Category Archives: #Sundance

SUNDANCE FILM REVIEW: Taylor Swift Miss Americana

Posted by Larry Gleeson

Taylor Swift: Miss Americana, directed by Lana Wilson, made its world premiere at the 2020 Sundance Film Festival on Opening Night. Admittedly, in tears after seeing Swift perform “Better Man,” in Brian Loschiavo’s extraordinary documentary, Bluebird, at the 50th Anniversary of the Nashville Film Festival, I was intrigued.Utilizing present-day narrative voice-over from Swift, archival footage, still photos and current interviews from those closest to the megastar and cultural icon, a portrait of who Taylor Swift is, was, and will be is painted with both smooth and coarse strokes. Others appearing in Miss Americana are Swift’s mother, best friend, publicist, producer and a plethora of others inside the star’s orbit. Using at times both documentary recording techniques of direct cinema and cinema verite, Jenny Roh, reveals as much and probably more than the spoken words. Admittedly, after seeing Swift perform in Brian Loschiavo’s documentary, Bluebird, at the 50th Anniversary of the Nashville Film Festival, I was intrigued.

Wilson begins with Taylor’s first song-writing attempts captured on home videos providing a glimpse into the driving force behind Swift’s rapid ascent into stardom. At the age of 9, Taylor, seated on a performer’s chair looks directly into the camera and shares with her audience she’s going to sing a song she wrote yesterday. Without missing a beat a cut returns to Taylor, again in a chair looking into the camera sharing with the audience she about to sing a song she wrote five minutes ago. These moments set the tone for the journey Miss Americana takes the audience. At once serious. At other times playful and introspective.

A few pivotal moments occur when Ms. Swift wins album of the year at age 16 – an unheard-of achievement. Her rise to stardom is just beginning. What could have been a massive train derailment occurred at the VMA Awards. Swift was honored with the Video of the year award. Mid-way through her speech a fellow performer under the influence jaunted out on stage, droopy drawers and all, high-jacked a microphone and began belligerently crying foul. Later this artist dubbed “a jackass” by the then President of the United States, Barack Obama, would lay claim to Swift’s success by his sheer stupidity, ignorance, mean-spiritedness and jealous nature.

The young woman’s biggest career moment, normally a monumentally happy occasion, turned nightmarish as the young starlet appeared bewildered and somewhat dumbfounded by the chaotic moment. Loud boos and barbs were hurled from the audience as Swift left stage head-down, shoulder slumped. In present-day time Shift shares what was going through her mind. What transpired over the next few years is unparalleled in the history of the music industry. Swift pumped out four number one albums back-to-back-to-back-to-back. Each album remained at the number one slot on the charts for at least six weeks. No other group or performer, including the Fab Four (The Beatles) has accomplished such a feat.

Alone at the top without a life partner despite a close and loving mother-daughter relationship, Taylor realizes she wants an intimate partner to share the ups and downs of life. The only caveat is both parties decide it needs to be a private relationship. An exquisite camera shot of the couple walking focuses on the shadows cast on willowing grass. A maturing woman, Wilson reveals Swift’s understanding of life and actions to ensure she and other women have an equal opportunity to enjoy success and live their lives to the fullest without regrets and without needing approval from an audience.

All I can say is stay tuned for more on this iconic performer as Swift will continue to reveal (seemingly at times reinventing) who she is in what is truly an art form. Her recent performances and videos continue to receive critical acclaim and her stadium and arena concerts are the hottest tickets in town. And, if that’s not enough, Swift has entered the political ring with an endorsement for the 2018 U.S. Senatorial race in her home state of Tennessee.

If you don’t know who Taylor Swift is Miss Americana is the doc for you. And, if you think you know Taylor Swift, check out Miss Americana for a look into what makes Taylor tick. Highly recommended.

Advertisements

SUNDANCE FILM REVIEW: The Climb

Posted by Larry Gleeson

The Climb, featured in the Spotlight section of the 2020 Sundance Film Festival is directed by New York actor and filmmaker, Michael Angelo Covino. Covino most recently received the Special Jury Prize at SXSW for Hunter Gatherer. In 2016, he was named to Moviemaker Magazine’s “25 screenwriters to watch” list. In The Climb, from Sony Pictures Classic, Covino tells the story of two best friends navigating adulthood and what it means to be a best friend. The film opens with the two main characters, Kyle, portrayed by Kyle Marvin, and Mike, portrayed by Covino himself, biking up a long incline in France.

CLIMB-1
Best friends, Kyle, left, portrayed by Kyle Marvin, and Mike, portrayed by Michael Angelo Covino, star in the Sony Pictures Classics, The Climb. (Photo courtesy of Sony Pictures Classic)

 

Both riders are climbing vigorously when the fun begins. Kyle reveals to his best friend and soon-to-be best man at Kyel’s upcoming wedding his anxiety about the thoughts of married life. Without missing a beat Mike drops a silent but deadly bombshell – he slept with Kyle’s fiance’, Suzi, portrayed by Talia Balsam, multiple times. But before Kyle and Suzi began dating. Mike a standout high school football player swears it meant nothing and they broke it off long ago.

Adding to the raucous opening, a small Italian car arrives blaring its obnoxious horn. Mike comes undone swearing for the driver to go by and then he proceeds to chase the car profusely. When Kyle finally catches up, the driver is pummelling a prostrate Mike culminating in a few well-placed stomps that land Mike in the hospital. Suzi arrives to check on Kyle’s well-being and discovers Mike in an examining station. Both swear they have no feelings for each other before engaging in a no-holds-barred passionate kiss. Kyle walks in and the wedding is off while the story is just beginning.

Covino delivers brilliance with a sharply written script he and Morgan co-wrote. Adding into the mix some nicely placed diegetic musical performances and The Climb is quickly elevated into art cinema. A strong musical score from Jon Natchez and Martin Mabz heightens the film’s revealing truths. Cinematographer Zach Cupperstein executes several French New Wave shots that speak volumes in the film’s cinematic language. Sara Shaw provides seamless editing and complementary pacing consistent with the narrative. Callan Stokes handled costuming augmenting the setting while enhancing an eye-pleasing mise-en-scene. A strong supporting cast includes veteran actor, George Wendt, Judith Godreche, and Gayle Rankin in well-executed roles.

The Climb is a treasure-trove of filmmaking techniques with strong screenwriting, well-executed cinematography, and compelling performances. It’s is a fun ride and a highly recommended viewing.

Additional screenings at the 2020 Sundance Film Festival are Sunday, January 26th, 6:30 PM, at the Ray Theatre, and Saturday, February 1st, 6PM, at the Park City Library.

Until then, I’ll see you at the movies!

Larry 2020 Sundance

 

 

NEW FRONTIER LINEUP ANNOUNCED 2020 SUNDANCE FILM FESTIVAL

Posted by Larry Gleeson

32 Projects from 21 Countries, Across Multiple New Venues

 

New frontiers 2020
Enter a captionSolastalgia, photo by Marine Bigourie; Hypha, courtesy of Sundance Institute; Anti-Gone, courtesy of Sundance Institute; Dance Trail, courtesy of Sundance Institute; The Book of Distance, courtesy of Sundance Institute; Spaced Out, courtesy of Sundance Institute.

