Tag Archives: Cinema

FELIX & PAUL STUDIOS AND TIME STUDIOS FILM FIRST-EVER 3D, 360o SCENES OUTSIDE THE INTERNATIONAL SPACE STATION FOR EMMY-NOMINATED SERIES, SPACE EXPLORERS: THE ISS EXPERIENCE

Millions of Viewers Will Soon Experience the Wonder of Floating in Space Outside the International Space Station

(NEW YORK, NY) August 27, 2021—Felix & Paul Studios, the EMMY-award winning creator of immersive entertainment experiences and the leading Space Media company, in partnership with NASA and TIME Studios, the EMMY-award winning television, film and immersive division of TIME, today announced the filming of the first-ever scenes in outer space captured in immersive 3D, 360°virtual reality format. Audiences will soon be able to experience what it is truly like to float in outer space by seeing everything completely around them, as if they were there in real life. The captured scenes have been made possible by Felix & Paul Studios’ customized virtual reality “Outer Space Camera”, attached to the Canadarm2 robotic arm which functioned as a “Space Crane” on the world’s first zero-gravity movie set.


These incredible, highly-immersive scenes will be included in episodes three and four of Space Explorers: The ISS Experience, an immersive series being produced by Felix & Paul Studios in association with TIME Studios. These forthcoming episodes will be available in 360° mobile format on 5G-enabled tablets and smartphones through leading telcos – including LGU+ (South Korea), KDDI (Japan), AIS (Taiwan), Orange (France) and Deutsche Telekom (Germany); at leading Big Screen venues, domes, planetariums, space visitor centers and science centers; in fully-immersive virtual reality on the Oculus Store for RIFT, Quest and Quest 2 devices; and as a main feature of the major, touring lifescale interactive exhibit, THE INFINITE, produced in partnership with PHI Studio.


“Today’s immersive cinematic capture of scenes in outer space is the culmination of close to three years of preparation. We are excited, honoured and truly humbled to have the opportunity to film in the most challenging environment known to humankind,” said Félix Lajeunesse, co-founder of Felix & Paul Studios and Director of Space Explorers: The ISS Experience. “Our mission since day one was to enable billions of people to experience what it is like to float in space and witness Planet Earth from above and we are pleased that this one-time dream will soon become reality in the final two episodes of our ISS Experience series.”


Less than 250 astronauts have ever conducted an extravehicular activity (EVA) – known as a “spacewalk” – and never before have audiences been able to experience what it is like to float in space as if they were astronauts themselves. The outer space scenes being captured in 3D will bring viewers “into the action” like never before and are being directed remotely by veteran directors Félix Lajeunesse and Paul Raphaël in both the Felix & Paul Studios facilities in Montreal and in the Canadian Space Agency facilities.


“Capturing the Earth in stereoscopic 3D, 360-degree format from space, outside the space station, has never been attempted until now,” said Jonathan Woods, Executive Producer of Space Explorers: The ISS Experience at TIME Studios and Emmy-winning producer of A Year in Space. “It’s beyond exciting and surreal to see this happening, knowing that the dream for this ambitious project started over five years ago in 2015.”


Felix & Paul Studios’ state-of-the-art Outer Space Camera is a customized Z-Cam V1 Pro camera consisting of nine 4K sensors allowing for a 3D, a 360-degree image at 8K resolution, and has been specially hardened by Nanoracks to withstand the harsh conditions of low atmosphere orbit, including vacuum, solar ultraviolet (UV) radiation, charged particle (ionizing) radiation, plasma, surface charging and arcing, temperature extremes, thermal cycling, and impacts from micrometeoroids and orbital debris (MMOD), and environment‐induced contamination from micrometeoroids and orbital debris (MMOD), and environment‐induced contamination.

The Outer Space Camera can store approximately 15 hours of 3D, 360-degree footage with custom lenses made to withstand extreme light and heat to minimize flare when directly exposed to the Sun (external temperatures ranging from -250° F to +250° F). About Space Explorers: The ISS Experience Space Explorers.

The ISS Experience is a four-part immersive series created in collaboration with the ISS U.S. National Laboratory, NASA, the Canadian Space Agency and other space agencies involved with the International Space Station and is filmed entirely on board and outside of the ISS using Felix & Paul Studios’ specialized 3D, 360-degree virtual reality ISS Camera and customized Outer Space Camera. Astronauts including Anne McClain, David Saint-Jacques, Christina Koch, Nick Hague, Jessica Meir, Andrew Morgan, Luca Parmitano and Victor Glover star as cast, film crew and narrators in this four-part immersive series, the largest production ever filmed in space.

The trailer for The ISS Experience is available here and stills are available here. Stills of the scenes filmed outside the International Space Station are available here. Behind the scenes footage is available at Time.com/Space.

About Felix & Paul Studios

Felix & Paul Studios is an EMMY® Award-winning creator of immersive entertainment experiences, creating unparalleled, highly engaging, presence-based experiences for the next generation of technology-enabled devices and venues. The studio’s catalogue of over thirty 3D, 360-degree experiences exhibits the “industry’s best” in the new medium of immersive storytelling, including:

  • Originals: The Space Explorers series, Traveling While Black, MIYUBI, the Nomads series, Strangerswith Patrick Watson.
  • Productions with notable franchises: Jurassic World, Cirque du Soleil, Fox Searchlight’s Wild and Isle of Dogs, and The Confessionals series with Just for Laughs starring Howie Mandel, Lilly Singh, Jud Apatow and Trevor Noah.
  • Collaborations with world-renowned leaders and performers: President Barack Obama and Michelle Obama, LeBron James, President Bill Clinton, Eminem, Wes Anderson, Brie Larson, Jeff Goldblum, Bill Murray and many others.

