Tag Archives: Golden Bear

Golden Bear and Prizes of the Berlin International Jury

Posted by Larry Gleeson

Quite an eventful 67th Berlinale. Some fantastic films. I had the good fortune to view all but one of the award-winning films, Silver Bear for Best Screenplay, Sebastián Lelio and Gonzalo Maza’s  Una mujer fantástica (A Fantastic Woman).  Pokot Spoor winner of the Silver Bear Alfred Bauer Prize for a feature film that opens new perspectives from Agnieszka Holland did not receive my recommendation. Thank you to the jury for all their hard work and diligent efforts!

*Members of the Jury: Paul Verhoeven (Jury President), Dora Bouchoucha Fourati, Olafur Eliasson, Maggie Gyllenhaal, Julia Jentsch, Diego Luna and Wang Quan’an

PRIZES OF THE INTERNATIONAL JURY

 

GOLDEN BEAR FOR BEST FILM (awarded to the film’s producer) Testről és lélekről On Body and Soul by Ildikó Enyedi

SILVER BEAR GRAND JURY PRIZE Félicité by Alain Gomis

SILVER BEAR ALFRED BAUER PRIZE for a feature film that opens new perspectives Pokot Spoor by Agnieszka Holland

SILVER BEAR FOR BEST DIRECTOR Aki Kaurismäki for Toivon tuolla puolen (The Other Side of Hope/Die andere Seite der Hoffnung)

SILVER BEAR FOR BEST ACTRESS Kim Minhee in Bamui haebyun-eoseo honja (On the Beach at Night Alone) by Hong Sangsoo

SILVER BEAR FOR BEST ACTOR Georg Friedrich in Helle Nächte (Bright Nights) by Thomas Arslan

SILVER BEAR FOR BEST SCREENPLAY Sebastián Lelio and Gonzalo Maza for Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio

SILVER BEAR FOR OUTSTANDING ARTISTIC CONTRIBUTION in the categories camera, editing, music score, costume or set design

*Dana Bunescu for the editing in Ana, mon amour by Călin Peter Netzer

The complete award list of the 67th Berlinale: 67_berlinale_awards-1

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(Source: Berlinale Press Office)

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Berlinale Shorts 2017: Reframing the Image

Posted by Larry Gleeson

23 films from 19 countries will be competing for the Golden and the Silver Bear as well as the Audi Short Film Award, worth € 20,000, and a nomination for the European Film Awards at the 2017 edition of Berlinale Shorts. The Algerian film Monangambeee, produced in 1969 and directed by Sarah Maldoror, will also be screened out of competition.

The International Short Film Jury 2017 will be composed of Christian Jankowski, artist and professor at the Stuttgart State Academy of Art and Design, curator and social media manager of the Metropolitan Museum of Art in New York Kimberly Drew and the artistic director of SANFIC Santiago International Film Festival Carlos Núñez (see press release from December 13, 2016).

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The Berlinale Shorts competition will feature works from a wide range of filmmakers including Gabriel Abrantes, Salomé Lamas, Jonathan Vinel, Victor Lindgren, Lukas Marxt and Marcel Odenbach, Bárbara Wagner and Benjamin de Burca, David OReilly and Rainer Kohlberger.

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Curator Miake Mia Hohne (Photo via Berlinale Media Archive)

“A preconceived image, a clichéd notion of something or someone, can only alter its form if my own view of things expands to include a new perspective. All of the films selected for Berlinale Shorts 2017 have in common the fact that they invite one to recalibrate one’s own perception,” commented curator Maike Mia Höhne in reference to this year’s programme.

In his new film keep that dream burning, Berlin-based director Rainer Kohlberger visualizes an intimation for everything new that comes into being: a promise of the greatest possible indeterminacy.
The Boy from H2 on the other hand, produced by the Israeli human rights organisation B’Tselem, takes us right out on the street so that we may be able to experience what it means to live as a 12-year-old in the divided city of Hebron, opposite ever-present security forces.

David O’Reilly (Please Say Something, Golden Bear for Best Short Film 2009 & RGB XYZ, Berlinale Shorts 2008 ), who will also speak about his filmmaking philosophy at the 2017 edition of Berlinale Talents, will present his new computer game Everything. Everything is the complete opposite of how we commonly conceive of games – there are no levels to be reached, instead there is only the possibility to become anyone and everything. The insight acquired along the way represents a reframing.
Jonathan Vinel (Notre Héritage, Berlinale Shorts 2016 & Tant qu’il nous reste des fusils à pompe, Golden Bear for Best Short Film 2014, both created in collaboration with Caroline Poggi) rearranges sequences from the video game Grand Theft Auto V into a new narrative about losing one’s friends in his film Martin Pleure.

In Avant l’envol, the modern, futuristic architecture that sprang up in Ivory Coast in the wake of independence from France assumes the role of protagonist, an architecture that stands for the newly gained self-confidence of the period.