(FOR IMMEDIATE RELEASE) Park City, UT — Sundance Institute spotlights work at the dynamic crossroads of film, art and technology with the New Frontier selections for the 2020 Sundance Film Festival, announced today. This curated collection of cutting-edge independent and experimental media works are by creators who are pushing artistic innovation across mediums that include rocket travel, biotech, facial recognition, mixed reality (MR), smartphone AR, underwater VR, game engines, big data, AI, the human archive, and innovative uses of SMS text & iPhone video capture. Programmers assembled a global slate of work from a mix of invitations and submissions to an open call for work earlier this year.

The 2020 edition of New Frontier returns to two dedicated venue spaces: New Frontier at The Ray and New Frontier Central, each of which host a variety of media installations, a VR Cinema, and panel discussions. New this year, New Frontier Central also houses the Biodigital Theatre, a cutting-edge presentation space that will feature a rotating schedule of large scale VR theatrical works including a feature-length livestream game telecast. Once again, New Frontier Central will feature lounge space for credential holders to meet and relax before and after experiencing the New Frontier program. New Frontier also breaks out into the wild with satellite projects in the pool at Festival Headquarters, AR dances to be discovered in various locations around Park City, and a nationwide “fugitive newscast” accessed at various sites around the festival, as well as at 11 art house theatres across the U.S., including The Belcourt Theatre (Nashville, Tenn.); Cinema Detroit; The Loft Cinema (Tucson, Arizona); Michigan Theater (Ann Arbor, Michigan); The Museum of Fine Arts (Houston, Texas), Nitehawk Cinema (Brooklyn, New York), Northwest Film Forum (Seattle, Washington), O Cinema (Miami, Florida), Parkway Theatre (Baltimore, Maryland), The State Theatre (Ann Arbor, Michigan) and Texas Theatre (Dallas, Texas).

robert redford
Robert Redford, President and Founder of Sundance Institute (Photo by: Larry Gleeson)

Robert Redford, President and Founder of Sundance Institute, said, “Technology infuses most aspects of modern life — and is evolving at a historic pace. The New Frontier artists that we showcase are taking completely fresh and thoughtful approaches to how the newest technological formats engage with the ancient art of storytelling.”

Shari Frilot
Shari Frilot, courtesy of Sundance photos

Shari Frilot, Chief Curator, New Frontier, said “Powerful technologies now enable experiences that capture, replicate, and replace “the real.” But it is even more special when the human touch converges with technology, we are provoked to reach beyond what we know to be real and enter into unfamiliar terrain. This transcendence can shift who we believe ourselves to be, where our bodies begin and end, what we are to each other, and who we are ultimately capable of being. The 2020 edition of New Frontier stares down the fear of losing our neighborhoods, and losing ourselves, and reminds us that the future is now — and because the future is now, the future can be ours.”

 

With these additions, the 2020 Sundance Film Festival Program features 241 works, 44% are directed or led by one or more women, 35% were directed or led by one or more artists of color, and 19% by one or more people who identify as LGBTQ+. The 32 projects announced today include work from 21 countries, and 31% are directed or led by one or more women, 44% are directed or led by one or more artists of color, and 31% by one or more people who identify as LGBTQ+. 4 were supported by Sundance Institute in development, whether through direct granting or residency Labs.

New Frontier alumni include Doug Aitken, Joseph Gordon-Levitt, Chris Milk, Nonny de la Peña, Pipilotti Rist and Jennifer Steinkamp. The Institute’s support extends well beyond its curated slate of Festival projects, and includes the annual New Frontier Story Lab, which offers mentorship and development opportunities for new media storytellers, and the Future of Culture Initiative, an action plan that includes partnerships with Johns Hopkins University and Stanford University in order to implement key recommendations from a two-year global field scan that analyzed strategies for improving equity and inclusion in emerging media. The Sundance Institute New Frontier Program is supported by the John D. and Catherine T. MacArthur Foundation, Cindy Harrell Horn and Alan Horn, Dell Technologies, Google Empathy Lab, John S. and James L. Knight Foundation, Oculus from Facebook, Unity Technologies, The Walt Disney Company, YouTube VR, and Adobe.

In addition to the New Frontier program announced today, films across all categories, including works in the Shorts, Special Events and Indie Episodic sections, have been announced and are listed at sundance.org/festival.

The 2020 Sundance Film Festival New Frontier slate:

FILMS AND PERFORMANCES

BLKNWS / U.S.A. (Director: Kahlil Joseph, Screenwriters: Sheba Anyanwu, Lee Harrison, Darol Kae, Producers: Onye Anyanwu, Kahlil Joseph) — An ongoing art project that blurs the lines between art, journalism, entrepreneurship, and cultural critique, appropriating the newsreel format as an opportunity to reimagine the contemporary cinematic experience, mixing an element of seriousness with a lighthearted twist on what news can be. Cast: Helen Molesworth, Alzo Slade, Amandla Stenberg, Trifari Williams. BLKNWS will also screen at 11 art house theatres around the country.

Infinitely Yours / U.S.A. (Director: Miwa Matreyek) ― A live performance at the intersection of cinema and theater exploring what it means to be living in the Anthropocene and the time of climate crisis. A kaleidoscopic meditation that is an emotionally impactful and embodied illustration of news headlines we see everyday.

A Machine for Viewing / United Kingdom, Australia (Directors: Oscar Raby, Richard Misek, Charlie Shackleton, Producers: Richard Misek, Oscar Raby) ― A unique three-episode hybrid of real-time VR experience, live performance and video essay in which three moving-image makers explore how we now watch films by putting various ‘machines for viewing,’ including cinema and virtual reality, face to face.

małni – towards the ocean, towards the shore / U.S.A. (Director, screenwriter and producer: Sky Hopinka) — An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death. Cast: Jordan Mercier, Sweetwater Sahme. World Premiere

Sandlines, the Story of History / Iraq (Director, screenwriter and producer: Francis Alÿs) — The children of a mountain village near Mosul re-enact a century of Iraqi history, from the secret Sykes-Picot agreement in 1916 to the realm of terror imposed by the Islamic State in 2016. The children revisit their past to understand their present. World Premiere

Vitalina Varela / Portugal (Director and screenwriter: Pedro Costa, Producer: Abel Ribiero Chaves) — Vitalina Varela, a 55-year-old, Cape Verdean, arrives in Lisbon three days after her husband’s funeral. She’s been waiting for her plane ticket for more than 25 years. Cast: Vitalina Varela, Ventura.

EXHIBITIONS

All Kinds of Limbo / United Kingdom (Lead Artists: Toby Coffey, Raffy Bushman, Nubiya Brandon) — The National Theatre of Great Britain’s communal musical journey reflecting the influence of West Indian culture on the UK’s music scene across the genres of reggae, grime, classical, and calypso. Immersive technologies, the ceremony of live performance and the craft of theatrical staging bring audiences into a VR performance space. Cast: Nubiya Brandon.

ANIMALIA SUM / Germany, Brazil, Iceland (Lead Artists: Bianca Kennedy, Felix Kraus) ― I am animals. I eat animals. A duality explored in a virtual reality experience in which insects will be the future’s main food supply.