The studio’s content is available for distribution in a range of immersive formats including 360-degree mobile on 5G-enabled smartphones, tablets and headsets; 360-degree fulldome projection in domes and planetariums; fully-immersive VR on Facebook’s Oculus and other high-end virtual reality platforms; Giant Screen projection for science centers, space welcome centers and large-format cinemas; and the touring life-scale interactive exhibit, THE INFINITE, produced in partnership with PHI Studio. Felix & Paul Studios is the leading Space Media Company and the only media company recognized as an “Official Implementation Partner” by the ISS U.S. National Laboratory.


About TIME

StudiosFrom one of the most globally iconic brands, TIME Studios is an Emmy Award®-winning television, film and immersive studio focusing on the development, production and distribution of truth-based premium unscripted and scripted premium storytelling that moves the world. With technical innovation and a brand defining visual language that dates back 98 years, TIME Studios aims to impact communities and the world at large with ideas that forge true progress. Combining the industry’s leading creators with TIME, one of the most trusted brands that reaches an audience of over 100 million people globally, TIME Studios is uniquely positioned to bring massive audiences to the world’s most impactful stories. Recent projects include, Black Gold (Paramount+), Big Vape (Netflix), John Lewis: Good Trouble (CNN Films), Amazing Grace (Neon), Right to Offend (A&E), Ricky Powell: The Individualist (Showtime), Mass Effect: The Story of YouTube, Kid of the Year (Nickelodeon/CBS), TIME 100 (ABC) and the first scripted project for TIME Studios, Women of the Year (Amazon).

AMERICAN FILM MARKET® PIVOTS TO ONLINE EVENT FOR 2021

Los Angeles, CA – August 26, 2021 – The American Film Market® (AFM®) will move its 2021 edition entirely online, the Independent Film & Television Alliance® (IFTA®) announced today. AFM 2021 Online will be held Monday, November 1 to Friday, November 5 – shifting one day earlier than its original dates. Registration for the five-day online event is now open.

AFM 2021 Online will feature Industry Offices, Screenings, Conferences, Panels and Workshops, the Networking Pavilion, LocationEXPO, and more. Event updates will be announced regularly via email, social media, and the AFM Website.


“We wish we could welcome the global industry back to Santa Monica but travel regulations, increased concerns about coronavirus variants around the world, and government restrictions on the ground prevent us from moving forward,” said Michael Ryan, Chairperson, IFTA and Partner, GFM Films. “However, IFTA is thrilled to host the market the industry expects – where no one will be excluded and all of our stakeholders can immerse themselves for five days dedicated to deal making, discovery, education, and reconnecting.”

About the American Film Market®(AFM®)

The AFM is the most efficient film acquisition, development and networking event in the world. More than US$1 billion in production and distribution deals are closed every year — on both completed films and those in every stage of development and production. Over five days in November, 7,000+ professionals from 70+ countries access the entire global catalogue of available films and projects, attend world class conferences, and connect with decision makers. The AFM is produced by the Independent Film & Television Alliance®.

About the Independent Film & Television Alliance® (IFTA®)

IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to independent companies from 22 countries.

*Sourced from AFM Press release

AFI DOCS 2021 Award Winners

Posted by Larry Gleeson

Audience Award for Best Feature Goes to

STORM LAKE

Audience Award for Best Short Goes to SHELTER

Short Film Grand Jury Prize Goes to RED TAXI

Among the Participants in 19th Annual Festival of Documentary Film:

Senator Amy Klobuchar, Morgan Neville, Garrett Bradley, Dawn Porter

FOR IMMEDIATE RELEASE

JUNE 28, 2021, WASHINGTON, DC — The American Film Institute (AFI) has announced the AFI DOCS 2021 Award Winners, concluding the six-day festival, with screenings presented online and in-person at the AFI Silver Theatre and Cultural Center. The festival’s Audience Award for Best Feature went to STORM LAKE, directed by Jerry Risius and Beth Levison. The Audience Award for Best Short went toSHELTER, directed by Smriti Mundhra.

This year’s voting jury for the competitive Short Films slate was comprised of Mike Attie, award-winning filmmaker and professor of film at the University of the Arts in Philadelphia; Greta Hagen-Richardson, Director of Programming at the Hot Springs Documentary Film Festival and Lead Features Programmer at the New Orleans Film Festival; and Yvonne Ashley Kouadjo, Associate Producer for The New York Times’ award-winning short documentary series Op-Docs.

The Grand Jury Prize for Short Films went to RED TAXI, directed byAnonymous. The jury said of RED TAXI: “For its creative and accessible approach to telling a story from the perspective of those living and working in a moment of political upheaval, we award the Shorts Grand Jury Prize to RED TAXI. The courage of the anonymous filmmaker struck us for their commitment to depicting the nuances of reality on the ground.” The Shorts Grand Jury Prize at AFI DOCS is a qualifying award for Academy Award® eligibility.

The jury also awarded the Special Jury Prize to two films: THE COMMUNION OF MY COUSIN ANDREA, directed by BrandánCerviño Abeledo, saying,

“For its ability to tell a reflexive story with levity and tenderness, we award a Special Jury Prize to THE COMMUNION OF MY COUSIN ANDREA”; and S P A C E S (M E Z E R Y), directed by Nora Štrbová, saying, “For its intelligent use of multi-dimensional media in telling a fraught, emotional story, we award a Special Jury Prize to S P A C E S (M E Z E R Y).”

The 19th edition of AFI DOCS presented a diverse slate of 78 films from 23 countries, shedding light on overlooked stories from the past, honoring champions of change and giving us glimpses into the everyday lives of subjects close to home and around the world. This year, 52% of AFI DOCS films were directed by women, 40% by BIPOC directors and 18% by LGBTQ directors.

