin) — A life insurance company uses an AI algorithm to determine the risk of a new applicant. The subsequent denial sparks a period of introspection for the individual in question.

The Fourfold / Canada (Director and Screenwriter: Alisi Telengut) — An exploration of the indigenous worldview and wisdom based on ancient shamanistic traditions and animistic beliefs in Siberia and Mongolia. With hand-crafted animation, a testament of reclaiming animism for environmental ethics and non-human materialities.

Ghost Dogs / U.S.A. (Director: Joe Cappa, Screenwriters: Joe Cappa, J.W. Hallford) — A family’s new rescue pup is terrorized by deceased pets in this mind-bending horror.

GNT / Australia (Directors and Screenwriters: Sara Hirner, Rosemary Vasquez-Brown) — Glenn is a woman on an unwholesome mission, but just how far will she go to conquer the clique – and social media at large? 

KKUM / South Korea, U.S.A. (Director and Screenwriter: Kang-min Kim) — My mother’s dreams have always been strong premonitions for important moments in my life. I rely on her dreams more than any religion.

Little Miss Fate / Switzerland (Director and Screenwriter: Joder von Rotz) — When the opportunity arises, Little Miss Fate slips into the role of the world leader. Unintentionally she creates a monster, which greedily wants to suck up all the love of the world. Overwhelmed by the rapid development, she loses control. 

Misery Loves Company / U.S.A., South Korea (Director: Sasha Lee, Screenwriters: Sasha Lee, Yejin Choi) As Seolgi is lying on a grass field with friends, a shooting star falls, and dark, intrusive thoughts hit her. Her melancholy blooms into bright and colorful “flower people,” dancing and wishing for a meteorite to end the world.

Souvenir Souvenir / France (Director and Screenwriter: Bastien Dubois) — For ten years, I’ve pretended to make a movie out of my grandfather’s Algerian war souvenirs. Today, I’m not sure I want to hear what he has to say.

Trepanation / U.S.A. (Director: Nick Flaherty) — What was once familiar is now unrecognizable. All previous desires are overshadowed by the need to disappear completely.

INDIE SERIES PROGRAM

A dedicated showcase for emerging creators of independently produced episodic content for broadcast, web, and streaming platforms. Previously Indie Episodic. Past projects that have premiered within this category include Work in Progress, State of the Union, Gentefied, Wu Tang Clan: Of Mics and Men and Quarter Life Poetry. The Indie Series Program is presented by DoorDash.

4 Feet High / Argentina, France (Directors: María Belén Poncio, Rosario Perazolo Masjoan, Executive Producers: Ezequiel Lenardón, Marie Blondiaux) — Juana, a 17-year-old wheelchair user, aims to explore her sexuality but is ashamed of her body. Trying to find her place in a new high school, she will go through failure, friendship, fear and politics until she builds her own pride. Cast: Marisol Agostina Irigoyen, Florencia Licera, Marcio Ramses, Natalia Di Cienzo, Francisca Spinotti. World Premiere

Seeds of Deceit / Netherlands (Director: Miriam Guttmann, Executive Producers: Monique Busman, Michiel van Erp, Judith Reuten) — The revelation that Dr. Karbaat clandestinely used his own semen to inseminate more than 65 of his patients shocked the world. A vivid portrayal of how that happened and all the ways it haunts those affected: the emotional trauma of coming to terms with a changed life, a new identity. World Premiere

These Days / U.S.A. (Director and Screenwriter: Adam Brooks) — Mae, lonely and self-isolating, navigates the world of online dating during the early days of quarantine. Her first attempt is a comic disaster; then, she meets Will and her world begins to change in unexpected ways. Cast: Marianne

Until next time, I look forward to seeing you at the festival!

HollywoodGlee inside the Sundance Film Festival Headquarters at the Park City Marriott on January 23, 2019, in Park City, Utah, the day before the opening of the 2019 Sundance Film Festival. (Photo credit: Larry Gleeson/HollywoodGlee)

 

FILM REVIEW: Joseph Puleo’s “America’s Last Little Italy: The Hill”

Posted and reviewed by Larry Gleeson.

America’s Last Little Italy: The Hill, directed by Joseph Puleo and based on Rio Vitale’s book, St. Louis’s The Hill, was a walk down memory lane for me as a history buff with family ties to the area around The Hill, an Italian enclave and the last remaining Litlle Italy in the United States. America’s Last Little Italy: The Hill explores the deep historic roots of the iconic St. Louis neighborhood and the Italians who immigrated to The Hill in pursuit of the American Dream of owning a home and starting a family.  This is a project I imagine the likes of Martin Scorcese making – only Marty tends to stick to his own neighborhood in New York City (Mean Streets, and The Oratorio). Nevertheless, when he sees this film, I hallucinate he’ll be beaming with Italian Pride.  America’s Last Little Italy: The Hill which screened at the recent St. Louis International Film Festival (SLIFF) is Joseph Puleo’s first feature and was the recipient of the Audience Choice Award at this year’s Cinema St. Louis Showcase. Rio Vitale is credited as the film’s Executive Producer.

With a smooth opening black screen coupled with non-diegetic chimes, the film meanders in the darkness before it reveals an interview with Msgr. Salvatore Polizzi. Msgr. Polizzi, a Roman Catholic priest and former associate pastor of The Hill neighborhood’s St. Ambrose Catholic Church in the late 1960s and early 1970s, begins speaking about the general fear many Americans experienced going into an Italian community, “And we were kind of happy there was a fear also.” The film transitioned as introduction titles rolled and the historical documentary was off and running informing the viewer of the setting with home videos and a still photograph of the most recognizable landmark in St. Louis, Missouri, The Gateway Arch. The editing and soundtrack are seamless and spot-on as both aspects enhanced the film’s narrative.

With America’s Last Little Italy: The Hill Puleo provides an eloquent treatment of the Italian immigrant coming to America and settling into the area and becoming a part of the social fabric. Puleo utilized a plethora of black and white photographs, newspaper articles as well as a multitude of interviews with a wide-ranging assortment of Hill residents and extended family members sharing their experiences, strength, and hope. Fr. Polizzi arrived at St. Ambrose Parish in the late 1960s immediately immersing himself in the community. The early 1970s was a time of great social and cultural upheaval and brought changes to the area – think of Travis Bickle’s opening voice-over monologue in Scorsese’s Taxi Driver. Fr. Polizzi and the men of The Hill neighborhood took matters into their own hands to ensure the neighborhood was kept intact and the darker elements were kept out. The women did the same (and more), to keep their Italian heritage alive and thriving. The nearby Shaw neighborhood by comparison (a war zone) didn’t fare so well.

For me, growing up in the Metro-East area of St. Louis and being a long-time St. Louis Cardinal baseball fan,  my mother had friends on The Hill, notably Eleanor Berra Marfisi, a Berra family member, and author of The Hill: Its History – Its Recipes. Naturally, Mother informed me Lawrence “Yogi” Berra, a brilliant baseball player and manager, was from The Hill. Most baseball fans have heard of Yogi Berra and his Yogiisms as had I (“When you come to a fork in the road, take it.”). However, I wasn’t aware of his 10 World Series Championships and the three Most Valuable Player Awards he earned while playing baseball for the New York Yankees. I was probably more familiar with The Hill’s Peabody Award-winning, and recipient of the Baseball Hall of Fame’s Ford C. Frick Award for outstanding broadcasting achievement, Joe Garagiola. Garagiola broke into the MLB with the 1946 World Champion St. Louis Cardinals Baseball Team. Within a runtime of seventy minutes, Puleo covers all this and much more including how and why The Hill, named for its proximity to the highest point in St. Louis, is America’s last Little Italy today.

Viewing America’s Last Little Italy: The Hill brought back a lot of memories including the above mentioned. Others included learning about St. Ambrose from my dear friend Mike Cucchi (pronounced ˈko͝okē), a standout soccer player and local college soccer coach who made gossip fodder when he “finally moved off The Hill.” Niki Cusamano and  Alisa Santangelo remain and are a part of the new generation of Italian-Americans who want to be a part of The Hill’s St. Louis Italian traditions. I can tell you whenever I visit family in St. Louis, I visit The Hill and Cunetto’s House of Pasta. Last visit my oldest brother Jim introduced me to Frank Cunetto, who is featured in the film as one of The Hill’s restaurateurs, and to our server at Cunetto’s, Vicki, a Hill resident of Sicilian heritage.

America’s Last Little Italy: The Hill TV premiere is scheduled for Monday, November 30th, 7 PM, with a second showing on December 6th, 4 PM on Nine Network PBS. DVD’s are also available in limited quantities on the film’s Facebook page. I’ve seen a lot of films this year and America’s Last Little Italy: The Hill sits at the top!

Highly recommended!

Hollywood Foreign Press Interview: Amanda Seyfried

Posted by Larry Gleeson

Anticipation is making me wait! For the last several weeks’ Oscar buzz has been swarming all over Mank, the David Fincher biographical drama revolving around the witty and often acerbic, Herman Mankiewicz, the screenwriter for one of the greatest films ever made, Citizen Kane. The film stars Oscar-winning (Darkest Hour), Gary Oldman, as Mankiewicz, Amanda Seyfried as Marion Davies, and Charles Dance as William Randolph Hearst. Mank is coming on December 4th, 2020, to Netflix.  Getting hot and bothered due to my above-average risk of COVID-19, and not being able to attend a theatrical screening, I share this awesome, albeit all-too-brief, interview as it appeared on GoldenGlobes.com. with the always delightful, Amanda Seyfried. Enjoy! And, until next time, I look forward to seeing you at the movies. 

Larry Gleeson, left, with Hollywood starlet, Angie Dickinson. (Photo credit: HollywoodGlee)

Interview by Scott Orlin

November 23, 2020

Amanda Seyfried on “Mank”: “I have never seen myself dressed up that way.”

Amanda Seyfried was all set to start classes at Fordham University when she got the call. The then 18-year-old had been cast in an upcoming feature, Mean Girls, which required her to postpone her college career to co-star in the Tina Fey penned comedy. Needless to say, the decision proved inspired as the Allentown, Pennsylvania native has never looked back.

Pivotal roles in such TV series as Veronica Mars and Big Love led her to her first lead role in the 1999 musical Momma Mia! co-starring Meryl Streep. The movie, which used Abba songs to convey the character’s emotions, was a worldwide smash and would eventually produce a sequel 10 years later. In between her portrayals of Sophie, Seyfried secured parts in Jennifer’s Body, Sucker Punch, Ted, Letters to Juliet, and most recently, the psychological horror film You Should Have Left. Now the mother of two steps before the camera under the tutelage of acclaimed filmmaker David Fincher in the period drama Mank, that details the creation of the classic film Citizen Kane.

You are stepping into the shoes of actress Marion Davies, though popular in her time many people today don’t really know her. What insights did you gain about her in your research?

Marion Davies, while being a movie star and having some people know who she was, is such a mystery. There actually wasn’t a lot of research. I found one book that was an autobiography published posthumously of interviews she had done about ten years before her death. The way she remembers things, we are not really sure how clear they are. She had done a lot of movies but not many knew her back story. If you happened to have seen Citizen Kane, you could see that Susan Alexander was inspired by Marion. It is tough to figure out who she is. I do feel the screenwriter, Jack Fincher really captured who she really was more accurately. We get to see how she communicated with other people, especially by the letters she had written, and so we were able to capture the best of her.

She was quite confident. She knew who she was and operated through life that way.

She wasn’t a worrier. She was an extrovert and loved to have fun. That is absolutely the opposite of me. I like to have fun (laugh). I live like an introvert. I can socialize well but I would rather hole up on my farm. That is great but we share an essence in that she was very kind and just wanted to make the most of it. She liked to celebrate all the time and entertain people. She was cool and knew who she was. I think that is why she was so confident.

The look of the film was quite cool. These women from the 1940s style films were dressed regally and not a flaw on their face. How did you like capturing that visual?

I have never seen myself dressed up that way. Even looking in the mirror on set, it was awe-inspiring. It was kind of surreal. I do watch my movies but I am able to take myself out of it to a point. This viewing experience really struck me by the fact that it made me look like I was really living in that era. It felt like it at times. Not a lot of actors get that opportunity. It was very special. I don’t think I will ever get over it. I wasn’t CGI’d into something. I was there. It is not a trick. It is all so specific to technical details. It is only something Fincher can do.

Speaking of Fincher, how did he work with you? He is notorious for doing many takes.

He knew my character in and out; through his bones. The way he approached me was with the most amount of knowledge about where she was coming from for a specific scene or what she was thinking. It really helped shape my performance. He gave me such details about one little breath that helped me change the reaction to something. He wasn’t that specific but we were on the same ride. He was really connected to Marion in a way that I needed because there were so many things happening. He set these parameters and just led me down the path. He was extraordinary.

Speaking of extraordinary. Congratulations on your new baby.

Thank you. My last baby (laugh).

You never know.

I know (laugh).

 

Sundance Institute Names 2021 Momentum Fellows

Posted by Larry Gleeson

New Collaboration with NBCUniversal to Support Underrepresented Filmmakers in Building Sustainable Careers

 

Los Angeles – Sundance Institute announced today the third class of the Momentum Fellowship, a full-year program of deep, customized creative and professional support for mid-career writers and directors from underrepresented communities who are poised to take the next step in their careers in fiction and documentary filmmaking.

The fellowship includes unrestricted grant funding, industry mentorship, professional coaching offered by Renee Freedman & Company supported by The Harnisch Foundation, writing workshops and industry meetings in Spring 2021, and bespoke year-round support from Sundance Institute staff. Additionally, the FilmTwo Fellowship has merged into the Momentum Fellowship, and NBCUniversal will provide an opportunity to select Momentum fellows working on fiction projects to participate in the Universal Directors Initiative. The two-year at-will initiative provides select participants access to NBCUniversal’s creative executives and producers to build career momentum and exposure to potential directing opportunities across Film, TV, and Streaming.

“We are thrilled to bring back the Momentum Fellowship for a third year, to support these visionary artists at such a critical moment both in their careers and in our culture at large,” said Karim Ahmad , Director, Outreach & Inclusion, Sundance Institute.

Karim Ahmad, Director, Outreach & Inclusion, Sundance Institute.

The Momentum Fellowship, which launched in 2018, evolved from the Women at Sundance Fellowship, a highly successful model that merited expansion for impact across a broader cohort of underrepresented communities.

Those eligible for this intersectional program include artists identifying as women, non-binary and/or transgender, Black, Indigenous, and/or people of color, and artists with disabilities. Past recipients include Andrew Ahn, Linda Yvette Chávez, Christina Choe, Deborah Esquenazi, Rodney Evans, Penny Lane, Avril Z. Speaks, and Malika Zouhali-Worrall.

The Sundance Institute Outreach and Inclusion program is made possible by support from the John S. and James L. Knight Foundation, Emerson Collective, Will & Jada Smith Family Foundation, The Harnisch Foundation, NBCUniversal, Ruderman Family Foundation, Critical Minded, Jason Delane Lee and Yvonne Huff Lee, Netflix, SAGindie, Asante Family Philanthropic Fund, Easterseals Disability Services, Rene Cruz—Esperanza Arts Foundation, Philip Fung—A3 Foundation, and Open Society Foundations.

Women at Sundance is made possible by leadership support from The David and Lura Lovell Foundation, The Harnisch Foundation, and Adobe. Additional support is provided by Kimberly Steward, Paul, and Katy Drake Bettner, Barbara Bridges, Abigail Disney, and Pierre Hauser—Like a River Fund, Hollywood Foreign Press Association, Rhianon Jones, Suzanne Lerner, Cristina Ljungberg, Susan Bay Nimoy, Ann Lovell, Zions Bank, Visionary Women, Gruber Family Foundation, Pat Mitchell and Scott Seydel, Brenda Robinson, and an anonymous donor.

Also announced today: NBCUniversal is partnering with the Institute on the final FilmTwo Fellowship. The recipients of the Sundance Institute | Universal FilmTwo Fellowship are: Ash Mayfair, Marcel Rasquin, and filmmaking team Samantha Buck and Marie Schlingmann.

The 2021 Momentum Fellows are:

Cristina Costantini

Cristina Costantini is an Emmy award-winning director.  Her latest documentary Mucho Mucho Amor, about famed Puerto Rican astrologer Walter Mercado, premiered at the Sundance Film Festival and was released on Netflix in 2020. The film was nominated for a Critics Choice Award and won the Best Latinx Film award from the National Association of Latino Independent Producers (NALIP). Her first feature film, Science Fair, told the story of nine high schoolers from around the world who set out to win the International Science and Engineering Fair. The film won the Sundance Festival Favorite Award in 2018 as well as the SXSW Audience Award, a Critics Choice Award for Best First Time Director, and an Emmy award. Before becoming a documentary filmmaker, Cristina worked as an investigative journalist, covering immigration, detention centers, sex trafficking, and the opiate epidemic for ABC News, Univision, The Huffington Post, and Fusion. Her investigative work has been recognized with a GLAAD Media Award, National Association of Hispanic Journalists Awards, and an Alfred I. duPont–Columbia University Award. The Wisconsin native is a Yale grad who now lives in California with her husband, Alfie, and their pug dog Harriet. She is a partner at Muck Media, a Los Angeles-based production company.

Natalie Erika James

 

Natalie Erika James is a Japanese-Australian writer/director based in Melbourne, Australia. Her debut feature, Relic, is a psychological horror starring Emily Mortimer, Bella Heathcote and Robyn Nevin, produced by Carver Films, Jake Gyllenhaal’s Nine Stories and executive produced by the Russo Brothers’ Agbo Films. Relic premiered at the 2020 Sundance Film Festival and was programmed in SXSW, BFI London Film Festival and Sitges Film Festival, where it was awarded a Special Mention for Direction. The film was nominated for Best Original Feature Film at the 2019 Australian Writer’s Guild Awards and nominated for Best Direction in a Feature Film at the 2020 Australian Director’s Guild Awards. Natalie is currently developing Drum Wave, a Japanese folk horror with development support from Screen Australia and Film Victoria. Drum Wave was one of 14 projects selected for the project market at the International Film Festival & Awards Macao, taking home the Best Co-Production prize. Her 2018 proof-of-concept short for Drum Wave was nominated for Best Australian Short Film at the Sydney Film Festival and premiered internationally at Fantastic Fest. Natalie is signed to WME and directs commercials and music videos through Australian production company, Fiction.

Shalini Kantayya

 

Filmmaker Shalini Kantayya’s feature documentary, Coded Bias, premiered at the 2020 Sundance Film Festival and was nominated for a Critics’ Choice Award for best science documentary. She directed the season finale episode for the National Geographic television series Breakthrough, a series profiling trailblazing scientists transforming the future, Executive Produced by Ron Howard, broadcast globally in June 2017. Her debut feature film Catching the Sun, about the race for a clean energy future, premiered at the Los Angeles Film Festival and was named a New York Times Critics’ Pick. Catching the Sun released globally on Netflix on Earth Day 2016 with Executive Producer Leonardo DiCaprio, and was nominated for the Environmental Media Association Award for Best Documentary. Kantayya is a TED Fellow, a William J. Fulbright Scholar, and a finalist for the ABC Disney DGA Directing Program. She is an Associate of the UC Berkeley Graduate School of Journalism. Kantayya finished in the top 10 out of 12,000 filmmakers on Fox’s On the Lot, a show by Steven Spielberg in search of Hollywood’s next great director.

Loira Limbal

 

Loira Limbal is an Afro-Dominican filmmaker and DJ interested in the creation of art that is nuanced and revelatory for communities of color. She is the Senior Vice President of Programs at Firelight Media. Firelight is committed to making films about pivotal movements and moments in the U.S. Firelight’s flagship program – the Documentary Lab – is a fellowship that provides mentorship, funding, and industry access to emerging filmmakers of color. Limbal’s current film, Through the Night is a feature documentary about a 24 hour daycare center. Through the Night was part of the 2019 Sundance Edit & Story Lab and was selected for world premiere at the 2020 Tribeca Film Festival. Her first film, Estilo Hip Hop, was a co-production of ITVS and aired on PBS in 2009. Additionally, she co-produces and helms the popular Brooklyn monthly #APartyCalledRosiePerez. Limbal received a B.A. in History from Brown University and is a graduate of the Third World Newsreel’s Film and Video Production Training Program. She is a Sundance Institute Fellow and a former Ford Foundation JustFilms/Rockwood Fellow. She lives in the Bronx with her two children.

Ekwa Msangi

 

Ekwa’s award-winning and critically acclaimed feature film Farewell Amor premiered in competition at the 2020 Sundance Film Festival, garnering 100% on Rotten Tomatoes. The film won the Sundance Amazon Producer’s Award, and NYWIFT Directing Award amongst other distinctions, and was bought for distribution by IFC Films for North America, MUBI and Netflix for Worldwide. Previous to that, Ekwa has written & directed several shorts, most recently award-winning comedy Soko Sonko (The Market King), and Farewell Meu Amor starring Tony Award nominee Sahr Ngauja, and Nana Mensah. For Farewell Amor Ekwa was awarded the Jerome Foundation Grant, Tribeca All Access Fellowship, Cine Qua Non Lab Fellowship, IFP/No Borders, and Sundance Feature Film Development Fellowship, and is a 2020 BAFTA Breakthrough honoree. Ekwa has also written & directed several drama series for mainstream broadcasters in Kenya and MNET South Africa, including The Agency, MNET’s first-ever original hour-long Kenyan drama series. Ekwa has taught Screenwriting at The New School and Feirstein Graduate School of Cinema, and is faculty at the Vermont College of Fine Arts. One of Ekwa’s key goals as an artist is to transform our society’s images and relationships with African cultures, and to empower African filmmakers in telling their stories.

Edson Oda

Edson Oda is a Japanese-Brazilian writer/director based in Los Angeles. He graduated from the University of São Paulo with a Bachelor’s in Advertising and completed his Master of Fine Arts in Film and Production at the University of Southern California. His first feature film Nine Days starring Winston Duke, Zazie Beetz, Benedict Wong, Bill Skarsgard and Tony Hale premiered at the Sundance Film Festival 2020 (U.S. Dramatic Competition), winning the Walt Salt Screenwriting Award. Oda also wrote, directed and supervised projects for Philips, Telefonica, Movistar, InBev, Whirlpool, Johnson & Johnson, Honda, Nokia. He’s a Sundance Screenwriters Lab alumni and Latin Grammy-nominated director for best music video.

Jacqueline Olive

 

Jacqueline Olive is an independent filmmaker and immersive media producer with more than fifteen years of experience in journalism and film. Her debut feature documentary, Always in Season, examines the lingering impact of more than a century of lynching African Americans. Always in Season premiered in competition at the 2019 Sundance Film Festival and was awarded the Special Jury Prize for Moral Urgency. It has received numerous festival jury awards and other honors that include winner of the 2020 SIMA Documentary Jury Prize For Ethos and nominations for Best Writing from IDA Documentary Awards 2019 and the Spotlight Award from Cinema Eye Honors 2019. Always in Season broadcast on the Emmy Award-winning PBS series, Independent Lens, on February 24, 2020, and was the most viewed film of the season. Jackie also co-directed and co-produced the award-winning hour-long thesis film, Black to Our Roots, which broadcast on PBS WORLD in 2009. Jackie has received artist grants and industry funding from Sundance Institute, Ford Foundation, Firelight Media, Tribeca Film Institute, Independent Television Service (ITVS), Chicken & Egg Pictures, International Documentary Association, Kendeda Fund, Catapult Film Fund, Southern Documentary Fund, Alternate ROOTS, and more. She was recently awarded the Emerging Filmmakers of Color Award from International Documentary Association (IDA) and the Jonathan Logan Family Foundation and profiled one of Variety’s “10 Filmmakers To Watch.” A Southerner and Mississippi native, Jackie currently teaches film as Visiting Assistant Professor at the University of California, Santa Cruz in the Social Documentation MFA Program and happily makes films full-time.

Angel Kristi Williams

 

Angel Kristi Williams is a filmmaker born and raised in West Baltimore, Maryland. She was 8 years old when her late father gave her a VHS camcorder which sparked her love for the medium. After studying visual art, photography and experimental film, Angel developed a voice that embraces silence and the power of the image to tell a story. Her feature directorial debut Really Love, produced by MACRO, was selected to play in narrative competition at SXSW and won the Special Jury Recognition for Acting for co-stars Kofi Siriboe and Yootha Wong-Loi-Sing. The film recently World Premiered as part of AFI Fest’s Special Presentations to much acclaim. Her previous film Charlotte won the short film jury awards at Atlanta and Sarasota Film Festivals. Angel is a 2014 Film Independent Project Involve Directing Fellow, where she was the recipient of the Sony Pictures Diversity Fellowship. She splits her time between Baltimore and Los Angeles and teaches in the MFA film program at Maryland Institute College of Art (MICA). She holds an MFA in Cinema Directing from Columbia College Chicago.

Sundance Institute
As a champion and curator of independent stories for the stage and screen, the nonprofit Sundance Institute provides and preserves the space for artists in film, theatre, film composing, and digital media to create and thrive. Founded in 1981 by Robert Redford, the Institute’s signature Labs, granting, and mentorship programs which are dedicated to developing new work and take place throughout the year in the U.S. and internationally, are supported largely through contributed revenue. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, City So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

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Teaser Trailer for 2021 Sundance Film Festival Released

Posted by Larry Gleeson

Sundance Institute yesterday debuted the 2021 teaser trailer – with a look back at some iconic discoveries from decades of the Festival, including snippets from films that Sundance has premiered over the years and testimony from the likes of Ava DuVernay, Aubrey Plaza, and Eva Longoria about how every year, we come together as a community to explore the boldest new independent work.

While you’re here check out the brand-new, dedicated online home, festival.sundance.org, alongside a countdown clock, a brief note from new Festival Director Tabitha Jackson, and a link to the all-new 2021 Festival Merch Store, we hope that the trailer will lead you — and all lovers of film, creativity, and storytelling —  to get excited for the Festival!

HollywoodGlee inside the Sundance Film Festival Headquarters at the Park City Marriott on January 23, 2019, in Park City, Utah, the day before the opening of the 2019 Sundance Film Festival. (Photo credit: Larry Gleeson/HollywoodGlee)

Stay tuned for more on the upcoming 2021 Sundance Film Festival!

(Sourced from Sundance News)

Final Thoughts on ‘The Mostly Virtual’ AFI FEST 2020

Posted by Larry Gleeson

AFI FEST 2020 presented by Audi attracted the largest national audience in its 34-year history.

Michael Lumpkin, Director AFI Festivals

“With an audience of more than double from last year, we welcomed over 200 filmmakers and guests from around the world for Q&As and panels,” said Michael Lumpkin, Director AFI Festivals. “This year’s festival was truly a celebration of film across the country with festival-goers joining us online from all 50 states.”

I concur. Thank you to Michael and the entire AFI FEST team for making this year’s ‘mostly virtual’ festival top-notch!

Sofia Coppola shares a photo during her 2020 AFI FEST Tribute

Highlights of the 2020 festival included a Centerpiece Drive-in screening of ONE NIGHT IN MIAMI… (DIR Regina King) at the Rose Bowl; the World Premieres of I’M YOUR WOMAN (DIR Julia Hart), PINK SKIES AHEAD (DIR Kelly Oxford) and REALLY LOVE (DIR Angel Kristi Williams); screenings of highly anticipated films including COLLECTIVE (COLLECTIV) (DIR Alexander Nanau), THE FATHER (DIR Florian Zeller), I CARRY YOU WITH ME (Heidi Ewing), MY LITTLE SISTER (DIR Stéphanie Chuat, Véronique Reymond), NEW ORDER (NUEVO ORDEN) (DIR Michel Franco), NINE DAYS (DIR Edson Oda) and WOLFWALKERS (DIR Tomm Moore, Ross Stewart); a conversation with Dr. Stacy Smith on the portrayal of characters with mental health conditions in film and television; a discussion with the director and cast of SOUND OF METAL with the Deaf community; a conversation with Academy Award® nominee, producer, director and writer Ava DuVernay about elevating and supporting BIPOC filmmakers; the Indie Contenders and Doc Roundtables; and Tributes to Sofia Coppola, Kirby Dirk, Mira Nair and Rita Moreno.

Additional Highlights

A few of my favorite additional highlights included Elle, an AFI Conservatory Showcase selection. Elle is a coming-of-age story and character-driven drama that explores themes such as self-discovery, unrequited love, and the ambivalence and intimacy that exists within female friendships. In the Director’s Statement, AFI Conservatory Alumna, Nicole Vanden Broeck writes,

Nicole Vanden Broeck

“I have always believed in the power of cinema to comfort us, to tell us that we are not alone, that others have felt what we’ve felt, that we share our struggles and our heartbreaks, that there is someone out there that understands.”

 

Elle

Technically and artistically, Elle hits all the marks. Strong cinematography by Guido Raimondo. Warm and intimate production design from Evan Welch. Seamless editing (Chris Tenzis, Editor). Believable and highly naturalistic acting with Sarah Sawyer as Elle and Ron Dadon as Sam. And, an emotionally rewarding narrative written by Vanden Broeck and Asher Jelinsky and a beautiful mise-en-scene to match. Gabrielle Cordero produced Elle. Highly recommended with a runtime of twenty-one minutes and a team to keep an eye on!

At the Virtual Industry and Filmmaker Mixer, I had the pleasure of connecting with Matt Yoka, director of Whirlybird, his feature documentary on the pioneering and groundbreaking TV aerial news reporting team of Bob Tur and Marika Gerard. Yoka crafts his work from 2,000 hours of recorded flight tape, direct interviews, news archives, still photos, and more. The result is a dynamic visual history of the biggest Los Angeles news events in the last 30 years including the Los Angeles Riots of 1992 and the pursuant, criminal assault of truck driver, Reginald Denny, at Florence and Normandy after the Rodney King beating verdict and subsequent acquittal of the four white police officers charged. And, if that wasn’t enough the duo broke and captured the infamous O.J. Simpson ‘White Bronco’ car chase which became “the apex of live news coverage” with approximately 80 million viewers tuning in. A must-see!

Whirlybird

While I didn’t get an opportunity to connect with Sean Penn during the mixer, I did view Citizen Penn. I’ve long been a fan of Sean Penn as an actor beginning with his Mick O’Brien role in the 1983 Bad Boys and I was semi-aware of his Haiti relief efforts in 2010. As an Army Reservist, my battalion was on alert for deployment. In the documentary, Director Don Hardy, sometimes eloquently and sometimes pragmatically, reveals Sean Penn has diligently changed his image through Penn’s extensive efforts to aid assistance to his fellow ‘man’ in war-torn, disaster-laden, disaffected countries beginning in 2002 with the war in Iraq right up to the current COVID-19-infected United States.

Citizen Penn

Utilizing a plethora of photographs, direct interviews, and archival news footage, documenting the devastation and suffering along with footage from one camera operated by a Haitian police officer who accompanied Penn at all times following the country’s 2010 earthquake. Penn was adamant about his efforts not being used for overt publicity but allowed the official to have and operate a camera at his own discretion. Penn stayed on the ground for several months returning often guiding not only relief efforts but also debris and gravel removal. More recently, Penn began hosting an annual gala raising several million dollars from a limited guest list as his efforts are taking root. Highly recommended and quite compelling. A must-see!

Left to right, Meet The Press’s Chuck Todd, and The Reagans Director, Matt Tyrnauer.

THE REAGANS (DIR Matt Tyrnauer), presented by Meet the Press and Chuck Todd,  screened Parts 1 and 2 of this compelling and extremely timely re-examination of President and Mrs. Reagan. Chock full of evocative archival footage and illuminating contemporary interviews, THE REAGANS asserts Nancy’s central role in her husband’s career, shines a light on the darker aspects of the Reagans’ climb to power, and provides a revelatory perspective on how the political tactics used in the ‘60s and ‘70s are a progenitor of our current national politics. The screening was followed by an in-depth conversation between Chuck Todd and Tyrnauer as they discuss the subjects, several of the Reagan biographies, and Tyrnauer’s previous documentary, Where’s My Roy Cohn.

Belushi

Belushi, from Showtime Documentary Films, directed by award-winning, filmmaker R.J. Cutler, reveals the complicated, singular, and too-short life of a beloved American icon who helped change American culture and comedy, John Belushi, a once-in-a-generation talent who captured the hearts and funny-bones of audiences around the world. From his early years growing up in Wheaton, Illinois, Belushi showed an extraordinary talent for comedy and music. But, it was a visit to the Second City theater in Chicago where Belushi established himself and from that moment on he became an unstoppable and pioneering force in the comedy world. His audacious rendition of Joe Cocker singing the Beatles “With A Little Help From My Friends,” proved to be the star shot launching pad. Cutler utilizes still photos, archival footage, home videos, animation, and telling letters from John to his high school sweetheart girlfriend and later wife, Judy, that paint a picture of Belushi’s passion, love, and humanly struggles.

Belushi’s insatiable drive for success and fame kept the candle burning at both ends. When his acting attempts in 1941, Neighbors, and Continental Divide failed to provide him the accolades of The Blues Brothers and Animal House, Belushi sought consolation and creativity in dark habits as he continually pushed himself for greatness. As a performer, John Belushi grasped the importance of developing and recreating himself on stage and felt a high degree of compulsion to do this on the big screen. Belushi’s ambitious drive and need for approval reached its limits on March 5, 1982, at the hotel Chateau Marmont in West Hollywood. Belushi was found alone, not breathing, and unresponsive. The coroner’s report stated the cause of death was “acute cocaine and heroin intoxication.”

Cutler captures what John Belushi was as a performer and scratches the surface of who Belushi was as a person. Told linearly using previously unheard audiotapes, the film also examines Belushi’s life in the words of his collaborators, friends, and family, including Dan Aykroyd, Jim Belushi, Penny Marshall, Lorne Michaels, Carrie Fisher, Chevy Chase, Harold Ramis, Jane Curtin, Ivan Reitman and his wife, Judy Belushi. As much as I enjoyed experiencing his comedic genius again, there is more to John Belushi than what appears in this screening of Belushi.  Yet, Cutler does an excellent job of creating a framework of understanding some of the comedic legend’s motivation and unmet needs with a well-researched and documented biographical treatment. Belushi is scheduled to launch on November 22, 2020, on Showtime. Highly recommended.

Wander Darkly

Thriller/Drama Wander Darkly,  is as good a film as I’ve seen this year. Written and directed by Tara Miele, and starring Sienna Miller as Adrienne and Diego Luna as Matteo,  Wander Darkly is a surreal journey into conflict resolution between a young couple following a traumatic car accident. On its most basic level, Wander Darkly is a relationship film challenging boundaries while seeking the answer for continuity. In a very non-linear approach, the couple relives the past through the duality of their shared moments including fond memories from the initial courtship through the truths of the present as they attempt to rediscover the love that binds them together as they face an uncertain future. Miller in a tour de force performance crushes it as Adrienne pulling out all the emotional stops exploring grief, joy, and love. Wander Darkly is scheduled to be in select theaters, on digital, and on-demand on December 11th. Check it out! You’ll be glad you did!

Uncle Frank

Uncle Frank, an Amazon Original Film, starring Paul Bettany, Sophia Lillis, Peter Macdissi, Steve Zahn, and Stephen Root (Office Space), and directed by Alan Ball, tells the story of a young, rural South Carolinian woman, Beth, (Sophia Lillis) a precocious spirit with a connection to her rarely seen Uncle Frank.

When a death in the family occurs, Beth and Uncle Frank embark on a road trip back to South Carolina delving into deep interpersonal dialogue on sexuality and death before being unexpectedly joined by Wally. Along the rest of the way, Beth is exposed to bigotry, homophobia, and a warm, loving relationship. Once she and Uncle Frank are back in small-town, rural Creekville, South Carolina, the past reveals itself, and moments for self-reflection and overcoming imposed beliefs come to pass.

Uncle Frank, a character-driven drama, is quite entertaining and could easily pass for a period piece, much like Green Book, with its costuming by Megan Stark Evans,  production design by Darcy C Scanlan, its superb cinematography by Khalid Mohtaseb, and with the layered narrative (screenwriting, Alan Ball) dealing with family, remorse, death, loss, same-sex relationships, religion, as well as social norms and beliefs in the Deep South.

Seeing Bettany cast had a lot to do with my viewing selection of Uncle Frank. And, he doesn’t disappoint as he carries the heaviness, the emotional weight, of Uncle Frank. My hat’s off to Casting Director, Avy Kaufman (Brokeback Mountain). Bravo! Uncle Frank is scheduled for a U.S. release (internet) on November 25th, 2020, and is a beautiful, entertaining film. Very warmly recommended viewing!

MY PSYCHEDELIC LOVE STORY

The Closing Night Presentation was the World Premiere of MY PSYCHEDELIC LOVE STORY (DIR Errol Morris), followed by an interesting conversation between Indiewire’s Ann Thompson and Morris (available along with 69 other conversations here.)  In MY PSYCHEDELIC LOVE STORY, Morris delivers a tell-all story of Johanna Harcourt-Smith, a once young, Swiis born, Paris-raised, jet-setting, an aristocratic, Jewish woman who cavorted with the high priest of LSD, Timothy Leary. My Psychedelic Love Story is the story of Harcourt-Smith and O’Leary as they circumvent extradition and indulge themselves in daily acid trips for a two-month period before Leary is extradited back to the US, incarcerated, and eventually released. At the time there was much speculation Harcourt-Smith was a CIA plant – a Mata Hari of sorts. MY PSYCHEDELIC LOVE STORY will be airing on Showtime!

Wolfwalkers, an Apple Original Film from Cartoon Saloon, the Kilkenny, Ireland, the animation studio that previously produced The Secret of Kells (2009)  and Song of the Sea (2014) completes an Irish folklore animated trilogy spanning slightly more than ten years.

Wolfwalkers is set in 17th-century Ireland, a time of great change with successive transfers of land from catholic to protestant ownership and where administrative and political power passed into the hands of a new English minority (Irish Historical Studies, Vol. 15, No. 60, Sep 1967, pgs. 366-375).  Literary references to the Arthurian Camelot myth and to historical figure Oliver Cromwell are smoothly incorporated as well. Moore and Stewart encapsulate this situation in a magical friendship that develops between two young girls, Robyn and Mebh.

Wolfwalkers, steeped in historical significance, is one of the most breathtakingly beautiful films I have had the pleasure of viewing and experiencing and it’s a film the whole family can watch! Wolfwalkers is set to be released theatrically on October 30, 2020, by WildCard in the United Kingdom and Ireland, and on November 13, 2020, by GKIDS before debuting on Apple TV+ on December 11, 2020.

Stay tuned for the upcoming holiday film guide!

HollywoodGlee celebrating the start of the 2019 AFI FEST presented by Audi. (Photo credit: Larry Gleeson)

AFI FEST 2020 FILM REVIEW: Wolfwalkers (Tomm Moore and Ross Stewart, 2020)

Posted  and reviewed by Larry Gleeson

Wolfwalkers, an Apple Original Film from Cartoon Saloon, the Kilkenny, Ireland, animation studio that previously produced The Secret of Kells (2009)  and Song of the Sea (2014) completes an Irish folklore animated trilogy spanning slightly more than ten years and is one of the most breathtakingly beautiful films I have had the pleasure of viewing and experiencing. Utilizing two-dimensional hand-drawn techniques with a plethora of pastel colorations, eye-catching geometrical patterns combined with Celtic music featuring harps, violins and a sundry of woodwind instruments, artists Tomm Moore and Ross Stewart take their previous efforts to another level visually, and, in my opinion, produce their strongest work to date. Wolfwalkers made its US Premiere during this year’s American Film Institute’s AFI FEST presented by Audi and was the recipient of the festival’s Audience Award for Best Narrative Feature.

Wolfwalkers is set in 17th-century Ireland, a time of great change with successive transfers of land from catholic to protestant ownership and where administrative and political power passed into the hands of a new English minority (Irish Historical Studies, Vol. 15, No. 60, Sep 1967, pgs. 366-375).  Literary references to the Arthurian Camelot myth and to historical figure Oliver Cromwell are smoothly incorporated as well. Moore and Stewart encapsulate this situation in a magical friendship that develops between two young girls, Robyn and Mebh. Robyn is a “townie” who along with her wolf-hunter father, Bill, is sent from England and tasked with ridding the woodland outside of the town of wolves.  Mebh, on the other hand, is a wild girl who is being raised by wolves. “After being told to stay within the city walls, Robyn sneaks out to explore the magical world of the forest where she meets Mebh, and undergoes a secret transformation, turning into the very thing her father is sent to destroy creating a final battle between the wolf pack and townsfolk.” – Sarah Harris, AFI Festivals Director of Programming,

Artistically, Moore and Stewart felt the use of hand-drawn frames is not limited by aspect ratios of a camera allowing for an expression beyond realism in constructing the worlds of Wolfwalkers. For example, the visual contrast between the town and forest is represented by the aggressive lines and darker colors of the town versus softer lines and earthier, impressionistic tones of the forest. In the Q & A conversation with AFI Festivals Director of Programming, Sarah Harris, Moore and Stewart explained their choice in representation as an attempt to portray Robyn’s life in town as controlled and Mebh’s life in the forest as free, energetic, and out of control. Both agreed the stylistic attempts in drawings and the incorporation of split screens and vertical panels were somewhat experimental and the inspiration came from the 2018 Best Animated Feature Film Oscar-winning work, Spider-man: Into the Spider-verse , the 2005 Frank Miller and Quinten Tarantino Sin City, and from the early Expressionist films whereby frames were hand-painted to create coloration.

Wolfwalkers, steeped in historical significance, is a film the whole family can watch and is set to be released theatrically on October 30, 2020, by WildCard in the United Kingdom and Ireland, and on November 13, 2020, by GKIDS before debuting on Apple TV+ on December 11, 2020. Highly recommended!

Nashville Film Festival 2020 FILM REVIEW The Bee Gees: How Can You Mend A Broken Heart (Frank Marshall, USA)

Reviewed by Larry Gleeson as part of the Opening Night Presentation of the virtual 51st Nashville Film Festival “featuring the finest in films, music, and culture.”

 

 

During the Disco Era of the late 1970s, no one was bigger than the Bee Gees (the Brothers Gibb), a band composed of brothers Barry, Maurice, and Robin Gibb. They seemed to be everywhere – on the radio, in the theatre (with six of ten songs on the second-biggest selling soundtrack of all-time from the 1977 film, Saturday Night Fever, starring John Travolta), guest appearances on television talk shows, and…..their music was danced to several times a night in disco clubs across the globe.

THE BEE GEES: HOW CAN YOU MEND A BROKEN HEART, directed/produced by acclaimed filmmaker Frank Marshall, producer or executive producer for six Best Picture Oscar nominees: Raiders of the Lost Ark (1981), The Color Purple (1985), The Sixth Sense (1999), Seabiscuit (2003), The Curious Case of Benjamin Button (2008) and War Horse (2011) InThe Bee Gees: How Can You Mend A Broken Heart, Marshall spotlights the legendary band who wrote more than 1,000 songs, including twenty number one hits throughout their career.

The film opens with archival footage of the Bee Gees’ performance at the Oakland Coliseum in 1979 at arguably the pinnacle of their career success. From here Marshall explores who the Bee Gees are and what they embodied as performers. The film is very reflective in a non-linear manner. Drawing heavily from voice-over narration, archival footage, along with black and white stills, Marshall etches a portrait of the young Gibb brothers fascinated by the fame and popularity of the Beatles and captures the arrival of the Bee Gees’ first album, “Spicks and Specks,” recorded in Australia.

With a nice touch, Marshall adds Noel Gallagher, of the global supergroup, Oasis, and more recently, Noel Gallagher’s High Flying Birds, to provide some insightful commentary on early Bee Gee music as classical 60’s guitar pop sound and the remarkable resemblance to the Beatles. Yet, Gallagher adds a poetic comment citing the vocal gift of brothers singing in harmony – “an added instrumentation that no one else can buy” of the uniqueness of the brothers’ familial harmonized vocals. “You can’t buy it. It’s not like you can go down to the shop and buy it like a Stratocaster and run Buddy Holly through it.” In a direct testimonial, Nick Jonas of the Jonas Brothers also adds insight into performing and living with brothers and “the heightened emotionality that comes into play.”

In a series of interviews from 1999, the Brothers Gibb open up reflecting on their career as brotherly musicians that spanned four decades at the time of the interviews. Barry, the oldest brother, and fun-loving brother, Robin, had a very public sibling rivalry leading to Robin quitting the band on March 19th, 1969. Brother Maurice dubbed himself “the peacemaker, as he was often made into “the go-between.” Marshall utilizes a montage of newspaper headlines combined with voice-over narration from the brothers to help explain what was happening and how they were feeling about the situation.

Deftly, Marshall repeats an earlier technique in having Noel Gallagher comment on the fraternal dynamic as being a band’s greatest strength and its greatest weakness. The band suffered immensely during this time and seemed to be treading water until reinventing its sound in America with a 1975 album Main Course that topped the Canadian music charts and peaked in the US at number 14. The group’s popularity surged with its 1976, follow-up, Platinum-selling album, Children of the World, and with the 1977 Saturday Night Fever, the roof came off. The run culminated with the 1979 album Spirits Having Flown, a best-selling, chart-topper in the US, Canada, and the UK.

In addition to Gallagher and Jonas, other noteworthy performers interviewed on the music and band were musician/actor/producer Justin Timberlake, Coldplay frontman, Chris Martin, solo performer of Fleetwood Mac heydays, Lindsay Buckingham, Alice Cooper, and band manager Robert Stigwood.  Timberlake provided a commentary of the Bee Gee’s vocals as brass instrumentation. Martin spoke to the backlash that derailed the Bee Gee’s phenomenal global superstardom – the first band to achieve the status according to martin. Cooper and Buckingham delivered timely remarks on the music culture during the Bee Gee’s heyday as the “Kings of Disco.” Stigwood addressed the business side of managing the band and the small number of songs radio stations played in rotation – one of the vital components leading to the over-saturation and ultimate backlash of the Bee Gee’s culminating in Chicago disc jockey Chris Dahl blowing up disco tapes and records to a massive crowd at Comiskey Park in Chicago, Illinois.

The backlash took a heavy toll on the band as they never regained their popularity. In a 2019 pensive and soul-searching clip of Barry Gibb walking a narrative, voice-over echoes the price of fame. Perception is reality as Barry often feels alone as his bandmates and brothers have all passed away including youngest brother, Andy Gibb. Andy idolized his brothers and Barry helped Andy get his solo career off the ground. Andy Gibb had an explosive solo career mimicking his brothers’ disco style and his number one Billboard hit, “Shadow Dancing,” could easily pass for a Bee Gees song. Andy Gibb died in 1988 at the age of 30.

The Bee Gees: How Do You Mend A Broken Heart is informative, entertaining, and heartwrenching. Frank Marshall reveals not only the heart and soul of the band and its music but also the power dynamic that shaped and molded the group’s enormous and impactful musical legacy. Highly recommended.

AFI Member Spotlight: Peyton Bradley, Philanthropist by Nature

Posted by Larry Gleeson

AFI Member Spotlight: Peyton Bradley Discussing AFI FEST and Championing Diversity in the Industry

I, for one, am very excited to be a part of this year’s virtual AFI FEST presented by Audi. Moreover, I am looking forward to hearing more from Peyton Bradley.

Peyton Bradley is a young philanthropist who generously provides major support for AFI. With a passion for the arts and helping underrepresented filmmakers gain greater opportunities within the film industry, Peyton also created the Peyton V. Bradley Scholarship at the AFI Conservatory.

This year, as we prepare for AFI FEST 2020, presented by Audi, we spoke with Peyton about her favorite moments at last year’s FEST, watching Patty Jenkins inspire Fellows on the Opening Day of the Conservatory and what motivated her to become a member of AFI.

AFI: What is an inspiring or defining film that you saw in your life that made you fall in love with the art form?

Peyton: That’s like choosing your favorite child – you do it, but you keep it a secret. Growing up, I didn’t own a TV in my household, which meant skimming the internet for free content on YouTube or other sites. I got my hands on several films at age 14 that shook my concept of reality. My favorite “children” were: TEETH, PULP FICTION, SEXY BEAST, DONNIE DARKO, REQUIEM FOR A DREAM, FOXFIRE, LÉON: THE PROFESSIONAL, HEATHERS and GIRL, INTERRUPTED – to name a few. In a world full of rules, these characters became their own heroes, despite the limitations society placed upon them.

AFI: What made you first excited to get involved with AFI and decide to become a member? What is it about AFI’s mission that resonates with you?

Peyton: I’m a philanthropist by nature – my momma always told me, “If I have to give the shirt on my back to someone else, I best be doing it.” I love being involved in communities that preach their goals and put them into action. I still support the theaters and state parks where stages and campfires are the original spaces for storytelling. Growing up in a technological age, the film was the spark you could immortalize. I chose AFI because of its promise to take a predominately white male, patriarchal structure historically found in the film industry and step aside to give space to new voices. That space allows for female and diverse talent to tell their stories, to showcase their work, and to bring their unique perspectives and talent to the forefront.

AFI: You recently joined the AFI Conservatory’s Opening Day online conversation with WONDER WOMAN director and AFI alum Patty Jenkins. What was that experience like for you? Did you have a favorite moment of the talk?

Peyton: Patty Jenkins, oh, Patty Jenkins. What an incredible human! It was moving to watch how the Fellows identified with her humble beginnings and her drive to take on bold challenges. I appreciated that MONSTER was the primary topic in the Q&A and how she managed to find the humanity in a person’s story where other people wrote the narrative that best suited them. The AFI Fellows were inspired by Patty and that she, too, once was an emerging artist who had the curiosity to find the truth and intention within her characters, without judgment. They laughed, cried, and expressed their love for Patty, and she returned it all back and ignited hope during these hard times.

AFI: As you know, AFI FEST presented by Audi is coming up. Last year was the first AFI FEST you attended. Did any films or events make an impact on you?

Peyton: I would have to say the premiere of QUEEN & SLIM. It was mind-blowing, packed full of energy that rippled through the audience. Writer Lena Waithe and director Melina Matsoukas tackled racial profiling and what self-defense means when the color of your skin can cost you your life. It offered the viewer a chance to see this love story unfolding, knowing that these two souls wouldn’t live long because of the deep-seated racism by those in power who promote hate crimes. How does one claim self-defense when the law is not on your side? It evoked compassion and the stark reality that life is fleeting. That beautiful masterpiece was felt by all.

AFI: For this year’s AFI FEST, which of the special presentations are you excited about?

Peyton: PINK SKIES AHEAD. It is very fitting with what’s happening today. Students are reconsidering college or leaving. Young adults who are forced to bury their anxiety or mental health challenges due to shame are now forming productive conversations. We have music artists like Billie Eilish, LDR, SZA, and Dizzy Fae boldly and openly talking about their own battles with anxiety and reforming their identities. We see in films as well, that gaslighting and societal expectations on what is “normal” further contributing to anxiety and mental health issues. New thinkers are reminding us that what you feel isn’t your fault, nor is it bad. It is okay to grow at your own pace.

Another one I’m excited for is THE REAGANS, especially after watching THE POLITICIAN – props to AFI alum Brad Falchuk who wrote it – in which the opening scene talks about how becoming president no longer requires an educational standard but a celebrity status, and how television and social media are shaping campaigns. It is too surreal, and we all have to come together and fight for our democracy. So please vote!

AFI: Why do you think film festivals are still important, even as we’ve shifted online this year to keep everyone safe and healthy with the pandemic? 

Peyton: We are social creatures. We want to share and connect around moments that impact us. AFI is making its virtual film festival an exciting party, and it feels unifying knowing that other individuals are watching the same content as you and being able to share the same experience.

Join Peyton and the AFI community at this year’s virtual AFI FEST. Passes are now on sale. Tickets available Oct. 7. The festival runs online Oct. 15-22. Become a member and receive discounts to FEST films, events and exclusive festival merchandise.

(Source: AFI New Release)

AFIFEST 2020 Opening Film: I’m Your Woman

WORLD PREMIERE OF THE AMAZON ORIGINAL

THE AMERICAN FILM INSTITUTE ANNOUNCES

I’M YOUR WOMAN

TO OPEN AFI FEST 2020 PRESENTED BY AUDI

The 34th Edition of Festival to Launch Online on Thursday, October 15

FOR IMMEDIATE RELEASE — September 14, 2020, Los Angeles, CA — Today, the American Film Institute (AFI) announced that the 34th edition of AFI FEST presented by Audi will open with the World Premiere of the Amazon Original film  I’M YOUR WOMAN.  Directed by Julia Hart and written by Hart and Academy Award® nominee Jordan Horowitz, the 1970s set crime drama follows a woman who is forced to go on the run after her husband betrays his partners, sending her and her baby on a dangerous journey. The film stars Golden Globe® and Emmy® winner Rachel Brosnahan, Marsha Stephanie Blake, Arinzé Kene, James McMenamin, Marceline Hugot, Frankie Faison and Bill Heck. Horowitz and Brosnahan produced the film.

Michael Lumpkin, Director of AFI Festivals

“Now more than ever it is important for film festivals to create a platform for audiences to discover great films,” said Michael Lumpkin, Director of AFI Festivals, “and I’M YOUR WOMAN is cinematic storytelling at its best. With a captivating and complex narrative of a woman on the run, director and writer Julia Hart takes us on unexpected journey that speaks directly to the current state of our world and the real meaning of friendship, love and family.”

About The Film

Suburban housewife Jean (Rachel Brosnahan) lives a seemingly easy life, supported by husband Eddie’s (Bill Heck) career as a thief. But when Eddie betrays his partners, Jean and her baby are forced to go on the run, and Eddie’s old friend Cal (Arinzé Kene) is tasked with the job of keeping them safe. After Cal mysteriously disappears, Jean befriends Teri (Marsha Stephanie Blake), and the two women set out on a perilous journey into the heart of Eddie’s criminal underworld. A decidedly female take on crime dramas of the 1970s, I’M YOUR WOMAN is a tale of love, betrayal, motherhood, family and what it takes to claim your life as your own.

Rachel Brosnahan plays a 1970’s suburban housewife dealing with love, betrayal, motherhood, and family in the 2020 AFIFEST Opening Night Film, I’M YOUR WOMAN. (Photo courtesy of AFI News/Shari Mesulam, the Mesulam Group)

 

AFI FEST 2020 will take place online October 15-22, 2020.  The full festival lineup and schedule will be unveiled in October.

Audi returns for the 17th year as the exclusive Presenting Sponsor of AFI FEST, enabling the festival to host the very best of world cinema. Audi and their visionary support reflect a continuing commitment to create opportunities for equality in film and television. Audi also supports AFI through the Audi Fellowship for Women, a full-tuition scholarship created in 2017 to support promising female directors entering the AFI Conservatory. This Fellowship is part of the Audi commitment to drive progress and a landmark investment in the future of the storytelling community.

Audi is the exclusive presenting sponsor of AFI FEST 2020.  Additional top sponsors include AT&T and APPLE. 

Passes will be available at FEST.AFI.com on September 28. Individual tickets will be available for purchase for AFI members and for the general public on October 7.

About the American Film Institute (AFI)

Established in 1967, the American Film Institute is the nation’s non-profit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations.  Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, youtube.com/AFI, twitter.com/American Film and Instagram.com/AmericanFilmInstitute.

About AFI FEST presented by Audi 
Now in its 34th year, AFI FEST presented by Audi is a world-class event, showcasing the best films from across the globe. With an innovative slate of programming, the eight-day festival historically presents screenings, panels and conversations, featuring both master filmmakers and new voices to enthusiastic audiences in Los Angeles. This year’s edition takes place online October 15-22, 2020, and is a diverse program of cinematic excellence that drives progress in filmmaking and film viewing. The festival includes Special Presentations consisting of appointment viewings of high-profile films with live virtual Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts presented in established AFI FEST sections. Additional information

about AFI FEST is available at FEST.AFI.com. Connect with AFI FEST at Facebook.com/AFIFESTTwitter.com/AFIFESTInstagram/AmericanFilmInstitute and YouTube.com/AFI.

About Audi of America
Audi of America, Inc. and its U.S. dealers offer a full line of German-engineered luxury vehicles. AUDI AG is among the most successful luxury automotive brands, delivering about 1.845 million vehicles globally in 2019. In the U.S., Audi of America sold just over 224,000 vehicles in 2019 and launched the brand’s first fully electric vehicle, the Audi e-tron – one of four fully electric models coming to the U.S. market in the next two years. Globally, the brand aims to be CO2 neutral by 2050. Visit audiusa.com or media.audiusa.com for more information regarding Audi vehicles and business topics.

Press release provided by AFI News/Shari Mesulam, the Mesulam Group

AFI Movie Club : ALWAYS BE MY MAYBE – a modern romantic comedy starring Ali Wong and Randall Park

This was such an unexpected treat. I was quite familiar with Randall Park’s work – Ali Wong’s not so much. After watching ALWAYS BE MY MAYBE, a modern romantic comedy with an hysterical cameo by Keanu Reeves as his own alter ego, I became very familiar with Wong’s body of work – very sharp and poignant.

Here’s what American Film Institute has to say:

In addition to vast and varied roles on film and television – appearing in character and as herself – ALWAYS BE MY MAYBE co-writer, producer and star Ali Wong is also an acclaimed stand-up comedian, known for her two Netflix stand-up specials, BABY COBRA and HARD KNOCK WIFE.

ALWAYS BE MY MAYBE is currently streaming on Netflix and I wholeheartedly recommend it. Wong and Park play off each other so well…and then there’s Reeves’ performance to not miss.

But wait there’s more……

According to Ali Wong, the casting of Keanu Reeves was aspirational, though she didn’t think that the production would be able to secure a cameo by the A-list star. The production sent him the script – and were shocked when Reeves agreed to meet with Wong and director Nahnatchka Khan. At the meeting, he said that he was a fan of Wong’s stand-up special BABY COBRA.

DID YOU KNOW? Randall Park previously starred on FRESH OFF THE BOAT, a groundbreaking ABC sitcom developed from the autobiography of celebrity chef Eddie Huang. The series was created and developed for television by ALWAYS BE MY MAYBE director Nahnatchka Khan – and ALWAYS BE MY MAYBE co-writer, producer and star Ali Wong has served as a story editor and writer. 

DID YOU KNOW? ALWAYS BE MY MAYBE co-stars Ali Wong and Randall Park both provided voices for THE LEGO NINJAGO MOVIE in 2017. 

DID YOU KNOW? According to Ali Wong, the casting of Keanu Reeves was aspirational, though she didn’t think that the production would be able to secure a cameo by the A-list star. The production sent him the script – and were shocked when Reeves agreed to meet with Wong and director Nahnatchka Khan. At the meeting, he said that he was a fan of Wong’s stand-up special BABY COBRA. 

DID YOU KNOW? AFI Conservatory graduate and ALWAYS BE MY MAYBE cinematographer, Tim Suhrstedt, had previously worked with Keanu Reeves on the star’s 1989 breakout hit, BILL AND TED’S EXCELLENT ADVENTURE, three decades prior to reuniting on ALWAYS BE MY MAYBE. 

DID YOU KNOW? In ALWAYS BE MY MAYBE, Randall Park’s character performs in the hip-hop band, Hello Peril – which was inspired by Park’s own real-life musical experience rapping in a group called Ill Again.

Stay tuned for more!

COVID-19 Film Production Guidelines

Posted by Larry Gleeson

Official film production protocols and safety guidelines relating to COVID-19 are being released by countries, states, and organizations. Testing and access to testing remain an obstacle to productions globally. Currently, over two-hundred US productions remain mired in a postponed status.

I’m listing the United States COVID-19 Film Production Guidelines for the United States as well as information about financial assistance, unemployment options, guild and union resources.

I begin with Los Angeles County at the top because I live in close proximity and attend the American Film Market based in Santa Monica, Calif., regularly. We are in this together. Please let me know if you have any questions and I look forward to seeing you at the movies!

 

 

Larry Gleeson

(Sourced from American Film Market and IMDb)

 

Nashville Film Festival Announces Move to Virtual Format and Plans to Produce Innovative, Original Content in 2020

Posted by Larry Gleeson

New Model Will Expand Audience Reach and Increase Accessibility While Delivering a Safe & Enjoyable Festival Experience

NashFilm 2020

*Featured photo: St Louis, Missouri, NashFilm fans, Kate and Jan Rogers pose for a photo at the 50th Nashville Film Festival, October 5th, 2019. (Photo credit: Larry Gleeson)

The Nashville Film Festival today announced its plans to shift to a virtual model for this year’s event, which will take place from October 1-7, 2020. This year’s festival will be the most accessible version to audiences yet, and both filmmakers and film lovers will be given unique opportunities to connect and enjoy digital screenings, panels, filmmaker Q&As, musical performances, and other original content online.

The festival altered its format to ensure it could produce a safe and enjoyable experience for all attendees in light of evolving health & safety protocols related to the coronavirus. The virtual festival will feature more than 200 films and include Creators Conference panels, Q&As and other exclusive content that will bring the magic of the Nashville Film Festival to attendees from the comfort and safety of their homes. As part of the new format, “virtual social” opportunities will connect audience members directly with filmmakers and other film fans to discuss their favorite movies.

 

Jason Padgitt
Jason Padgitt, NashFilm Executive Director

“Like many other live events around the world, we’ve had to adapt to prioritize the safety, comfort and well-being of our community,” said Jason Padgitt, Nashville Film Festival executive director. “This year has given us an opportunity to think creatively about how we can make the festival more accessible and innovative than ever before, and we are excited to deliver a memorable experience that honors all the reasons we’ve become known as a premier event for content creators and film enthusiasts.”

The festival, which is now in its 51st year, will continue to deliver the world’s best independent films and provide a showcase for Tennessee’s most talented filmmakers. The full program and film lineup will be announced in August 2020.

Updated Virtual VIP Badge options are now available at nashfilm.org.

NashFilm Virtual 2020

(Source: Nashville Film Festival News Release)

Today’s AFI Movie Club Film: A LEAGUE OF THEIR OWN (1992)

Posted by Larry Gleeson

Screen Shot 2020-07-04 at 10.36.19 AM

A League of Their Own comes to bat with an all-star lineup that includes Geena Davis, Lori Petty, Madonna, Rosie O’Donnell and AFI Life Achievement Award Recipient Tom Hanks – who taught us all that “There’s no crying in baseball!” –one of AFI’s greatest movie quotes in cinematic history.

A beautiful film and heart-warming story about a difficult time in American history. Professional baseball has been canceled due to World War II. To help continue the traditions of America’s past time, a women’s professional league is formed to help fill the gaping hole by the overseas war effort. Highly entertaining! Check it out. But before you do listen to director Penny Marshall has to say about A LEAGUE OF THEIR OWN in this exclusive AFI Archive video:

Interesting Facts

Discussion Questions

-Why do you think Dottie is reluctant to attend the opening of the Hall of Fame at the beginning of the film?

-What was the political climate like in the U.S. that led to the creation of the All-American Girls Professional Baseball League? How did World War II influence the experience of American women?

-Why was it so difficult for society to accept women playing baseball?

-Describe the sisterly dynamic between Dottie and Kit. What were their major points of conflict?

-What makes A LEAGUE OF THEIR OWN important in today’s society even after 25 years?

-Why was Doris willing to tear up the photo of her boyfriend and throw it out the bus window?

-Which player in the movie had your favorite nickname?

-What makes the line “There’s no crying in baseball!” so iconic that it is still quoted today?

– What did the league managers expect from their female players, in terms of traditional feminine qualities, appearance and behavior? Why was this expected of them as athletes?

-Why was it important for director Penny Marshall to include the scene of the African American woman throwing the baseball back to the players on the field?

-Did Dottie drop the ball on purpose at the end of the film? If she did, what would that signify about her relationship with her sister Kit?

-Why was the All-American Girls Professional Baseball League short-lived? Why does a women’s baseball league not exist today?

-How would you rate A LEAGUE OF THEIR OWN?

About AFI Movie Club

I hope the AFI Movie Club brings some inspiration and entertainment during this uncertain time. AFI has created a global, virtual gathering of those who love the movies where each day’s film – announced by a special guest – is accompanied by fun facts, family-friendly discussion points and material from the AFI Archive to bring the viewing experience to life. As a non-profit, AFI Movie Club is a member-powered organization, dependent upon the support of its movie fans. To support AFI Movie Club please consider becoming a member or donating.

AFI Movie Club is a newly launched free program to raise the nation’s spirits by bringing artists and audiences together – even while we are apart. AFI shines a spotlight on an iconic movie each day, with special guests announcing the Movie of the Day. Audiences can “gather” at AFI.com/MovieClub to find out how to watch the featured movie of the day with the use of their preexisting streaming service credentials. The daily film selections will be supported by fun facts, family discussion points and exclusive material from the AFI Archive to enrich the viewing experience.

AFI MOVIE CLUB

(Source: AFI News Release)

 

Sundance Institute Selects 2020 Native Filmmakers Lab Fellows

Posted by Larry Gleeson                                                  June 30,2020

Los Angeles, CA — Five Indigenous filmmakers have been chosen to participate in the 2020 Sundance Institute Native Filmmakers Lab, reimagined and expressed digitally this year on Sundance Co//ab. The Lab is at the core of the Institute’s commitment to supporting Indigenous storytellers since its founding.

