Tag Archives: Film

FELIX & PAUL STUDIOS AND TIME STUDIOS FILM FIRST-EVER 3D, 360o SCENES OUTSIDE THE INTERNATIONAL SPACE STATION FOR EMMY-NOMINATED SERIES, SPACE EXPLORERS: THE ISS EXPERIENCE

Millions of Viewers Will Soon Experience the Wonder of Floating in Space Outside the International Space Station

(NEW YORK, NY) August 27, 2021—Felix & Paul Studios, the EMMY-award winning creator of immersive entertainment experiences and the leading Space Media company, in partnership with NASA and TIME Studios, the EMMY-award winning television, film and immersive division of TIME, today announced the filming of the first-ever scenes in outer space captured in immersive 3D, 360°virtual reality format. Audiences will soon be able to experience what it is truly like to float in outer space by seeing everything completely around them, as if they were there in real life. The captured scenes have been made possible by Felix & Paul Studios’ customized virtual reality “Outer Space Camera”, attached to the Canadarm2 robotic arm which functioned as a “Space Crane” on the world’s first zero-gravity movie set.


These incredible, highly-immersive scenes will be included in episodes three and four of Space Explorers: The ISS Experience, an immersive series being produced by Felix & Paul Studios in association with TIME Studios. These forthcoming episodes will be available in 360° mobile format on 5G-enabled tablets and smartphones through leading telcos – including LGU+ (South Korea), KDDI (Japan), AIS (Taiwan), Orange (France) and Deutsche Telekom (Germany); at leading Big Screen venues, domes, planetariums, space visitor centers and science centers; in fully-immersive virtual reality on the Oculus Store for RIFT, Quest and Quest 2 devices; and as a main feature of the major, touring lifescale interactive exhibit, THE INFINITE, produced in partnership with PHI Studio.


“Today’s immersive cinematic capture of scenes in outer space is the culmination of close to three years of preparation. We are excited, honoured and truly humbled to have the opportunity to film in the most challenging environment known to humankind,” said Félix Lajeunesse, co-founder of Felix & Paul Studios and Director of Space Explorers: The ISS Experience. “Our mission since day one was to enable billions of people to experience what it is like to float in space and witness Planet Earth from above and we are pleased that this one-time dream will soon become reality in the final two episodes of our ISS Experience series.”


Less than 250 astronauts have ever conducted an extravehicular activity (EVA) – known as a “spacewalk” – and never before have audiences been able to experience what it is like to float in space as if they were astronauts themselves. The outer space scenes being captured in 3D will bring viewers “into the action” like never before and are being directed remotely by veteran directors Félix Lajeunesse and Paul Raphaël in both the Felix & Paul Studios facilities in Montreal and in the Canadian Space Agency facilities.


“Capturing the Earth in stereoscopic 3D, 360-degree format from space, outside the space station, has never been attempted until now,” said Jonathan Woods, Executive Producer of Space Explorers: The ISS Experience at TIME Studios and Emmy-winning producer of A Year in Space. “It’s beyond exciting and surreal to see this happening, knowing that the dream for this ambitious project started over five years ago in 2015.”


Felix & Paul Studios’ state-of-the-art Outer Space Camera is a customized Z-Cam V1 Pro camera consisting of nine 4K sensors allowing for a 3D, a 360-degree image at 8K resolution, and has been specially hardened by Nanoracks to withstand the harsh conditions of low atmosphere orbit, including vacuum, solar ultraviolet (UV) radiation, charged particle (ionizing) radiation, plasma, surface charging and arcing, temperature extremes, thermal cycling, and impacts from micrometeoroids and orbital debris (MMOD), and environment‐induced contamination from micrometeoroids and orbital debris (MMOD), and environment‐induced contamination.

The Outer Space Camera can store approximately 15 hours of 3D, 360-degree footage with custom lenses made to withstand extreme light and heat to minimize flare when directly exposed to the Sun (external temperatures ranging from -250° F to +250° F). About Space Explorers: The ISS Experience Space Explorers.

The ISS Experience is a four-part immersive series created in collaboration with the ISS U.S. National Laboratory, NASA, the Canadian Space Agency and other space agencies involved with the International Space Station and is filmed entirely on board and outside of the ISS using Felix & Paul Studios’ specialized 3D, 360-degree virtual reality ISS Camera and customized Outer Space Camera. Astronauts including Anne McClain, David Saint-Jacques, Christina Koch, Nick Hague, Jessica Meir, Andrew Morgan, Luca Parmitano and Victor Glover star as cast, film crew and narrators in this four-part immersive series, the largest production ever filmed in space.

The trailer for The ISS Experience is available here and stills are available here. Stills of the scenes filmed outside the International Space Station are available here. Behind the scenes footage is available at Time.com/Space.

About Felix & Paul Studios

Felix & Paul Studios is an EMMY® Award-winning creator of immersive entertainment experiences, creating unparalleled, highly engaging, presence-based experiences for the next generation of technology-enabled devices and venues. The studio’s catalogue of over thirty 3D, 360-degree experiences exhibits the “industry’s best” in the new medium of immersive storytelling, including:

  • Originals: The Space Explorers series, Traveling While Black, MIYUBI, the Nomads series, Strangerswith Patrick Watson.
  • Productions with notable franchises: Jurassic World, Cirque du Soleil, Fox Searchlight’s Wild and Isle of Dogs, and The Confessionals series with Just for Laughs starring Howie Mandel, Lilly Singh, Jud Apatow and Trevor Noah.
  • Collaborations with world-renowned leaders and performers: President Barack Obama and Michelle Obama, LeBron James, President Bill Clinton, Eminem, Wes Anderson, Brie Larson, Jeff Goldblum, Bill Murray and many others.

The studio’s content is available for distribution in a range of immersive formats including 360-degree mobile on 5G-enabled smartphones, tablets and headsets; 360-degree fulldome projection in domes and planetariums; fully-immersive VR on Facebook’s Oculus and other high-end virtual reality platforms; Giant Screen projection for science centers, space welcome centers and large-format cinemas; and the touring life-scale interactive exhibit, THE INFINITE, produced in partnership with PHI Studio. Felix & Paul Studios is the leading Space Media Company and the only media company recognized as an “Official Implementation Partner” by the ISS U.S. National Laboratory.