Among the festival participants were filmmakers and notables including Minnesota Senator Amy Klobuchar; Academy Award®winners Morgan Neville, Sean Fine, Andrea Nix Fine and Mark Ronson; Academy Award®-nominated filmmakers Julie Cohen, Betsy West and Steve James; Pulitzer Prize-winning journalist Art Cullen; award-winning filmmaker Dawn Porter; Emmy® Award winner Chris Nee; CNN political contributor and host Van Jones; author and The New Yorker contributor Jelani Cobb; filmmaker and actor Sonja Sohn; musician and filmmaker Ahmir “Questlove” Thompson; Smithsonian National Museum of African American History and Culture Curator Dwandalyn Reece; President of the African American Film Critics Association Gil Robertson; Georgetown University Professor Dr. Janet Mann; rapper KYLE; and son of late comedian and activist Dick Gregory Christian Gregory.

The festival’s panels and discussions provided filmmakers, film subjects and audiences the opportunity to delve deeper into the films with conversations led by some of the nation’s top journalists, including: NBC News Correspondent Morgan Radford; NBC News’ Meet the Press Moderator and NBC News Political Director Chuck Todd; NBC News Correspondent Anne Thompson; MSNBC Correspondent Trymaine Lee; Variety’s Film Awards Editor Clayton Davis; Axios Justice and Race Reporter Russell Contreras; Senior Segment Producer of WGN Morning News and WGN’s Entertainment Producer Tyra Martin; entertainment journalist & TV producer KJ Matthews; CQ Roll Call Deputy Editor Jason Dick andHealth Care Editor Rebecca Adams; and The Washington Post’s Managing Editor for Diversity and Inclusion Krissah Thompson, Chief Film Critic Ann Hornaday, Global Opinions writer Jason Rezaian, National Security Editor Peter Finn, Religion Reporter Michelle Boorstein, and Host and Editor of Food Video Mary Beth Albright.

This year’s inaugural DOCS Talks programming included the World Premiere of Netflix’s and Higher Ground’s WE THE PEOPLE, as well as “History Is Out of the Closet: Excavating Queer Stories for the Screen,” a live stream conversation celebrating LGBTQ+ pride. The AFI DOCS Industry Forum explored building accessibility practices into all steps of the production process, demystifying investigative documentaries, the making of the hit series PHILLY D.A., how documentaries shape conversations on racial violence, a behind-the-scenes look at the Hindsight Project films and new collaborations between public media and indie filmmakers. This year’s Industry Forum programming also included closed captioning and American Sign Language (ASL) interpretation. The AFI DOCS Industry Forum is supported by the Corporation for Public Broadcasting and the National Endowment for the Arts.

RED TAXI

DIR: Anonymous. As protests in Hong Kong escalate, taxi drivers experience a city in upheaval driving the streets day and night. Anonymously filmed by locals.

SHORT FILM SPECIAL JURY PRIZE

THE COMMUNION OF MY COUSIN ANDREA

DIR: Brandán Cerviño Abeledo. Andrea’s First Communion ceremony lacks glamour. For Andrea, things without sparkles are meaningless.

SHORT FILM SPECIAL JURY PRIZE

S P A C E S (M E Z E R Y)

DIR: Nora Štrbová. A multi-textured animated exploration of memory as a container of identity, based on the personal story of the filmmaker and her brother who was diagnosed with a brain tumor.

This year’s Premium Sponsor is Apple Original Films. The Corporation for Public Broadcasting (CPB) returns as Official Sponsor of the festival. NBC News’ Meet the Press with Chuck Todd and The Washington Post return this year as Primary Media Partners. Variety and The Hollywood Reporter are this year’s Official Media Partners. The Wrap is an Affiliate Media Partner.Screen Sponsors include SHOWTIME® Documentary Films, Netflix, WarnerMedia and HBO Documentary Films. Participant, National Geographic, and Eventive serve as Major Sponsors. This year’s Contributing Sponsors are ESPN, the National Endowment for the Arts and the DC Office of Cable Television, Film, Music, and Entertainment (OCTFME). Supporting Sponsors include the Maryland Film Office, Greater Silver Spring Chamber of Commerce and Rev. The Embassy of Denmark in Washington, DC, and the Farhang Foundation are this year’s Cultural Sponsors. Generous individual support comes from Stephanie and Hunter Hunt.

 

About AFI DOCS

AFI DOCS is the American Film Institute’s annual documentary festival historically held in Washington, DC.  Presenting the year’s best documentaries, AFI DOCS is the only festival in the U.S. dedicated to screenings and events that connect audiences, filmmakers and policy leaders in the heart of our nation’s government. The AFI DOCS advisory board includes Ken Burns, Davis Guggenheim, Chris Hegedus, Werner Herzog, Rory Kennedy, Barbara Kopple, Spike Lee, Errol Morris, Stanley Nelson and Frederick Wiseman. Now in its 19th year, the festival will be held June 22-27, 2021. Visit DOCS.AFI.com and connect onTwitter.com/AFIDOCSFacebook.com/AFIDOCSYouTube.com/AFIand Instagram.com/AmericanFilmInstitute.

 

About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s nonprofit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstituteYouTube.com/AFITwitter.com/AmericanFilmand Instagram.com/AmericanFilmInstitute.

 

About the Corporation for Public Broadcasting

The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of more than 1,500 locally managed and operated public television and radio stations nationwide. CPB is also the largest single source of funding for research, technology and program development for public radio, television and related online services. For more information, visit www.cpb.org and follow us on Twitter @CPBmedia, Facebook and LinkedIn, and subscribefor email updates.

About The Washington Post and Washington Post Press Freedom Partnership

The Washington Post is an award-winning news leader whose mission is to connect, inform and enlighten local, national and global readers with trustworthy reporting, in-depth analysis and engaging opinions. It combines world-class journalism with the latest technology and tools so readers can interact with The Post anytime, anywhere.