Anti-Gone / U.S.A. (Lead Artist: Theo Triantafyllidis, Key Collaborators: Connor Willumsen, Matthew Doyle) ― In a post-climate change world, environmental catastrophe has become normalized. Cities are sunken, yet the vestiges of late-capitalist culture live on, clinging like barnacles to the ruins of civilization. Spyda and Lynxa are a couple navigating this world, gliding frictionlessly from shopping to movies to psychedelic drugs. Cast: Lindsey Normington, Zana Gankhuyag, Matthew Doyle.

Atomu / France, Kenya, U.S.A., United Kingdom (Lead Artists: Shariffa Ali, Yetunde Dada, Key Collaborators: Antoine Cayrol, Rafael Pavon, Arnaud Colinart, Opeyemi Olukemi, Annick Jakobowicz, Cassie Kinoshi, Toby Coffey, Steve Jelly, Simon Windsor) ― Go inside the cyclical center of a Kikuyu Tribal Myth from Kenya, where man may become woman and woman may become man. Through virtual reality, dance and music, a sacred space is created to explore many versions of yourself. Cast: Cassie Kinoshi, Alexander Whitley, Clément Chériot, Amaury La Burthe.

The Book of Distance / Canada (Lead Artist: Randall Okita, Key Collaborators: David Oppenheim, Sam Javanrouh, Emma Burkeitt, Luke Ruminski) ― In 1935, Yonezo Okita left his home in Hiroshima, Japan for Canada. Then war and racism changed everything. Three generations later his grandson leads us on an interactive pilgrimage through an emotional geography of immigration and family to recover what was lost.

Breathe / Sweden, Canada, U.S.A. (Lead Artist: Diego Galafassi, Key Collaborators: Jess Engel, Myriam Achard, Stephen Mangiat)  — A mixed-reality application that uses body movement and breathing to immerse participants in the story of air. Recast the ordinary experience of breathing as an immediate, direct link to a complex living world. We are alive to a planet that is alive to us.

Chomsky vs. Chomsky: First Encounter / Canada, Germany (Lead Artist: Sandra Rodriguez, Key Collaborators: Michael Burk, Cindy Bisho, Johannes Helberger) ― A prologue to a timely conversation on AI’s biggest promises and pitfalls. Lured by the possibility of emulating one of today’s most famous minds, we meet and engage with CHOMSKY_AI, an entity under construction, evolving from the arsenal of digital traces professor Noam Chomsky has left behind. Cast: Sandra Rodriguez, Michael Burk, Cindy Bishop, Johannes Helberger, Moov.AI.

Dance Trail / Switzerland (Lead Artists: Gilles Jobin, Camilo De Martino, Tristan Siodlak, Susana Panades Diaz, Key Collaborators: Laurent Rime, Léo Thiémard) ― A dance piece in augmented reality enabling users to invite virtual dancers into our world. Site-specific and mobile, the app allows to see dance sequences outdoor and indoor during the Festival. Users can place dancers anywhere in the world and share snapshots and videos. Cast: Susana Panadés Diaz, Victoria Chiu, Maelle Deral, Diya Naidu, Tidiani N’diaye, Gilles Jobin.

The Electronic Diaries of Lynn Hershman Leeson / U.S.A. (Lead Artist: Lynn Hershman Leeson) ― In 1984, after teaching herself how to use a video camera, Lynn Hershman Leeson sat down in front of it and began to talk and for 40 years developed a sly, profound and raw confessional mediated expression for an unknown audience that led towards personal evolution and survival. Cast: Lynn Hershman Leeson, Dr. George Church, Eleanor Coppola, Dr. Caleb Webber, Dr. Elizabeth Blackburn, Dr. Anthony Atala.

Hypha / Chile (Lead Artist: Natalia Cabrera, Key Collaborators: Sebastian Gonzalez, Juan Ferrer) ― An immersive virtual reality journey to heal the Earth–by becoming a mushroom. Experience the life cycle of a fungus, and comprehend the importance of the fungi kingdom, Earth’s main bioremediation agent. Cast: Trinidad Piriz.

Living Distance / China, U.S.A. (Lead Artist: Xin Liu, Key Collaborators: Qinya (Jenny) Guo, Gershon Dublon, Reese Donohue) ― A fantasy and a mission, in which a wisdom tooth is sent to outer space and back down to Earth again. Carried by a crystalline robotic sculpture called EBIFA, the tooth becomes a newborn entity in outer space and tells the story of a person in this universe.

Metamorphic / U.S.A. (Lead Artists: Matthew Niederhauser, Wesley Allsbrook, Eli Zananiri, John Fitzgerald, Key Collaborators: Tim Fain, Siyuan Qiu) In this social VR experience, the body becomes a vehicle for expression within majestically drawn worlds. Participants explore the radical possibility of effortless transformation as movement and play alter appearances and surroundings.

My Trip / United Kingdom (Lead Artist: Bjarne Melgaard) ― Simulating the experience of a DMT trip, this work draws on new psychedelia, black metal music and internet paranoia to question existential concerns such as procreation and overpopulation. A virtual retrospective, travel with characters such as Octo and Lightbulb Man through the dark web to unknown realms.

Persuasion Machines / U.S.A. (Lead Artists: Karim Amer, Guvenc Ozel, Key Collaborators: Jess Engel, , Geralyn White Dreyfous, Marni Grossman) ― How are your likes, shares, selfies, and devices being used against you? By making the invisible world of data visible, this experience will show you how your digital footprint is shaping your reality.

Scarecrow / Korea (Lead Artists: Jihyun Jung, Sngmoo Lee, Taewan Jeong, Cooper Yoo, Key Collaborators: Chungyean Cho, Sanghun Heo, Yeonjee Kim) ― A user walks into a surreal Sisyphean world of cursed artists to break the spell. Cast: Seongtae Kim, Hyoungjun Kwon, Myungseok Chae, Donggen Shin.

Solastalgia / France (Lead Artists: Antoine Viviani, Pierre-Alain Giraud, Key Collaborators: Gabríela Friðriksdóttir, Valgeir Sigurðsson, Nicolas Becker) A mixed-reality installation set in a mysterious future exploring the surface of a planet that has become uninhabitable. The last generations of humans are living as holograms, repeating the same scenes over and over again. What secret does this strange paradise contain? Cast: Mehdi Belhaj Kacem, Audrey Bonnet, Anne Brochet, Nancy Huston, Arthur Nauzyciel, Corine Sombrun.

Spaced Out / France (Lead Artist: Pyaré, Key Collaborators: Sutu, Mourad Bennacer, Ando Shah, Stephen Greenwood, Atlas Roufas) ― An underwater VR experience transports you aboard a voyage from the Earth to the moon, as well as within, led by the audio conversations of the Apollo 11 mission. Using special underwater VR goggles and a snorkel, the experience becomes a space simulation immersing all of the senses.