About TIME

StudiosFrom one of the most globally iconic brands, TIME Studios is an Emmy Award®-winning television, film and immersive studio focusing on the development, production and distribution of truth-based premium unscripted and scripted premium storytelling that moves the world. With technical innovation and a brand defining visual language that dates back 98 years, TIME Studios aims to impact communities and the world at large with ideas that forge true progress. Combining the industry’s leading creators with TIME, one of the most trusted brands that reaches an audience of over 100 million people globally, TIME Studios is uniquely positioned to bring massive audiences to the world’s most impactful stories. Recent projects include, Black Gold (Paramount+), Big Vape (Netflix), John Lewis: Good Trouble (CNN Films), Amazing Grace (Neon), Right to Offend (A&E), Ricky Powell: The Individualist (Showtime), Mass Effect: The Story of YouTube, Kid of the Year (Nickelodeon/CBS), TIME 100 (ABC) and the first scripted project for TIME Studios, Women of the Year (Amazon).

AMERICAN FILM MARKET® PIVOTS TO ONLINE EVENT FOR 2021

Los Angeles, CA – August 26, 2021 – The American Film Market® (AFM®) will move its 2021 edition entirely online, the Independent Film & Television Alliance® (IFTA®) announced today. AFM 2021 Online will be held Monday, November 1 to Friday, November 5 – shifting one day earlier than its original dates. Registration for the five-day online event is now open.

AFM 2021 Online will feature Industry Offices, Screenings, Conferences, Panels and Workshops, the Networking Pavilion, LocationEXPO, and more. Event updates will be announced regularly via email, social media, and the AFM Website.


“We wish we could welcome the global industry back to Santa Monica but travel regulations, increased concerns about coronavirus variants around the world, and government restrictions on the ground prevent us from moving forward,” said Michael Ryan, Chairperson, IFTA and Partner, GFM Films. “However, IFTA is thrilled to host the market the industry expects – where no one will be excluded and all of our stakeholders can immerse themselves for five days dedicated to deal making, discovery, education, and reconnecting.”

About the American Film Market®(AFM®)

The AFM is the most efficient film acquisition, development and networking event in the world. More than US$1 billion in production and distribution deals are closed every year — on both completed films and those in every stage of development and production. Over five days in November, 7,000+ professionals from 70+ countries access the entire global catalogue of available films and projects, attend world class conferences, and connect with decision makers. The AFM is produced by the Independent Film & Television Alliance®.

About the Independent Film & Television Alliance® (IFTA®)

IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to independent companies from 22 countries.

*Sourced from AFM Press release

AFI DOCS 2021 Award Winners

Posted by Larry Gleeson

Audience Award for Best Feature Goes to

STORM LAKE

Audience Award for Best Short Goes to SHELTER

Short Film Grand Jury Prize Goes to RED TAXI

Among the Participants in 19th Annual Festival of Documentary Film:

Senator Amy Klobuchar, Morgan Neville, Garrett Bradley, Dawn Porter

FOR IMMEDIATE RELEASE

JUNE 28, 2021, WASHINGTON, DC — The American Film Institute (AFI) has announced the AFI DOCS 2021 Award Winners, concluding the six-day festival, with screenings presented online and in-person at the AFI Silver Theatre and Cultural Center. The festival’s Audience Award for Best Feature went to STORM LAKE, directed by Jerry Risius and Beth Levison. The Audience Award for Best Short went toSHELTER, directed by Smriti Mundhra.

This year’s voting jury for the competitive Short Films slate was comprised of Mike Attie, award-winning filmmaker and professor of film at the University of the Arts in Philadelphia; Greta Hagen-Richardson, Director of Programming at the Hot Springs Documentary Film Festival and Lead Features Programmer at the New Orleans Film Festival; and Yvonne Ashley Kouadjo, Associate Producer for The New York Times’ award-winning short documentary series Op-Docs.

The Grand Jury Prize for Short Films went to RED TAXI, directed byAnonymous. The jury said of RED TAXI: “For its creative and accessible approach to telling a story from the perspective of those living and working in a moment of political upheaval, we award the Shorts Grand Jury Prize to RED TAXI. The courage of the anonymous filmmaker struck us for their commitment to depicting the nuances of reality on the ground.” The Shorts Grand Jury Prize at AFI DOCS is a qualifying award for Academy Award® eligibility.

The jury also awarded the Special Jury Prize to two films: THE COMMUNION OF MY COUSIN ANDREA, directed by BrandánCerviño Abeledo, saying,

“For its ability to tell a reflexive story with levity and tenderness, we award a Special Jury Prize to THE COMMUNION OF MY COUSIN ANDREA”; and S P A C E S (M E Z E R Y), directed by Nora Štrbová, saying, “For its intelligent use of multi-dimensional media in telling a fraught, emotional story, we award a Special Jury Prize to S P A C E S (M E Z E R Y).”

The 19th edition of AFI DOCS presented a diverse slate of 78 films from 23 countries, shedding light on overlooked stories from the past, honoring champions of change and giving us glimpses into the everyday lives of subjects close to home and around the world. This year, 52% of AFI DOCS films were directed by women, 40% by BIPOC directors and 18% by LGBTQ directors.

Among the festival participants were filmmakers and notables including Minnesota Senator Amy Klobuchar; Academy Award®winners Morgan Neville, Sean Fine, Andrea Nix Fine and Mark Ronson; Academy Award®-nominated filmmakers Julie Cohen, Betsy West and Steve James; Pulitzer Prize-winning journalist Art Cullen; award-winning filmmaker Dawn Porter; Emmy® Award winner Chris Nee; CNN political contributor and host Van Jones; author and The New Yorker contributor Jelani Cobb; filmmaker and actor Sonja Sohn; musician and filmmaker Ahmir “Questlove” Thompson; Smithsonian National Museum of African American History and Culture Curator Dwandalyn Reece; President of the African American Film Critics Association Gil Robertson; Georgetown University Professor Dr. Janet Mann; rapper KYLE; and son of late comedian and activist Dick Gregory Christian Gregory.