 

The Press Freedom Partnership is a public service initiative from The Washington Post to promote press freedom and raise awareness of the rights of journalists who are in pursuit of the truth. Learn more at www.wapo.st/pressfreedom

About Meet the Press with Chuck Todd

Meet the Press with Chuck Todd is where newsmakers come to make news — setting the political agenda and spotlighting the impact Washington decision-making has on Americans across the country. It is the #1 most-watched Sunday public affairs show for the 2019-2020 season, reaching more than three million viewers every Sunday and millions more through social, digital and on-demand platforms. Meet the Press brings its authority and influencer interviews to MSNBC with MTP Daily weekdays at 1 p.m. ET, to the ongoing weekly podcast, The Chuck ToddCast, and to Meet the Press Reports, a 30-minute program on NBC News NOW and Peacock, focusing on a single topic explored through the Meet the Press lens. It’s the longest-running show in television history, recently expanding its brand to also include a political short-documentary film festival in collaboration with the American Film Institute. Chuck Todd is the political director of NBC News and the moderator of Meet the Press; John Reiss is the executive producer.

CONTACT:

Elizabeth Ward, AFI DOCS PR, elizabeth@prcollaborative.com

American Film Institute: Stacy Adamski, 323.856.7759,SAdamski@AFI.com

THE AMERICAN FILM INSTITUTE ANNOUNCES SPONSORS FOR AFI DOCS 2021

THE AMERICAN FILM INSTITUTE ANNOUNCES
SPONSORS FOR AFI DOCS 2021

Support Comes From Wide Range of Art and Cultural Institutions, Media Partners and Corporations

Apple Original Films Joins AFI DOCS as a Premium Sponsor

FOR IMMEDIATE RELEASE, June 18, 2021, WASHINGTON, DC — The American Film Institute (AFI) has announced the sponsors for AFI DOCS 2021. Support for the festival comes from both local organizations based in the DC-metro area and major corporations across the nation. The 19th edition of AFI DOCS will run June 22–27, with films available to view on DOCS.AFI.com as well as in-person screenings at the AFI Silver Theatre and Cultural Center in Silver Spring, MD.

“AFI DOCS reaches a nationwide audience with the support of our sponsors,” said Sarah Harris, AFI Festivals Director of Programming. “It is their generosity that amplifies the voices of today’s most vital storytellers, and we thank them on behalf of all who find inspiration in the arts.” 

In addition to supporting AFI DOCS film programming and events, sponsors provide services and exclusive experiences to filmmakers and audiences throughout the festival. Sponsor participation includes sponsoring specific film screenings, panels and events as well as national and local promotion of the festival.  

This year, AFI is proud to have Apple Original Films support AFI DOCS for the first time as a Premium Sponsor. Top festival sponsors will give audiences sneak peeks at exclusive upcoming trailers and content on the festival’s streaming platform and in the AFI DOCS Festival Hub. Media partners will also provide DOCS audiences with access to their digital issues during the week of the festival via a virtual newsstand.

The Corporation for Public Broadcasting (CPB) returns as Official Sponsor of the festival. CPB is Official Sponsor of the AFI DOCS Industry Forum and the Spotlight on the Hindsight Project, a special selection of short filmsthat chronicle the experiences of BIPOC communities in the American South and U.S. Territories during the unprecedented events of 2020.  

NBC News’ Meet the Press with Chuck Todd and The Washington Post return this year as Primary Media Partners. Meet the Press and The Washington Post, in conjunction with the Washington Post Press Freedom Partnership, will provide moderators for a number of films in this year’s festival. Highlights include Meet the Press Moderator and NBC Political Director Chuck Todd moderating LFG and NBC News Correspondent Morgan Radford moderating the discussion following the Opening Night World Premiere of NAOMI OSAKA. In addition to supporting post-screening discussions, Washington Post Live, The Post’s live journalism platform, will host a conversation with ROADRUNNER: A FILM ABOUT ANTHONY BOURDAIN filmmaker Morgan Neville. Post Managing Editor for Diversity and Inclusion Krissah Thompson will also moderate the World Premiere of WE THE PEOPLE in the inaugural DOCS Talks program.

Variety and The Hollywood Reporter are this year’s Official Media Partners. This year, Variety sponsors the Charles Guggenheim Symposium, which will feature a conversation between the 2021 Guggenheim honoree Dawn Porter and Variety’s Clayton Davis, and The Hollywood Reporter will be a media partner for the screening of SUMMER OF SOUL (…OR WHEN THE REVOLUTION COULD NOT BE TELEVISED). 

The Wrap joins AFI DOCS as an Affiliate Media Partner this year and is a media partner for the screening of TOM PETTY: SOMEWHERE YOU FEEL FREE.

Screen Sponsors are SHOWTIME® Documentary Films, Netflix, WarnerMedia and HBO Documentary Films. SHOWTIME® Documentary Films will once again host a networking event for filmmakers and industry, adjusted to be virtual instead of the in-person event they have hosted in the past. SHOWTIME® willalso send a special, customized gift to the festival filmmakers as they celebrate AFI DOCS from home.

Participant returns as a Major Sponsor, along with new sponsors National Geographic and Eventive. 

This year’s Contributing Sponsors are ESPN, the National Endowment for the Arts and the DC Office of Cable Television, Film, Music, and Entertainment (OCTFME). 

Supporting Sponsors include the Maryland Film Office, Greater Silver Spring Chamber of Commerce and Rev. 

The Embassy of Denmark in Washington, DC, and the Farhang Foundation are this year’s Cultural Sponsors. 

Generous individual support comes from Stephanie and Hunter Hunt.

About AFI DOCS 

AFI DOCS is the American Film Institute’s annual documentary festival historically held in Washington, DC.  Presenting the year’s best documentaries, AFI DOCS is the only festival in the U.S. dedicated to screenings and events that connect audiences, filmmakers and policy leaders in the heart of our nation’s government. The AFI DOCS advisory board includes Ken Burns, Davis Guggenheim, Chris Hegedus, Werner Herzog, Rory Kennedy, Barbara Kopple, Spike Lee, Errol Morris, Stanley Nelson and Frederick Wiseman. Now in its 19th year, the festival will be held June 22-27, 2021. Visit DOCS.AFI.comand connect on Twitter.com/AFIDOCS,Facebook.com/AFIDOCSYouTube.com/AFI andInstagram.com/AmericanFilmInstitute

About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s nonprofit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media atFacebook.com/AmericanFilmInstitute,YouTube.com/AFI, Twitter.com/AmericanFilm andInstagram.com/AmericanFilmInstitute.