At the Native Filmmakers Lab (June 29–July 10), Fellows will workshop scripts of their short films under the expert creative mentorship of Indigenous Program alumni and other established filmmaking professionals serving as Advisors along with the Sundance Indigenous Program staff, led by Indigenous Program Director N. Bird Runningwater (Cheyenne/Mescalero Apache). The Lab encourages Fellows to hone their storytelling and craft skills in a hands-on and supportive environment. Following the Lab, Fellows will receive a year-long continuum of support.

 

Runningwater
N Bird Runningwater, Sundance Institute Indigenous Program Director

“We are pleased to announce that we will be hosting our annual Native Filmmakers Lab in an exciting digital format on our Co//ab platform that allows for virtual participation by our Lab Fellows from where they are socially distancing,” said Runningwater. “Given this extremely challenging time as we struggle with the impact of Covid-19 in our homelands, it is important to organize a safe space for Indigenous storytellers to come together to develop and share their work.”

“The Indigenous Program will continue the tradition of providing mentorship and support to our Native Lab Fellows as they carry on with their work,” said Runningwater. “As Indigenous peoples our connection to each other and our communities is strong. Drawing upon our ancestral strengths of adaptation and resilience we plan to make this year’s Lab a great success and provide the inspiration and support that our Lab Fellows need to bring their films to fruition and to audiences around the world.”

 

The filmmakers serving as Creative Advisors for this year’s Native Lab include: Kerry Warkia (Papua New Guinean) (Vai, Waru, The Legend of Baron To’a), Rashaad Ernesto Green (Gun Hill Road, Premature), Elegance Bratton (Walk for Me, Pier Kids), Cherien Dabis (Amreeka, May in the Summer), Elle-Máijá Tailfeathers (Blackfoot/Sámi) (Bihttoš, The Body Remembers When the World Broke Open) and Joan Tewkesbury (Thieves Like Us, Nashville). Peer Advisors for this year’s Native Lab include Razelle Benally (Oglala Lakota/Diné Nations) (I am Thy Weapon, Raven), and Erica Tremblay (Seneca-Cayuga/Wynadotte Nations) (Little Chief).

Artists and projects selected for the 2020 Native Filmmakers Lab:

Rob Fatal (Mestiza/o/x, Ute, Rarámuri, Pueblo) / Can Digital Genizaros Remember the Taste of Churros?: In near future Oakland, California a new invention allows people to upload their consciousness to the Internet as a way to achieve immortality and pay off debt. In the societal panic that follows, 2, Two Spirit best friends debate whether or not to follow thousands of people into the digital unknown in this philosophical, sci-fi dramedy.
Rob Fatal [they/them] is a Two Spirit Mestiza/o/x filmmaker, new media artist and storyteller exploring decolonial aesthetics. Working in multiple analog and digital mediums allows Fatal to reimagine their own multi-lineage indigenous storytelling tradition for our current time which Fatal refers to as the “indigenous post-apocalypse”. Fatal is often drawn to mediums like filmmaking and performance which bring together community and people to achieve a desired vision or work. Fatal finds community and culture to be their greatest artistic inspiration. To create with the collective minds of unique individuals is a practice that brings to them a great spiritual catharsis; a feeling of joy and power tied to the realization of what people working together can accomplish when in harmony: a home, a shared reality, justice, and healing. Fatal’s work has been screened internationally at the British Film Institute Flare Festival, Fringe! Queer Film & Art Festival in London, Vancouver Antimatter Media Arts Festival, Frameline SF LGBTQ Film Festival, Outsider Fest Austin, Institute of Contemporary Art Los Angeles, and the Broad Museum. Fatal’s films are distributed by Canadian Filmmakers Distribution Center.

Keanu Jones (Navajo) / Ownership: An oppressed silversmith enters the ruthless business world to unveil the bitter reality of the Native American jewelry markets in the surrounding border-towns.

Keanu Jones is Mexican Clan born for Big Water Clan and is from Grand Falls, Arizona. He is a member of the Navajo Nation. Surrounded by family and the way of living on the Navajo Nation, his artistic identity has been greatly informed by his upbringing. This will continue to be reflected in the narratives he wants to explore.

In 2015, he was recognized with 15 other young filmmakers at the Student White House Film Festival. Then in 2018, he was recognized for his short film at the Navajo Film Festival. Keanu graduated from Navajo Technical University with a bachelor’s degree in Creative Writing and New Media.

Amanda Strong (Métis/Michif) / Wheetago War: In a world turned to ice, the People have survived the Wheetago for two lifetimes. Wheetago War is the story of Dove, a young gender shifter, who regains medicinal knowledge to defeat the Wheetago.

Amanda Strong is a Michif (Métis, Cree, Chippewa, Assiniboine, European and Polish Ancestry) interdisciplinary artist with a focus on filmmaking, stop motion animations and media art. She is currently living and working on unceded Coast Salish territories of the Sḵwx̱wú7mesh (Squamish), səl̓ílwətaʔɬ (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations. Strong received a BAA in Interpretative Illustration and a Diploma in Applied Photography from the Sheridan Institute.  With a cross-discipline focus, common themes of her work are reclamation of Indigenous stories, lineage, language and culture.  Strong is the Owner/Director/Producer of Spotted Fawn Productions Inc. (SFP). Under her direction, SFP utilizes a multi-layered approach and unconventional methods that are centered in collaboration on all aspects of their work.

Strong’s work is fiercely process-driven and takes form in various mediums such as: stop-motion, 2D/3D animation, Virtual Reality, gallery/museum installations, published books and community-activated projects.

She was selected by renowned filmmaker Alanis Obomsawin to win the Clyde Gilmour Technicolour Award. In 2017 she won the Victor Martyn Lynch-Staunton Mid Career Artists award, the Vancouver Mayor’s Arts Award for Emerging Film and Media Artist in 2016 and, in 2013, Amanda was the recipient of K.M. Hunter Artist Award for Film and Video.  Her films have screened across the globe.

Fellowship for Indigenous Canadian film artist made possible with support from the Indigenous Screen Office.

Artists-in-Residence selected for the 2020 Native Filmmakers Lab:

Cole Forrest (Nipissing First Nation) is an Ojibwe artist based in Toronto, Ontario. Originally from Nipissing First Nation, he strives for compassion and acceptance within the arts. Cole trained and honed his craft at the “Big Medicine Studio” while working with the group Aanmitaagzi – and has written, directed, and acted in various student/independent short films, theatre pieces, and a musical. Cole’s films have been screened at various film festivals including ImagineNATIVE and Toronto Queer Film Festival, and he is a recipient of the Ken and Ann Watts Memorial Scholarship and of the James Bartleman Indigenous Youth Creative Writing Award. Cole is the 2019 recipient of the ImagineNATIVE + LIFT Film Mentorship, and a graduate of the Video Design and Production program at George Brown College – and is currently a Grants Assistant at the Toronto Arts Council. He is grateful to represent his community in all of his artistic pursuits.

Petyr Xyst (Laguna Pueblo) is an Emmy-nominated American human from Albuquerque, NM whose work focuses on themes of class, institutional failures and the people who cope with them, and the strangeness of coming of age in the 21st century. His work spans genres and formats, exploring comedy, drama, and experimental forms in short film, music video, and new media. He’s been featured at the National Film Festival for Talented Youth, NATAS NW, AAHSFF, on PBS, and others. In his quarantine time, he likes to read non-fiction and stare at the wall for an indefinite period. He’s also a Sundance Institute Full Circle alum and a third-year student at the University of New Mexico.

Sundance Institute’s Indigenous Program
The Indigenous Program champions Indigenous independent storytelling artists through residency Labs, Fellowships, public programming, and a year-round continuum of creative, financial, and tactical support. The Program conducts outreach and education to identify a new generation of Indigenous voices, connecting them with opportunities to develop their storytelling projects, and bringing them and their work back to Indigenous lands. At its core, the Program seeks to inspire self-determination among Indigenous filmmakers and communities by centering Indigenous people in telling their own stories.

The Sundance Institute Indigenous Program is supported by The Andrew W. Mellon Foundation, John D. and Catherine T. MacArthur Foundation, Oneida Indian Nation, Academy of Motion Picture Arts and Sciences, John S. and James L. Knight Foundation, Nia Tero Foundation, SAGindie, Indigenous Screen Office, New Zealand Film Commission, Jenifer and Jeffrey Westphal, Indigenous Media Initiatives, Felix Culpa, Sarah Luther, Susan Shilliday, and an anonymous donor.

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as The Farewell, Late Night, The Souvenir, The Infiltrators, Sorry to Bother You, Eighth Grade, Won’t You Be My Neighbor?, Hereditary, RBG, Call Me By Your Name, Get Out, The Big Sick, Top of the Lake, Winter’s Bone, Dear White People, Little Miss Sunshine, Beasts of the Southern Wild, Fruitvale Station, State of the Union, Indecent, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

(Source: Sundance Press Release)

 

AFI DOCS Film Review: Maria Finitzo’s Cliteracy-exploring DILEMMA OF DESIRE Shouts For More

Posted by Larry Gleeson                                                                                      June 29, 2020

Watching the opening scene of the cliteracy-exploring documentary, The  Dilemma of Desire, I was intrigued watching a woman, neuroscientist Stacey Dutton, Ph. D., in an office present-day, walking across the screen and opening a Gray’s Anatomy Textbook, while a voice-over narration informs the viewer. What happens next befuddled me. I could not believe my eyes. Here is a woman in 2020 with an anatomy book that has no picture or information on the female clitoris. Unbelievable right? Well, apparently, the edition being discussed was published in 1858. A sleight of hand so to say. The intent is crystal clear in today’s protest language, “Let’s get emotional people! This is pussy power were dealing with here!!!”

But, the best was yet to come as the film’s most intriguing characters were introduced. One, a Brooklyn-based artist, Sophia Wallace, has a routine of going to the gym listening to “work-out” music then taking lyrics and reframing them with the clitoris in mind. From there, prints are created celebrating the “clit,” and the hundred laws of cliteracy. To accentuate, a revealing text title poses the question with dramatic flair, “Can you draw a clit?” Pulsating music accompanies the next segment, Womanhood: The Clitoris Chapter, introducing “Critical Thinking – The Best Work of Sophia Wallace” – a very thought-provoking art exhibit celebrating the female “joy button.” More importantly, Wallace is a compelling force on the screen as she shares her experience, strength, and hope in navigating desire as she expresses her truth as Director Maria Finitzo captures mush of it in Verite’ style.

In today’s world, we often hear somewhat crude and vulgar terms such as “bumping uglies” or “doing the nasty.” Wallace’s phrases, in juxtaposition, are framed in glitteringly gold letters – a beautiful and highly respectful manner and miles away from “bumping uglies” or “doing the nasty.” After Wallace’s whirlwind world, Finitzo goes on to highlight Linda Diamond, PH. D., Professor of Psychology and Gender Studies, a monthly newsletter for women interested in “pleasure in a practical everyday sense,” an industrial engineer manufacturing elegant female vibrators as well as a stunning Chicagoan woman, Coriama, who proudly postulates she has the will to negotiate for what she needs sexually.

Interestingly, Finitzo, a Peabody Award-winning director, spouts themes from Audrey Lourde’s feminist-leaning essay, Uses of the Erotic, that women have been suppressed from power and information by the male world. To prove her point, Finitzo adds a black and white still photograph of a woman suffering from what Dr. Sigmund Freud referred to as hysteria. Today, “hysterical” women in Decatur, Georgia, have formed a female support group. Here women create a sacred, safe space to explore the bounds of their sexuality. Adeptly, Finitzo managed to score footage from a meeting of the “mine’s.” as the women from Decatur openly share intimate feelings about their clitorises.

Nevertheless, “the little man in the boat” remains the misunderstood, “shuntive” part of the female anatomy, keeping women suppressed, as they are systematically warned against the dangers of eroticism and the resulting information. In one especially memorable scene, Finitzo mixes a driving, non-diegetic musical score culminating in a crescendo with a voice-over narration describing the clitoris as a powerful provocative force, a replenishing force. Some top-notch burlesque sequences, both archival performances as well as current-day performers, add an exquisite, erotic vibe.

The Dilemma of Desire, executively produced by Academy Award-winning Barbara Kopple, is an exceptionally well-executed film advocating that women are sexual beings with the right to live fully in the expression of their desires. The craftsmanship in gathering footage, in editing, informative narrative voice-overs, and musical score support and add timely emotionality in underscoring Finitzo’s sharply-pointed direction. My hat comes off to the cast and crew.

Probably most surprising was Finitzo’s ability to add tongue-in-cheek scenic elements underscoring the buffoonery surrounding the massive dismissal of the “devil’s doorbell” – in my opinion, a very serious oversight. But in the end, though the coverage seemed somewhat excessive, I found it wholly conceivable to view the clitoris as a replenishing, provocative force after viewing The Dilemma of Desire. A bit long, however, with a runtime of 109 minutes. Highly recommended.

 

 

 

AFI DOCS FILM REVIEW: Ron Howard’s Gripping “Rebuilding Paradise” Uplifts and Inspires

Posted by Larry Gleeson

Academy Award-winning filmmaker Ron Howard’s Rebuilding Paradise, a blistering Verite-style, National Geographic documentary, captures the devastation of the 2018 Camp Fire and the resiliency of Paradise, Calif., residents in the fire’s aftermath. Howard, one of Hollywood’s most popular directors, also directed the 1991 fire drama Backdraft. Other Howard films include the Oscar-winning dramas A Beautiful Mind and Apollo 13, the hit comedies Parenthood and Splash, and the critically-acclaimed documentaries Pavarotti and The Beatles: Eight Days A Week – The Touring Years. Following the Rebuilding Paradise screening, Howard and Paradise residents, Michelle John and Woody Culleton, participated in a Q & A moderated by broadcast journalist Katy Tur, an NBC correspondent and anchor for MSNBC Live. Howard confided Rebuilding Paradise was his first venture into Verite-style filmmaking while the residents echoed the unimaginable magnitude of the fire’s devastation and that the images don’t reflect the fire’s “uncomprehendable” nature.

Rebuilding Paradise opens in dramatic fashion with narrative voice-over providing a weather update informing the viewer of a windy day and PG&E contemplating a pre-emptive decision to shut down the area’s power grid. Large, fast-moving fire breaks out in the Feather River Canyon with four dozers, two water tenders, and four strike teams are deployed. Emergency calls are heard. School and hospital evacuations are taking place. Audible prayers are heard. And then, dashcam footage of a vehicle racing through the haze and fiery embers with diegetic radio communications juxtaposed against footage of a raging, massive wildfire (imagine Lord of the Rings Mountain of Fire) fueled by dry timber and blustering forty mile-per-hour winds reveal the genesis of a perfect firestorm. Non-diegetic music from the master composer, Hans Zimmer accompanies haunting, apocalyptic slow-motion frames of horses seeking freedom or at least a free-range amidst a claustrophobic smoke and death-seeking fire patches. The scene closes tinged in hope as a family escapes the area in their vehicle with exclamatory verbiage.

For me, this opening scene captured the essence of Rebuilding Paradise. As devastating as the fire and the footage were, the family breaks out and into blue skies with a redemptive foreshadowing. Howard latches on to a group of Paradise residents who have a deeply rooted sense of place and home as they take the journey to rebuild Paradise one day at a time. There were plenty of setbacks and details of electrical equipment dating to 1921 still in use were trying and quite frustrating as the lawyers for PG&E managed to beat down a wrongful death case to manslaughter with a 3.5 million dollar fine for the lives of 85 Paradise residents who perished in the massive fire. Adeptly, Howard captures the real Erin Brockovich speaking to a group of Paradise residents. Brockovich was the subject of a 2000 bio-drama directed by Steven Soderbergh, starring Julia Roberts that dramatized Brockovich’s relentless and successful pursuit of justice for families who were victims of PG&E polluting their water supply.

Interestingly, Howard chose to tell the story in linear segments beginning with one month, then to three months, six months, culminating with nine months. On top of the eighty-five deaths, fifty thousand lives were displaced. One of the film’s most compelling characters turned out to be the school psychologist, Carly Ingersoll, a young thirty-something, married woman who had decided to start a family with her husband. But due to contaminants being absorbed into the groundwater, she and her husband were advised by their physician not to have a baby. In her professional capacity, she was fully engaged in trauma counseling with students and despite having nearly perished in the fire herself managed to see beyond the devastation and find a sense of hope for the future.

Rebuilding Paradise is a gripping, well-executed film with top-notch photography, driving musical score and inspirational, narrative story-telling and it covers the trials and tribulations of a community facing an assured annihilation who turn their devastation into a mythic Phoenix as their town rises from its ashes in warm and hopeful tones. Very highly recommended.

 

AFI DOCS FILM REVIEW: Jimmy Carter, Rock & Roll President Brings Down The Curtain for 2020 With Hope And Love

Posted by Larry Gleeson

The Virtual World Premiere of the 2020 Virtual AFI DOCS Closing Night Film, Jimmy Carter, Rock & Roll President, directed by Mary Wharton, provided an artistic view into the influence of music on Jimmy Carter’s upbringing and its influence on the Carter Presidency. The work also provides an intimate look inside the former United States President who made peace, human rights, and healing the nation a priority after the Vietnam War and the Watergate debacle. Director Wharton also won the 2004 Grammy Award for Best Music Film for her documentary feature Sam Cooke: Legend. Other feature film credits include Joan Baez: How Sweet The Sound, the platinum-selling concert film Phish: It and Farrah Fawcett Forever.

Jimmy Carter, Rock & Roll President featured testimonial interviews, poetry readings, and archival performances from musical legends Bob Dylan, Nile Rodgers, Roseanne Cash, Chuck Leavell, Willie Nelson, Johnny Cash, Dizzie Gillespie, Sarah Vaughn, Ray Charles, Mihaela Jackson, Tom T. Hall, Jimmy Buffet, Bono, Loretta Lynn, Dolly Parton, Trisha Yearwood, Garth Brooks, Charlie Daniels, and Gregg Allman and the Allman Brothers Band. Moreover, Ambassadors to the United Nations, Madeline Albright and Andrew Young, as well as Special Assistants to the President, Jim Free and Tom Beard, shared their respect and admiration for President Carter with direct interviews. Chip Carter, son and Presidential driver, added verisimilitude to the film’s revelatory narrative.

Following the screening, Wharton and Producer Chris Farrell participated in a Q & A moderated by Ken Jacobson and with President Carter calling in from his home in Plains, Georgia. Unfortunately, due to low bandwidth, the call was mostly inaudible. Nevertheless, the Q & A proved enlightening. While Farrell was researching and gathering artifacts for an Allman Brothers documentary, he was referred to a “bunch of guys” who began sharing stories of Gregg Allman and Jimmy Carter. Then Bob Dylan. Then Willie Nelson. And so it went. Ad Infinitum. Interestingly, Allman was the first guest of President Carter to dine in the White House. The two had become friends during Carter’s years as the Governor of the State of Georgia. In an archival interview, a clean and sober Allman tells the story of Jimmy coming out and claiming the Presidency was his for the winning. Mr. Allman claims the pronouncement came as the two heavyweights put a large dent in a bottle of J & B Scotch Whiskey. Carter contested Allman’s claim as Jimmy limits himself to one drink a day at most!

But, Jimmy Carter did become President. The road wasn’t easy. He struggled immensely until musicians like the Allman Brothers and Jimmy Buffet put on concerts in Rhode Island and Oregon respectively, galvanizing the youth vote. Even gonzo journalist Hunter Thompson was impressed with Jimmy Carter. Thompson was covering Massachusetts Senator Ted Kennedy’s national campaign for the Democratic Party nomination when he witnessed the verve of Carter. Carter would go on to win the nomination and the election. Kennedy would go on to have one of the longest and most influential careers in the history of the United States Senate championing a wide-range of legislative issues including the civil rights of the disabled, immigration, education, and health care reform and would bear the moniker, Lion of the Senate, for his Senatorial prowess,

Once Jimmy Carter became President, White House Lawn gatherings became regular events organized by the First Lady Rosalynn Carter. And Wharton provides spot-on footage, voice-overs, and montages of stills photographs to perfection. Yet, all was not perfect in the Camelot of the South. The longtime U.S. friend and ally, the Shah of Iran, Mohammad Reza Pahlavi, had been facing opposition demonstrations and civil resistance when he fled the country leaving the opposition party’s Prime Minister in charge. The Shah had cancer and sought exile and treatment in the United States. This would become the defining moment of the Carter Administration. Carter, the humanitarian, allowed the Shah into the U.S. for treatment. The Iranian government fell and was taken over by the religious Grand Ayatollah Khomeini. The country quickly became an Islamic republic with a theocratic-republican constitution while student radicals took 52 American hostages at the US Embassy in Tehran. Former President Richard Nixon and Republican foreign policy hawks wanted swift military action against Iran. President Carter chose peace and dialogue in negotiating a release.

The U.S. economy had inflation, exorbitant interest rates, and gasoline shortages that resulted in huge lines at the pumps when gas was available. The country was in a spiritual malaise. Carter would lose his re-election bid in a landslide to Ronald Reagan, the movie actor, and Governor of California. Carter states on camera if he had it all to do over again, he’d do it the same way. The day Reagan was sworn in all the hostages were released after being held captive for 444 days. Jimmy and Rosalynn Carter said their goodbyes, boarded Air Force One (where they received word of the hostages leaving Iranian airspace) and returned to small-town life in Plains, Georgia. The Carter Administration had significant foreign policy and domestic achievements with the Camp David Accords, the Panama Canal Treaties, humanitarian work around the world and new energy policies at home, environmental protection, and major educational programs under the new Department of Education.

Jimmy Carter, the Naval Officer, author, poet, a nuclear physicist, and a peanut farmer from small-town Plains, Georgia, would go on to lead a life of service negotiating peace deals (winning the Nobel Peace Prize in 2002), advocating for voter rights, and building homes for the less fortunate. He continues to this day with the love of his life, Rosalynn. Jimmy Carter, Rock & Roll President is one of the most fascinating biographical documentaries, I have ever seen. While many might feel compelled to say, “I like Jimmy Carter, the man, but not Jimmy Carter, the President.” I say, “Well…you need to watch Jimmy Carter, Rock & Roll President.” Highly recommended!

AFI DOCS 2020 FILM REVIEW: A THOUSAND CUTS A Prophetic Story of “The Last Days of Democracy”

Posted by Larry Gleeson

The virtual 2020 AFI DOCS, supported by presenting sponsor, AT & T, started off with a technical difficulty, unrecoverable on my end, for the Opening Night Film, Boys State. As a result, my opening film became Ramona Diaz’s A Thousand Cuts, a well-orchestrated feature documentary on the suppression of free speech, corruption, human rights violations, the impunity of the Presidency, and the proliferation of disinformation spread through government propaganda and social media sites after the 2016 Philippine election of a populist candidate, Rodrigo Duterte. A Thousand Cuts is being presented at the 2020 AFI DOCS by The Washington Post and Washington Post Press Freedom Partnership.

Diaz utilizes historical interview and news archives after the 2016 election of “strongman” Rodrigo Duterte and the culminating intersection of Maria Ressa’s Rappler, a news site run by Phillipino women speaking truth to power. Ressa, the Time Magazine 2018 Person of the Year, received a six-year sentence for cyber-libel four days ago for her stand on democracy and her vision for a Philippine society based in love and hope rather than in anger and fear. Amal Clooney, the wife of American Hollywood actor, George Clooney, both of whom appear in the film during some heady moments, provides representation to Ressa.

In addition, Diaz provides testimonials from a multitude of journalists and a celebrity political candidate, who becomes Duterte’s social media pawn, on the political situation in the streets and inside the Duterte government. Both direct cinema and cinema verite are woven into the film’s narrative adding substance and depth to the testimonials. In one capture, Ressa describes the global alternative news movement in the Philippines. Ressa uses graphs and a verbal explanation in revealing 25 bot-like sites, all following each other, to influence an immediate audience of three million while disseminating various untruths of misinformation. Ressa also explains to co-journalists how this messaging is then repeated millions of times with the end goal of creating doubt as to what facts are.

In archival footage following his election, Duterte begins calling traditional news outlets “fake news” and begins utilizing alt news sites to sow misinformation, creating a mob mentality as misogynistic comments to rape to death or to behead Ressa for her critical news reporting approach appear on social media. Vile and shocking screenshots of social media comments further substantiate Ressa’s journalistic claims and warrant further investigation. Martin Niemölle’s infamous “First they came:

First they came for the socialists, and I did not speak out—
Because I was not a socialist.

Then they came for the trade unionists, and I did not speak out—
Because I was not a trade unionist.

Then they came for the Jews, and I did not speak out—
Because I was not a Jew.

Then they came for me—and there was no one left to speak for me.

is reduced with dramatic and telling effect by another journalist with, “First they came for the journalist, then no one knows what happened next.”

Unmistakably, a correlation with the Trump government surfaces even though only one image of the President of the United States is shown. The typical sexist (misogynistic) “locker room” talk is shown at a rally where Duterte connects the smell of fish to the scent of a woman, manipulates a podium microphone to illustrate a weak phallus, and promulgates a war on drugs vocally saying he will kill drug dealers.

Unsurprisingly, three hours after Duterte’s election, the first dead body is found in the street. Pushing aside due process and the rule of law, the Duterte government has killed thousands upon thousands of individuals leaving the bodies in the streets devastating family members and disrupting the family dynamic, disrupted constitutional checks and balances with an unchecked abuse of executive authority, and suppressed freedom of the press with slut-shaming tactics such as labeling female journalists “presstitutes” – in my opinion, the least derogatory term Duterte uses throughout A Thousand Cuts to describe the media and the female journalists depicted.

The title of the film, A Thousand Cuts, refers to a small cut that doesn’t have much effect on the workings of democracy, yet when repeated over and over each small effect begins to damage the fabric of democracy until it becomes something else. An exceptionally well-made political documentary with a timely urgency and the soul democracy at its core. A “must-see” selection with a recorded Q & A following with Diaz and Ken Jacobson, an AFI Senior Documentary Film & Special Content Programmer.

PBS Distribution and Frontline will release A Thousand Cuts this August.

AFI DOCS continues through June 21st “exploring political and social issues in the US and across the globe, introducing us to the next generation of leaders and shedding new light on figures of the past.” For more information visit AFI DOCS.

Until next time, I look forward to seeing you at the movies!

AFI DOCS 2020

 

 

Mountainfilm FILM REVIEW “Mossville: When Great Trees Fall” Listen to What They Say

Posted by Larry Gleeson

Mossville: When Great Trees Fall, directed by Alexander Glustrom, follows a man living alone at 3009 5th Avenue in what once was a community initially founded by free slaves intent on living in peace and love along the Louisiana Gulf of Mexico Coast. The last remaining resident of a once-proud African-American community, Stacey Ryan, has refused the state-run, South African global petrochemical conglomerate Sasol’s latest offer of $30,000 to vacate what is left of his pride and his family’s history.

The film opens with text titles from a Maya Angelou poem, “When Great Trees Fall,” transitioning to a narrative voice-over with footage of gravediggers digging a hole and fitting a coffin for an eternal resting place. The audience is informed of the seven initial families that started the historic Mossville community, at once a safe haven from the Civil War and a respite from the Jim Crow Laws of the Deep South.

Former Mossville resident, Erica Jackson Hartman is revealed holding a family photo telling of her family’s plight on Fisher Street, a once joyful and harmonious street in a neighborhood “where everyone knew everyone.” The community had been self-sustaining. Jackson-Hartman continued addressing the camera and reminisced of abundant fruit trees – until the chemical plants began coming in one after another peaking at an unfathomable fourteen facilities.

Mossville: When Great Trees Fall also reveals that one of the largest U.S. spills of ethylene dichloride (EDC) ever occurred when a leaking transfer pipeline leaked EDC into a nearby estuary. Despite the corporate leadership assuring the residents there was nothing to fear, the residents began dying from various cancers. Twenty-eight independent tests revealed the area had high levels of dioxin, a group of highly toxic chemical compounds harmful to immune systems, hormones, reproduction, human development, leading to cancer. Eventually, a lawsuit was settled for forty-seven million dollars.

A 2012 archival news piece shows the then Louisiana Governor Bobby Jindal beaming announced a massive $16-20 billion dollar project from Sasol, a global energy conglomerate based in South Africa. A brief capture of a snide Sasol executive discussing the Louisiana Westlake project, “a gas to liquids cracker complex,” reveals the corporate intent of developing the site as another South African Secunda. Secunda is the biggest emitter of greenhouse (carbon dioxide) gases in the world. The emissions from Secunda exceed the amounts from a hundred individual countries.

secunda
Sasol’s Secunda mega-plant (Photo by Alexander Glustrom)

The heart of Mossville: When Great Trees Fall captures Mr. Ryan’s bravery and indomitable spirit in direct cinema, with direct interviews and with brief footage of his hospitalizations due to health complications from the nearby plants. The city has shut off his power and sewer. A face mask-wearing Ryan is shown constructing a 6-8 foot straight- board fence as tandem and tri-axle dump trucks roll past kicking up contaminated dust in their wake.

In other footage, Ryan reveals inside his trailer that after EDC got into the drinking water, he lost both of his parents to cancer, as well as his forty-four-year-old aunt and a fifty-seven year-year-old uncle. Another uncle died young from liver failure. Sasol, one of the economic engines behind the racist, South African apartheid offered Ryan an initial voluntary buyout of $2000. Ryan is seeking enough money to raise his son in nearby Texas’s town of Helotes, known as the “best place to raise kids.”

As the film closes, Ryan is shown getting medical treatment. Text titles reveal the buyout monies Ryan eventually received has gone primarily to paying medical bills as he has been hospitalized a dozen times. And, he is still hoping to move to Helotes, Texas.

Mossville: When Great Trees Fall resonates deeply with Maya Angelou’s poem as the viewer becomes the witness to an egregious wrong perpetrated visibly upon a human being, a Brother of mankind, and invisibly upon the environment, the Mother of us all. Highly recommended documentary.

 

 

Mountainfilm FILM REVIEW: “A Home Called Nebraska” Where Muslims and Refugees are Welcome

Posted by Larry Gleeson

A Home Called Nebraska, a Limited Screening selection at the 2020 Mountainfilm Film Festival, directed by Beth and Geroge Gage, delves into the U.S. Refugee Resettlement Program and its manifestation in the state of Nebraska. Nebraska, a conservative state, provided many new homes for innocent victims of terrorism, civil war, rape, attempted murder, and persecution through the Resettlement Program. Unfortunately, the Trump administration’s policies have fueled a growing hatred of Muslims and refugees. 2019 saw the lowest number of refugees entering the US since the inception of the Resettlement Program in 1980.

The film opens in poetic fashion with concepts of love, peace, calm, and beauty juxtaposed with imagery of blood and sweat. A plethora of text titles and a myriad of testimonials and interviews inform and enlighten the audience throughout the film. Omaha’s Lutheran Family Services emerges front and center with its outgoing members explaining why it’s so important to be part of the Resettlement Program. In addition, archival interviews and current interviews document survivor stories from the Yezidis where thousands of men, women, and children were killed and raped by Isis rebels while the world watched.

Many translators and interpreters who served alongside US military men and women have been resettled into Nebraskan communities. Many others have been killed by their Iraqi and Afghan brothers for helping the United States. Other refugees from Somalia and South Sudan have escaped certain death as warring sects and civil war ravages the countrysides decimating anyone in their paths.  Surprisingly, Omaha, “in the middle of nowhere and in the middle of everywhere,” has been welcoming refugees for quite some time.

The refugees in Nebraska are vital components to the economy and socio-political apparatus. And. like any good Nebraskan, they love attending the University of Nebraska Cornhusker football games. They are business owners providing essential services. They came to the United States for safety and a chance for a new life. They came to the United States because it was said the United States was a free country. A recurring issue for refugees is the status of their mothers, fathers, brothers, and sisters.

On January 27, 2017, by an immigration executive order, the President of the United States signed “Protecting the Nation from Foreign Terrorist Entry into the United States” that suspended refugees admission to the United States and visas from seven named countries. In addition, the ceiling for refugees was lowered to 50,000 from 110,00 in the fiscal year 2017 (Obama).

According to the Gages and their subject matter expert, most resettlement refugees undergo a 3-5 year vetting process by the Federal Bureau of Investigations or the Central Intelligence Agency before being granted asylum, usually after living in a refugee displacement camp for up to ten years or more. In addition, no refugee has been involved in a terrorist killing since the inception of the Refugee Act in 1980.

Notwithstanding, A Home Called Nebraska is very informative highlighting a community welcoming newcomers, building bridges, creating hopeful futures, and dispelling fear while combating the hatred of racist nationalism. The Gages capture some exquisite interior footage as a traditional Thanksgiving meal is shared in a vibrant community where human beings are treated as human beings regardless of their skin color and hair texture. Highly recommended.

 

 

 

 

Kim A. Snyder’s US KIDS Moves Mountains at Mountainfilm 2020

Posted by Larry Gleeson

One of the most exceptional films I viewed during Mountainfilm was Us Kids, directed by Kim A Snyder, a filmmaker known for taking on emotionally-wrought films. Snyder also directed the Peabody award-winning, and most-watched documentary film of the last decade, Newtown, that provided a look into the lives of those most affected by the Sandy Hook Elementary School shooting. Us Kids documents some of the most prominent students, including Emma Gonzales, David Hogg, and Cameron Kasky in the months following the school shooting at Marjory Stoneman Douglas (MSD) High School in Parkland, Fla. In case anyone has forgotten, on February 14, 2018, a nineteen-year-old former MSD student opened fire inside the school with a semi-automatic rifle killing seventeen students and wounding seventeen others without any apparent motive.

In opening Us Kids, Snyder utilizes some pivotal archival news footage of classmates Emma Gonzales and David Hogg. Gonzales, a senior survivor of the Parkland Marjory Stoneman Douglas School shooting, stands on the footsteps of the Broward County Courthouse delivering her 11-minute “We Call B.S.” speech at a gun control rally in Fort Lauderdale, Fla., while Hogg responds to a backlash from the right wing-media and nationally syndicated, conservative television host, Laura Ingraham’s mocking tweets. His response precipitated 27 sponsors dropping their ads from Ingraham’s show. Snyder also records Marjory Stoneman Douglas schoolmate Sam Fuentes sharing her difficulties in trusting others “when a kid I barely knew tried to kill me.”

Us Kids is a direct cinema-style, full-length feature documentary film that followed the classmates from Marjory Stoneman Douglas High School as they launched a student-led political action committee, Never again MSD, advocating for tighter regulations to prevent gun violence and to not only help get out the vote in 2018 but to sway the vote in 2018.  The group embarks on a nation-wide, bus tour seeking support for safe learning environments and for politicians to stop taking National Rifle Association (NRA) monies. Stops in cities strife with extreme examples of gun violence and/or a powerful presence such as St. Louis, El Paso, Dallas, Houston, Sioux City, Milwaukee, San Antonio, Las Vegas, and Orange County are made.

Snyder captures the toils and the rigors of campaigning for a just cause as Never Again MSD becomes fearful and afraid of being misunderstood. Attacks on social media became vicious. Furthermore, the students were antagonized and followed into their hotel by gun-toting members of the Utah Gun Exchange. In addition, the NRA counter protested sending nefarious characters in cowboy attire with red mirror-reflective sunglasses to agitate, barking at the young men and women of Never Again, MSD, telling them they are nothing more than pawns and questioning their purpose. The responses from the Stoneman-Douglas Never Again, MSD, survivors were deep, articulate, and heartfelt leaving the agitators dumbfounded and scratching their heads.

US Kids won the Jury Prize for Best Feature at the 2020 Mountainfilm Film Festival. In addition to being an award-winning documentary, US Kids is also a critical and seminal socio-political artifact on school shootings, political activism, and student-led PACs. Highly recommended.

Inspirational Ride: Mountainfilm 2020 Wrap-Up

Posted by Larry Gleeson                                                                                          June 2, 2020

My first Mountainfilm Film Festival also was the first virtual Mountainfilm! Exceptional documentary filmmaking about issues that matter. I count my lucky stars in crossing paths with Nora Bernard.

Nora
Nora Bernard, the 46th Telluride Film Festival’s Production Office Manager, wrapping up a travel and expense report on August 12, 2019, in Telluride, Colo. (Photo credit: Larry Gleeson)

I recall our first meeting at the 2019 Telluride Film Festival Production Office. We exchanged the usual introductory pleasantries and Nora asked if I’d been to Mountainfilm. I had not and asked her what it was. Anyone who knows Nora when she’s working, pleasantries are one thing – small talk is another. Time passed and we stayed friends on Facebook and I noticed her post in early May of this year regarding Monutainfilm and the new Bivvy Pass. Up to then, I was feeling blue as festival after festival was being canceled. A hundred-plus on-demand films with mesmerizing introductory clips, additional symposiums, events, and special presentations for $75 over a ten-day period sounded pretty awesome and my friend Nora was part of the Programming Team!

I bought it and spent the next ten days watching the best outdoor, political, social, cultural, and environmental films that matter including Watson, Current Sea, By Hand, Personhood, Apart, Big Fur, the Adrenaline Shorts Program w/ Fire On The Mountain and the award-winning short Origins, Mossville: When Great Trees Fall, Second Sight, Snow Wolf, Five Years North, and The Path of the Anaconda.

Baato
Baato, a sharply written, sharply executed documentary by Lucas Millard and Kate Stryker on life and modernization in the mountainous regions of Nepal. (Photo courtesy of Mountainfilm)

My first selection fell under the Limited Screening category – truthfully, I monitored this section closely. Baato, a sharply written, sharply executed documentary by Lucas Millard and Kate Stryker, chronicles a family that collects medicinal herbs in the mountainous region of Nepal. Each year the family treks 300 km to a low-lying urban market to sell the herbs to keep the home afloat. Along the way, the family faces shakedowns, a new roadway being cut into the terrain, and a ramshackle bus ride. Baato proved to be a cultural feast with some enlightening perspectives. Highly recommended viewing.

Public Trust
Public Trust, executively produced by Robert Redford, exposes a movement within the Trump Administration that allows public lands to be stripped for their profits without remediation. (Photo courtesy of Mountainfilm)

My next selection, Public Trust also a Limited Screening selection, was a Robert Redford executively produced exploration of the United States public lands, utilizing recent news footage, present-day interviews with tribal leaders, historians, government whistleblowers, journalists, of the United States public lands. The public land’s sacredness to indigenous tribes, ranchers and outdoor enthusiasts is revealed as is the Trump Administration’s overt push to privatize the lands for their profits. Public Trust received the 2020 Audience Choice Award. A must-see!

Lost on Everest
Lost on Everest, a National Geographic film made its World Premiere at the 2020 Virtual Mountainfilm Film Festival (Photo courtesy of Mountainfilm)

Lost On Everest, a National Geographic film about an expeditionary team tracking one of the early British attempts to stand on top of the world was making its World Premiere at the 2020 Virtual Mountainfilm Festival. I was ready for a mind-boggling extreme mountaineering experience. And, by golly, that’s exactly what I got. “Rising up to a peak of 29,035 vertical feet, Mount Everest has long captivated the imagination of climbers from all parts of the world.

Lost on Everest documents an elite group of research climbers who undertake a mission to locate and retrieve a camera from Andrew “Sandy” Irvine, a twenty-two-year-old climbing partner of the legendary British mountaineer, George Mallory. The two disappeared in 1924 just 800 vertical feet from the top of Mount Everest. Mallory’s body was found in 1999, approximately seventy-five feet from his last known location. Irvine’s body and the camera he was carrying have not been found to this day and have long been speculated about.” (excerpt from Lost On Everest)

Unsettled
Director Tom Shephard’s Unsettled follows asylum seekers transitioning into life in the United States of America. (Photo courtesy of Mountainfilm)

 

Just as I began setting in, I selected (yes, another Limited Screening film) Unsettled from Director Tom Shephard. Unsettled was screened with Eva Rendle’s short film, All That Remains – a sobering look at the undocumented workers in the Santa Rosa, Calif. area following the massive 2017 wildfire that devastated one of the world’s foremost wine-producing regions. All That Remains set the tone for what came next – a case manager’s reality as Unsettled tracked the transition of asylum seekers, Junior, Subhi, Cheyenne and Mari as they navigate new freedom realizing the streets of America are not paved with gold and learning to deal with their lives on life’s terms.

A Home Called Nebraska
A Home Called Nebraska, from filmmakers Beth and George Gage, highlights an anomaly inside the state of Nebraska. (Photo courtesy of Mountainfilm)

A Home Called Nebraska (Limited Screening) came next. Nebraska, a conservative state, provided many new homes for innocent victims of terrorism, civil war, rape, attempted murder, and persecution through the U.S. Refugee Resettlement Program. Unfortunately, the Trump administration’s policies have fueled a growing hatred of Muslims and refugees. 2019 saw the lowest number of refugees entering the US since the inception of the program in 1980. Notwithstanding, A Home Called Nebraska highlights a community welcoming newcomers, building bridges, and dispelling fear while combating the hatred of racist nationalism.

Charles Lindsay & Nicholas Paul Brysiewicz
Charles Lindsay, left, and Nicholas Paul Brysiewicz co-hosted the Magical Realism Meets Future Fiction Presentation at the 2020 Virtual Mountainfilm Film Fest.  (Photo courtesy of Mountainfilm)

Presentation. Magical Realism Meets Future Fiction. This had me at hello. I was excited before the presentation even began. Charles Lindsay and Nicholas Paul Brysiewicz co-hosted this presentation. Charlie was zooming in from Kyoto, Japan, sharing his cultural perspectives on the intersection of consciousness and enlightenment. Brysiewicz shared his insights on decoupling time/person experience. Both seemed to agree on the premise of alternative time-spaces as sacred. Now that’s what I’m talking about.

US kids
US Kids, directed by Kim S Snyder, received the Best Documentary Feature Award at 2020 Mountainfilm, Mountainfilm uses the power of film, art, and ideas to inspire audiences to create a better world. (Photo courtesy of Mountainfilm)

One of the most exceptional films, US Kids, a direct cinema-style, full-length feature followed the classmates from Marjory Stoneman Douglas School in Parkland, Fla., as they launched a nation-wide, gun control crusade for a safe learning environment and to effect the 2018 elections. Stops in cities strife with gun violence and a National Rifle Association presence like St. Louis, El Paso, Dallas, Houston, Sioux City, Milwaukee, San Antonio, Las Vegas, and Orange County are made. Along the way, a bond and mutual respect developed among the peers.

They also experienced the rigors of campaigning for a just cause as they questioned the National Rifle Association’s lobbying efforts and the politicians who fill their coffers with dubious contributions. The NRA fights back sending nefarious characters in cowboy attire with red mirror-reflective sunglasses to agitate barking at the young men and women telling them they are pawns. The responses from the Stoneman-Douglas survivors were deep and heartfelt leaving the agitators dumbfounded and scratching their heads.

US Kids won the Jury Prize for Best Feature at the 2020 Mountainfilm Film Festival. Let’s not forget! On February 14, 2018, a nineteen-year-old former student opened fire inside the school with a semi-automatic rifle killing seventeen students and wounding seventeen others without any apparent motive. US Kids is not only a highly recommended film, but it is also a critical and seminal socio-political artifact.

Stay tuned for more as Mountainfilm is scheduled to return next year in Telluride, Colo., with run dates of May 28th – May 31st. Hope to see you there!

Mountainfilm 2021

 

 

 

Mountainfilm FILM REVIEW: Fire On The Mountain (Chris Benchetler and Tyler J. Hamlet, 2019):USA

Posted by Larry Gleeson

I remember the day I rode with my friends, Wally Weilmuenster and Dan Nester, to go swimming at Bone’s Lake jamming to the Grateful Dead’s “Fire On The Mountain.” The world was ours in that moment and it seemed limitless. So naturally as I perused the Mountainfilm shorts programs, I made a mental note when I saw Fire On The Mountain, directed by Chris Benchetler and Tyler J. Hamlet, inside the Adrenaline shorts program. Being 11:30 PM, an adrenaline focused lineup with 12 offerings might not be an ideal choice for most of us. For me, however, it proved to be an optimal experience.

As I’m a meticulous note-taker, I was scribing when Fire On The Mountain hit my tv screen. I noted the coloration and then the unthinkable happened – a textual title revealed the film was set to the music of the Grateful Dead. I didn’t have the pleasure of seeing the Dead perform live. I’ve been tuning into Dead and Company shows every Saturday on Facebook via nugs.tv for the last ten weeks. And, I did have the good fortune to see Further at the Santa Barbara Bowl several years ago. I remember that night vividly as I sat in my seat looking around as it was my first SB Bowl experience. As I looked around, I noticed a figure that I’d been watching since I began playing organized basketball in the St. Louis Metro-East way back in 1973. It was none other than Bill Walton – the same Bill Walton who connected on 21 out of 22 field-goal attempts as a UCLA Bruin at the old St. Louis Arena during the 1973 NCAA Championship Men’s basketball game.

I know you’re wondering, “What does Bill Walton have to do with Fire On The Mountain?” I can tell you one thing for certain Father Time is not playing any tricks. I was listening to the film’s poetically rhythmic voice-over-narration while thoroughly enmeshed in the film’s visuals when I became aware of thought – “that narrator sounds a lot like Bill Walton.” Then, I became aware of another thought – “it’s just somebody that sounds like Bill Walton – but who in the world sounds like Bill Walton?” Walton not only provided an enlightening narration for Fire On The Mountain, but he also is credited in the film’s collaborative writing.

Fire On The Mountain, inspired by the improvisational jam music of the Grateful Dead, features seven of their songs including “Brown Eyed Woman,” “The Other One,” “New Speedway Boogie,” “Dark Star,” “Playing In The Band,” “Fire On The Mountain,” and “Ripple.” From Teton Gravity Research, a Jackson Hole, Wyoming-based action sports media company “committed to fueling progression through its films and website,” Fire On The Mountain incorporates a psychedelic dynamic with trippy visuals, non-diegetic Grateful Dead music, and an in-progress, spot-on creation of a Dead-like mural all in juxtaposition to and simultaneously in ethereal harmony with bold, expressive and acrobatic action sequences in the water and on the mountain. Furthermore, the cinematography, costuming, and the tone was magically Dead inspired.

As the film closed, I sat uplifted and somewhat mesmerized, with the film’s group of talented actors around a bonfire appreciating their world and the freedom to live and experience their form of truth in unspoken ways. The performers executed the action sequences to a T opening up and expanding the conscious realm of human potentialities. Part dreamscape and part action film, Fire On The Mountain illuminates rad surfing and snowboarding talents and weaves the light of the Dead and “all the feels” into an inescapable whole.

Inspired and ready for bed, I started the last short of the program, Wingsuiter Flies Through Narrow Hole. I watched a flying man free fall through some sort of netting. It repeated itself then cut to black. A one-minute short of a man blasting through time and space and through a metaphorical representation of a Native American dream catcher. Only in America. Only at Mountainfilm. Highly recommended.

 

 

 

 

 

 

Mountainfilm 2020 FEATURED PROFILE: Assistant Programmer Nora Bernard

Posted by Larry Gleeson

Having met my featured Mountainfest member, Nora Bernard, at the 46th Telluride Film Festival, my curiosity piqued upon reading her social media post on this year’s Mountainfilm, the Bivvy Pass, and her zeal in being part of this year’s Programming Team. Without missing a beat, I quickly visited Mountainfilm.org and counted my blessings. I viewed the Mountainfilm Intro by Stephen Burns. Stunning photography accented the clip leading me to check out this year’s Guest Director Louis Psihoyos sharing what makes Mountainfilm his “go-to” festival year after year.

My good fortune didn’t end there as Ms. Bernard accepted my proposal for a feature via a virtual Q & A. Please see below.

Nora
Nora Bernard, the 46th Telluride Film Festival’s Production Office Manager, wrapping up a travel and expense report on August 12, 2019, in Telluride, Colo. (Photo credit: Larry Gleeson)

What do you do for the 2020 MountainFilm Festival?

I was an Associate Programmer for this year’s festival which consisted of reviewing film submissions and giving my recommendations to the Programming Team at Large.

Why did you choose to work for MountainFilm?

I have been working for the Telluride Film Festival for a number of years and quite a few of my colleagues have also worked for Mountainfilm. The Program Manager, Lucy Lerner, was a Senior Manager for TFF and I reached out to her with interest in being a screener for the 2019 festival.

How has your experience been?

It’s been such a thrill. I have to say, I’ve been impressed by a lot of the submissions I have watched. The documentaries screened at Mountainfilm run the gamut from outdoor adventure, climate change, anthropology, and social justice. 2019 was my first time attending and I got caught up in the overall commitment to the community. It’s been so motivating to watch the year-round staff translate that to an online platform in these current circumstances.

Why did you choose Programming?

Well with all the other festivals I’ve worked, I’ve always worked on the logistical side of things. Production, venue operations, ticketing, volunteers…you name it and I’ve probably done it. However, my eyes have been moving toward the creative side and I’m grateful to Mountainfilm for giving me the opportunity.

What other festivals/projects have you worked on?

I’ve also worked for the Sundance, SXSW, Tribeca, and Telluride Film Festivals and am a part of the FantasticFest features submission team. Each job, I’ve worked has taught me so much and has rolled over into the next. There are so many talented people that put together these events. For now, I’m quarantining in New York City and hoping for the chance to help make that magic again soon.

Mountainfilm
Mountainfilm

About Mountainfilm

Mountainfilm, a documentary film festival in Telluride, Colo., showcases “nonfiction stories about environmental, cultural, climbing, political, and social justice issues that matter.”  The 2020 edition has gone virtual in light of the COVID-19 pandemic. Mountainfilm offering its 2020 festival lineup through a secure online platform from May 15–25. The new Bivvy pass provides full access to over 100 films, a symposium, and additional presentations for $75. An option to purchase individual films, shorts programs, or presentations for $10 each is also available. Check it out. You’ll be glad you did!

Until next time, I look forward to seeing you at the movies….

Public Trust
Public Trust

 

 

Scorched Earth Public Trust Illuminates Presidential Proclamations

Posted by Larry Gleeson

I imagined my second 2020 Mountainfilm Festival selection would be a Ken Burns-style documentary on our nation’s public lands. Director David Garrett Byars begins Public Trust, a Patagonia Films production, with a soft opening of luscious landscape photography accented by a voice-over narration of a man from Northern Alabama having relocated to a Western State pontificating on the joyous freedom of fishing and hunting in the vast open spaces in the West.

After the stunningly beautiful opening sequence, however, Public Trust, executively produced by Robert Redford, turned into a wild ride through the United States of America’s exploitation of pristine public lands with roguish, jackaloon demagogues sowing fear and distrust in any receptive audience at their disposal. Truth is damned as greed, hate-mongering, and sheer stupidity rear their disgusting, revolting, and reviling heads as the public is duped time and time again with misleading rhetoric from politicians and Trump Administration department heads. Alaskan public lands are salivatingly seen as gravy trains with stores of oil, gas, uranium, and copper as mining revenues traditionally have been dispersed to Alaskans with royalty checks. As one commentator noted, “it’s akin to a heroin addict getting a fix.”

Utilizing recent news footage, present-day interviews with tribal leaders, historians, government whistleblowers, journalists, added perspective and insight emanate into the bold and brazen Trump Administration political appointees to the United States Department of the Interior. The once protected public lands are being moved under individual states’ control to maintain – although the states cannot afford to protect and maintain the lands for public use. As a result, much of the land is being sold to the highest bidders, those with the deepest pockets. As one particularly ignorant pol snidely commented, “just let me know what my piece of the public lands is so I can sell it.”

The newest Secretary of the Interior, David Barnhart, has relocated his office into the same building with Exxon and numerous oil and gas mining corporations after Ryan Zinke, who now serves as “an advisor” to Turnberry Solutions, a lobbying firm stacked with former Trump administration advisers and campaign aides, resigned in 2019 among numerous ethics violations. The powerful extractive industries, backed by similar regulation-slashing state legislators and federal agencies, believe public lands across America should be unlocked for mining and exploration with little if any, regard for the environmental scarring and cultural diminishing effects. And, these entities say whatever it takes to get their way.

Interestingly, in closing Public Trust Byars leaves the viewer with pertinent questions about the future of America’s public lands. For instance, who will have unfettered access to these lands? Because as it stands right now it appears the oil and gas industries, in conjunction with mining operations, will solicit more revenue-generating activities from the American people. Imagine futuristic concessionaires charging fees to take you and your family to the mountaintop for sunset while the surrounding lands are stripped until all profit has been removed, and the lands permanently abandoned in an unrestored, highly toxic state. It’s the Trump Administration’s vision of the new American Way of Life.

Public Trust is a very-well researched and thought-provoking documentary. For me as a person who has enjoyed public lands immensely, the film is revealing not only from a cultural and environmental perspective but even more so from a political perspective. Highly recommended.

 

Must-see “Limited Screening” Baato Begins the 2020 Mountainfilm Festival

Posted by Larry Gleeson

Nothing quite like leaping into uncharted waters. Due to the COVID-19 pandemic, the 2020 Mountainfilm Festival re-imagined this year’s edition into a virtual experience. And boy, am I glad they did. With over 100 on-demand films and presentations over that I can watch on my time and from the comforts of my home theatre, I sprang out of bed, logged into my newly created account to access my festival (thank you, Nora Bernard), I spied Baato, a limited screening feature.

Without further adieu, I settled myself into a magnificent journey to a mountain peak in Nepal. And, it wasn’t by helicopter. Filmmakers Lucas Millard and Kate Stryker managed to capture an intimate portrait of a family in remote eastern Nepal collecting medicinal herbs, before making an annual 300-kilometer trek, partly on foot and partly by ramshackle bus, to lowland, urban markets – the nearest economic marketplace for their harvested medicinal herbs.

And, like any major endeavor, this one begins with the first step of many as the group sets out by foot with the women carrying the traditional, cultural load while the men complain about how difficult this walking portion of the journey is as they down a simple, collegiate-style backpack. Along the way, however, a three-part narrative emerges as Nepal is undergoing national development and the filmmakers capture a major road project being undertaken to link this area of Nepal to the southern border of China promising less walking and perhaps a less arduous life in some distant future. The massive project has employed many manual laborers, allowed for heavy construction equipment imports, and has a detrimental effect on local farming patches.

Deftly, Baato illuminates developmental pratfalls as road engineers take bribes to avoid destroying homes. Meanwhile,  the herb collectors plot to avoid shakedowns by police and bus operators as they miraculously make their way to market. This is an observant film as the viewer witnesses a deep dive into a Himalayan culture engaged in a slow and chaotic, yet inexorable transition to modern life. Excellent cinematography, compelling narrative coupled with a mesmerizing soundtrack makes this documentary a “must-see!”

Stay tuned for more as 2020 Mountainfilm Festival is just beginning.

Baato limited Screening

 

 

Mountainfilm Unveils 2020 Lineup of Films & Speakers

Posted by Larry Gleeson

As for most organizations — and most people — the pandemic has put Mountainfilm, a documentary film festival that showcases nonfiction stories about environmental, cultural, climbing, political and social justice issues that matter, in uncharted waters. But as you’d expect from a film festival with a penchant to inspire audiences to create a better world, Mountainfilm rose to the challenge, pivoting to a virtual festival in a matter of weeks. The result is an extended, 10-day festival with over 100 on-demand films and presentations over that viewers can watch at their leisure from the comfort of home. To experience Mountainfilm at home, all you really need is a pass and an adventurous heart.

This year’s virtual format has allowed Mountainfilm to be more accessible than ever. People can tune in from all over the world, and most content can be watched anytime during the 10-day festival window. The 2020 lineup remains true to Mountainfilm’s high standards and propensity for mixing stoke-inducing adventure films with mind-blowing (and world-changing) documentaries.

Susan Beraza
Mountainfilm Festival Director Susan Beraza

“We’re psyched for the chance to bring great programming to people who’ve been curious about Mountainfilm for all these years, but have never been able to come,” said Mountainfilm Festival Director Suzan Beraza. “This year we’re proud to offer our usual wide variety of films — from Personhood, a film about fetal rights to Public Trust, a film by a former Telluride local that turns the lens on the loss of public lands.”

After many weeks at home, most people are in need of a little hope and inspiration. Beraza and her team made a point to give viewers as much content as possible — including a few additional lighthearted films.

The lineup of feature films includes more than 25 titles that range from By Hand, a documentary that follows the journey of two brothers paddling from Alaska to Mexico, to Big Fur, a film about a devotee of Bigfoot. Most features can be watched anytime during the 10-day festival, but a select few have limited runs — meaning they’ll only be available to watch at specific times. The festival has more short film programs than ever before with titles like Concepción, recounting climber Hazel Findlay’s attempt of a 70-meter splitter crack route outside Moab, and Huntsville Station, which depicts the realities of inmates just released from prison.

Complementing the roundup of films is a symposium and a handful of live and pre-recorded presentations featuring directors and thought visionaries. We’ll hear from Mountainfilm 2020 Guest Director Louie Psihoyos and Sea Shepherd captain Paul Watson on the vulnerability of our oceans, while youth activists Jamie Margolin and Jonah Gottlieb will speak to the role of young people in climate activism. In light of the upcoming presidential election, former White House Chief of Staff Jack Watson analyzes the qualities that make a good president — particularly during a pandemic.

“We’re really excited about this year’s symposium and presentations, plus we’re going to have a series of meet the author events, Q&As and filmmaker workshops that will showcase what Mountainfilm does best — bringing connection and conversation to our greater community,” said Beraza.

The 2020 virtual festival dates are May 15–25 and passes are available here.

Mountain Film

(Source: Mountainfilm Festival press release)

THE AMERICAN FILM INSTITUTE ANNOUNCES DATES FOR 2020 AFI DOCS FILM FESTIVAL

Posted by Larry Gleeson

AWARD-WINNING APPLE AND A24 FILM BOYS STATE TO OPEN ONLINE FESTIVAL ON JUNE 17

AT&T RETURNS AS PRESENTING SPONSOR

 

ON EMBARGO UNTIL 9 a.m. ET / 6 a.m. PT, MAY 6, 2020, WASHINGTON, DC — AFI DOCS, the American Film Institute’s annual documentary celebration in the nation’s capital, has announced the festival’s 18th annual edition is going virtual. With audiences eager to experience the best in documentary film, AFI DOCS will showcase current non-fiction fare in a re-imagined online film festival. The festival is proud to also announce the return of AT&T as Presenting Sponsor for the seventh consecutive year. AFI DOCS 2020 will open with BOYS STATE, directed by Jesse Moss and Amanda McBaine. The festival will run June 17–21 and films will be available to view on DOCS.AFI.com.

Marjan Safinia, Michael Lumpkin, Monica Lewinsky
Michael Lumpkin

“AFI is committed to the documentary art form in the best of times and in the most challenging of times,” said Michael Lumpkin, Director of AFI Festivals. “Now more than ever, we are dedicated to supporting extraordinary films because the world needs stories that educate, inspire hope and remind us of humanity’s strength. AFI DOCS is here to help.”

Continue reading THE AMERICAN FILM INSTITUTE ANNOUNCES DATES FOR 2020 AFI DOCS FILM FESTIVAL

FILM REVIEW: Bryan Fogel’s The Dissident Speaks Volumes

Posted by Larry Gleeson

Bryan Fogel, the Academy Award-winning director of Icarus premiered The Dissident, a bone-chilling documentary film, at the 2020 Sundance Film Festival. In The Dissident Fogel explores the events leading up to the 2018 brutal murder of Washington Post journalist Jamal Khashoggi and the events in the aftermath of the killing. Fogel follows Khashoggi’s friend and colleague, Omar Abdulaziz, a Saudi exile in Canada risking his life for the freedom of speech and Khashoggi’s fiancée, Hatice Cengiz, arguing for justice in front of the United Nations. In addition, with 2018 footage of Khashoggi in and out of briefings, Fogel lays the impressive groundwork of a counter-revolutionary movement underway in Egypt and Jordan and provides critical insight into the progressive, reformist leaning Vision 2030, the Saudi Arabian King Salmond’s Crown Prince son, Mohammad Bin Salmond’s (MBS) blueprint for Saudi society.

Furthermore, Fogel discusses a top-level purchase of highly sophisticated cyber-espionage technology, known as Pegasus, enabling MBS to hack into dissident social media accounts across the country and beyond. MBS employed an army to control social media content by infecting untold accounts with Pegasus. Interesting to note, Amazon’s Jeff Bezos’ smartphone was hacked and downloaded for months by Pegasus after MBS sent Bezos a mysterious video attachment on WhatsApp. The social media space, manipulated so effectively by Russia in the US elections, had now become an international warzone not just in the US and Suadi Arabia but in many countries around the world. Not surprisingly, US President Donald Trump went to the country of Saudi Arabia on his first stop of his first official visit abroad, refused to acknowledge Khashoggi’s murder despite every intelligence agency concurring, and proceeded to announce to the American people a massive $500 billion dollar arms sale. “The Saudis buy a lot of weapons from us,” opined the President in defense of himself.

But, Jamaal Kashoggi was widely respected both in Saudi Arabia and globally as a very astute scholar well-versed in the ways of diplomacy. Seemingly, his outspoken journalism aginst the destabilizing “reforms” of MBS, published in the Washington Post, led to his murder in the Istanbul Saudi consulate on October 2, 2018. The Turkish government investigated Koshoggi’s murder compiling a formidable case. United Nations Special Reporter Agnes Callamard started her own investigation and concluded an international crime had been committed in Khashoggi’s death with no less than six violations of international law igniting protests and strengthening the country’s demand for freedom of speech under the banner – Justice for Jamal. His murder also undid MBS’s Vision 2030. In reality, Vision 2030 was an ambitious power grab under the guise of an anti-corruption probe where MBS rounded up and imprisoned the country’s most powerful people while seizing hundreds of billions of dollars.

With a covert expose’ touch, Fogel adeptly uncovers and reveals the truth in this highly controversial and well-researched, socio-political-economic arena unfolding in the global news cycle with an abundant supply of footage of all the key players and some very informative graphics. Make no mistake, The Dissident is a powerful and startling look at the cost of freedom of speech, the murder of a journalist for exercising his freedom of speech, and the ramifications of the interference of a government in social media. Don’t miss this one. Highly recommended.

 

 

FILM REVIEW: Max Richter’s Sleep connecting the world

Posted by Larry Gleeson

Max Richter’s Sleep, a documentary film from Award-winning filmmaker Natalie Johns screened at the 2020 Sundance Film Festival as a Special Event. Sundance Special Events are one-of-a-kind moments highlighting new independent works that enhance the festival experience. Johns’s first global feature documentary, I Am Thalente, won an Audience Award at the LA Film Festival. Johns also received an Emmy nomination in 2015 for Outstanding Directing and has collaborated with some of the world’s leading musical talent, including John Legend Annie Lennox, Sam Smith, Childish Gambino, Solange, and Gil Scott Heron. In 2015, to critical acclaim, Richter released an eight-hour Sleep lullaby with a meditative quality combining piano and strings with subtle electronic touches and vocals to mimic brain waves in a state of sleep – an unimaginable effort connecting musical consciousness to the world.

Max Richter’s Sleep follows the process of mounting the most ambitious live performance of Sleep to date: an open-air concert in downtown Los Angeles’s Grand Park, across from the Los Angeles Music Center, where over 500 people experienced the composer’s work in unison. But, instead of chairs, the audience members were given beds to sleep in! Johns includes a myriad of aerial shots of the downtown Los Angeles area that are interwoven in the film while a narrative voice-over informs the audience of longing for human connection and the desire to create a space for community and connectivity. A montage of close-ups depicting musical instruments and mathematical equations delineating the intricate mathematical formulae Richter utilizes to create his dream state composition.

Intentionally designed to keep listeners in a state of sleep, Richter unlocks patterns and rhythmically represents brain waves with accompanying repetitious musical notes.  Performing Sleep required unprecedented endurance from its musicians. Once the concert is well underway, footage of Richter walking through the sleeping audience is captured and reveals the majestic undertaking coming to fruition – rejuvenation by reengaging the arts back into society. As morning breaks, an acoustic sunrise slowly brings an emotional, refreshed awakening with a feeling of hope and a new beginning.

Johns also includes a look into Richter’s home life as he and his wife balance creative pursuits and paying the bills. Richter confesses his creative pursuits are his passion but his film compositions allow him the freedom to balance his art and his household needs. The result was a striking visual portrait that immerses us within the life of Richter and his creative partner, Yulia Mahr. Interestingly, Richter has performed his Sleep in venues around the world including cathedrals and parks. The first performance from midnight to 8:00 AM, September 27th, 2015, in London, England, at the Wellcome Collection Reading Room as part of the BBC’s “Science and Music” set a Guinness Book of World Records for the longest live broadcast The composition was also performed at the Philharmonie de Paris from midnight to 8:00 AM on November 18th, 2017.