Still Here / U.S.A. (Lead Artists: Zahra Rasool, Sarah Springer, Key Collaborators: Naima Ramos-Chapman, Carvell Wallace, Viktorija Mickute, Maria Fernanda Lauret) ― An immersive, multimedia installation exploring incarceration, erasure and gentrification through the lens of one woman who returns to Harlem after 15 years in prison. The use of interactive VR and AR technologies brings to life this heartfelt story about the reclaiming of space and identity in a changing black community. Cast: LeAsha Julius, Keith Buxton, Marion Green, James Brown-Orleans, Jeorge Watson, Crystal Arnette.

VR CINEMA

After the Fallout / Switzerland, U.S.A. (Lead Artists: Sam Wolson, Dominic Nahr) — In March 2011, an earthquake caused a tsunami and a meltdown at the Daiichi nuclear power plant. The devastating consequences filled the communities in Fukushima with fear of the intangible and split Japan in a distinct before and after.

Azibuye – The Occupation / South Africa (Lead Artists: Dylan Valley, Caitlin Robinson, Stephen Abbott, Key Collaborators: Ingrid Kopp, Steven Markovitz) ― When Masello and Evan, two homeless black artist/activists, break into an abandoned mansion in an affluent part of Johannesburg, they proclaim their occupation to be an artistic and political act in defiance of inequalities in land ownership in South Africa. Cast: Masello Motana, Evan Abrahamse.

Bembé / Cuba (Lead Artists: Marcos Louit, Patricia Diaz, Key Collaborators: Andy Ruiz, Alain López, Ernesto Collinet) ― Bembé is a Cuban tradition that encompasses elements of both Christianity and the African Yoruba, where the souls of dead slaves come to Earth and family, friends, and neighbors take part in a celebration lasting up to 7 days. Cast: Ernesto Collinet, Kalina Collinet, Katyleidy Collinet.

Flowers & a Switchblade / U.S.A. (Lead Artists: Nic Koller, Weston Morgan, Key Collaborators: Candice Lee, Bridget Peck) ― An everyday scene–a real-life conversation in Brooklyn’s Prospect Park–collaged together from hundreds of videos to form a fractured, hyper-stimulating, 360° Cubist world.

Go / Switzerland (Lead Artists: Sandro Zollinger, Roman Vital, Klaus Merz, Key Collaborator: Thomas Gassmann) ― Searching for stability in his life, Peter Thaler sets out on a hike in the Swiss mountains, from which he will never return. An unprecedented symbiosis of literature and virtual reality, telling a story of everyday and final farewells, and opening the door to eternity a tiny crack. Cast: Klaus Merz, Niramy Pathmanathan, Robert Vital, Regula Stüssi.

Hominidae / U.S.A. (Lead Artist: Brian Andrews, Key Collaborators: Brian Ferguson, Robert Steel, Kahra Scott-James) ― Against a landscape of X-ray imagery and wild anatomical reimagination, a mother and her children struggle for survival. This experience follows an Arachnid Hominid, an intelligent creature with human and spider physiology, from the birth of her children to her premature death in the teeth of her prey. Cast: Phyllis Griffin, Luis Mora, Emily Weems, Kidjie Boyer, Austin Daly, Oliver Angus.

tx-reverse 360° / Austria, Germany (Lead Artists: Martin Reinhart, Virgil Widrich, Key Collaborator: Siegfried Friedrich) ― What is behind the cinema screen? What if the auditorium dissolves and with it the familiar laws of cinema itself? As reality and cinema collide, viewers are drawn into a vortex where the familiar order of space and time seems to be suspended.

VR Free / Italy (Lead Artist: Milad Tangshir, Key Collaborators: Vito Martinelli, Stefano Sburlati) ― Exploring the nature of incarceration spaces by portraying slices of life inside a prison in Turin, Italy. The film also captures the reaction of several inmates during brief encounters with immersive videos of life outside of prison. Cast: Michele Romano, Albert Asllanaj, Cristian De Bonis.

NEW FRONTIER SHORTS

E-Ticket / Hong Kong, U.S.A. (Director: Simon Liu) — A frantic (re)cataloguing of a personal archive and 16,000 splices in the making. 35mm frames are obsessively rearranged in evolving-disorienting patterns, as a Dante’s Inferno for the streaming age emerges, illustrating freedom of movement for the modern cloud.

Guisado on Sunset / U.S.A. (Director and screenwriter: Terence Nance) — Missed connection regret at that one late-night spot–the kind you keep playing back in your head but not quite ever remembering right, until it starts to look like something else. International Premiere

How Did We Get Here? / U.S.A. (Director and screenwriter: Michelle Miles) — A visual exploration of progressive atrophy. A study in how microscopic changes can go unnoticed, but amass over time. Even as these changes become drastic, we sometimes fail to realize anything has happened at all. World Premiere

Meridian / U.S.A., Italy (Director and screenwriter: Calum Walter) — Footage transmitted by the last unit in a fleet of autonomous machines sent to deliver an emergency vaccine. The film follows the machine before its disappearance, tracing a path that seems to stray further and further from its objective.

Narcissister Breast Work / U.S.A. (Director: Narcissister) — Focusing on the exercise by women of their right to bare their breasts in public, Narcissister Breast Work aims to investigate – and expose – how prohibitions on female toplessness are grounded in fear of, and desire to control, the female body. World Premiere

Pattaki / Cuba (Director: Everlane Moraes, Screenwriter: Tatiana Monge Herrera) — In the dense night, when the moon rises, those who live in a monotonous daily life without water are hypnotized by the powers of Yemaya, the goddess of the sea. U.S. Premiere

While I’m Still Breathing (Tandis Que Je Respire Encore) / France (Directors: Laure Giappiconi, Elisa Monteil, La Fille Renne, Screenwriter: Laure Giappiconi) — The blurred portrayal of a young woman as she moves through three steps of her sexuality. North American Premiere

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Sorry to Bother You, Won’t You Be My Neighbor?, Eighth Grade, Get Out, The Big Sick, Mudbound, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute®. 2020 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire; AT&T; Leadership Sponsors – Adobe, Amazon Studios, DIRECTV, Dropbox, Netflix, Omnicom Group, Southwest Airlines®, Stella Artois®, WarnerMedia; Sustaining Sponsors – Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Fire TV, GEICO, High West Distillery, Hulu, IMDbPro, Lyft, Unity Technologies, University of Utah Health; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, The New York Times, Variety, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as The Farewell, Late Night, The Souvenir, The Infiltrators, Sorry to Bother You, Eighth Grade, Won’t You Be My Neighbor?, Hereditary, RBG, Call Me By Your Name, Get Out, The Big Sick, Top of the Lake, Winter’s Bone, Dear White People, Little Miss Sunshine, Beasts of the Southern Wild, Fruitvale Station, State of the Union, Indecent, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

Sundance Film Festival 2020

(Source: Sundance news release)

 

 

 

2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED

Posted by Larry Gleeson

Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries

 

Sundance 2020
Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute.

(For Immediate Release) Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year.

Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute’s resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.

Robert Redford, President and Founder of Sundance Institute, said, “Independent artists create and enrich global culture. Their art, which we’re proud to present, can entertain – and much more: it can, illuminate, agitate, and empower. This year’s Festival is full of films that showcase myriad ways for stories to drive change, across hearts, minds, and societies.”