About the Corporation for Public Broadcasting  

The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of more than 1,500 locally managed and operated public television and radio stations nationwide. CPB is also the largest single source of funding for research, technology and program development for public radio, television and related online services. For more information, visit www.cpb.org and follow us on Twitter @CPBmedia,Facebook and LinkedIn, and subscribe for email updates. 

About The Washington Post and Washington Post Press Freedom Partnership  

The Washington Post is an award-winning news leader whose mission is to connect, inform and enlighten local, national and global readers with trustworthy reporting, in-depth analysis and engaging opinions. It combines world-class journalism with the latest technology and tools so readers can interact with The Post anytime, anywhere.  

The Press Freedom Partnership is a public service initiative from The Washington Post to promote press freedom and raise awareness of the rights of journalists who are in pursuit of the truth. Learn more at www.wapo.st/pressfreedom

About Meet the Press with Chuck Todd 

Meet the Press with Chuck Todd is where newsmakers come to make news — setting the political agenda and spotlighting the impact Washington decision-making has on Americans across the country. It is the #1 most-watched Sunday public affairs show for the 2019-2020 season, reaching more than three million viewers every Sunday and millions more through social, digital and on-demand platforms. Meet the Press brings its authority and influencer interviews to MSNBC with MTP Daily weekdays at 1 p.m. ET, to the ongoing weekly podcast, The Chuck ToddCast, and to Meet the Press Reports, a 30-minute program on NBC News NOW and Peacock, focusing on a single topic explored through the Meet the Press lens. It’s the longest-running show in television history, recently expanding its brand to also include a political short-documentary film festival in collaboration with the American Film Institute. Chuck Todd is the political director of NBC News and the moderator of Meet the Press; John Reiss is the executive producer. 

CONTACT: 

Elizabeth Ward, AFI DOCS PR,elizabeth@prcollaborative.com 

American Film Institute: Stacy Adamski, 323.856.7759,SAdamski@AFI.com

Berlinale FILM CAPSULE: Colo (Villaverde, 2017): Portugal

Posted by Larry Gleeson

Colo, a new film by Alce Films from Writer/Director Teresa Villaverde was screened at the 67th Berlin International Film Festival in Competition. The film utilized an unorthodox approach. After the opening scene of over-the-sholuder close-ups and Hollywood style medium close-ups on reverse angles, deep focus long-shots were utilized. Often times the frame pulled out rather than pushing in – a more typical filmmaking technique.

The narrative focuses on a family in the midst of economic crisis. The father, played by João Pedro Vaz, has lost. not only his job, but his strength and fortitude to continue looking for work. Instead, he escapes to the apartment dwelling rooftop to look wistfully upon the horizon. The mother, played by Beatriz Batarda, works two jobs with little time for her daughter or husband. It’s not a lack of caring. Rather, it’s a lack of life force energy. Alice Albergaria Borges portrays the daughter. She’s of high school age and is experiencing all the typical changes and social issues inherent within. Only, her issues seem magnified. Until the camera pulls out revealing stunning, picturesque mise-en-scene.

Consequently, the emotionality of the film revealed little intimacy while the overall feeling was one of benevolence. Low-key lighting and shadows added to the film’s mystique. I can’t say this was one of my favorite films. I imagine it was considered for the Silver Bear for New Perspectives in filmmaking.

Nevertheless, the film showcased the natural beauty of the Romanian countryside and allowed for character development without delving deeply into the emotional states via camera framing.

Unfortunately, by the film’s end the benevolent feeling I had felt throughout the film was gone and the film seemingly was wanting a redo. Not recommended at this time. However, with minor tweaks, I predict the film will be visible on this year’s festival circuit and will eventually have a successful theatrical run. It may be arthouse. It may be grindhouse. Or it may be avant-garde. Stay tuned for more. Until then, I’ll see you at the cineam!

Berlinale FILM REVIEW: Andres Veiel’s ‘Beuys’ is One for the Ages

Posted by Larry Gleeson

Andres Veiel brought the documentary Beuys, an in-depth look into the profound psyche of German performance artist and 1960’s era philosophe, Joseph Beuys, and a co-production from Terz Filmproduktion, Köln, SWR, Baden-Baden, WDR, Köln in cooperation with Arte, to the 2017 Berlin International Film Festival. Veiel studied directing and dramaturgy at the Künstlerhaus Bethanien in Berlin under Krzysztof Kieślowski. Some of his other documentary works include Balagan (Berlinale 1994) and Black Box BRD (Black Box Germany, Berlinale 2002). His feature film debut Wer wenn nicht wir (If Not Us, Who) premiered in the Berlinale Competition in 2011 and won the Alfred Bauer Prize.

screen-shot-2017-02-24-at-5-34-23-amUtilizing previously unpublished archival video and audio footage, In Beuys Veiel brings light to a man of profound intellectual capacity in the vein of Goethe, Voltaire and Machiavelli. Often derided in his home country of Germany, Joseph Beuys, holds the distinction of being the first German artist to be granted a solo exhibition at the Guggenheim Museum in New York. While most contemporaries compare Beuys to another 1960’s era personality, Andy Warhol, Veiel’s Beuys, emerges from a much deeper metaphysical, philosophical framework.

The film is a linear piece. Veiel uses a cookie cutter approach in introducing the viewer to the central character. A Beuys voice-over-narration philosophises on the properties of art while still photos are shown in 3-5 second intervals set to non-diagetic music and sounds.A first real, humanistic impression is of Beuys performing on the street in clown-like fashion drawing attention to himself. Eccentric. Yet quite popular.