The Los Angeles concerts on July 27-28th and July 28-29th, 2018, from approximately 10:30 PM until dawn, were the first outdoor performances of Sleep. Richter played piano, keyboards, and electronics. The American Contemporary Music Ensemble accompanied Richter along with cellist Claire Jensen, soprano Grace Davidson, violinist Andrew Tholl, cellist Emily Brausa, Isabelle Hagen (viola), and Ben Russell.  I viewed the ninety-nine-minute film in the evening with a group of Sundance Film Festival volunteers and several members of the press. I left the theatre feeling very connected and very grounded and I imagine you will too. Highly recommended – an ultimate chill film!

 

 

Eva Longoria Announces GILDA #AFIMovieClub Pick of the Day

Posted by Larry Gleeson

Eva Longoria announces today’s AFI Movie Club selection: GILDA. The film stars Rita Hayworth and appears on AFI’s 100 YEARS…100 SONGS list of the greatest American movie music of all time – and Hayworth appears as #19 on AFI’s 100 YEARS…100 STARS!

INTERESTING FACTS

GILDA was originally written as an American gangster film. The more salacious events in the story were threatened by censorship codes, so the location was changed to Buenos Aires.

GILDA was not the first time Glenn Ford and Rita Hayworth were coupled onscreen, co-starring six years earlier in another Charles Vidor film, THE LADY IN QUESTION. After GILDA, the two stars maintained a secret love affair for nearly 40 years!

THE SHAWSHANK REDEMPTION was adapted from a Stephen King novella titled, “Rita Hayworth and the Shawshank Redemption,” and features a scene from GILDA. Hayworth’s role, including her iconic introduction in the film, remains one of the most widely referenced performances in cinema history!

Rita Hayworth’s singing voice was dubbed for most of her musical numbers in GILDA, but she performed the most iconic song of the film – “Put the Blame on Mame” – herself.

Producer Virginia Van Upp developed GILDA for Rita Hayworth. Van Upp was a prolific screenwriter and producer, although much of her work was not credited onscreen.

One of the first test atomic bombs was named “Gilda”? Rumor has it, the bomb was also decorated with Rita Hayworth’s likeness! Hayworth’s husband at the time, Orson Welles, later revealed that she was not pleased with this explosive attribution.

The film was Hayworth’s first major dramatic role for Columbia and catalyzed her ingenious genesis as a femme fatale.

The movie doesn’t end at the credits. Engage with your family, friends and others like you who love the movies. Check out the AFI Movie Club Discussion Questions for this movie and post your responses in the comment section!

Join the conversation on Twitter and Instagram now using #AFIMovieClub. Or post your responses in the comment section below. 

-GILDA is now known as a quintessential film noir – with Rita Hayworth’s character representing the prototypical femme fatale. What elements of the movie make it fit that genre?  

-Is Gilda all bad? Do you consider her a villain or an antihero? 

-GILDA was released just six months after WWII ended. How do you think audiences may have perceived the threat of escaped Nazi war criminals as it is shown in the movie? How does GILDA capture the postwar ethos? 

-What themes of the movie still resonate in today’s world? 

-Historians note that GILDA broke type with other film noir by having a happy ending. Would you describe the conclusion as “happy?” If you were telling this story, how would you end it? 

-GILDA’s filmmakers used visual devices to shift the audience’s loyalty toward characters throughout the film. Can you describe a scene in which you changed your mind about a character? 

-How would you rate GILDA?

Watch Edward James Olmos talk about Rita Hayworth and GILDA in this exclusive AFI Archive video.

I hope the AFI Movie Club brings some inspiration and entertainment during this uncertain time when we are reminded “There’s no place like home.” AFI has created a global, virtual gathering of those who love the movies where each day’s film – announced by a special guest – is accompanied by fun facts, family-friendly discussion points and material from the AFI Archive to bring the viewing experience to life. As a non-profit, AFI Movie Club is a member-powered organization, dependent upon the support of its movie fans. To support AFI Movie Club please consider becoming a member or donating.

About AFI Movie Club

AFI Movie Club is a newly launched free program to raise the nation’s spirits by bringing artists and audiences together – even while we are apart. AFI will shine a spotlight on an iconic movie each day, with special guests announcing select AFI Movies of the Day in short videos posted on AFI.com and social media platforms. Audiences can “gather” at AFI.com/MovieClub to find out how to watch the featured movie of the day with the use of their preexisting streaming service credentials. The daily film selections will be supported by fun facts, family discussion points and exclusive material from the AFI Archive to enrich the viewing experience. Audiences can continue the conversation online using the hashtag #AFIMovieClub. Learn more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, youtube.com/AFI, twitter.com/AmericanFilm, and Instagram.com/AmericanFilmInstitute.

AFI MOVIE CLUB

 

TCM Classic Film Festival Special Home Edition – Celebrating the past decade of the TCM Classic Film Festival

Posted by Larry Gleeson

Catching up after the sad news last month on the effect the current coronavirus (COVID-19) is inflicting on life as we know it and the TCM Classic Film Festival.

TCM Past
Larry Gleeson providing full coverage for the 2014 TCM Classic Film Festival on April 14th, 2014, at the Chinese Mann Theatre in Hollywood, Calif. (Photo courtesy of Genworth and TCM)

After much speculation, the decision was made by TCM to cancel this year’s festival in early March with a public announcement from TCM host Ben Mankiewicz.

Fortunately for TCM fans and classic film cinephiles around the world, this year’s festival was re-imagined into a weekend-long TCM Classic Film Festival Special Home Edition, April 16th-19th and announced to the public with another announcement from host Mankiewicz! After the video, check below for more intricate details on this year’s special edition and a spectacular moment from the 2016 Opening Night Mixer.

This special home edition of the TCM Classic Film Festival will feature favorite movies and festival moments, TCM hosts and special guests that can all be enjoyed from the comfort of home. As a part of the Special Home Edition, TCM is showcasing films that have been a part of the TCM Classic Film Festival, both from years past and slated for this year’s event.

 

TCM 2020 Home Edition

All times EST

Thursday, April 16

8:00 PM A Star is Born (1954)
Opening Night Film at the inaugural 2010 TCM Classic Film Festival, presented by Robert Osborne and Alec Baldwin.
11:00 PM Metropolis (1927)
Closing Night Film at the 2010 TCM CFF, this was the North American premiere of a restored version of the film with footage found in 2008 in Argentina, with live score by the Alloy Orchestra.
1:45 AM Luise Rainer: Live from the TCM Classic Film Festival (2011)
Recorded at the 1st TCM CFF in 2010 when Ms. Rainer, the first back-to-back Oscar winner for Best Actress, was 100 years old.
2:30 AM The Good Earth (1937)
Presented at the 2010 TCMCFF with Luise Rainer in attendance.
5:00 AM Neptune’s Daughter (1949)
Presented at the 2010 TCM CFF at the Hollywood Roosevelt Hotel pool on Opening Night, with Esther Williams and Betty Garrett in attendance and featuring a performance by the Aqualilies.

Friday, April 17

6:45 AM The Seventh Seal (1957)
Shown as part of a tribute to Max Von Sydow at the 2013 TCM CFF, with the actor in attendance.
8:30 AM She Wore a Yellow Ribbon (1949)
Introduced by Keith Carradine, at the 2016 TCM CFF.
10:30 AM Sounder (1972)
Presented at the 2018 TCM CFF with Cicely Tyson in attendance, who was honored prior to the screening with a hand and footprint ceremony at the TCL Chinese Theatre IMAX.
12:30 PM A Hard Day’s Night (1964)
This world premiere restoration was introduced by Alec Baldwin and Don Was at the 2014 TCM CFF.
2:00 PM Eva Marie Saint:  Live from the TCM Classic Film Festival (2014)
Recorded in front of a live audience at the 2013 TCM CFF as part of a tribute to Eva Marie Saint.
3:15 PM North by Northwest (1959)
Presented at the 2010 TCM CFF with Eva Marie Saint and Martin Landau in attendance.
5:45 PM Some Like It Hot (1959)
Presented at the 2010 TCM CFF with Tony Curtis in attendance.
8:00 PM Harold and Lillian: A Hollywood Love Story (2015)
West Coast premiere at the 2016 TCM CFF, with Lillian Michelson and director Daniel Raim in attendance.
10:00 PM Deliverance (1972)
A cast reunion was presented at the 2013 TCM CFF, with Burt Reynolds, Ned Beatty, Jon Voight and director John Boorman in attendance.
12:00 AM The Creature from the Black Lagoon (1954)
Presented in 3D at the 2018 TCM CFF, this was introduced by Dennis Miller.
1:30 AM Grey Gardens (1975)
Presented at 2014 TCM CFF as part of a tribute to Albert Maysles, who was in attendance.
3:15 AM Night Flight (1933)
Out of circulation for over 50 years, this was introduced by Drew Barrymore, granddaughter of the film’s star John Barrymore at the 2011 TCM CFF.
5:00 AM Kim Novak: Live from the TCM Classic Film Festival (2013)
Taped in front of a live audience at the 2012 TCM CFF, as part of a tribute to Kim Novak.

Saturday, April 18

6:00 AM The Man with the Golden Arm (1955)
Presented at the 2011 TCM CFF with Nancy and Tina Sinatra and Vicki Preminger in attendance.
8:00 AM Mad Love (1935)
Introduced at the 2019 TCM CFF by Bill Hader with actress Cora Sue Collins in attendance in the audience.
9:15 AM Double Harness (1933)
Introduced at the 2016 TCM CFF, by James Cromwell, the son of director John Cromwell.
10:30 AM Vitaphone Shorts:
Baby Rose Marie the Child Wonder (1929)
Don’t Get Nervous (1929)
Lambchops (1929)
Presented at the 2016 TCM CFF, as part of a program celebrating “90th Anniversary of Vitaphone,” by the founder of the Vitaphone Project, Ron Hutchinson.
11:00 AM Sergeant York (1941)
The first Festival program to screen at the newest venue of the TCM CFF, the Legion Theater at Post 43, this was introduced in 2019 by Andrew Jackson York, the son of Sergeant Alvin C. York and grandson, Gerald York.
1:30 PM Safety Last! (1923)
The first of four Harold Lloyd films presented at the TCM CFF, this was accompanied by live orchestra and music composed and conducted by Robert Israel, in 2010, and introduced by Suzanne Lloyd.
3:00 PM They Live by Night (1949)
Presented at the 2013 TCM CFF and introduced by Susan Ray, widow of director Nicholas Ray.
4:45 PM Faye Dunaway: Live from the TCM Classic Film Festival (2017)
Taped in front of a live audience at the 2016 TCM CFF, as part of a tribute to Faye Dunaway.
5:45 PM Network (1976)
Presented as part of a tribute to Faye Dunaway at the 2016 TCM CFF, with the actress in attendance.
8:00 PM Casablanca (1942)
A perennial favorite, this film has been presented three times at the TCM CFF, including a screening introduced by Peter Bogdanovich and Monika Henreid in 2010. Peter Bogdanovich will return to co-host this on-air screening.
10:00 PM The Magnificent Ambersons (1942)
Presented at the 2010 TCM CFF, it was introduced by Peter Bogdanovich and David Kamp. Peter Bogdanovich with co-host this on-air screening.
11:45 PM Night and the City (1950)
Presented at the 2012 TCM CFF by Eddie Muller.
1:30 AM Norman Lloyd: Live from the TCM Classic Film Festival (2016)
Recorded in front of a live audience as part of a tribute to Norman Lloyd, at the 2015 TCM CFF; Mr. Lloyd was 100 at the time of the taping.
2:30 AM The Lady Vanishes (1938)
Presented at the TCM CFF in 2013 with Norman Lloyd in attendance to talk about his friend, Alfred Hitchcock.
4:15 AM The Passion of Joan of Arc (1928)
The largest orchestral presentation to date at the TCM CFF was this 2016 screening, with live orchestra and the UC of Berkely Alumni Chorus (under the direction of Dr. Mark Sumner) performing an original score by Richard Einhorn.

Sunday, April 19

6:00 AM Jezebel (1938)
Presented at the 2017 TCM CFF.
7:45 AM The Set-Up (1949) )
Introduced at the 2018 TCM CFF introduced by Noir Alley host Eddie Muller and actor/filmmaker Malcom Mays, who did a live reading of the poem the film is based on.
9:00 AM Peter O’Toole, Live from the TCM Classic Film Festival (2012)
Recorded in front of a live audience, and part of a tribute to Peter O’Toole at the 2011 TCM CFF.
10:00 AM Lawrence of Arabia (1962)
Screened as part of a tribute to Anne V. Coates, ACE, at the 2015 TCM CFF, with the Oscar-winning editor in attendance.
2:00 PM Red-Headed Woman (1932)
Presented at the introduced by film historian and author Cari Beauchamp at the 2017 TCM CFF.
3:30 PM Auntie Mame (1958)
Presented at the 2012 TCM CFF, introduced by Todd Oldham.
6:00 PM Singin’ in the Rain (1952)
Presented three times to date at the TCM CFF, in 2010, 2012 and 2017 editions, with guests over the years including: Debbie Reynolds, Stanley Donen, and Todd Fisher and Ruta Lee.
8:00 PM Floyd Norman: An Animated Life (2016)
Floyd Norman was slated to be honored with a tribute at the 2020 TCM CFF.
9:45 PM The Hustler (1961)
The 2020 TCM CFF included a tribute to the actress Piper Laurie.
12:15 AM Baby Face (1933)
Longtime festival guest Bruce Goldstein intended to present a special presentation at the 2020 TCM CFF, about the censorship of the film and footage added back in decades later, to this popular pre-Code film.
1:45 AM Bardelys the Magnificent (1926)
Serge Bromberg was scheduled to present this recently restored silent with musical accompaniment at the 2020 TCM CFF.
3:30 AM Victor/Victoria (1982)
Julie Andrews was slated to attend the screening of this film, at the 2020 TCM CFF.

TCMFF-Home-Edition-Schedule 

 

TCM_0191
Larry Gleeson, left, taking direction at the 2016 Opening Night TCM Classic Film Festival, April 28, 2016, at the Hollywood Roosevelt Hotel in Hollywood, Calif. (Photo courtesy of TCM Backlot)

Malone_TCMFF
TCM Classic Movies host Alicia Malone provides a warm welcome, April 26th, 2018, to the TCM Classic Film Festival’s Delta Green Room at the Hollywood Roosevelt Hotel in Hollywood, Calif. (Photo credit: Larry Gleeson)

Until next time, I’ll see you at the movies!

TCM 2020 Save the Date

 

(Sourced from TCM news announcements)

BRAD PITT ANNOUNCES BUTCH CASSIDY AND THE SUNDANCE KID – AFI MOVIE CLUB

Posted by Larry Gleeson

BCATSK

AFI MOVIE CLUB

BRAD PITT ANNOUNCES BUTCH CASSIDY AND THE SUNDANCE KID

April 6, 2020

Brad Pitt announces today’s AFI Movie Club selection: BUTCH CASSIDY AND THE SUNDANCE KID. Starring Paul Newman and Robert Redford as the infamous outlaws, the film appears on AFI’s original and 10th-anniversary lists of the greatest American films – and the dynamic duo of Butch and Sundance were co-ranked #20 among AFI’s greatest screen heroes!

DID YOU KNOW? The real Butch Cassidy never used violence or firearms until he moved to Bolivia in the last days of his life. William Goldman, who won an Oscar® for writing the film, said that this paradox in Cassidy’s character was his primary motivator in developing the story for the film. View this exclusive AFI Archive video of Goldman talking about writing the film.

Interesting Facts

Butch Cassidy and The Sundance Kid were real-life outlaws living at the turn of the 20th century.

The real Butch Cassidy never used violence or firearms until he moved to Bolivia in the last days of his life.

Robert LeRoy Parker and Harry Alonzo Longabaugh – the real-life Butch and Sundance! – were members of a gang called The Wild Bunch. The gang’s name was never referred to in the movie to avoid confusion with another western in theaters that same year – Sam Peckinpah’s THE WILD BUNCH!

Stars Paul Newman and Robert Redford teamed up with director George Roy Hill for THE STING in 1973. That later film would win Best Picture at the Academy Awards®!

BUTCH CASSIDY AND THE SUNDANCE KID was the highest-grossing Western ever made. Adjusted for today’s numbers, the film would have earned over a half billion dollars!

Paul Newman, an early investor in BUTCH CASSIDY AND THE SUNDANCE KID, initially planned to play Sundance with Steve McQueen as his co-star.

The movie doesn’t end at the credits: Family-friendly Discussion Questions 

Join the conversation on Twitter and Instagram now using #AFIMovieClub. Or post your responses in the comment section below

-Is this the first time you’ve seen BUTCH CASSIDY AND THE SUNDANCE KID? 

-Does the Western theme remind you of other kinds of movies you’ve seen that are not typically considered to be Westerns, such as STAR WARS? 

-The dynamic duo Butch Cassidy and The Sundance Kid were co-ranked #20 on AFI’s 100 YEARS…100 HEROES & VILLAINS list. Would you describe them as heroes? Why or why not? 

-BUTCH CASSIDY AND THE SUNDANCE KID was released in September 1969. What else was going in our nation at that time – and why do you think this movie resonated so strongly with audiences? 

-Why do you think BUTCH CASSIDY AND THE SUNDANCE KID is still so beloved after 51 years? 

-How would you rate BUTCH CASSIDY AND THE SUNDANCE KID? 

EXTRA – Listen to what everyday funnyman Ben Stiller has to say about the film and about Woodcock, in aprticular, here:

I hope the AFI Movie Club brings some inspiration and entertainment during this uncertain time when we are reminded “There’s no place like home.” AFI has created a global, virtual gathering of those who love the movies where each day’s film – announced by a special guest – is accompanied by fun facts, family-friendly discussion points and material from the AFI Archive to bring the viewing experience to life. As a non-profit, AFI Movie Club is a member-powered organization, dependent upon the support of its movie fans. To support AFI Movie Club please consider becoming a member or donating.

About AFI Movie Club

AFI Movie Club is a newly launched free program to raise the nation’s spirits by bringing artists and audiences together – even while we are apart. AFI will shine a spotlight on an iconic movie each day, with special guests announcing select AFI Movies of the Day in short videos posted on AFI.com and social media platforms. Audiences can “gather” at AFI.com/MovieClub to find out how to watch the featured movie of the day with the use of their preexisting streaming service credentials. The daily film selections will be supported by fun facts, family discussion points and exclusive material from the AFI Archive to enrich the viewing experience. Audiences can continue the conversation online using the hashtag #AFIMovieClub. Learn more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, youtube.com/AFI, twitter.com/AmericanFilm, and Instagram.com/AmericanFilmInstitute.

AFI MOVIE CLUB

Today’s AFI Movie Club film: TO KILL A MOCKINGBIRD starring Gregory Peck

Posted by Larry Gleeson

Small-town Alabama, 1932. Atticus Finch (played by Gregory Peck) is a lawyer and a widower. He has two young children, Jem and Scout, portrayed by Phillip Alford and Mary Badham. Atticus Finch is currently defending Tom Robinson, a black man (played by Brock Peters) accused of raping a white woman and his children from prejudice.

Finch and Robinson

Meanwhile, Jem and Scout are intrigued by their neighbors, the Radleys, and the mysterious, seldom-seen Boo Radley (played by Robert Duvall) in particular. The messaging that unfolds is timeless.

Jem and Scout

Nominated for eight Academy Awards and winner of three. TO KILL A MOCKINGBIRD is today’s AFI Movie Club selection.

TO KILL A MOCKINGBIRD is a beloved film that appears on five of AFI’s lists of the greatest American films – and Gregory Peck’s iconic character, Atticus Finch, was named the greatest screen hero of all time by the American Film Institute.

The movie is based on a beloved book by Harper Lee, which appears regularly on lists of the greatest American novels.

The movie doesn’t end at the credits. Engage with your family, friends, and others like you who love movies. Check out the AFI Movie Club Discussion Questions for this movie and post your responses in the comment section!

-Atticus says, “You never really understand a person until you consider things from his point of view, until you climb inside of his skin and walk around in it.” From whose point of view is the story told – and how does that affect the story?

-How would the film be different if it were told from a different character’s perspective?

-TO KILL A MOCKINGBIRD is a story of a different time in America – but which of its themes and messages are still relevant today?

-How would you rate TO KILL A MOCKINGBIRD?

INTERESTING FACTS

Gregory Peck won his first and only Oscar® for his performance as Atticus Finch.

Gregory Peck’s climactic speech – one of the most iconic in American film, running for six minutes and 30 seconds – was done in a single take.

To Kill A Mockingbird 2

The film’s Scout – Mary Badham – was chosen from hundreds of children in a talent search of the American South. Badham had no prior onscreen acting experience and was nominated for the Best Supporting Actress Academy Award for her performance.

I hope the AFI Movie Club brings some inspiration and entertainment during this uncertain time when we are reminded “There’s no place like home.” AFI has created a global, virtual gathering of those who love the movies where each day’s film – announced by a special guest – is accompanied by fun facts, family-friendly discussion points and material from the AFI Archive to bring the viewing experience to life. As a non-profit, AFI Movie Club is a member-powered organization, dependent upon the support of its movie fans. To support AFI Movie Club please consider becoming a member or donating.

About AFI Movie Club

AFI Movie Club is a newly launched free program to raise the nation’s spirits by bringing artists and audiences together – even while we are apart. AFI will shine a spotlight on an iconic movie each day, with special guests announcing select AFI Movies of the Day in short videos posted on AFI.com and social media platforms. Audiences can “gather” at AFI.com/MovieClub to find out how to watch the featured movie of the day with the use of their preexisting streaming service credentials. The daily film selections will be supported by fun facts, family discussion points and exclusive material from the AFI Archive to enrich the viewing experience. Audiences can continue the conversation online using the hashtag #AFIMovieClub. Learn more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, youtube.com/AFI, twitter.com/AmericanFilm, and Instagram.com/AmericanFilmInstitute.

AFI MOVIE CLUB

Don’t miss this! SHOOTING HEROIN Coming Today

Posted by Larry Geeson

 

Shooting Heroin, one of the first narrative feature films on the current opioid epidemic in North America, tells the story of a young man, portrayed by Alan Powell, returning home from three overseas tours while surviving two divorces. Meanwhile, the heroin epidemic has embedded itself inside his hometown, a typical rural community, Whispering Pines. Shooting Heroin weaves a faith-based narrative into a typical rural setting with grace and eloquence.

Heroin

Utilizing some excellent technical filmmaking techniques through the use of point-of-view shots coupled with longer takes and a nuanced editing pace, Director and Producer Spencer Folmar, himself a small theatre chain operator and distributor through his company Veritas Films, flashes his filmmaking chops. In addition, the cinematography is eye-pleasing with sweeping opening landscape shots along with adept use of lens selections. Furthermore, an attractive cast augments the aesthetics. Sound and music tracks complement rather than overwhelm. The strength of musical talent is formidable.

Moreover, I discovered varied and sundry cinematic influences ranging from the hot Netflix docuseries, The Pharmacist through the award-winning 2011 Winters Bone into Terrence Malick’s Days of Heaven and as far back as the original 1934 Frankenstein. Suffice to say these filmmakers are no slouches.

Most interesting was the understated role of the “girl next door” character, portrayed by Rachel Hendrix. Grounded in the present and an unfaltering belief in the power of redemptive salvation, Hendrix’s character makes the narrative credible and ultimately believable. Her taped interview is a personal revelation unto itself. Tune in, turn on, and carry the torch to undo the scourge of heroin in your community. You’ll be glad you did!

 

 

Originally set for an initial limited theatrical release in cities across North America, Shooting Heroin, has repeatedly pivoted to reach its audience in the face of the COVID-19 crisis. Following the cancellation of its Los Angeles premiere and party, the producers have organized a LIVE, digital red carpet premiere for opening day, taking place on Zoom from 2:30-3:30PM Friday, April 3 with numerous cast and crew in attendance online for media to meet and interact with. Further, they’ve made all the on-set interview footage and clips available to the media and the public to edit and broadcast to their taste. Those are available here:

EPK Video Clips: https://www.dropbox.com/sh/kf8zvj2kwi93g0a/AAACcvyz45WShzLn-Zyrg2J3a?dl=0
ZOOM invite: Shooting Heroin Virtual Red Carpet
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SHOOTING HEROIN moved to video-on-demand and pay-per-view platforms following the shutdown of almost all movie theatres nationally during the ongoing COVID-19 crisis. The film had also been set to premiere at three film festivals in Northern New Jersey, Dallas, and Los Angeles–two were canceled. The third, the Garden State Film Festival, went online, premiered the film Saturday, March 28 and hosted an online Q&A following the screening with dozens of guests; the film captured a Best Supporting Actor Award for Garry Pastore.

Heroin

 

 

 

Wizard of Oz Kicks Off AFI Movie Club

Posted by Larry Gleeson

The American Film Institute (AFI) announced on March 31st it’s launching of a daily virtual gathering of cinephiles and movie lovers from around the globe. AFI Trustee and legendary filmmaker, Steven Spielberg, kicked off the optimistic and forward-thinking event with an introduction to the AFI Movie Club’s first film, The Wizard of Oz, and one of the film’s most important messages, “there’s no place like home.”

 

And, if that’s not enough check out what Judy Garland’s daughters Liza Minelli and Lorna Luft thought about THE WIZARD OF OZ the first time they saw it.

I’m glad I wasn’t the only one terrified by flying monkeys!

Stay tuned for more on this daily excursion with the AFI Movie Club!

AFI MOVIE CLUB

 

 

The American Film Institute Launches AFI MOVIE CLUB

Posted by Larry Gleeson

afi2

AFI MOVIE CLUB

“Movies To Watch Together While We’re Apart”

Steven Spielberg Inaugurates New AFI Program

Supplemental Content Curated from AFI’s Archive to Enrich Viewing Experience

The American Film Institute (AFI) announced yesterday the launch of AFI Movie Club – a daily virtual gathering to leverage our collective love of film on behalf of optimism in this time of global uncertainty. AFI Trustee Steven Spielberg introduced the inaugural film, THE WIZARD OF OZ, in a video that reminds in a timely manner, “There’s no place like home.”

AFI – the authority on American film – will continue to select an iconic movie each day for the world to watch together, creating a communal viewing experience during these unprecedented times of social distancing. Other special guests will announce select AFI Movies of the Day in short videos posted on AFI.com and social media platforms. Audiences can “gather” at AFI.com/MovieClub to view the featured movie of the day with the use of their preexisting streaming services. The daily film selections will be supported by fun facts, family discussion points and exclusive material from the AFI Archive to enrich the viewing experience. Audiences can continue the conversation online using the hashtag #AFIMovieClub

 

AFI President and CEO Bob Gazzale introduces World Premiere of PERSONAL STATEMENT at AFI DOCS Opening Night. Credit_ Tom Kochel
Bob Gazzale, AFI President and CEO

AFI’s goal is to live in a world of art above anxiety,” said Bob Gazzale, President and CEO. “We’re honored to have Steven Spielberg, the greatest storyteller of our day, lead the way.”

 

Seven of Spielberg’s films appear across AFI‘s 100 YEARS…100 MOVIES lists – SCHINDLER’S LIST, E.T.: THE EXTRA-TERRESTRIAL, JAWS, RAIDERS OF THE LOST ARK, SAVING PRIVATE RYAN, THE COLOR PURPLE and CLOSE ENCOUNTERS OF THE THIRD KIND. And in 1995, AFI awarded Spielberg with the AFI Life Achievement Award, the highest honor for a career in film.

About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s non-profit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present, and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media
at Facebook.com/AmericanFilmInstitute, youtube.com/AFI, twitter.com/AmericanFilm and Instagram.com/AmericanFilmInstitute.

afi_logo_official

(Source: AFI Press Release)

47th Telluride Film Festival 2020 Box Office Opens

Posted by Larry Gleeson

Each Labor Day weekend, the tiny mountain village of Telluride, Colorado triples in size. Swells of passionate film enthusiasts flood the town for four days of total cinematic immersion, embarking on a viewing odyssey, blissfully spending entire days in flickering dark rooms. With only an appreciation of celluloid to guide them, these devotees flock to the show, year after year. Why? Blind faith. Telluride doesn’t reveal the program until everyone lands in town. Yet the Telluride family trusts that a unique experience will unfold. (Telluridefilmfestival.org)

Telluride Film Festival

 

The Telluride Box Office for Cinephile, Acme and Festival level passes is open NOW.  Please note that Patron Passes are sold out.

Please visit the Telluride Film Festival website to order your pass online.

Telluride Passes

If you have any questions on the best way to order your pass, or other general inquiries regarding the Festival, call 510.665.9494 or email at passes@telluridefilmfestival.org. You’ll be glad you did!

Telluride
Larry Gleeson dons a Telluride Film Festival Vespucci Dogs ’19 hat in the town of Telluride, Colo., for the 46th Telluride Film Festival, held August 3oth through September 2nd, 2019.

Until next time. I’ll see you at the movies!

 

*Featured photo courtesy of Telluride Film Festival

 

 

5th Annual Santa Barbara Jewish Film Festival Returns to The New Vic Theatre with Oscar Nominees, Comedies, Dramas, and More

Posted by Larry Gleeson

The 5th annual Santa Barbara Jewish Film Festival, organized by the Jewish Federation of Greater Santa Barbara, will be held Wednesday, March 11 through Sunday, March 15 at The New Vic Theatre, 33 W. Victoria Street, Santa Barbara.

SBJFF co-chair Dr. Mashey Bernstein recently announced a wide selection of movies from Canada, France, Germany, Hungary, Luxembourg, Israel, and the United States, including world and West Coast premieres, three international Oscar submissions, and four films that feature women who reveal bravery and strength under dire circumstances. While most of the fare is uplifting and light, the festival does not avoid the controversial and thought-provoking. Special guests are also on the menu.

Hitler Pink RabbitThe festival opens on Wednesday, March 11 at 7:00 pm with the West Coast premiere of When Hitler Stole Pink Rabbit, Oscar winner Caroline Link’s adaption of Judith Kerr’s semi-autographical bestseller of the same title—a story about parting, family cohesion, and optimism. Other films that feature the indomitable power of women are An Irrepressible Woman (Friday 13, 12:45 pm) inspired by Janot Reichenbach (played by acclaimed French actress, Elsa Zylberstein), and her love for French socialist politician and three-time Prime Minister, Léon Blum (Hippolyte Girardot) who followed him, at great personal risk, to the Nazi prison where he was held. Those Who Remained, Hungary’s submission for the Oscars is a lyrical story of the healing power of love in the midst of national conflict, loss, and trauma, revealing the healing process of Holocaust survivors through the eyes of a young girl in post-World War II Hungary.

Not all is sad as several comedies fill out the festival. Saturday, March 14 at 8:00 pm Tel Aviv on Firefeatures Tel Aviv on Fire which finds comedy in dire situations. The Israeli-Palestinian conflict forces an unlikely union between an Israeli border guard with a yearn for Hummus and an inept Palestinian screenwriter. Two familiar faces will be the actors from the hit comedy Maktubb (SBJFF 2018) who are back this year with Forgiveness, Israel’s most popular movie in 2019. During the holy days between Rosh Hashanah and Yom Kippur two hapless criminals try to set their lives aright but keep stumbling into one crisis after another. In a slightly different vein is The Rabbi from Hezbolah (Friday, March 13, 10:00 am). A farmer from Lebanon ends up helping the Israeli army in a biography with more twists and turns than a Matthew Bourne mystery. Also inspiring is Aulcie, about the rise and fall and rise of one of Israel’s greatest athletes and basketball players (Thursday, March 12, 10:00 am.)

Two special movies are the documentary Carl Laemmle (Friday, March 13, 3:00 pm) and Golda’s Balcony, the Film, (Sunday 15 at 12:45). Carl Laemmle follows the life of the founder of Universal Studios, but more importantly, a man who rescued over 300 members of his family from Nazi Germany. Golda’s Balcony, the Film features Tovah Feldshuh’s stunning Broadway performance as Golda Meir—and nearly a hundred other characters from Henry Kissinger to Ben Gurion.

A featured shorts program will run 4:00 pm on Sunday, March 15, including shorts from the US, with a world premiere among the selections, and a profile of a young ultra-orthodox Jew with a real flair for comedy. Producers, directors and family members are invited guests.

The free community program will be on Sunday, March 15 at 10:00 am and features two very entertaining comics exploring the food delights of Montreal in Chewdaism. Guaranteed to have you craving a good corned beef on rye!

Other highlights of the Festival in a more serious vein are Incitement in which acclaimed writer-director Yaron Zilberman chronicles the disturbing descent of a promising law student Yigal Amir (award-winning actor Yehuda Nahari Halevi) who was influenced by a particular interpretation of Rabbinic teaching, political points of view and maternal love and transformed into an intransigent ultranationalist obsessed with murdering Israeli Prime Minister Yitzhak Rabin. Incitement is a story told with heart-searching honesty and was as Israel’s 2020 Oscar submission and winner of 9 Ophir Awards including Best Picture.

The festival concludes on Sunday, March 15 at 6:30 pm with the Ha’Seret Ha’Mitztayen (Excellence in Film) Awards to best short, documentary, and feature film, followed by Crescendo, a fictional film loosely based on the real-life West-Eastern Divan Orchestra—which is scheduled to appear in Santa Barbara just before the Festival—started by conductor Daniel Barenboim and the late Palestinian scholar Edward Said. Crescendo’s story offers a tempered hope for the future.

For a full list of films go to www.sbjewishfilmfestival.org. All-Access Passes, which cover all thirteen programs plus opening night reception and early entrance to the films, is $118. Individual tickets ($12) will be available in advance beginning March 11 and at the door.

About the Santa Barbara Jewish Film Festival

The Jewish Federation of Greater Santa Barbara produces the Santa Barbara Jewish Film Festival specifically to celebrate the diversity of Jewish history, culture, and identity while hoping that the films and their stories will resonate beyond these settings and speak to universal experiences and issues that confront our common humanity. For more information, visit www.sbjewishfilmfestival.org

SB Jewish Federation

(Source: Santa Barbara Jewish Film Festival Press Office)

 

San Luis Obispo International Film Festival 2020 Announces King Vidor Award Honoree!

Posted by Larry Gleeson

SLO Film Fest 2020

The 2020 San Luis Obispo International Film Festival

presented by Hotel San Luis Obispo

announces Lawrence Kasdan will be this year’s

King Vidor Award honoree

(March 17-22)

Kasdan

San Luis Obispo, CA (February 24, 2020) – The San Luis Obispo International Film Festival (March 12-17) has announced that critically acclaimed director/writer/producer Lawrence Kasdan will be this year’s King Vidor Award honoree.

Kasdan will be attending the film festival with his wife, frequent collaborator Meg Kasdan, with their documentary short film, LAST WEEK AT ED’S, about the closing of the beloved Ed’s Coffee Shop in West Hollywood.

Wendy Eidson
Wendy Eidson

“The King Vidor Award offers us an opportunity each year to celebrate and honor someone that has impacted our love of cinema, and Lawrence Kasdan epitomizes that as much as anyone” said SLO Film Fest Director Wendy Eidson. “From RAIDERS OF THE LOST ARK, to THE BIG CHILL, to so much that we love about the STAR WARS films and more, he has either been one of the key people behind their creation or outright been responsible for some of our favorite movie moments.”

Presented by BHE Renewables and JUSTIN Vineyards and Winery, the King Vidor Award presentation will take place immediately after the George Sidney Independent Film Awards ceremony on Saturday, March 21 at 7:00PM at the Fremont Theater (1025 Monterey Street). Following the presentation, Turner Classic Movies’ Ben Mankiewicz will host a discussion of Kasdan’s career including a number of his classic and beloved films.

Known for updating old Hollywood genres—film noir, science-fiction, westerns—in a classical dramatic style with quick-witted dialogue, but dealing with contemporary social themes, Kasdan has helped create some of the defining cinematic mythologies of the 20th century (with a hand in resurrecting the Star Wars franchise in the 21st), while as a director he has made personal, slightly quixotic movies that examine characters and generations.

Kasdan Vidor

Kasdan’s introduction to film fans as a screenwriter came via two of the all-time popular classics of the 80s and beyond: STAR WARS: THE EMPIRE STRIKES BACK (1980) and RAIDERS OF THE LOST ARK (1981).

Kasdan Vidor 2

What would follow were a string of films that, while varied in setting and style, cemented Kasdan, the writer/director, as one of the top talents behind the camera helping set the tone for a decade onscreen: BODY HEAT (1983), THE BIG CHILL (1983) – for which he received his first Academy Award nomination for Best Screenplay, SILVERADO (1985), and THE ACCIDENTAL TOURIST (1988), for which he received nominations for both Best Picture and Best Screenplay Adaptation. The latter two films, Kasdan also produced.

Kasdan Vidor 3

Prolific, Kasdan continued to both write and direct films throughout the next decade, with highlights including; the critically acclaimed GRAND CANYON (1991), which he co-wrote with his wife, Meg Kasdan (and received another Academy Award nomination for Best Screenplay), as well as directed and produced; the box-office smash, Mick Jackson’s THE BODYGUARD (1992), which Kasdan wrote and produced; the epic western WYATT EARP (1994), which he co-wrote with Dan Gordon, directed, and produced; the Meg Ryan/Kevin Kline romantic comedy FRENCH KISS (1995), which he helmed; and the lightly comedic drama MUMFORD (1999), which he wrote, directed and produced.

Kasdan Vidor 4

2003’s DREAMCATCHER (co-written with William Goldman) and 2012’s DARLING COMPANION (co-written with Meg Kasdan), Kasdan’s other two outings as writer, director, and producer, could not have been more different from one another. The former being an adaptation of one of Steven King’s more gonzo horror works, and the latter being an introspective drama centered around the love for and loss of a dog.

Kasdan, the screenwriter, has recently been one of the architects of the growing Star Wars universe, having written STAR WARS: THE FORCE AWAKENS (2015), and SOLO: A STAR WARS STORY (2018).

Kasdan Vidor 5

Event tickets and Festival Passes are now on sale and the full film festival schedule and program can be found at https://slofilmfest.org.

 

ABOUT SAN LUIS OBISPO INTERNATIONAL FILM FESTIVAL

Located half-way between Los Angeles and San Francisco, San Luis Obispo’s laid-back vibe and serene natural beauty is the perfect setting for this highly regarded annual film celebration. Filmmakers rave about the warmth and attentiveness that is so much a part of the SLO Film fest experience, as does the swelling tide of industry pros and film critics who are fast discovering the film festival’s thoughtful audiences and unique programming sensibility. At the SLO Film Fest, “Movies Matter!”

SLOFF_2020

(Source: Press release provided by Wildworks PR, John Wildman)

 

 

The 2020 San Luis Obispo International Film Festival presented by Hotel San Luis Obispo announces galas & special event screenings (March 17-22)

Posted by Larry Gleeson

 Chusy Jardine’s IT ALL BEGINS WITH A SONG: THE STORY
OF THE NASHVILLE SONGWRITER is the Opening Night
selection and Benjamin Kasulke’s BANANA SPLIT
is the Closing Night choice

Special screening events include “Hollywood & Vines” presentations
and two top titles from Sundance:
Adam Carter Rehmeier’s DINNER IN AMERICA and
Sam Feder’s DISCLOSURE: TRANS LIVES ONSCREEN

San Luis Obispo, CA (February 18, 2020) – The 26th Annual San Luis Obispo International Film Festival presented by Hotel San Luis Obispo (March 17-22) today announced this year’s gala selections and special event screenings. Chusy Jardine’s IT ALL BEGINS WITH A SONG: THE STORY OF THE NASHVILLE SONGWRITER is the Opening Night selection, and Benjamin Kasulke’s BANANA SPLIT is the Closing Night selection. Special events include the “Hollywood & Vines” screening events celebrating the intersection of food, wine, and film. The Central Coast Filmmaker Showcase titles were also announced.

Wendy Eidson
Wendy Eidson, San Luis Obispo Film Festival Director

“We have set ourselves up for a very musical start, which will lead into a number of special film events that set us apart from a lot of other film festivals: joining our love of food, wine and great cinema into one combined evening” said San Luis Obispo Film Festival Director Wendy Eidson. “When you then add on two very popular films to come out of Sundance this year, 64 George Sidney Independent Film selections, and our growing Central Coast Filmmaker Showcase, we will be rolling out one our most impressive lineups of films and events yet.”

Jardine’s IT ALL BEGINS WITH A SONG: THE STORY OF THE NASHVILLE SONGWRITER will open the San Luis Obispo International Film Festival on Tuesday, March 17 at the Fremont Theatre (1035 Monterey Street). The film documents songwriters’ struggles, from paying their dues to working through the creative process. Drawing from more than 100 hours of footage, the film includes more than 80 interviews with well-known and lesser-known music industry figures and songwriters, such as Garth Brooks, Ben Folds, John Hiatt, Brett James, Alison Mosshart, Kacey Musgraves, and Keb’ Mo.’ Attending are Jardine, Executive Producer Kathryn Montgomery, John Godsey, as well as singer-songwriter with local roots, Jude Johnstone and Jade Jackson, who will also perform following the screening. The Opening Night celebration will include an Opening Night Pre-Screening Party at Luna Red (1023 Chorro Street), featuring a performance by popular SLO County band Mother Corn Shuckers.

The Closing Night selection will be Kasulke’s teen comedy, BANANA SPLIT. Screening on Sunday, March 22 at the Fremont Theatre, the film marks the return of one of the SLO Film Fest’s favorite filmmakers, Hannah Marks, who stars alongside Dylan Sprouse, Liana Liberato and Luke Spencer Roberts in a film where two high school senior girls have to figure out how to maintain their friendship while one of the dates the other’s ex-boyfriend. Marks, who also wrote and produced the film returns after premiering her feature film directorial debut AFTER EVERYTHING at the film festival last year.

Two hot titles were picked up out of the recently concluded Sundance Film Festival for SLO Film Fest fans to catch: Adam Carter Rehmeier’s audacious crowd-pleasing comedy stars Kyle Gallner as an on-the-lam punk rocker who connects with a young woman (Emily Skeggs) obsessed with his band. They go on an unexpected and epic journey together through the decaying suburbs of the American Midwest. The film features a cast of favorites including Pat Healy, Hannah Marks, Jennifer Prediger, Mary Lynn Rajskub, and Lea Thompson. Sam Feder’s documentary, DISCLOSURE: TRANS LIVES ONSCREEN looks at how Hollywood has deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves. Both screenings are expected to have the filmmakers and special guests attending.

Special events this year are highlighted by something that the SLO Film fest is famous for (next to its previously announced Surf Nite): the intersection and celebration of Food, Wine, and Film on the Central Coast. Described as “Hollywood & Vines” events, the carefully curated and produced events include East Meets West, a double feature of Peter Schroeder III’s FULL BOAR, about Gary Eberle, the godfather of the Paso Robles wine industry, and Tim Clott and Libbie Agran’s 91 HARVESTS, which tells the story of the Dusi Vineyards and their wines. Naturally, wine and appetizers will be served in the lobby of the historic Fremont Theatre in between the screenings on Wednesday, March 18.

BIGGEST LITTLE FARM
THE BIGGEST LITTLE FARM

The Octagon Barn Movie Night features John Chester’s hit documentary THE BIGGEST LITTLE FARM about the filmmaker and his wife’s experience leaving the city for farm life, along with a special sneak preview of PBS’s WALKIN’ CALIFORNIA – PISMO PRESERVE, which takes us on a journey through the newly opened Pismo Preserve. The evening will include a delicious BBQ dinner with wine, to go along with the films in the historic and recently renovated barn in San Luis Obispo.

Other films in the “Hollywood & Vines” presentations include Beth Elise Hawk’s BREAKING BREAD, about the A-sham Arabic Food festival in Haifa, Israel; Abby Ainsworth’s STAGE: THE CULINARY INTERNSHIP about the apprenticeship experience at one of the best Michelin-starred restaurants in the world – Mugaritz; NOTHING FANCY: DIANA KENNEDY, about Mexican cuisine cookbook author and environmental activist; and the Tastes and Flavors of Japan afternoon event featuring Hironori Sakurai’s THE STORY BEYOND A CUP OF SAKE and Sky Bergman’s MOCHITSUKI.

Screen Shot 2020-02-18 at 7.55.21 PM

The Coastal Awakening this year will sponsor a special sidebar of films celebrating the life and art of renowned composer and pianist Philip Glass with presentations of Scott Hick’s documentary, GLASS: A PORTRAIT OF PHILIP IN TWELVE PARTS (2007), and two films that feature Academy Award-winning original scores by Glass: Godfrey Reggio’s KOYAANISQATSI (1982), and Martin Scorsese’s KUNDUN (1997).

Passes are now on sale and information on the film festival can be found at https://slofilmfest.org.

SPECIAL PRESENTATION FILMS

HOLLYWOOD AND VINES PRESENTATIONS

91 HARVESTS
Directors:  Tim Clott and Libbie Agran
Country: USA, Running Time: 45 min
The story of the Dusi Vineyard began in the early 1920s, when Sylvester and Caterina Dusi emigrated from Northern Italy and settled in Paso Robles. The Dusi Vineyard introduced some of the first Zinfandels to California’s Central Coast; vineyards were rare in Old California in the early 1900’s.  Sylvester and Caterina were highly enterprising, and working together with their three sons – Guido, Dante and Benito, eventually bought an additional property on the west side of Highway 101 in 1945 and planted Zinfandel. Three generations after Janell Dusi’s great-grandparents first planted the land to Zinfandel, she is continuing the legacy of one of the area’s most well-loved vineyards, and taking ten percent of the production off the Dante Dusi Vineyard to create J Dusi Wines.

THE BIGGEST LITTLE FARM
Director: John Chester
Country: USA, Running Time: 91 min
This beautiful, multi-award winning documentary chronicles the eight-year quest of John and Molly Chester as they trade city living for 200 acres of barren farmland and a dream to harvest in harmony with nature. By doggedly persevering and embracing the opportunity provided by nature’s conflicts, the couple unlocks a biodiverse design for living that exists far beyond their farm, its seasons and our wildest imagination. Featuring breathtaking cinematography, captivating animals and an urgent message to heed Mother Nature’s call, this film provides us all a vital blueprint for better living and a healthier planet.

BREAKING BREAD
Director: Beth Elise Hawk
Country: USA, Running Time: 86 min
A visually beautiful film that offers a recipe for tolerance – and hope. Dr. Nof Atamna-Ismaeel, the first Muslim Arab to win Israel’s MasterChef television competition, is on a quest to effect social change. So she starts the A-sham Arabic Food Festival in Haifa, Israel, where pairs of Arab and Jewish chefs collaborate on mouthwatering local dishes – and become friends. Set in a region beset with conflict, Breaking Bread sends a clear message: Strip away politics and religion and you’ll find that people are people. And what better way to do that than over a great meal?

FULL BOAR
Director: Peter Schroeder III
Country: USA, Running Time: 50 min
In this insightful documentary about Gary Eberle, you’ll get a sense of the man called the godfather of the Paso Robles wine industry – his astute winemaking skills, warmth, self-deprecating humor, genuine compassion and determination in overcoming a hostile corporate takeover. Now celebrating his namesake winery’s 40th year, the man once destined for medical research credits legendary football coach Joe Paterno and famed winemaker Robert Mondavi for teaching him key lessons along the way.

NOTHING FANCY: DIANA KENNEDY
Director: Elizabeth Carroll
Countries: USA/Mexico, Running Time: 82 min
Cookbook author and environmental activist Diana Kennedy reflects on an unconventional life spent mastering Mexican cuisine. It’s a candid, comprehensive whirlwind tour through the life and work of this 96-year-old uncompromising chef who’s been called an “adorable narcissist.” “If her enthusiasm were not beautiful, it would border on mania,” says influential New York Times food editor Craig Claiborne in a quote that opens the film.

STAGE: THE CULINARY INTERNSHIP
Director: Abby Ainsworth
County: Spain, Running Time: 78 min
A group of interns work together during a nine-month apprenticeship at one of the best Michelin-starred restaurants in the world, Mugaritz. They’re unpaid, away from home, speaking a different language and working brutally long hours. While the restaurant’s notorious avant-garde cuisine and creative working environment elevate those young hopefuls to think outside the confines of a kitchen, the extremely high standards prove to be mentally and physically challenging.

THE STORY BEYOND A CUP OF SAKE
Director: Hironori Sakurai
Country: Japan, Running Time: 62 min
A wonderfully intimate and special look at the delicate care and production of a local sake brewery in Japan through the eyes of a married couple who create the sake and oversee the brewery. We also meet many individuals who work in and care for the gorgeous rice fields and distribute the finished sake, drawing interesting parallels to the wine industry in California.
Screening with

MOCHITSUKI
Director: Sky Bergman
Country: USA, Running Time: 5 min
The ancient tradition of preparing Mochi to celebrate the Japanese New Year goes back centuries. Join one close-knit intergenerational community in San Luis Obispo County who revels in the ceremonial pounding of the cooked rice, the forming of the warm Mochi cakes, and of course eating the yummy results! Elders and kids alike reflect on what Mochi means to them, leaving not a cheek untouched by rice flour.

WALKIN’ CALIFORNIA – PISMO PRESERVE
Director: Cameron Mitchell
Country: USA, Running Time: 27 min
WALKIN’ CALIFORNIA – PISMO PRESERVE is about getting out of the office and off the couch and exploring all the diversity this incredible state has to offer. Join host Steve Weldon as he and Land Conservancy staff take a hike on the newly opened Pismo Preserve, located just north of Pismo Beach. As we meet a variety of Central Coast residents along the way, this episode highlights the natural beauty of the area and the important work the Land Conservancy is doing in our community.

ADDITIONAL SPECIAL PRESENTATION FILMS

ALMOST FAMOUS
Director: Ben Proudfoot
Country: USA, Running Time: 51 min
Pop stars who never were. Household names who remain unknown. Astronauts who never entered space. Rock stars whonever had their day. The lives of these fascinating and incredibly talented individuals are chronicled in this collection of four wonderful short films, produced by the New York Times Op-Docs series and directed by SLO Film Fest alum Ben Proudfoot (RWANDA AND JULIET, 2016), KIM I AM, THE LOST ASTRONAUT, THE OTHER FAB FOUR, and THE KING OF FISH & CHIPS are all memorable stories that will amaze, inspire, and most importantly, entertain.

THE BIG PARADE (1925)
Director: King Vidor
Country: USA, Running Time: 151 min
Wealthy young idler Jim Apperson (John Gilbert) enlists during the early days of World War I, to the worry of his mother (Claire McDowell) and the pride of his father (Hobart Bosworth). Sent to the front lines in the French countryside, Jim bonds with his working-class bunkmates and falls in love with young French farm girl Melisande despite having a girlfriend back home. But the romance of war is soon shattered for good. This 1925 silent film features a wonderful score by Carl Davis.

DINNER IN AMERICA
Director: Adam Carter Rehmeier
Country: USA, Running Time: 106 min
An on-the-lam punk rocker and a young woman obsessed with his band go on an unexpected and epic journey together through the decaying suburbs of the American Midwest.

DISCLOSURE: TRANS LIVES ONSCREEN
Director: Sam Feder
Country: USA, Running Time: 100 min
An investigation of how Hollywood’s fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

ENAMORADA (1946)
Director: Emilio Fernández
Country: Mexico, Running Time: 96 min
This 1946 Mexican drama was shot on location in Puebla. The revolutionary José Juan Reyes (Pedro Armendáriz, a Cal Poly graduate!) takes the town of CholulaPuebla and demands contributions from its wealthiest citizens for the Mexican Revolution. However, his plans are disrupted when he falls in love with the Señorita Beatriz Peñafiel (María Félix), the tempestuous daughter of the town’s richest man. The film was fully restored by UCLA in 2018. Film will be introduced by Latino Film expert Maria Elena de las Carreras.

GLASS: A PORTRAIT OF PHILIP IN TWELVE PARTS (2007)
Director: Scott Hicks
Country: USA, Running Time: 119 min
An eventful year in the career and personal life of distinguished Western classical composer Philip Glass as he interacts with a number of friends and collaborators, who include Chuck Close, Ravi Shankar, and Martin Scorsese.

HEARTS OF GLASS: A VERTICAL FARM TAKES ROOTS IN WYOMING
Director: Jennifer Tennican
Country: USA, Running Time: 68 min
Vertical Harvest (VH) is a highly innovative but risky experiment in growing crops and providing meaningful employment for people with disabilities. Built on 1/10 of an acre at an elevation of 6,237 feet, the high tech hydroponic greenhouse is located in Jackson, Wyoming, a mountain town with extreme seasonal fluctuations in weather, population and demand for goods and services. Business drama is interwoven with the personal journeys of individuals who are part of an underemployed and underestimated group, adults with intellectual and developmental disabilities. Plants and people grow together in this intimate portrait of one community’s attempt to address timely and pressing issues around local food production, inclusion and opportunity.

KOYAANISQATSI (1982)
Director: Godfrey Reggio
Country: USA, Running Time: 86 min
A collection of expertly photographed phenomena with no conventional plot. The footage focuses on nature, humanity, and the relationship between them.

KUNDUN (1997)
Director: Martin Scorsese
Country: USA, Running Time: 134 min
From childhood to adulthood, Tibet’s fourteenth Dalai Lama deals with Chinese oppression and other problems.

CENTRAL COAST FILMMAKER SHOWCASE

FEATURE DOCUMENTARY
91 HARVESTS
(see above)

BETTER TOGETHER
Director: Isaac Hernandez
Country: USA, Running Time: 50 min
Community makes the difference. The response to a horrendous oil blowout fifty years ago in Santa Barbara sparked the modern environment, creating a culture that continues to inspire local solutions to global problems. The legacy of the oil spill continues to inform this community, which keeps coming together, providing local solutions to global environmental problems; such as when over 3,000 volunteers jointed the Santa Barbara Bucket Brigade to dig the mud from homes after the deadly 2018 debris flow.

BY HAND
Director: Kellen Keene
Country: USA, Running Time: 67 min
In an attempt to escape comfort, reconnect to the natural world and set a new bar for ocean adventure, SLO County residents and twin brothers Casey and Ryan Higginbotham made a decision that would reshape their loives. On March 18, 2016, they embarked on a 2200-mile paddle from Alaska to Mexico with 18-foot paddle boards.

SPOONS: A SANTA BARBARA STORY

Director: Wyatt Daily

Country: USA, Running Time: 58 min

Dusty archives have been re-discovered remastered to bring a new perspective to one of the most crucial periods in surfing’s evolution. This is a film compiled of never-before-seen footage from surfing’s Golden Age, with outtakes and extras from some of surfing’s most well-known filmmakers to tell a history that has never been told before. A story of craftsmanship, work ethic, renegades and tradition; a film that goes beyond the time spent in the ocean to define how one spends a lifetime.

NARRATIVE SHORT FILMS
THE ADVENTURES OF COWMAN AND LAMBOY
Director: Dominic Hure
Country: USA, Running Time: 7 min

BLUE NOISE
Director: Jonah Moshammer
Country: USA, Running Time: 12 min

CAL POLY SHORTS
Directors: Cal Poly Liberal Arts students
Country: USA, Running Time: 50 min

CRIMSON CUFFS
Director: Madeline Vail
Country: USA, Running Time: 7 min

DIRTY LITTLE SECRETS
Director: Dale Griffiths Stamos
Country: USA, Running Time: 13 min

THE INCIDENT
Director: Johannes S. Beals
Country: USA, Running Time: 5 min

LOCKDOWN
Director: Jorrit Van Der Kooi
Country: USA, Running Time: 8 min

MOVING PAINS
Director: Michael Gould
Country: USA, Running Time: 14 min

NICKEL IN THE SAND
Director: Mike Winger
Country: USA, Running Time: 3 min

ODD BIRD
Director: Katy Dore
Country: USA, Running Time: 9 min

ROSIE
Director: Shanti Herzog
Country: USA, Running Time: 17 min

DOCUMENTARY SHORT
93: LETTERS FROM MARGE
Director: Heather Hudson
Country: USA, Running Time: 30 min

BIRDS OF LOS BANOS
Director: Gail Osherenko
Country: USA, Running Time: 14 min

CARRIZO PLAIN: A SENSE OF PLACE
Director: Jeff McLoughlin
Country: USA, Running Time: 32 min

THE EDGE OF PURPOSE
Director: Winslow Perry
Country: USA, Running Time: 40 min

FARM TO FLOAT: THE MAKING OF THE CALIFORNIA GROWN ROSE PARADE ENTRIES
Director: Alex Raban
Country: USA, Running Time: 17 min

FOREVER VOTERS
Director: Sky Bergman
Country: USA, Running Time: 7 min

KUT TO BE THE BEST: THE LAST BLACK BARBERSHOP IN SAN LUIS OBISPO
Director/Writer: Justice Whitaker
Country: USA, Running Time: 40 min

LIFESAVER: THE SLO NOOR FOUNDATION STORY
Director: Bob Williams
Country: USA, Running Time: 40 min

MARGARET SINGER: SEEKING LIGHT
Director: Louise Palanker
Country: USA, Running Time: 20 min

MOCHITSUKI
(see above)

ORANGEBURG: A TOWN, A TEAM, AN AMERICAN TRAGEDY
Director: Jim Fabio
Country: USA, Running Time: 20 min

PASO ROBLES: A GOODBYE STORY
Director: Brandt Goodman
Country: USA, Running Time: 4 min

REFORGING A LEGACY
Director: Bryan McLain
Country: USA, Running Time: 8 min

SLOFF_2020

ABOUT SAN LUIS OBISPO INTERNATIONAL FILM FESTIVAL
Located half-way between Los Angeles and San Francisco, San Luis Obispo’s laid-back vibe and serene natural beauty is the perfect setting for this highly regarded annual film celebration. Filmmakers rave about the warmth and attentiveness that is so much a part of the SLO Film fest experience, as does the swelling tide of industry pros and film critics who are fast discovering the film festival’s thoughtful audiences and unique programming sensibility. At the SLO Film Fest, “Movies Matter!”

*Featured photo: HollywoodGlee at the SLO Film Fest Festival Tent (Photo by Kevin O’Connor, in memoriam)

(Source: Press release provided by John Wildman, Wildman PR)

Sundance 2020 Wrap-up: So Many Films, So Little Time

Posted by Larry Gleeson                                                                                 February 10, 2020

robert redford
Robert Redford, Former President of the Sundance Institue, announced he was stepping down as the face of the festival in 2019 so he could spend more time with filmmakers and their films at the 2019 Sundance Film Festival Press Conference. (Photo by Larry Gleeson)

The 2020 Sundance Film Festival started off most curiously….again. Last year in a highly dramatic moment, the face of the festival Robert Redford made an entrance with a deafening silence to announce, “I think it’s time for me to be going.” I sat in a semi-state of bodily paralysis as my mind searched for an answer to his opening words. Whew! Thank heavens I didn’t have to wait long for an answer as Redford continued speaking explaining he wanted to spend more time with the films and the filmmakers. This year, his letter (1_SFF 2020 Robert Redford Letter-1) says much of what he communicated intentionally last year on that fateful day.

This year I was ready for anything….except a virtual press conference with a content-rich digital Day One Press Kit, including video remarks from executive leadership as well as details about the Festival and the Institute’s global year-round work. Watch Keri Putnam, John Cooper, and Kim Yutani explain the importance of freedom of speech, the freedom of expression, the metaphysical principle of change, and the driving force behind programming and curating a film festival from more than 15,000 submissions. You’ll be glad you did!

That evening, Sundance Institute’s annual fundraising event An Artist at the Table Presented by IMDb Pro began with the premiere of Crip Camp, winner of the Audience Award: U.S. Documentary, Presented by Acura and was followed by a celebratory dinner during which the Institute honored Darren Walker, President of the Ford Foundation, with the Vanguard Award for Philanthropy. Proceeds from the evening went to advancing Sundance Institute’s mission and programs that discover, support and amplify risk-taking and exciting independent film, media and theatre artists. And, as luck would have it, I quickly ran into several of my cohorts from the Telluride Film Festival. One of which, I would have the distinct pleasure of conducting a sit-down interview. Sam Doerge, the Telluride Art Director, was handling duties at the New Frontiers Center Festival Installation Coordinator. More on that later!

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New Frontiers Center Festival Coordinator, Sam Doerge. (Photo by Larry Gleeson)

Taylor Swift

The film I was most excited to see – Taylor Swift: Miss Americana, a documentary directed by Lana Wilson was making its world premiere at the 2020 Sundance Film Festival in the late slot. Admittedly, in tears after seeing Swift perform “Better Man,” in Brian Loschiavo’s extraordinary documentary, Bluebird, at the 50th Anniversary of the Nashville Film Festival, I was not disappointed! No tears. Just an overwhelming sense of awe-inspiring respect.

CLIMB-1
The Climb

Friday morning brought a wonderful opportunity to catch The Climb, winner of the Coup de Coeur prize in the Un Certain Regard section of the 2019 Cannes Film Festival, at a Press & Industry screening at the Holiday Village Theatre. Traversing the ups and downs of life, the film “utilizes ingeniously self-aware dialogue” to capture the chaos of fractured friendships and its accompanying family life. Highly recommended!

Friday,  January 24th, ushered in the opening of numerous venues on Old Town Main Street. The 2020 Sundance ASCAP (the American Society of Composers, Authors and Publishers, a professional membership organization of songwriters, composers and music publishers) Music Café launched with a special introduction by Peter Golub, Director of the Sundance Film Music Program. The Music Café was standing room only throughout the weekend.

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Matt Berninger and his band with a view of the room – Photo by Fred Hayes

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Ron Artis II and band on the Café stage – Photo by Fred Hayes

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The Easterseals Disability Services hosted a panel on the influence of diversity and inclusion initiatives in Hollywood during the 2020 Sundance Film Festival at the Kimball Art Center in Park City, Utah, February 25, 2020. (Photo by Larry Gleeson)

On Saturday, Easterseals Disability Services hosted a panel on the influence of diversity and inclusion initiatives in Hollywood in increasing the visibility of/opportunities for talent with disabilities in the entertainment industry. An underreported phenomenon is seemingly occurring in the film and television industries. Included below is the taped panel in its entirety. It’s inspiring and insightful!

ESSC Diversity Panel - Sundance 2020 #2

Standing behind Nick Novicki (front), ESSC board member and founder of the Easterseals Film Challenge, are L-R: Angela Williams, CEO, National Easterseals; Franklin Leonard, Founder and CEO, The Black List; Mark Whitley, CEO, ESSC; panel moderator Britt Stephens, Celebrity & Entertainment Editor, Pop SugarShoshannah Stern, Creator, Executive Producer, Writer and Star of Sundance TV’s This Close; Shanique Bonelli-Moore, Executive Director of Inclusion, United Talent Agency; John Travis, VP of Brand Marketing, Adobe; and Nancy Weintraub, Chief Development Officer, ESSC. (Photo courtesy of Vicki Greenleaf)

 

Panel moderator, Britt Stephens, Celebrity & Entertainment Editor, Pop Sugar, participates in the Easterseals Disability Services panel on the influence of diversity and inclusion initiatives in Hollywood during the 2020 Sundance Film Festival at the Kimball Art Center in Park City, Utah, February 25, 2020. (Photo by Larry Gleeson)

John Travis, VP of Brand Marketing, Adobe, participates in the Easterseals Disability Services panel on the influence of diversity and inclusion initiatives in Hollywood during the 2020 Sundance Film Festival at the Kimball Art Center in Park City, Utah, February 25, 2020. (Photo by Larry Gleeson)

On Saturday, Easterseals Disability Services hosted a panel on the influence of diversity and inclusion initiatives in Hollywood in increasing the visibility of/opportunities for talent with disabilities in the entertainment industry. An underreported phenomenon is seemingly occurring in the film and television industries. Included below is the taped panel in its entirety. It’s inspiring and insightful!

Has Recent Industry Emphasis on Diversity & Inclusion Influenced the Way We Tell Stories?

 

In addition, Brand Storytelling at Sundance Film Festival wrapped it’s fifth annual “festival within a festival.” Over 250 attendees were present at the invite-only, sold-out event for keynote chats, panel presentations, film premiers, and screenings, live musical performances while bringing in major brands, media and production companies, talent, advertising, and PR agencies.

Ariel Tweto, star of _Into America's Wild_
Ariel Tweto, star of Into America’s Wild, speaks at Brand Storytelling at Sundancer Film Festival (Photo courtesy of Prana PR)

The Alfred P. Sloan Foundation Presented Feature Film Prize to Tesla. Michael Almereyda’s Tesla was formally presented with a $20,000 check for winning the Alfred P. Sloan Foundation Feature Film Prize. The awards were presented at an afternoon cocktail reception at High West Distillery. These activities are part of the Sundance Institute Science-In-Film Initiative, which is made possible by a grant from the Alfred P. Sloan Foundation.

Alfred P. Sloan Foundation Feature Film Prize Reception
Actor Ethan Hawke, Alfred P. Sloan Foundation Feature Film Prize Winner Michael Almereyda and Alfred P. Sloan Foundation Vice President and Program Director Doron Weber attend the Alfred P. Sloan Foundation Feature Film Prize Reception at the 2020 Sundance Film Festival. © 2020 Sundance Institute | photo by Jovelle Tamayo.