Keri Putnam, Executive Director of Sundance Institute, said, “At this year’s Festival, we’ll explore the theme of “imagined futures,” inside the theaters and in the conversations sparked by the work we are presenting. We believe diverse stories from independent artists around the world open us up to new perspectives and possibilities – at a time when fresh thinking and dialogue is urgently needed.”

John Cooper, Director of the Sundance Film Festival, said, “The program this year, my last as Director, is a celebration: of art and artists, yes, but also of the community that makes the annual pilgrimage to Park City to see the most exciting new work being made today. Watching this group expand and thrive over the years has been exhilarating and wildly rewarding. Our 2020 Festival’s lively and visionary crop of artists has a contagious passion, and I can’t wait to watch the world meet their work.”

Announced today: 118 feature-length films, representing 27 countries and 44 first-time feature filmmakers. Of the 65 directors in all four competition categories, comprising 56 films, 46% are women, 38% are people of color, and 12% are LGBTQ+. In the U.S. Dramatic Competition, 47% of the directors are women; 53% are people of color; 5% are LGBTQ+. In this year’s U.S. Documentary Competition, 45% are women; 23% are people of color; 23% are LGBTQ+.

44%, or 52, of all films announced today were directed by one or more women; 34%, or 40, were directed by one or more filmmaker of color; 15% or 18 by one or more people who are LGBTQ+. 23 films announced today were supported by Sundance Institute in development, whether through direct granting or residency Labs. 107 of the Festival’s feature films, or 91% of the lineup announced today, will be world premieres.

These films were selected from a record high of 15,100 submissions including 3,853 feature-length films. Of the feature film submissions, 1,698 were from the U.S. and 2,155 were international; 29% were directed by one or more women; 40% were directed by one or more filmmaker of color; 15% by one or more people who identify as LGBTQ+.

In 2019, the Festival drew more than 122,000 attendees from 48 U.S. states and 35 other countries, generated $182.5 million in economic activity for the state of Utah and supported 3,052 local jobs. The 2021 Sundance Film Festival will take place January 21–31, 2021.

New announcements, including Shorts, Indie Episodic and New Frontier, are forthcoming; watch sundance.org/festival.

The feature films confirmed for the 2020 Sundance Film Festival are:

U.S. DRAMATIC COMPETITION
Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include The Farewell, Honey Boy, Clemency, Eighth Grade, Sorry to Bother You and The Miseducation of Cameron Post. 47% of the directors in this year’s U.S. Dramatic Competition are women; 52% are people of color; 5% are LGBTQ+.

The 40-Year-Old Version / U.S.A. (Director and screenwriter: Radha Blank, Producers: Lena Waithe, Radha Blank, Inuka Bacote-Capiga, Jennifer Semler, Rishi Rijani) — A down-on-her-luck New York playwright decides to reinvent herself and salvage her artistic voice the only way she knows how: by becoming a rapper at age 40. Cast: Radha Blank, Peter Kim, Oswin Benjamin, Reed Birney, Imani Lewis, T.J. Atoms. World Premiere

BLAST BEAT / U.S.A. (Director: Esteban Arango, Screenwriters: Erick Castrillon & Esteban Arango, Producers: Charles D. King, Poppy Hanks, Erick Castrillon, Ty Walker) — After their family emigrates from Colombia during the summer of ‘99, a metalhead science prodigy and his deviant younger brother do their best to adapt to new lives in America. Cast: Moises Arias, Mateo Arias, Daniel Dae Kim, Kali Uchis, Diane Guerrero, Wilmer Valderrama. World Premiere

Charm City Kings / U.S.A. (Director: Angel Manuel Soto, Screenwriters: Sherman Payne, Chris Boyd & Kirk Sullivan, Barry Jenkins, Producers: Caleeb Pinkett, Clarence Hammond, Marc Bienstock) — Mouse desperately wants to join The Midnight Clique, the infamous Baltimore dirt bike riders who rule the summertime streets. When Midnight’s leader, Blax, takes 14-year-old Mouse under his wing, Mouse soon finds himself torn between the straight-and-narrow and a road filled with fast money and violence. Cast: Jahi Di’Allo Winston, Meek Mill, Will Catlett, Teyonah Parris, Donielle Tremaine Hansley, Kezii Curtis. World Premiere

Dinner in America / U.S.A. (Director and screenwriter: Adam Rehmeier, Producers: Ben Stiller, Nicholas Weinstock, David Hunter, Ross Putman, John Covert, Sam Slater) — An on-the-lam punk rocker and a young woman obsessed with his band go on an unexpected and epic journey together through the decaying suburbs of the American Midwest.. Cast: Kyle Gallner, Emily Skeggs, Pat Healy, Griffin Gluck, Lea Thompson, Mary Lynn Rajskub. World Premiere

The Evening Hour / U.S.A. (Director: Braden King, Screenwriter: Elizabeth Palmore, Producers: Lucas Joaquin, Braden King, Derrick Tseng) — Cole Freeman maintains an uneasy equilibrium in his rural Appalachian town, looking after the old and infirm while selling their excess painkillers to local addicts. But when an old friend returns with plans that upend the fragile balance and identity he’s so painstakingly crafted, Cole is forced to take action. Cast: Philip Ettinger, Stacy Martin, Cosmo Jarvis, Michael Trotter, Kerry Bishé, Lili Taylor. World Premiere

Farewell Amor / U.S.A. (Director and screenwriter: Ekwa Msangi, Producers: Huriyyah Muhammad, Sam Bisbee, Josh Penn) — Reunited after a 17 year separation, Walter, an Angolan immigrant, is joined in the U.S. by his wife and teenage daughter. Now absolute strangers sharing a one-bedroom apartment, they discover a shared love of dance that may help overcome the emotional distance between them. Cast: Ntare Guma Mbaho Mwine, Zainab Jah, Jayme Lawson, Joie Lee, Marcus Scribner, Nana Mensah. World Premiere

Minari / U.S.A. (Director and screenwriter: Lee Isaac Chung, Producers: Dede Gardner, Jeremy Kleiner, Christina Oh) — David, a 7-year-old Korean-American boy, gets his life turned upside down when his father decides to move their family to rural Arkansas and start a farm in the mid-1980s, in this charming and unexpected take on the American Dream. Cast: Steven Yeun, Han Yeri, Youn Yuh Jung, Will Patton, Alan Kim, Noel Kate Cho. World Premiere

Miss Juneteenth / U.S.A. (Director and screenwriter: Channing Godfrey Peoples, Producers: Neil Creque Williams, Jeanie Igoe, James M. Johnston, Toby Halbrooks, Theresa Steele, Tim Headington) — Turquoise, a former beauty queen turned hardworking single mother, prepares her rebellious teenage daughter for the “Miss Juneteenth” pageant, hoping to keep her from repeating the same mistakes in life that she did. Cast: Nicole Beharie, Kendrick Sampson, Alexis Chikaeze, Lori Hayes, Marcus Maudlin. World Premiere