From here Veiel moves right into one of the most critical tenants of Beuys’ social outlook with an archival video clip of Beuys on money. Beuys acquiesces he wants to get by and thus money is important. Then, Beuys goes nuclear with “but it’s not part of the revolution.”

Quickly an interesting distinction is made by Veiel as Beuys is commonly referred to as the “Andy Warhol of Germany.”  Warhol, an American pop cultural icon, loved and adored for his flamboyant use of everyday, commonplace items like a Campbell’s soup can to create art, is shown via archival footage stating “every moral situation has the potential to become art.” Beuys, on the other hand is often shown being mocked and derided by the formal press in this documentary, takes Warhol’s statement further into the humanist/social philosophical lineage that “every social situation has the potential to be art.”

screen-shot-2017-02-24-at-5-32-56-am

A well-liked teacher, philosopher and Green Party candidate for Prime Minister, Beuys was questioned deeply, just short of being interrogated, over his art and his ideas. One particularly obtuse questioner, posed the query, “Do you consider yourself an artist?” Followed by “Will you use baby buggies in your next art project?” Loud guffaws from the present journalists set the tone for Beuys’ response. With a quiet, reflective voice, Beuys answered that he felt “everyone is an artist.” Facing further derision, Beuys quickly moved his response into a less provocative line of thought with “I mean social art when I say everyone is an artist.” Herein lies the essence of Beuys truth. Beuys profoundly believed in everyone’s unique capacity to move society and culture forward to a more perfect state of being through “the existence of an objective, intellectually comprehensible spiritual world that is accessible by direct experience through inner development,” known as anthroposophy. (https://en.wikipedia.org/wiki/Anthroposophy)

screen-shot-2017-02-24-at-5-29-22-amThroughout the film, Beuys defied and acted against much of what he saw as injustice through his art work seeking a better way and ultimately a better society. With this mindset, Beuys endlessly worked toward a more perfect state. His art and his world views reflected this aim. In one particularly bold art project Beuys promised a planting of 7000 new trees. Using 7000 rock boulders placed in a free space the project began. As a tree was planted a boulder was removed. Veiel uses time lapse via still photos to mark the passage of time as the boulders slowly disappear and new trees are seen being planted. As the project neared completion, however, Beuys’ light began to fade as he called for an end to currency’s dominant role in democracy. Despite his art work being called “the most expensive piece of trash,” Beuys, disciplined and tempered from war wounds, held his ground responding, “Yes, I want to expand people’s consciousness.”

In Beuys, Director Veiel lets the artist speak for himself without outsiders commenting creating an expansive space for the exploration of Beuys’ ideas. Joseph Beuys passed away in 1986. Interestingly, Beuys sweeping concepts of art are still alive and relevant today in Germany’s ongoing social, moral and political debates. The film was presented in black and white with traditional documentary filmmaking techniques including narrative voice-overs, still photography, archival film clips, and present day interviews from primary and secondary sources.

As the film closes, Joseph Beuys emerges as a man of the ages, a thinker beyond his time. Often seen as a revolutionary, Joseph Beuys was seemingly always a mind in touch with the absolute principle behind Thomas Hobbes’ “Leviathan.” Highly recommended and hands down, my favorite film of the festival.

*All photos courtesy of berlinale.de

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BERLINALE 2017 COMES TO A SPLENDID CLOSE

Posted by Larry Gleeson

The 67th Berlin International Film Festival culminated with the presentation of the awards on Saturday, February 18. (See list of prize winner)

Over eleven days, the Berlinale drew movie fans and the international film industry to cinemas and a large variety of events. Its reputation as the world’s biggest public festival was reconfirmed: a total of 334,471 tickets were sold. And with more than 7,000 visitors, the program of the Berlinale Open House in the Audi Berlinale Lounge – with its Berlinale Lounge Nights and a variety of other events – was a crowd-puller.

Not only the Berlinale but also the European Film Market (EFM) can look back at a successful edition. With 9,550 trade professionals from 108 countries at 192 stands, the EFM once again recorded a significant increase in participants this year. It was gratifying to observe the huge crowds at many different new EFM initiatives. The “Berlinale Africa Hub”, which debuted this year, achieved its goal of providing African film-making with an exceptionally attractive platform. Events within the framework of the “EFM Horizon presented by Audi” initiative, which focussed on the film industry of the future, were very popular as well.

In its third round, the expanded “Drama Series Days” again registered a rise in attendance. And with Mexico, the very first “Country in Focus” at the EFM also proved a resounding success.

Once more, the Berlinale’s activities for refugees were received with great enthusiasm: the Berlin International Film Festival had urged visitors to make donations for the traumatized children and adolescents at Zentrum ÜBERLEBEN. With the 17,574 euro (on Feb 20, 2017) collected, the center will be able to provide its young patients with additional social and psychological support, as well as recreational activities.

About 1,400 people participated in a “movie mentoring” project in which volunteers from Berlin’s non-profit refugee aid organizations accompanied refugees to Berlinale screenings.

The 68th Berlin International Film Festival will be held from February 15 to 25, 2018.

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(Source: Berlinale Press office)

 

 

Golden Bear and Prizes of the Berlin International Jury

Posted by Larry Gleeson

Quite an eventful 67th Berlinale. Some fantastic films. I had the good fortune to view all but one of the award-winning films, Silver Bear for Best Screenplay, Sebastián Lelio and Gonzalo Maza’s  Una mujer fantástica (A Fantastic Woman).  Pokot Spoor winner of the Silver Bear Alfred Bauer Prize for a feature film that opens new perspectives from Agnieszka Holland did not receive my recommendation. Thank you to the jury for all their hard work and diligent efforts!