The World Premiere of Horse Girl from writer/director Jeff Baena took audiences by surprise with a sizzling performance from Alison Brie. An official selection of the Premieres program at the 2020 Sundance Film Festival, Horse Girl was executively produced by the Duplass Brothers, Jay and Mark. Stay tuned for a full, unadulterated review

Horse Girl - Press Line
Actor Alison Brie attends the World Premiere of Horse Girl by Jeff Baena, an official selection of the Premieres program at the 2020 Sundance Film Festival. © 2020 Sundance Institute | photo by Lauren Wester.

Talent Forum convened for three days, January 28-30th during the festival bringing together a robust slate of artists with projects across all platforms and at varied and pivotal stages from development through completion.

Anne Lai
Anne Lai

“We’re thrilled to [have} welcome(d) an extraordinary collection of artists from 22 countries who bring remarkable voices and work to connect with industry, advocates, and each other as they move their work and careers forward,” noted Anne Lai, Sundance Institute’s Director of Creative Producing & Artist Support.

SFF20 Talent Forum Projects & Fellows

The Movie That Blew My Mind kicked off the 2020 Talent Forum panel at the 2020 Sundance Film Festival. An Offscreen event the panel featured hosts John Cooper (Director, Sundance Film Festival) and Tabitha Jackson (Director, Sundance Institute Documentary Film Program) with Tessa Thompson, Tom McCarthy, and other special guests, each of whom selected a cinema moment that was inspiring or formative (in their life or in shaping their creative sensibility).

The Movie That Blew My Mind - Panel
Actor Tessa Thompson at The Movie That Blew My Mind, a festival panel at the 2020 Sundance Film Festival. © 2020 Sundance Institute | photo by Maya Dehlin.

The Movie That Blew My Mind - Panel
Tabitha Jackson (Director, Sundance Institute Documentary Film Program) at The Movie That Blew My Mind, a festival panel at the 2020 Sundance Film Festival. © 2020 Sundance Institute | photo by Maya Dehlin.

An unexpected treat happened with the French episodic Laetitia. Acting on a suggestion from Antoine Maron, an Art Director in the French film industry, I squeezed into the Academy Award-winning Jean-Xavier de Lestrade screening and stayed for the Q & A with de Lestrade. His extraordinary attention to detail propels a powerful story based on an historically documented criminal case. This 2002 Academy-award winner for Best Documentary is worth listening to and has a captivating presence. Please see the 2020 Sundance Film Festival’s Meet the Artist video and stay tuned for a capsule review of the evening.

Jean-Xavier Sundance
Academy Award-winning French filmmaker Jean-Xavier de Lestrade at the 2020 Sundance Film Festival following a screening of his Indie Episodic, Laetitia, in Park City, Utah, Tuesday, January 28, 2019. (Photo by Larry Gleeson)

Jean-Xavier
Academy Award-winning French filmmaker, Jean-Xavier de Lestrade at the 2020 Sundance Film Festival following a screening of his episodic, Laetitia, in Park City, Utah, Tuesday, January 28, 2019. (Photo by Larry Gleeson)

Jean-Xavier de
Academy Award-winning French filmmaker Jean-Xavier de Lestrade at the 2020 Sundance Film Festival following a screening of his Indie Episodic, Laetitia, in Park City, Utah, Tuesday, January 28, 2019. (Photo by Larry Gleeson)

Other favorites were Okavango: River of Dreams, Kajillionaire. Max Richter’s Sleep, Dissident, Softie, Glorias, Horse Girl, Be Water, Ironbark, On the Record, The Father, Sylvie’s Love, and Mucho, Mucho, Amor. Check back regularly as these films, all of which are worthy of review, will soon be making their way up the “films to be reviewed” list and hopefully be available for viewing.

Without further adieu, the Festival wrapped up with the Awards Night Ceremony & Party on February 1, 2020, and with previously announced jurors awarding prizes to films in the U.S. Dramatic, U.S. Documentary, World Cinema Dramatic, World Cinema Documentary, and NEXT categories. 2020 SUNDANCE FILM FESTIVAL AWARDS

Until next year, I’ll see you at the movies!

*Featured photo: A still from Breathe by Diego Galafassi, an official selection of the New Frontier Exhibitions program at the 2020 Sundance Film Festival. Courtesy of Sundance Institute.

2020 Sundance Spotlight Interview: Sam Doerge

Posted by Larry Gleeson

First-year New Frontiers Central Festival Coordinator, Sam Doerge, is making the most out of her 2020 Sundance Film Festival experience.

Sam Goerge_Sundance2020-1
New Frontiers Central Festival Coordinator, Sam Doerge. (Photo by Larry Gleeson)

First-year New Frontiers Central Festival Coordinator, Sam Doerge, is making the most out of her 2020 Sundance Film Festival experience. Doerge has a background in art having majored in Visual and Critical Research with a minor in Sculpture at the prestigious School of the Art Institute of Chicago. In addition, Doerge is the Programming Coordinator for Denver Film and is the Art Director for the Telluride Film Festival.

While working as the Telluride Art Director, Doerge came in contact with Spheres, a three-part virtual reality series written and directed by Eliza McNitt, produced by Jess Engle, and executively produced by Darren Aronofsky. Spheres made a huge splash at the 2018 Sundance Film Festival and it sold for a seven-figure sum. Producer Jess Engle is attending this year’s festival as a producer for the augmented reality installation, Breathe. New Frontiers Central is in its second year of operation as the festival’s second venue for New Frontier programming.

Having dreamt about Immersive Storytelling and voraciously reading about installation management, Doerge seemed to be in the right place at the right time to explore the exponentially growing field of virtual reality/augmented reality. Always an admirer of the New Frontier at Sundance from afar, Doerge seized the opportunity to apply and was consequently offered the New Frontiers Central Festival Coordinator contract.

With the enormously talented artists, including Diego Galafassi (Breathe), and their assistants, Doerge coordinated a process whereby the Sundance personnel could augment and amplify the immersive virtual/augmented reality experience. Working closely with her manager Boji Wong, a mother of three who singly managed the New Frontiers Center last year, the duo trained staff, volunteers, and docents to facilitate a smoothly operating, cutting-edge installation for the artists and patrons alike. Doerge believes the 12 hour working days (New Frontiers Central first day wound up being the longest, 7:30AM – 2:30AM, concluding at the end of the artists’ Opening Night party) has offered a wonderful opportunity to learn from highly professional and highly respected peers.

What also is working for Doerge as the New Frontiers Central Festival Coordinator at Sundance is the overall working environment, the strong sense of community inside New Frontiers, and the opportunity to learn. And, as anyone who has ever been in the fray of a battle knows – planning helps! Nevertheless, “being in the moment making decisions that balance and manage expectations of all parties involved have been the keys to a smoothly operating New Frontiers Central,” according to Doerge. And, as the environment is in a constant state of change, each day and, in reality, each moment, has its unique characteristics requiring a moment-to-moment response.

With several fully realized sculpture creations to her credit, Doerge understands how to bring a vision to fruition and had a sincere appreciation for watching the New Frontiers Central come to life. Moreover, Doerge’s New Frontier Central experience has brought her into contact with seasoned professionals possessing high skill sets such as Jamie McMurry, New Frontiers Production Designer, and Shari Frilot, Chief Curator. “Shari Frilot has impeccable taste. The best I’ve ever seen,” said Doerge.

The New Frontiers Central is in its second year of operation. Thus far this year, the docents have provided unswerving support in ensuring the artist’s needs are being met with VIP’s, industry professionals, and festivalgoers all clamoring for a chance to experience the exhilarating displays. Furthermore, the installation seems to be operating smoothly as two previews on Saturday for the publicists and the press and industry professionals were conducted successfully.

With the three weeks of coordinating Immersive Experience under her belt, Doerge plans to return to her Denver Film post and Telluride Art Director position with a fresh perspective and looks forward to the challenges ahead – including the 2021 Sundance Film Festival with run dates from Thursday, January 21st, through Sunday, January 31st, 2021.

Until then, I’ll see you at the movies!

 

*Featured photo: A still from Breathe by Diego Galafassi, an official selection of the New Frontier Exhibitions program at the 2020 Sundance Film Festival. Courtesy of Sundance Institute.

 

Festival Favorite Award From 2020 Sundance Film Festival Announced

Posted by Larry Gleeson

Giving Voice Wins Audience Vote

Giving Voice
A still from Giving Voice by James D. Stern and Fernando Villena, an official selection of the Documentary Premieres program at the 2020 Sundance Film Festival. Courtesy of Sundance Institute | photo by Jonathon Narducci.

FOR IMMEDIATE RELEASE                                                                             February 4, 2020

Park City, UTSundance Institute announced Giving Voice as the winner of the Festival Favorite Award, selected by audience votes from the 128 features screened at the 2020 Sundance Film Festival, which took place in Park City, Salt Lake City, and Sundance, Utah, from January 23–February 2, 2020.

The Festival Favorite Award is the 29th and final recognition bestowed on this year’s features, including juried prizes and category-specific Audience Awards; others were announced at a ceremony in Park City on February 1, and a full list is available here. Runners-up and close contenders for the Festival Favorite Award – besides the Audience Awards per category given out on Saturday, titles that also ranked high with festivalgoers include Boys State, On The Record, Binti, Crip Camp, The Fight, The Reason I Jump, Softie, Uncle Frank, and Welcome to Chechnya.

Giving Voice, directed by James D. Stern and Fernando Villena, follows the lives of six students as they compete against fellow high schoolers from around the country in the riveting, high-stakes August Wilson Monologue Competition in New York City. As they hone their individual performances, Wilson’s singular talent and artistry empower them to find their own voice and persevere in an increasingly complicated world. The film was produced by James D. Stern, Karen Bove, Fernando Villena, Schoen Smith, and Craig Piligian.

 

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John Cooper

“This film is a compelling and inspiring portrait of six remarkable young people as they discover their power,” said John Cooper, Director, Sundance Film Festival. “We’re thrilled that it resonated with audiences at this particularly exciting moment in our culture, where we see the next generation of leaders, artists, and change-makers stepping out, speaking up, and finding their voice.”

Runners up for the Festival Favorite, as ballots were counted, include:

Boys State / U.S.A. (Directors: Jesse Moss, Amanda McBaine, Producers: Amanda McBaine, Jesse Moss) — In an unusual experiment, a thousand 17-year-old boys from Texas join together to build a representative government from the ground up.

On The Record / U.S.A. (Directors: Kirby Dick, Amy Ziering, Screenwriters: Kirby Dick, Amy Ziering, Sara Newens, Producers: Amy Ziering, Kirby Dick, Amy Herdy, Jamie Rogers) — A brilliant former hip hop executive grapples with whether to go public about her rape by one of the most powerful men in the music industry. A gripping and profound examination of race, gender, intersectionality, and the toll sexual abuse takes on survivors and on society at large.

Other close contenders for the Festival Favorite were:

Binti / Belgium (Director and Screenwriter: Frederike Migom, Producer: Katleen Goossens) — Twelve-year-old Binti dreams of becoming a famous vlogger like her idol Tatyana. But when the police raid her home, and try to deport her and her dad, they are forced to flee. Together with her friend Elias she now plots the perfect plan to stay in the country. Cast: Bebel Tshiani Baloji, Mo Bakker, Joke Devynck, Baloji.

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Crip Camp photo courtesy of Sundance Institute

Crip Camp / U.S.A. (Directors: Nicole Newnham, Jim LeBrecht, Producers: Sara Bolder, Jim LeBrecht, Nicole Newnham) — Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement.

The Fight / U.S.A. (Directors: Elyse Steinberg, Josh Kriegman, Eli Despres, Producers: Elyse Steinberg, Josh Kriegman, Eli Despres, Maya Seidler, Peggy Drexler, Kerry Washington) — Inside the ACLU, a team of scrappy lawyers battle Trump’s historic assault on civil liberties. As the president separates families, blocks abortion access, expels transgender soldiers, and rolls back voting rights, these gutsy attorneys struggle to stop an unpredictable adversary with unlimited resources.

The Reason I Jump / United Kingdom (Director: Jerry Rothwell, Producers: Jeremy Dear, Stevie Lee, Al Morrow)  — Based on the book by Naoki Higashida this immersive film explores the experiences of nonspeaking autistic people around the world.

Softie / Kenya (Director and screenwriter: Sam Soko, Producers: Toni Kamau, Sam Soko) — Boniface Mwangi is daring and audacious, and recognized as Kenya’s most provocative photojournalist. But as a father of three young children, these qualities create tremendous turmoil between him and his wife Njeri. When he wants to run for political office, he is forced to choose: country or family?

Uncle Frank / U.S.A. (Director and screenwriter: Alan Ball, Producers: Alan Ball, Peter Macdissi, Michael Costigan, Jay Van Hoy, Bill Block, Stephanie Meurer) — In 1973, when 18-year-old Beth and her uncle Frank take a road trip from Manhattan to Creekville, South Carolina for the family patriarch’s funeral, they’re unexpectedly joined by Frank’s lover Walid. A story about family, forgiveness, and our inherent power to choose who we want to be. Cast: Paul Bettany, Sophia Lillis, Peter Macdissi, Steve Zahn, Judy Greer, Margo Martindale.

Welcome to Chechnya / U.S.A. (Director: David France, Producers: Alice Henty, David France, Askold Kurov, Joy A. Tomchin) — This searing investigative work shadows a group of activists risking unimaginable peril to confront the ongoing anti-LGBTQ pogrom raging in the repressive and closed Russian republic. Unfettered access and a remarkable approach to protecting anonymity expose this under-reported atrocity–and an extraordinary group of people confronting evil.

The 2021 Sundance Film Festival will run from Thursday, January 21–Sunday, January 31, 2021.

The Sundance Film Festival

The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Sorry to Bother You, Won’t You Be My Neighbor?, Eighth Grade, Get Out, The Big Sick, Mudbound, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute®. 2020 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire, AT&T; Leadership Sponsors – Adobe, Amazon Studios, DIRECTV, Dropbox, Netflix, Omnicom Group, Southwest Airlines®, Stella Artois®, WarnerMedia; Sustaining Sponsors – Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Fire TV, GEICO, High West Distillery, Hulu, IMDbPro, Lyft, Unity Technologies, University of Utah Health; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, The New York Times, Variety, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute

Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discovering original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as The Farewell, Late Night, The Souvenir, The Infiltrators, Sorry to Bother You, Eighth Grade, Won’t You Be My Neighbor?, Hereditary, RBG, Call Me By Your Name, Get Out, The Big Sick, Top of the Lake, Winter’s Bone, Dear White People, Little Miss Sunshine, Beasts of the Southern Wild, Fruitvale Station, State of the Union, Indecent, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

Sundance 2020

(Source: Sundance media press release)

 

 

Surf Nite in SLO to Feature the Biggest Year for Big Wave Surfing at the Historic Fremont Theatre

Posted by Larry Gleeson

San Luis Obispo, CA (January 29, 2020) – The San Luis Obispo International Film
SLOFF_2020Festival (SLO Film Fest) presented by Hotel San Luis Obispo is delighted to announce its Surf Nite picks for 2020. Brent Storm’s award-winning WHITE RHINO will be the focus the festival’s most popular event, on Friday, March 20, with big wave surfer Dave Wassel traveling from Hawaii for the event. Surf photographer Brian Bielmann, director Brent Storm and producer Randy Olson will also be in attendance. Surf Nite will open with Santa Barbara filmmaker Heather Hudson’s new short documentary that about female surfing pioneer, Marge Calhoun. 93 – LETTERS TO MARGE will be introduced by her friend and surf legend, Linda Benson.

Surf Nite in SLO is presented by Surfing for Hope Foundation and the City of Pismo Beach. Surfing for Hope is a local non-profit organization created to help inspire people challenged by cancer through the positive energy of surfing. The event is also sponsored by Cliffs Hotel and Spa, Sea Venture, Sycamore Mineral Spring Resort, Coast 104.5, and Quality Suites San Luis Obispo.

Canadian Filmmaker Brent Storm’s latest release, WHITE RHINO, is a parallel story from the surfers and photographers who witnessed three historic swells that hit the shorelines of the South Pacific in 2011-2012. Photographer Brian Bielmann takes the audience on an edge of your seat adventure as we discover the stories behind some of his most iconic photos and what really transpired on those memorable days. WHITE RHINO features notable big wave riders Nathan Fletcher, Dave Wassel, Bruce Irons, Mark Healey, Kohl Christensen and Kalani Chapman. It also features cinematography from some of the best surf filmmakers, including SLO Film Fest Surf Nite alum, Tim Bonython (The Big Wave Project).

In 93: LETTERS TO MARGE, Heather Hudson pays tribute to surfing pioneer Marge Calhoun, sharing memories from handwritten letters to a friend before her death in 2017 at the age of 93 in Morro Bay, CA. Chronicling an independent life that most people know little about, Marge won contests, shared waves and held her own with many of the sport’s legends in the early days of surfing. She won the 1958 Makaha International Championships and continued to travel, surf and compete. She judged, organized competitors on the beach and worked closely with Hoppy Swartz and others to form the U.S. Surfing Association. Later, she moved to Morro Bay and loved watching the waves from her home in the hills above the ocean.

Surf Nite Special Guests:

Fearless, fit and funny are some of the adjectives that have been used to describe Dave Wassel, the Hawaiian-born North Shore lifeguard who is also featured in WHITE RHINO. He’s well known for braving huge surf as a surfer and lifeguard, going well beyond his duty to save lives in treacherous waters. He has a passion for the history andculture of Hawaii and is now the ambassador of Sustainable Surf, a California-based non-profit that protects and restores ocean health by shifting people to a highly desirable, low carbon, “Deep Blue” lifestyle.

As an internationally renowned photographer, Brian Bielmann has traveled extensively with many of the world’s best surfers. With his images gracing more than 150 magazine covers, the pages of 30 books and appearing in iconic magazines like Rolling Stone, Men’s Journal, National Geographic and Sports Illustrated, he is recognized worldwide to be a photographer at the very top of his field. He captures the entire surf lifestyle and continues to push the boundaries of photography both above and below the water. Brian’s passion for surfing and his love of photography have kept him on the cutting edge for over 35 years. He has won numerous awards and his client list includes major corporations. He is also an captivating public speaker.

Dividing his life between Canada and the United States, Brent Storm has a passion for surfing that began in his mid-20’s in San Francisco after a snowboarding injury in Mammoth. He discovered a way to blend his new passion with an old one – filmmaking, and after finally giving up on making wedding videos in Toronto, he decided to move to the North Shore and focus on surfing. WHITE RHINO began to take shape after he met Brian Bielmann and Randy Olson in 2016, and he discovered an amazing story in the three major swells Bielmann had captured on film in just one surf season.

Randy Olson began a career as a professor of marine biology at the University of New Hampshire, but during his first year as a professor he realized that he had grown more interested in telling stories about science and was drawn to the world of filmmaking. Despite his Harvard Ph.D., four years of post-doctoral research in Australia and Florida, and years of diving around the world from the Great Barrier Reef to Antarctica, he resigned from his tenured professorship and moved to Hollywood to explore film as a medium for communicating science. Now an independent filmmaker he is ‘fluent’ in the two languages of science and cinema. He has written and directed his own films about major issues in science, and has worked with clients to assist them with the use of visual media in communicating science to the general public.

Linda Benson started surfing at age eleven and at age fifteen was the first woman to surf the legendary big waves at Waimea Bay in Hawaii. Linda made her competitive debut in the 1959, winning the West Coast Surfing Championship and the Makaha International contest in Hawaii a few weeks later (a year after Marge Calhoun had won.) Linda’s other notable contest wins include the United States Invitational in 1964, the West Coast Championship in both 1960 and 1961, and the United States Championship in both 1964 and 1968. Moreover, Benson not only was a runner-up in the 1964 World Championship and was the top female vote-getter in a 1965 reader’s poll for Surfing Illustrated magazine, but also was the first female surfer to be featured on the cover of a 1963 issue of Surf Guide. She was inducted into the Surfing Hall of Fame in 1992 and the Huntington Beach Surfing Walk of Fame in 1997. This will be her third visit to the SLO Film Fest’s Surf Nite.

Heather Hudson is also not a stranger to the SLO Film Fest. Her short films, THE WOMEN AND THE WAVES, and its sequel screened at the Festival in 2009 and 2016. An avid surfer, filmmaker and mother, Heather has been sharing her love for surfing on the big screen since 2007 when she started her production company Graciegirl LLC. For over 18 years, Heather has supported and volunteered for Heal the Ocean, a Santa-Barbara-based non-profit citizen’s action group committed to ending ocean pollution. She is currently on the board and coordinates fundraising.

EVENT DETAILS:
SURF NITE IN SLO – Presented by Surfing for Hope and City of Pismo Beach
Friday, March 20 – 7:00pm
Fremont Theatre, 1025 Monterey St. SLO

Tickets: $20 General / $15 Students & SLO Film Society (Mogul passes accepted)

Online: slofilmfest.org (limited tickets available pre-show)
In Person: Festival HQ (opens Feb. 15 – check website for hours)
South East corner of Hotel SLO, entrance on Morro St. (between Palm & Monterey)
Day of Show: Fremont Theatre Box Office – tickets will be sold first-come, first-served
beginning at 6:30pm
Phone: 805-546-3456

SLO-Film-Fest-680-680x380

(Source: SLO Film Fest News Release)

Sundance Institute Announces Tabitha Jackson as Incoming Festival Director

Posted by Larry Gleeson

Concludes Global Search With First New Festival Director in 11 Years

Tabitha Jackson
Tabitha Jackson

For Immediate Release                                                                                     February 1, 2020

Park City, Utah – Today, Sundance Institute announced Tabitha Jackson as the new Director of the Sundance Film Festival. Jackson was chosen from a worldwide search and follows outgoing Director, John Cooper, who served in the role for 11 years and will assume a newly-created Emeritus Director role. An award-winning filmmaker, she has served as Director of the Institute’s Documentary Film Program for the last six years. Jackson will oversee the Festival’s overall vision and strategy, while leading a senior team in close collaboration with Director of Programming, Kim Yutani. In his new role, Cooper will oversee special projects including preparations for the Institute’s 40th anniversary in 2021.

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Keri Putnam

“It gives me immense pleasure to announce, Tabitha Jackson, as the new Director of the Sundance Film Festival,” said Sundance Institute’s Executive Director, Keri Putnam. “Tabitha is fiercely devoted to independent artists, has been a visionary member of the Sundance Institute’s leadership team for the last 6 years. Her  authenticity, experience and perspective will serve her well in leading the Festival forward as a beacon for independent artists and audiences.”

robert redford
Robert Redford

“I founded Sundance Institute with the clear mission of celebrating and supporting independent artists, said Sundance Institute founder Robert Redford, “and the Festival is the platform where we can showcase their stories. As we approach our fortieth anniversary, I’m pleased to have Tabitha lead us as we move into the future and meet the next generation of artists and their stories.”

Jackson has served as the Director of the Institute’s Documentary Film Program since 2013, and in that time has overseen the creation of innovative new programs and resources that support nonfiction filmmakers worldwide with a special passion for expanding the art of non-fiction storytelling. A focus of Jackson’s new role will be shaping the nonprofit Institute’s full slate of global public programming throughout the year – including Sundance Film Festivals in Hong Kong and London and a nationwide Short Film Tour – as well as leading the community of artists and audiences those programs serve.

Prior to joining the Institute, Jackson worked in arts and entertainment for more than 25 years as an award-winning filmmaker. Prior to joining the Institute in 2013, she served as Head of Arts and Performance at Channel 4 Television in London, where she supported the independent and alternative voice and sought to find fresh and innovative ways of storytelling. She executive produced a number of projects for the UK’s Film 4 including Mark Cousins’ cinematic odyssey The Story of Film, Clio Barnard’s formally experimental The Arbor, Sophie Fiennes’ essay The Pervert’s Guide to Ideology, Bart Layton’s thriller The Imposter, and Iain and Jane’s innovative Nick Cave biography 20,000 Days on Earth.

Tabitha Jackson
Tabitha Jackson

“It is exciting to be amplifying the voices and work of independent artists in these challenging and fast-changing times,’” said Jackson. “My role, working with a team at the top of their game, will be to ensure that the festival remains as effective, vital and transformational in the years going forward as it has been in the past — and to make sure that we have fun doing it. I can’t wait to get started.”

The Sundance Film Festival’s scope and ambition have evolved over John Cooper’s tenure, including programmatic innovation and thoughtful global expansion. The 2020 Festival received over 15,100 submissions from around the world, featured over 200 new works from a diverse array of voices, welcomed more than 125,000 guests to Utah, and reaches millions more who watch festival news and content online.

The Sundance Film Festival

The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Sorry to Bother You, Won’t You Be My Neighbor?, Eighth Grade, Get Out, The Big Sick, Mudbound, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute®. 2020 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire; AT&T; Leadership Sponsors – Adobe, Amazon Studios, DIRECTV, Dropbox, Netflix, Omnicom Group, Southwest Airlines®, Stella Artois®, WarnerMedia; Sustaining Sponsors – Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Fire TV, GEICO, High West Distillery, Hulu, IMDbPro, Lyft, Unity Technologies, University of Utah Health; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, The New York Times, Variety, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute

Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as The Farewell, Late Night, The Souvenir, The Infiltrators, Sorry to Bother You, Eighth Grade, Won’t You Be My Neighbor?, Hereditary, RBG, Call Me By Your Name, Get Out, The Big Sick, Top of the Lake, Winter’s Bone, Dear White People, Little Miss Sunshine, Beasts of the Southern Wild, Fruitvale Station, State of the Union, Indecent, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

(Source: Sundance Press release)

2020 SUNDANCE FILM FESTIVAL AWARDS ANNOUNCED

Posted by Larry Gleeson

Top Prizes Go To Minari, Boys State, Epicentro, and Yalda, a Night for Forgiveness 

Minari, Crip Camp, The Reason I Jump, and Identifying Features (Sin Señas Particulares) Win Audience Awards

 

(FOR IMMEDIATE RELEASE) Park City, UT — After 10 days and 128 feature films, the 2020 Sundance Film Festival’s Awards Ceremony took place tonight, with jurors presenting 28 prizes for feature filmmaking. Honorees, named in total below, represent new achievements in global independent storytelling. Bold, intimate, and humanizing stories prevailed across categories, with Grand Jury Prizes awarded to Minari (U.S. Dramatic), Boys State (U.S. Documentary), Epicentro (World Cinema Documentary) and Yalda, a Night for Forgiveness (World Cinema Dramatic)..

 

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Kerry Putnam

“At Sundance, we believe art can break through noise and polarization. In volatile times like these, democracy and storytelling aren’t separate – they’re inextricably linked,” said Keri Putnam, Sundance Institute’s Executive Director. “Congratulations to each and every one of tonight’s winners, and to all the extraordinary artists who joined us at the Festival.

 

“As my final Festival as director comes to a close, it has been the honor of a lifetime to stand with these artists, and to see their work meet audiences for the first time,” said John Cooper, Sundance Film Festival Director.

Putnam also announced Tabitha Jackson as the incoming Director during the ceremony; that news release is available here.

The awards ceremony marked the culmination of the 2020 Festival, where 128 feature-length and 74 short films — selected from more than 15,100 submissions — were showcased in Park City, Salt Lake City and Sundance, Utah, alongside work in the Indie Episodic category, panels, music, and New Frontier.

This year’s jurors, invited in recognition of their accomplishments in the arts, technical craft and visionary storytelling, deliberated extensively before presenting awards from the stage; this year’s jurors were Rodrigo Garcia, Ethan Hawke, Dee Rees, Isabella Rossellini, Wash Westmoreland, Kimberly Reed, Rachel Rosen, Courtney Sexton, E. Chai Vasarhelyi, Noland Walker, Haifaa Al Mansour, Wagner Moura, Alba Rohrwacher, Eric Hynes, Rima Mismar, and Nanfu Wang. Gregg Araki was the sole NEXT juror.

Feature film award winners in previous years include: Clemency, One Child Nation, Honeyland, The Souvenir, The Miseducation of Cameron Post, I don’t feel at home in this world anymore., Weiner, Whiplash, Fruitvale Station, Beasts of the Southern Wild, Twenty Feet from Stardom, Searching for Sugarman, The Square, Me and Earl and the Dying Girl, Cartel Land, The Wolf Pack, The Diary of a Teenage Girl, Dope, Dear White People, The Cove and Man on Wire.

Of the 28 prizes awarded tonight to 25 films – comprising the work of 29 filmmakers – 12 (48%) were directed by one or more women; 10 (40%) were directed by one or more people of color; and 2 (8%) were directed by a person who identifies as LGBTQ+.

2020 SUNDANCE FILM FESTIVAL FEATURE FILM AWARDS

The U.S. Grand Jury Prize: Documentary was presented to: Jesse Moss and Amanda McBaine, for Boys State / U.S.A. (Directors: Jesse Moss, Amanda McBaine, Producers: Amanda McBaine, Jesse Moss) — In an unusual experiment, a thousand 17-year-old boys from Texas join together to build a representative government from the ground up.

The U.S. Grand Jury Prize: Dramatic was presented to: Lee Isaac Chung, for Minari / U.S.A. (Director and screenwriter: Lee Isaac Chung, Producers: Dede Gardner, Jeremy Kleiner, Christina Oh) — David, a 7-year-old Korean-American boy, gets his life turned upside down when his father decides to move their family to rural Arkansas and start a farm in the mid-1980s, in this charming and unexpected take on the American Dream. Cast: Steven Yeun, Han Yeri, Youn Yuh Jung, Will Patton, Alan Kim, Noel Kate Cho.

The World Cinema Grand Jury Prize: Documentary was presented to: Hubert Sauper, for Epicentro / Austria, France, U.S.A. (Director and screenwriter: Hubert Sauper, Producers: Martin Marquet, Daniel Marquet, Gabriele Kranzelbinder, Paolo Calamita) — Cuba is well known as a so-called time capsule. The place where the New World was discovered has become both a romantic vision and a warning. With ongoing global cultural and financial upheavals, large parts of the world could face a similar kind of existence.

The World Cinema Grand Jury Prize: Dramatic was presented to: Massoud Bakhshi, for Yalda, a Night for Forgiveness / Iran, France, Germany, Switzerland, Luxembourg (Director and screenwriter: Massoud Bakhshi, Producers: Jacques Bidou, Marianne Dumoulin) — Maryam accidentally killed her husband Nasser and is sentenced to death. The only person who can save her is Mona, Nasser’s daughter. All Mona has to do is appear on a TV show and forgive Maryam. But forgiveness proves difficult when they are forced to relive the past. Cast: Sadaf Asgari, Behnaz Jafari, Babak Karimi, Fereshteh Sadr Orafaee, Forough Ghajebeglou, Fereshteh Hosseini.

Screen Shot 2020-01-26 at 1.29.47 PM
Crip Camp received the Audience Award: U.S. Documentary, Presented by Acura, at the 2020 Sundance Film Festival’s Awards Ceremony, February 1st, 2019. (photo courtesy of Sundance Press)

The Audience Award: U.S. Documentary, Presented by Acura was presented to: Nicole Newnham and Jim LeBrecht, for Crip Camp / U.S.A. (Directors: Nicole Newnham, Jim LeBrecht, Producers: Sara Bolder, Jim LeBrecht, Nicole Newnham) — Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement.

The Audience Award: U.S. Dramatic, Presented by Acura was presented to: Lee Isaac Chung, for Minari / U.S.A. (Director and screenwriter: Lee Isaac Chung, Producers: Dede Gardner, Jeremy Kleiner, Christina Oh) — David, a 7-year-old Korean-American boy, gets his life turned upside down when his father decides to move their family to rural Arkansas and start a farm in the mid-1980s, in this charming and unexpected take on the American Dream. Cast: Steven Yeun, Han Yeri, Youn Yuh Jung, Will Patton, Alan Kim, Noel Kate Cho.

The Audience Award: World Cinema Documentary was presented to: Jerry Rothwell, for The Reason I Jump / United Kingdom (Director: Jerry Rothwell, Producers: Jeremy Dear, Stevie Lee, Al Morrow)  — Based on the book by Naoki Higashida this immersive film explores the experiences of nonspeaking autistic people around the world.

The Audience Award: World Cinema Dramatic was presented to: Fernanda Valadez, for Identifying Features (Sin Señas Particulares) / Mexico, Spain (Director: Fernanda Valadez, Screenwriters: Fernanda Valadez, Astrid Rondero, Producers: Astrid Rondero, Fernanda Valadez, Jack Zagha, Yossy Zagha)  ― Magdalena makes a journey to find her son, gone missing on his way to the Mexican border with the US. Her odyssey takes her to meet Miguel, a man recently deported from the U.S. They travel together, Magdalena looking for her son, and Miguel hoping to see his mother again. Cast: Mercedes Hernández, David Illescas, Juan Jesús Varela, Ana Laura Rodríguez, Laura Elena Ibarra, Xicoténcatl Ulloa.

The Audience Award: NEXT, Presented by Adobe was presented to: Heidi Ewing, for I Carry You With Me / U.S.A., Mexico (Director: Heidi Ewing, Screenwriters: Heidi Ewing, Alan Page Arriaga, Producers: Mynette Louie, Heidi Ewing) — An epic love story spanning decades is sparked by a chance encounter between two men in provincial Mexico. Based on a true story, ambition and societal pressure propel an aspiring chef to leave his soulmate and make the treacherous journey to New York, where life will never be the same. Cast: Armando Espitia, Christian Vázquez, Michelle Rodríguez, Ángeles Cruz, Arcelia Ramírez, Michelle González.

The Directing Award: U.S. Documentary was presented to: Garrett Bradley, for Time / U.S.A. (Director: Garrett Bradley, Producers: Lauren Domino, Kellen Quinn, Garrett Bradley) Fox Rich, indomitable matriarch and modern-day abolitionist, strives to keep her family together while fighting for the release of her incarcerated husband. An intimate, epic, and unconventional love story, filmed over two decades.

The Directing Award: U.S. Dramatic was presented to: Radha Blank, for The 40-Year-Old Version / U.S.A. (Director and screenwriter: Radha Blank, Producers: Lena Waithe, Jordan Fudge, Radha Blank, Inuka Bacote-Capiga, Jennifer Semler, Rishi Rajani) — A down-on-her-luck New York playwright decides to reinvent herself and salvage her artistic voice the only way she knows how: by becoming a rapper at age 40. Cast: Radha Blank, Peter Y. Kim, Oswin Benjamin, Reed Birney, Imani Lewis, TJ Atoms.

The Directing Award: World Cinema Documentary was presented to: Iryna Tsilyk, for The Earth Is Blue as an Orange / Ukraine, Lithuania (Director: Iryna Tsilyk, Producers: Anna Kapustina, Giedrė Žickytė) — To cope with the daily trauma of living in a war zone, Anna and her children make a film together about their life among surreal surroundings.

The Directing Award: World Cinema Dramatic was presented to: Maïmouna Doucouré, for Cuties / France (Director and screenwriter: Maïmouna Doucouré, Producer: Zangro) — Amy, 11 years old, meets a group of dancers called “Cuties.” Fascinated, she initiates herself to a sensual dance, hoping to join their band and escape family dysfunction…Cast: Fathia Youssouf, Médina El Aidi-Azouni, Esther Gohourou, Ilanah Cami-Goursolas, Myriam Hamma, Maïmouna Gueye.

The Waldo Salt Screenwriting Award: U.S. Dramatic was presented to: Edson Oda, for Nine Days / U.S.A. (Director and screenwriter: Edson Oda, Producers: Jason Michael Berman, Mette Marie Kongsved, Matthew Lindner, Laura Tunstall, Datari Turner) — In a house distant from the reality we know, a reclusive man interviews prospective candidates—personifications of human souls—for the privilege that he once had: to be born. Cast: Winston Duke, Zazie Beetz, Benedict Wong, Bill Skarsgård, Tony Hale, David Rysdahl. Dolby Institute Fellowship

A U.S. Dramatic Special Jury Award for Ensemble Cast was presented to: the cast of Charm City Kings, for Charm City Kings / U.S.A. (Director: Angel Manuel Soto, Screenwriters: Sherman Payne, Chris Boyd & Kirk Sullivan, Barry Jenkins, Producers: Caleeb Pinkett, Clarence Hammond, Marc Bienstock) — Mouse desperately wants to join The Midnight Clique, the infamous Baltimore dirt bike riders who rule the summertime streets. When Midnight’s leader, Blax, takes 14-year-old Mouse under his wing, Mouse soon finds himself torn between the straight-and-narrow and a road filled with fast money and violence. Cast: Jahi Di’Allo Winston, Meek Mill, Will Catlett, Teyonah Parris, Donielle Tremaine Hansley, Kezii Curtis.

A U.S. Dramatic Special Jury Award: Auteur Filmmaking was presented to: Josephine Decker, for Shirley / U.S.A. (Director: Josephine Decker, Screenwriter: Sarah Gubbins, Producers: Christine Vachon, David Hinojosa, Sue Naegle, Sarah Gubbins, Jeffrey Soros, Simon Horsman) — A young couple moves in with the famed author, Shirley Jackson, and her Bennington College professor husband, Stanley Hyman, in the hope of starting a new life but instead find themselves fodder for a psycho-drama that inspires Shirley’s next novel. Cast: Elisabeth Moss, Michael Stuhlbarg, Odessa Young, Logan Lerman.

A U.S. Dramatic Special Jury Award: Neo-Realism was presented to: Eliza Hittman, for Never Rarely Sometimes Always / U.S.A. (Director and screenwriter: Eliza Hittman, Producers: Adele Romanski, Sara Murphy) — An intimate portrayal of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn and her cousin Skylar embark on a brave, fraught journey across state lines to New York City. Cast: Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold, Sharon Van Etten.

A U.S. Documentary Special Jury Award for Editing was presented to: Tyler H. Walk, for Welcome to Chechnya / U.S.A. (Director: David France, Producers: Alice Henty, David France, Askold Kurov, Joy A. Tomchin) — This searing investigative work shadows a group of activists risking unimaginable peril to confront the ongoing anti-LGBTQ pogrom raging in the repressive and closed Russian republic. Unfettered access and a remarkable approach to protecting anonymity expose this under-reported atrocity–and an extraordinary group of people confronting evil.

A U.S. Documentary Special Jury Award for Innovation in Non-fiction Storytelling was presented to: Kirsten Johnson, for Dick Johnson Is Dead / U.S.A. (Director: Kirsten Johnson, Screenwriters: Nels Bangerter, Kirsten Johnson, Producers: Katy Chevigny, Marilyn Ness) — With this inventive portrait, a cameraperson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.

A U.S. Documentary Special Jury Award for Emerging Filmmaker was presented to: Arthur Jones, for Feels Good Man / U.S.A. (Director: Arthur Jones, Producers: Giorgio Angelini, Caryn Capotosto, Aaron Wickenden)  — When indie comic character Pepe the Frog becomes an unwitting icon of hate, his creator, artist Matt Furie, fights to bring Pepe back from the darkness and navigate America’s cultural divide.

A U.S. Documentary Special Jury Award for Social Impact Filmmaking was presented to: Elyse Steinberg, Josh Kriegman, and Eli Despres, for The Fight / U.S.A. (Directors: Elyse Steinberg, Josh Kriegman, Eli Despres, Producers: Elyse Steinberg, Josh Kriegman, Eli Despres, Maya Seidler, Peggy Drexler, Kerry Washington) — Inside the ACLU, a team of scrappy lawyers battles Trump’s historic assault on civil liberties. As the president separates families, blocks abortion access, expels transgender soldiers, and rolls back voting rights, these gutsy attorneys struggle to stop an unpredictable adversary with unlimited resources.

A World Cinema Dramatic Special Jury Award for Acting was presented to: Ben Whishaw, for Surge / United Kingdom (Director: Aneil Karia, Screenwriters: Rupert Jones, Rita Kalnejais, Producers: Julia Godzinskaya, Sophie Vickers) ― A man goes on a bold and reckless journey of self-liberation through London. After he robs a bank he releases a wilder version of himself, ultimately experiencing what it feels like to be alive. Cast: Ben Whishaw, Ellie Haddington, Ian Gelder, Jasmine Jobson.

A World Cinema Dramatic Special Jury Award for Visionary Filmmaking was presented to: Lemohang Jeremiah Mosese, for This Is Not A Burial, It’s A Resurrection / Lesotho, South Africa, Italy (Director and screenwriter: Lemohang Jeremiah Mosese, Producers: Cait Pansegrouw, Elias Ribeiro) — When her village is threatened with forced resettlement due to reservoir construction, an 80-year-old widow finds a new will to live and ignites the spirit of resilience within her community. In the final dramatic moments of her life, Mantoa’s legend is forged and made eternal. Cast: Mary Twala Mhlongo, Jerry Mofokeng Wa Makheta, Makhoala Ndebele, Tseko Monaheng, Siphiwe Nzima.

A World Cinema Dramatic Special Jury Award for Best Screenplay was presented to: Fernanda Valadez and Astrid Rondero, for Identifying Features (Sin Señas Particulares) / Mexico, Spain (Director: Fernanda Valadez, Screenwriters: Fernanda Valadez, Astrid Rondero, Producers: Astrid Rondero, Fernanda Valadez, Jack Zagha, Yossy Zagha)  ― Magdalena makes a journey to find her son, gone missing on his way to the Mexican border with the US. Her odyssey takes her to meet Miguel, a man recently deported from the U.S. They travel together, Magdalena looking for her son, and Miguel hoping to see his mother again. Cast: Mercedes Hernández, David Illescas, Juan Jesús Varela, Ana Laura Rodríguez, Laura Elena Ibarra, Xicoténcatl Ulloa.

A World Cinema Documentary Special Jury Award for Creative Storytelling was presented to: Benjamin Ree, for The Painter and the Thief / Norway (Director: Benjamin Ree, Producer: Ingvil Giske) — An artist befriends the drug addict and thief who stole her paintings. She becomes his closest ally when he is severely hurt in a car crash and needs full-time care, even if her paintings are not found. But then the tables turn.

A World Cinema Documentary Special Jury Award for Cinematography was presented to: Mircea Topoleanu and Radu Ciorniciuc, for Acasa, My Home / Romania, Germany, Finland (Director: Radu Ciorniciuc, Screenwriters: Lina Vdovii, Radu Ciorniciuc, Producer: Monica Lazurean-Gorgan) — In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years–until they are chased out and forced to adapt to life in the big city.

A World Cinema Documentary Special Jury Award for Editing was presented to: Mila Aung-Thwin, Sam Soko, and Ryan Mullins, for Softie / Kenya (Director and screenwriter: Sam Soko, Producers: Toni Kamau, Sam Soko) — Boniface Mwangi is daring and audacious and recognized as Kenya’s most provocative photojournalist. But as a father of three young children, these qualities create tremendous turmoil between him and his wife Njeri. When he wants to run for political office, he is forced to choose: country or family?

The NEXT Innovator Prize was presented to: Heidi Ewing, for I Carry You With Me / U.S.A., Mexico (Director: Heidi Ewing, Screenwriters: Heidi Ewing, Alan Page Arriaga, Producers: Mynette Louie, Heidi Ewing) — An epic love story spanning decades is sparked by a chance encounter between two men in provincial Mexico. Based on a true story, ambition and societal pressure propel an aspiring chef to leave his soulmate and make the treacherous journey to New York, where life will never be the same. Cast: Armando Espitia, Christian Vázquez, Michelle Rodríguez, Ángeles Cruz, Arcelia Ramírez, Michelle González.

The following awards were presented at separate ceremonies at the Festival:

SHORT FILM AWARDS Presented by Southwest Airlines®
Jury prizes in short filmmaking were awarded at an earlier ceremony in Park City on January 28. The Short Film Grand Jury Prize was awarded to So What If The Goats Die / France, Morocco (Director and screenwriter: Sofia Alaoui). The Short Film Jury Award: U.S. Fiction was awarded to -Ship: A Visual Poem / U.S.A. (Director and screenwriter: Terrance Daye). The Short Film Jury Award: International Fiction was awarded to The Devil’s Harmony / United Kingdom (Director: Dylan Holmes Williams, Screenwriters: Dylan Holmes Williams, Jess O’Kane). The Short Film Jury Award: Nonfiction was awarded to John Was Trying to Contact Aliens / U.S.A. (Director: Matthew Killip). The Short Film Jury Award: Animation was presented to Daughter / Czech Republic (Director and screenwriter: Daria Kashcheeva). A Short Film Special Jury Award for Acting was presented to Exam / Iran (Director: Sonia K. Hadad, Screenwriters: Sonia K. Hadad, Farnoosh Samadi). A Short Film Special Jury Award for Directing was presented to Valerio’s Day Out / Colombia, U.S.A. (Director and screenwriter: Michael Arcos).

SUNDANCE INSTITUTE | ALFRED P. SLOAN FEATURE FILM PRIZE
The 2020 Alfred P. Sloan Feature Film Prize, presented to an outstanding feature film about science or technology, was presented to Tesla. The filmmakers received a $20,000 cash award from Sundance Institute with support from the Alfred P. Sloan Foundation.

The Sundance Institute | Amazon Studios Producers Award for Documentary Features went to Diane Becker and Melanie Miller of Fishbowl Films, for Whirlybird.

The Sundance Institute | Amazon Studios Producers Award for Narrative Features went to Huriyyah Muhammad for Farewell Amor.

The Sundance Institute | Adobe Mentorship Award for Editing Documentary went to Carla Gutierez and the Sundance Institute | Adobe Mentorship Award for Editing Narrative went to Affonso Gonçalves.

The Sundance Institute | NHK Award went to Kirsten Tan, from Singapore, for her film Higher.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Sorry to Bother You, Won’t You Be My Neighbor?, Eighth Grade, Get Out, The Big Sick, Mudbound, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs, and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute®. 2020 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire, AT&T; Leadership Sponsors – Adobe, Amazon Studios, DIRECTV, Dropbox, Netflix, Omnicom Group, Southwest Airlines®, Stella Artois®, WarnerMedia; Sustaining Sponsors – Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Fire TV, GEICO, High West Distillery, Hulu, IMDbPro, Lyft, Unity Technologies, University of Utah Health; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, The New York Times, Variety, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discovering original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as The Farewell, Late Night, The Souvenir, The Infiltrators, Sorry to Bother You, Eighth Grade, Won’t You Be My Neighbor?, Hereditary, RBG, Call Me By Your Name, Get Out, The Big Sick, Top of the Lake, Winter’s Bone, Dear White People, Little Miss Sunshine, Beasts of the Southern Wild, Fruitvale Station, State of the Union, Indecent, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

(Source: Press release provided by Sundance Institute Media Relations)

 

SUNDANCE FILM REVIEW: Taylor Swift Miss Americana

Posted by Larry Gleeson

Taylor Swift: Miss Americana, directed by Lana Wilson, made its world premiere at the 2020 Sundance Film Festival on Opening Night. Admittedly, in tears after seeing Swift perform “Better Man,” in Brian Loschiavo’s extraordinary documentary, Bluebird, at the 50th Anniversary of the Nashville Film Festival, I was intrigued. Utilizing present-day narrative voice-over from Swift, archival footage, still photos and current interviews from those closest to the megastar and cultural icon, a portrait of who Taylor Swift is, was, and will be is painted with both smooth and coarse strokes. Others appearing in Miss Americana are Swift’s mother, best friend, publicist, producer and a plethora of others inside the star’s orbit. Using at times both documentary recording techniques of direct cinema and cinema verite, Jenny Roh, reveals as much and probably more than the spoken words. Admittedly, after seeing Swift perform in Brian Loschiavo’s documentary, Bluebird, at the 50th Anniversary of the Nashville Film Festival, I was intrigued.

Wilson begins with Taylor’s first song-writing attempts captured on home videos providing a glimpse into the driving force behind Swift’s rapid ascent into stardom. At the age of 9, Taylor, seated on a performer’s chair looks directly into the camera and shares with her audience she’s going to sing a song she wrote yesterday. Without missing a beat a cut returns to Taylor, again in a chair looking into the camera sharing with the audience she about to sing a song she wrote five minutes ago. These moments set the tone for the journey Miss Americana takes the audience. At once serious. At other times playful and introspective.

A few pivotal moments occur when Ms. Swift wins album of the year at age 16 – an unheard-of achievement – the youngest person to ever write, record and perform a number one hit and her rise to stardom is just beginning. What could have been a massive train derailment occurred at the VMA Awards. Swift was honored with the Video of the Year award. Mid-way through her speech a fellow performer under the influence jaunted out on stage, droopy drawers and all, high-jacked a microphone and began belligerently crying foul. Later this artist dubbed “a jackass” by the then President of the United States, Barack Obama, would lay claim to Swift’s success by his sheer stupidity, ignorance, mean-spiritedness and jealous nature.

The young woman’s biggest career moment, normally a monumentally happy occasion, turned nightmarish as the young starlet appeared bewildered and somewhat dumbfounded by the chaotic moment. Loud boos and barbs were hurled from the audience as Swift left stage head-down, shoulder slumped. In present-day time Shift shares what was going through her mind. What transpired over the next few years is unparalleled in the history of the music industry. Swift pumped out four number one albums back-to-back-to-back-to-back. Each album remained at the number one slot on the charts for at least six weeks. No other group or performer, including the Fab Four (The Beatles) has accomplished such a feat.

Alone at the top without a life partner despite a close and loving mother-daughter relationship, Taylor realizes she wants an intimate partner to share the ups and downs of life. The only caveat is both parties decide it needs to be a private relationship. An exquisite camera shot of the couple walking focuses on the shadows cast on willowing grass. A maturing woman, Wilson reveals Swift’s understanding of life and actions to ensure she and other women have an equal opportunity to enjoy success and live their lives to the fullest without regrets and without needing approval from an audience.

All I can say is stay tuned for more on this iconic performer as Swift will continue to reveal (seemingly at times reinventing) who she is in what is truly an art form. Her recent performances and videos continue to receive critical acclaim and her stadium and arena concerts are the hottest tickets in town. And, if that’s not enough, Swift has entered the political ring with an endorsement for the 2018 U.S. Senatorial race in her home state of Tennessee.

If you don’t know who Taylor Swift is Miss Americana is the doc for you. And, if you think you know Taylor Swift, check out Miss Americana for a look into what makes Taylor tick. Highly recommended.

SUNDANCE FILM REVIEW: Crip Camp

Posted by Larry Gleeson

Seemingly, the documentary to see at the 2020 Sundance Film Festival is Crip Camp premiering in the U.S. Documentary Competition. I saw it and I wholeheartedly agree.

Crip Camp, executively produced by Barack and Michelle Obama, tells the story of Camp Jened, a summer camp for disabled teens in upstate New York, close to Woodstock. What started out as a rather traditional camp in 1951, morphed into a social experiment as the times were a-changing. In 1967, a new methodology, inspired by the Civil Rights Movement and engineered by hippies, was implemented. Allowing camp attendees full expression to share intimate thoughts and feelings, a shift in consciousness was implanted. Social interactions were encouraged and became normalized.

Crip Camp

Filmmaker/Directors Nicole Newnham and Jim LeBrecht (Camp Jened attendee) utilized archival footage captured by The People’s Video Theatre company from 1970-72 at Camp Jened as well as personal video footage from camp members provided an introduction to the future leaders and prime movers of the American Disabilities Act. Present-day interviews and voice-over narrations provided valuable context to these pivotal moments for the disabled community in the United States.

No longer allowing themselves to be institutionalized in horrific environments like the one portrayed in the film, Willowbrook State School, where one voice-over narrator commented she had never heard such an unnerving sound as the wailing howl emanating from the institutionalized at Willowbrook. Statistics revealed 50 Willowbrook disabled residents were cared for by one attendant. Malnutrition was rampant and the individuals residing within its dark walls only hope was death.

In juxtaposition, the members at Camp Jened held meetings to discuss what dinners, entertainment, exercise, and social events would be like. They co-created their environment. Those that needed attendants had them – often times their attendants were camp veterans.

The disabled were emerging from Camp Jened stays hungry to experience a full life and make valuable contributions to society. Unfortunately, the disabled were not allowed access to a normal life. Thus began, the movement. Headed by Camp Jened committee leader, Judy Heuman, the disabled organized themselves, to gain access to schools, universities, hospitals and federal buildings. Many would go on to achieve college educations, Master’s Degrees and make valuable contributions to society in the arts and sciences as well as in business.

Unbeknownst to many today, this small group also caused a major uproar. And Crip Camp lays it all out in the open. In 1973, the passage of Section 504 of the Rehabilitation Act gave the disabled status as a minority. Demanding access to schools, hospitals, and federally funded buildings, the disabled were told no by President Richard “Dick” Nixon. An archival recording of Nixon’s voice saying “it would cost too much money to provide the (disabled) access. An ensuing lawsuit citing Brown v Board of Education and the shooting down of “separate but equal” beamed light into the lives of the disabled.

Yet, the provision included in Section Clause 504, stating any new federally funded buildings had to provide the disabled access was not being enforced and plans to forgo any re-authorization were undertaken by the Reagan Administration. Yet, the Disabled would not be denied and began a protest in San Francisco. Footage and archival photos were captured and voice-over narration explained the feelings and angst. Aided by various groups and business owners including Vietnam veterans, the Black Panthers and a lesbian bar owner the group found support and hope. Yet, nothing was coming out of Washington, D.C. and Secretary of Health, Education and Welfare Joseph Califano would not recognize the group publicly or privately, the group had to go to war with the nation’s capital to win.

With a stroke of luck, the networks were having technical issue and the American Broadcasting Company ran work gathered by an embedded reporter that reached a national audience. Finally, Secretary Califano provided the group with an audience. The archival news reports, Presidential tape recordings and footage captured by an embedded reporter verifies the struggle.

Massachusetts Senator Ted Kennedy got behind the movement and the American Disabilities Act was finally introduced into the 101st Congress (1991). It passed and made discrimination against the disabled a civil rights violation. ADA and the disabled were given a long-awaited and much-needed access. They were finally given a voice and were allowed to be heard.

Judy Heuman
Nick Nickson, left, holds a microphone for Judy Heuman of Crip Camp, at the Easterseals Disability Services Panel ‘Has Recent Industry Emphasis on D&I Influenced Storytelling.’ (Photo credit: Larry Gleeson)

The fight continues today, as numerous statistical data finds disabled storytelling has a financially lucrative viewing audience. Several of the Camp Jenet attendees were in Sundance including the unofficial leader, Judy Heuman. The dream to be part of the American way of life burns brightly. And, ever so brightly in Crip Camp.

Crip Camp is a must-see film!

 

 

SUNDANCE FILM REVIEW: The Climb

Posted by Larry Gleeson

The Climb, featured in the Spotlight section of the 2020 Sundance Film Festival is directed by New York actor and filmmaker, Michael Angelo Covino. Covino most recently received the Special Jury Prize at SXSW for Hunter Gatherer. In 2016, he was named to Moviemaker Magazine’s “25 screenwriters to watch” list. In The Climb, from Sony Pictures Classic, Covino tells the story of two best friends navigating adulthood and what it means to be a best friend. The film opens with the two main characters, Kyle, portrayed by Kyle Marvin, and Mike, portrayed by Covino himself, biking up a long incline in France.

CLIMB-1
Best friends, Kyle, left, portrayed by Kyle Marvin, and Mike, portrayed by Michael Angelo Covino, star in the Sony Pictures Classics, The Climb. (Photo courtesy of Sony Pictures Classic)

 

Both riders are climbing vigorously when the fun begins. Kyle reveals to his best friend and soon-to-be best man at Kyle’s upcoming wedding his anxiety about the thoughts of married life. Without missing a beat Mike drops a silent but deadly bombshell – he slept with Kyle’s fiance’, Suzi, portrayed by Talia Balsam, multiple times. But before Kyle and Suzi began dating. Mike a standout high school football player swears it meant nothing and they broke it off long ago.

Adding to the raucous opening, a small Italian car arrives blaring its obnoxious horn. Mike comes undone swearing for the driver to go by and then he proceeds to chase the car profusely. When Kyle finally catches up, the driver is pummelling a prostrate Mike culminating in a few well-placed stomps that land Mike in the hospital. Suzi arrives to check on Kyle’s well-being and discovers Mike in an examining station. Both swear they have no feelings for each other before engaging in a no-holds-barred passionate kiss. Kyle walks in and the wedding is off while the story is just beginning.

Covino delivers brilliance with a sharply written script he and Morgan co-wrote. Adding into the mix some nicely placed diegetic musical performances and The Climb is quickly elevated into art cinema. A strong musical score from Jon Natchez and Martin Mabz heightens the film’s revealing truths. Cinematographer Zach Cupperstein executes several French New Wave shots that speak volumes in the film’s cinematic language. Sara Shaw provides seamless editing and complementary pacing consistent with the narrative. Callan Stokes handled costuming augmenting the setting while enhancing an eye-pleasing mise-en-scene. A strong supporting cast includes veteran actor, George Wendt, Judith Godreche, and Gayle Rankin in well-executed roles.

The Climb is a treasure-trove of filmmaking techniques with strong screenwriting, well-executed cinematography, and compelling performances. It’s is a fun ride and a highly recommended viewing.

Additional screenings at the 2020 Sundance Film Festival are Sunday, January 26th, 6:30 PM, at the Ray Theatre, and Saturday, February 1st, 6PM, at the Park City Library.

Until then, I’ll see you at the movies!

Larry 2020 Sundance

 

 

FILM REVIEW: Gutterbee (Ulrich Thomsen, 2019), Denmark

Posted by Larry Gleeson

First film I see for the 35th Santa Barbara International Film Festival (SBIFF) sponsored by UGG, packs an unexpected, invisible wallop to the sensibilities. Making its US Premiere at SBIFF following its World Premiere at the São Paulo International Film GutterbeeFestival, Gutterbee, a character-driven, “social satire about the nexus of identity fear, where religion becomes an intellectual cul-de-sac, and racism, homophobia and intolerance reign supreme,”  provides, at a minimum, a snapshot of what life in small town, rural America looks like from an international perspective. It also reveals a solution on how to forge an elevated pathway into a better, more inclusive existence without forgetting who we are and where we came from.

Writer/director/producer Ulrich Thomsen encases his deeply felt messaging inside two dreamers who set out to open the “ultimate German Sausage restaurant: The Gourmet House of Refuge.” Anthony Starr (The Boys) portrays Mike Dankworth McCoid, a good-hearted bloke who has just been granted a prison release, while Ewen Bremner (Trainspotting) portrays Edward Hofler, a German sausage zealot. The two complement and play off one another as well as American film comedy duo, Dean Martin and Jerry Lewis.

Gutterbee opens with a simple black and white title frame coupled with non-diegetic, Western music. With noir-style composition, Thomsen immediately begins exposing the dark aspects of rural life and culture spouting throughout the Americana landscape with a voice-over narrative of the town sheriff, played by Chance Kelly. Deftly, he reveals current topics of discussion including gender conversion therapy, greed disguised in the form of wealth gospel preachers, racism, xenophobia, bestiality, superstitions, and bullying, and how these behaviors continue to thrive.

Gutterbee is, by choice, not a major film studio production. It is a filmmaker’s truth. Thomsen derived the material and created his art from his experience including many years working in the United States, his monitoring of presidential tweets, and historical trivia on the art of sausage-making. Nevertheless, it is a professionally orchestrated production.

Oscar-winner Anthony Dod Mantle’s cinematography [Best Achievement in Cinematography Slumdog Millionaire (2008)] is stellar. The cast is strong with authentic performances from W. Earl Brown (Preacher, Deadwood: The Movie), Pia Mechler, Joshua Harto, Clark Middleton, and Gareth Williams. Scott Christopher Clark’s art direction, via the mise-en-scene, keeps the viewer wary and engaged. The costuming, designed by Suzanne Barnes, is spot on. And, the music from George Kallis, Breakthrough Composer of the Year 2018, International Film Music Critics Award, captivates.

In addition to the very noirish low key lighting and dramatic use of shadows, Gutterbee employs high key lighting, augmenting a plethora of comedic relief juxtaposed against the garishness of the depicted rural culture. Savvy writing allows for a natural and rhythmic flow adroitly addressing social concerns. The editing from Soren B Ebbe is expertly carried out and the use of jump cuts, a verified comedic device, is nicely woven into the film’s fabric.

Thomsen’s artistic snapshot of Americana in Gutterbee left me dumbfounded. In a brilliantly executed film, a message of hope is revealed amidst the human condition of rural Americans. Important to note, the majority of rural dwellers in the United States are of Germanic descent. Having grown up in a German-American community, I appreciated the inclusion of Germanic cultural artifacts including, but not limited to, lederhosen and the St. Pauli Girl-style costuming. Seemingly, the hope for the future of America lies within their rich, cultural hands. Ask, or in the case of Gutterbee, knock, and it shall be opened. Highly recommended film and wildly entertaining!

 

CYNTHIA ERIVO, TARON EGERTON, AND ALDIS HODGE SHOW OFF VOCALS SINGING FAVORITE KARAOKE SONGS AT THE 35TH ANNUAL SANTA BARBARA INTERNATIONAL FILM FESTIVAL

Posted by Larry Gleeson

VIRTUOSOS AWARD PRESENTED TO ALDIS HODGE, AWKWAFINA, BEANIE FELDSTEIN, CYNTHIA ERIVO, TARON EGERTON, FLORENCE PUGH, AND TAYLOR RUSSELL AT THE 35TH ANNUAL SANTA BARBARA INTERNATIONAL FILM FESTIVAL

SANTA BARBARA, Calif. (January 19, 2020) – Day 4 of the 35th Annual Santa Barbara International Film Festival presented by UGG concluded with a star-studded evening with the presentation of the Virtuosos Award, which recognizes a select group of talent whose noteworthy performances in film have elevated them into the national cinematic dialogue.

This year’s honorees included: Awkwafina (The Farewell), Taron Egerton (Rocketman), Cynthia Erivo (Harriet), Beanie Feldstein (Booksmart), Aldis Hodge (Clemency), George MacKay (1917), Florence Pugh (Midsommar), and Taylor Russell (Waves).

The tribute, held at the historic Arlington Theatre in Santa Barbara, was moderated for the tenth year by Turner Classic Movies host and IMDb special correspondent Dave Karger, who engaged in one-on-one discussions with each of the night’s honorees to take a look back at their flourishing career and recent noteworthy performances.

The one-on-one discussions were followed by a group panel discussion, also moderated by Karger. Following the conclusion of the panel discussion, Santa Barbara local and legendary actor Christopher Lloyd presented each honoree with their award.

Highlights from the evening include:

Aldis Hodge on working with Alfre Woodard in the film Clemency: “As an actor and an artist, I always seem to put myself around teachers. I love to get around education and an environment that’s going to help elevate and grow me. Being around someone as masterful as miss Woodard – that’s exactly what you’re going to get. She’s a fantastic actress, a fantastic scene partner, a fantastic leader. So for me, it really was a privileged education.

Awkwafina on using her real name, Nora Lum, for her on-screen credit in the future: “I think in the beginning, Awkwafina really was someone to kind of like take the stage fright and the nervousness and the neuroses and the overthinking. But I think more and more as I grew up, I realize they are the same person. And when I see the name Awkwafina on like a chair back or a call sheet, it’s the name I chose for myself. That means something to the 15-year-old girl that was like ‘it’s a great idea to name yourself Awkwafina. Which years later – regrettable – but it’s fine. It’s an homage to that, and I don’t think I’m ready to lose it yet.”

Beanie Feldstein on young girls admiring her for her role in Booksmart: “Sometimes I’ll just see two young girls come walk up to me and I just put my arms out, and it’s so fun and it’s so lovely. It’s just a joy. We made this movie for everyone, but it’s a testament and celebration of young women, and we just wanted to do this generation proud because they’re so engaged with the world in a way that even…I was at that age. But I feel like young people today are invested in their society at such a young age and it’s so inspiring and we really wanted to celebrate that in Booksmart.”

Cynthia Erivo on getting emotional during the Sesame Street tribute at the Kennedy Center Honors: “I think there’s something so endearing about the stories that Sesame Street would tell. It included everybody. No one was excluded from something like Sesame Street. So when I was watching the montage of the things that went by, it just made me feel like a kid again. I felt like these people really wanted to include all the children in the world. No one was different, no one was apart.”

Florence Pugh on her performance as Amy March in Little Women: “[Greta] wanted Amy to be more than just the girl that burned the book and ended up with the guy, and she was excited to maybe let people see themselves in Amy…When we made it, it felt great and lovely. Through Amy in this version, the audience finally gets to see how rough and how tough it was for women, and how clever she was for her to choose the life that she had.”

George MacKay on working on the film 1917: “It’s like a play and a film together, and that process of being involved right from the beginning…we had to choreograph the entire film. We had to suss out the emotional rhythm and the pace of the entire piece because it dictated the actual length of the set.”

Taron Egerton on winning a Golden Globe for Rocketman: “You know, I’m from a really rural part of the UK. I’m from the middle of Wales, and the Golden Globes feels like something that happens to other people. So to be there, to be nominated was incredible…to win was just really wonderful.”

Taylor Russell on how her personal experience translated to her role in Waves: “There’s a lot in my life that I think prepared me for this role. I have two brothers, and that connection is really important to me…I know what it feels like to love somebody and not like them. I knew what a relationship was like with a brother, so I had that and felt that with Kelvin right away.”