Never Rarely Sometimes Always / U.S.A. (Director and screenwriter: Eliza Hittman, Producers: Adele Romanski, Sara Murphy, Rose Garnett) — An intimate portrayal of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn and her cousin Skylar embark on a brave, fraught journey across state lines to New York City. Cast: Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold, Sharon Van Etten. World Premiere

Nine Days / U.S.A. (Director and screenwriter: Edson Oda, Producers: Jason Michael Berman, Mette Marie Kongsved, Matthew Lindner, Laura Tunstall, Datari Turner) — In a house distant from the reality we know, a reclusive man interviews prospective candidates—personifications of human souls—for the privilege that he once had: to be born. Cast: Winston Duke, Zazie Beetz, Benedict Wong, Bill Skarsgård, Tony Hale, David Rysdahl. World Premiere. Dolby Institute Fellowship

Palm Springs / U.S.A. (Director: Max Barbakow, Screenwriter: Andy Siara, Producers: Andy Samberg, Becky Sloviter, Akiva Schaffer, Jorma Taccone, Dylan Sellers, Chris Parker) — When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated the next morning when they find themselves unable to escape the venue, themselves, or each other. Cast: Andy Samberg, Cristin Milioti, J.K. Simmons, Meredith Hagner, Camila Mendes, Peter Gallagher. World Premiere

Save Yourselves! / U.S.A. (Directors and Screenwriters: Alex Huston Fischer, Eleanor Wilson, Producers: Kara Durrett, Mandy Tagger, Adi Ezroni) — A young Brooklyn couple head upstate to disconnect from their phones and reconnect with themselves. Cut off from their devices, they miss the news that the planet is under attack. Cast: Sunita Mani, John Reynolds, Ben Sinclair, Johanna Day, John Early, Gary Richardson. World Premiere

Shirley / U.S.A. (Director: Josephine Decker, Screenwriter: Sarah Gubbins, Producers: Christine Vachon, David Hinojosa, Sue Naegle, Sarah Gubbins, Jeffrey Soros, Simon Horsman) — A young couple moves in with the famed author, Shirley Jackson, and her Bennington College professor husband, Stanley Hyman, in the hope of starting a new life but instead find themselves fodder for a psycho-drama that inspires Shirley’s next novel. Cast: Elisabeth Moss, Michael Stuhlbarg, Odessa Young, Logan Lerman. World Premiere

Sylvie’s Love / U.S.A. (Director and screenwriter: Eugene Ashe, Producers: Nnamdi Asomugha, Gabrielle Glore, Jonathan Baker, Matthew Thurm) — Years after their summer romance comes to an end, an aspiring television producer and a talented musician cross paths, only to find their feelings for each other never changed. With their careers taking them in different directions, they must choose what matters most. Cast: Tessa Thompson, Nnamdi Asomugha, Eva Longoria, Aja Naomi King, Wendi Mclendon-Covey, Jemima Kirke. World Premiere

Wander Darkly / U.S.A. (Director and screenwriter: Tara Miele, Producers: Lynette Howell Taylor, Samantha Housman, Shivani Rawat, Monica Levinson) — New parents Adrienne and Matteo are forced to reckon with trauma amidst their troubled relationship. They must revisit the memories of their past and unravel haunting truths in order to face their uncertain future. Cast: Sienna Miller, Diego Luna, Beth Grant, Aimee Carrero, Tory Kittles, Vanessa Bayer. World Premiere

Zola / U.S.A. (Director: Janicza Bravo, Screenwriters: Janicza Bravo, Jeremy O. Harris, Producers: Christine Vachon, David Hinojosa, Vince Jolivette, Elizabeth Haggard, Dave Franco, Gia Walsh) 2015: @zolarmoon tweets “wanna hear a story about why me & this bitch here fell out???????? It’s kind of long but full of suspense.” Two girls bond over their “hoeism” and become fast friends. What’s supposed to be a trip from Detroit to Florida turns into a weekend from hell. Cast: Taylour Paige, Riley Keough, Nicholas Braun, Colman Domingo. World Premiere

U.S. DOCUMENTARY COMPETITION
Sixteen world-premiere American documentaries that illuminate the ideas, people and events that shape the present day. Films that have premiered in this category in recent years include APOLLO 11, Knock Down The House, One Child Nation, American Factory, Three Identical Strangers and On Her Shoulders. 45% of the directors in this year’s U.S. Documentary Competition are women; 23% are people of color; 23% are LGBTQ+.

A Thousand Cuts / U.S.A., Philippines (Director and screenwriter: Ramona S. Diaz, Producers: Ramona S. Diaz, Leah Marino, Julie Goldman, Chris Clements, Carolyn Hepburn) — Nowhere is the worldwide erosion of democracy, fueled by social media disinformation campaigns, more starkly evident than in the authoritarian regime of Philippine President Rodrigo Duterte. Journalist Maria Ressa places the tools of the free press—and her freedom—on the line in defense of truth and democracy. World Premiere

Be Water / U.S.A., United Kingdom (Director: Bao Nguyen, Producer: Julia Nottingham) — In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival, interviews with loved ones and Bruce’s own writings. World Premiere

Bloody Nose, Empty Pockets / U.S.A. (Directors: Bill Ross, Turner Ross, Producers: Michael Gottwald, Chere Theriot) — In the shadows of the bright lights of Las Vegas, it’s last call for a beloved dive bar known as the Roaring 20s. A document of real people, in an unreal situation, facing an uncertain future: America at the end of 2016. World Premiere

Boys State / U.S.A. (Directors: Jesse Moss, Amanda McBaine, Producers: Amanda McBaine, Jesse Moss) — In an unusual experiment, a thousand 17-year-old boys from Texas join together to build a representative government from the ground up. World Premiere

Code for Bias / U.S.A., United Kingdom, China (Director, screenwriter and producer: Shalini Kantayya) — Exploring the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all. World Premiere

The Cost of Silence / U.S.A. (Director: Mark Manning, Producers: Mark Manning, Langdon Page, Reuben Aaronson) — An industry insider exposes the devastating consequences of the Deepwater Horizon oil spill and uncovers systemic corruption between government and industry to silence the victims of a growing public health disaster. Stakes could not be higher as the Trump administration races to open the entire U.S. coastline to offshore drilling. World Premiere

Crip Camp / U.S.A. (Directors: Nicole Newnham, Jim LeBrecht, Producers: Sara Bolder, Jim LeBrecht, Nicole Newnham) — Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement. World Premiere. DAY ONE

Dick Johnson Is Dead / U.S.A. (Director: Kirsten Johnson, Screenwriters: Nels Bangerter, Kirsten Johnson, Producers: Katy Chevigny, Marilyn Ness) — With this inventive portrait, a cameraperson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all. World Premiere

Feels Good Man / U.S.A. (Director: Arthur Jones, Producers: Giorgio Angelini, Caryn Capotosto, Aaron Wickenden)  — When indie comic character Pepe the Frog becomes an unwitting icon of hate, his creator, artist Matt Furie, fights to bring Pepe back from the darkness and navigate America’s cultural divide. World Premiere

The Fight / U.S.A. (Directors: Elyse Steinberg, Josh Kriegman, Eli Despres, Producers: Elyse Steinberg, Josh Kriegman, Eli Despres, Maya Seidler, Peggy Drexler, Kerry Washington) — Inside the ACLU, a team of scrappy lawyers battle Trump’s historic assault on civil liberties. World Premiere