*Members of the Jury: Paul Verhoeven (Jury President), Dora Bouchoucha Fourati, Olafur Eliasson, Maggie Gyllenhaal, Julia Jentsch, Diego Luna and Wang Quan’an

PRIZES OF THE INTERNATIONAL JURY

 

GOLDEN BEAR FOR BEST FILM (awarded to the film’s producer) Testről és lélekről On Body and Soul by Ildikó Enyedi

SILVER BEAR GRAND JURY PRIZE Félicité by Alain Gomis

SILVER BEAR ALFRED BAUER PRIZE for a feature film that opens new perspectives Pokot Spoor by Agnieszka Holland

SILVER BEAR FOR BEST DIRECTOR Aki Kaurismäki for Toivon tuolla puolen (The Other Side of Hope/Die andere Seite der Hoffnung)

SILVER BEAR FOR BEST ACTRESS Kim Minhee in Bamui haebyun-eoseo honja (On the Beach at Night Alone) by Hong Sangsoo

SILVER BEAR FOR BEST ACTOR Georg Friedrich in Helle Nächte (Bright Nights) by Thomas Arslan

SILVER BEAR FOR BEST SCREENPLAY Sebastián Lelio and Gonzalo Maza for Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio

SILVER BEAR FOR OUTSTANDING ARTISTIC CONTRIBUTION in the categories camera, editing, music score, costume or set design

*Dana Bunescu for the editing in Ana, mon amour by Călin Peter Netzer

The complete award list of the 67th Berlinale: 67_berlinale_awards-1

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(Source: Berlinale Press Office)

11 MORE STARS SET TO PRESENT AT 89TH OSCARS

Posted by Larry Gleeson.

FOR IMMEDIATE RELEASE

AMY ADAMS, RIZ AHMED, JAVIER BARDEM, JOHN CHO, DWAYNE JOHNSON,
FELICITY JONES, LESLIE MANN, JANELLE MONÁE, DAVID OYELOWO,
EMMA STONE AND CHARLIZE THERON

LOS ANGELES, CA – Producers Michael De Luca and Jennifer Todd today announced the third slate of presenters for the 89th Oscars® telecast.  Hosted by Jimmy Kimmel, the Oscars will air live Sunday, February 26, on the ABC Television Network.

The presenters, including past Oscar® winners and nominees, are Amy Adams, Riz Ahmed, Javier Bardem, John Cho, Dwayne Johnson, Felicity Jones, Leslie Mann, Janelle Monáe, David Oyelowo, Emma Stone and Charlize Theron.

“No matter who you are or where you live, movies bring us together,” said De Luca and Todd.  “Through indelible, fearless performances these extraordinary actors help make it happen.  We are thrilled to welcome them to the 89th Oscars stage.”

Adams received an Oscar nomination for Actress in a Leading Role for “American Hustle” (2013).  Additionally, she has earned four nominations for Actress in a Supporting Role for her work in “The Master” (2012), “The Fighter” (2010), “Doubt” (2008) and “Junebug” (2005).  Her notable credits also include “Arrival” (2016), “Nocturnal Animals” (2016), “Big Eyes” (2014), “Her” (2013) and “Julie & Julia” (2009).  Adams will next appear in “Justice League.”

Ahmed appeared in the Oscar-nominated films “Rogue One: A Star Wars Story” (2016) and “Nightcrawler” (2014).  Additionally, his credits include “Jason Bourne” (2016), “The Reluctant Fundamentalist” (2013), “Ill Manors” (2012), “Day of the Falcon” (2011), “Centurion” (2010) and “Four Lions” (2010).

Bardem won an Oscar for Actor in a Supporting Role for “No Country for Old Men” (2007).  He has been nominated for Actor in a Leading Role twice, for “Biutiful” (2010) and “Before Night Falls” (2000).  Bardem starred in the Oscar-winning films “Skyfall” (2012) and “Vicky Cristina Barcelona” (2008).  Other notable credits include “The Counselor” (2013), “Eat Pray Love” (2010), “The Sea Inside” (2004) and “Mondays in the Sun” (2002).  Bardem will appear next in “Escobar”, “mother!” and “Pirates of the Caribbean: Dead Men Tell No Tales.”

Cho’s credits include the Oscar-winning film “Star Trek” (2009), as well as the Oscar-nominated films “Star Trek Beyond” (2016) and “Star Trek Into Darkness” (2013).  Additionally, Cho’s film credits include “Identity Thief” (2013), “Total Recall” (2012), “Nick and Norah’s Infinite Playlist” (2008), “Harold & Kumar Go to White Castle” (2004) and “American Pie” (1999).  He will next appear in “Gemini.”

Johnson appears in the Oscar-nominated film “Moana” (2016).  His recent feature credits also include “Central Intelligence” (2016), “Furious Seven” (2015), “San Andreas” (2015), “Hercules” (2014), “G.I. Joe: Retaliation” (2013) and “Pain & Gain” (2013).  Johnson will appear next in “Baywatch,” “The Fate of the Furious” and “Jumanji.”

Jones received an Oscar nomination for Actress in a Leading Role for “The Theory of Everything” (2014).  She also appeared in the Oscar-nominated films “Rogue One: A Star Wars Story” (2016) and “The Invisible Woman” (2013).  Jones’s feature credits also include “A Monster Calls” (2016), “Inferno” (2016), “Breathe In” (2014) and “Like Crazy” (2011).

Mann’s feature credits include the Oscar-nominated films “ParaNorman” (2012) and “Rio” (2011).  Additionally, she has appeared in “The Comedian” (2016), “How to Be Single” (2016), “The Other Woman” (2014), “Rio 2” (2014), “This Is 40” (2012), “Funny People” (2009), “Knocked Up” (2007) and “The 40 Year-Old Virgin” (2005).  Mann will next appear in “The Pact.”

Actress and recording artist Monáe appears in the Oscar-nominated films “Hidden Figures” (2016) and “Moonlight” (2016). In addition, her credits also include a speaking role in the animated feature “Rio 2” (2014), for which she also contributed an original song. Monáe’s music was also used on the soundtracks for “Bad Moms” (2016), “The Equalizer” (2014), “Think Like a Man Too” (2014) and “Happy Feet 2” (2011).