 

The final portion of the program was a true crowd-pleaser as Karger brought out all eight honorees for a panel discussion. The audience got a special treat when Karger asked what each person’s go-to karaoke song is, which then escalated to the honorees breaking out into song on stage.

Provoked by Erivo, Hodge sang a few lines of his favorite karaoke song, “Gold Digger” by Jamie Foxx ft. Kanye West. He then prompted Erivo to sing her song, “We Don’t Need Another Hero” by Tina Turner. While Erivo was belting out a few bars from the song, Feldstein pretended to faint in her chair as the audience cheered for more. Egerton also volunteered to sing part of his favorite karaoke song, “Faith” by George Michael.

Other topics of discussion included favorite movies of all time, dream roles and the films that surprised them the most this year.

Following the panel discussion, actor Christopher Lloyd presented each honoree with their award. The evening concluded as the talented group of actors laughed and mingled in a VIP afterparty.

Last year’s recipients of the Virtuosos Award were Yalitza Aparicio, Sam Elliott, Elsie Fisher, Claire Foy, Richard E. Grant, Thomasin McKenzie, John David Washington, and Steven Yeun.

The 35th Annual Santa Barbara International Film Festival runs from January 15-25, 2020. For more information, and to purchase tickets, festival passes and packages, please visit www.sbiff.org.

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization. Over the past 34 years, SBIFF has become one of the leading film festivals in the United States – attracting 95,000 attendees and offering 11 days of 200+ films, tributes and panels, fulfilling their mission to engage, enrich, and inspire people through the power of film. We celebrate the art of cinema and provide impactful educational experiences for our local, national and global communities.

SBIFF continues its commitment to education and the community throughout many free educational programs and events. In June 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day. In May 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.

SBIFF 35

(Source materials provided by sbiff.org)

ADAM DRIVER ACCEPTS OUTSTANDING PERFORMERS OF THE YEAR AWARD AT THE 35TH ANNUAL SANTA BARBARA INTERNATIONAL FILM FESTIVAL

Posted by Larry Gleeson

SANTA BARBARA, Calif. (January 18, 2020) – Day 3 of the 35th Annual Santa Barbara International Film Festival presented by UGG featured a heartening tribute to 2020 Oscar nominated actor Adam Driver, who received the Outstanding Performers of the Year Award presented by Belvedere Vodka. Driver was recognized for his critically acclaimed work in Noah Baumbach’s Marriage Story.

As he arrived to the tribute, the actor was greeted by SBIFF Executive Director Roger Durling, who later presented him with the award. After taking a few questions from young aspiring student journalists on the red carpet, Driver sat down with IndieWire’s Anne Thompson for an insightful conversation and look back at his varied career and beginnings as a U.S. Marine.

Some of the highlights from the conversation included:

Just before Driver’s conversation with Thompson, the audience was treated to a montage of Driver’s varied career, including clips from films like Inside Llewyn Davis, Francis Ha, BlacKkKlansman and Star Wars. 

Following Driver’s conversation with Thompson, Durling took the stage to present him with the Outstanding Performers of the Year Award, saying: Adam Driver, in my humble opinion, your acting as Charlie is the best performance by a male in 2019 by far. You bare your soul in this film. You do not rely on makeup. You don’t rely on wardrobe, nor dramatic weight changes. Instead, you wear your emotions on your skin and dig deep.”

Upon accepting his award with a standing ovation from the audience, Driver said: “Acting to me is many things. You know, it’s a craft. It’s a political act. Unfortunately, it’s a business, and it’s a service. I think that acting is a service industry. I’m there in service of the director, the actors and the crew, and the story overall, which is more important. I very much believe in that. I believe in the potential effect of great collaboration. I think movies and films and art can lead people out of the dark.”

Following the tribute, Driver and Thompson headed just outside the theatre for a VIP after party presented by Belvedere, where guests mingled over specialty cocktails, struck a pose in a gif-able photo booth and gathered around warm cozy lounge areas amid the chilly Santa Barbara weather.

The Outstanding Performers of the Year Award recognizes select individuals who have distinguished themselves with exceptional performances in film this past year. Past recipients of the award include Rami Malek, Margot Robbie and Allison Janney, Ryan Gosling and Emma Stone, Brie Larson and Saoirse Ronan, Steve Carell, Cate Blanchett, Jennifer Lawrence, Viola Davis, James Franco, Colin Firth, Penelope Cruz, Angelina Jolie, Helen Mirren, Heath Ledger, Kate Winslet and Charlize Theron.

The 35th Annual Santa Barbara International Film Festival runs from January 15-25, 2020. For more information, and to purchase tickets, festival passes and packages, please visit www.sbiff.org.

 

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization. Over the past 34 years, SBIFF has become one of the leading film festivals in the United States – attracting 95,000 attendees and offering 11 days of 200+ films, tributes and panels, fulfilling their mission to engage, enrich, and inspire people through the power of film. We celebrate the art of cinema and provide impactful educational experiences for our local, national and global communities.

SBIFF continues its commitment to education and the community throughout many free educational programs and events. In June 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day. In May 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.

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(Source: Press release courtesy of sbiff)

 

The Marijuana Conspiracy

Posted by Larry Gleeson

Never a dull moment during the 35th Santa Barbara International Film Festival’s (SBIFF) red carpet events. Adam Driver and Scarlett Johansson were slated to receive the Outstanding Performers of the Year which “recognizes select individuals who have distinguished themselves with exceptional performances in film this past year.” Yet, for the first time in the history of SBIFF, a no-show occurred. Late reports have Ms. Johansson under the weather.

Thank heavens for the talented and vivacious cast and the collaborative writer/director of The Marijuana Conspiracy, based on “Project Venus,” a government-funded research project to study the effects of marijuana on females.

The passion and zeal The Marijuana Conspiracy group emanated in our short conversation leads me to believe The Marijuana Conspiracy is a highly potent project. The story line about a group of women held in isolation for ninety-eight days during the winter of 1972 in Toronto, Canada, with a team of doctors noting the physical and social effects of marijuana on the females resonates.

So without further adieu, check out our talk, catch a screening, and experience the positivity of The Marijuana Conspiracy. You’ll be glad you did!

See below for more details on the film.

 

(From SBIFF.org) In 1972, a group of young women took part in an outlandish scientific study to measure the effects of marijuana on women. It began as fun, like a hippie camp: get paid to smoke weed and make some easy cash. The young women thrived and excelled at their given tasks despite their “toke times,” so scientists gave the girls ever-increasing THC levels to smoke. The girls eventually become zombified and felt like lab rats under constant observation and prodding. Yet, they endured, with no one to care for them and no laws to protect them. The girls used their unique strengths, resilience, and friendship to overcome this extreme adversity. This film tells their story.

Directed by Craig Pryce
Produced by Colin Brunton, Jennifer Haufler, Katarzyna Kochany, Craig Pryce, Mark Pancer
Written by Craig Pryce
Starring Brittany Bristow, Morgan Kohan, Julia Sarah Stone, Tymika Tafari, Kyla Young
Independent Competition Sponsored by Panavision
Country: Canada
123 minutes
US Premiere

The Marijuana Conspiracy is screening tomorrow at 4:20PM, at the Fiesta Theatre, Auditorium #4, and,

January 19th, at 5:20PM, at the Metro Theatre, Auditorium #2

For more information on screenings visit SBIFF.org.

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Lost Transmissions

Posted by Larry Gleeson

Sometimes it pays to be in the right place at the right time. More red carpet coverage from the 35th Santa Barbara International Film Festival (SBIFF). Katharine O’Brien’s Lost Transmissions, a powerful human interest story starring Alexandra Daddario, is sure to pique the sensibilities. Check out the conversation and, more importantly, check out Lost Transmissions. See below for details.

 

 

(FROM SBIFF.org) Hannah, a shy songwriter, discovers that her friend, respected record producer Theo Ross, has lapsed on his medication for schizophrenia. Hannah rallies a group of friends to help commit Theo to a psychiatric facility, chasing him as he outruns his colorful delusions through the glamour and grit of Los Angeles. From the highs of rock ‘n’ roll to rock bottom, it’s a story of the unsung heroes behind the hits.

Directed by Katharine O’Brien
Produced by Filip Jan Rymsza, Tory Lenosky
Written by Katharine O’Brien
Starring Simon Pegg, Juno Temple, Alexandra Daddario
Cinesonic Sidebar
Country: USA
105 minutes

Last Lost Transmissions screenings of the festival!

Tomorrow, 6PM, Metro Theatre, Auditorium 4

January 19th, 2:20PM, Metro Theatre, Auditorium 2

For more screening information visit: SBIFF.org

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Gutterbee

Posted by Larry Gleeson

While covering the red carpet last night for the 35th Santa Barbara International Film Festival (SBIFF) American Riviera Award honoring Renee Zellwegger for her significant contributions to the art of motion pictures, I managed to catch a team of Danes in town with their satirical dramedy, Gutterbee. After witnessing last year’s SBIFF Audience Award winner and Nordic Cinema prize winner, another Danish offering, In Love and War, and after chatting up the Gutterbee team, I am quite optimistic, about this viewing. Make no mistake, the Danes are a force to be reckoned. Check out the conversation with Writer/Director Ulrich Thomsen and three of the film’s stars. And,  make sure to get to a screening of Gutterbee! See below for details.

(From SBIFF.org) GUTTERBEE is a character-driven comedy about friendship and sausage–the German sausage, that is. Set in small-town America, it’s a story about two men who are hopeless dreamers and who join forces in a quest to erect the ultimate German sausage restaurant: the Gourmet House of Refuge. GUTTERBEE is also a social satire about the nexus of fear, where religion becomes an intellectual cul-de-sac, and racism, homophobia, and intolerance reign supreme.

Directed by Ulrich Thomsen
Produced by Ulrich Thomsen
Written by Ulrich Thomsen
Starring Antony Starr, Ewen Bremner, W. Earl Brown, Joshua Harto, Clark Middleton, Chance Kelly, Gareth Williams. Pia Mechler
Independent Competition / Screen Cuisine Sidebar
Country: Denmark
107 minutes
US Premiere

Screening tomorrow, January 18th, 12PM, Metro Theatre, Auditorium #4, and

January 20th, 8:20PM, Metro Theatre, Auditorium #2.

Visit SBIFF.org for more screening information

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OVERLAND and the Art of Falconry

Posted by Larry Gleeson

I had the distinct pleasure of meeting film director, Elisabeth Haviland James on the red carpet last night at the 35th Santa Barbara International Film Festival. Check out the short conversation. It’s intense and informative. Don’t be afraid!

 

 

(FROM SBIFF) How can we connect to our natural, primal spirit when modern society threatens to erase it?

OVERLAND is a stunning cinematic journey across four continents that twists and turns like nature itself – bridging ancient to modern, east to west, and earth to sky. Lauren, a daredevil anthropologist, trains injured eagles to fly and hunt while scouring the world for falconry secrets. A confused eagle whose tragic past seems beyond repair pushes her to the brink. Giovanni left Rome for a solitary life in the countryside with his wolves, horse, and hawks. After a transcendent experience with an 800-year-old falconry book, he begins to question his life’s purpose. In Dubai, Khalifa is training to be the world’s best falcon racer. For millennia, his nomadic ancestors hunted with falcons in the harsh Arabian desert. Now, with city life encroaching, he must find a way to keep his fragile Bedouin culture from vanishing forever.

For more screening information check out sbiff.org

Directed by Revere La Noue, Elisabeth Haviland James
Produced by Elisabeth Haviland James, Revere La Noue, Amy Tiemann, Michael Tiemann, Marilyn Jacobs Preyer, Christopher Behlau
Written by Elisabeth Haviland James, Revere La Noue
Starring Lauren McGough, Khalifa Bin Mujren, Giovanni Granati
Documentary Competition / Reel Nature Sidebar
Country: USA
105 minutes
World Premiere
Subtitled

Free public screening today, 2PM, at the Lobero!

Tomorrow, January 18th, 4PM, at the Fiesta Theatre, Auditorium #3, and

Sunday, January 19th, 8:30AM, at the Metro Theatre, Auditorium #4.

Until next time, I’ll see you at the festival!

 

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The 35th Santa Barbara International Film Festival Kicks Up Its Heels With A BUMP ALONG THE WAY

Posted by Larry Gleeson

The 35th Santa Barbara International Film Festival (SBIFF) is underway. An at-capacity Arlington Theatre audience ushered in the January 15-25 Phase Two Oscar Campaign film festival. In traditional fashion, The Mayor of Santa Barbara, Cathy Murillo (pictured above) made opening remarks and hinted of the magic about to unfold in the Opening Night film, A BUMP ALONG THE WAY, making its U.S. premiere at SBIFF. With her promise to sprinkle pixie dust into the air before introducing SBIFF Executive Director, Roger Durling.

SBIFF35_Durling-1-2
Santa Barbara International Film Festival Executive Director, Roger Durling, delivers Opening night remarks for the festival’s 35th edition on January 15th, 2020, at the historic Arlington Theatre in Santa Barbara, Calif. (Photo credit: Larry Gleeson)

Without further adieu, Durling entering from stage left strutted to center stage and delivered eloquent remarks on his love of cinema, its unabashed inclusiveness, sense of community, and educational properties of the festival today. SBIFF began in 1986 as an economic venture. One of the community-building moments under Durling’s direction is pausing his remarks so audience members can spend a moment introducing and bonding with a before-unknown cinephile friend. In addition, a strong thank you to the festival volunteers, the backbone of the in-festival mode of operations, and to the Manitou Fund for its generous support in equipping several viewing screens with the  OTOjOY hearing loop technology.

Seemingly, with the pixie dust taking effect, Durling expounded on a 1986 cinema experience with his close friend, socially incapacitated with facial lesions. From this moment and similar experiences, a revelation of cinema as a great equalizer full of wonder, curiosity, hope, and positive expectation unfolded. With that, a vivacious Irish woman (a bonafide Derry girl), Bronagh Gallagher, took stage alongside Durling to introduce the 35th Santa Barbara International Film Festival’s Opening night film, A BUMP ALONG THE WAY.

SBIFF35_Gallagher-1-2
Bronagh Gallagher, right, lead actress, of the 35th Santa Barbara International Film Festival’s Opening night film, A BUMP ALONG THE WAY, took stage alongside festival director, Roger Durling, on January 15th, 2020, at the historic Arlington Theatre in downtown Santa Babara, Calif. (Photo credit: Larry Gleeson).

 

 

Captivating the audience with her powerful presence and equally powerful Irish brogue voice, Gallagher informed the audience of the all-female film department heads involved in the film’s production. The audience responded with a resounding chorus of applause and rounds of laughter as the lead actress exuberantly expressed how proud she felt representing the women of Derry, Ireland, with the emotionally compelling film and that if she didn’t get a picture at of the full house she’d “never be allowed back into Derry.” With that, the lights went down and the 35th Santa Barbara Film Festival was underway.

Bump Along The Way
A BUMP ALONG THE WAY, a female-led, feel-good, comedy-drama set in Derry, Northern Ireland, about a middle-aged woman whose unexpected pregnancy after a one-night stand acts as the catalyst for her to finally take control of her life and become the role model her teenage daughter needs and craves, served as the Opening Night film for the 35th Santa barbara International Film Festival. (Photo courtesy of SBIFF)

Following the film, the Opening Night Gala was held in the beautiful outdoor Paseo Nuevo Shops and Restaurants in downtown Santa Barbara featuring entertainment, food, libations, while celebrating the start of the 35th SBIFF.

Sat tuned for more as the festival runs through January 25th!

While quantities are running low, some tickets and passes are still available HERE. Until next time, I’ll see you at the movies!

 

SBIFF 35

 

 

 

MANITOU FUND TO EQUIPT HEARING LOOP SYSTEMS IN VENUES FOR 35TH #SBIFF

Posted by Larry Gleeson

Santa Barbara, CA: The Santa Barbara International Film Festival with the generous support of the Manitou Fund announced today that it has permanently equipped all four Metro 4 Theatres and two screens at Fiesta 5 Theatres with state of the art OTOjOY hearing loop technology, just in time for the 35th annual Film Festival.

All SBIFF auditoriums including The Lobero, Arlington and Riviera Theatres now proudly provide the hearing loop system. SBIFF values diversity and inclusion, and this project enriches access for the community permanently, providing a quality theatre-going experience for all.

SBIFF35_Arlington-1
At the historic Arlington Theatre in downtown Santa Barbara, Calif., the Santa Barbara International Film Festival announced, with the generous support of the Manitou Fund, it  permanently equipped The Metro 4 and two Fiesta 5 screens with state of the art OTOjOY hearing loop technology, for the 35th annual Film Festival. (Photo credit: Larry Gleeson)

A hearing loop system is an assistive listening technology that sends audio wirelessly to a patron’s hearing aids or cochlear implant/s. The loop provides clean sound, minimizes background noise, and eliminates the need for a separate receiver or headset. It can be accessed by any number of users and by anyone with a compatible, telecoil-enabled hearing device.  When combined with a loop receiver, this technology can also assist people who do not wear a hearing device to improve the clarity of speech and sound. With the direct wireless connection, individuals with hearing loss don’t need to borrow or return equipment from the venue. Loops provide discreet communication access for people with hearing loss and greater inclusion in public events.

According to a recent Centers for Disease Control and Prevention study, approximately 23% of the U.S. population over the age of 12, more than 60 million people, have some degree of hearing loss.

“Part of our mission is to make the world of film and filmmaking accessible to everyone, so we are incredibly proud to partner with the Manitou Fund on this project,” says SBIFF Executive Director Roger Durling.

“Creating more hearing-friendly venues allows people with hearing loss to participate fully in the community. Every new hearing loop increases access for people with hearing loss and enhances our nation’s accessibility infrastructure,” says Barbara Kelley, Executive Director of Hearing Loss Association of America. “HLAA applauds the work of the Manitou Fund and the Santa Barbara International Film Festival to equip area theaters with looping systems.”

 “Accessing hearing assisting loop technology is a game-changer for not only the hard of hearing but for anyone who wishes to enjoy the best hearing experience possible in a looped venue,” shares Nora McNeely Hurley of the Manitou Fund. “Hearing loops have improved my quality of life profoundly and I hope that others will discover the exciting benefits of accessing Telecoil loop technology via personal hearing devices. Ask your audiologist and/or theater manager for ways by which you can get in the loop!”

Manitou Fund is dedicated to enriching the lives of people through financial support that enhances and sustains the beauty and importance of Nature, the Arts, Humanities, Health, and Education.

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 34 years, SBIFF has become one of the leading film festivals in the United States – attracting 95,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

SBIFF continues its commitment to education and the community throughout many free educational programs and events. In 2016, SBIFF acquired the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s state-of-the-art, fully accessible, year-round home and Santa Barbara’s year-round arthouse theater. In 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs.

SBIFF 35

(Source: Press release from SBIFF’s Tyler Carr)

 

SBIFF OPENING NIGHT FILM Presented by UGG® US Premiere of “A Bump Along The Way”

Posted by Larry Gleeson

Wednesday, January 15, 2020
8:00pm
Arlington Theatre
Santa Barbara, CA

AND
OPENING NIGHT GALA

Wednesday, January 15, 2020
Following the Opening Night Film
10:00PM
Paseo Nuevo
Santa Barbara, CA

SBIFF 2020 will start with the Opening Night Film, presented by UGG​®​, tonight Wednesday, January 15, at the historic Arlington Theatre with the U.S. Premiere of ​A BUMP ALONG THE WAY​ directed by ShellyLove and starring Bronagh Gallagher, Lola Petticrew, Mary Moulds, Dan Gordon and Brendan Farrell.

A BUMP ALONG THE WAY​ is female-led, feel-good, comedy-drama set in Derry, Northern Ireland, about a middle-aged woman whose unexpected pregnancy after a one-night stand acts as the catalyst for her to finally take control of her life and become the role model her teenage daughter needs and craves.

Following the film, the Opening Night Gala will take place in the beautiful outdoor Paseo Nuevo Shops and Restaurants in downtown Santa Barbara. It will feature entertainment, food, libations, and celebrate the start of SBIFF.

Get tickets and Passes Here

 

SBIFF 35

(Source: SBIFF News Release)

ADL Stand Up Award goes to the feature film Liberté: A Call to Spy at the 2020 Santa Barbara International Film Festival

Posted by Larry Gleeson

DATE: January 8, 2020 … ADL Santa Barbara/Tri-Counties announced today that it has awarded its ADL Stand Up Award at the 2020 Santa Barbara International Film Festival to the feature film Liberté: A Call to Spy.

Dan Meisel, ADL’s Regional Director issued the following statement:

The ADL Santa Barbara/Tri-Counties Region is pleased to present this year’s Santa Barbara International Film Festival ADL Stand Up Award to Liberté:  A Call to Spy, a dramatic portrayal of the true stories of the first women recruited and sent by the British military to occupied France with orders to disrupt the Nazi war machine.

The courageous heroism of soldiers risking their lives to counter the Nazis is not a new story.  It is new, at least for the big screen, that the heroes featured in Liberté are women, and it is certainly worth discussing why it has taken so long for their stories to be celebrated in this way.  What made these women truly remarkable, in addition to the challenges they had to overcome as “lady spies,” was the strength of their common conviction despite their varied identities and experiences.  The lead characters enter the frame in Liberté bound by how the world sees them — an American foreign servant with a disability, a Muslim pacifist of Indian heritage, and a Romanian Jew fearing deportation.  By the end of the story, their shared commitment to defend the human dignity of others supersedes any limiting labels, and their diversity proves critical to the success of their respective missions.

A jury of local ADL staff and supporters annually present the ADL Stand Up Award to a film in the festival that exemplifies the impact storytelling can have in fostering mutual understanding and respect, consistent with ADL’s mission “to secure justice and fair treatment for all.”  Given the recent and deeply troubling trend of rising hate and violence directed towards religious, racial, and ethnic minorities in the U.S. and around the world, ADL is proud to stand up with these filmmakers in highlighting the real-life heroism of standing up to fear-based aggression towards others solely on account of who they are.

Liberté: A Call to Spy is directed by Lydia Dean Pilcher, and stars Sarah Megan Thomas (“Equity”), who also wrote the screenplay and produced, Stana Katic (“Castle”), and Radhika Apte (“Andhadhun”).  More info about the film can be found on twitter @libertethemovie.

The festival’s U.S. premiere of Liberté will occur on January 16.  ADL is hosting a cocktail Soireé in honor of the Stand Up Award at 6:15pm in the Lobero Theater Courtyard, to be followed by the film’s premiere at 7:40pm in the Fiesta 5 Theater with a Q&A thereafter with Lydia Dean Pilcher and Sarah Megan Thomas.  Tickets to ADL’s Soireé (which include a confirmed seat at the 7:40pm screening) can only be purchased at support.ADL.org/STANDUP2020 or by calling 805-564-6670.  Limited general admission to the 7:40pm showing will be available for the festival pass or ticket holders.

The film is also screening at the Metro 2 Theater on Friday, January 17 at 2:20pm and Saturday, January 18 at 5:20pm for the festival pass or ticket holders.

This is the fifth year ADL has sponsored its Stand Up Award.  Previous winners explored the lives of a drag performer in Cuba (Viva, 2016), Polish migrant workers in Sweden (Strawberry Days, 2017), Syrian refugees seeking passage to Berlin (Sky and Ground, 2018), and a team of basketball players with disabilities (Campeones, 2019).\

This year’s Soireé is being sponsored in part by the Jewish Federation of Greater Santa Barbara.  For information about sponsorship opportunities, please contact ADL at 805-564-6670.

ADL, founded in 1913, is among the world’s leading organizations fighting bigotry, hatred, and discrimination.  Learn more at www.adl.org.  ADL’s Santa Barbara/Tri-Counties Office was established in 2001.  Follow it on twitter @ADLSantaBarbara.

(Source: SBIFF press release)

Latest Additions to 2020 Sundance Film Festival Announced

Posted by Larry Gleeson

Brothels
Born into Brothels

The Social Dilemma Joins Documentary Premieres; Born into Brothels and High Art Are From The Collection Films

Special Event Love Fraud Confirmed as Day One Screening

 

(FOR IMMEDIATE RELEASE) Park City, UT — Sundance Institute adds three feature films to the 2020 Sundance Film Festival’s robust slate of independent work today, alongside previously announced work. The Institute also confirmed that previously-announced Special Event, Love Fraud, will screen on Day One of the Festival. The Festival will take place in Park City, Salt Lake City and at Sundance Mountain Resort on January 23–February 2, 2020.

Pulling from the vault of festivals past, archival selection High Art will be presented thanks to a newly created DCP provided by Focus Features/Universal Pictures. Lisa Cholodenko’s feature debut, featuring a breakthrough performance from Patricia Clarkson and Radha Mitchell, and an award-winning turn from Ally Sheedy, High Art premiered at the 1998 Sundance Film Festival and won the Waldo Salt Screenwriting Award. High Art follows an ambitious female magazine editor who has a chance encounter with her neighbor, a brilliant photographer who’s lost in an underworld of sex and drugs. As the two begin a passionate love affair, a powerful struggle ensues and a story of ambition, sacrifice, seduction, and other career moves unfolds.

Born into Brothels, the second archival screening, won the Documentary Audience Award when it premiered at the 2004 Sundance Film Festival. A tribute to the resiliency of childhood and the restorative power of art, Born into Brothels is a portrait of several unforgettable children of prostitutes living in the red light district of Calcutta. Photographer Zana Briski gives the children cameras as they learn to see the world with new eyes. The film, which highlights the immensely restorative, empowering, and liberating nature of art, went on to win an Academy Award® for Documentary Feature in 2005. Nearly lost in a fire, Born into Brothels has been digitally restored, and a DCP was created through a collaboration between Sundance Institute, UCLA Film & Television Archive, and the Academy Film Archive branch of the Academy of Motion Picture Arts and Sciences.

Archival screenings are made possible by the Sundance Institute Collection at UCLA and give audiences the opportunity to discover and rediscover the films that have shaped the heritage of both Sundance Institute and independent storytelling. To address the specific preservation risks posed to independent film, including high costs of storage, lab closures, issues around intellectual property rights, and damage from neglect, Sundance Institute partnered with UCLA Film & Television Archive in 1997 to form the Sundance Institute Collection at UCLA.

The Collection has grown to over 4,000 holdings representing nearly 2,300 titles, and is dedicated to preserving independent feature-length and short films supported by Sundance Institute. Celebrating the history of independent film, past From the Collection screenings have included The Blair Witch Project, Hours and Times, River of Grass, Paris is Burning, Desert Hearts, Daughters of the Dust, El Mariachi, sex, lies, and videotape, Hoop Dreams, and Paris, Texas.

DOCUMENTARY PREMIERES

The Social Dilemma / U.S.A. (Director: Jeff Orlowski, Screenwriters: Vickie Curtis, Davis Coombe, Jeff Orlowski, Producer: Larissa Rhodes) — Never before have a handful of tech designers had such control over the way billions of us think, act, and live our lives. Insiders from Google, Twitter, Facebook, Instagram, and YouTube reveal how these platforms are reprogramming civilization by exposing what’s hiding on the other side of your screen. Cast: Vincent Kartheiser, Skyler Gisondo, Kara Hayward. World Premiere

FROM THE COLLECTION 

Born into Brothels / U.S.A. (Directors: Zana Briski, Ross Kaufman) – A tribute to the resiliency of childhood and the restorative power of art, Born into Brothels is a portrait of several unforgettable children of prostitutes living in the red light district of Calcutta. Photographer Zana Briski gives the children cameras as they learn to see the world with new eyes.

High Art / U.S.A. (Director and screenwriter: Lisa Cholodenko, Producers: Dolly Hall, Jeffrey Levy-Hinte, Susan A. Stover) – A story of ambition, sacrifice, seduction, and other career moves. Syd, an ambitious female magazine editor, has a chance encounter with her neighbor one night, the enigmatic Lucy, a brilliant photographer who’s lost in an underworld of sex and drugs. As the two begin a passionate love affair, a powerful struggle ensues – will Lucy be saved or will Syd be destroyed? Cast: Patricia Clarkson, Tammy Grimes, Gabriel Mann, Radha Mitchell, Bill Sage, Ally Sheedy.
The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Sorry to Bother You, Won’t You Be My Neighbor?, Eighth Grade, Get Out, The Big Sick, Mudbound, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs, and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute®. 2020 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire; AT&T; Leadership Sponsors – Adobe, Amazon Studios, DIRECTV, Dropbox, Netflix, Omnicom Group, Southwest Airlines®, Stella Artois®, WarnerMedia; Sustaining Sponsors – Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Fire TV, GEICO, High West Distillery, Hulu, IMDbPro, Lyft, Unity Technologies, University of Utah Health; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, The New York Times, Variety, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discovering original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as The Farewell, Late Night, The Souvenir, The Infiltrators, Sorry to Bother You, Eighth Grade, Won’t You Be My Neighbor?, Hereditary, RBG, Call Me By Your Name, Get Out, The Big Sick, Top of the Lake, Winter’s Bone, Dear White People, Little Miss Sunshine, Beasts of the Southern Wild, Fruitvale Station, State of the Union, Indecent, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

Sundance Film Festival 2020

(Source: Sundance press release)

 

SBIFF ANNOUNCES ALL 8 VIRTUOSOS AWARD HONOREES

Posted by Larry Gleeson

The Santa Barbara International Film Festival announced the second wave of recipients to receive the Virtuosos Award presented by UGG®, an honor created to recognize a select group of talent whose noteworthy performances in film have elevated them into the national cinematic dialogue. Cynthia Erivo (Harriet), Beanie Feldstein (Booksmart), Aldis Hodge (Clemency), and George MacKay (1917) will be joining Awkwafina (The Farewell), Taron Egerton (Rocketman), Florence Pugh (Midsommar), and Taylor Russell (Waves) in receiving the award on Saturday, January 18th during the 35th Santa Barbara International Film Festival. The tribute will be moderated for the tenth year by Turner Classic Movies host and IMDb special correspondent host Dave Karger.

Dave Karger.png
Dave Karger

“The final four Virtuosos range from comedies to dramas, from the US to the UK, and from lead to supporting roles. But what they all have in common is that they shined in their respective films this year. They’re perfect additions to this exciting evening in Santa Barbara.” says Dave Karger, Turner Classic Movies host and IMDb special correspondent.

Past recipients include Yalitza Aparicio, Sam Elliott, Elsie Fisher, Claire Foy, Richard E. Grant, Thomasin McKenzie, John David Washington, Steven Yeun, Alicia Vikander, Joel Edgerton, Elizabeth Banks, Paul Dano, O’Shea Jackson Jr., Géza Röhrig, Jacob Tremblay, Chadwick Boseman, Ellar Coltrane, Logan Lerman, David Oyelowo, Rosamund Pike, J.K. Simmons, Jenny Slate, Ann Dowd, Elle Fanning, Ezra Miller, Eddie Redmayne, Omar Sy, Quvenzhane Wallis, Demian Bichir, Rooney Mara, Melissa McCarthy, Shailene Woodley, Andy Serkis, Patton Oswalt, Andrew Garfield, John Hawkes, Lesley Manville, Hailee Steinfeld, Jacki Weaver, Emily Blunt, Carey Mulligan, Saoirse Ronan, Gabourey Sidibe, Michael Stuhlbarg, Casey Affleck, Marion Cotillard, Viola Davis, Rosemarie DeWitt, Sally Hawkins, Richard Jenkins, Melissa Leo, James McAvoy, Ellen Page, Amy Ryan, Michael Shannon, Michael B. Jordan, Brie Larson, Jared Leto, and June Squibb.

The 35th Santa Barbara International Film Festival will take place January 15th through 25th, 2020. Tickets are available here.

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 34 years, SBIFF has become one of the leading film festivals in the United States – attracting 95,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

SBIFF continues its commitment to education and the community throughout many free educational programs and events. In 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day. In 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.

sbiff3

(Source: SBIFF news announcement)

 

 

Maltin Modern Master Award honoring Brad Pitt at Santa Barbara #SBIFF

Posted by Larry Gleeson

Santa Barbara International Film Festival (SBIFF), a Phase Two (the short span of days between Oscar nominations and the actual voting of the Academy members) campaign stop for talent to be seen and to be heard, announced that Brad Pitt is set to receive the prestigious Maltin Modern Master Award. This event will sell out. Tickets are still available here.

Pitt will be honored on Wednesday, January 22nd for his long-standing contributions to the film industry, most recently gracing the silver screen in Quentin Tarantino’s Once Upon a Time … in Hollywood from Columbia Pictures and Ad Astra for New Regency. Leonard Maltin will return for his 29th year to moderate the evening.

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Leonard Maltin

“Brad Pitt wears the mantle of Movie Star with good grace. He’s been giving great performances for several decades, but he makes it look so easy that I fear he’s been taken for granted. After the one-two punch of Ad Astra and Once Upon a Time…in Hollywood, this year he’s an ideal choice to be presented the Maltin Modern Master Award,” states Leonard Maltin.

Quentin Tarantino’s Once Upon a Time… in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood’s golden age.

When a mysterious life-threatening event strikes Earth, astronaut Roy McBride (Pitt) goes on a dangerous mission across an unforgiving solar system to uncover the truth about his missing father (Tommy Lee Jones) and his doomed expedition that now, 30 years later, threatens the universe, in James Gray’s Ad Astra.

The Modern Master Award was established in 1995 and is the highest accolade presented by SBIFF. Created to honor an individual who has enriched our culture through accomplishments in the motion picture industry, it was re-named the Maltin Modern Master Award in 2015 in honor of long-time SBIFF moderator and renowned film critic Leonard Maltin. Past recipients include Glenn Close, Denzel Washington, Michael Keaton, Bruce Dern, Ben Affleck, Christopher Plummer, Christopher Nolan, James Cameron, Clint Eastwood, Cate Blanchett, Will Smith, George Clooney and Peter Jackson.

sbiff3

(Source:SBIFF News Announcement)

 

2020 SUNDANCE FILM FESTIVAL: Hosts The World Premiere Of Native Narrative Short Little Chief

Posted by Larry Gleeson

(Park City, UT) – December 10, 2019. Little Chief, a narrative short film directed by Indigenous filmmaker Erica Tremblay (Seneca-Cayuga), will hold its world premiere as part of the Shorts Selection at the 2020 Sundance Film Festival. The story stars an Indigenous cast, including Lily Gladstone (Certain Women, Billions), and was produced through the Sundance Institute Native Filmmakers Lab last year.

SNEAK PREVIEW

Filmed with quiet resilience and against the bleak landscape of a rural reservation in Oklahoma, Little Chief tells the story of Sharon, an exhausted school teacher struggling to keep her head and her school above water. Her student, Bear, is having a particularly hard time enduring challenges both at home and in the classroom. As she watches Bear unravel, Sharon is ultimately forced to accept her role as an imperfect role model, the unlikely matriarch her community needs. Bear becomes desperate to escape it all, and Sharon is left chasing a little boy who is running to nowhere.

Tremblay
Erica Tremblay

“Building off of my experience growing up in Oklahoma and drawing from the true stories of my mother who is a Native school teacher, Little Chief tells a story of contemporary Native America,” says writer-director Erica Tremblay.  “Within the context of national conversations about race, poverty, and education, Little Chief offers a unique perspective. How do colonized cultures grapple with educating their youth in culturally-aware ways? What are the burdens on the next generation, and how are these children emotionally coping with a grim reality that they neither chose nor control? I hope to provide insight into these questions through this work.” 

Erica Tremblay (Seneca-Cayuga) is a filmmaker and activist currently studying her Indigenous language on the Six Nations reservation in Ontario, Canada. Her work has been featured on PBS, CNN, and IFC. Erica’s films explore topics including restorative justice and issues impacting the two-spirit community. She has worked with many grassroots organizations, including the National Indigenous Women’s Resource Center and the Healing Native Hearts Coalition. Erica was recently honored as a 40 Under 40 Native American by the National Center for American Indian Enterprise Development (NCAIED) and was a 2018 Sundance Native Filmmakers Lab Fellow.

Little Chief is screening several times during the festival before Patricia Vidal Delgado’s feature  film La Leyenda Negra. Director Erica Tremblay, producer Kasia Chmielinski, picture editor Robert Grigsby Wilson and production manager Dylan Brodie will be attending each presentation.

5 SCREENINGS:

Monday, January 27, 5:30 p.m.

Egyptian Theatre, Park City, UT

Wednesday, January 29, 8:30 a.m.

The MARC Theatre, Park City, UT

Thursday, January 30, 4:00 p.m.

Holiday Village Cinema 4, Park City, UT

Friday, January 31, 9:00 p.m.

Temple Theatre, Park City, UT

Saturday, February 1, 3:00 p.m.

Broadway Centre Cinema 6, Salt Lake City, UT

 

Starring Lily Gladstone as Sharon, Julian Ballentyne as Bear; Writer, Director, Producer Erica Tremblay; Supervising Producer Sterlin Harjo; Producers Deidre Backs, Kasia Chmielinski; Cinematographer Marshall Stief; Editor Robert Grigsby Wilson.

Sundance Film Festival 2020

(Source: Sundance press release)

 

 

2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED

Posted by Larry Gleeson

Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries

 

Sundance 2020
Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute.

(For Immediate Release) Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year.

Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute’s resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.

Robert Redford, President and Founder of Sundance Institute, said, “Independent artists create and enrich global culture. Their art, which we’re proud to present, can entertain – and much more: it can, illuminate, agitate, and empower. This year’s Festival is full of films that showcase myriad ways for stories to drive change, across hearts, minds, and societies.”

Keri Putnam, Executive Director of Sundance Institute, said, “At this year’s Festival, we’ll explore the theme of “imagined futures,” inside the theaters and in the conversations sparked by the work we are presenting. We believe diverse stories from independent artists around the world open us up to new perspectives and possibilities – at a time when fresh thinking and dialogue is urgently needed.”

John Cooper, Director of the Sundance Film Festival, said, “The program this year, my last as Director, is a celebration: of art and artists, yes, but also of the community that makes the annual pilgrimage to Park City to see the most exciting new work being made today. Watching this group expand and thrive over the years has been exhilarating and wildly rewarding. Our 2020 Festival’s lively and visionary crop of artists has a contagious passion, and I can’t wait to watch the world meet their work.”

Announced today: 118 feature-length films, representing 27 countries and 44 first-time feature filmmakers. Of the 65 directors in all four competition categories, comprising 56 films, 46% are women, 38% are people of color, and 12% are LGBTQ+. In the U.S. Dramatic Competition, 47% of the directors are women; 53% are people of color; 5% are LGBTQ+. In this year’s U.S. Documentary Competition, 45% are women; 23% are people of color; 23% are LGBTQ+.

44%, or 52, of all films announced today were directed by one or more women; 34%, or 40, were directed by one or more filmmaker of color; 15% or 18 by one or more people who are LGBTQ+. 23 films announced today were supported by Sundance Institute in development, whether through direct granting or residency Labs. 107 of the Festival’s feature films, or 91% of the lineup announced today, will be world premieres.

These films were selected from a record high of 15,100 submissions including 3,853 feature-length films. Of the feature film submissions, 1,698 were from the U.S. and 2,155 were international; 29% were directed by one or more women; 40% were directed by one or more filmmaker of color; 15% by one or more people who identify as LGBTQ+.

In 2019, the Festival drew more than 122,000 attendees from 48 U.S. states and 35 other countries, generated $182.5 million in economic activity for the state of Utah and supported 3,052 local jobs. The 2021 Sundance Film Festival will take place January 21–31, 2021.

New announcements, including Shorts, Indie Episodic and New Frontier, are forthcoming; watch sundance.org/festival.

The feature films confirmed for the 2020 Sundance Film Festival are:

U.S. DRAMATIC COMPETITION
Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include The Farewell, Honey Boy, Clemency, Eighth Grade, Sorry to Bother You and The Miseducation of Cameron Post. 47% of the directors in this year’s U.S. Dramatic Competition are women; 52% are people of color; 5% are LGBTQ+.

The 40-Year-Old Version / U.S.A. (Director and screenwriter: Radha Blank, Producers: Lena Waithe, Radha Blank, Inuka Bacote-Capiga, Jennifer Semler, Rishi Rijani) — A down-on-her-luck New York playwright decides to reinvent herself and salvage her artistic voice the only way she knows how: by becoming a rapper at age 40. Cast: Radha Blank, Peter Kim, Oswin Benjamin, Reed Birney, Imani Lewis, T.J. Atoms. World Premiere

BLAST BEAT / U.S.A. (Director: Esteban Arango, Screenwriters: Erick Castrillon & Esteban Arango, Producers: Charles D. King, Poppy Hanks, Erick Castrillon, Ty Walker) — After their family emigrates from Colombia during the summer of ‘99, a metalhead science prodigy and his deviant younger brother do their best to adapt to new lives in America. Cast: Moises Arias, Mateo Arias, Daniel Dae Kim, Kali Uchis, Diane Guerrero, Wilmer Valderrama. World Premiere

Charm City Kings / U.S.A. (Director: Angel Manuel Soto, Screenwriters: Sherman Payne, Chris Boyd & Kirk Sullivan, Barry Jenkins, Producers: Caleeb Pinkett, Clarence Hammond, Marc Bienstock) — Mouse desperately wants to join The Midnight Clique, the infamous Baltimore dirt bike riders who rule the summertime streets. When Midnight’s leader, Blax, takes 14-year-old Mouse under his wing, Mouse soon finds himself torn between the straight-and-narrow and a road filled with fast money and violence. Cast: Jahi Di’Allo Winston, Meek Mill, Will Catlett, Teyonah Parris, Donielle Tremaine Hansley, Kezii Curtis. World Premiere

Dinner in America / U.S.A. (Director and screenwriter: Adam Rehmeier, Producers: Ben Stiller, Nicholas Weinstock, David Hunter, Ross Putman, John Covert, Sam Slater) — An on-the-lam punk rocker and a young woman obsessed with his band go on an unexpected and epic journey together through the decaying suburbs of the American Midwest.. Cast: Kyle Gallner, Emily Skeggs, Pat Healy, Griffin Gluck, Lea Thompson, Mary Lynn Rajskub. World Premiere

The Evening Hour / U.S.A. (Director: Braden King, Screenwriter: Elizabeth Palmore, Producers: Lucas Joaquin, Braden King, Derrick Tseng) — Cole Freeman maintains an uneasy equilibrium in his rural Appalachian town, looking after the old and infirm while selling their excess painkillers to local addicts. But when an old friend returns with plans that upend the fragile balance and identity he’s so painstakingly crafted, Cole is forced to take action. Cast: Philip Ettinger, Stacy Martin, Cosmo Jarvis, Michael Trotter, Kerry Bishé, Lili Taylor. World Premiere

Farewell Amor / U.S.A. (Director and screenwriter: Ekwa Msangi, Producers: Huriyyah Muhammad, Sam Bisbee, Josh Penn) — Reunited after a 17 year separation, Walter, an Angolan immigrant, is joined in the U.S. by his wife and teenage daughter. Now absolute strangers sharing a one-bedroom apartment, they discover a shared love of dance that may help overcome the emotional distance between them. Cast: Ntare Guma Mbaho Mwine, Zainab Jah, Jayme Lawson, Joie Lee, Marcus Scribner, Nana Mensah. World Premiere

Minari / U.S.A. (Director and screenwriter: Lee Isaac Chung, Producers: Dede Gardner, Jeremy Kleiner, Christina Oh) — David, a 7-year-old Korean-American boy, gets his life turned upside down when his father decides to move their family to rural Arkansas and start a farm in the mid-1980s, in this charming and unexpected take on the American Dream. Cast: Steven Yeun, Han Yeri, Youn Yuh Jung, Will Patton, Alan Kim, Noel Kate Cho. World Premiere

Miss Juneteenth / U.S.A. (Director and screenwriter: Channing Godfrey Peoples, Producers: Neil Creque Williams, Jeanie Igoe, James M. Johnston, Toby Halbrooks, Theresa Steele, Tim Headington) — Turquoise, a former beauty queen turned hardworking single mother, prepares her rebellious teenage daughter for the “Miss Juneteenth” pageant, hoping to keep her from repeating the same mistakes in life that she did. Cast: Nicole Beharie, Kendrick Sampson, Alexis Chikaeze, Lori Hayes, Marcus Maudlin. World Premiere

Never Rarely Sometimes Always / U.S.A. (Director and screenwriter: Eliza Hittman, Producers: Adele Romanski, Sara Murphy, Rose Garnett) — An intimate portrayal of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn and her cousin Skylar embark on a brave, fraught journey across state lines to New York City. Cast: Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold, Sharon Van Etten. World Premiere

Nine Days / U.S.A. (Director and screenwriter: Edson Oda, Producers: Jason Michael Berman, Mette Marie Kongsved, Matthew Lindner, Laura Tunstall, Datari Turner) — In a house distant from the reality we know, a reclusive man interviews prospective candidates—personifications of human souls—for the privilege that he once had: to be born. Cast: Winston Duke, Zazie Beetz, Benedict Wong, Bill Skarsgård, Tony Hale, David Rysdahl. World Premiere. Dolby Institute Fellowship

Palm Springs / U.S.A. (Director: Max Barbakow, Screenwriter: Andy Siara, Producers: Andy Samberg, Becky Sloviter, Akiva Schaffer, Jorma Taccone, Dylan Sellers, Chris Parker) — When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated the next morning when they find themselves unable to escape the venue, themselves, or each other. Cast: Andy Samberg, Cristin Milioti, J.K. Simmons, Meredith Hagner, Camila Mendes, Peter Gallagher. World Premiere

Save Yourselves! / U.S.A. (Directors and Screenwriters: Alex Huston Fischer, Eleanor Wilson, Producers: Kara Durrett, Mandy Tagger, Adi Ezroni) — A young Brooklyn couple head upstate to disconnect from their phones and reconnect with themselves. Cut off from their devices, they miss the news that the planet is under attack. Cast: Sunita Mani, John Reynolds, Ben Sinclair, Johanna Day, John Early, Gary Richardson. World Premiere

Shirley / U.S.A. (Director: Josephine Decker, Screenwriter: Sarah Gubbins, Producers: Christine Vachon, David Hinojosa, Sue Naegle, Sarah Gubbins, Jeffrey Soros, Simon Horsman) — A young couple moves in with the famed author, Shirley Jackson, and her Bennington College professor husband, Stanley Hyman, in the hope of starting a new life but instead find themselves fodder for a psycho-drama that inspires Shirley’s next novel. Cast: Elisabeth Moss, Michael Stuhlbarg, Odessa Young, Logan Lerman. World Premiere

Sylvie’s Love / U.S.A. (Director and screenwriter: Eugene Ashe, Producers: Nnamdi Asomugha, Gabrielle Glore, Jonathan Baker, Matthew Thurm) — Years after their summer romance comes to an end, an aspiring television producer and a talented musician cross paths, only to find their feelings for each other never changed. With their careers taking them in different directions, they must choose what matters most. Cast: Tessa Thompson, Nnamdi Asomugha, Eva Longoria, Aja Naomi King, Wendi Mclendon-Covey, Jemima Kirke. World Premiere

Wander Darkly / U.S.A. (Director and screenwriter: Tara Miele, Producers: Lynette Howell Taylor, Samantha Housman, Shivani Rawat, Monica Levinson) — New parents Adrienne and Matteo are forced to reckon with trauma amidst their troubled relationship. They must revisit the memories of their past and unravel haunting truths in order to face their uncertain future. Cast: Sienna Miller, Diego Luna, Beth Grant, Aimee Carrero, Tory Kittles, Vanessa Bayer. World Premiere

Zola / U.S.A. (Director: Janicza Bravo, Screenwriters: Janicza Bravo, Jeremy O. Harris, Producers: Christine Vachon, David Hinojosa, Vince Jolivette, Elizabeth Haggard, Dave Franco, Gia Walsh) 2015: @zolarmoon tweets “wanna hear a story about why me & this bitch here fell out???????? It’s kind of long but full of suspense.” Two girls bond over their “hoeism” and become fast friends. What’s supposed to be a trip from Detroit to Florida turns into a weekend from hell. Cast: Taylour Paige, Riley Keough, Nicholas Braun, Colman Domingo. World Premiere

U.S. DOCUMENTARY COMPETITION
Sixteen world-premiere American documentaries that illuminate the ideas, people and events that shape the present day. Films that have premiered in this category in recent years include APOLLO 11, Knock Down The House, One Child Nation, American Factory, Three Identical Strangers and On Her Shoulders. 45% of the directors in this year’s U.S. Documentary Competition are women; 23% are people of color; 23% are LGBTQ+.

A Thousand Cuts / U.S.A., Philippines (Director and screenwriter: Ramona S. Diaz, Producers: Ramona S. Diaz, Leah Marino, Julie Goldman, Chris Clements, Carolyn Hepburn) — Nowhere is the worldwide erosion of democracy, fueled by social media disinformation campaigns, more starkly evident than in the authoritarian regime of Philippine President Rodrigo Duterte. Journalist Maria Ressa places the tools of the free press—and her freedom—on the line in defense of truth and democracy. World Premiere

Be Water / U.S.A., United Kingdom (Director: Bao Nguyen, Producer: Julia Nottingham) — In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival, interviews with loved ones and Bruce’s own writings. World Premiere

Bloody Nose, Empty Pockets / U.S.A. (Directors: Bill Ross, Turner Ross, Producers: Michael Gottwald, Chere Theriot) — In the shadows of the bright lights of Las Vegas, it’s last call for a beloved dive bar known as the Roaring 20s. A document of real people, in an unreal situation, facing an uncertain future: America at the end of 2016. World Premiere

Boys State / U.S.A. (Directors: Jesse Moss, Amanda McBaine, Producers: Amanda McBaine, Jesse Moss) — In an unusual experiment, a thousand 17-year-old boys from Texas join together to build a representative government from the ground up. World Premiere

Code for Bias / U.S.A., United Kingdom, China (Director, screenwriter and producer: Shalini Kantayya) — Exploring the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all. World Premiere

The Cost of Silence / U.S.A. (Director: Mark Manning, Producers: Mark Manning, Langdon Page, Reuben Aaronson) — An industry insider exposes the devastating consequences of the Deepwater Horizon oil spill and uncovers systemic corruption between government and industry to silence the victims of a growing public health disaster. Stakes could not be higher as the Trump administration races to open the entire U.S. coastline to offshore drilling. World Premiere

Crip Camp / U.S.A. (Directors: Nicole Newnham, Jim LeBrecht, Producers: Sara Bolder, Jim LeBrecht, Nicole Newnham) — Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement. World Premiere. DAY ONE

Dick Johnson Is Dead / U.S.A. (Director: Kirsten Johnson, Screenwriters: Nels Bangerter, Kirsten Johnson, Producers: Katy Chevigny, Marilyn Ness) — With this inventive portrait, a cameraperson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all. World Premiere

Feels Good Man / U.S.A. (Director: Arthur Jones, Producers: Giorgio Angelini, Caryn Capotosto, Aaron Wickenden)  — When indie comic character Pepe the Frog becomes an unwitting icon of hate, his creator, artist Matt Furie, fights to bring Pepe back from the darkness and navigate America’s cultural divide. World Premiere

The Fight / U.S.A. (Directors: Elyse Steinberg, Josh Kriegman, Eli Despres, Producers: Elyse Steinberg, Josh Kriegman, Eli Despres, Maya Seidler, Peggy Drexler, Kerry Washington) — Inside the ACLU, a team of scrappy lawyers battle Trump’s historic assault on civil liberties. World Premiere

Mucho Mucho Amor / U.S.A. (Directors: Cristina Costantini, Kareem Tabsch, Producer: Alex Fumero) — Once the world’s most famous astrologer, Walter Mercado seeks to resurrect a forgotten legacy. Raised in the sugar cane fields of Puerto Rico, Walter grew up to become a gender non-conforming, cape-wearing psychic whose televised horoscopes reached 120 million viewers a day for decades before he mysteriously disappeared. World Premiere

Spaceship Earth / U.S.A. (Director: Matt Wolf, Producers: Stacey Reiss, Matt Wolf) — In 1991 a group of countercultural visionaries built an enormous replica of earth’s ecosystem called Biosphere 2. When eight “biospherians” lived sealed inside, they faced ecological calamities and cult accusations. Their epic adventure is a cautionary tale but also a testament to the power of small groups reimagining the world. World Premiere

Time / U.S.A. (Director: Garrett Bradley, Producers: Lauren Domino, Kellen Quinn, Garrett Bradley) Fox Rich, indomitable matriarch and modern-day abolitionist, strives to keep her family together while fighting for the release of her incarcerated husband. An intimate, epic, and unconventional love story, filmed over two decades. World Premiere

Us Kids / U.S.A. (Director: Kim A. Snyder, Producers: Kim A. Snyder, Maria Cuomo Cole, Lori Cheatle) — Determined to turn unfathomable tragedy into action, the teenage survivors of Parkland, Florida catalyze a powerful, unprecedented youth movement that spreads with lightning speed across the country, as a generation of mobilized youth take back democracy in this powerful coming-of-age story. World Premiere

Welcome to Chechnya / U.S.A. (Director: David France, Producers: Alice Henty, David France, Askold Kurov, Joy A. Tomchin) — This searing investigative work shadows a group of activists risking unimaginable peril to confront the ongoing anti-LGBTQ pogrom raging in the repressive and closed Russian republic. Unfettered access and a remarkable approach to protecting anonymity exposes this under-reported atrocity–and an extraordinary group of people confronting evil. World Premiere

Whirlybird / U.S.A. (Director: Matt Yoka, Producers: Diane Becker, Matt Yoka) — Soaring above the chaotic spectacle of ‘80s and ‘90s Los Angeles, a young couple revolutionized breaking news with their brazen helicopter reporting. Culled from this news duo’s sprawling video archive is a poignant L.A. story of a family in turbulence hovering over a city unhinged. World Premiere

WORLD CINEMA DRAMATIC COMPETITION
Twelve films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include The Souvenir, The Guilty, Monos, Yardie, The Nile Hilton Incident and Second Mother.

Charter / Sweden (Director and screenwriter: Amanda Kernell, Producers: Lars G. Lindström, Eva Åkergren) — After a recent and difficult divorce, Alice hasn’t seen her children in two months as she awaits a custody verdict. When her son calls her in the middle of the night, Alice takes action, abducting the children on an illicit charter trip to the Canary Islands. Cast: Ane Dahl Torp, Troy Lundkvist, Tintin Poggats Sarri, Sverrir Gudnasson, Eva Melander, Siv Erixon. World Premiere

Cuties / France (Director and screenwriter: Maïmouna Doucouré, Producer: Zangro) — Amy, 11 years old, meets a group of dancers called “Cuties.” Fascinated, she initiates herself to a sensual dance, hoping to join their band and escape family dysfunction… Cast: Fathia Youssouf, Médina El Aidi-Azouni, Esther Gohourou, Ilanah Cami-Goursolas, Myriam Hamma, Maïmouna Gueye. World Premiere. DAY ONE

Exil / Germany, Belgium, Kosovo (Director and screenwriter: Visar Morina, Producers: Janine Jackowski, Jonas Dornbach, Maren Ade) — A chemical engineer feeling discriminated against and bullied at work plunges into an identity crisis. Cast: Mišel Matičević, Sandra Hüller. World Premiere

High Tide / Argentina (Director and screenwriter: Verónica Chen, Producers: Esteban Mentasti, Hori Mentasti) — Laura is spending a few days at her beach house to supervise the construction of a barbecue shed. One afternoon, she seduces the chief builder, who never returns. Over the following days, the builders continually invade her home – until Laura grows ferocious. Cast: Gloria Carrá, Jorge Sesán, Cristian Salguero, Mariana Chaud, Camila Fabbri, Héctor Bordoni. World Premiere

Jumbo / France, Luxembourg, Belgium (Director and screenwriter: Zoé Wittock, Producers: Anaïs Bertrand, Annabella Nezri, Gilles Chanial) — Jeanne, a shy young woman, works in an amusement park. Fascinated with carousels, she still lives at home with her mother. That’s when Jeanne meets Jumbo, the park’s new flagship attraction… Cast: Noémie Merlant, Emmanuelle Bercot, Sam Louwyck. World Premiere

Luxor / Egypt, United Kingdom (Director and screenwriter: Zeina Durra, Producers: Mohamed Hefzy, Mamdouh Saba, Gianluca Chakra, Hisham Alghanim) — When British aid worker Hana returns to Luxor, a sleepy city on the banks of the Nile, she comes across Sultan, a talented archeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present. Cast: Andrea Riseborough, Karim Saleh, Michael Landes, Sherine Reda, Salima Ikram, Shahira Fahmy. World Premiere

Possessor / Canada, United Kingdom (Director and screenwriter: Brandon Cronenberg, Producers: Niv Fichman, Andrew Starke, Kevin Krikst, Fraser Ash) — Vos is a corporate agent who uses brain-implant technology to inhabit other people’s bodies, driving them to commit assassinations for the benefit of the company. When something goes wrong on a routine job, she finds herself trapped inside a man whose identity threatens to obliterate her own. Cast: Andrea Riseborough, Christopher Abbott, Rossif Sutherland, Tuppence Middleton, Sean Bean, Jennifer Jason Leigh. World Premiere

Sin Señas Particulares / Mexico, Spain (Director: Fernanda Valadez, Screenwriters: Fernanda Valadez, Astrid Rondero, Producers: Astrid Rondero, Fernanda Valadez, Jack Zagha, Yossy Zagha) Magdalena makes a journey to find her son, gone missing on his way to the Mexican border with the US. Her odyssey takes her to meet Miguel, a man recently deported from the U.S. They travel together, Magdalena looking for her son, and Miguel hoping to see his mother again. Cast: Mercedes Hernández, David Illescas, Juan Jesús Varela, Ana Laura Rodríguez, Laura Elena Ibarra, Xicoténcatl Ulloa. World Premiere

Summer White (Blanco de Verano) / Mexico (Director: Rodrigo Ruiz Patterson, Screenwriters: Rodrigo Ruiz Patterson, Raúl Sebastián Quintanilla, Producer: Alejandro Cortés Rubiales) ― Rodrigo is a solitary teenager, a king in the private world he shares with his mother. Things change when she takes her new boyfriend home to live. He must decide if he fights for his throne and crushes the happiness of the person he loves the most. Cast: Adrián Rossi, Sophie Alexander-Katz, Fabián Corres. World Premiere

Surge / United Kingdom (Director: Aneil Karia, Screenwriters: Rupert Jones, Rita Kalnejais, Producers: Julia Godzinskaya, Sophie Vickers) ― A man goes on a bold and reckless journey of self-liberation through London. After he robs a bank he releases a wilder version of himself, ultimately experiencing what it feels like to be alive. Cast: Ben Whishaw, Ellie Haddington, Ian Gelder, Jasmine Jobson. World Premiere

This Is Not A Burial, It’s A Resurrection / Lesotho, South Africa, Italy (Director and screenwriter: Lemohang Jeremiah Mosese, Producers: Cait Pansegrouw, Elias Ribeiro) — When her village is threatened with forced resettlement due to reservoir construction, an 80-year-old widow finds a new will to live and ignites the spirit of resilience within her community. In the final dramatic moments of her life, Mantoa’s legend is forged and made eternal. Cast: Mary Twala Mhlongo, Jerry Mofokeng Wa Makheta, Makhoala Ndebele, Tseko Monaheng, Siphiwe Nzima. International Premiere

Yalda, a Night for Forgiveness / Iran, France, Germany, Switzerland (Director and screenwriter: Massoud Bakhshi, Producers: Jacques Bidou, Marianne Dumoulin) — Maryam accidentally killed her husband Nasser and is sentenced to death. The only person who can save her is Mona, Nasser’s daughter. All Mona has to do is appear on a TV show and forgive Maryam. But forgiveness proves difficult when they are forced to relive the past. Cast: Sadaf Asgari, Behnaz Jafari, Babak Karimi, Fereshteh Sadr Orafaee, Forough Ghajebeglou, Fereshteh Hosseini. International Premiere

WORLD CINEMA DOCUMENTARY COMPETITION
Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today. Films that have premiered in this category in recent years include Honeyland, Sea of Shadows, Shirkers, This is Home, Last Men in Aleppo and Hooligan Sparrow.

Acasa, My Home / Romania, Germany, Finland (Director: Radu Ciorniciuc, Screenwriters: Lina Vdovii, Radu Ciorniciuc, Producer: Monica Lazurean-Gorgan) — In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years–until they are chased out and forced to adapt to life in the big city. World Premiere

The Earth Is Blue as an Orange / Ukraine, Lithuania (Director: Iryna Tsilyk, Producers: Anna Kapustina, Giedrė Žickytė) — To cope with the daily trauma of living in a war zone, Anna and her children make a film together about their life among surreal surroundings. World Premiere

Epicentro / Austria, France, U.S.A. (Director and screenwriter: Hubert Sauper, Producers: Martin Marquet, Daniel Marquet, Gabriele Kranzelbinder, Paolo Calamita) — Cuba is well known as a so-called time capsule. The place where the New World was discovered has become both a romantic vision and a warning. With ongoing global cultural and financial upheavals, large parts of the world could face a similar kind of existence. World Premiere

Influence / South Africa, Canada (Directors and Screenwriters: Diana Neille, Richard Poplak, Producers: Bob Moore, Neil Brandt) — Charting the recent advancements in weaponized communication by investigating the rise and fall of the world’s most notorious public relations and reputation management firm: the British multinational Bell Pottinger. World Premiere

Into the Deep / Denmark (Director: Emma Sullivan, Producers: Mette Heide, Roslyn Walker) — In 2016, a young Australian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify. World Premiere

The Mole Agent / Chile (Director and screenwriter: Maite Alberdi, Producer: Marcela Santibañez) — When a family becomes concerned about their mother’s well-being in a retirement home, private investigator Romulo hires Sergio, an 83 year-old man who becomes a new resident–and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents. World Premiere

Once Upon A Time in Venezuela / Venezuela, United Kingdom, Brazil, Austria (Director: Anabel Rodríguez Ríos, Screenwriters: Anabel Rodríguez Ríos, Sepp R. Brudermann, Producer: Sepp R. Brudermann) — Once upon a time, the Venezuelan village of Congo Mirador was prosperous, alive with fisherman and poets. Now it is decaying and disintegrating–a small but prophetic reflection of Venezuela itself. World Premiere

The Painter and the Thief / Norway (Director: Benjamin Ree, Producer: Ingvil Giske) — An artist befriends the drug addict and thief who stole her paintings. She becomes his closest ally when he is severely hurt in a car crash and needs full time care, even if her paintings are not found. But then the tables turn. World Premiere.

DAY ONE

The Reason I Jump / United Kingdom (Director: Jerry Rothwell, Producers: Jeremy Dear, Stevie Lee, Al Morrow)  — Based on the book by Naoki Higashida this immersive film explores the experiences of nonspeaking autistic people around the world. World Premiere

Saudi Runaway / Switzerland (Director and screenwriter: Susanne Regina Meures, Producer: Christian Frei) — Amjad, a young, fearless woman from Saudi Arabia, is tired of being controlled by the state and patronized by her family. With an arranged marriage imminent, a life without rights and free will seems inevitable. Amjad decides to escape. An unprecedented view inside the world’s most repressive patriarchy. World Premiere

Softie / Kenya (Director and screenwriter: Sam Soko, Producers: Toni Kamau, Sam Soko) — Boniface Mwangi is daring and audacious, and recognized as Kenya’s most provocative photojournalist. But as a father of three young children, these qualities create tremendous turmoil between him and his wife Njeri. When he wants to run for political office, he is forced to choose: country or family? World Premiere

The Truffle Hunters / Italy, U.S.A., Greece (Directors: Michael Dweck, Gregory Kershaw, Producers: Michael Dweck, Gregory Kershaw) — In the secret forests of Northern Italy, a dwindling group of joyful old men and their faithful dogs search for the world’s most expensive ingredient, the white Alba truffle. Their stories form a real-life fairy tale that celebrates human passion in a fragile land that seems forgotten in time. World Premiere

NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Digital technology paired with unfettered creativity promises that the films in this section will shape a “greater” next wave in American cinema. Films that have premiered in this category in recent years include The Infiltrators, Searching, Skate Kitchen, A Ghost Story and Tangerine. NEXT presented by Adobe.