The festival’s panels and discussions provided filmmakers, film subjects and audiences the opportunity to delve deeper into the films with conversations led by some of the nation’s top journalists, including: NBC News Correspondent Morgan Radford; NBC News’ Meet the Press Moderator and NBC News Political Director Chuck Todd; NBC News Correspondent Anne Thompson; MSNBC Correspondent Trymaine Lee; Variety’s Film Awards Editor Clayton Davis; Axios Justice and Race Reporter Russell Contreras; Senior Segment Producer of WGN Morning News and WGN’s Entertainment Producer Tyra Martin; entertainment journalist & TV producer KJ Matthews; CQ Roll Call Deputy Editor Jason Dick andHealth Care Editor Rebecca Adams; and The Washington Post’s Managing Editor for Diversity and Inclusion Krissah Thompson, Chief Film Critic Ann Hornaday, Global Opinions writer Jason Rezaian, National Security Editor Peter Finn, Religion Reporter Michelle Boorstein, and Host and Editor of Food Video Mary Beth Albright.

This year’s inaugural DOCS Talks programming included the World Premiere of Netflix’s and Higher Ground’s WE THE PEOPLE, as well as “History Is Out of the Closet: Excavating Queer Stories for the Screen,” a live stream conversation celebrating LGBTQ+ pride. The AFI DOCS Industry Forum explored building accessibility practices into all steps of the production process, demystifying investigative documentaries, the making of the hit series PHILLY D.A., how documentaries shape conversations on racial violence, a behind-the-scenes look at the Hindsight Project films and new collaborations between public media and indie filmmakers. This year’s Industry Forum programming also included closed captioning and American Sign Language (ASL) interpretation. The AFI DOCS Industry Forum is supported by the Corporation for Public Broadcasting and the National Endowment for the Arts.

RED TAXI

DIR: Anonymous. As protests in Hong Kong escalate, taxi drivers experience a city in upheaval driving the streets day and night. Anonymously filmed by locals.

SHORT FILM SPECIAL JURY PRIZE

THE COMMUNION OF MY COUSIN ANDREA

DIR: Brandán Cerviño Abeledo. Andrea’s First Communion ceremony lacks glamour. For Andrea, things without sparkles are meaningless.

SHORT FILM SPECIAL JURY PRIZE

S P A C E S (M E Z E R Y)

DIR: Nora Štrbová. A multi-textured animated exploration of memory as a container of identity, based on the personal story of the filmmaker and her brother who was diagnosed with a brain tumor.

This year’s Premium Sponsor is Apple Original Films. The Corporation for Public Broadcasting (CPB) returns as Official Sponsor of the festival. NBC News’ Meet the Press with Chuck Todd and The Washington Post return this year as Primary Media Partners. Variety and The Hollywood Reporter are this year’s Official Media Partners. The Wrap is an Affiliate Media Partner.Screen Sponsors include SHOWTIME® Documentary Films, Netflix, WarnerMedia and HBO Documentary Films. Participant, National Geographic, and Eventive serve as Major Sponsors. This year’s Contributing Sponsors are ESPN, the National Endowment for the Arts and the DC Office of Cable Television, Film, Music, and Entertainment (OCTFME). Supporting Sponsors include the Maryland Film Office, Greater Silver Spring Chamber of Commerce and Rev. The Embassy of Denmark in Washington, DC, and the Farhang Foundation are this year’s Cultural Sponsors. Generous individual support comes from Stephanie and Hunter Hunt.

 

About AFI DOCS

AFI DOCS is the American Film Institute’s annual documentary festival historically held in Washington, DC.  Presenting the year’s best documentaries, AFI DOCS is the only festival in the U.S. dedicated to screenings and events that connect audiences, filmmakers and policy leaders in the heart of our nation’s government. The AFI DOCS advisory board includes Ken Burns, Davis Guggenheim, Chris Hegedus, Werner Herzog, Rory Kennedy, Barbara Kopple, Spike Lee, Errol Morris, Stanley Nelson and Frederick Wiseman. Now in its 19th year, the festival will be held June 22-27, 2021. Visit DOCS.AFI.com and connect onTwitter.com/AFIDOCSFacebook.com/AFIDOCSYouTube.com/AFIand Instagram.com/AmericanFilmInstitute.

 

About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s nonprofit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstituteYouTube.com/AFITwitter.com/AmericanFilmand Instagram.com/AmericanFilmInstitute.

 

About the Corporation for Public Broadcasting

The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of more than 1,500 locally managed and operated public television and radio stations nationwide. CPB is also the largest single source of funding for research, technology and program development for public radio, television and related online services. For more information, visit www.cpb.org and follow us on Twitter @CPBmedia, Facebook and LinkedIn, and subscribefor email updates.

About The Washington Post and Washington Post Press Freedom Partnership

The Washington Post is an award-winning news leader whose mission is to connect, inform and enlighten local, national and global readers with trustworthy reporting, in-depth analysis and engaging opinions. It combines world-class journalism with the latest technology and tools so readers can interact with The Post anytime, anywhere.

 

The Press Freedom Partnership is a public service initiative from The Washington Post to promote press freedom and raise awareness of the rights of journalists who are in pursuit of the truth. Learn more at www.wapo.st/pressfreedom

About Meet the Press with Chuck Todd

Meet the Press with Chuck Todd is where newsmakers come to make news — setting the political agenda and spotlighting the impact Washington decision-making has on Americans across the country. It is the #1 most-watched Sunday public affairs show for the 2019-2020 season, reaching more than three million viewers every Sunday and millions more through social, digital and on-demand platforms. Meet the Press brings its authority and influencer interviews to MSNBC with MTP Daily weekdays at 1 p.m. ET, to the ongoing weekly podcast, The Chuck ToddCast, and to Meet the Press Reports, a 30-minute program on NBC News NOW and Peacock, focusing on a single topic explored through the Meet the Press lens. It’s the longest-running show in television history, recently expanding its brand to also include a political short-documentary film festival in collaboration with the American Film Institute. Chuck Todd is the political director of NBC News and the moderator of Meet the Press; John Reiss is the executive producer.