The film Monangambeee, which is part of the collection of Arsenal – Institute for Film and Video Art e. V. and was only recently digitized, bears witness to a cinematic practice in opposition to colonial oppression.

The extraordinary diversity of Portuguese cinema is represented by no less than four productions at Berlinale Shorts, including among others the most recent work from filmmaker Salomé Lamas (Eldorado XXI, Forum 2016 & Terra de ninguém, Forum 2013), Coup de Grâce, in which a father and daughter explore a space marked by absence. João Salaviza’s new film Altas Cidades de Ossadas follows a Creole rapper on a deep dive into the darkness of night and the aggressive poetry of his lyrics. In 2012 Salaviza took home the Golden Bear for Best Short Film for Rafa, dedicating the award to the Portuguese government: “We are in a moment where we really don’t know what will happen,” Salaviza declared at the time, adding that the dedication was contingent on the administration taking a stand to improve conditions for the country’s filmmakers.

Included among the films to be screened at Berlinale Shorts 2017 are:

Altas Cidades de Ossadas (High Cities of Bone), João Salaviza, Portugal, 19’ (WP)
Avant l’envol, Laurence Bonvin, Switzerland, 20’ (IP)
The Boy from H2, Helen Yanovsky, Israel / Palestinian Territories, 21’ (WP)
Call of Cuteness, Brenda Lien, Germany, 4’ (WP)
Centauro (Centaur), Nicolás Suárez, Argentina, 14’ (IP)
Cidade Pequena (Small Town), Diogo Costa Amarante, Portugal, 19’ (IP)
Coup de Grâce, Salomé Lamas, Portugal, 26’ (WP)
The Crying Conch, Vincent Toi, Canada, 20’ (WP)
Ensueño en la Pradera (Reverie in the Meadow), Esteban Arrangoiz Julien, Mexiko, 17’ (WP)
Estás vendo coisas (You are seeing things), Bárbara Wagner & Benjamin de Burca, Brazil, 18’ (IP)
Everything, David OReilly, USA / Ireland, 11’ (WP)
Le film de l’été (A Summer’s Film), Emmanuel Marre, France / Belgium, 30’ (WP)
Fishing Is Not Done On Tuesdays, Lukas Marxt & Marcel Odenbach, Germany / Austria, 15’ (WP)
Fuera de Temporada (Out of Season), Sabrina Campos, Argentina, 23’ (WP)
Hiwa, Jacqueline Lentzou, Greece, 11’ (WP)
Os Humores Artificiais (The Artificial Humors), Gabriel Abrantes, Portugal, 30’ (WP)
keep that dream burning, Rainer Kohlberger, Germany / Austria, 8’ (WP)
Kometen (The Comet), Victor Lindgren, Sweden, 11’ (IP)
Martin Pleure (Martin Cries), Jonathan Vinel, France, 16’ (WP)
Miss Holocaust, Michalina Musielak, Poland / Germany, 22’ (WP)
Monangambeee, Sarah Maldoror, Algeria, 15’ – Out of competition
Oh Brother Octopus, Florian Kunert, Germany, 27’ (WP)
The Rabbit Hunt, Patrick Bresnan, USA / Hungary, 12’ (IP)
Street of Death, Karam Ghossein, Libanon / Germany, 23’ (WP)

For further information regarding the Berlinale Shorts programme please contact:

Anika Väth

+ 49 170 671 72 91

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(Source: Berlinale Press Office)

A Touching Close to the Record-Setting #Berlinale 2016

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Producer and Director Gianfranco Rosi accepts the 2016 Berlinale Golden Bear for Best Film: Fuocoammare (Fire at Sea). (Photo credit: Richard Hubner – Berlinale 2016)

On Saturday, the 66th Berlinale drew to a splendid close with the award ceremony. The event turned out to be a touching evening not least because of the Golden Bear awarded to Fuocoammare by Gianfranco Rosi. It reflected the political spirit that had been perceptible throughout the festival.

For eleven days the Berlinale demonstrated the creative power and diversity of cinema, as well as welcomed guests and the public at many panel discussions and talks on the seventh art. With 337,000 tickets sold a new attendance record in the 66-year history of the festival was achieved.

The 67th Berlin International Film Festival Berlin will be held from February 9 to 19, 2017. (Berlinale Press Office)

#Berlinale

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The 66th Berlin International Film Festival, also known as Berlinale, is set to open  February 11th and run through the 21st of February, 2016. This year’s President of the Jury will be Meryl Streep. Opening night film is Hail Caesar! from the Coen Brothers, Joel and Ethan.

 

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(Image from theblaze.com)

 

(Courtesy: Berlinale Festival)

 

Each year up to 400 films are shown in a splendid array of world cinema with ticket sales around 300,00 and admissions estimated at 500,000 Berlinale is widely considered the world’s largest publicly attended film festival. In addition, the festival’s media events are very reputable. Dieter Kosslick is embarking on his 15th year as the festival’s director. Stay tuned for daily updates! Until then, I’ll see you at the movies…