Beast Beast / U.S.A. (Director and screenwriter: Danny Madden, Producers: Benjamin Wiessner, Matt Miller, Tara Ansley) — Three interwoven stories of youths navigating identity, first love, petty crime, and gun violence in a southern American town. Cast: Shirley Chen, Will Madden, Jose Angeles, Courtney Dietz, Daniel Rashid. World Premiere

Black Bear / U.S.A. (Director and screenwriter: Lawrence Michael Levine, Producers: Julie Christeas, Jonathan Blitstein, Rick Bosner, Aubrey Plaza, Lawrence Michael Levine, Sophia Takal) — At a remote lake house, a filmmaker plays a calculated game of desire and jealousy in the pursuit of a work of art that blurs the boundaries between autobiography and invention. Cast: Aubrey Plaza, Christopher Abbott, Sarah Gadon. World Premiere

I Carry You With Me / U.S.A., Mexico (Director: Heidi Ewing, Screenwriters: Heidi Ewing, Alan Page Arriaga, Producers: Mynette Louie, Heidi Ewing) — An epic love story spanning decades is sparked by a chance encounter between two men in provincial Mexico. Based on a true story, ambition and societal pressure propel an aspiring chef to leave his soulmate and make the treacherous journey to New York, where life will never be the same. Cast: Armando Espitia, Christian Vázquez, Michelle Rodríguez, Ángeles Cruz, Arcelia Ramírez, Michelle González. World Premiere

The Killing of Two Lovers / U.S.A. (Director and screenwriter: Robert Machoian, Producers: Scott Christopherson, Clayne Crawford, Robert Machoian) — David desperately tries to keep his family of six together during a separation from his wife. They both agree to see other people but David struggles to grapple with his wife’s new relationship. Cast: Clayne Crawford, Sepideh Moafi, Chris Coy, Aver Pizzuto, Arri Graham, Ezra Graham. World Premiere

La Leyenda Negra / U.S.A. (Director and screenwriter: Patricia Vidal Delgado, Producers: Alicia Herder, Marcel Perez) — In Compton, a soon-to-be undocumented teenager fights for her right to stay in America while risking her family, her friendships, and her first love. Cast: Monica Betancourt, Kailei Lopez, Irlanda Moreno, Justin Avila, Sammy Flores, Juan Reynoso. World Premiere

The Mountains Are a Dream That Call to Me / U.S.A. (Director and screenwriter: Cedric Cheung-Lau, Producers: Alexandra Byer, Madeleine Askwith) — On the Annapurna Massif, Tukten, a young Nepali man setting off for a new life as a laborer in Dubai, encounters an older Australian woman who causes him to change course and discover his homeland in a new light. Cast: Sanjay Lama Dong, Alice Cummins. World Premiere

Omniboat: A Fast Boat Fantasia / U.S.A. (Directors and Screenwriters: The Daniels, Hannah Fidell, Alexa Lim Haas, Lucas Leyva, Olivia Lloyd, Jillian Mayer, The Meza Brothers, Terence Nance, Brett Potter, Dylan Redford, Xander Robin, Julian Yuri Rodriguez, Celia Rowlson-Hall, Producers: Olivia Lloyd, Matthew Perniciaro, Michael Sherman, Taylor Shung) — It’s not just a speed boat ride, it’s a Miami adventure. Cast: Mel Rodriguez, Finn Wolfhard, Casey Wilson, Adam Devine, Jessica Williams, Robert Redford. World Premiere

Some Kind of Heaven / U.S.A. (Director: Lance Oppenheim, Producers: Darren Aronofsky, Kathleen Lingo, Melissa Oppenheim Lano, Pacho Velez, Jeffrey Soros, Simon Horsman) — Behind the gates of a palm tree-lined fantasyland, four residents of America’s largest retirement community, The Villages, FL, strive to find happiness and meaning. World Premiere

Spree / U.S.A. (Director: Eugene Kotlyarenko, Screenwriters: Gene McHugh, Eugene Kotlyarenko, Producers: Matthew Budman, Sumaiya Kaveh, John Lang, Eugene Kotlyarenko) — Kurt Kunkle, a rideshare driver thirsty for followers, has figured out a deadly plan to go viral. As his disturbing livestream is absurdly embraced by the social media hellscape, a comedienne emerges as the only hope to stop this rampage. Cast: Joe Keery, Sasheer Zamata, David Arquette, Kyle Mooney, Mischa Barton, Josh Ovalle. World Premiere

Summertime / U.S.A. (Director: Carlos Lopez Estrada, Screenwriters: Dave Harris, 19 Get Lit Poets, Producers: Kimberly Stuckwisch, Jeffrey Soros, Alisa Tager, Simon Horsman, Diane Luby Lane) — In the heat of the summer, the lives of 25 strangers collide. A love letter to Los Angeles written and performed by a collective of young spoken word poets. Cast: 19 Get Lit Poets. World Premiere.

DAY ONE

PREMIERES
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year. Films that have premiered in this category in recent years include The Report, Late Night, The Big Sick and Call Me By Your Name.

Downhill / U.S.A. (Directors: Nat Faxon, Jim Rash, Screenwriters: Jesse Armstrong, Nat Faxon, Jim Rash, Producers: Anthony Bregman, Julia Louis-Dreyfus, Stefanie Azpiazu, Erik Hemmendorff, Ruben Östlund) Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. Cast: Julia Louis-Dreyfus, Will Ferrell, Zach Woods, Zoë Chao, Miranda Otto. World Premiere

Dream Horse / United Kingdom (Director: Euros Lyn, Screenwriter: Neil McKay, Producers: Katherine Butler, Tracy O’Riordan) — Jan, a cleaner and bartender, decides on a whim to breed a race horse in her Welsh village. As the horse rises through the ranks against all odds, Jan and the townspeople are pitted against the racing elite in a nail-biting race for the national championship. Cast: Toni Collette, Damian Lewis. World Premiere

Falling / Canada, United Kingdom, Denmark (Director and screenwriter: Viggo Mortensen, Producers: Viggo Mortensen, Daniel Bekerman, Chris Curling) — When 80-year-old independent farmer Willis travels to Los Angeles for an indefinite stay with son John and his family, two very different worlds collide. Mentally declining, Willis’ abrasiveness is both caustic and funny, bringing old wounds from the past and years of mutual mistrust to the surface. Cast: Lance Henriksen, Viggo Mortensen, Terry Chen, Sverrir Gudnason, Hannah Gross, Laura Linney. World Premiere. CLOSING NIGHT

The Father / United Kingdom, France (Director: Florian Zeller, Screenwriters: Christopher Hampton, Florian Zeller, Producers: Philippe Carcassonne, Jean-Louis Livi, David Parfitt) — Anthony is 80 years old. He lives alone in London and refuses the nurses that his daughter tries to impose upon him. Yet help is becoming more pressing, as she has decided to move to Paris. At once comedic and profound, this is a moving story of our human condition. Cast: Anthony Hopkins, Olivia Colman, Mark Gatiss, Imogen Poots, Rufus Sewell, Olivia Williams. World Premiere

Four Good Days / U.S.A. (Director: Rodrigo Garcia, Screenwriters: Rodrigo Garcia, Eli Saslow, Producers: Jon Avnet, Marina Grasic, Jake Avnet, Jai Khanna, Rodrigo Garcia, Sage Scroope) — Ten years of opioids have left Molly’s life in shambles. A new drug may give her a chance to break free if she is able to stay clean for four days, with the help of her mother Deb, a tough, clear-eyed woman. Their love will be tested to the limits. Cast: Glenn Close, Mila Kunis, Stephen Root, Joshua Leonard. World Premiere

The Glorias / U.S.A. (Director: Julie Taymor, Screenwriters: Julie Taymor, Sarah Ruhl, Producers: Alex Saks, Lynn Hendee) — An equal rights crusader, journalist and activist: Gloria Steinem embodies these and more. From her role in the revolutionary women’s rights movement to her travels throughout the U.S. and around the world, Steinem has made an everlasting mark on modern history. A nontraditional chronicle of a trailblazing life. Cast: Julianne Moore, Alicia Vikander, Bette Midler, Janelle Monae, Timothy Hutton, Lorraine Toussaint. World Premiere

Herself / Ireland, United Kingdom (Director: Phyllida Lloyd, Screenwriters: Clare Dunne, Malcolm Campbell, Producers: Rory Gilmartin, Ed Guiney, Sharon Horgan) — Struggling to provide her daughters with a safe, happy home, Sandra decides to build one – from scratch. Using all her ingenuity to make her ambitious dream a reality, Sandra draws together a community to lend a helping hand to build her house and ultimately recover her own sense of self. Cast: Clare Dunne, Harriet Walter, Conleth Hill. World Premiere

Horse Girl / U.S.A. (Director: Jeff Baena, Screenwriters: Jeff Baena, Alison Brie, Producers: Alana Carithers, Jeff Baena, Alison Brie) — A socially awkward woman with a fondness for arts and crafts, horses, and supernatural crime shows finds her increasingly lucid dreams trickling into her waking life. Cast: Alison Brie, Debby Ryan, John Reynolds, Molly Shannon, John Ortiz, Jay Duplass. World Premiere

Ironbark / United Kingdom (Director: Dominic Cooke, Screenwriter: Tom O’Connor, Producers: Adam Ackland, Ben Browning, Ben Pugh, Rory Aitken) — The true story of a British businessman unwittingly recruited into one of the greatest international conflicts in history. Forming an unlikely partnership with a Soviet officer hoping to prevent a nuclear confrontation, the two men work together to provide the crucial intelligence used to defuse the Cuban Missile Crisis. Cast: Benedict Cumberbatch, Merab Ninidze, Rachel Brosnahan, Jessie Buckley. World Premiere

Kajillionaire / U.S.A. (Director and screenwriter: Miranda July, Producers: Dede Gardner, Jeremy Kleiner) — Low-stakes grifters, Old Dolio and her parents invite a chipper young woman into their insular clan, only to have their entire world turned upside down. Cast: Evan Rachel Wood, Gina Rodriguez, Richard Jenkins, Debra Winger. World Premiere

The Last Shift / U.S.A. (Director and screenwriter: Andrew Cohn, Producers: Albert Berger, Ron Yerxa, Sam Bisbee, Alex Lipschultz, Bert Kern) — Stanley, an aging fast food worker, prepares to work his final graveyard shift after 38 years. When he’s asked to train his replacement, Jevon, Stanley’s weekend takes an unexpected turn. Cast: Richard Jenkins, Shane Paul McGhie, Da’Vine Joy Randolph, Birgundi Baker, Allison Tolman, Ed O’Neill. World Premiere

The Last Thing He Wanted / U.S.A. (Director: Dee Rees, Screenwriters: Marco Vallalobos, Dee Rees, Producers: Cassian Elwes, Dee Rees) — A veteran D.C. journalist loses the thread of her own narrative when a guilt-propelled errand for her father thrusts her from byline to unwitting subject in the very story she’s trying to break. Adapted from the Joan Didion novel of the same title. Cast: Anne Hathaway, Ben Affleck, Willem Dafoe, Rosie Perez. World Premiere

Lost Girls / U.S.A. (Director: Liz Garbus, Screenwriter: Michael Werwie, Producers: Anne Carey, Kevin McCormick) — When Mari Gilbert’s daughter disappears, police inaction drives her own investigation into the gated Long Island community where Shannan was last seen. Committed to finding the truth, her search brings attention to over a dozen murdered sex workers Mari will not let the world forget. Inspired by true events. Cast: Amy Ryan, Thomasin McKenzie, Lola Kirke, Oona Laurence, Gabriel Byrne, Miriam Shor. World Premiere

The Nest / United Kingdom, Canada (Director and screenwriter: Sean Durkin, Producers: Ed Guiney, Derrin Schlesinger, Rose Garnett, Sean Durkin, Amy Jackson, Christina Piovesan) — Charismatic entrepreneur, Rory, relocates his family to England with dreams of profiting from booming 1980’s London. But as his wife, Allison, struggles to adapt, and the promise of a lucrative new beginning starts to unravel, the couple have to face the unwelcome truths lying beneath the surface of their marriage. Cast: Jude Law, Carrie Coon, Charlie Shotwell, Oona Roche. World Premiere

Promising Young Woman / U.S.A. (Director and screenwriter: Emerald Fennell, Producers: Margot Robbie, Tom Ackerly, Josey McNamara, Ben Browning, Ashley Fox, Emerald Fennell) — Everyone said Cassie was a promising young woman… until something abruptly derailed her future. Nothing in Cassie’s life is as it appears: she’s smart, cunning, and living a double life by night. Now, Cassie has a chance to right the wrongs of the past in this thrilling take on revenge. Cast: Carey Mulligan, Bo Burnham, Alison Brie, Connie Britton, Adam Brody, Jennifer Coolidge. World Premiere

Sergio / U.S.A. (Director: Greg Barker, Screenwriter: Craig Borten, Producers: Brent Travers, Daniel Dreifuss, Wagner Moura) — A sweeping drama set in the chaotic aftermath of the U.S. invasion of Iraq, where the life of top UN diplomat Sergio Vieira de Mello hangs in the balance during the most treacherous mission of his career. Cast: Wagner Moura, Ana de Armas, Garret Dillahunt, Will Dalton, Bradley Whitford, Brían F. O’Byrne. World Premiere

Tesla Hawke

Tesla / U.S.A. (Director and screenwriter: Michael Almereyda, Producers: Avi Lerner, Jeffery Greenstein, Uri Singer, Christa Campbell, Lati Grobman, Isen Robbins) — Highlighting the Promethean struggles of Nikola Tesla, as he attempts to transcend entrenched technology–including his own previous work–by pioneering a system of wireless energy that will change the world. Cast: Ethan Hawke, Kyle Maclachlan, Eve Hewson, Jim Gaffigan, Hannah Gross, Josh Hamilton. World Premiere. Alfred P. Sloan Feature Film Prize

Uncle Frank / U.S.A. (Director and screenwriter: Alan Ball, Producers: Alan Ball, Peter Macdissi, Michael Costigan, Jay Van Hoy, Bill Block, Stephanie Meurer) — In 1973, when 18-year-old Beth and her uncle Frank take a road trip from Manhattan to Creekville, South Carolina for the family patriarch’s funeral, they’re unexpectedly joined by Frank’s lover Walid. A story about family, forgiveness, and our inherent power to choose who we want to be. Cast: Paul Bettany, Sophia Lillis, Peter Macdissi, Steve Zahn, Judy Greer, Margo Martindale. World Premiere

Wendy / U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Eliza Zeitlin, Producers: Dan Janvey, Josh Penn, Paul Mezey, Becky Glupczynski) — Lost on a mysterious island where aging and time have come unglued, Wendy must fight to save her family, her freedom, and the joyous spirit of youth from the deadly peril of growing up. The classic story of Peter Pan is wildly reimagined in this ragtag epic. Cast: Devin France, Yashua Mack, Gage Naquin, Gavin Naquin, Ahmad Cage, Krzysztof Meyn. World Premiere. Dolby Institute Fellowship

Worth / U.S.A. (Director: Sara Colangelo, Screenwriter: Max Borenstein) — Kenneth Feinberg, a powerful D.C. lawyer appointed Special Master of the 9/11 Fund, fights off the cynicism, bureaucracy, and politics associated with administering government funds and, in doing so, discovers what life is worth. Based on true events. Cast: Michael Keaton, Stanley Tucci, Amy Ryan, Tate Donovan, Talia Balsam, Laura Benanti. World Premiere

DOCUMENTARY PREMIERES
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries. Films that have premiered in this category in recent years include Ask Dr. Ruth, Won’t You Be My Neighbor?, RBG, An Inconvenient Sequel and The Hunting Ground.

Aggie / U.S.A. (Director and screenwriter: Catherine Gund, Producers: Catherine Gund, Tanya Selvaratnam) — An exploration of the nexus of art, race, and justice through the story of art collector and philanthropist Agnes Gund who sold Roy Lichtenstein’s painting “Masterpiece” in 2017 for $165 million to start the Art for Justice Fund to end mass incarceration. Cast: Agnes Gund, Darren Walker, Ava DuVernay, Thelma Golden, John Waters, Glenn Ligon. World Premiere

Assassins / U.S.A. (Director: Ryan White, Producers: Jessica Hargrave, Ryan White) — True crime meets global spy thriller in this gripping account of the assassination of Kim Jong-nam, the half brother of the North Korean leader. The film follows the trial of the two female assassins, probing the question: were the women trained killers or innocent pawns of North Korea? World Premiere

Disclosure: Trans Lives On Screen / U.S.A. (Director: Sam Feder, Producers: Amy Scholder, Sam Feder) — An investigation of how Hollywood’s fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves. Cast: Laverne Cox, Mj Rodriguez, Lilly Wachowski, Yance Ford, Chaz Bono, Jamie Clayton. World Premiere

The Dissident / U.S.A. (Director: Bryan Fogel, Screenwriters: Mark Monroe, Bryan Fogel, Producers: Bryan Fogel, Jake Swantko, Mark Monroe, Thor Halvorssen) — When Washington Post journalist Jamal Khashoggi disappears after entering Saudi Arabia’s consulate in Istanbul, his fiancée and dissidents around the world are left to piece together the clues to a brutal murder and expose a global cover up perpetrated by the very country he loved. World Premiere

Giving Voice / U.S.A. (Directors: James D. Stern, Fernando Villena, Producers: James D. Stern, Karen Bove, Fernando Villena, Schoen Smith, Craig Piligian) — Every year, thousands of high schoolers enter the August Wilson monologue competition for a chance to perform on Broadway. This film follows these students, examining how Wilson and his characters speak to a new generation, inspiring them to listen to his words and find their own voice. World Premiere

The Go-Go’s / U.S.A., Ireland, Canada (Director: Alison Ellwood, Producers: Trevor Birney, Corey Russell, Eimhear O’Neill) — As the first all-female band to play their instruments, write their songs and have a No. 1 album, The Go-Go’s made history. Underpinned by candid testimonies, this film chronicles the meteoric rise to fame of a band born in the LA punk scene who became a pop phenomenon. Cast: Charlotte Caffey, Belinda Carlisle, Gina Schock, Kathy Valentine, Jane Wiedlin. World Premiere

Happy Happy Joy Joy – The Ren & Stimpy Story / U.S.A. (Directors and Screenwriters: Ron Cicero, Kimo Easterwood, Producer: Ron Cicero) — Exploring the rise and fall of the groundbreaking animated series Ren & Stimpy and its controversial creator, John Kricfalusi, through archival footage, show artwork and interviews with the artists, actors and executives behind the show. Cast: John Kricfalusi, Robyn Byrd, Vanessa Coffey, Chris Reccardi, Richard Pursel, Bobby Lee. World Premiere

Natalie Wood: What Remains Behind / U.S.A. (Director: Laurent Bouzereau, Producers: Natasha Gregson Wagner, Manoah Bowman, Laurent Bouzereau) — Exploring actor Natalie Wood’s life and career through the unique perspective of her daughter, Natasha Gregson Wagner, and others who knew her best. An examination of her personal and professional triumphs and challenges, which have often been overshadowed by her tragic death at age 43. World Premiere

Okavango: River of Dreams (Director’s Cut) / Botswana (Directors and Producers: Dereck Joubert, Beverly Joubert, Screenwriter: Dereck Joubert) — An insiders’ view of one of the greatest river systems on the planet, presented as a love letter, exploring the layers of paradise, limbo and inferno in a natural history echo of Dante’s Divine Comedy, a river of dreams, or beauty of conflict and turmoil. World Premiere

Rebuilding Paradise / U.S.A. (Director: Ron Howard, Producers: Brian Grazer, Ron Howard, Xan Parker, Sara Bernstein, Justin Wilkes) — On November 8, 2018, a spark flew in the Sierra Nevada foothills, igniting the most destructive wildfire in California history and decimating the town of Paradise. Unfolding during the year after the fire, this is the story of the Paradise community as they begin to rebuild their lives. World Premiere

Taylor Swift: Miss Americana / U.S.A. (Director: Lana Wilson, Producers: Morgan Neville, Caitrin Rogers, Christine O’Malley) — A raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life as she learns to embrace her role not only as a songwriter and performer, but as a woman harnessing the full power of her voice. Cast: Taylor Swift. World Premiere. DAY ONE

Untitled Kirby Dick/Amy Ziering Film / U.S.A. (Directors: Kirby Dick, Amy Ziering, Screenwriters: Kirby Dick, Amy Ziering, Sara Newens, Producers: Amy Ziering, Kirby Dick, Amy Herdy, Jamie Rogers) — A brilliant former hip hop executive grapples with whether to go public about her rape by one of the most powerful men in the music industry. A gripping and profound examination of race, gender, intersectionality, and the toll sexual abuse takes on survivors and on society at large. Cast: Drew Dixon, Sil Lai Abrams, Sheri Hines, Joan Morgan, Kimberlé Crenshaw, Shanita Hubbard. World Premiere

Vivos / Germany, Mexico (Director and Producer: Ai Weiwei) — Since an attack on students of the Ayotzinapa Rural Teachers’ College in 2014 resulted in six deaths and in the forced disappearance of 43, the students’ families have been living in limbo with their unanswered questions, their struggle embodying the psychological and emotional toll of endemic violence upon Mexican society. World Premiere

MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include Greener Grass, Hereditary, Assassination Nation, The Little Hours and The Babadook.

Amulet / United Kingdom (Director and screenwriter: Romola Garai, Producers: Matthew James Wilkinson, Maggie Monteith) — Tomaz, an ex-soldier now homeless in London, is offered a place to stay at a decaying house, inhabited by a young woman and her dying mother. As he starts to fall for Magda, Tomaz cannot ignore his suspicion that something insidious might also be living alongside them. Cast: Carla Juri, Alec Secareanu, Imelda Staunton, Angeliki Papoulia. World Premiere

Bad Hair / U.S.A. (Director and screenwriter: Justin Simien, Producers: Julia Lebedev, Angel Lopez, Eddie Vaisman, Justin Simien) — In this horror satire set in 1989, an ambitious young woman gets a weave in order to succeed in the image-obsessed world of music television. However, her flourishing career may come at a great cost when she realizes that her new hair may have a mind of its own. Cast: Elle Lorraine, Vanessa Williams, Jay Pharoah, Lena Waithe, Blair Underwood, Laverne Cox. World Premiere. DAY ONE

His House / United Kingdom (Director and screenwriter: Remi Weekes, Producers: Edward King, Martin Gentles, Roy Lee, Aidan Elliott, Arnon Milchan) — A young refugee couple makes a harrowing escape from war-torn South Sudan, but then they struggle to adjust to their new life in a small English town that has an evil lurking beneath the surface. Cast: Wunmi Mosaku, Sope Dirisu, Matt Smith. World Premiere

Impetigore / Indonesia (Director and screenwriter: Joko Anwar, Producers: Shanty Harmayn, Tia Hasibuan, Aoura Lovenson, Ben Soebiakto) — An out-of-luck woman decides to go back to her secluded home village in hopes of inheritance. Little does she know, the villagers have been waiting for her because she got what they needed to lift off a plagueing curse. Cast: Tara Basro, Marissa Anita, Christine Hakim, Ario Bayu, Asmara Abigail. International Premiere

The Night House / U.S.A. (Director: David Bruckner, Screenwriters: Ben Collins, Luke Piotrowski, Producers: David Goyer, Keith Levine, John Zois) — A widow begins to uncover her recently deceased husband’s disturbing secrets. Cast: Rebecca Hall, Sarah Goldberg, Stacy Martin, Evan Jonigkeit, Vondie Curtis-Hall. World Premiere

The Nowhere Inn / U.S.A. (Director: Bill Benz, Screenwriters: Carrie Brownstein, Annie Clark, Producers: Jett Steiger, Lana Kim, Annie Clark, Carrie Brownstein) — When St. Vincent sets out to make a documentary about her music, the goal is to both reveal and revel in the unadorned truth behind her on-stage persona. But when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre. Cast: Annie Clark, Carrie Brownstein. World Premiere

Relic / Australia (Director: Natalie Erika James, Screenwriters: Natalie Erika James, Christian White, Producers: Anna McLeish, Sarah Shaw, Riva Marker, Jake Gyllenhaal) — When Edna, the elderly and widowed matriarch of the family, goes missing, her daughter Kay and granddaughter Sam travel to their remote family home to find her. Soon after her return, they start to discover a sinister presence haunting the house and taking control of Edna. Cast: Emily Mortimer, Robyn Nevin, Bella Heathcote. World Premiere

Run Sweetheart Run / U.S.A. (Director and screenwriter: Shana Feste, Producers: Jason Blum, Brian Kavanaugh-Jones, Aml Ameen, Dayo Okeniyi, Betsy Brandt, Shohreh Aghdashloo) — A blind date turns violent and the woman has to get home through Los Angeles, with her date in pursuit. Cast: Ella Balinska, Pilou Asbaek, Clark Gregg. World Premiere

Scare Me / U.S.A. (Director and screenwriter: Josh Ruben, Producers: Alex Bach, Daniel Powell, Josh Ruben) — During a power outage, two strangers tell scary stories. The more Fred and Fanny commit to their tales, the more the stories come to life in the dark of a Catskills cabin. The horrors of reality manifest when Fred confronts his ultimate fear: Fanny is the better storyteller. Cast: Aya Cash, Josh Ruben, Chris Redd, Rebecca Drysdale. World Premiere

SPOTLIGHT
The Spotlight program is a tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include The Biggest Little Farm, The Death of Stalin, The Rider, Ida and The Lobster.

And Then We Danced / Sweden, Georgia, France (Director and screenwriter: Levan Akin, Producers: Mathilde Dedye, Ketie Daniela) — In the conservative confines of modern Tbilisi, Merab, a competitive dancer, is thrown off balance by the arrival of Irakli, a fellow male dancer with a rebellious streak. Cast: Levan Gelbakhiani, Bachi Valishvili, Ana Javakhishvilli, Kakha Gogidze, Anano Makharadze.

The Assistant / U.S.A. (Director and screenwriter: Kitty Green, Producers: Kitty Green, Scott Macaulay, James Schamus, P. Jennifer Dana, Ross Jacobson) — A day in the life of Jane, an assistant to a high-powered film executive. Cast: Julia Garner, Matthew Macfadyen, Makenzie Leigh, Kristine Froseth, Jon Orsini, Noah Robbins.

The Climb / U.S.A. (Director: Michael Covino, Screenwriters: Michael Covino, Kyle Marvin, Producers: Noah Lang, Michael Covino, Kyle Marvin) Kyle and Mike are best friends who share a close bond—until Mike sleeps with Kyle’s fiancée. A portrait of a tumultuous but enduring relationship between two men across many years of laughter, heartbreak, and rage. Cast: Kyle Marvin, Michael Covino, Gayle Rankin, Talia Balsam, George Wendt, Judith Godrèche. 

Collective / Romania, Luxembourg (Director and screenwriter: Alexander Nanau, Producers: Alexander Nanau, Bianca Oana) — Investigative journalists uncover massive fraud in the Romanian health care system revealing the price of corruption and ultimately, the price of truth. Cast: Catalin Tolontan, Mirela Neag, Razvan Lutac, Tedy Ursuleanu, Vlad Voiculescu, Camelia Roiu. U.S. Premiere

Ema / Chile (Director: Pablo Larraín, Screenwriters: Guillermo Calderón, Alejandro Moreno, Producer: Juan de Dios Larraín) — After a shocking incident upends her family life and marriage to a tempestuous choreographer, Ema, a reggaeton dancer, sets out on an odyssey of personal liberation in this incendiary story of art, desire, and the modern family. Cast: Mariana Di Girolamo, Gael García Bernal, Santiago Cabrera.

La Llorona / Guatemala, France (Director and screenwriter: Jayro Bustamante, Producers: Jayro Bustamante, Herminio Gutiérrez, Gustavo Matheu, Marina Peralta, Georges Ranand) — Enrique, a retired general who oversaw the Maya genocide, is haunted by his devastating crimes. A tale of horror and fantasy, reimagining the Latin American fable as an urgent metaphor of Guatemalan recent history and its unhealed political wounds. Cast: María Mercedes Coroy, Sabrina De La Hoz, Julio Diaz, Margarita Kénefic, Juan Pablo Olyslager, Ayla-Elea Hurtado.

The Perfect Candidate / Germany, Saudi Arabia (Director: Haifaa Al Mansour, Screenwriters: Haifaa Al Mansour, Brad Niemann, Producers: Roman Paul, Gerhard Meixner, Haifaa Al Mansour, Brad Niemann) — A determined young Saudi doctor’s surprise run for office in the local city elections sweeps up her family and community as they struggle to accept their town’s first female candidate. Cast: Mila Alzahrani, Dhay, Khalid Abdulrahim, Shafi Al Harthy. DAY ONE

KIDS
This section of the Festival is especially for our youngest independent film fans. Programmed in cooperation with Utah Film Center, which presents the annual Tumbleweeds Film Festival, Utah’s premiere film festival for children and youth. Films that have played in this category in recent years include The Elephant Queen, Science Fair, My Life as a Zucchini, The Eagle Huntress and Shaun the Sheep.

Binti / Belgium (Director and Screenwriter: Frederike Migom, Producer: Katleen Goosens) — Twelve-year-old Binti dreams of becoming a famous vlogger like her idol Tatyana. But when the police raid her home, and try to deport her and her dad, they are forced to flee. Together with her friend Elias she now plots the perfect plan to stay in the country. Cast: Bebel Tshiani Baloji, Mo Bakker, Joke Devynck, Baloji, Caroline Stas, Noa Jacobs. U.S. Premiere

Come Away / United Kingdom, U.S.A. (Director: Brenda Chapman, Screenwriter: Marissa Kate Goodhill, Producers: Leesa Kahn, James Spring, David Oyelowo, Steve Richards, Andrea Keir) — Before Alice found Wonderland, and Peter became Pan, they were brother and sister. When their brother dies in an accident, they seek to save their parents from downward spirals until finally they’re forced to choose between home and imagination, setting the stage for their iconic journeys into Wonderland and Neverland. Cast: Angelina Jolie, David Oyelowo, Jordan Nash, Keira Chansa, Reece Yates, Michael Caine. World Premiere

Timmy Failure: Mistakes Were Made / U.S.A. (Director: Tom McCarthy, Screenwriters: Stephan Pastis, Tom McCarthy, Producers: Tom McCarthy, Jim Whitaker) — The hilarious exploits of Timmy Failure and his 1,500-pound polar bear partner, Total, as they operate Total Failure, Inc., a Portland detective agency. Based on the book by Stephan Pastis. Cast: Winslow Fegley, Ophelia Lovibond, Wallace Shawn, Craig Robinson, Kyle Bornheimer. World Premiere

 

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Sorry to Bother You, Won’t You Be My Neighbor?, Eighth Grade, Get Out, The Big Sick, Mudbound, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute®. 2020 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire; AT&T; Leadership Sponsors – Adobe, Amazon Studios, DIRECTV, Dropbox, Netflix, Omnicom Group, Southwest Airlines®, Stella Artois®, WarnerMedia; Sustaining Sponsors – Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Fire TV, GEICO, High West Distillery, Hulu, IMDbPro, Lyft, Unity Technologies, University of Utah Health; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, The New York Times, Variety, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discovering original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as The Farewell, Late Night, The Souvenir, The Infiltrators, Sorry to Bother You, Eighth Grade, Won’t You Be My Neighbor?, Hereditary, RBG, Call Me By Your Name, Get Out, The Big Sick, Top of the Lake, Winter’s Bone, Dear White People, Little Miss Sunshine, Beasts of the Southern Wild, Fruitvale Station, State of the Union, Indecent, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

(Source: Sundance Press Release)

 

Highlights at AFI FEST 2019 Presented by Audi

Posted by Larry Gleeson

C C Queen

Snoop

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On Thursday night, November 14th, 2019, AFI FEST presented by Audi opened with the star-studded World Premiere of QUEEN & SLIM, a modern re-telling of Bonnie & Clyde. Check out the AFI FEST recap of interviews with the film’s director, writer and stars on a blazing hot red carpet!

EVA LONGORIA

On Friday afternoon at the AFI Summit inside the historic Hollywood Roosevelt Hotel, Eva Longoria and Dr. Stacy Smith, founder of the USC Annenberg Inclusion Initiative, had a frank and illuminating conversation on the erasure of Latinx in film and discussed a solutions-driven path forward. This is a must-see dialogue! A short-take read is HERE.

Marty

On Friday night, legendary filmmaker Martin Scorsese screened his latest film, THE IRISHMAN, at the TCL Chinese Theatre. The packed audience greeted the acclaimed master of storytelling with a standing ovation. Watch the interview!

Crown

Royalty descended on AFI FEST Saturday night, November 16th. Olivia Colman, Helena Bonham Carter, Gillian Anderson and Jon Lithgow were among the stars who celebrated THE CROWN series creator and playwright Peter Morgan.

Lithgow Anderson

On Sunday, AFI FEST presented by Audi held a special screening of THE SONG OF NAMES, a film that spans generations and features a transcontinental journey in search of a beloved friend. We spoke with the film’s director François Girard, famed composer Howard Shore and Clive Owen on the red carpet.

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Aldis Alfre

CLEMENCY director Chinonye Chukwu and stars Alfre Woodard, Aldis Hodge and Alex Castillo also walked the red carpet at AFI FEST!

 

Indie

In addition, on Sunday, the above Indie Contenders panelists shared stories about their latest films and the importance of festivals and independent filmmaking. “Film festivals are about story, and they’re about loving film.” Watch the full conversation now.

Jada Hala

Jada

Monday brought HALA. On the red carpet for HALA, executive producer Jada Pinkett Smith, writer/director Minhal Baig and actors Geraldine Viswanathan and Jack Kilmer spoke about breaking down stereotypes and finding identity. Watch the interviews!

THE TWO POPES convened at AFI FEST this past week as well. Director Fernando Meirelles, writer Anthony McCarten and stars Anthony Hopkins and Jonathan Pryce joined the congregation on the red carpet. See the interviews here!

Clint

On Wednesday, Hollywood stars came out in support of the world premiere of RICHARD JEWELL, the latest film from AFI Life Achievement Award recipient and Academy Award® winner Clint Eastwood.

Clint Carpet

Watch AFI FEST’s red carpet interviews and highlights from the evening.

On Thursday, November 21st, 2019, he critically acclaimed film MARRIAGE STORY closed out AFI FEST 2019 presented by Audi.

Marriage Story

Academy Award®-nominated filmmaker Noah Baumbach directed the incisive and compassionate look at a marriage coming apart and a family staying together. Baumbach and Dern delivered colorful remarks before the screening.

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Next year’s AFI FEST 2020 Will Take Place October 15-22. Until then, I’ll see you at the movies!

ME CARPET

AFI FEST 2019 WRAPS WITH AWARDS ANNOUNCEMENTS AND NEW DATE FOR 2020

Posted by Larry Gleeson

Festival Announces Audience and Jury Award Winners 

AFI FEST 2020 Will Take Place October 15-22

FOR IMMEDIATE RELEASE, Los Angeles, CA, November 22, 2019 — AFI FEST 2019 presented by Audi announced today the films that received this year’s Jury and Audience awards. The Grand Jury Award winners for Live Action and Animated Short will be eligible for the 2020 Best Live Action Short and Best Animated Short Academy Awards®. The Shorts jury was comprised of filmmakers Katrelle Kindred, Hannah Peterson and Davy Rothbart.

Highlights of the festival include Conversations with Peter Morgan and Martin Scorsese; the Indie Contenders and Doc Roundtables; a conversation with Eva Longoria and Dr. Stacy Smith on the Erasure of Latinx in Film; and a conversation with Ted Sarandos, Netflix’s Chief Content Officer, and Susan Ruskin, Dean of the AFI Conservatory and EVP of the AFI Institute.

Marty

 

Indie_Contenders

EVA LONGORIA

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AFI FEST 2020 will open on October 15 and close on October 22. World premieres, galas and special screenings reflecting the best in global cinema will take place at iconic theaters in Los Angeles.

Audience Award – Feature
I AM NOT ALONE (DIR Garin Hovannisian)

Capturing the fury, emotion, and spontaneous expressions of freedom that overtook the streets of Armenia in 2018, Garin Hovannisian’s fascinating eye-witness documentary affords a unique glimpse into a revolution-in-the-making by offering unprecedented access to the grassroots movement that dared to challenge an entrenched regime, as well as the regime’s leaders themselves.

Audience Award – Short

LOST & FOUND (DIR Orlando Von Einsiedel)

A determined man, armed only with a megaphone, his determination, and an unshakeable smile, sets out to reunite lost children with their families in the Kutupalong refugee camp in Bangladesh, which now houses over 600,000 Rohingya Muslims.

Grand Jury Award – Live-Action Short

EXAM (DIR Sonia K. Hadad)

Jury Statement: “We are so excited to award the Grand Jury Prize to Sonia K. Hadad’s EXAM. EXAM stood out from the other films for its bold directorial style, anchored by a stunning lead performance. The result is a tense portrait that reaches past its specificity into the universal.”

A teenage girl delivers a package of cocaine to a client and gets caught in a weird cycle of events.

Special Jury Prize—Live Action

MTHUNZI (DIR Tebogo Malebogo)

Jury Statement: “Centered on a chance encounter, MTHUNZI gives an intimate and powerful glance into the intricacies of unconscious bias. Beautifully captured, grounded performances and daring choices on behalf of the filmmaker left the jury stirred by this gentle narrative.”

Mthunzi becomes caught up in a world he does not belong to while walking home from the shops.

Special Jury Prize—Live Action

LIBERTY (DIR Faren Humes)

Jury Statement: “First-time actors deliver breakthrough performances under the steady guidance of director Faren Humes in this absorbing and exquisite short. The jury was impressed by its kinetic energy, its economic storytelling, and its probing yet compassionate tone.”

Alex and Milagros deal with great life upheaval as they prepare to dance at their community’s redevelopment groundbreaking ceremony.

 Grand Jury Prize—Animation

SOMETHING TO REMEMBER (DIR Niki Lindroth von Bahr)

Jury Statement: “We’re pleased to give the Grand Jury Prize in Animation to SOMETHING TO REMEMBER for its tender yet critical response to the world around us, and its perfect execution. This irresistible short transforms bittersweet anxieties into a modern lullaby — we couldn’t take our eyes off of it.”

 A lullaby before the great disaster.

Grand Jury Prize—Documentary (tie)

A LOVE SONG FOR LATASHA (DIR Sophia Nahli Allison)

Jury Statement: “We are honored to award the Grand Jury Prize for Documentary filmmaking to A LOVE SONG FOR LATASHA. It’s haunting and poetic exploration of a young woman’s life cut tragically short allows its audience to experience an injustice long hidden by time and politics. This film is a portrait framed by beautiful imagery, loving recollection and astonishing storytelling that will linger with the audience long after the credit roll.”

A dreamlike archive in conversation with the past and the present reimagines a more nuanced narrative of Latasha Harlins by excavating intimate and poetic memories shared by her cousin and best friend.

Grand Jury Prize—Documentary (tie)

THE CLINIC (DIR Elivia Shaw)

Jury Statement: “A gripping, harrowing peek into one corner of a vast epidemic, Elivia Shaw’s THE CLINIC is striking for the sensitivity and nuance with which it treats its subjects — both the people who come to Dr. Marc Lashner’s mobile needle exchange looking for help, and the scrappy team of volunteers who do what they can to offer it.”

Amidst a devastating opioid epidemic, a needle exchange and free clinic operate in the shadows of Fresno, California.

FESTIVAL HIGHLIGHTS
This year’s festival showcased the best in global cinema due to the visionary support of Audi — now in its 16th consecutive year as Presenting Sponsor of the festival.

The complete AFI FEST program included 143 titles (81 features, 1 episodic, 40 shorts, 21 AFI Conservatory Showcase Shorts) of which 51% were directed by women. This year’s program represented 52 countries and included 8 official International Feature Film Oscar® submissions as well as 3 World Premieres. The total film breakdown by section was: Galas (6), Tributes (5), Special Screenings (9), New Auteurs (24), World Cinema (16), Midnight (2), Cinema’s Legacy (5), Documentary Films & Encore Screenings (15), Short Films (40) and AFI Conservatory Showcase (21).

The many highlights of the festival include Conversations with Peter Morgan and Martin Scorsese; the Indie Contenders Roundtable with Awkwafina (THE FAREWELL), Sterling K. Brown (WAVES), Cynthia Erivo (HARRIET), Jimmie Fails (THE LAST BLACK MAN IN SAN FRANCISCO), Jon Hamm (THE REPORT), Florence Pugh (FIGHTING WITH MY FAMILY and MIDSOMMAR), Kerry Washington (AMERICAN SON) and Alfre Woodard (CLEMENCY); the Doc Roundtable with filmmakers Alex Gibney (CITIZEN K), Eva Orner (BIKRAM: YOGI, GURU, PREDATOR), Steven Bognar (AMERICAN FACTORY), Roger Ross Williams (THE APOLLO), Feras Fayyad (THE CAVE), Waad Al-Kateab (FOR SAMA), Lauren Greenfield (THE KINGMAKER) and Nanfu Wang (ONE CHILD NATION); a conversation with Eva Longoria and Dr. Stacy Smith on the Erasure of Latinx in Film and a conversation with Ted Sarandos, Netflix’s Chief Content Officer, and Suan Ruskin, Dean of the AFI Conservatory and EVP of the AFI Institute, exclusively for the AFI Fellows.

Additional guests and artists who attended the festival included Mahershala Ali, Gillian Anderson, Kathy Bates, Noah Baumbach, Beyoncé, Helena Bonham Carter, Simone Boyce, James. L. Brooks, Chinonye Chukwu, Tilda Cobham-Hervey, Olivia Colman, Gabriela Cowperthwaite, Laura Dern, Mati Diop, Snoop Dogg, Erin Doherty, Clint Eastwood, Flea, Harrison Ford, François Girard, Tom Harper, Paul Walter Hauser, Aldis Hodge, Joshua Jackson, Daniel Kaluuya, Jack Kilmer, John Lithgow, Melina Matsoukas (AFI Class of 2005), Fernando Meirelles, Tobias Menzies, Josh O’Connor, Edward James Olmos, Clive Owen, Dev Patel, Natalie Portman, Rob Reiner, Rihanna, Sam Rockwell, Evan Ross, Tracey Ellis Ross, Kelly Rowland, Howard Shore, Molly Sims, Jada Pinkett Smith, Bryan Stevenson, Aaron Taylor-Johnson, Sam Taylor-Johnson, Chuck Todd, Maryam Touzani, Jodie Turner-Ross, Lena Waithe, Tallulah Belle Willis, and Zendaya.

Audi was the exclusive presenting sponsor of AFI FEST 2019. Additional top sponsors included Apple, AT&T and American Airlines, the official airline of AFI.

 About the American Film Institute (AFI)

Established in 1967, the American Film Institute is the nation’s non-profit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present, and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations.  Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, youtube.com/AFI, twitter.com/American Film and Instagram.com/AmericanFilmInstitute.

About AFI FEST presented by Audi

Now in its 33rd year, AFI FEST presented by Audi is a world-class event, showcasing the best films from across the globe to captivated audiences in Los Angeles. With a diverse and innovative slate of programming, the eight-day festival presents screenings, panels and conversations, featuring both master filmmakers and new voices. World premieres, Galas and other special events take place at iconic LA locations, such as the historic TCL Chinese Theatre and the glamorous Hollywood Roosevelt. This year’s edition takes place November 14-21, 2019. Additional information about AFI FEST is available at AFI.com/AFIFEST. Connect with AFI FEST at facebook.com/AFIFEST, twitter.com/AFIFEST and youtube.com/AFI.

About Audi

Audi of America, Inc. and its U.S. dealers offer a full line of German-engineered luxury vehicles. AUDI AG is among the most successful luxury automotive brands, delivering about 1.812 million vehicles globally in 2018. In the U.S., Audi of America sold nearly 224,000 vehicles in 2018. 2019 marks 50 years for the brand in the U.S. Visit audiusa.com or media.audiusa.com for more information regarding Audi vehicles and business topics.

Sponsor Audi

(Source: AFI FEST press release)

Scarlett Johansson and Adam Driver Tabbed for SBIFF Outstanding Performers of the Year Award

Posted by Larry Gleeson

Santa Barbara Film Festival Outstanding Performers of the Year Award honoring Scarlett Johansson & Adam Driver

Santa Barbara International Film Festival announced today that Tony Award winner Scarlett Johansson and Tony and Academy Award nominee Adam Driver will receive the Outstanding Performers of the Year Award for their critically acclaimed work in Noah Baumbach’s MARRIAGE STORY, which will be released in theaters and on Netflix December 6, 2019. Johansson and Driver will be honored at the Arlington Theatre in Santa Barbara, CA on Friday, January 17th.

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Roger Durling, SBIFF’s Executive Director.

“Scarlett and Adam have had such admirable arcs to their careers – making smart choices between independent films and big Hollywood franchises. They both are such lyrical performers, imbuing their acting with keen sensitivity and intellect. Together in Baumbach’s MARRIAGE STORY they regaled us with their best work to date,” says Roger Durling, SBIFF’s Executive Director.

The Outstanding Performers of the Year Award recognizes select individuals who have distinguished themselves with exceptional performances in film this past year. Past recipients of the award include Rami Malek, Margot Robbie and Allison Janney, Ryan Gosling and Emma Stone, Brie Larson and Saoirse Ronan, Steve Carell, Cate Blanchett, Jennifer Lawrence, Viola Davis, James Franco, Colin Firth, Penelope Cruz, Angelina Jolie, Helen Mirren, Heath Ledger, Kate Winslet and Charlize Theron.

The 35th Santa Barbara International Film Festival will take place on January 15th through 25th, 2020.

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Indie Contenders Inform and Entertain at AFI FEST 2019

Posted by Larry Gleeson

The AFI FEST sponsored by Audi Summit Indie Contenders took place on Sunday, November 17, 2019, inside the Roosevelt Hotel Ballroom. Presented by The Hollywood Reporter, moderated and created by columnist and blogger Scott Feinberg, the annual panel featured a 90+ minute discussion with major talent from the AFI FEST 2019 lineup and recent releases, including Awkwafina, Jon Hamm, Florence Pugh, and Alfre Woodard.

AFI FEST Director, Michael Lumpkin welcomed the room with brief introductory remarks. Feinberg prepped the audience for the program and warmly introduced each panelist. While the panel focused on its members, a powerful undercurrent pulsed with each film’s potent messaging. Feinberg provided a monetary definition of an indie production of 22.5 million dollars.

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Actress Awkwafina, left, addresses the issues of being an American and working on films Crazy Rich Asians and The Farewell, with Hollywood Reporter’s Scott Feinberg at the AFI Summit, November 17, 2019, at the Roosevelt Hotel Ballroom in Hollywood, Calif.. (Photo credit: Larry Gleeson)

Each panelist discussed issuers related to working on an independent film and their importance in the age of the massive budgeted “Hollywood blockbuster” studio projects based on comic book narratives steeped with heavy doses of computer-generated imaging. Not surprisingly, the talent present represented some of the year’s most thought-provoking films of the year.

The film’s and talent on this year’s panel were Alfre Woodard (Clemency), Jon Hamm (The Report), Awkwafina (The Farewell), Sterling K. Brown (Waves), Jimmie Fails (Last Black Man in San Francisco), Cynthia Erivo (Harriet), Kerry Washington (American Son), and Florence Pugh (Fighting with Family, Midsommar).

AFI FEST 2019 sponsored by Audi continues through Thursday, November 21, 2019. See AFI.com for the festival’s full schedule and ticketing.

 

 

 

 

 

 

AFI and Audi debut “Changing the Chairs” #AFIFEST2019

Posted by Larry Gleeson

AFI and Audi continue to champion female directors in films and television through the campaign “Changing the Chairs.”

51% of the films at AFI FEST 2019 presented by Audi are directed by women.

Making its debut at this year’s AFI FEST presented by Audi, “Changing the Chairs” will celebrate, embrace and recognize the change happening now within the industry – more women directing big budget films, more women in leadership positions and more opportunities for women to share their perspective.

To share the #ChangingTheChairs campaign with all audiences during the festival, AFI and Audi are lifting up female directors and sharing their responses to a very important question: “What changes when a woman sits in the director’s chair?” From increasing underrepresented voices to creating more complex storytelling, the answers show the transformative effects of having a woman in the director’s chair.

“Having a woman sit in the director’s chair will inspire generations of little girls to conquer that chair one day too. Having many WOMEN taking these seats, will guarantee equality and diversity in storytelling perspectives and representation.” – Oran Zegman, Director (MARRIAGE MATERIAL, THE MUSICAL!)

“Everything. Everything changes when a woman sits in a director’s chair.  A female director provides female characters with depth and a refreshing and accurate depiction of how life is lived. Women need to be in the director’s chair because we’re in a time where women need to be heard, represented and defended. – Isabella Issa, Director (YELLOW GIRL AND ME)

 

Changing Chairs
“Changing the Chairs” art exhibit inside the Roosevelt Hotel Lobby at the 2019 AFI FEST sponsored by Audi. (Photo credit: Larry Gleeson)

51% of the films at AFI FEST 2019 presented by Audi are directed by women.

 

In 2018, 4.5% of the 100 top-grossing films were directed by women.

In 2019, upwards to 14% of the 100 top-grossing films this year will be directed by women.

 

Sponsor Audi

(Sourced from AFI.com)

 

Eva Longoria and the Erasure of LatinX

Posted by Larry Gleeson

Actor/Director/Producer/Activist (ad infinitem), Mexican-American, businesswoman Eva Longoria, took the stage with Dr. Stacy Smith, an Associate Professor of Communication, Annenberg School at the University at Southern California, for an insightful and informative talk on the culturally relevant issue of film’s role in shaping LatinX stereotypes at the The Erasure of LatinX as part of this year’s AFI SUMMIT at the Roosevelt Hotel Ballroom, Friday, November 15th. AFI FEST, presented by Audi, is in its 33rd year.

Due to moving pictures allowing for the suspension of disbelief, most viewers come to believe the images on the screen are real-life representations. Dr. Smith, an empirical data specialist on the current trends and the underrepresentation of women and minorities in the Hollywood film industry, argued the representation of the LatinX community has fallen by 4.5% from last year. Longoria added these LatinX representations are mostly sinister characters and are defining LatinX, in conjunction with conservative political rhetoric, to rural and suburban Americans.

This is not a good representation especially if one believes in the dynamics of a free market and the effects of the invisible hand. According to Longoria, as LatinX resists assimilating into society and remains typecast as criminals in Hollywood film, a shift in policy is needed to allow for Hispanics to participate in the American Dream. These are not issues for most laypeople. For Longoria, however, they are career-defining. With a life and career as diverse as any in the lore of Hollywood, Longoria has focused her laser-like acumen into providing a voice for the Mexican-American community with a powerful and dynamic undertaking, UnbeliEVAble Entertainment, based out of Mountain View, Calif. Already deluged with LatinX works from authentic writers, directors, and producers, Longoria envisions a production house showcasing LatinX films centered around family and love.

Steeped in activism and cured with exposure, Longoria, claiming to have an insight into LatinX (no argument here), is driven to succeed. According to IMDb, Longoria possesses 55 actress credits, 22 producer credits, and 12 director credits. Currently, helming and developing two conceptual projects, The Flaming Cheeto, a Horatio-Algereques take on the development of the product bearing the same name and a bigger budgeted, comedy, feature film, 24-7. Greenlighted by Universal Pictures, 24-7, starring Longoria and cohort, Kerry Washington, and written by Sarah Rothschild, tells a tale of a group of accountants banding together against their firm’s male colleagues to solve a fraud case that will save their jobs

One thing I know for sure, it’s an exciting time to be involved in film with talent like Eva Longoria in the room! AFI FEST 2019, presented by Audi, continues through November 21st. Stay tuned for the upcoming Indie Contenders Panel and the Documentary Filmmaker Roundtable. Until then, I’ll see you at the movies!

 

Thai Night Reception at American Film Market 2019

Posted by Larry Gleeson

Thai Night at American Film Market 2019, took place on Friday, November 8th, 2019, at the Colonnade Ballroom, Hotel Casa Del Mar, Santa Monica, California, hosted by the Department of International Trade Promotion, Ministry of Commerce, Royal Thai Government. Her Royal Highness Princess Ubolratana Rajakanya Sirivadhana Barnavadi of Thailand, graciously presided over Thai Night, an evening filled with ambiance and the Thai Royal Princess’s presence as the door to a brilliant and captivating film industry opened.

One of my top World Cinema films comes from Thailand and Director Apichatpong Weerasethakul the 2010 Cannes Palme d’Or winner,  UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES – a layered film delving into the human condition, transformation and annihilation. Since then, the Thai film industry has exploded expanding exponentially becoming the top producing cinema in the region.

In addition to Princess Ubolratana Rajakanya Sirivadhana Barnavadi and the Thai Dance Troup, the top eight Thai film companies were on display to inform about filming in Thailand and to showcase Thai films during a cocktail and networking reception. Thai inspired finger foods and canapés and specially crafted Thai Mocktails were all the rage followed by a Thai Select Buffet line. For those who aren’t familiar with the work being done in Thailand, now is an excellent time to check it out!

(To note: One of the first deals announced out of AFM, NEON landed North American rights to Apichatpong Weerasethakul’s latest film, MEMORIA.)

 

 

 

 

Until next time, I’ll see you at the movies

Thai HollywoodGlee
Larry Gleeson

*Featured Photo: Her Royal Highness Princess Ubolratana Rajakanya Sirivadhana Barnavadi of Thailand (Photo by Larry Gleeson)

FILM REVIEW: The Lighthouse (Eggers, 2019): USA

Posted by Larry Gleeson

The Lighthouse Poster

Robert Pattinson and Willem Dafoe star as two lightkeepers, Ephraim Winslow and Thomas Wake, trying to survive and maintain their sanity on a mysterious island while living at a remote, New England lighthouse in the 1890s, in The Lighthouse, directed by Robert Eggers (The Witch). Evoking such seafaring literary classics by Herman Mehlville (Moby Dick) and Ernest Hemingway (Old Man and the Sea) as the film opens with an almost square aspect ratio (1.19:1) harkening back to early cinema. The effect is at once claustrophobic and mysteriously out of place.

In a traditional narrative fashion, the characters are introduced and established. Winslow, a strapping, mysterious, young man of few words and who appears to have a troubled past claiming a work history as a Canadian lumberjack is the hired help (wickie) under contract for four weeks with hopes of moving up the ladder and someday hoping to become a lighthouse operator like his housemate Wake, a salty, crusty archetypal seaman. Wake comes across as an experienced sea hand with knowledge of sailor life and mythology who has the inexplicable behavior of farting loudly much to Winlow’s chagrin. Moreover, Wake treats Winslow harshly despite Winlsow’s unswerving dedication to carrying out the chores, emptying chamber pots and swabbing the floor repeatedly to Wake’s unending condemnation.

The two work together, sleep together and eat together. Winslow refrains from alcohol until a storm begins pounding the lighthouse. Together the two imbibe, dance, sing and became Marry. Soon, however, a darkness creeps in and the two men vie for control of the lighthouse. Also, Wake refuses Winslow access to the lantern room atop the lighthouse. Intrigued a jealous Winslow begins spying on Wake’s ritualistic time in front of the massive light bulb and becomes infatuated with Wake’s unearthly obsession. The two lighthouse keepers engage in an escalating battle of wills in a tension-fed, trapped scenario with mysterious forces, real or imagined, looming while a seemingly never-ending storm rages outside, leaving the men stranded.

Eggers uses several crew members from The Witch production including cinematographer Jarin Blaschke, production designer Craig Lathrop, costume designer Linda Muir, composer Mark Korven, and editor, Louise Ford, to transport the audience into a realm of terrifying unknown. The cinematography is nothing short of spectacular as the lighting and framing create a sense of the paranormal. And, the production design along with the costuming transports the viewer, via the suspension of disbelief, into the time of the 1890s capturing the harshness of the film’s setting. Furthermore, Pattinson and DaFoe play off of each other very well. But, in my opinion, the attention to detail with the sound design including foghorn, seagulls, waves, machinery, and furnace, lend strong credence to the film’s reality.

The stormy night is when the film goes into warp drive and provides a catalyst for all the odd and unusual behavior to come alive and take over the film’s consciousness. Eggers’s use of black and white allows for the utmost effect in facial lines and scene shadowing. These scenes have a supernatural, expressionistic appearance as the film delves into insanity. What emerges is a tragic Greek myth (it begins with a capital P). Highly recommended!

 

Nashville Film Festival’s 50th Anniversary Wrap-Up

Posted by Larry Gleeson

The 50th Anniversary of the Nashville Film Festival has come and gone. New friends were made. Good times were had. And, most importantly, wonderful films were shared.

The 2019 Nashville Film Festival featured over 300 of the year’s best independent films from all over the world. But the one that captured my heart was Nashville’s own Bluebird, Brian Loschiavo’s mesmerizing documentary about The Bluebird Cafe, an accidental landmark that changed the course of music history with its Sunday audition nights and implementation of the “in The Round” method, whereby, writers sit in the center of The Bluebird singing, taking turns and telling stories. A must-see!

JoJoRabbit opened the festival and set the bar for quality entertainment. The Opening Night Party piggybacked onto Taika Waititi’s moving WWII drama, featuring Scarlett Johansson, Roman Griffin Thomas, and Thomasin McKenzie, with a celebration at The Clementine. Executive Director Jason Padgitt welcomed festivalgoers and without adieu, turned the satge over to some of Nashville’s hot, rising talent. If there’s one thing in particular, Nashville does well, it’s entertain!

Opening Night-1
Singer/songwriter Lauren Jenkins performs at The Clementine to kick off the 50th Anniversary of the Nashville Film Festival. (Photo credit: Larry Gleeson)

Out of the fire and into the ashes, a phoenix rising in the form of the Creators Conference ushered in opening weekend with its combined mojo of professional development and festival-style kinetic energy. Friday, October 4, 2019, Evolve Studio, a start-up venture from brothers, Joel and Jessie Edwards, who shared their exerience and hope working and creating in Nashville, personified the Creators spirit.

Friday night Chuck Berry, directed by Ron Brewer, made its world premiere at the 50th Anniversary of the Nashville Film Festival, Friday, October 4, 2019, Regal Hollywood ScreenX & RPX Cinema – Nashville. Berry, an extraordinary entertainer, ushered in the era of rock-n-roll, with a showmanship that has often been imitated and rarely duplicated. Rock legend, Alice Cooper appeared in the film saying Mr. Berry created a blueprint for what rock-n-roll should be with his pioneering style. Highly recommended!

Berry Family
The Berry Family on the red carpet at the 50th Nashville Film Festival (Photo courtesy of NashFilm)

Bery Fam
The Berry Family on the red carpet at the 50th Nashville Film Festival (Photo courtesy of NashFilm)

Saturday was highlighted by a keynote panel with HBO’s Len Amato and Evyen J. Klean, providing key insights into how ideas are chosen by the network giant and brought to life. Johnathon Shcaech and Jessica Barth’s #METOO panel, and an all-star comedy panel were just a few highlights from day three.

The girls from NashFilm’s Living Reel Project debuted their song and short created for the festival. The Livin’ Reel Program, gives at-risk teens a hands-on experience in filmmaking and songwriting. During the project, a group of teens dedicates after-school hours to write a song telling the story of their strength and the struggles they have overcome. By the end of their production week, they have a finished song and a short film documenting their entire process. This film is then taken on the road to the Nashville Film Festival and various TV/radio interviews where their work and proven strength within adversity is celebrated.

‘Who’s The Girl? The Ashley Cleveland’ had a sell-out crowd on day four.

Who's the Girl
Cast of Who’s the Girl? at the 50th Anniversary of the Nashville Film Festival (Photo by Donny Evan)

Music Supervisors
The Music Supervisors at the 50th Nashville Film Festival Opening Night After Party (Photo courtesy of NashFilm)

Cat Rhinehart and Lahna Turner screened the world premiere of What’s Eating Ralphie May. 

For Turner, the event allowed for a sense of closure. “The Nashville Film Festival was the perfect place to premiere what’s Eating Ralphie May? Nashville was one of Ralphie’s favorite cities but even more significant is that the premiere took place on the day after the two year anniversary of Ralphie’s passing. Ralphie would have been very proud that we were able to remember and honor him with this amazing film.

For me the premiere allowed me to close some doors and open new ones. I haven’t been back to Nashville since having to do some very painful things like clean out our home, so it felt really nice to return to a town that I love so much to celebrate and create new happy memories.”

Rhinehart echoed, “I thought Nashville’s 50th was the perfect time and place to premiere. Ralphie loved Nashville – and he talks about it in the film. I could tell the audience felt that affinity – so I couldn’t imagine a better fit. Ralphie would have been proud.”

What’s Eating Ralphie May won an audience award and received a third screening with the Best of Fest lineup, Saturday, August 12th. Highly recommended!

Cat Turner
Comedian Lahna Turner, left, and Filmmaker Cat Rhinehart on the red carpet, October 7th, 2019, at the 50th Anniversary of the Nashville Film Festival. (Photo credit: Donny Evan)

The Gift: The Journey of Johnny Cash also screened at 6 pm. posing quality of life issues for many festivalgoers, including myself. I put this one on my list of films to see and it received tearful admiration from more than one fan.

Cash Red Carpet
John Carter Cash on the red carpet at the 50th Anniversary of the Nashville Film Festival (Photo by Donny Evan)

NashFilm also hosted the Tennessee premiere of Bluebird with Amy Grant, Tenille Townes, Shane McAnally, Lori McKenna, Callie Khouri, Ruby Amanfu, Tony Arata, Dave Barnes, Steve Buchanan, Gary Burr, Roger Cook, Barry Dean, Tom Douglas, Mark Germino, Don Henry, Claude Kelly, Luke Laird, and more coming out to support the Nashville film. Filmmaker Brian A. Loschiavo welcomed the sold-out house with an outpouring of emotion, “This is so overwhelming to see a spirited group in the room with songwriters and bluebirds as we make our official Nashville premiere. There is a real community in this town (Nashville). Thank you for coming out to hear and see the music and songs. We are family.”

Bluebird
The filmmaking team of Bluebird on the red carpet at the 50th Nashville Film Festival (Photo credit by Donny Evan)

Charlie
The ABC Nashville television series star and producer team on the red carpet for the Tennessee premiere of Bluebird at the Nashville Film Festival (Photo by Donny Evan)

The Screenwriting Competition took place on Tuesday with over 1600 entries. A slew of readers provided a treatment of all the finalists’ work. Mo Morgan took honors in the Narrative Feature and Kelly Anelons took home honors in the Comedy Feature category.

Mo Morgan
Mo Morgan poses for a photo after receiving the trophy for Best Narrative Feature for his screenplay, Sight, in the 2019 Nashville Film Festival’s Screenwriting Contest. (Photo courtesy of NashFilm)

Kelly A
Kelly Anelons poses for a photo after receiving the trophy for her Best Comedy Feature screenplay, Life’s a Beaut, in the 2019 Nashville Film Festival’s Screenwriting Contest. (Photo courtesy of NashFilm)

Eternal Winter took home the Festival Grand Jury Prize for Best Narrative Feature. Beautifully shot film complete with powerful acting and strong production values. Highly recommended. Another top narrative feature, in my opinion, was Alice, a bold and audacious drama delving into the female psyche from start to finish. See the full list of Jury winners here.

The closing night party was held at The Valentine in downtown Nashville. The festival continued into Saturday with the “Best of the Fest” films running all day Saturday, Oct. 12. On the list – HollywoodGlee makes Feedspot Top 20 Hollywood Blogs. Thank you, Anuj Agarwal!

Until next time, I’ll see you at the movies!

50th

About

The Nashville Film Festival (NashFilm) is a globally-recognized non-profit organization and cultural event presenting the best in the world cinema, American independent films and documentaries by veteran masters, up-and-coming directors, and first-time filmmakers.

With Academy Award® qualifying status, the Nashville Film Festival celebrates innovation, music and the many voices of the human spirit through the art of film. Originally founded in 1969, the Nashville Film Festival is one of the first film festivals in the United States.

*Featured photo: Larry Gleeson, left, with filmmaker Flavio Alves (The Garden Left Behind) at Best of Fest, Saturday, October 12th, 2019, at the 50th Anniversary Film Festival Nashville. (Photo credit: Giuliana Mignone)

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A Masterpiece! Brian Loschiavo’s Bluebird Receives Standing Ovation at NashFilm 2019!

Posted by Larry Gleeson

Brian Loschiavo’s documentary, Bluebird, made it’s Nashville Premiere last night, October 8th, 2019, at the 50th Anniversary of the Nashville Film Festival, receiving a standing ovation for the filmmakers from a sold out Regal Hollywood ScreenX & RPX Cinema – Nashville theatre audience. Loschiavo’s film is about The Bluebird Cafe, an accidental Nashville landmark that changed the course of music history with its Sunday audition nights and implementation of the “in The Round” method, whereby, writers sit in the center of The Bluebird singing, taking turns and telling stories.

After starting out in 1982 as a traditional, upscale, gourmet restaurant business venture by Amy Kurtland, The Bluebird morphed into Nashville’s most famous songwriters club jump starting and launching the careers of countless artists including Taylor Swift, Vince Gill, Faith Hill, Trisha Yearwood, Garth Brooks, Kelsea Ballerini, Kasey Musgraves, Maren Morris, Tenille Townes, Pam Tillis and Jason Isbell to name a few – all of whom appear in the film. The documentary also features interviews and/or performances of these stars inside or about their experiences inside The Bluebird.

The genesis of the film emanated from a conversation approximately two and a half years ago between Loschiavo (Riverside Entertainment) and the Bluebird Cafe Manager, Erika Wollam Nichols. While the venue had been portrayed in Callie Khouri’s ABC hit drama, Nashville, incredulously, no one had made a film about the Nashville “songwriters-in-the-round” at The Bluebird Cafe. Nichols, who had been running the restaurant for more than a decade, felt a film telling the story of the artists and the spirit of the community was important. As one of the cast members eloquently said, “Nashville wouldn’t be Nashville without The Bluebird.”