CONTACT:

Elizabeth Ward, AFI DOCS PR, elizabeth@prcollaborative.com

American Film Institute: Stacy Adamski, 323.856.7759,SAdamski@AFI.com

THE AMERICAN FILM INSTITUTE ANNOUNCES SPONSORS FOR AFI DOCS 2021

THE AMERICAN FILM INSTITUTE ANNOUNCES
SPONSORS FOR AFI DOCS 2021

Support Comes From Wide Range of Art and Cultural Institutions, Media Partners and Corporations

Apple Original Films Joins AFI DOCS as a Premium Sponsor

FOR IMMEDIATE RELEASE, June 18, 2021, WASHINGTON, DC — The American Film Institute (AFI) has announced the sponsors for AFI DOCS 2021. Support for the festival comes from both local organizations based in the DC-metro area and major corporations across the nation. The 19th edition of AFI DOCS will run June 22–27, with films available to view on DOCS.AFI.com as well as in-person screenings at the AFI Silver Theatre and Cultural Center in Silver Spring, MD.

“AFI DOCS reaches a nationwide audience with the support of our sponsors,” said Sarah Harris, AFI Festivals Director of Programming. “It is their generosity that amplifies the voices of today’s most vital storytellers, and we thank them on behalf of all who find inspiration in the arts.” 

In addition to supporting AFI DOCS film programming and events, sponsors provide services and exclusive experiences to filmmakers and audiences throughout the festival. Sponsor participation includes sponsoring specific film screenings, panels and events as well as national and local promotion of the festival.  

This year, AFI is proud to have Apple Original Films support AFI DOCS for the first time as a Premium Sponsor. Top festival sponsors will give audiences sneak peeks at exclusive upcoming trailers and content on the festival’s streaming platform and in the AFI DOCS Festival Hub. Media partners will also provide DOCS audiences with access to their digital issues during the week of the festival via a virtual newsstand.

The Corporation for Public Broadcasting (CPB) returns as Official Sponsor of the festival. CPB is Official Sponsor of the AFI DOCS Industry Forum and the Spotlight on the Hindsight Project, a special selection of short filmsthat chronicle the experiences of BIPOC communities in the American South and U.S. Territories during the unprecedented events of 2020.  

NBC News’ Meet the Press with Chuck Todd and The Washington Post return this year as Primary Media Partners. Meet the Press and The Washington Post, in conjunction with the Washington Post Press Freedom Partnership, will provide moderators for a number of films in this year’s festival. Highlights include Meet the Press Moderator and NBC Political Director Chuck Todd moderating LFG and NBC News Correspondent Morgan Radford moderating the discussion following the Opening Night World Premiere of NAOMI OSAKA. In addition to supporting post-screening discussions, Washington Post Live, The Post’s live journalism platform, will host a conversation with ROADRUNNER: A FILM ABOUT ANTHONY BOURDAIN filmmaker Morgan Neville. Post Managing Editor for Diversity and Inclusion Krissah Thompson will also moderate the World Premiere of WE THE PEOPLE in the inaugural DOCS Talks program.

Variety and The Hollywood Reporter are this year’s Official Media Partners. This year, Variety sponsors the Charles Guggenheim Symposium, which will feature a conversation between the 2021 Guggenheim honoree Dawn Porter and Variety’s Clayton Davis, and The Hollywood Reporter will be a media partner for the screening of SUMMER OF SOUL (…OR WHEN THE REVOLUTION COULD NOT BE TELEVISED). 

The Wrap joins AFI DOCS as an Affiliate Media Partner this year and is a media partner for the screening of TOM PETTY: SOMEWHERE YOU FEEL FREE.

Screen Sponsors are SHOWTIME® Documentary Films, Netflix, WarnerMedia and HBO Documentary Films. SHOWTIME® Documentary Films will once again host a networking event for filmmakers and industry, adjusted to be virtual instead of the in-person event they have hosted in the past. SHOWTIME® willalso send a special, customized gift to the festival filmmakers as they celebrate AFI DOCS from home.

Participant returns as a Major Sponsor, along with new sponsors National Geographic and Eventive. 

This year’s Contributing Sponsors are ESPN, the National Endowment for the Arts and the DC Office of Cable Television, Film, Music, and Entertainment (OCTFME). 

Supporting Sponsors include the Maryland Film Office, Greater Silver Spring Chamber of Commerce and Rev. 

The Embassy of Denmark in Washington, DC, and the Farhang Foundation are this year’s Cultural Sponsors. 

Generous individual support comes from Stephanie and Hunter Hunt.

About AFI DOCS 

AFI DOCS is the American Film Institute’s annual documentary festival historically held in Washington, DC.  Presenting the year’s best documentaries, AFI DOCS is the only festival in the U.S. dedicated to screenings and events that connect audiences, filmmakers and policy leaders in the heart of our nation’s government. The AFI DOCS advisory board includes Ken Burns, Davis Guggenheim, Chris Hegedus, Werner Herzog, Rory Kennedy, Barbara Kopple, Spike Lee, Errol Morris, Stanley Nelson and Frederick Wiseman. Now in its 19th year, the festival will be held June 22-27, 2021. Visit DOCS.AFI.comand connect on Twitter.com/AFIDOCS,Facebook.com/AFIDOCSYouTube.com/AFI andInstagram.com/AmericanFilmInstitute

About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s nonprofit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media atFacebook.com/AmericanFilmInstitute,YouTube.com/AFI, Twitter.com/AmericanFilm andInstagram.com/AmericanFilmInstitute.

About the Corporation for Public Broadcasting  

The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of more than 1,500 locally managed and operated public television and radio stations nationwide. CPB is also the largest single source of funding for research, technology and program development for public radio, television and related online services. For more information, visit www.cpb.org and follow us on Twitter @CPBmedia,Facebook and LinkedIn, and subscribe for email updates. 

About The Washington Post and Washington Post Press Freedom Partnership  

The Washington Post is an award-winning news leader whose mission is to connect, inform and enlighten local, national and global readers with trustworthy reporting, in-depth analysis and engaging opinions. It combines world-class journalism with the latest technology and tools so readers can interact with The Post anytime, anywhere.  