Oyelowo’s credits include the Oscar-winning films “Selma” (2014), “Interstellar” (2014), “Lincoln” (2012) and “The Help” (2011) as well as the Oscar-nominated film “Rise of the Planet of the Apes” (2011).  Additionally, he has appeared in “Queen of Katwe” (2016), “Five Nights in Maine” (2016), “Captive” (2015), “A Most Violent Year” (2014), “Lee Daniels’ The Butler” (2013) and “Jack Reacher” (2012).  Oyelowo can currently be seen in “A United Kingdom” and will next appear in “God Particle.”

Stone received an Oscar nomination for Actress in a Leading Role for “La La Land” (2016).  Additionally, she garnered an Actress in a Supporting Role nomination for “Birdman or (The Unexpected Virtue of Ignorance)” (2014).  Stone’s credits also include the Oscar-winning film “The Help” (2011) and the Oscar-nominated animated feature “The Croods” (2013).  She has also appeared in “Irrational Man” (2015), “Magic in the Moonlight” (2014), “The Amazing Spider-Man 2” (2014), “Gangster Squad” (2013), “The Amazing Spider-Man” (2012), “Crazy, Stupid, Love” (2011), “Easy A” (2010) and “Zombieland” (2009). Stone will next appear in “Battle of the Sexes.”

Theron won an Oscar for Actress in a Leading Role for “Monster” (2003).  Additionally, she garnered an Actress in a Supporting Role nomination for “North Country” (2005).  Theron’s feature credits also include the Oscar-winning films “Mad Max: Fury Road” (2015) and “The Cider House Rules” (1999) as well as the Oscar-nominated films “Kubo and the Two Strings” (2016), “Snow White and the Huntsman” (2012), “Prometheus” (2012) and “In the Valley of Elah” (2007).  She will next appear in “The Fate of the Furious,” “The Coldest City” and “Tully.”

The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center®in Hollywood, and will be broadcast live on the ABC Television Network at 7 p.m. ET/4 p.m. PT.  The Oscars, produced by De Luca and Todd and hosted by Jimmy Kimmel, also will be televised in more than 225 countries and territories worldwide.  Additionally, “The Oscars: All Access” live stream from the red carpet and backstage will begin at 7 p.m. ET/4 p.m. PT on Oscar.com.

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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 7,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

BERLIN AWARDS ANNOUNCED IN GENERATION KPLUS

Posted by Larry Gleeson

CRYSTAL BEARS AND DEUTSCHES KINDERHILFSWERK (THE CHILDREN’S CHARITY OF GERMANY) AWARDS IN GENERATION KPLUS

Piata loď, Amelie rennt, Promise, Hedgehog’s Home

The members of the Children’s Jury in Generation Kplus give the following awards:

Crystal Bear for the Best Film: Piata loď (Little Harbour)
By Iveta Grófová, Slovak Republic / Czech Republic 2017
We selected a film that is creative and authentic. It’s about two children who create a little world of their own, rules. We found the story very moving and the actors are very believable too.

Special Mention: Amelie rennt (Mountain Miracle – An Unexpected Friendship)
By Tobias Wiemann, Germany / Italy 2017
With great wit and fast-paced dialogue, this film describes the development of an unlikely friendship between two fascinating characters.

Crystal Bear for the Best Short Film: Promise
By Xie Tian, USA 2016
Set in a breath-taking landscape, this film tells the moving story of a Chinese boy. The convincing performances and masterful cinematography lend the film great authenticity.

Special Mention Short Film: Hedgehog’s Home
By Eva Cvijanovic, Canada / Croatia 2016
The message of this tale, that a home of one’s own is very important, is beautifully conveyed by the creative use of felt animation. We were also impressed by the unusual verse form of the narrative in this stop-motion film.

 

Becoming Who I Was, Estiu 1993, Aaba, Sabaku

The members of the International Jury Generation Kplus – Fabian Gasmia, Aneta Ozorek, Yoon Ga-eun – give the following awards:

The Grand Prix of the Generation Kplus International Jury for the Best Film, endowed with € 7,500 each by the Deutsches Kinderhilfswerk (The Children’s Charity of Germany):

ex aequo

Becoming Who I Was
By Chang-Yong Moon, Jin Jeon, Republic Korea 2017
In this beautifully shot tale we learn in a wonderful bittersweet way how much a parent and a child can learn from each other. The filmmaker achieved the most difficult: making the audience laugh and cry many times. The film gave the jury confidence in humanity and if the values of the young hero of this story would be only reflected a little bit by its audience the world will become a better place.

Estiu 1993 (Summer 1993)
By Carla Simón, Spain 2017
In this remarkable film we learn through the eyes of a little girl how to cope with loss. The lesson that this incredible heroine learns and that moved us to tears is that no matter how much it hurts, it is the unconditional love of the people around you that will ease your pain. Besides the outstanding performance of the young main actress the jury was also very impressed by the beautiful cinematography and sensual mise-en-scène!

The Special Prize of the Generation Kplus International Jury for the Best Short Film, endowed with € 2,500 by the Deutsches Kinderhilfswerk (The Children’s Charity of Germany): Aaba (Grandfather)
By Amar Kaushik, India 2016
It tells a story of the circle of life in an elegiac and slow pace with a beautiful cinematography.

Special Mention: Sabaku
By Marlies van der Wel, The Netherlands 2016
This very short film tells with simple but very efficient use of extremely skilled artistic animation technique the story of a bird that goes around the world to find a new friend. The jury was blown away by its pace and incredible joy of the filmmaker to entertain her audience.

Award ceremony and screening of the winning film of the Crystal Bear take place today at 3.30 pm at Haus der Kulturen der Welt.

(Source: Berlinale Press Office)