Mucho Mucho Amor / U.S.A. (Directors: Cristina Costantini, Kareem Tabsch, Producer: Alex Fumero) — Once the world’s most famous astrologer, Walter Mercado seeks to resurrect a forgotten legacy. Raised in the sugar cane fields of Puerto Rico, Walter grew up to become a gender non-conforming, cape-wearing psychic whose televised horoscopes reached 120 million viewers a day for decades before he mysteriously disappeared. World Premiere

Spaceship Earth / U.S.A. (Director: Matt Wolf, Producers: Stacey Reiss, Matt Wolf) — In 1991 a group of countercultural visionaries built an enormous replica of earth’s ecosystem called Biosphere 2. When eight “biospherians” lived sealed inside, they faced ecological calamities and cult accusations. Their epic adventure is a cautionary tale but also a testament to the power of small groups reimagining the world. World Premiere

Time / U.S.A. (Director: Garrett Bradley, Producers: Lauren Domino, Kellen Quinn, Garrett Bradley) Fox Rich, indomitable matriarch and modern-day abolitionist, strives to keep her family together while fighting for the release of her incarcerated husband. An intimate, epic, and unconventional love story, filmed over two decades. World Premiere

Us Kids / U.S.A. (Director: Kim A. Snyder, Producers: Kim A. Snyder, Maria Cuomo Cole, Lori Cheatle) — Determined to turn unfathomable tragedy into action, the teenage survivors of Parkland, Florida catalyze a powerful, unprecedented youth movement that spreads with lightning speed across the country, as a generation of mobilized youth take back democracy in this powerful coming-of-age story. World Premiere

Welcome to Chechnya / U.S.A. (Director: David France, Producers: Alice Henty, David France, Askold Kurov, Joy A. Tomchin) — This searing investigative work shadows a group of activists risking unimaginable peril to confront the ongoing anti-LGBTQ pogrom raging in the repressive and closed Russian republic. Unfettered access and a remarkable approach to protecting anonymity exposes this under-reported atrocity–and an extraordinary group of people confronting evil. World Premiere

Whirlybird / U.S.A. (Director: Matt Yoka, Producers: Diane Becker, Matt Yoka) — Soaring above the chaotic spectacle of ‘80s and ‘90s Los Angeles, a young couple revolutionized breaking news with their brazen helicopter reporting. Culled from this news duo’s sprawling video archive is a poignant L.A. story of a family in turbulence hovering over a city unhinged. World Premiere

WORLD CINEMA DRAMATIC COMPETITION
Twelve films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include The Souvenir, The Guilty, Monos, Yardie, The Nile Hilton Incident and Second Mother.

Charter / Sweden (Director and screenwriter: Amanda Kernell, Producers: Lars G. Lindström, Eva Åkergren) — After a recent and difficult divorce, Alice hasn’t seen her children in two months as she awaits a custody verdict. When her son calls her in the middle of the night, Alice takes action, abducting the children on an illicit charter trip to the Canary Islands. Cast: Ane Dahl Torp, Troy Lundkvist, Tintin Poggats Sarri, Sverrir Gudnasson, Eva Melander, Siv Erixon. World Premiere

Cuties / France (Director and screenwriter: Maïmouna Doucouré, Producer: Zangro) — Amy, 11 years old, meets a group of dancers called “Cuties.” Fascinated, she initiates herself to a sensual dance, hoping to join their band and escape family dysfunction… Cast: Fathia Youssouf, Médina El Aidi-Azouni, Esther Gohourou, Ilanah Cami-Goursolas, Myriam Hamma, Maïmouna Gueye. World Premiere. DAY ONE

Exil / Germany, Belgium, Kosovo (Director and screenwriter: Visar Morina, Producers: Janine Jackowski, Jonas Dornbach, Maren Ade) — A chemical engineer feeling discriminated against and bullied at work plunges into an identity crisis. Cast: Mišel Matičević, Sandra Hüller. World Premiere

High Tide / Argentina (Director and screenwriter: Verónica Chen, Producers: Esteban Mentasti, Hori Mentasti) — Laura is spending a few days at her beach house to supervise the construction of a barbecue shed. One afternoon, she seduces the chief builder, who never returns. Over the following days, the builders continually invade her home – until Laura grows ferocious. Cast: Gloria Carrá, Jorge Sesán, Cristian Salguero, Mariana Chaud, Camila Fabbri, Héctor Bordoni. World Premiere

Jumbo / France, Luxembourg, Belgium (Director and screenwriter: Zoé Wittock, Producers: Anaïs Bertrand, Annabella Nezri, Gilles Chanial) — Jeanne, a shy young woman, works in an amusement park. Fascinated with carousels, she still lives at home with her mother. That’s when Jeanne meets Jumbo, the park’s new flagship attraction… Cast: Noémie Merlant, Emmanuelle Bercot, Sam Louwyck. World Premiere

Luxor / Egypt, United Kingdom (Director and screenwriter: Zeina Durra, Producers: Mohamed Hefzy, Mamdouh Saba, Gianluca Chakra, Hisham Alghanim) — When British aid worker Hana returns to Luxor, a sleepy city on the banks of the Nile, she comes across Sultan, a talented archeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present. Cast: Andrea Riseborough, Karim Saleh, Michael Landes, Sherine Reda, Salima Ikram, Shahira Fahmy. World Premiere

Possessor / Canada, United Kingdom (Director and screenwriter: Brandon Cronenberg, Producers: Niv Fichman, Andrew Starke, Kevin Krikst, Fraser Ash) — Vos is a corporate agent who uses brain-implant technology to inhabit other people’s bodies, driving them to commit assassinations for the benefit of the company. When something goes wrong on a routine job, she finds herself trapped inside a man whose identity threatens to obliterate her own. Cast: Andrea Riseborough, Christopher Abbott, Rossif Sutherland, Tuppence Middleton, Sean Bean, Jennifer Jason Leigh. World Premiere

Sin Señas Particulares / Mexico, Spain (Director: Fernanda Valadez, Screenwriters: Fernanda Valadez, Astrid Rondero, Producers: Astrid Rondero, Fernanda Valadez, Jack Zagha, Yossy Zagha) Magdalena makes a journey to find her son, gone missing on his way to the Mexican border with the US. Her odyssey takes her to meet Miguel, a man recently deported from the U.S. They travel together, Magdalena looking for her son, and Miguel hoping to see his mother again. Cast: Mercedes Hernández, David Illescas, Juan Jesús Varela, Ana Laura Rodríguez, Laura Elena Ibarra, Xicoténcatl Ulloa. World Premiere

Summer White (Blanco de Verano) / Mexico (Director: Rodrigo Ruiz Patterson, Screenwriters: Rodrigo Ruiz Patterson, Raúl Sebastián Quintanilla, Producer: Alejandro Cortés Rubiales) ― Rodrigo is a solitary teenager, a king in the private world he shares with his mother. Things change when she takes her new boyfriend home to live. He must decide if he fights for his throne and crushes the happiness of the person he loves the most. Cast: Adrián Rossi, Sophie Alexander-Katz, Fabián Corres. World Premiere