The Press Freedom Partnership is a public service initiative from The Washington Post to promote press freedom and raise awareness of the rights of journalists who are in pursuit of the truth. Learn more at www.wapo.st/pressfreedom

About Meet the Press with Chuck Todd 

Meet the Press with Chuck Todd is where newsmakers come to make news — setting the political agenda and spotlighting the impact Washington decision-making has on Americans across the country. It is the #1 most-watched Sunday public affairs show for the 2019-2020 season, reaching more than three million viewers every Sunday and millions more through social, digital and on-demand platforms. Meet the Press brings its authority and influencer interviews to MSNBC with MTP Daily weekdays at 1 p.m. ET, to the ongoing weekly podcast, The Chuck ToddCast, and to Meet the Press Reports, a 30-minute program on NBC News NOW and Peacock, focusing on a single topic explored through the Meet the Press lens. It’s the longest-running show in television history, recently expanding its brand to also include a political short-documentary film festival in collaboration with the American Film Institute. Chuck Todd is the political director of NBC News and the moderator of Meet the Press; John Reiss is the executive producer. 

CONTACT: 

Elizabeth Ward, AFI DOCS PR,elizabeth@prcollaborative.com 

American Film Institute: Stacy Adamski, 323.856.7759,SAdamski@AFI.com

Francois Ozon’s new film FRANTZ debuts in Los Angeles on March 24

Posted by Larry Gleeson

A haunting tale of love and reconciliation begins in a small town in Germany in the immediate aftermath of World War I when a young woman mourning the death of her fiancé encounters a mysterious Frenchman laying flowers on her beloved’s grave.

Jean-Claude Moireau - Foz/Courtesy of Music Box Films
Paula Beer in Frantz. (Photo Credit: Jean-Claude Moireau – Foz/Courtesy of Music Box Films)

Set in Germany and France in the immediate aftermath of the First World War, (1914-1918), FRANTZ recalls the mourning period that follows great national tragedies as seen through the eyes of the war’s “lost generation”: Anna (21 year-old Paula Beer in a breakthrough performance), a bereft young German woman whose fiancé, Frantz, was killed during trench warfare, and Adrien (Pierre Niney), a French veteran of the war who shows up mysteriously in her town, placing flowers on Frantz’s grave. Adrien’s presence is met with resistance by the small community still reeling from Germany’s defeat, yet Anna gradually gets closer to the handsome and melancholy young man, as she learns of his deep friendship with Frantz, conjured up in evocative flashbacks.

Jean-Claude Moireau - Foz/Courtesy of Music Box Films
Pierre Niney and Paula Beer in Frantz. (Photo credit: Jean-Claude Moireau – Foz/Courtesy of Music Box Films)

What follows is a surprising exploration of how Ozon’s characters’ wrestle with their conflicting feelings – survivor’s guilt, anger at one’s losses, the overriding desire for happiness despite everything that has come before, and the longing for sexual, romantic and familial attachments. Ozon drew his inspiration from Ernst Lubitsch’s 1932 drama Broken Lullaby, with stunning visual references to painter Caspar David Friedrich.

 

FRANTZ_PPOSTER

“Intellectually stimulating and emotionally satisfying.” 

– Jonathan Romney, Screen Daily

“Astonishingly beautiful and inquisitive. it’s impossible to deny the sheer narrative sophistication. Elevated by a quartet of stunning performances 

– Eric Kohn, IndieWire 

“A richly imagined and superbly assembled period piece.”

Boyd van Hoeij, The Hollywood Reporter 

Theatres:

 Landmark Nuart Theatre

11272 Santa Monica Blvd.

West Los Angeles, CA 90025

Regal Edwards Westpark 8

3735 Alton Pkwy,

Irvine, CA 92606

Regency Directors Cut Cinema at Rancho Niguel

25471 Rancho Niguel Rd,

Laguna Niguel, CA 92677

 

Bill Paxton: Filmmaking always my dream (2005)

Posted by Larry Gleeson

Veteran Hollywood Actor Bill Paxton has passed away at the age of 61 following “complications from surgery,” in a statement released by a family representative.

Paxton was nominated four times for the Golden Globe as an actor in 1999, 2007, 2008 and 2010. He was also nominated for a Primetime Emmy in 2012

In 2003, he won The Academy of Science Fiction, Fantasy & Horror Films, USA Filmmaker’s Showcase Award. The award notes are as follows:

“Bill Paxton is one of the most respected actors working today. Following a long string of successful performances, Bill has stepped behind the camera and proven his skill as a director. His directorial debut, Frailty (2001), showed a keen sense of style and a powerful grasp of storytelling which puts him in the ranks of top directors working today. We feel compelled to acknowledge this masterful work.”

Also included is a clip of Mr. Paxton expressing his admiration and respect for master filmmaker and actor icon, Clint Eastwood.

Actor Bill Paxton tells Larry King that being a filmmaker was always his dream.

 

Thank you for some very memorable roles in films such as Nightcrawler, Twister, True Lies, Terminator, Titanic, Aliens, Predator 2 and Weird Science.

Rest in peace Bill Paxton.

ACADEMY RESCINDS SOUND MIXING NOMINATION FOR GREG P. RUSSELL

Posted by Larry Gleeson

FOR IMMEDIATE RELEASE

LOS ANGELES, CA – Upon recommendation by the Sound Branch Executive Committee, the Academy’s Board of Governors voted Thursday (2/23) to rescind the Sound Mixing nomination for Greg P. Russell from “13 Hours: The Secret Soldiers of Benghazi” for violation of Academy campaign regulations.  The decision was prompted by the discovery that Russell had called his fellow members of the Sound Branch during the nominations phase to make them aware of his work on the film, in direct violation of a campaign regulation that prohibits telephone lobbying.  An additional nominee for “13 Hours: The Secret Soldiers of Benghazi” will not be named in his place.  The remaining Sound Mixing nominees for the film are Gary Summers, Jeffrey J. Haboush and Mac Ruth.

“The Board of Governors’ decision to rescind Mr. Russell’s nomination was made after careful consideration,” said Academy President Cheryl Boone Isaacs.  “The Academy takes very seriously the Oscars voting process and anything – no matter how well-intentioned – that may undermine the integrity of that process.”

The Board determined that Russell’s actions violated a campaign regulation that unequivocally prohibits telephone lobbying.  It states that “contacting Academy members by telephone to promote a film or achievement is expressly forbidden, even if such contact is in the guise of checking to make sure a screener or other mailing was received.”

The members from each of the Academy’s branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, musicians, composers and lyricists vote the nominations for song and score.

During the nominations process, all 456 voting members of the Sound Branch received a reminder list of film titles eligible in the Sound Mixing category in order to vote.