Technically, the film is a gem. Seamless editing, harmonious non-diegetic background music combined with the film’s mise-en-scene evoked a moment of self-awareness and the suspension of disbelief. Cinematographer Jeff Molyneaux captures artists’ frames with precision belying the challenges he faced. Anyone who has seen the performances of the songwriters-in-the-round at work might imagine a special production set was built to the very minutia detail of the cafe’s interior (as in the ABC Nashville series wth Charles Esten) allowing Molyneaux to set up his shoot. Years from now, film professors will prod their student to explain how the shots were executed in the live, at-capacity space.

Setting aside the spectacular techniques utilized, the film has a spiritual life of its own mirroring the songwriters, The Bluebird personnel, the artists who perform and the physical structure of the venue. With an atmospheric of a living room and a church sanctuary, artists from Faith Hill to Garth Brooks espouse the nurturing nature of The Bluebird. Fifteen year-old Landon Wall is also featured in the film performing in the venue several times as he honed his craft. In addition, Maren Morris hearkens the Holy Ghost in a powerful performance of “My Church” evoking memories of Leonard Cohen’s “Hallelujah.” And, more than one tear was shed as Tenille Townes and Taylor Swift performed “Jersey on the Wall” and “Better Man,” respectively.

With irrefutable evidence accumulated over the years in the form of testimonies, The Bluebird is hallowed ground. It had been a best kept secret. After its depiction in the ABC Nashville television series, The Bluebird has become a mecca for songwriters and travelers alike from around the globe hoping to get a taste and glimpse of the establishment. It has also made songwriting cool. A groovy profession. Despite Amy Kurland’s effort to safeguard The Bluebird and its legacy by turning it over to the Nashville Songwriters Association International on January 1, 2008, a real estate developer has purchased the strip mall where The Bluebird is located.

A mesmerizing documentary about the Holy Grail of country music, Bluebird is a masterpiece. Best seen on the big screen…. A must-see film! Coming out with a limited release November 15.

FILM REVIEW: Lost Bayou (Brian C. Miller Richard, 2019)

Posted by Larry Gleeson

Lost Bayou, a film from Director/Producer Brian C. Miller Richard, made its Southeast Premiere at the 50th Anniversary of the Nashville Film Festival. Lost Bayou is a poetic portrait of a Cajun Traiteur and life out in the Atchafalaya Basin, the largest river swamp in the United States. Richard set out to make a film about Cajun life in the Basin having grown up and lived there most of his life. Nick Lavin and Hunter Burke wrote the screenplay that deals with a young woman, who appears to have an addiction, and her connection with her faith-healing father.

The film opens with a piece of footage bordering on the macabre that sets the tone as a man in a swamp states he was declared legally dead by a medical doctor only to wake up with a man kneeling over him praying. A fade to black transition reveals the story’s main character, Gal, portrayed by Teri Wyble, in a vehicle popping a pill and chasing it down with a swig of hard liquor. She asks the driver to wait for her as she exits the vehicle. The driver pulls away hurriedly. Apparently, Gal forgot what day it was and missed her young son’s birthday.

A fortuitous call comes in from Gal’s father, Pop, portrayed by Dane Rhodes. Pop speaks with a Cajun dialect and requests that Gal come home as her mother has a serious complication. The only issue is Gal’s mother has been deceased for two years. Gal finally agrees after Pop’s insistence. After the call ends, a bird flies into Gal’s door. Gal picks up the lifeless bird and takes it to the water whereupon a surreal moment takes place with a French prayer and the bird begins moving under its own power.

Needless to say, when Gal gets down to Pop’s floating raft-house the situation is about life and death and who decides who can cross the divide and when. Pop feels the swamp allows for better communication with his God, whereas Gal believes not knowing and not believing “ain’t such a bad thing.” Along the way, several tense moments and sharp camera operation kept my attention focused and the life in the bayou is revealed in a southern gothic style. Life on the bayou has its unique ways and Richard manages to let us in on it stylistically.

The film’s production values are strong. Exquisite cinematography from Natalie Kingston, production design by Mark and Matthew Whittle, and Mehgan Cornay’s costuming deliver an ethereal feel to the film while realistically capturing life in the region. The musical score was provided by the Grammy award-winning Lost Bayou Ramblers. The Ramblers are known predominantly for their acoustic Cajun style and seem to hit the right notes and melodies to drive the emotionality of the film’s scenes. The editing team of Richard and Robert Grigsby Wilson stitch and weave images in a seamless continuity. And, from an acting standpoint, Wyble does most of the heavy lifting. Rhodes adds a powerful presence honed from his theatrical stage work and the ensemble cast worked very well.

In the Q & A following the film, Richard revealed the inner workings of the project. Numerous members of the team had close relatives working on set including Richard’s own father. With a run time of 87 minutes, the film seemed a tad short….probably because I wanted to see more!

Highly recommended!

FILM REVIEW: What’s Eating Ralphie May?

Posted by Larry Gleeson

Cat Rhinehart’s documentary, What’s Eating Ralphie May?, made its world premiere at the 50th Anniversary of the Nashville Film Festival. “I thought Nashville’s 50th was the perfect time and place to premiere. Ralphie loved Nashville – and he talks about it in the film. I could tell the audience felt that affinity – so I couldn’t imagine a better fit. Ralphie would have been proud,” said Rhinehart.

Ralphie May was an American stand-up comedian known for his extensive touring and television comedy specials. Ralphie appeared to be living the American Dream with a beautiful wife, Lahna Turner, and two perfect children. May suffered from obesity. He loved making people laugh. And, people loved Ralphie in return.

Rhinehart began documenting May as he set out to lose weight. He asked his lovely wife, Lahna, to help him. Turner could see a bright future with a successful documentary and possibly a book deal for Ralphie. After losing 300 pounds from a starting point of 800 pounds, Ralphie plateaued. Unable to get through, he turned to pain medicine to alleviate his suffering. He decided not to have weight loss surgery.

After Ralphie landed a year-long contract to perform in Las Vegas, tensions became unbearable. Lahna decided to focus on herself. One night after a show Ralphie came back to his room and fell smashing his skull on a table on the way down. Shocked and bewildered, Turner and Rhinehart dedicated the footage they had and decided to honor Ralphie with What’s Eating Ralphie May?

Screen Shot 2019-10-07 at 1.31.02 AM

Utilizing traditional documentary filmmaking techniques, including archival footage, direct interviews and still photographs, Rhinehart traces Ralphie’s early life including his difficult childhood in Arkansas, his fascination with comedian Sam Kinison, his runner-up finish debacle in Jay Mohr’s Last Comic Standing in 2003 and documents his marital strife.

Following Ralphie’s untimely death, Rhinehart decided to interview Ralphie and Lahna’s daughter for the film. When asked if she wanted to say anything about her dad, she replied, “I love my dad and hope he feels better now that he’s out of that body.” Lahna continues to perform her stand-up comedy.

What’s Eating Ralphie May? is more than direct cinema. It’s an important film documenting and illuminating issues about marital relationships and obesity, and how people deal with them. Ralphie’s New York Times obituary read that he died of hypertensive cardiovascular disease. No mention was made of Ralphie suffering from obesity, a complex disease involving an excessive amount of body fat. Ralphie confesssed to Lahna he didn’t want to be fat. Lahna wanted Ralphie to get healthy.

Unfortunately, the film never quite answers the question of what caused Ralphie’s addiction to food. Instead, it portrays Lahna as a victim (which she denies vociferously) unable to do for Ralphie what he couldn’t do for himself. Ralphie opted to continue working, doing what he loved most, making people laugh, despite – or maybe in spite of – his unhealthy obesity.

Highly recommended film.

 

 

NashFilm’s 50th Anniversary is Making Memories

Posted by Larry Gleeson

The 50th Anniversary of the Nashville Film Festival is showing hot films while the temperatures are cooling. Try the Nashville Film Festival App and Plan Your Fest! Find it the App stores.

Fest in style with a VIP Badge! Available here: NashFilm

 

Check out a few of yesterday’s candid shots!

Kate and Jan

Upcoming Hot Tickets

Mars

The Sheriff of Mars | Directed by Jason Ressler, Matthew Woolf
Mon, Oct 7, 1:30 PM

This is an uplifting tale of the musical redemption of a lovable, complex artist who exudes a magical and unique authenticity. Daniel Antopolsky is a country singer/songwriter who was discovered in France when he was 65. He had with him “he had 500 of the best songs no one had ever heard”. Today, he has released 4 albums with major media attention and toured the world with his music. Watch his rise as a Nashville recording artist and concert musician. TICKETS

Lost Bayou

Lost Bayou | Directed by Brian C. Miller Richard
Mon. Oct 7, 6:30 PM
Tues. Oct 8, 12:00 PM

In this hauntingly evocative Southern Gothic mystery, a struggling addict ventures into the Louisiana swampland to reconnect with her faith healer father, only to discover he is hiding a troubling secret aboard his houseboat. TICKETS

Wall of Mexico

The Wall of Mexico| | Directed by Zachary Cotler, Magdalena Zyzak
Mon. Oct 7, 7:30 PM

Veteran actors Esai Morales and Mariel Hemingway join with some newcomers to spin a fantasy about rich Mexicans turning the tables on poor white people. Inspired by the Trump Presidency, The Wall of Mexico premiered at SXSW is a role-reversing fantasy about a wealthy Mexican-American family that decides to build a wall to deter the intrusion of poor white people in the vicinity. TICKETS

Rodman

SCREAM, QUEEN! MY NIGHTMARE ON ELM STREET | Directed by Roman Chimienti, Tuler Jensen
Tues. Oct 8, 6:00 PM

Mark Patton travels to horror conventions across the U.S. Each new city unwraps a chapter from his life that is met with equal parts joyful and bittersweet detail, as he attempts to make peace with his past and embrace his legacy as cinema’s first male “scream queen.” TICKETS

Berry Hill

Berry Hill | Directed by Buzz Cason and Mark Harper
Tues. Oct. 8, 2:30 PM 

Nashville‘s Berry Hill, now home to 40 music studios, took off when Buz Cason opened Creative Workshop there in 1970. He quickly recorded five number one hits by the Gatlin Brothers, and followed up with top artists like Gene Cotton, Kim Carnes, Dottie West, Kenny Rogers, the Doobie Brothers, Olivia Newton-John, Roy Orbison, The Faces, Merle Haggard, Leon Russell, Elvis Presley and more. The studio, known now as Blackbird, is owned by John McBride, and is one of Nashville’s premier recording studios, sound engineer schools and equipment rental companies. TICKETS

Bluebird

Bluebird | Directed by Brian Loschiavo
Still Tickets Available
Tues. Oct. 8, 5:30 PM / 7:00 PM / 7:15 PM / Sat. Oct. 12, 12 PM

It was 1982, and Amy Kurland, a 27-year-old culinary school graduate, was opening a café in the strip mall of an upscale Nashville suburb. She had no idea it would eventually become the most influential listening room in America. Over the next three decades, with Amy’s unwavering passion to showcase and nurture new talent, this unassuming venue would help birth legendary careers of Garth Brooks, Faith Hill, Vince Gill, Taylor Swift and countless more. The film features unforgettable performances by Taylor Swift, Garth Brooks, Maren Morris, Vince Gill, Jason Isbell and many more. TICKETS

Doc Shorts

DOCUMENTARY SHORTS
Documentary Shorts 1:Sun, Oct 6, 6:30 PM & Wed, Oct 9, 3:00 PM
Documentary Shorts 2: Mon. Oct 7, 12:30 PM & Tues. Oct 8, 6:00 PM

Everything You Wanted to Know About Sudden Birth* (*but were afraid to ask) is the amazing story of how the Berkeley police department, the Nazi invasion of the Netherlands, an Academy Award winner and Mr. Spock are all connected by “Sudden Birth”, one of the most unintentionally hilarious and disturbing educational films ever created.TICKETS

Lumineers

The Lumineers III | Directed by Kevin Phillips
Sat., Oct. 12, 4:30 PM

The Lumineers’ III is a visual exploration of the band’s third and latest album. In three chapters corresponding with the album’s ten tracks, we follow three generations of a working-class family in the American Northeast. TICKETS

See you at the movies!

Screen Shot 2019-09-25 at 8.42.21 AM

*Featured photo: Emmett Anderson, left, and Talya Klein, finalists for Drama Feature Screenwriting Competition

Nashville Film Fest Hosts Chuck Berry World Premiere

Posted by Larry Gleeson

Chuck Berry, directed by Ron Brewer, made its world premiere at the 50th Anniversary of the Nashville Film Festival, Friday, October 4, 2019, Regal Hollywood ScreenX & RPX Cinema – Nashville. Berry, an extraordinary entertainer, ushered in the era of rock-n-roll, with a showmanship that has often been imitated and rarely duplicated.

The evening opened with a full on red carpet and Nashville hospitality. The screening was well received as the film’s director, Ron Brewer, does his homework as he shed light on the man and career that shaped and molded the British invasion during the 1960’s. The night continued with a celebratory after party at Nashville Acme Seed.

 

Bery Fam
Berry Family posing with an authentic Gibson Berry Guitar at the 50th Nashville Film Festival’s Acme Seed After Party, October 4th, 2019. The family was present for the world premiere of Ron Brewer’s documentary, Chuck Berry, Regal Hollywood ScreenX & RPX Cinema – Nashville. (Photo courtesy of NashFilm)

Acme After Party
Live entertainment at the 50th Nashville Film Festival’s Acme Seed After Party, October 4th, 2019, following th world premiere of Ron Brewer’s documentary, Chuck Berry, Regal Hollywood ScreenX & RPX Cinema – Nashville. (Photo courtesy of NashFilm)

Music Supervisors
The Music Supervisors at the 50th Nashville Film Festival’s Acme Seed After Party, October 4th, 2019, following the world premiere of Ron Brewer’s documentary, Chuck Berry, Regal Hollywood ScreenX & RPX Cinema – Nashville. (Photo courtesy of NashFilm)

Stay tuned for more as the 50th Anniversary of the Nashville Film Festival is heating up as temperatures outside are coming down!

See you at the movies…..

 

NashFilm’s 50th Anniversary Is In Full Swing!

Posted by Larry Gleeson

The 50th Anniversary of the Nashville Film Festival is well into its opening weekend. The  Festival App is an excellent tool to plan the Fest! It is available in App stores. A VIP Badge offers the premium festival experience and are available.

 

Here’s a quick look at upcoming films.

Music Documentaries | Chuck Berry: Directed by John Brewer

Sunday 10/6 2:00 PM

Berry

Brewer tells the story of a black preacher’s son who managed to cross the racial divide in 1950’s America with the power of a well-crafted song and a Fender guitar, only to discover that what was on the other side held the organized prejudice of a nation. This is a highly artistic nod to Sin City that shines a light on the facts and phantoms around the story of the Granddaddy of Rock & Roll. Cast: Chuck Berry, Alice Cooper, Themetta Berry, Joe Perry, Carles Berry, Stevie Van Zandt. TICKETS

Graveyard Shift | Driven – Dark Comedy/Thriller – Directed by Glenn Payne

Driven

 

In this dark-comedy thriller, Emerson (Casey Dillard) is a ride share driver with nights full of annoyances until she picks up Roger (Richard Speight, Jr.), a mysterious out of towner on a mission to break a multi-generational curse.

This delightful movie handles jobs we hate, self-identity crisis, and coming of age tales all while slashing through legions of demons and reminding us to tip our drivers. It got snark, scares, and a whole lot of heart that pushes the boundaries of what can be done in genre films to give viewers the best ride possible. TICKETS

Documentaries | Gay Chorus: Deep South – Directed by David Charles Rodrigues

Saturday 10/5 12:00 PM

Gay Chorus

In response to a wave of anti-LGBT laws in Southern states and the divisive 2016 election, the San Francisco Gay Men’s Chorus embarks on a tour of the American Deep South. Joined by allies, the Oakland Interfaith Gospel Choir, they bring a message of music, love, and acceptance to communities and individuals confronting intolerance. The journey is a celebration of the power of music. TICKETS.

Music Documentaries | Kate Nash: Underestimate the Girl – Directed by Amy Goldstein

Saturday 10/5 6:30 PM
Sunday 10/6 12:30 PM

Kate Nash

Kate Nash, punk renegade, TV wrestling queen (GLOW), and DIY leader of an all-girl band forgoes money and fame to speak out about gender inequality in the music business and to embolden other young women to find their voice. Cast: Kate Nash, Alicia Warrington, Frederik Thaae, Kate Craig, Tom Biller, Jarrad Kritzstein. TICKETS.

See you at the movies!

50th

(Sourced from press releases provided by NashFest and Alexa Oliphant)

 

Nashville Film Festival Kicks Off 50th Anniversary Edition In Style

Posted by Larry Gleeson

Opening Night-1
Singer-Songwriter Lauren Jenkins in a soulful performance at the Clementine in Nashville, Tenn., at the Opening Night Gala, Thursday, October 3rd, 2019, to lift off the 50th Nashville Film Festival. The festival is set to run October 3-12, 2019. (Photo credit: Larry Gleeson/HollywoodGlee)

The 50th Nashville Film Festival is underway. Executive Director Jason Padgitt welcomed filmgoers, filmmakers and talent alike at the Clementine in Nashville, Tennessee, Thursday night……and he wasn’t alone! Padgitt provided the traditional opening remarks onstage with rising talent, singer-songwriter, Lauren Jenkins.

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Jason Padgitt, left, introduces singer-songwriter, Lauren Jenkins, Thursday night, October 3rd, 2019, at the Clementine in Nashville, Tenn., at the Opening Night Gala for the 50th Anniversary of the Nashville Film Festival with a run of October 3rd through October 12th. (Photo credit: Larry Gleeson/HollywoodGlee)

The Opening Night Film program screened Taika Waititi’s much-buzzed-about dark comedy JoJo Rabbit, which delves into the World War II-era perspective of a young German boy who is forced to reconsider the nationalism in which he was raised. The film was proceeded by a VIP tent party at the Regal Hollywood ScreenX & RPX Cinema – Nashville, home to this year’s screenings and the Creators Conference.

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VIP Hospitality at the Nashville Film Festival on Opening Night, Thursday, October 3rd, 2019, Regal Hollywood ScreenX & RPX Cinema – Nashville. (Photo credit: Larry Gleeson)

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Band members from Nikki’s Wives and Veridian gather for a little fun and socializing at the 50th Nashville Film Festival on October 3rd, 2019, Regal Hollywood ScreenX & RPX Cinema – Nashville, (Photo credit: Larry Gleeson)

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Saint Luna Opening Night Cocktail Sponsor at the Regal Hollywood ScreenX & RPX Cinema – Nashville  (Photo credit: Larry Gleeson)

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Nashville Film Festival Sponsor Mercedez-Benz adorns the entryway of the Regal Hollywood ScreenX & RPX Cinema – Nashville  (Photo credit: Larry Gleeson)

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Regal Hollywood ScreenX & RPX Cinema – Nashville, home to this year’s screenings and the Creators Conference. (Photo credit: Larry Gleeson)

For more information on the 5oth Nashville Film Festival, including purchasing tickets and passes, please visit: https://nashvillefilmfestival.org/

About

The Nashville Film Festival (NashFilm) is a globally-recognized non-profit organization and cultural event presenting the best in the world cinema, American independent films and documentaries by veteran masters, up-and-coming directors, and first-time filmmakers.

With Academy Award® qualifying status, the Nashville Film Festival celebrates innovation, music and the many voices of the human spirit through the art of film. Originally founded in 1969, the Nashville Film Festival is one of the first film festivals in the United States.

*Featured photo: Bryce Bilello, Theatre Operations, Nashville Film Festival (Photo credit: Larry Gleeson)

50th

Early Music-Based Docs at Nashville Are Making Sweet Vibrations

Posted by Larry Gleeson

NASHVILLE FILM FESTIVAL JUMP STARTS 50th ANNIVERSARY AND ANNOUNCES SELECT MUSIC DOCUMENTARIES INCLUDING “BLUEBIRD,” “CHUCK BERRY,” “BORN INTO THE GIG,” “COOL DADDIO,” AND “THE SHERIFF OF MARS”

The Nashville Film Festival, taking place October 3-12, 2019, announces early music documentary features for 2019, including the world premiere of “Chuck Berry” by filmmaker Jon Brewer; “Born Into the Gig” by filmmakers Kate Davis and David Heilbroner; “Cool Daddio: The Second Youth of R. Stevie Moore” from filmmakers Imogen Putler and Monika Baran; and “The Sheriff of Mars” from filmmakers Jason Ressler and Matthew Woolf.

 

The Nashville Film Festival is celebrating its 50th Anniversary this year, making it one of the longest running independent film festivals in the U.S. Under the new leadership of Executive Director, Jason Padgitt, the Nashville Film Festival will feature a diverse lineup of more than 250 films with an increased focus on music-based films, films from female directors and top American independent narrative feature films.

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Nashville Film Festival’s Executive Director, Jason Padgitt (Photo courtesy of NashFilm)

“The Nashville Film Festival is celebrating an incredible 50 year milestone by honoring the history of the festival while pointing the organization to a future of expanded opportunities for filmmakers worldwide and for the amazing arts community here in Tennessee,” said Nashville Film Festival’s Executive Director, Jason Padgitt. “There are so many great stories to share at this year’s festival and we’re very excited about all of the incredible films and events planned for this historic event.”

“We are thrilled to announce these music documentary titles for our 50th Festival. Each film truly complements Nashville’s wide variety of musical and artistic roots,” said Lauren Ponto, Programming Manager for the Nashville Film Festival. “We are looking forward to presenting these powerful music documentaries as just one part of our amazing full slate of films.”

 

Lauren Ponto, Programming Manager for the Nashville Film Festival
Lauren Ponto, Programming Manager for the Nashville Film Festival

“We are thrilled to announce these music documentary titles for our 50th Festival. Each film truly complements Nashville’s wide variety of musical and artistic roots,” said Lauren Ponto, Programming Manager for the Nashville Film Festival.

“We are looking forward to presenting these powerful music documentaries as just one part of our amazing full slate of films.”

 

 

Select Music Documentaries Include:

Chuck Berry: The Original King Of Rock 'N' Roll

Title: CHUCK BERRY

Dir.: Jon Brewer

Cast: Chuck Berry, Alice Cooper, Themetta Berry, Joe Perry, Charles Berry, Stevie Van Zandt

Synopsis: In this highly anticipated feature- length documentary, the absolute instigator of Rock and Roll, CHUCK BERRY is truly revealed, with exclusive access. Despite his iconic status, and reverence for his talent by rock’s heroes John Lennon, Bruce Springsteen, Keith Richards, Steve Van Zandt, Joe Perry, Alice Cooper) all featured, Chuck Berry was a family man. He was a prolific craftsman of word and chords; an undisputed and stunning combination of talent and charisma. Award-winning Film maker Jon Brewer (BB King The Life of Riley, Nat King Cole: Afraid of the Dark), lends new insight to the man known as the bedrock of Rock n Roll.

Premiere Status: World Premiere

BLUEBIRD

Title:     BLUEBIRD

Dir.:       Brian Loschiavo

Cast:      Taylor Swift, Garth Brooks, Faith Hill, Vince Gill, Maren Morris, Jason Isbell

Synopsis: It’s where megastars like Garth Brooks, Faith Hill and Taylor Swift got their break, and where emerging singer-songwriters continue to flock for a chance to perform original material. But The Bluebird Cafe, this unassuming venue nestled in a suburban Nashville strip-mall, faces an uncertain future. Featuring unforgettable performances by Taylor Swift, Garth Brooks, Maren Morris, Vince Gill, Jason Isbell and many more, we’ll explore the past and present of this accidental landmark that has altered the course of music history.

Premiere Status: Southeast US Premiere

COOL DADDIO: THE SECOND YOUTH OF R. STEVIE MOORE

Title:     COOL DADDIO: THE SECOND YOUTH OF R. STEVIE MOORE

Dir.:       Imogen Putler, Monika Baran

Cast:      R. Stevie Moore, Mac DeMarco, Ariel Pink, Theophilus London, Tim Burgess, David Shrigley

Synopsis: Cool Daddio: The Second Youth of R. Stevie Moore tells a story of the greatest ‘undiscovered’ musical genius of all time. He has recorded 400 albums in 40 years… in his bedroom. Unique and eccentric. Unrecognized outside of a small group of music insiders, until now…

Premiere Status: US Premiere

 

Title:     BORN INTO THE GIG

Dir.:       Kate Davis and David Heilbroner

Cast:      Chris Stills, Skip Marley, Kori Withers, Ben and Sally Taylor

Synopsis: BORN INTO THE GIG tracks the children of rock stars James Taylor, Carly Simon, Bill Withers, Stephen Stills and the Marleys as they become singer- songwriters in the shadow of their legendary parents.  The path for these young artists is tricky — filled with family tension, humor, and courage as they strive to create their own music.

Premiere Status: World Premiere

THE SHERIFF OF MARS

Title:     THE SHERIFF OF MARS

Dir.:       Jason Ressler, Matthew Woolf

Cast:      Daniel Antopolsky, Townes Van Zand, Bill Hedgepeth, Sylvia Antopolsky

Synopsis: In space, no one can hear you sing…. The story of a lost singer who did everything he could not to become successful and ended up being so anyway.

Premiere Status: World Premiere

 

ABOUT NASHVILLE FILM FESTIVAL

The Nashville Film Festival is celebrating its 50th Anniversary this year, making it one of the longest running independent film festivals in the U.S. Under the new leadership of Executive Director, Jason Padgitt, the Nashville Film Festival will feature a diverse lineup of more than 250 films with an increased focus on music-based films, films from female directors and top American independent narrative feature films.

The Nashville Film Festival (NashFilm) is a globally-recognized non-profit organization and cultural event presenting the best in world cinema, American independent films and documentaries by veteran masters, up-and-coming directors, and first-time filmmakers. With Academy Award® qualifying status, the Nashville Film Festival celebrates innovation, music and the many voices of the human spirit through the art of film and partners with the Thompson Nashville to host guests from all over the world. Originally founded in 1969, the Nashville Film Festival is one of the first film festivals in the United States and will celebrate its 50th Anniversary in October, 2019.  For more information, visit nashfilm.org.

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(Source: NashFilm blog)

Motherless Brooklyn (Norton, 2019):USA

Posted by Larry Gleeson

Viewed as part of the 46th Telluride Film Festival at the Palm Theatre. Motherless Brooklyn, a crime, drama film noir throwback by Edward Norton, tells the story of a gum shoe detective with Tourettes Syndrome, a disorder characterized by involuntary tics, investigating the death of his boss, mentor and adoptive father figure, Frank Minnis, played by Bruce Willis. Edward Norton wrote, directed, starred and produced the film.

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Edward Norton in Warner Brothers Pictures MOTHERLESS BROOKLYN. (Photo courtesy of Warner Brothers Pictures)

 

A passion project twenty years in the making, Motherless Brooklyn, attempts to re-imagine the famed film noir era. While most noir films were black and white, Norton chose to showcase his work in color. And with a cast including Leslie Mann, Gugu Mbatha-Raw. Bobby Cannavale, Alec Baldwin and Willem Dafoe, I can certainly understand and appreciate his decision with the film’s colorful characters. Norton’s performance as Lionel Essrog, the Touretted detective, reminded me of Norton’s Oscar nominated performance as Roy/Aaron in the 1996 crime drama, Primal Fear. It’s every bit as impressive though seemingly carries a lighter psychological heft.

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Alec Baldwin, left, and Edward Norton in Warner Brothers Pictures MOTHERLESS BROOKLYN. (Photo courtesy of Warner Brothers Pictures)

In Motherless Brooklyn, Lionel finds his legs in the world of detective investigations after the death/murder of his boss/mentor and adoptive father figure, Frank Minna. Driven to find the truth, Lionel navigates various scenes and worlds of New York City in the 1950’s with a rock-hard determination as the film’s peripheral characters are uninterested in who killed Frank Minna. Rather, each character has his or her selfish interests to pursue. Lionel, on the other hand, is steadfast and goes to any lengths to pursue the truth going so far as to impersonate a prominent and well-known New York Times newspaper reporter.

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Edward Norton in Warner Brothers Pictures MOTHERLESS BROOKLYN. (Photo courtesy of Warner Brothers Pictures)

Norton’s character, Lionel, carries the film from start to finish. Utilizing a traditional, signature noir element, the narrative voice-over, Lionel fills the audience in on background elements as the film dives, reminiscent of Roman Polanski’s Chinatown, into a world of gangland violence and shady real estate deals within a flourishing underground entertainment scene.

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Gugu Mbatha-Raw, left, and Edward Norton in Warner Brothers Pictures MOTHERLESS BROOKLYN. (Photo courtesy of Warner Brothers Pictures)

Several other aspects of the film push the work into the apex of top films. The film’s musical score by Daniel Pemberton takes a seat with the Miles Davis score in Elevator to the Gallows. Wynton Marsalis and Michael K. Williams deliver an astonishing, melodic trumpeting as Lionel and Gugu Mbatha-Raw’s character, Laura, a community, housing fairness activist, share a heartfelt, tender moment. The costuming from Amy Roth,  the cast of characters by Avy Kaufman and production design from Beth Mickle qualify the film as a solid period piece set in the 1950’s New York City. And while the mise-en-scene appears simple, it works magically with the calm, cool, polished voice-over narrative of a retrospective Lionel. Interestingly, Norton collaborated heavily with two-time Oscar nominee, Cinematographer Dick Pope.

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Edward Norton, right, and Willem Dafoe, center, in Warner Brothers Pictures MOTHERLESS BROOKLYN. (Photo courtesy of Warner Brothers Pictures)

Granted, with a A-list cast of Hollywood actors, Norton’s directorial work would seem to be a walk in the park. Yet, Norton not only directed the film, he also played the lead role adapting the Jonathan Lethem prize-winning novel of the same name to the screen, and was a major producing partner.

With a run time of 144 minutes, Motherless Brooklyn, comes in on time. Some editing and production choices allowed an emotional peek into the “broken brain” of Lionel and his coming to terms with his Tourettes that some viewers might find unsettling. Undoubtedly, the film, a Warner Brothers Picture production, is a vehicle for Edward Norton to showcase his talents. Yet, it also sheds light on a ruthless period in the urban planning of New York City providing an illumination into today’s socio-economic/political environment. Highly recommended.

 

Ford v Ferrari (Mangold, 2019):USA

Posted by Larry Gleeson

Viewed as part of the 46th Telluride Film Festival at the Werner Herzog Theatre, Ford v Ferrari (titled Le Mans ’66 in the UK and other destinations), directed by James Mangold (Walk the Line), tells the story of two obsessive artists, Matt Damon as car designer, Carroll Shelby, and Christian Bale as race car driver, Ken Miles, clashing and teaming up to build the world’s fastest race car after a verbal slight by Enzo Ferrari, owner of the then dominant Ferrari Formula One race car, towards Henry Ford II, proud Chairman of the Ford Motor Company.

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Matt Damon in Twentieth Century Fox’s FORD V. FERRARI. (Photo Credit: Merrick Morton TM and © 2019 Twentieth Century Fox Film Corporation.)

The film is driven almost exclusively by the powerful relationship dynamic of two strongly convicted characters who know how to win and have the will to do whatever it takes to do so – even going as far as paying the ultimate price for the love and exhilaration of the race car. Director Mangold skillfully manages the competing personalities not only of the film’s lead characters but also the egos and ambitions of the peripheral players from Ford as the managerial layers come to bear on the project.

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Christian Bale in Twentieth Century Fox’s FORD V. FERRARI. (Photo Credit: Merrick Morton TM and © 2019 Twentieth Century Fox Film Corporation)

Complete with a dizzying array of tightly-framed close-ups of Bales’ character, Miles, behind the wheel, the audience is treated to a smiling, charismatic professional race car driver as he handles and brings to fruition a winning racing machinery with grace and expertise with mesmerizing cinematography from Phedon Papamichael (Nebraska, Walk the Line). Meanwhile, Damon crushes his “good ‘ol boy” Shelby character, often cutting the Ford Motor Company executives off in mid-stream as his self-determination to make the world’s fastest car becomes an obsession.

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Christian Bale in Twentieth Century Fox’s FORD V. FERRARI. (Photo Credit: Merrick Morton TM and © 2019 Twentieth Century Fox Film Corporation.)

One aspect of filmmaking often overlooked by moviegoers is the sound and the role it plays in augmenting the film’s emotional intent. With Ford v Ferrari, Sound Designer Ted Wilkinson, turns the onscreen car racing world into a virtual spin with an exceptional soundtrack putting the viewer into the driver’s seat of race car driving including several live pit stops in the heat of the LeMans ’66 racing competition.

And while Bale and Damon garner most of the screen time, four-time Golden Globe nominee, Caitrione Balfe (Outlander), keeps both lead characters in check as the boys wind up in fisticuffs as they struggle to make their shared dream a reality. In addition, Noah Jupe (A Quiet Place) carries a load as Peter Miles, Bales’ character, Ken Miles’ adoring son. Steady actor, Josh Lucas, delivers a strong performance as Leo Beebe, the Ford executive who, in trying to maintain a wholesome image for the motor company, almost single-handedly derails the project. Tracy Letts embodies the character of Henry Ford II in more than one memorable scene.

Ford v Ferrari has a fast run time of 152 minutes and is a family-friendly film produced by Chernin Entertainment and Twentieth Century Fox (now owned by Disney). The release date is scheduled for November 15, 2019, putting the film right in the heart of the Oscar race. A must-see film, I highly recommend Ford v Ferrari be experienced with an advanced cinema sound system. You’ll be glad you did!

An important note: Through a long-term partnership with a goal of creating extraordinary film experiences, Meyer Sound and the Telluride Film Festival have collaborated to bring a custom designed Meyer Sound cinema sound system to a few of the festival major venues, including the Werner Herzog Theatre.

*Featured photo: Matt Damon and Christian Bale in Twentieth Century Fox’s FORD V. FERRARI. Photo Credit: Merrick Morton TM and © 2019 Twentieth Century Fox Film Corporation

 

Seventh Annual Coast Film & Music Festival Announces Full Film Slate

Posted by Larry Gleeson

 

Seventh Annual Coast Film & Music Festival Announces

Full Film Slate, Lineup Includes 16 Features and 73 Shorts

Ticketing options available here

 

Jack Johnson

 

Laguna Beach, CA (October 27, 2025)—The Coast Film & Music Festival (CFMF) has unveiled the full film slate for its seventh annual event, taking place Saturday, November 1 through Sunday, November 9. The schedule includes 16 features and 73 shorts, with screenings at the following venues: the Laguna Beach Cultural Arts Center, the Festival of Arts, the Rivian South Coast Theater, The Promenade on Forest, and the Hobie Surf Shop.

The Eyes Of Ghana

 

The festivities kick off with the stunning feature documentary The Eyes of Ghana from two-time Academy Award®-winning director Ben Proudfoot and executive producers Barack and Michelle Obama. The film follows 93-year-old documentarian Chris Hesse—personal cinematographer to forgotten African icon and former Ghana president Kwame Nkrumah—as he races against blindness and time to rescue and repatriate a secret trove of over 1,000 films that captured the birth of African independence in the fifties and sixties. Yet unseen by the public, these films may not only rewrite Ghanaian and African history, but world history itself.

 

The festival will conclude with two feature films: Academy-Award winners Chai Vasarhelyi and Jimmy Chin’s Love + War and musician Jack Johnson’s The September Sessions. Love + War chronicles Pulitzer Prize winner Lynsey Addario’s ascent in the male-dominated world of conflict photography. Her work is dangerous—she’s been kidnapped twice while in war zones—which is a cost she must wrestle with each time she leaves her husband and two sons to go on assignment. Behind the camera, Addario is torn between her unwavering commitment to the essential work of journalism and the powerful, competing demands of motherhood, grappling with what it truly means to follow your calling when it threatens everything you love. The September Sessions follows American surfers as they take a trip to the coast of Sumatra, where they find themselves surfing beautiful waves and losing the urgency they have come to live with as professionals. Shot on 16mm film and featuring interviews with surfers Kelly Slater and Rob Machado, this film takes viewers on a once-in-a-lifetime surf trip.

The other features screening individually include: Tony Benna’s André is an Idiot; Vickie Curtis and Doug Anderson’s Comparsa; Josh Swade’s Empire Skate; Jacob Vanderwork’s Feels Like Yesterday; Shaun and Greg MacGillivray’s Ohio: Wild at Heart; Roanna Xia and Daniel Straub’s Out of Plain Sight (from LA Times Studios, presenters of the Oscarâ-winning The Last Repair Shop); Ben Masters’ The American Southwest; Tamara Kotevska’s The Tale of Silyan; Jack Johnson and Chris and Emmett Malloy’s Thicker Than Water; John Hunter Nolan and Erin Brockovich’s Unearth; and Richard Ladkani and Leonardo DiCaprio’s Yanuni. The feature films screening in the special programming category “Mountain/Snow Night” are Chris Benchetler’s Mountains of the Moon and Todd and Steve Jones’ Pressure Drop. 

Most of the short films are programmed alongside other shorts in the following thematic blocks: “Adventure Shorts,” “Animal Kingdom Shorts,” “Every Day Wonders Shorts,” “Gravity & Grace Shorts,” “Healed by Nature Shorts,” “Our Lands Shorts,” “Our Oceans Shorts,” “Running Shorts,” “Stoker Shorts,” and “Surf Shorts.”

Shorts screening ahead of individual features include: David Goldblum and Mark Hamill’s Big Rock Burning; Rachel Ross’ Earthworks; Kelly Gilbride’s Here the Wild Things Are; Charlie Turnbull’s If I Disappear; Connor Eck’s Since 1950; Gaby Scott’s The Dolphins; Sashwa Burrous’ The Fire Poppy; Jacob Krupnick’s Then Comes the Body; Ricky-Thomas Serikawa’s Twisted Braid; Hanz Rippe Gabriel and Fernanda Pineda Palencia’s Unless We Dance; Oliver Sutro’s Uphill Both Ways; and Sean Peoples’ When the Storms Hit.

The shorts screening in the special programming category “Mountain/Snow Night” are Mike Schwartz’ Annika: Where She Lands; Harry Kearney and Timmy Taussig’s Center Punch; and Ian Durkin’s Paved.

“Adventure Shorts” include: Zeppelin Zeerip and Colin Arisman’s Arctic Alchemy; Scott Secco’s Drop the Mic; Alec Yasuo Walsh’s Love Letters: A Love Note to Skateboarding; Nick Rosen and Gareth Leah’s Reel Rock 19: Death of Villains; and Glen Janssens’ Your Last Best: A Memphis Rox Story.

“Animal Kingdom Shorts” include: Jason Jaacks’ Between Moon Tides; Skye Fitzgerald’s Chasing Roo; and Josh Murphy’s Love Letter to the Unseen.

“Every Day Wonders Shorts” include: Dan Lio and Noam Genet’s Assynt; Palmer Morse and Derek Knowles’ Borrowed Time; James Berry’s Cletus; Sam Miller and Stephen Stinson’s I’m Still Here: A Life on Dynamite Hill; Will Wertz and Kolton Dallas’ Little Liberty; Charlie Turnbull’s Miles Between Us, Miles to Go; Mike Schwartz’ Momo; Kate Brantley and Sarah Hughen’s See Like Me; Nicholas Dorsey’s To Be a Child; and Wylie Overstreet and Alex Gorosh’s To Scale: Time.

“Gravity & Grace Shorts” include: Joseph Fletcher’s Bridgers; Alex Heitler’s In Cold Blood; Josh Goldsmith’s Lines; Mathieu Le Lay’s Rêverie; Keenan DesPlanques’ Rogatkin; and Josh Fairmont and Ollie Smith’s Whispers.

“Healed by Nature Shorts” include: Cole Sax and Phil Hessler’s Call to Serve; Rocky Romano and Miranda Winters’ Gangsta Gardener; Jeremiah Schuster’s Mother River; Evan Grainger’s Powered by Community: Food is Medicine; Karl Stelter’s Swimming with Butterflies; and Danny Schmidt’s The Book of George.

“Our Lands Shorts” include: Arian Tomar’s Cottonwood; Pablo Mejía’s Equipo no. 3; Matthew Benton’s Fish for the Future; Brooklyn Phillips and Sarah Stewart’s Hellbent; Ashley Kuckler’s Keepers of the Canyon; Dana Frankoff’s Land to Sea; Pete McBride’s Monumental Moment; Francesco Clerici and Tommaso Barbaro’s The Ice Builders; Tony Czech’s The Reindeer Journals; and Greg Robinson’s Valley Under Fire.

“Our Oceans Shorts” include: Peter Grigsby’s Bitter Water; Ethan Edmunds and Armin Korsos’ Brothers of the Sea; Kevan Doyle’s Caught; Natalie Faye’s Epicenter; Josh Murphy’s Rock | Plastic | Salmon; Nicole Gormley’s Sea Country (Malu Lag); Tatum Kala Davis, Natalie Aymond, Jack Phillips, and Taylor Ortiz’ The Kelp We Breathe; and Carl Rosen’s Year of the Bluefin.

“Running Shorts” include: Tylor Wolter’s King of Moab; Sam Price-Waldman’s The Life We Have; and Jaden Stodart’s The Speed Project: Afterparty.

“Stoker Shorts” includes: Wylie Overstreet and Alex Gorosh’s A New View of the Moon; Ben Knight and Berne Broudy’s Best Day Ever; Drew Miller’s Brain Waves: An Andy Davis Story; Ben Knight’s Unicorn Sashimi; and Brent Englund’s When Dishwashers Were Kings.

Finally, “Surf Shorts” include: Keith Malloy and Andrew Schoneberger’s First In, Last Out; and Stab Magazine’s Milk & Honey.

“People are seeking stories that inspire hope and bring us together,” says Programming Director Hayley Nenadal. “Our festival serves as a showcase for award-winning documentaries and films that tell important, beautiful stories—some tackle big ideas that challenge us to think, while others are unifying experiences that resonate with audiences of all backgrounds. We’re offering exactly what our communities need right now.”

“This festival is more than a passive experience,” conclude Co-Founders Ben Warner & Enich Harris. “It’s an opportunity to connect with like-minded individuals, to spark conversations about conservation, and to ignite the spirit of adventure that drives us all. Whether you’re discussing sustainable practices, planning your next expedition, or simply enjoying the company of fellow outdoor enthusiasts, you’re contributing to a community that values and protects our natural world. Our aim is for you to leave here not just entertained, but energized and inspired to make a positive impact. May this festival kindle a renewed dedication to exploring and preserving the wild places we all cherish.”

Tickets and passes are available for purchase on the official website here. Press materials (including film synopses, posters, and stills; filmmaker bios and headshots; and screening locations and times) are available here.

 

 

About Coast Film & Music Festival

Coast Film & Music Festival, founded in Laguna Beach, California in 2019, is an annual celebration of outdoor-inspired cinema, culture, and community. CFMF’s diverse programming includes films, panels, music, art, and outdoor experiences designed to entertain, inform, and inspire audiences. The festival is committed to nurturing young filmmakers and sharing unique voices through innovative mentoring and educational programs. In 2022, they established the Coast Film Foundation, a 501(c)3 non-profit dedicated to purpose-driven filmmaking that drives positive change through storytelling.

 

Media Contacts: K-Line Media Group, 949-315-5101

Caroline Rustigian, caroline@k-linemediagroup.com

Platform Media Group (PMG), 323-337-9042

Henry Eshelman, heshelman@platformgrp.com

 

 

AMERICAN FILM MARKET® & MARCHÉ DU FILM ANNOUNCE COLLABORATION

Posted by Larry Gleeson

AMERICAN FILM MARKET® & MARCHÉ DU FILM ANNOUNCE COLLABORATION ON NEW INNOVATION HUB AND AI PROGRAMMING FOR AFM 2025

The AFM Sessions to Feature Weapons’ Producers and Executives from Adobe, Asteria/Moonvalley, Blumhouse, Caviar, Cineverse, Largo.ai, Lyrical Games, Pressman Film, Revelations Entertainment, Screen Engine, UTA, Waypoint Entertainment, and More!

 

Los Angeles, CA – October 20, 2025 — The American Film Market® (AFM®) and Marché du Film today announced the two Markets are collaborating on the Innovation Hub and AI-focused programming at AFM 2025. Marche’s successful innovation focus, Cannes Next, was the catalyst for the two Markets to embrace this new initiative. The Innovation Hub will spotlight cutting-edge creative and business technology tools that support the development, financing, and production of content. Designed as both an exhibition and ideas forum, it will showcase companies at the intersection of creativity, commerce, and technology, connecting AFM attendees with innovators from across tech, media, and entertainment. AFM is set to return for its 46th edition to Los Angeles November 11–16, 2025, at the iconic Fairmont Century Plaza. As part of the collaboration, featured AI Sessions that will be presented include:

 

 

Friday, Nov 14 | 9:30 AM – 10:30 AM

Speakers include Will French, Head of Film & Television Finance, Fallbrook; Scott Greenberg, Co-Founder & Executive Chairman, Othelia Technologies; Bryn Mooser, Founder & CEO, Asteria and Co-founder, Moonvalley

In addition, AFM today announced the initial lineup of programming and speakers confirmed for The AFM Sessions presented by Wrapbook and IMDb Pro. Taking place alongside the sales and licensing activity, LocationExpo and Screenings, The AFM Sessions will bring together more than 100 thought leaders, experts and influencers for 30+ panels, workshops, and presentations examining the forces shaping the industry today and the future of film and content across four days (November 12–15).

 

 

Other key highlights of this year’s Sessions include:

Finance I – From Packaging to Payback: Investment, Incentives & International Markets

Wednesday, Nov 12 | 9:30AM – 10:30AM 

Speakers include Ryan Broussard, VP of Sales & Production Incentives, Wrapbook; Jeaneane Davey, Founder, Callisto Advisory, Inc.; Sam Pressman, CEO, Pressman Film; Josh Rosenbaum, Partner & Producer, Waypoint Entertainment

Finance II – How They Did It: Strategies That Brought Projects to Life

Thursday, Nov 13 | 9:30AM – 10:30AM 

Speakers include Mark Fasano, Partner and the CEO, Nickel City Pictures; Jeffrey Greenstein, Founder & CEO, A Higher Standard; Allison Hironaka, Head of Film & TV LA, Caviar; Laura Lewis, Founder & CEO, Rebelle Media

Level Up: The Evolving Relationship Between Filmmaking and Gaming

Thursday, Nov 13 | 1:00PM – 2:00PM 

Speakers include Russell Binder, Partner, Striker Entertainment; Amanda Krouse, Vice President of Business Development, Blumhouse; Blake Rochkind, Head of Lyrical Games, Lyrical; Patrick Sweeney, Founder, Interactive Entertainment Law Group

Dealmakers’ View: Inside Independent Film Sales and Today’s Global Marketplace

Thursday, Nov 13 | 3:00PM – 4:00PM

Speakers include Clay Epstein, President, Film Mode Entertainment; Kevin Goetz, Founder and CEO, Screen Engine; George Hamilton, Chief Commercial Officer, Protagonist Pictures; Steven C. Miller, Filmmaker (Line of Duty)

Fright Club: The Power Players Behind Modern Horror

Thursday, Nov 13 | 4:30PM – 5:30PM 
Speakers include Jake Carter, Agent, UTA, Jacob Jaffke, SVP, Oddball Entertainment (MaXXXine, Pearl); J.D. Lifshitz, Founder, BoulderLight Pictures (Weapons, Barbarian); Raphael Margules, Founder, BoulderLight Pictures (Weapons, Barbarian)

Latinos Navigating Hollywood: Challenges and Opportunities

Friday Nov 14 | 3:30PM – 4:30PM 

Speakers include Rafael Agustin, Writer (Jane the Virgin); Yolanda Macias, Chief Motion Pictures Officer, Cineverse; Robert Munoz, President, Mucho Mas Media; Anthony Nardolillo, Director (7th & Union, Chicago Med); Patricia Riggen, Director (G20, Dopesick)

The AFM Pitch Conference

Saturday, Nov 15 | 9:30AM – 12:30PM

Speaker/Judges include Cassian Elwes, Elevated Film Sales; Lee Jessup, Lee Jessup Career Coaching; Loni Rodgers, Independent Producer & Consultant

View the current Programming Lineup

AFM will again serve as the year’s most essential meeting point for the global independent industry — where projects are packaged, deals are made, and the business of film and series takes center stage. More than 260 exhibitors, including leading sales, production and finance companies, international trade organizations and national umbrella stands, and participants from more than 70 countries are already confirmed for AFM25, with additional companies still signing up daily. With distributors and buyers from 58 territories also confirmed, AFM is set for a full house. Exhibiting Companies include:

A24, AGC Studios, All Rights Entertainment, Altitude, Anton, Architect, Artedis SA – Cinema Arts, Ashland Media Finance, Bankside Films, Beta Cinema, Blue Fox Entertainment, Charades, CONTENTS PANDA, Cornerstone Films, Electric Entertainment, Epic Pictures Group, Embankment Films, Epsilon Film, Essential Film Group, Fantawild Animation, Film Factory Entertainment, Film Seekers, France TV Distribution, Gaumont, Global Constellation, GOODFELLAS, HanWay Films, Highland Film Group, K5 International, Kinology, Lionsgate, Mister Smith Entertainment, mk2 Films, Mokster Films, NEON, north.five.six, Pathé, Palisades Park Pictures, Protagonist Pictures, Pulsar Content, Reason 8 Films, RedRover Co., Ltd, Rocket Science, SND M6 Group, STUDIOCANAL, Studio TF1, The Match Factory, The Playmaker Munich, Toei Company, TrustNordisk, Unifrance, Vision Media, Voltage Pictures, WME Independent, WTFilms, XYZ Films, and many more.

 

 

About the American Film Market® (AFM®)
The AFM is where the global film and television business comes to life every November. The only independently produced international sales market, hundreds of finance, production, sales and distribution companies and thousands of professionals from every segment of the industry, convene at AFM for six days of discovery, development, deal making, networking, marketplace discussions and world-class conferences. The AFM is produced by the Independent Film & Television Alliance® (IFTA®) and serves as the annual fundraiser for the association.

About the Independent Film & Television Alliance® (IFTA®)
IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to independent companies around the world. 

About Marché du Film – Festival de Cannes

The Marché du Film, the business hub of the Festival de Cannes, is the world’s largest international gathering of film professionals, bringing together over 15,000 participants from around the world, including sales agents, producers, distributors, festival programmers and film institutions. Each year, the market hosts more than 1,500 exclusive screenings, 4,000 projects in development, and 250 industry events.
Website: www.marchedufilm.com

About Cannes Next

Cannes Next is the Marché du Film’s innovation-focused platform for business, networking, and exploring the future of entertainment. From AI to virtual production, immersive storytelling and other new technologies, Cannes Next dives deep into the tech trends and transformations that are shaping our industry.

Media Contact: Jennifer Garnick

VP, Communications & Programming

jgarnick@ifta-online.org | 310-446-100

 

 

The 7th annual Micheaux Film Festival returns to Culver City October 23–26, spotlighting diverse voices, visionary creators, and a dynamic blend of film, culture, and community.

Posted by Larry Gleeson

 

The Micheaux Film Festival Unveils Full 2025 Lineup: 36 World Premieres, 100+ LA Premieres, 15 Panels, and 4 Days of Groundbreaking Stories & Culture in Culver City

The 7th annual Micheaux Film Festival returns to Culver City October 23–26, spotlighting diverse voices, visionary creators, and a dynamic blend of film, culture, and community.

 

 

The Micheaux Film Festival today unveiled the full program for its seventh edition, running October 23–26, 2025 at The Culver Theater and surrounding venues. This year’s lineup spans features, documentaries, series premieres, shorts blocks, panels, masterclasses, and special events, and includes 36 World Premieres and more than 100 Los Angeles Premieres. Continuing its mission to elevate storytellers, Micheaux showcases visionary work from across the globe while pushing the boundaries of independent cinema. Learn more at micheauxfilmfest.com.

The 2025 edition set a submissions record, with nearly half of participating directors identifying as first time or early career. Entries spanned generations from Gen Z through age 65 and older, with the largest cohort ages 26 to 35. More than 60 percent of projects reported majority women, BIPOC, and LGBTQIA+ crews. Eight percent of directors self identified as having a disability, and submissions reflected a broad ethnic spectrum, including African American and Black, Latinx, Asian, Indigenous, Middle Eastern, West Indian and Caribbean, and multiracial creators.

 

Courtney L. Branch, Co-Founder and Lead Curator

“This year’s lineup offers a powerful commentary on the urgent issues confronting humanity, not only in America, but around the world,” said Courtney L. Branch, Co-Founder and Lead Curator. “The filmmakers in this year’s program are boldly using their voices to examine and critique the systems that shape our lives, tackling subjects ranging from the education system, mental health, and gun violence, to immigration, and beyond.”

 

Deja Lytle, Manager of Programming

Deja Lytle, Manager of Programming, added: “Our lineup has a project for everyone and everything, from contemporary critiques on modern society to recollections of forgotten history. We showcase coming of age stories and stories that are only told by the wisdom that comes with age. Whether you want to laugh and forget your worries or contemplate the complexities of life, you can have it all in one sitting.”

 

2025 Micheaux Film Festival Lineup:

Category: Feature Film & Documentary Spotlights

Opening Night Gala: It’s Dorothy – LA Premiere

Since Dorothy Gale started her epic journey down the Yellow Brick Road 125 years ago in L. Frank Baum’s The Wonderful Wizard of Oz, she’s become a celebrity, a brand, and a beacon for marginalized voices across our culture. IT’S DOROTHY brings to life her timeless adventures in Oz through the human experiences of a new generation of star performers… Exploring the meaning and evolution of a cherished character through the eras, we celebrate Dorothy as an enduring symbol of hope and a touchstone in our universal quest to fly over the rainbow and find home again.

Director: Jeffrey McHale Producer: Ariana Garfinkel, Zel McCarthy, Suzanne Zionts

Starring: Ashanti, Fairuza Balk, Danielle Hope, Nichelle Lewis, Shanice Shantay, Lena Waithe, Rufus Wainwright, Margaret Cho, John Waters, Amber Ruffin, Roxane Gay

 

Silent Prey

When her brother’s death is swiftly dismissed as an accidental overdose by police, a determined sister embarks on a mission to uncover the truth behind mysterious circumstances of his death.

Director: Avan Hardwell

Starring: Misty Monroe, Donivan David, Matt Rasku

 

Don’t Let Them Out

A struggling woman journeys to a property she’s inherited in hopes of selling it to pay off her debts. But after arriving to the property, she’s lured into a desperate scavenger hunt down a perilous rabbit hole.

Writer & Director: Lila McLaughlin

Starring: Bonnie Root,  Louis Ferreira, Emily Rios

 

Queeriosity: A Documentary? – World Premiere

Queeriosity: A Documentary? follows artist Johnny LaVeie as they document the creation of their own stand-up special—a vulnerable, genre-blending meditation on queer love, longing, and self-performance. Through raw footage, rehearsal, and reflection, the film weaves process into story and turns art-making into personal revolution.

Writer & Director: Johnny Laveie

 

The ReWrite – LA Premiere

A struggling screenwriter, obsessed with portraying Black Excellence and authenticity on the big screen, is forced to do a rewrite of his latest draft in order to save his career. But when he revisits the characters in his script in real life, he soon realizes that his own world is short on authenticity and anything but excellent.

Writer & Director: Terry Dawson

Starring: Stephen Barrington, Jhey Castles, Holly Hyman

 

Young King

As Diondre Howell re-adjusts to civilian life and struggles to cope with the scars of the Iraq war, he increasingly becomes a threat to those he cares about the most – his family.

Writer & Director: Bryant T Griffin

Starring: Vincent Washington, Kirby Griffin, Tarra Riggs

 

Fatherless No More – LA Premiere

A former Super Bowl Champion turned Orlando pastor follows a divine calling to live in an RV on Rikers Island, risking everything to bring hope, healing, and redemption to one of America’s most notorious jails.

Director: Kayla Johnson Producer: D’Angelo Louis

Lives Beyond Motion – LA Premiere

Thirty-three men in contemporary dance, including the legendary Bill T Jones, Lar Lubovitch and Kyle Abraham, gift us a rare level of transparency as they share their sacrifices, triumphs and struggles to transcend economic, racial and sexual marginalization. This feature documentary highlights archival performance footage and preserves the legacy of these incredible artists, while spotlighting their uncompromising quest to find individual expression, joy in the art of movement and what it takes to make a life in the arts.

Writer & Director: Keith Glassman, Producer: The Angel, Douglas Thompson

 

A Matter of Poultry

When an ordinary guy on the cusp of starting his dream job finds out he’s pregnant with an alien parasite, he flashes back to the time he told his teenage girlfriend to not get an abortion.

Writer & Director: Nandini Bapat

 

Cuming Out – LA Premiere

Kennedy’s desire for a heteronormative experience sees her embark on a one-night-stand. What could possibly go wrong?

Writer & Director: Jasmine J Johnson

Starring: Alycia Pascual-Peña (Saved by the Bell, Bel-Air), Jaylen Barron (American Sports Story, Blindspotting)

 

Block: Go Hard or Go Home – Tales of grit, determination, and the fight to overcome against all odds.

 

GO

When a perfectionist, collegiate wrestler finds himself stumbling through the stages of grief after the tragic death of his parents, a security guard with a similar past, secretly coaches him to grow into a champion.

Writer & Director: Dusan Brown

Starring: Dante Brown (Ma, Dash and Lilly), Alimi Ballard (Queen of the South, One of us is Lying), Keesha Sharp (Power Book II: Ghost, Empire)

 

Sideline Story – LA Premiere

Hezi and Parker are two ex basketball phenoms who find themselves in a similar predicament of financial struggles, soon to realize that ball might be the solution to both of their problems.

Director: Sam Buckner III, Deanté Gray Writer: Sam Buckner III

 

Pugilistic Soul – LA Premiere

“Pugilistic Soul” is a short boxing drama, starring Patrick Walker, that delves into the intense backstage moments leading up to a pivotal fight, exploring the internal struggles that go beyond the physical rigors of the sport.

Writer & Director: Mike Noel

Starring: Patrick Walker (DOC, Lessons in Chemistry, The Last Days of Ptolemy Grey

 

Series & Shorts Program

 

Opening Night Gala: Remember – World Premiere

A forgetful millennial, and his four best friends, navigate queer love, rocky careers, and the ups and downs of friendship, while realizing that his forgetfulness is more serious than imagined.

Director: Tari Wariebi, Writer: Bernard David Jones

Starring: Bernard David Jones, Hosea Chanchez, Griffin Matthews, Devere Rodgers, Brandon Gill

 

Diminished Returns: The Black Wealth Gap in Washington, D.C. – LA Premiere

Director: Sabiyha Prince Writer: Sabiyha Prince

Diminished Returns: The Black Wealth Gap in Washington, D.C. is a powerful examination of how the legacy of slavery, segregation, and urban renewal continues to rob Black residents in the District of economic opportunity, and what justice truly requires.

 

The Grief of Opportunity – Inside Out Podcast

Director: Yhá Mourhia Wright Writer: Yhá Mourhia Wright

How has Regina Hoyles approached the process of healing and setting boundaries in relationships? On this episode of Inside Out Podcast, award-winning filmmaker, producer, and actor Regina Hoyles shares insights into the steps she takes for healing and establishing boundaries. Join us as Regina demystifies the journey to holistic health, emphasizing the significance of faith and the fostering of genuine connections.

Block: Life and Death Vol 1 – Stories that confront mortality, memory, and the cycle of loss.

Rear Desert – LA Premiere

Set against the desolate backdrop of the Nevada desert in 2001, Rear Desert follows a grieving photographer whose solitary annual pilgrimage to memorialise his wife takes a chilling turn after he stumbles upon a violent crime.

Director: Mark D. Bonner Writer: Mark D. Bonner Producer: Mark D. Bonner, Mary E. Jordan

 

Laundry – LA Premiere

After his son’s tragic accident, a husband struggles to save his marriage and himself, until a chance encounter at a laundromat shows him that even in grief, hope and healing can all come out in the wash.

Director: Okema T. Moore Writer: Alterik Miller Producer: Alterik Miller, Okema T. Moore

 

Little Footsteps

A young woman invites an unsettling guest to her family’s Christmas Eve dinner party.

Director: Louis Reyes McWilliams Writer: Louis Reyes McWilliams Producer: Brenden Rodriguez, Rose Alsander-Toberman

Starring: Joely Fisher, Ellen (The Mask, ‘Til Death)

 

Project Penelope – LA Premiere

In the wake of their daughter’s tragic death, a brilliant couple, Jonas and Elizabeth, push the boundaries of artificial intelligence in a desperate attempt to recreate their lost child, only to confront the limits of love, loss, and the true nature of consciousness.

Director: Felipe Castilla, Alex D Lugo Writer: Felipe Castilla

 

Shutterbird – LA Premiere

A troubled young Latina photographer and Asian American juvenile delinquent yearn to escape their farm town in Santa Ynez Valley, CA, but the psychological, cultural, and at times mystical obstacles threaten to hold them forever.

Director: Rei Writer: Rei

 

Block: Sex+ – A daring collection that explores intimacy, identity, and the spectrum of sexuality with humor and honesty.

 

Fufu and Soup – LA Premiere

Panicked by her lack of sexual experience, a woman schemes to lose her virginity on the night of her 29th birthday party.

Writer & Director: Marjan Mona Koffa

 

DISC

The story of a hookup gone too far up.

Director: Blake Rice Writer: Blake Rice, Victoria Ratermanis

 

Sext

After being asked for a late-night photo, Zayna, a playful yet sensitive young woman goes on a journey to capture who she is.

Director: Victoria Renee Writer: Kierstyn Stevens

 

A Matter of Poultry

When an ordinary guy on the cusp of starting his dream job finds out he’s pregnant with an alien parasite, he flashes back to the time he told his teenage girlfriend to not get an abortion.

Writer & Director: Nandini Bapat

 

Cuming Out – LA Premiere

Kennedy’s desire for a heteronormative experience sees her embark on a one-night-stand. What could possibly go wrong?

Writer & Director: Jasmine J Johnson

Starring: Alycia Pascual-Peña (Saved by the Bell, Bel-Air), Jaylen Barron (American Sports Story, Blindspotting)

 

Block: Go Hard or Go Home – Tales of grit, determination, and the fight to overcome against all odds.

 

GO

When a perfectionist, collegiate wrestler finds himself stumbling through the stages of grief after the tragic death of his parents, a security guard with a similar past, secretly coaches him to grow into a champion.

Writer & Director: Dusan Brown

Starring: Dante Brown (Ma, Dash and Lilly), Alimi Ballard (Queen of the South, One of us is Lying), Keesha Sharp (Power Book II: Ghost, Empire)

 

Sideline Story – LA Premiere

Hezi and Parker are two ex basketball phenoms who find themselves in a similar predicament of financial struggles, soon to realize that ball might be the solution to both of their problems.

Director: Sam Buckner III, Deanté Gray Writer: Sam Buckner III

 

Pugilistic Soul – LA Premiere

“Pugilistic Soul” is a short boxing drama, starring Patrick Walker, that delves into the intense backstage moments leading up to a pivotal fight, exploring the internal struggles that go beyond the physical rigors of the sport.

Writer & Director: Mike Noel

Starring: Patrick Walker (DOC, Lessons in Chemistry, The Last Days of Ptolemy Grey)

 

Negro League Nights

In 1923, Doc Sykes, renowned pitcher in the Negro Leagues, takes a stand against discrimination when he’s denied use of a shower room at Yankee Stadium.

Director: Kyle Sykes Writer: Jordan L Jones

Starring: Deric Augustine (The Rookie, Godfather of Harlem) Jordan L. Jones (Belair)

 

Courage

Inspired by true events, COURAGE is the story of a young Native American boy struggling with self-confidence and societal expectations, until his uncle introduces him to the art of Hoop Dance. Through this tradition, he finds strength, resilience, and the courage to embrace his heritage.

Writer & Director: Eric Michael Hernandez

 

Block: To the Root of It – Short films that dig beneath the surface of culture, identity, and truth, revealing what binds us at the core.

 

I’m In Love

Guided by a hypnotic voice and series of intimate gifts, a woman follows a mysterious map on a journey between the ache of longing and the power of liberation.

Director: Roberta Sparta Writer: Havilah Malone

 

Black & Blue – LA Premiere

Best friends Blue and Black share a deep bond through music, but as their ambitions pull them apart, they’re left wondering—does love mean holding on or letting go?

 

The Third Goodbye – World Premiere

A virgin ends a long term situationship but the universe tests her as she tries to make a clean break.

Director: Tracey Belizaire Writer: Simone Williams

 

Member Berries – World Premiere

After the loss of his father, a man attempts to utilize childhood nostalgia as a coping mechanism.

Writer & Director: Reginald Johnson

 

Acceptance – LA Premiere

Jackie, a reserved, yet aspirational High School Senior, has a passion for photography. One day, while out doing what she loves, she unknowingly takes photos of a crime taking place.

Writer & Director: Imhotep Coleman

 

Block: The Scaries – Chills and thrills,  a showcase of horror shorts designed to unsettle and provoke.