The nominees for Sound Mixing are:

ARRIVAL
Bernard Gariépy Strobl and Claude La Haye

HACKSAW RIDGE
Kevin O’Connell, Andy Wright, Robert Mackenzie and Peter Grace

LA LA LAND
Andy Nelson, Ai-Ling Lee and Steve A. Morrow

ROGUE ONE: A STAR WARS STORY
David Parker, Christopher Scarabosio and Stuart Wilson

13 HOURS: THE SECRET SOLDIERS OF BENGHAZI
Gary Summers, Jeffrey J. Haboush and Mac Ruth

The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT.  The Oscars also will be televised live in more than 225 countries and territories worldwide.

# # #

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 7,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

MEDIA CONTACT

publicity@oscars.org

SARA BAREILLES TO DELIVER “IN MEMORIAM” PERFORMANCE DURING THE 89TH OSCARS

Posted by Larry Gleeson

MORE THAN 200 TO BE RECOGNIZED IN OSCAR.COM MEMORIAM GALLERY

Grammy® and Tony® nominated singer and songwriter Sara Bareilles will deliver a special “In Memoriam” performance during the 89th Oscars® ceremony, show producers Michael De Luca and Jennifer Todd announced today. Hosted by Jimmy Kimmel, the Oscars will air live on Sunday, February 26, on the ABC Television Network.

“Sara’s unique artistry will honor those we’ve lost in our community including familiar faces and those behind the scenes who have enriched the art of moviemaking,” De Luca and Todd said.

Following Bareilles’ “in memoriam” performance, an extended photo gallery of more than 200 filmmakers, artists and executives will be recognized on Oscar.com.

Bareilles first achieved mainstream critical praise in 2007 with “Love Song,” from her debut album “Little Voice.” The single reached No. 1 in 22 countries. Since then she has received six Grammy nominations, which include Song of the Year, Female Pop Vocal Performance and Album of the Year for her highly acclaimed studio album, “The Blessed Unrest”. Her book, Sounds Like Me: My Life (So Far) In Song, was released in 2015 by Simon & Schuster and was a New York Times best seller. Bareilles composed the music and lyrics for “Waitress,” receiving a Tony Award nomination for Original Score and a Grammy nomination for Musical Theater Album. Bareilles makes her Broadway acting debut in “Waitress.”

 

The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center®in Hollywood, and will be broadcast live on the ABC Television Network at 7 p.m. EST/4 p.m. PST. The Oscars, produced by De Luca and Todd and hosted by Jimmy Kimmel, also will be televised in more than 225 countries and territories worldwide. Additionally, “The Oscars: All Access” live stream from the red carpet and backstage will begin at 7 p.m. EST/4 p.m. PST on Oscar.com.

Actual Oscar statuettes to be presented during the 79th Annual Academy Awards sit in a display case in Hollywood

(Source: Oscars.org)

THE ACADEMY ANNOUNCES FINAL SLATE OF 89TH OSCARS PRESENTERS

Posted by Larry Gleeson

FOR IMMEDIATE RELEASE

JENNIFER ANISTON, JASON BATEMAN, WARREN BEATTY, SOFIA BOUTELLA,
MATT DAMON, FAYE DUNAWAY, MICHAEL J. FOX, RYAN GOSLING, SALMA HAYEK,
TARAJI P. HENSON, DEV PATEL, SETH ROGEN, OCTAVIA SPENCER,
MERYL STREEP AND VINCE VAUGHN
ANNOUNCED AS FINAL SLATE OF 89TH OSCARS® PRESENTERS 

oscars2017_27x40poster_jimmy

LOS ANGELES, CA – Oscar® producers Michael De Luca and Jennifer Todd announced the final slate of presenters for the 89th Oscars® telecast. Hosted by Jimmy Kimmel, the Oscars will air live Sunday, February 26, on the ABC Television Network. The presenters, including past Oscar winners and nominees, are Jennifer Aniston, Jason Bateman, Warren Beatty, Sofia Boutella, Matt Damon, Faye Dunaway, Michael J. Fox, Ryan Gosling, Salma Hayek, Taraji P. Henson, Dev Patel, Seth Rogen, Octavia Spencer, Meryl Streep and Vince Vaughn.

Previously announced presenters include Amy Adams, Riz Ahmed, Javier Bardem, Halle Berry, John Cho, Leonardo DiCaprio, Jamie Dornan, Chris Evans, Gael García Bernal, Samuel L. Jackson, Scarlett Johansson, Dakota Johnson, Dwayne Johnson, Felicity Jones, Brie Larson, Shirley MacLaine, Leslie Mann, Kate McKinnon, Janelle Monáe, David Oyelowo, Mark Rylance, Hailee Steinfeld, Emma Stone, Charlize Theron and Alicia Vikander. Additionally, Sara Bareilles, John Legend, Lin-Manuel Miranda and Auli’i Cravalho, Sting and Justin Timberlake are set to perform.

Aniston’s film credits include “Office Christmas Party” (2016), “Cake” (2014), “Horrible Bosses 2” (2014), “We’re the Millers” (2013), “Horrible Bosses” (2011) and “Friends with Money” (2006). Additionally, she’s appeared in “Just Go with It” (2011), “Marley & Me” (2008) and “The Break-Up” (2006).

Bateman’s credits include the Oscar-winning film “Juno” (2007) as well as the Oscar-nominated films “Zootopia” (2016) and “Up in the Air” (2009). Other notable credits include “Office Christmas Party” (2016), “The Family Fang” (2015) and “This Is Where I Leave You” (2014).  Additionally, he directed and appeared in “Bad Words” (2013).

Beatty is a producer, director, writer and actor and has received 14 Oscar nominations. Beatty won an Oscar for Directing “Reds” (1981) and the Academy’s Irving G. Thalberg Memorial Award in 2000. He has the rare distinction of being nominated as a producer, director, writer and performer for the same film on not just one, but two occasions, for “Heaven Can Wait” (1978) and for “Reds.” Beatty’s credits also include “Rules Don’t Apply” (2016), “Bulworth” (1998), “Bugsy” (1991), “Dick Tracy” (1990), “Shampoo” (1975), “The Parallax View” (1974),  “McCabe & Mrs. Miller” (1971),  “Bonnie and Clyde” (1967), “Lilith” (1964) and “Splendor in the Grass” (1961).