 

Virgin

A horror movie about the birth of Jesus Christ.

Writer & Director: Ramone Menon

 

The Host

Two best friends book an Airbnb for a much needed escape, but when they find out the host is living with them, what starts as an inconvenience turns into a chilling nightmare.

Writer & Director: Tyler Ocasio Holmes

 

Let The Myth Be

When a grad student in folklore and mythology fears her monster-of-study might be hunting her, she retreats to a rural cottage to lure it out — and prove she’s not losing her mind.

Writer & Director: Carrington Walsh

Starring: Ashley LaLonde (Hamilton)

 

The Things We Keep

Forced into a caretaker position, Kate comes home to pack up her estranged mother’s house. While struggling to clear her mother’s hoarded possessions, Kate discovers the insidious nature of her mother’s illness lying behind the house’s walls.

Writer & Director: Joanna Fernandez

Starring: Jenny O’Hara

 

Loud – LA Premiere

When an aspiring music producer records a violent event, she becomes haunted by its sound.

Writer & Director: Adam Azimov

Starring: Shakira Barrera, James Earl, Ellen Wong

 

Prime

A trauma victim joins a Utopian farming community only to find she’s bitten off more than she can chew.

Writer & Director: Meagan Coyle

 

Cut Me If You Can

Stuck in the loop of a horror B-movie, two black stereotyped characters decide to F*** up the script. But the film has other plans.

Director: Nicolas Polixene, Sylvain Loubet dit Gajol Writer: Nicolas Polixene, Sylvain Loubet dit Gajol, Jean-Jérome Loubet dit Gajol

 

Block: Let the Healing Begin – A reflective block centered on trauma, resilience, and the pathways to recovery.

 

Let the Light In

A music video exploring both the social and individual experiences of interiority within both primal optimism and darkness.

Director: Samia Hasan Zaidi

 

Stage left, God right – LA Premiere

GUSTO series, created by and starring Aqeel Quinn, goes deeper into the internal shift of a man caught between what he’s known and what he dreams to become.

Director: Tevin Tavares Writer: Aqeel Quinn

 

The Traumatist

A young woman haunted by her traumatic past seeks the help of a controversial therapist who helps patients live out their most violent fantasies against those who have wronged them. But Avery is carrying a secret even the doctor may not be ready for.

Director: Michelle Beck Writer: Raphael Jordan

Starring: Robert Picardo, Amelia Workman

 

The Other Stuff

After a breakthrough moment during couples therapy, Winston, a 30-year-old black man, must confront his uncle about their abusive relationship.

Director: Bernard Gray Writer: Bernard Gray

 

When Offered Wind – World Premiere

When Kishon encounters trouble conceiving with his partner, an unsuspecting storm comes to life to collect a debt from him.

Director: Adriane McCray Writer: Terrance Daye

Starring: Carl Clemons-Hopkins, Larry Powell

 

Happy Songs About Unhappy Things

Everybody’s got a song to sing. It doesn’t have to be a sad one.

Director: Nikki Lynette, Roger Ellis Writer: Nikki Lynette

Producer: Datari Turner and Jamie Foxx

 

Block: We got that Sci-FYE! Vol 1 – A futuristic trip into speculative worlds that ask “what if” while challenging today’s realities.

 

The Lord of All Future Space & Time

With the help of a duffle bag from the future, a grief-stricken cowboy avenges the death of his wife.

Writer & Director: Chris Paul Russell

 

Where The Children Go To Play

In a dystopian future, two young candidates, Sevyn Thomas and Solana Jackson, undergo a grueling selection process designed to determine their suitability as stewards of a new human race.

Director: Jada GeorgeWriter: Kwame Henry

 

Project Penelope

In the wake of their daughter’s tragic death, a brilliant couple, Jonas and Elizabeth, push the boundaries of artificial intelligence in a desperate attempt to recreate their lost child, only to confront the limits of love, loss, and the true nature of consciousness.

Director: Felipe Castilla, Alex D Lugo Writer: Felipe Castilla

Pause/Play

In the sci-fi comedy film Pause/Play, a gamer stumbles into an alternate realm and helps her recently deceased idol pass on into the next life.

Writer & Director: Kaitlyn Ali

 

Block: Schemes & Scams – Suspenseful tales of deception, betrayal, and the price of ambition.

 

Analog Insomnia – World Premiere

In a world of streaming, one man risks it all to return a DVD.

Director: Gary Pierrot Jr.

 

Break A Leg – LA Premiere

A struggling actor is thrown into the role of a lifetime, when an unconventional exercise places him in the middle of an extortion plot.

Director: Thomas J. Cooksey Writer: Tajh V. Lewis

Starring: Nick Stoesser

 

Goodbye Stranger – World Premiere

A desperate con artist and his precocious daughter go on the run across after a botched scam, forcing them to confront the guilt and sacrifices that threaten to tear their family apart.

Writer & Director: Neil Zafar Haeems

Starring:  Jim O’Heir, Max Adler, Charley Rowan McCain

 

The Black Bart of Taco King #17 – LA Premiere

A suave criminal searches for a new partner at a dive bar and finds the perfect Bonnie to his Clyde. He takes her to dinner to put her to the test, yet she has all the answers… and more.

Writer & Director: Rickey Larke

Starring: Jasmine Mathews, Christopher Dietrick & Derrick A King

 

ARRANCA

A mother and daughter duo dramatically impacted by dementia. Things get more hectic for Laura when Carmen can’t find her precious emerald ring, a gift from her beloved husband Sebastian.

Writer & Director: Liliana M Molina

 

Block: For the Fellas – A raw and candid look at masculinity, vulnerability, and brotherhood.

 

Black Man, Black Man (Animation)

From the moment he wakes up, Elliott gets closer to confronting the child within. Carrying the weight of the feelings he wrestles with inside, reminders echo through his mind as affirmations to carry him through each moment, bringing healing and a path forward to reclaiming his worth.

Writer & Director: Frank Elliott Abney, Executive Producer: Archie Davis

Starring: Yvette Nicole Brown, Aldis Hodge

 

Taper – LA Premiere

A Queer, Black student finds himself in deep need of a haircut, but to fit into a typical bro-culture barbershop, toning down to blend in may be a bit more challenging than expected.

Writer & Director: Ben Locke

 

BALDY The Film

Travis’ birthday is upcoming and his friends want to celebrate, can he get a haircut?

Director: Eddie Griffith Writer: Melvin Taylor II Executive Producer: Tracy Oliver, Melvin Taylor II, Melvin Taylor II, Felicia Bell, Tre’Vell Anderson, Diana Alleyne, Alyssa Fauntleroy, Max Hague, Sarah-Michelle Léger, Niina Taapop

Starring: Melvin Taylor II

 

Retreat

A band visits Los Angeles following a self-canceled world tour. During their stay, warring group dynamics arise as they work on new material.

Writer & Director: Jeremy Benbow

 

Zeke – LA Premiere

A comedy thriller about a man who gets his hairline messed up by a well-respected barber and keeps going back… until one visit pushes him past the point of no return.

Writer & Director: Kerry Coddett

Starring: Hassan Johnson, Sam Jay, Stephen Cofield

 

Block: The Path to Self Discovery –  A collection of stories that challenge you to look within.

 

Shadow Acting – LA Premiere

Tensions rise during an acting class when the teacher’s preferred method of instructing one of his students involves hitting her emotional triggers – unintentionally hitting his own in the process.

Writer & Director: Lawrence LAW Watford

 

Cierva

An emerging photographer is forced to make a crucial decision while on a career-defining job.

Writer & Director: Luis G Santos

Starring: Alycia Pascual Peña

 

HONEY BARE

After years of delighting fans as Honey the Bear, a beloved sports mascot must confront his identity as he prepares to leave the role behind.

Writer & Director: Jasmine J. Johnson

 

I Want to Go to Moscow – LA Premiere

Mara is a disillusioned actor dealing with the terror of time. When she’s thrown into a classroom of kids rehearsing a Disneyfied version of Chekhov’s THREE SISTERS — her favorite play about existential longing – she swan dives into her own crisis of aging, nostalgia, and the loss of childhood dreams.

Writer & Director: Sarah Baskin

 

Weirdo – World Premiere

A rising actor celebrates his breakout role while secretly battling bipolar disorder, forcing him to choose between his mental health, his art, and a marriage on the edge.

Director: Creed Smith Writer: Creed Smith, Chase Gutzmore

 

Block: Black History – A powerful reflection on heritage, legacy, and the beauty that defines Black culture.

 

Boil That Cabbage Down – LA Premiere

After a Black Banjoist learns about the instrument’s forgotten history, it launches her on a lyrical journey to reclaim the joy that was lost along the way.

Director: Candace Mae Williamson

 

Return to Hockessin No. 107C – LA Premiere

Unearthing the untold origins of Brown v. Board, Return to Hockessin No. 107C follows the forgotten students of a rural Delaware school whose fight for desegregation reverberated nationwide — and whose homecoming today confronts what it means to remember, restore, and reckon with America’s past.

Director: Alexander Roy, Arcturus Newman

 

Songs of Black Folk – LA Premiere

Leading Black musicians come together for a groundbreaking Juneteenth concert in the Pacific Northwest, creating a historic moment that paves the way for future generations of Black artists.

Director: Haley Watson, Justin Emeka

 

612: Darkness in the Land of Nice – LA Premiere

In the aftermath of the murder of George Floyd, A Generation Awakens, a City Transforms, a World Joins In.

Director: Diem Van Groth

 

Block: Not Quite Linear – Experimental storytelling that plays with form, structure, and perception.

 

Church Bell

(Music Video) A cast of revolutionaries gets ready for their day.

Director: Naftali Beane Rutter Writer: Tongo Eisen-Martin, Naftali Beane Rutter

 

DRAINOMANIA – LA Premiere

Unaware that her relationship is at a crossroads, lovable daydreamer Katie fails to complete a simple task at her girlfriend’s request: to clean the bathroom. As a result, Katie finds herself swirling into a fever dream that could tear her apart or maybe bind them together forever.

Writer & Director: Christopher Greenslate

 

THUMP

A teen girl prepares to leave for prom when a sudden thump halts her. Marked by the experience, she and her mother retreat into unspoken rituals—until the past demands a reckoning they can no longer ignore. Inspired by true events, “THUMP” is a raw, surreal descent into the unknown.

Writer & Director: Alexah Acuña

 

BANANAHEAD

After her mother’s disappearance, Andi Sanger hopes to land the lead role in the adaptation of her mother’s bestselling novel BANANAHEAD. But after discovering the haunting legacy within the walls of her familial home, her own aspirations threaten to tear her apart.

Writer & Director: Christopher Greenslate

 

Burnt Orange

A woman behind on payments is haunted by phone-call debt collectors, but one collector wants to harvest something more. Is the figure in her head, or does she owe a cosmic debt?

Writer & Director: Sharmila Ray

Starring: Kausar Mohammed, Vivian Bang

 

Block: Skits and Giggles – Comedy shorts delivering satire, silliness, and sharp wit.

 

Goodness Gracious – U.S. Premiere

What hilarious mishaps await two devout students as they scramble to save their faith club on the spookiest day of the year?

Director: Frazier Bostic

 

Kendrake – LA Premiere

In the aftermath of the RAP BEEF HEARD AROUND THE WORLD between KENDRICK LAMAR & DRAKE, stands a divided fanbase. When the division makes its way into corporate America, extreme measures must be taken.

Director: Affion Crockett

Starring: Affion Crockett

 

Killing Them – World Premiere

A gangster-turned-informant faces certain death at the hands of the lifelong friends he betrayed. But a last-minute confession about who he really is might just save his life…

Director: Jeremy Luke Writer: Eddie Alfano

Starring: Jeremy Luke, Carmine Giovinazzo

 

Behind the Screams

Logline: An overconfident wannabe Auteur films the ultimate Horror film, in a Haunted House—unwittingly summoning a real demon and turning his low-budget shoot into a hilarious nightmare.

Director: Chelsea Bar

Block: Quintesssentially Queer Vol. 1 – Bold, boundary-pushing queer stories celebrating identity and authenticity.

 

House of Fawcett: Dripping in Talent – World Premiere

LA based drag artist, Mylique E. Fawcett, invites the audience into her intimate process. Take a peak behind the glam as this Black Queer artist defines her art, her way, in her own words.

Director: Carter Bowden Writer: Mylique E. Fawcett

 

Heartless – LA Premiere

A closeted gay man journeys into the drag world to recover his heart after his ex-boyfriend ripped it out of his chest..

Director: Jorge Jaén Writer: Halle Schaffer

 

Outed

An overbearing mother implores her horny son to resist his urges to save him from the fate she endured.

Director: Charlie Paulin Writer: Charlie Paulin

Notable Cast: Jaymes Mansfield (RuPaul’s Drag Race, The Bitch Who Stole Christmas)

 

Sorority

A trans woman of color in the early stages of her transition learns to accept herself when welcomed into the sorority of sisterhood in the most sacred of places, the women’s restroom.

Director: Ashley Gianni Writer: Ashley Gianni, Kristen M. Scatton

 

Me Porto Bonita

Following a heartbreak two best friends embark on a day of refuge. What first started as a day of joyriding through the city quickly escalates into an adventure of revenge and exposed secrets.

Writer & Director: Cecilia Romo

 

Block: Another Day at the Office – Not quite your typical day at the office. Unions, fights, and trash – oh my!

 

Narrated By – LA Premiere

A peak behind the scenes of erotic audiobook recording, “Narrated By” follows two voice actors who might look a little different than you imagine- as they record your favorite smutty romances. Except, they may have had a failed romance of their own.

Director: Khaya Fraites Writer: Khaya Fraites

 

Trashy People

When she discovers the amount of waste while working at the recycling center, Erykah takes it upon herself to solve it.

Writer & Director: Marissa High

Starring: Arica Himmel, Jordan Connor

 

Threats – LA Premiere

In the aftermath of a robbery, a young restaurant worker takes action to reform her workplace.

Writer & Director: Quamé A. Hamlin

Starring: Jenna Z. Alvarez, A. Russell Andrews, Ramona DuBarry

 

The Interview – LA Premiere

Haunted by his violent past, an ex-con is offered one last shot at redemption — but when the interview turns into a lethal game, he must decide how far he’ll go, and who he’s willing to become, to earn his second chance.

Writer & Director: Kai Kim

Starring:  Rene Bastian, Shrihari Sathe, Peter Nashel

 

Block: Wounds for the Wounded – A darker, more complex meditation on intimacy, power dynamics and tough choices.

 

Dating Positive (+): The Truth (Web Series) – LA Premiere

As Sigourney confronts her darkest fears, The Truth exposes painful misunderstandings while challenging the silence around consent and dating with an STD.

Director: Mustafa Mahdi Writer: Indeya Dynice

 

The Rebirth – LA Premiere

An overworked waitress takes a black market abortion pill that gives her an unexpected side effect.

Writer & Director: Connie Shi

 

Blood and Milk

A day-dreaming teenager living in post-Hurricane Katrina New Orleans must make a life-changing decision.

Writer & Director: Eve Crusto

 

Block: What Community Looks Like – Shorts that highlight the collective spirit, showing how we build, protect, and sustain each other.

 

Sunrise In Prison (Animated)

Elizabeth “Leesa” Nomura describes her experiences as an incarcerated woman, the community she built, and the power they discovered together.

Director: Quincy Bowie Jr., Daniel Chit, Katelyn Do, Andrew R. Hong, Eve Levy, Katie Lou, Johans Saldana Guadalupe

 

A City That Cares – LA Premiere

A legal educator reflects on her work as an activist along the US-Mexico border, a journey that guides her and her students to a compassionate Texas community where generosity and empathy are deeply intertwined.

Director: Aaron Hosé Writer: Irene Pons, Joshua Rubin

 

Spam Risk

In the midst of the Covid lockdown, Petula, a young widow, finds herself isolated in her grief and disconnected from the world. As she retreats further into her isolation, she receives an unexpected phone call from Robert, a single father who mistakenly dials her number.

Writer & Director: Alessandra Carlino

 

The Village It Took

Ozanna tries to curate community on a campus of inequity, and faces the consequences that come from desperation.

Writer & Director: Victoria Wilcox

 

We Buy Houses – LA Premiere

When a house flipper encounters someone unexpected at one of his properties he reconsider his role in his community.

Writer & Director: Scott Burkhardt

 

Theatre While Black (Webseries) – LA Premiere

A docu-series that chronicles how the Robey Theatre Company—co-founded by Danny Glover and Ben Guillory—navigated decades of struggle, friendship, and perseverance, up to and through the COVID-19 pandemic. It focuses in particular on their production A Heated Discussion (written by Levy Lee Simon), inspired by the assassination of George Floyd, showing not just the rehearsal and staging of that play, but also how the company kept its identity, mission and community alive during difficult times.

Director: Jermaine Alexander Writer: Jermaine Alexander

Starring: Danny Glover

 

Block: A Better Tomorrow – Films envisioning hope, justice, and futures built on resilience.

 

Futures Without Guns – LA Premiere

Futures Without Guns invites the viewer to embark on a journey through three diverse artistic perspectives and tap into their innate creativity to envision a future where the threat of gun violence is a distant memory. It is a call to action that unites us in our collective determination to actively shape a brighter future.

Director: Kyra Knox

 

Black Longevity – LA Premiere

Black Longevity follows a remarkable group of Black elders, including a centenarian, as they defy societal expectations by embracing the fullness of their lives in their later years.

Writer & Director: Geneva Peschka

 

Block: The Price of Passion – Stories of sacrifice, ambition, and the costs of pursuing what drives us.

 

In My Spirit I Am Free – LA Premiere

Celine, a ballerina, dances for the first time since an injury.

Director: Mae Breazeale Writer: Mae Breazeale

 

The Debt – World Premiere

Depressed and hopeless, a once thriving creative director has a bizarre, yet familiar encounter with a mysterious woman while working her soul-crushing debt collection job that forces her to confront the present or be haunted by her future.

Writer & Director: Krystal Knight

 

Grace – LA Premiere

Determined to impress a record executive, Grace Gordon, a resilient trans singer, performs at a Los Angeles nightclub in pursuit of making it big during the vibrant 80s music scene.

Writer & Director: Alexandra Grey

Starring: Alexandra Grey

 

Time Is Money – LA Premiere

Jace, a financially challenged writer/director and self-proclaimed graduate of the school of Mark Duplass, delivers packages to survive while struggling to secure funds for his first indie feature. A bonus for the top-ranked delivery driver could solve his problems.

Writer & Director: Duran Jones

 

Legends

When a mistake from the admissions office grants Mahira a full ride dance scholarship to college, she’s forced to pretend she’s a dancer, all while preparing for LEGENDS — the biggest collegiate Bollywood fusion dance competition around.

Writer & Director: Suhashini Krishnan

 

Ree’s Destiny – LA Premiere

On the day of her debut, Ree, a 43-year-old aspiring rapper, is sabotaged by her defiant daughter Destiny.

Writer & Director: Steven Mosley

 

Block: Is You or Is You Aint My Baby? Vol 1 – Love in all its messy forms — heartbreak, longing, and unexpected connection.

 

Still Love You (Music Video) – LA Premiere

Based on a true story, Still Love You gives a first-hand account of the challenges a couple faces both before and after cancer devastates their lives.

Director: Alexander Ali, Sergio Lorenzan, Christian Maiko

 

Bittersweet

BITTERSWEET is an immersive, non-linear look at a timeless love that is cut short by maternal mortality.

Director: Myrakel N Baker Producer: Luca Del Puppo

 

Take the Note – World Premiere

As rising director Genesis fights to assert her authority on the set of her first major film, a power struggle with her romantic partner and lead actor threatens to blur the lines between love and leadership, forcing them both to confront what it means to truly support each other.

Director: Donovan J. Gardener Writer: Tiger A.J. Ray

 

What’s Your Dream? – LA Premiere

When a couple asks each other, ‘What’s your dream?’ Their answers unfold into a poetic love letter, discovering that the dreams they’ve been searching for have been standing right in front of them.

Director: Jasmine Ashanti, Ajima Cole Writer: Ajima Cole

 

What Do We Do – World Premiere

Director: Nate Huntley, Julia Gallagher Writer: Nate Huntley

On their anniversary, Ophelia and Daniel are faced with news that turns their entire relationship upside down, forcing them to decide: keep pretending or face a truth too big to bear?

 

Not Quite Yes – LA Premiere

Director: Melanie Johnson Writer: Melanie Johnson

Starring: Joe Chambrello

A couple enjoys a romantic night out. Until one of them asks a question that changes everything.

 

Block: Learning From Yesterday – A look back at history, memory, and how the past shapes our present choices.

 

Becoming Sidney – U.S. Premiere

Director: Ken Gregory Writer: Ken Gregory

A determined young Bahamian dishwasher finds an unexpected mentor in an elderly waiter who helps him overcome adversity and prepare for a pivotal audition, setting him on the path to becoming a legendary actor.

 

Time Setters – World Premiere

Director: Oliver Mack Calhoun Writer: Oliver Mack Calhoun

Starring: Steven Williams, Newton Mayenge, Candace Nicholas-Lippman, Sean Small

A group of time traveling vigilantes travel back in time and attempt to rescue Emmett Till.

 

Flight 182 – L.A. Premiere

Director: Rippin Sindher

Logline: Before 9/11, Air India Flight 182 was the deadliest act of aviation terrorism in the world. Based on true events, FLIGHT 182 is a heart-wrenching drama about a devoted husband caught between love, duty and political violence, as he must choose between visiting his dying mother one last time or heed warnings from a separatist group seeking revenge against the government.

 

An agitated wind

Director: Patricia Montoya

This short film uses mixed media—poetry, film, motion graphics, puppets, and toys—to tell a multigenerational story of 1950s border violence within a Texas family, based on Gloria Anzaldúa’s poems.

 

Neither Donkey Nor Horse

Director: Robin Wang Writer: Robin Wang

Starring: Chris Pang, Jim Lau, Michael Monasterio, Albert Kuo, Beryl Liu

Amidst the outbreak of the 1910 Manchurian Plague, a young Chinese doctor must defy prejudices of both the East and the West to champion his groundbreaking theory of the disease and seek the truth that will heal it.

 

Block: Growing Pains Vol. 2 – The struggles of growing up — identity, belonging, and the bittersweet edge of youth.

 

Someone to Believe (Ad) – LA Premiere

Director: Ashley Tyler

This Adidas spec ad is inspired by the “You Got This” campaign, and serves as an ode to black girls and double dutch.

 

Oh Happy Day! – LA Premiere

Director: Ivan Rome Writer: Ivan Rome

Starring: Ann Nesby, Chantal Maurice

A young boy struggles over the course of Easter week to get the attention of his crush.

 

The Dolla Party – LA Premiere

Director: Sherean Jones Writer: Sherean Jones

A teen dollar party in early 2000s North Philly gives a shy, obedient girl a night to remember when her two best friends help scheme a night of fun, freedom, and the opportunity to dance with her crush.

 

Such a Pretty Girl – LA Premiere

Director: Deborah Puette Writer: Deborah Puette

Starring: Sarah Drew, Harry Groener

Meg has returned to her childhood home to help her aging father. But when her twelve-year-old uncovers a long-forgotten relic from her past, Meg must decide in a matter of moments who she’ll protect: her parent or her child.

 

The Off-Brands – LA Premiere

Director: Shayla Racquel Writer: Shayla Racquel

Starring: Grace Duah

In a small southern town, a quirky teen with a chronic illness challenges the rigid social hierarchy of her high school when her surprising talent for double-dutch earns her both admiration and unwanted attention, forcing her to decide if she’ll stay true to herself or conform to fit in.

 

BELIEF

Director: Christian Loubek Writer: Christian Loubek

While unpacking their new home with his wife and daughter, Lennox finds a letter in a box labelled ‘Mom’. It reveals a life he doesn’t remember and a future he never expected.

 

Block: Thicker Than Water – Family dramas that explore bonds tested by love, betrayal, and survival.

 

Them That’s Not – LA Premiere

Director: Mekhai Lee Writer: Mekhai Lee

Starring: Erika Hamilton, Mykee Selkin, Blake McLennan

A sudden prison furlough unexpectedly bonds an estranged father with his emotionally avoidant daughter at their matriarch’s repass.

 

Swimming Holes – LA Premiere

Director: Kasey L. Martin Writer: Kasey L. Martin

After her grandmother’s passing, Destiny journeys to Hawaii to reconnect with her estranged sister and discovers unexpected paths to healing.

 

The Ohio, Texas Remix – LA Premiere

Director: Ya’Ke Smith Writer: Ya’Ke Smith

Starring: Sean Nelson, Veronika Bozeman, Mikala Gibson, Jasmine Shanise, Kyla Simmons

A woman travels from Ohio to Texas to kidnap her son from her estranged ex-husband.

 

We Are Not Okay

Director: Britt Banks Writer: Britt Banks Executive Producer: Anthony ‘Top Dawg’ Tiffith

Starring: Candace Nicholas-Lippman, P’Jae Compton, Zachariah Rogers

Placed in informal kinship care with distant relatives, two sisters struggle to adapt as the eldest plans to escape and care for her younger sibling on her own.

 

High Water – LA Premiere

Director: Tyquan Morton Writer: Tyquan Morton

A recently laid off longshoreman, cares for his forgetful mother, as the city around them drastically changes.

 

Block: For the Youngins, Presented By NAACP Studios

 

Carolina Cowboys

Director: Tyla Barnes

When a new generation of Black cowboys and cowgirls fights to keep their heritage alive, they turn to the wisdom of a veteran horseman who has spent his life preserving a forgotten legacy. Carolina Cowboys explores the untold story of Black equestrians in Charlotte, weaving themes of perseverance, identity, and community as they reclaim their place in history—one ride at a time.

 

Jeremiah’s Big Christmas Party – World Premiere

Director: Luke Harris

Jeremiah’s Big Christmas Party follows Jeremiah, a young man with autism, as he prepares a festive Christmas celebration for his family, exploring his journey after high school and his deep connections with loved ones and his community.

 

Odds – World Premiere

Director: Jeffery Jackson

A determined sports journalist fights to uncover the truth behind a rising NBA star’s shocking point-shaving scandal, exposing the hidden forces of pay inequity, media bias, and the dark side of sports betting—all while risking her own career in the process.

 

A Letter to You – World Premiere

Director: MyQueal Chakel Lewis

A valedictorian is preparing to give her class address but is reminded of her relationship with her mother who has a mental disorder.

 

Block: Growing Pains Vol. 1 – Early steps into adulthood told with humor, honesty, and vulnerability.

 

Unexpected

Director: Sebastian Godina Writer: Sebastian Godina

Starring: Elijah Wright

Xavier, a recovering addict, quickly succumbs back to his old habits with the help of his childhood friend, which leads to more serious consequences.

Heavy is the Head – LA Premiere

Director: Chap Edmonson

Heavy is the Head is a short experimental film that navigates the journey of a Black boy coming of age in America. The story is an exploration of identity and the expectations that weigh on a boy learning to navigate a world that often sees him before he truly sees himself.

 

Lost Woods – LA Premiere

Director: Ben Hagarty Writer: Shawn Sladburg, Ben Hagarty

Logline: After seven years of skyrocketing success, a band returns home for a highly anticipated show, facing the echoes of their past and the weight of everything they’ve built. As the excitement mounts, lingering questions of purpose and fulfillment bubble to the surface, revealing the hidden costs of fame and the crossroads between love and ambition.

 

Menthol – World Premiere

Director: Simone Brazzini Writer: Simone Brazzini

Logline: A transgender non-binary actor struggles to boost their acting career while navigating the emotional side effects of testosterone.

 

God & Buddha Are Friends

Director: Anthony Ma Writer: Anthony Ma

Starring: Jim Meskimen, Janet Hsieh, Karin Anna Cheung, Tamra Meskimen

A young Taiwanese American boy falls into an existential crisis when a charismatic Christian pastor comes between him and his overprotective Buddhist mother.

 

Block: Is You or Is You Aint My Baby? Vol. 2 – Expansive love stories examining romance, loyalty, and the many shades of commitment.

 

Black Ballerina You Should Be a Model – LA Premiere

Writer & Director: Zaire Love

Two fated strangers set out on an unforgettable first date. Will the ballerina spin into the arms of the handsome suitor?

 

The Incredible Sensational Fiancée of Sèyí Àjàyí

Writer & Director: Abbesi Akhamie

In the stylized African nation of Alkebulan, a brilliant scholar discovers her fiancé’s secret engagement and takes spectacular revenge, earning the recognition she always deserved in an unexpected way.

 

I Thought You’d Never Ask – LA Premiere

Director: Jamal Trulove Writer: Jamal Trulove

Starring: Terri J. Vaughn, Tia Nomore

A hopeless romantic begins to age mysteriously while waiting for her boyfriend to commit—until a proposal finally rekindles her youth, forcing both of them to confront what love, time, and faith really mean.

 

Always, Most of the Time – LA Premiere

Director: Victor V. Hogan II Writer: R. Alan Brooks Executive Producer: Michael Quigley

Starring: Patrick Walker

After a painful split from her boyfriend, Delilah finds herself reflecting upon what she did to contribute to the end of their relationship. But in the midst of that despair, she discovers that she can travel back to the past to fix it.

 

Block: We Got That Sci-FYE vol. 2 – Expansive speculative shorts exploring technology, identity, and otherworldly visions.

 

La Bruja

Director: Manuel Villarreal Writer: Claudia Rivera-Vazquez

Starring: Elena Campbell Martinez, Presciliana Esparolini Mayans, Oscar Reyes

A boy and his grandma find hope in a fairytale about a magical witch amidst an ICE raid.

 

Better Life

Director: Jessica Liu Writer: Jessica Liu Executive Producer: Randall Park

Starring: Randall Park

When a groundbreaking medical procedure promises to turn slackers into overachievers, an aging father sees it as his last chance to achieve the American Dream-through his unemployed adult daughter.

 

Möbius Loop

Director: Lee Peterkin Writer: Lee Peterkin

Logline: Möbius Loop is a science fiction film about a scientist, Senna, seeking to perfect a mindjumping time-travel project. Upon finding a VHS tape that compels her to delve into her family’s past, she uncovers the key to her research, but in doing so suffers deadly consequences.

 

Missing Rhythms

Director: Regina Hoyles Writer: Aja Houston Executive Producers: Jordan Calloway, Couper Samuelson, Malcolm Barrett

In a mysterious insane asylum full of missing Black women from all over the country, a woman must use rhythm to remember her true identity and fight being lost forever behind the ominous Blue Door.

 

Ivory And Gold – World Premiere

Director: Theo Brown Writer: Isaiah Thomas

After a magical family heirloom reveals his latent powers during a violent altercation, a young man from the inner city must embrace a world of magic he never knew existed to protect his family and fulfill his destiny.

 

Block: Signs of the Times – Shorts capturing the turbulence, contradictions, and urgent questions of today’s society.

 

Sometimes I Imagine Your Funeral

Director: Vince Dixon Writer: Vince Dixon

As Max prepares to eulogize his sister Chloe just minutes before her funeral, he wrestles with the anger, frustration, and grief of losing her to an overdose, attempting to understand who Chloe was.

 

Made in America – LA Premiere

Director: Maritza Cruz Writer: Maritza Cruz

Starring: Julia Vera, Lisandra Tena

Xiomara and Ana, two Central American migrant teens, work the late-night shift at a garment factory. When Ana goes missing after staying for an extra shift, ‘Xo’ searches for her friend, only to uncover Ana never made it home. Her search leads her back to the factory, where she’s faced with a devastating truth.

 

Judas Goat – World Premiere

Director: Luwam Tekeste Writer: Luwam Tekeste

Starring: Keeya King

On the day of student standardized testing, a new substitute teacher at Blackburn Public School grows suspicious of the faculty’s unsettling behavior, uncovering a web of moral dilemmas.

 

Once Upon A Dime

Director: Lauren Julia Writer: Lauren Julia

Starring: Quincy Chad

Nkosi plans and executes the perfect date, but as the sun sets, we realize that things with Nkosi aren’t quite what they seem.

 

La Bala

Director: Brie Zepeda Writer: Brie Zepeda

Starring: Andrea Londo

When a midnight train derails on the journey from Arizona to Mexico, three generations of women are forced to confront devastating loss while carrying the weight of survival in a story drawn from real events.

 

ADO

Director: Sam Henderson Writer: Sam Henderson

Starring: Jenifer Lewis

Ms. Hopkins is rehearsing Much Ado About Nothing with her middle school theatre class, when it is interrupted by a school shooter.

 

Block: A Quest Into the Unknown – Whimsical and mysterious adventures into worlds of fantasy and imagination.

 

30 Percent – World Premiere

Director: MICO MARZ

A confident Ninja and a tense Robot clash on a chaotic mocap set, forcing their overwhelmed Director to control egos and try to save the shoot.

 

Zora and The Zebra – LA Premiere

Director: Amirah J Adem Writer: Amirah J Adem

In a lush jungle, warrior Zora defies sabotage from her rival Sizwe to find a Zebra.

 

Beyond

Director: Bettina López Mendoza Writer: Bettina López Mendoza

A young girl who’s given up her childhood to survive crossing the treacherous Darien Gap discovers a portal to a magical world where she learns to be a kid again.

 

Em & Selma Go Griffin Hunting

Director: Alexander Thompson Writer: Alexander Thompson

Starring: Milly Shapiro, Pollyanna McIntosh

A dark neo-western coming-of-age fable about mothers, daughters & the beasts they hunt.

 

Block: Family Matters – Stories that showcase the struggles, humor, and love within families.

 

Sorry I Missed Your Call – LA Premiere

Director: Hae Ji Cho Writer: Hae Ji Cho

Through a series of real voicemails, SORRY I MISSED YOUR CALL explores the guilt, responsibility, pressures, and burnout behind a woman’s experience as a caretaker for her beloved grandmother as her Alzheimer’s progresses, as well as her grandmother’s own anxieties and loneliness in the absence of a proper support system for either of them.

 

Disabled: A Love Story

Director: Sheila M. Sofian

“Disabled: A Love Story” is an animated documentary that explores the relationship and struggles of Terry, who suffers from multiple sclerosis, and her husband Jon, who has cared for her since her diagnosis.

 

The Boy – World Premiere

Director: Nazir K Alston Writer: Nazir K Alston

In 2004 Philadelphia, “The Boy” unfolds as young Kareem makes a life-altering decision protecting his mother from a rogue henchman of corrupt politician Jameson Floyd.

 

Hormones for Breakfast – LA Premiere

Director: Jami Ramberan Writer: Jami Ramberan

In the midst of IVF treatment, a happy couple’s morning ritual triggers an emotional rollercoaster as they strive to do the one thing that will bring them closer.

 

#1 BAD DAD

Director: Natalie Camou Writer: Kyle Selby

A jaded ex-supervillain is visited by his long lost daughter and learns what it means to be a father.

 

Block: A Father’s Love – Tender explorations of paternal bonds, sacrifice, and enduring devotion.

 

Wednesdays with Gramps

Director: Chris Copeland, Justin Copeland Writer: Chris Copeland, Justin Copeland

When a teenage boy visits his Gramps at a seemingly mundane boring assisted living facility, he comes to find that they have much more in common than he thought. “Wednesdays with Gramps” is a story about connection, communication, and commonality, without saying a word.

 

Father Time – LA Premiere

Director: Eli Joshua Adé Writer: Eli Joshua Adé

Starring: Eiland Phoenix Adé, Sean Anthony Baker, Tequilla Whitfield

With 15 minutes left a father has to figure out how to say goodbye.

 

Mosh – LA Premiere

Director: Portlynn Tagavi Writer: Harim Sanchez

Starring: Jorge Luis-Pallo

A desperate father struggles to bond with his son while taking him to a concert for his birthday.

 

El Tiguere

Director: Andrew J Rodriguez Writer: Andrew J Rodriguez Executive Producer: Lin Manuel Miranda (Hamilton, In the Heights, Moana)

Starring: Elvis Nolasco

In the face of food insecurity and a harsh legal system in the Bronx, a Dominican immigrant operates his mobile food garden under the radar, determined to rebuild his life and repair his relationship with his estranged son.

 

Sugar Dumplin – LA Premiere

Director: Tristan Barrocks Writer: Tristan Barrocks

A young woman tries to reconnect with her estranged father, who has dementia, by creating dishes from his Jamaican childhood to bridge their emotional gap.

 

Block: Quintesssentially Queer Vol. 2 – Bold, vulnerable, and unapologetic explorations of queer identity and experience.

 

I Know Him So Well

Director: Chance Calloway

The jewel-toned animation of queer teenage love is chronicled by guitar-playing mermen and the vocals of AJ Rafael and Chance Calloway.

 

I’m The Most Racist Person I Know – LA Premiere

Director: Leela Varghese Writer: Leela Varghese

Starring: Shabana Azeez

When Lali unexpectedly ends up on a date with another woman of color for the first time, it unravels prejudices she has long ignored

 

Zari

Director: Shruti Parekh Writer: Shruti Parekh

Amidst preparations for her sister’s wedding in India, young American Neelu forges an unexpected connection with Zeyb, a quiet sari store clerk with a secret.

 

One Day This Kid

Director: Alexander Farah Writer: Alexander Farah

One day this kid will reach a point where he senses a division that isn’t mathematical.

Starring: Joaquin Cardoner

 

Orion’s Quest – LA Premiere

Director: Steven Chew Writer: Steven Chew

Starring: Dyllon Burnside, Michelle Mitchenor

Before a powerful eclipse occurs, an extraterrestrial being must finalize his mission to comprehend love by exploring the romantic relationships between Black gay men.

 

Block: Dating Woes – Love gone wrong — awkward, funny, and heartbreakingly real stories of dating in modern times.

 

Delusionally, Ari

Director: Henry Severe

An anxious teen seeks her friends’ advice on confessing her true feelings to her classmate-turned-best friend.

 

Something Between Us – LA Premiere

Director: Prashanth Sampathkumaran

An upbeat choreographer must make an impression on her first big job but finds herself falling for her new client, an unteachable Bollywood star.

 

Single AF – World Premiere

Director: Louise Cousins Writer: Louise Cousins

Starring: KeiLyn Durrel Jones, Ashley Denise Robinson

When Becks learns her biological clock has only six months left, she launches into a frantic race for love, marriage, and motherhood because nothing says romance like a deadline.

 

AN ALMOST SUCCESSFUL DATING APP LOVE STORY

Director: Winter Coleman Writer: Winter Coleman

Starring: Caleb Hearon, Olivia Washington, Derrick King

It ends the same for us all.

 

Love is Blind – LA Premiere

Director: Parneille Walker Writer: Parneille Walker

Starring: Brandon Fobbs, Melvin Jackson Jr., Aasha Davis, Ivonnah Erskine

Chris, a young man on the rebound from a failed relationship, reluctantly arrives for a blind date with a woman in a red dress. But as the evening unfolds, he’s lead into a night of cringe-worthy and unexpected twists.

 

CHASERS

Director: Erin Brown Thomas Writer: Erin Brown Thomas, Ciarra Krohne

Starring: Shannon Gisela

A starry-eyed musician navigates an LA party, chasing her crush while desperately dodging the heartbreaking secret that could shatter her pursuit.

 

Block: Culture Clash Vol. 1 – Cross-cultural experiences that challenge and celebrate difference.

 

HALF – World Premiere

Director: Arti Ishak Writer: Arti Ishak

Sri is always the wrong “half’ for any situation they are in. Not Asian enough, not Arab enough, never American or Muslim enough. Until they meet Erren, a Black American Muslim working through his own identity who might see Sri as a whole for the first time. HALF explores the comedy of navigating multiple identities in a world that constantly forces you to check one box.

 

Nothing New Under The Sun – U.S. Premiere

Director: Damisi, Chen Yu

Nothing New Under The Sun is a documentary that creates conversation about two cultures, Hip-Hop and Kung Fu, that share the same vision through movement and identity.

 

Food for the Soul – LA Premiere

Director: Chisom Chieke Writer: Chisom Chieke

Starring: Marcus Scribner, Karen Obilom, Richard Mofe-Damijo

A first-generation Nigerian American and her Black American partner must decide between being true to themselves or trying to live up to their families’ expectations.

 

Unfamily – U.S. Premiere

Director: Siddharth Sharma, Paul Persic Writer: Siddharth Sharma, Mitchell Jaramillo

Starring: Mark Taylor, Al Mukadam

An international student is forced to confront complex family dynamics to avoid deportation.

 

Best Eyes

Director: Kira Powell Writer: Kira Powell

Starring: Jackie Cruz

While commuting between her working-class neighborhood and elite private school, a biracial teen forms a friendship that challenges the version of herself her mother believes will keep her safe — leading her toward self-acceptance.

 

Block: The Choices We Make – Decisions that define us — stories about agency, fate, and consequence.

 

By the Lake

Director: Alex Dauphin Writer: Alex Dauphin

Starring: Anissa Matlock, Sarafina King, Kellen Boyle, Lee Osorio

When a White, Appalachian woman collides with a Black outsider in rehab, each must decide whether to take a leap into the unknown: sobriety.

 

Isle of Devils – World Premiere

Director: Stas Bondarenko Writer: Kalilah Robinson

Starring: Katie Parker

In 1543, a Portuguese missionary washes ashore on the Isles of Bermuda after his ship is torn apart in a violent storm. Superstition says that sprytes and demons hold dominion on these shores, a terrifying prospect for Father Damiåo, the sole survivor of his ill-fated ship. As he struggles to survive, Damiåo encounters an aloof and mysterious woman, and his curiosity, combined with a desperate need for companionship, draws him to her despite his wariness about who, or what, she might be.

 

Honoring My Choice – World Premiere

Director: Donovan J. Gardener, Maiyah Mayhan

Honoring My Choice is a documentary that amplifies the voices of Black women as they share their personal experiences with abortion and reproductive health. Through intimate interviews, it highlights the courage, resilience, and complexity of choosing one’s own path in the face of stigma, racism, and systemic barriers.

 

The Ride

Director: Slava Denisov Writer: Grigory Borodavkin

A ’76 Plymouth reflects on its journey, witnessing decades of human life, capturing moments of freedom, temptation, and redemption as it changes hands from one owner to the next.

 

Block: Life & Death Vol. 2 – A continuation of the exploration of mortality, legacy, and resilience.

 

Erlkönig

Director: Morgan Middleton, Charlie Driscoll Writer: Morgan Middleton

In a powerful exploration of racial and health disparities, classical music takes center stage when a father and son confront the ominous figure of Der Erlkönig, the whisperer of death.

 

The Vote

Director: Sylvia Ray Writer: Sylvia Ray

Starring: Juanita Jennings

Siblings Jessica and Robbie face the heart-wrenching choice to keep their mother on life support or let her go, sparking a tense family vote.

 

Mama Deserves to be Served – LA Premiere

Director: Nikki Syreeta Writer: Nikki Syreeta

Starring: Merrick McCartha, Alycia Cooper

Grief mixes with family dynamics as siblings squabble over their late mother’s ashes.

 

EL Lloron

Director: Rodrigo Moreno-Fernandez Writer: Rodrigo Moreno-Fernandez Producer: Ramona Mickey Sumner

Starring: Bobby Soto, Renêe Victor, Valente Rodriguez

FELIPE is a professional mourner. He is compensated for lamenting and comforting grieving families during funerals.

 

What Happens Now? – LA Premiere

Director: Imole J.O Ladipo Writer: Toluwani Osibe Obayan

Starring: Eric Roberts, Akah Nnani, Nene Nwoko, Rotimi Paul

After years of grief, a man finally comes face-to-face with his father’s killer, forcing him to choose between vengeance and forgiveness in a moment that will define the rest of his life.

 

Block: True Sports Stories – Real tales of athletes, perseverance, and the power of the game.

 

PUMA SPEC AD – LA Premiere

Director: Daniel Jefferson, Cameron Miles Writer: Davon Smith

Starring: Aspen Kennedy, Tray Milz, Davon Smith

A once-promising athlete battles self-doubt and physical setbacks after fifteen months away from the ring.

 

I Forgot to Tell You About…The Story of The Cleveland Buckeyes – LA Premiere

Director: Evelyn Renee Gregory Writer: Evelyn Renee Gregory

“I Forgot To Tell You About …The Story of The Cleveland Buckeye’s” uncovers the extraordinary story of the Cleveland Buckeyes, the Negro League World Series champions whose remarkable achievement was nearly lost to history.

 

Moving Mountains

Director: Jessa Williams Writer: Jessa Williams

Moving Mountains is a raw and inspiring journey of Tre’lan, a young Black man from Tulsa, Oklahoma, who escapes his troubled past to find redemption on a remote Hawaiian island. Through the transformative power of big wave surfing, Tre’lan confronts his trauma, embraces healing, and discovers the resilience to reshape his future, finding peace in the ocean’s most powerful waves.

 

Legend Has It: The Remarkable Rise of Stephen McCain

Director: Hisonni Mustafa Writer: Hisonni Mustafa

From childhood dreams to Olympic triumphs, Legend Has It: The Remarkable Rise of Stephen McCain unveils the resilience, sacrifice, and heart of an athlete whose pursuit of greatness redefined what it means to be a legend.

 

Block: To Be A Woman vol. 2 – Feminine strength, difficulties, and vulnerability in its many forms.

 

THEY CALL ME THE TATTOO WITCH

Director: Lindsay Nyman Writer: Lindsay Nyman

In Hanoi, Vietnam, tattoo artist Tran Ngoc specializes in the rare and challenging art of tattooing over scars. Despite the social stigma surrounding tattoos in Vietnam, Ngoc empowers her clients, including breast cancer survivors and women with self-harm scars, to reclaim their bodies, demonstrating that her work is a profound act of compassion and resilience.

 

I Wish I Were Pretty – LA Premiere

Director: Hanah Chang Writer: Hanah Chang

An insecure Korean-American woman struggles with old resentments against her beautiful best friend, exposing the impossible beauty standards that caused them.

 

Don’t be late, Myra

Director: Afia Serena Nathaniel Writer: Afia Serena Nathaniel Executive Producer: Rene Bastian, Shrihari Sathe

A missed school bus leaves ten-year-old Myra stranded in Lahore, where her journey home spirals into a tense fight for survival against the men who stalk her every step.

 

Maggie’s Not Okay

Director: Vance Smith Writer: Mouzam Makkar

Maggie, a chronic people pleaser, is always getting pushed around. But when she tries to return a lost cat to his owner, Maggie is finally pushed too far and decides to push back… in a most unexpected way.

 

Block: Family Secrets vs Family Legacy – Generational dramas that uncover hidden truths and enduring bonds.

 

Way Back Home

Director: Chad Hamilton Writer: Chad Hamilton

Estranged siblings must choose between selling their late grandmother’s home, or maintaining her legacy in a rapidly changing neighborhood.

 

15 Lines – LA Premiere

Director: Sharon Samuels Writer: Imanne Mondane

A young architect at a pivotal stage in his career discovers a journal in his childhood home that contains information about his family’s past. As he uncovers the legacy embedded in these pages, he finds direction for his own future.

 

Unknown Asset – LA Premiere

Director: Wilson Lamont Writer: Dustin Green

Starring: Ashleigh Morghan, Colin Richard Allen

When two Siblings find a threatening letter on their business doorstep, they are led on a quest to find hidden assets left by their late father before the neighborhood gang claims it for their own.

 

Sins of a Father

Director: Nuekellar Hardy Writer: Nuekellar Hardy

Amidst echoes of his past, Bryan embarks on a heartfelt quest to rewrite his future, confronting his father to break the chains of generational trauma and carve out his own legacy of love and growth

 

Sorrows of Yesterday – LA Premiere

Director: Kevin Saunders Writer: Kevin Saunders

Suffering from the sorrows of his past, a dejected man gets an unexpected visitor that reminds him of a valuable lesson: Every decision, good or bad, has consequences.

 

117 Years of Movie Bullsh*t – World Premiere

Director: Candice Vernon

Frank and Candice, two aspiring Hollywood stars are sent back in time, during the Gone With the Wind Era, by the evil Dick Whitman, an old school studio exec. As Frank and Candice try to get back to the present time, they keep getting stuck in movies of the past as token Black characters.

 

Block: To Be A Woman Vol. 1 – Stories of identity, friendship, and unexpected bonds.

How to Deal With Fame

Director: Tiffany Ike Writer: Tiffany Ike

When a masculine-presenting actress gets cast as the leading lady in a musical where her character dresses the opposite of her, her mother’s arrival for the performance reminds her of the womanhood she lacks.

 

Reminisce

Director: Leslie Morris Writer: Ashna Sharan

25 years younger than her husband, a woman’s world is turned upside down when her husband’s college classmates come to visit.

 

Sistahood: A Story of Strength – LA Premiere

Director: Jessica R. Chaney

The documentary follows Black, transgender women in Memphis, Tennessee, as they find hope and resilience through the community organization My Sistah’s House

 

SAVAGE SEASON

Director: Nardeep Khurmi Writer: Crystal Boyd

Starring: Devere Rogers, Crystal Boyd

Inspired by a true story, Gia, a relationship junkie, ends things with her long-term partner of seven years and finds herself alone and lost in a late-night pharmacy, tortured by her own thoughts. Ambushed by her friends, Gia is challenged to dream bigger and awaken from autopilot before her 30th birthday. This 15 minute short film is about mental health, reclaiming your inner child, burning down everything that comes with “adult autopilot,” and reinventing yourself. It explores the intimacy that happens when you let your friends witness you as you’re falling apart.

 

Block: Love & Laughs – Romantic comedies full of quirks, humor, and the chaos of connection.

 

BeforeHand

Director: Alphonso McAuley Writer: Alphonso McAuley

Starring: Eddie Blackwell Williams, Alphonso McAuley

A thrifty customer encounters a first hand experience while shopping at a second hand store.

 

I Hate My Love Life – LA Premiere

Director: Tiffany Jackman Writer: Tiffany Jackman

Starring: Reggie Hayes, Terri J Vaughn, Roy Wood Jr., Daphnique Springs, Orion Phillips II, Meghan Falcone

After years of bickering, a well-seasoned married couple decide to go on dates with other people to see if the grass is really greener on the other side; only to find out they are not prepared for the woes of new-age dating.

 

Brass Tacks – LA Premiere

Director: Katrina Cebreiro Writer: Katrina Cebreiro

Starring: J Young MDK

A millennial couple navigates the clash between their personal truths and the relentless demands of their wildly successful YouTube brand, but it is getting harder to tell what is real or what is just a show and is the show creating their reality or their reality creating the show.

 

Connie & Clyde – World Premiere

Director: Celeste Chaney Writer: Christopher Long

Sometimes working with your significant other is a great idea. For Connie and Clyde, it might be the worst. After a job goes wrong (at least according to Connie), she insists they confront the issue immediately, which might cost them their pay day and their relationship.

 

Block: Culture Clash Vol. 2 –  Stories of identity, difference, and the intersections where cultures meet.

 

Nwa (Black)

Director: Hans Augustave Writer: Hans Augustave

Frantz, a first-generation Haitian-American, is tasked with getting a haircut without the usual supervision of his strict immigrant father Jean. Left to his own devices, Frantz decides on a more trendy haircut, connecting him to the Black American culture his father warned him not to embrace.

 

I Came with Earrings

Director: Jonathan Caren Writer: Jonathan Caren, Hahn Ponder

Prior to a big Akido test, Leah’s adoptive moms gifts them with a pair of earrings that came with them upon adoption. This sends Leah into a psychological tailspin where they must overcome more than just a brown belt test.

 

Crossing The Desert

Director: Reena Dutt Writer: Anu Bhatt

Ignoring her mother’s warning, Antara uses Google Translate to come out to her grandmother in India. Facing mistranslation and renewed tensions, can mother and daughter love each other for who they really are, or just who they want the other to be?

 

A Beauty Supply In Queens

Director: Oluseyi Olatujoye Writer: Oluseyi Olatujoye

Starring: Caroline Chikezie

A Beauty Supply in Queens follows Ms. Aji, a Nigerian mother, and her daughter Tobi as they navigate the challenges of running a beauty supply store in Queens. Amidst fierce competition and underhanded tactics from rivals, the film celebrates their resilience and the strength of their community.

 

Special Events Panels, Masterclasses, and Spotlights

 

Actors Workshop with Chris Greene

Friday, October 24, 2025 | 11:00 AM – 12:15 PM

Step into the craft with acclaimed actor Christopher Greene in this intimate, hands-on workshop. From emotional access to performance technique, Greene shares the tools that have helped him navigate Hollywood as an actor of color. Perfect for emerging talent ready to sharpen their craft and leave with actionable skills.

Speaker: Chris Greene

 

Screenwriters’ Room Rants with Hillard Guess

Presented by Screenwriters’Room Rants

Friday, October 24, 2025 | 12:30 PM – 1:45 PM

A no-holds-barred look at the writer’s room, what really happens behind closed doors in Hollywood. Veteran writer Hillard Guess and co-host, award-winning actor/director/producer Denzel Whitaker, break down the highs, lows, and hard truths of TV and film. Expect real talk, industry gems, and stories you won’t hear anywhere else.

Moderator/Curator: Hillard Guess and Denzel Whitaker

 

Career Retrospective: How I Built My Digital Empire with Kinigra Deon

Friday, October 24, 2025 | 2:00 PM – 3:15 PM

From viral skits to building a global brand, Kinigra Deon shares how she turned authenticity into influence and influence into an empire. A deep dive into the artistry, strategy, and business savvy behind one of today’s most powerful digital voices.

Speaker: Kinigra Deon

 

Drawn Together: The Art & Impact of Animation

Friday, October 24, 2025 | 3:30 PM – 4:45 PM

The minds behind some of your favorite animated worlds come together to discuss craft, pipelines, and the future of storytelling through animation. Featuring creatives from Warner Bros., Sony, and indie collectives, this panel is a must for anyone passionate about the limitless power of animation.

Speakers: Peter Hastings, Neil Wade, and c.Craig

 

The Future of Film & TV: A State of the Industry Panel Address

Friday, October 24, 2025 | 5:15 PM – 6:30 PM

 

From streaming wars to shifting audience habits, Hollywood is in flux. Hear directly from industry insiders as they unpack the latest trends in film and TV: where stories are headed, how budgets are shifting, and what it means for creators on every level.

Speakers: Eric Pertilla, Aundrea Posey, Kyle Brett, and Erika Bryant

From Buzz to Breakthrough: Marketing, PR, and Positioning Your Film for Success

Friday, October 24th 2025 | 7:00 PM – 8:15 PM | Presented by: Verbal Slick Agency | Learn how to build buzz, secure press, and connect with audiences. This panel explores branding, festival PR, and strategic positioning to help your film stand out and succeed on and beyond the screen. | Moderator/Curator: Verona “VJ” Jones

CARBON COPY: Climate Narrative Pitch Competition: Join us Saturday, October 25th | 9:00 AM at The Culver Theater in Culver City for a dynamic pitch event where storytellers present bold, climate-integrated film and TV concepts to a panel of industry judges. Open to screenwriters, producers, and creatives across genres, this competition bridges compelling storytelling with environmental impact.

The World Builders: Production & Costume Design in Action

Saturday, October 25, 2025 | 11:00 AM – 12:15 PM

Production and costume design are the unsung heroes of storytelling. Join top designers as they reveal how visual choices from color palettes to wardrobe details shape character, atmosphere, and narrative. A masterclass in collaboration and creative vision.

Speakers: Margaret Robbs, Ramsey Avery, Philip Messina, Mynka Draper

 

Show Me the Money: The Economics of Film & TV

Saturday, October 25, 2025 | 12:30 PM – 1:45 PM

Presented By: Cvl Economics

Where creativity meets capital. Industry expert Adam J. Fowler breaks down the dollars behind the impact, exploring indie budgets, studio spending trends, and what every filmmaker needs to know about the economic forces driving Hollywood today.

Speaker: Adam J. Fowler

 

Story & Soul: A Conversation with Felicia Pride

Saturday, October 25, 2025 | 2:00 PM – 3:15 PM

Award-winning writer and producer Felicia Pride (Grey’s Anatomy, Queen Sugar) opens up about her journey, her creative process, and her mission to amplify Black voices in film and television. A rare, interactive session for storytellers seeking inspiration and truth.

Speakers: Felicia Pride

Moderator: Courtney L. Branch

 

Founders Talkback: How we built the Micheaux Film Festival

Presented by Braham Entertainment, panel guests to be announced

Saturday, October 25, 2025 | 3:30 PM – 4:45 PM

A candid debrief with the Micheaux Film Festival’s founders on building a platform from scratch, what worked, what didn’t, and what’s next. From programming and partnerships to community impact and sustainability, Noel and Courtney share hard-won lessons and take audience questions for an unfiltered, practical conversation.

Speakers: Noel Braham and Courtney L Branch

 

Behind the Page: How Showrunners Stay Inspired – On & Off the Air

Presented by Undeniable Films

Saturday, October 25, 2025 | 5:00 PM – 6:15 PM

Television may be in its toughest era yet, but the creativity hasn’t stopped. Join the writers, directors, and showrunners behind All American, Bel-Air, Black-ish, and more as they share how they navigate shrinking budgets, shifting platforms, and the pressure to hook audiences faster than ever. This is a rare, unfiltered look at the craft, the struggle, and the resilience that keep your favorite shows on the air.

Speakers: Jamie Turner (All American, Being Mary Jane), Devon Greggory (American Soul, The Game), The James Twins (Bel-Air, Empire), Princess Monique (Black-ish, BMF, The Goldbergs, Greenleaf), Craig T. Williams (Lake Drive, Game Night)

Moderator/Curator: Donna-Marie Reid

A Casting Panel: Breaking into the New Hollywood

Presented by Shicken Productions

Saturday, October 25, 2025 | 6:30 PM – 7:45 PM

Step inside the world of casting with an in-depth conversation that goes beyond the audition room. Our panelists will unpack the current state of the industry, share self-tape strategies, demystify the casting process, and discuss what it takes to build a career in casting. For performers, this is also your chance to learn how to truly stand out as an artist.

This session promises practical insights, candid advice, and a behind-the-scenes look at what decision-makers are really looking for. We’ll close with an interactive Q&A so you can get your most pressing questions answered directly.

Speakers: TBA

Moderator/Curator: Freddy Giorlando

 

Going Viral, Staying Vital: Kinigra Deon Master Class

Sunday, October 26, 2025 | 11:00 AM – 12:15 PM

Go deeper with digital mega star Kinigra Deon. In this exclusive masterclass, she breaks down the business of content creation, how to scale, monetize, and collaborate with brands while staying authentic and connected to your audience.

Speaker: Kinigra Deon

 

Laughter, Legacy & Life Lessons: A Fireside Chat with Tommy Davidson

Presented by Undeniable Films

Sunday, October 26, 2025 | 2:00 PM – 3:30 PM

From In Living Color to The Proud Family, Tommy Davidson has spent more than three decades shaping culture through comedy in stand-up, film, television, and voice acting. In this intimate conversation, Tommy opens up about his journey, the cultural impact of his work, new ventures, and life lessons learned behind the laughter. This is a must-see event at the Micheaux Film Festival.

Speaker: Tommy Davidson

Moderator/Curator: Donna-Marie Reid

 

Socials and Special Events

 

Opening Night Soiree  | The Black Out

Thursday, October 23rd

Guests will enjoy curated cocktails, live music, and a first taste of the electric energy that defines the festival. Set against a sleek, underground vibe, this night is where fashion, film, and culture collide.

Location: Blind Barber | 10797 Washington Blvd, Culver City, CA 90232

Time: 9:00PM

 

Quick Cup Meet-Up

Friday, October 24th

Start the day with community. Join fellow filmmakers for a casual coffee meet-up at Carasau Coffee. This is a space to spark conversations, exchange ideas, and build connections before the day’s screenings and panels kick off.

Location: Carasau Cafe – 3912/3918 Van Buren Pl, Culver City, CA 90232

Time: 9:00AM

 

VIP/Filmmaker Mixer | The Warriors Circle

Friday, October 24th

An intimate evening designed to connect filmmakers, industry insiders, and VIP guests. This mixer is all about building bridges, from sparking collaborations to forging lifelong creative relationships. With a relaxed atmosphere, great music, and crafted drinks, it’s the perfect chance to celebrate artistry and expand your network.

Location: The Culver Theater Lobby – 9500 Culver Blvd, Culver City, CA 90232

Time: 8:00PM

 

Quick Cup Meet-Up

Saturday,October 25th

Fuel your creativity with caffeine and connection. Our Saturday Quick Cup Meet-Up gives filmmakers/guests another chance to network in a relaxed setting, share experiences, and lay the foundation for future collaborations.

Location: Carasau – 3912/3918 Van Buren Pl, Culver City, CA 90232

Time: 9:00AM

 

Closing Night Party | The Young Hollywood Gold Celebration

Saturday, October 25th

We’re closing the festival with a bang. The Gold Party at One Culver celebrates the next generation of talent, the bold voices of Young Hollywood making their mark and the filmmakers paving the way. Expect high-energy vibes, gold-inspired style, and a night that blurs the line between soiree and cultural moment.

Location: One Culver – 10000 Washington Blvd, Culver City, CA 90232

Time: 8:00PM

 

Awards Show

Sunday, October 26th

The grand finale of #Micheaux7. Join us as we honor the filmmakers and visionaries who shaped this year’s festival. From moving speeches to unforgettable wins, the Awards Show is a night of recognition, reflection, and celebration of creativity at its highest level.

Location: The Culver Theater – 9500 Culver Blvd, Culver City, CA 90232

Time: 6:00PM

 

Sponsors

Braham Entertainment, NAACP Studios, 2nd District of Culver City (Holly J. Mitchell) and Culver City

Panel Partners

Undeniable Films, Cvl Economics, Shicken Productions, and Screenwriters’Room Rants

 

About the Micheaux Film Festival

Founded in Los Angeles, the Micheaux Film Festival is a premier multicultural platform that champions underrepresented storytellers and connects emerging talent with studios, streamers, press, and audiences. Through screenings, red-carpet premieres, panels, mentorship, and workforce programs, Micheaux builds pathways for discovery and industry access across film, television, and digital media. Learn more at micheauxfilmfest.com.

 

The California Film Institute (CAFILM) names Rose Kuo as Artistic Director

Posted by Larry Gleeson

The California Film Institute (CAFILM) just named Rose Kuo as Artistic Director, a newly created leadership position established earlier this year to guide the organization’s artistic vision and ensure a seamless program leadership transition in the years ahead.

 

Rose Kuo recently named The California Film Institute (CAFILM) Artistic Director, a newly created leadership position to guide the organization’s artistic vision and ensure a seamless program leadership transition in the years ahead.

 

Kuo is an internationally recognized leader in cinematic arts with a broad background in film festival programming and curatorial work. She previously served as Executive Director of the Film Society of Lincoln Center and the New York Film Festival, was Publisher of Film Comment magazine, and held the position of Artistic Director at AFI FEST (AFI Los Angeles International Film Festival).

At her previous stops, Kuo has developed a reputation as an innovator and risk taker. Notable highlights included Kuo being the architect of AFI FEST’s free festivals, which was the first time a film festival of that size had offered free tickets to film screenings. At Film Society of Lincoln Center (now called Film at Lincoln Center), she instituted a requirement for the gala selections to be world premiere screenings, which instantly upped the ante for the film festival to have more press relevance. In addition, she added a ”secret screening”, which also heightened the anticipation for the film festival to a level it hadn’t seen for decades. Finally, she stewarded FSLC’s Filmmaker in Residence program, which brought an acclaimed up-and-coming filmmaker to NYC to assist developing their next film project.

In her new role, Kuo will oversee the artistic and curatorial direction of CAFILM’s acclaimed programs, including the Mill Valley Film Festival, DocLands Documentary Film Festival, the Smith Rafael Film Center in San Rafael, the Sequoia Cinema in Mill Valley, and CAFILM Education initiatives.

“Rose brings a remarkable combination of international experience, artistic vision, and deep commitment to the cinematic arts,” said Mark Fishkin, CAFILM Founder and Executive Director. “Her leadership will ensure that CAFILM continues to champion independent voices, engage audiences, and inspire the next generation of filmmakers.”

Most recently, Kuo founded FESTWORKS, a film consultancy organization, where she has advised major studios on global festival strategies and collaborated with nonprofit cinema arts groups to strengthen their programming and audience engagement.

Earlier in her career, Kuo worked as a programmer and curator for leading film festivals and cultural institutions, including the Santa Barbara International Film Festival, the San Francisco International Film Festival, and the Mill Valley Film Festival — a return that underscores her deep connection to CAFILM’s mission.

CAFILM announced earlier this year that longtime Mill Valley Film Festival Program Director Zoe Elton will transition to a new part-time curatorial role after leading the 48th Mill Valley Film Festival, scheduled for October 2-12, 2025. CAFILM stated that Kuo and Elton will work together to ensure a smooth transition of the festival’s curatorial responsibilities, maintaining the quality of films and patron experiences, including the Mind the Gap gender equity initiative that Elton championed ten years ago.

Press contact:
John Wildman
Wildworks PR
FilmsGoneWild.com
jswldman@hotmail.com
323.600.3165

Film Review and Marketing