Boutella appeared in the Oscar-nominated film “Star Trek Beyond” (2016). Additionally, her film credits include “Kingsman: The Secret Service” (2014), “Monsters: Dark Continent” (2014) and “StreetDance 2” (2012). Boutella will next appear in “Atomic Blonde” and “The Mummy.”

Damon won an Oscar for Original Screenplay (shared with Ben Affleck) and was nominated for Actor in a Leading Role for his work on “Good Will Hunting” (1997). He is nominated this year for Best Picture for “Manchester by the Sea” (2016) shared with producers Kimberly Steward, Chris Moore, Lauren Beck and Kevin J. Walsh. In addition, Damon received an Oscar nomination for Actor in a Leading Role for “The Martian” (2015) as well as an Actor in a Supporting Role nomination for “Invictus” (2009). His upcoming projects include “Downsizing” and “Suburbicon.”

Dunaway won an Oscar for Actress in a Leading Role for “Network” (1976). She’s been nominated twice before in the same category, for “Chinatown” (1974) and “Bonnie and Clyde” (1967). Dunaway’s numerous credits also include “Don Juan DeMarco” (1994), “Arizona Dream” (1993) and “Barfly” (1987), as well as the now classic films “Three Days of the Condor” (1975), “The Towering Inferno” (1974), “Little Big Man” (1970) and “The Thomas Crown Affair” (1968).

Fox’s credits include the Oscar-winning film “Back to the Future” (1985) and the Oscar-nominated features “Back to the Future Part II” (1989) and “The American President” (1995). In addition, his credits include “Bright Lights, Big City” (1988), “Teen Wolf” (1985), “Doc Hollywood” (1991), “Back to the Future Part III” (1990) and “Casualties of War” (1989).

Gosling received an Oscar nomination for Actor in a Leading Role for “La La Land” (2016) and “Half Nelson” (2006). He also appeared in the Oscar-winning film “The Big Short” (2015) as well as the Oscar-nominated films “Drive” (2011), “The Ides of March” (2011), “Blue Valentine” (2010) and “Lars and the Real Girl” (2007). Gosling’s credits also include “Crazy, Stupid, Love” (2011) and “The Notebook” (2004). He will next appear in “Blade Runner 2049.”

Hayek received an Oscar nomination for Actress in a Leading Role for “Frida” (2002). In addition, her credits include “Septembers of Shiraz” (2015), “Tale of Tales” (2015), “Savages” (2012) and “From Dusk Till Dawn” (1996). Upcoming projects for Hayek include “Beatriz at Dinner,” “The Hitman’s Bodyguard” and “How to Be a Latin Lover.”

Henson received an Oscar nomination for Actress in a Supporting Role for “The Curious Case of Benjamin Button” (2008). Her feature credits include the Oscar-winning film “Hustle & Flow” (2005) and the Oscar-nominated “Hidden Figures” (2016). Additional credits include “Think Like a Man Too” (2014), “Top Five” (2014), “Think Like a Man” (2012), “Larry Crowne” (2011), “Date Night” (2010), “The Karate Kid” (2010) and “Four Brothers” (2005).

Patel received an Oscar nomination for Actor in a Supporting Role for “Lion” (2016). Additionally, his credits include the Oscar-winning film “Slumdog Millionaire” (2008), “Chappie” (2015), “The Man Who Knew Infinity” (2015), “The Second Best Exotic Marigold Hotel” (2015) and “The Road Within” (2014). Patel will next appear in “Hotel Mumbai.”

Rogen’s film credits include the Oscar-nominated “Steve Jobs” (2015). Additionally he’s appeared in  “Neighbors 2: Sorority Rising” (2016), “Sausage Party” (2016), “Neighbors” (2014), “The Interview” (2014), “50/50” (2011), “The Green Hornet” (2011), “Kung Fu Panda 2” (2011), “Kung Fu Panda” (2008) and “Knocked Up” (2007). Rogen will next appear in “The Masterpiece.”

Spencer won an Oscar for Actress in a Supporting Role for “The Help” (2011) and is nominated for Actress in a Supporting Role for “Hidden Figures” (2016). She also lent her voice to the Oscar-nominated film “Zootopia” (2016). Spencer’s film credits also include “Allegiant” (2016), “Bad Santa 2” (2016), “Fathers & Daughters” (2015), “Insurgent” (2015), “Black or White” (2014), “Fruitvale Station” (2013), “Percy Jackson: Sea of Monsters” (2013) and “Snowpiercer” (2013). Spencer’s upcoming films include “Gifted,” “The Shape of Water,” “Small Town Crime” and “The Shack.”

Streep received an Oscar nomination for Actress in a Leading Role for “Florence Foster Jenkins” (2016), her 20th nomination. She has won in this category previously for “The Iron Lady” (2011) and “Sophie’s Choice” (1982). In addition, Streep earned an Oscar for Actress in a Supporting Role for “Kramer vs. Kramer” (1979). In addition, she has earned acting nominations for “Into the Woods” (2014), “August: Osage County” (2013), “Julie and Julia” (2009), “Doubt” (2008), “The Devil Wears Prada” (2006), “Adaptation” (2002), “Music of the Heart” (1999), “One True Thing” (1998), “The Bridges of Madison County” (1995), “Postcards from the Edge” (1990), “A Cry in the Dark” (1988), “Ironweed” (1987), “Out of Africa” (1985), “Silkwood” (1983), “The French Lieutenant’s Woman” (1981) and “The Deer Hunter” (1978).

Vaughn appears in the Oscar-nominated film “Hacksaw Ridge” (2016). Additionally, his credits include the Oscar-nominated feature “Into the Wild” (2007), “Delivery Man” (2013), “The Internship” (2013), “The Break-Up” (2006), “Mr. & Mrs. Smith” (2005), “Old School” (2003), “Wedding Crashers” (2005) and “Swingers” (1996). Vaughn will next appear in “Brawl in Cellblock 99.”

The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center®in Hollywood, and will be broadcast live on the ABC Television Network at 7 p.m. ET/4 p.m. PT.  The Oscars, produced by De Luca and Todd and hosted by Jimmy Kimmel, also will be televised in more than 225 countries and territories worldwide. Additionally, “The Oscars: All Access” live stream from the red carpet and backstage will begin at 7 p.m. EST/4 p.m. PST on Oscar.com.

# # #

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 7,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

MEDIA CONTACT
Steve Rohr
steve.rohr@oscars.org

89th Oscars Scientific & Technical Awards for 2016-17

Posted by Larry Gleeson

Beverly Wilshire Hotel
Saturday, February 11, 2017
Hosts: John Cho and Leslie Mann

screen-shot-2017-02-24-at-3-11-03-pm
Hosts Leslie Mann, left, and John Cho

Winners

TECHNICAL ACHIEVEMENT AWARDS (ACADEMY CERTIFICATES)

To Thomson Grass Valley for the design and engineering of the pioneering Viper FilmStream digital camera system.

The Viper camera enabled frame-based logarithmic encoding, which provided uncompressed camera output suitable for importing into existing digital intermediate workflows.

To Larry Gritz for the design, implementation and dissemination of Open Shading Language (OSL).

OSL is a highly optimized runtime architecture and language for programmable shading and texturing that has become a de facto industry standard. It enables artists at all levels of technical proficiency to create physically plausible materials for efficient production rendering.

To Carl Ludwig, Eugene Troubetzkoy and Maurice van Swaaij for the pioneering development of the CGI Studio renderer at Blue Sky Studios.

CGI Studio’s groundbreakingray-tracing and adaptive sampling techniques, coupled with streamlined artist controls, demonstrated the feasibility of ray-traced rendering for feature film production.

To Brian Whited for the design and development of the Meander drawing system at Walt Disney Animation Studios.

Meander’s innovative curve-rendering method faithfully captures the artist’s intent, resulting in a significant improvement in creative communication throughout the production pipeline.

To Mark Rappaport for the concept, design and development, to Scott Oshita for the motion analysis and CAD design, to Jeff Cruts for the development of the faux-hair finish techniques, and to Todd Minobe for the character articulation and drive-train mechanisms, of the Creature Effects Animatronic Horse Puppet.

The Animatronic Horse Puppet provides increased actor safety, close integration with live action, and improved realism for filmmakers.

To Glenn Sanders and Howard Stark for the design and engineering of the Zaxcom Digital Wireless Microphone System.

The Zaxcom system has advanced the state of wireless microphone technology by creating a fully digital modulation system with a rich feature set, which includes local recording capability within the belt pack and a wireless control scheme providing real-time transmitter control and time-code distribution.

To David Thomas, Lawrence E. Fisher and David Bundy for the design, development and engineering of the Lectrosonics Digital Hybrid Wireless Microphone System.

The Lectrosonics system has advanced the state of wireless microphone technology by means of an innovative digital predictive algorithm to realize full fidelity audio transmission over a conventional analog FM radio link, by reducing transmitter size, and by increasing power efficiency. 

To Parag Havaldar for the development of expression-based facial performance-capture technology at Sony Pictures Imageworks.

This pioneering system enabled large-scale use of animation rig-based facial performance-capture for motion pictures, combining solutions for tracking, stabilization, solving and animator-controllable curve editing.

To Nicholas Apostoloff and Geoff Wedig for the design and development of animation rig-based facial performance-capture systems at ImageMovers Digital and Digital Domain.

These systems evolved through independent, then combined, efforts at two different studios, resulting in an artist-controllable, editable, scalable solution for the high-fidelity transfer of facial performances to convincing digital characters.

To Kiran Bhat, Michael Koperwas, Brian Cantwell and Paige Warner for the design and development of the ILM facial performance-capture solving system.

This system enables high-fidelity facial performance transfer from actors to digital characters in large-scale productions while retaining full artistic control, and integrates stable rig-based solving and the resolution of secondary detail in a controllable pipeline.


SCIENTIFIC AND ENGINEERING AWARDS (ACADEMY PLAQUES)

To ARRI for the pioneering design and engineering of the Super 35 format Alexa digital camera system.

With an intuitive design and appealing image reproduction, achieved through close collaboration with filmmakers, ARRI’s Alexa cameras were among the first digital cameras widely adopted by cinematographers.

To RED Digital Cinema for the pioneering design and evolution of the RED Epic digital cinema cameras with upgradeable full-frame image sensors.

RED’s revolutionary design and innovative manufacturing process have helped facilitate the wide adoption of digital image capture in the motion picture industry.

To Sony for the development of the F65 CineAlta camera with its pioneering high-resolution imaging sensor, excellent dynamic range, and full 4K output.

Sony’s unique photosite orientation and true RAW recording deliver exceptional image quality.

To Panavision and Sony for the conception and development of the groundbreaking Genesis digital motion picture camera.

Using a familiar form factor and accessories, the design features of the Genesis allowed it to become one of the first digital cameras to be adopted by cinematographers.

To Marcos Fajardo for the creative vision and original implementation of the Arnold Renderer, and to Christopher Kulla, Alan King, Thiago Ize and Clifford Stein for their highly optimized geometry engine and novel ray-tracing algorithms which unify the rendering of curves, surfaces, volumetrics and subsurface scattering as developed at Sony Pictures Imageworks and Solid Angle SL.

Arnold’s scalable and memory-efficient single-pass architecture for path tracing, its authors’ publication of the underlying techniques, and its broad industry acceptance were instrumental in leading a widespread adoption of fully ray-traced rendering for motion pictures.

To Vladimir Koylazov for the original concept, design and implementation of V-Ray from Chaos Group.

V-Ray’s efficient production-ready approach to ray-tracing and global illumination, its support for a wide variety of workflows, and its broad industry acceptance were instrumental in the widespread adoption of fully ray-traced rendering for motion pictures.

To Luca Fascione, J.P. Lewis and Iain Matthews for the design, engineering, and development of the FACETS facial performance capture and solving system at Weta Digital.

FACETS was one of the first reliable systems to demonstrate accurate facial tracking from an actor-mounted camera, combined with rig-based solving, in large-scale productions. This system enables animators to bring the nuance of the original live performances to a new level of fidelity for animated characters.

To Steven Rosenbluth, Joshua Barratt, Robert Nolty and Archie Te for the engineering and development of the Concept Overdrive motion control system.

This user-friendly hardware and software system creates and controls complex interactions of real and virtual motion in hard real-time, while safely adapting to the needs of on-set filmmakers.

 

(Source: oscars.org)