Surge / United Kingdom (Director: Aneil Karia, Screenwriters: Rupert Jones, Rita Kalnejais, Producers: Julia Godzinskaya, Sophie Vickers) ― A man goes on a bold and reckless journey of self-liberation through London. After he robs a bank he releases a wilder version of himself, ultimately experiencing what it feels like to be alive. Cast: Ben Whishaw, Ellie Haddington, Ian Gelder, Jasmine Jobson. World Premiere

This Is Not A Burial, It’s A Resurrection / Lesotho, South Africa, Italy (Director and screenwriter: Lemohang Jeremiah Mosese, Producers: Cait Pansegrouw, Elias Ribeiro) — When her village is threatened with forced resettlement due to reservoir construction, an 80-year-old widow finds a new will to live and ignites the spirit of resilience within her community. In the final dramatic moments of her life, Mantoa’s legend is forged and made eternal. Cast: Mary Twala Mhlongo, Jerry Mofokeng Wa Makheta, Makhoala Ndebele, Tseko Monaheng, Siphiwe Nzima. International Premiere

Yalda, a Night for Forgiveness / Iran, France, Germany, Switzerland (Director and screenwriter: Massoud Bakhshi, Producers: Jacques Bidou, Marianne Dumoulin) — Maryam accidentally killed her husband Nasser and is sentenced to death. The only person who can save her is Mona, Nasser’s daughter. All Mona has to do is appear on a TV show and forgive Maryam. But forgiveness proves difficult when they are forced to relive the past. Cast: Sadaf Asgari, Behnaz Jafari, Babak Karimi, Fereshteh Sadr Orafaee, Forough Ghajebeglou, Fereshteh Hosseini. International Premiere

WORLD CINEMA DOCUMENTARY COMPETITION
Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today. Films that have premiered in this category in recent years include Honeyland, Sea of Shadows, Shirkers, This is Home, Last Men in Aleppo and Hooligan Sparrow.

Acasa, My Home / Romania, Germany, Finland (Director: Radu Ciorniciuc, Screenwriters: Lina Vdovii, Radu Ciorniciuc, Producer: Monica Lazurean-Gorgan) — In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years–until they are chased out and forced to adapt to life in the big city. World Premiere

The Earth Is Blue as an Orange / Ukraine, Lithuania (Director: Iryna Tsilyk, Producers: Anna Kapustina, Giedrė Žickytė) — To cope with the daily trauma of living in a war zone, Anna and her children make a film together about their life among surreal surroundings. World Premiere

Epicentro / Austria, France, U.S.A. (Director and screenwriter: Hubert Sauper, Producers: Martin Marquet, Daniel Marquet, Gabriele Kranzelbinder, Paolo Calamita) — Cuba is well known as a so-called time capsule. The place where the New World was discovered has become both a romantic vision and a warning. With ongoing global cultural and financial upheavals, large parts of the world could face a similar kind of existence. World Premiere

Influence / South Africa, Canada (Directors and Screenwriters: Diana Neille, Richard Poplak, Producers: Bob Moore, Neil Brandt) — Charting the recent advancements in weaponized communication by investigating the rise and fall of the world’s most notorious public relations and reputation management firm: the British multinational Bell Pottinger. World Premiere

Into the Deep / Denmark (Director: Emma Sullivan, Producers: Mette Heide, Roslyn Walker) — In 2016, a young Australian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify. World Premiere

The Mole Agent / Chile (Director and screenwriter: Maite Alberdi, Producer: Marcela Santibañez) — When a family becomes concerned about their mother’s well-being in a retirement home, private investigator Romulo hires Sergio, an 83 year-old man who becomes a new resident–and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents. World Premiere

Once Upon A Time in Venezuela / Venezuela, United Kingdom, Brazil, Austria (Director: Anabel Rodríguez Ríos, Screenwriters: Anabel Rodríguez Ríos, Sepp R. Brudermann, Producer: Sepp R. Brudermann) — Once upon a time, the Venezuelan village of Congo Mirador was prosperous, alive with fisherman and poets. Now it is decaying and disintegrating–a small but prophetic reflection of Venezuela itself. World Premiere

The Painter and the Thief / Norway (Director: Benjamin Ree, Producer: Ingvil Giske) — An artist befriends the drug addict and thief who stole her paintings. She becomes his closest ally when he is severely hurt in a car crash and needs full time care, even if her paintings are not found. But then the tables turn. World Premiere.

DAY ONE

The Reason I Jump / United Kingdom (Director: Jerry Rothwell, Producers: Jeremy Dear, Stevie Lee, Al Morrow)  — Based on the book by Naoki Higashida this immersive film explores the experiences of nonspeaking autistic people around the world. World Premiere

Saudi Runaway / Switzerland (Director and screenwriter: Susanne Regina Meures, Producer: Christian Frei) — Amjad, a young, fearless woman from Saudi Arabia, is tired of being controlled by the state and patronized by her family. With an arranged marriage imminent, a life without rights and free will seems inevitable. Amjad decides to escape. An unprecedented view inside the world’s most repressive patriarchy. World Premiere

Softie / Kenya (Director and screenwriter: Sam Soko, Producers: Toni Kamau, Sam Soko) — Boniface Mwangi is daring and audacious, and recognized as Kenya’s most provocative photojournalist. But as a father of three young children, these qualities create tremendous turmoil between him and his wife Njeri. When he wants to run for political office, he is forced to choose: country or family? World Premiere

The Truffle Hunters / Italy, U.S.A., Greece (Directors: Michael Dweck, Gregory Kershaw, Producers: Michael Dweck, Gregory Kershaw) — In the secret forests of Northern Italy, a dwindling group of joyful old men and their faithful dogs search for the world’s most expensive ingredient, the white Alba truffle. Their stories form a real-life fairy tale that celebrates human passion in a fragile land that seems forgotten in time. World Premiere

NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Digital technology paired with unfettered creativity promises that the films in this section will shape a “greater” next wave in American cinema. Films that have premiered in this category in recent years include The Infiltrators, Searching, Skate Kitchen, A Ghost Story and Tangerine. NEXT presented by Adobe.

Beast Beast / U.S.A. (Director and screenwriter: Danny Madden, Producers: Benjamin Wiessner, Matt Miller, Tara Ansley) — Three interwoven stories of youths navigating identity, first love, petty crime, and gun violence in a southern American town. Cast: Shirley Chen, Will Madden, Jose Angeles, Courtney Dietz, Daniel Rashid. World Premiere

Black Bear / U.S.A. (Director and screenwriter: Lawrence Michael Levine, Producers: Julie Christeas, Jonathan Blitstein, Rick Bosner, Aubrey Plaza, Lawrence Michael Levine, Sophia Takal) — At a remote lake house, a filmmaker plays a calculated game of desire and jealousy in the pursuit of a work of art that blurs the boundaries between autobiography and invention. Cast: Aubrey Plaza, Christopher Abbott, Sarah Gadon. World Premiere

I Carry You With Me / U.S.A., Mexico (Director: Heidi Ewing, Screenwriters: Heidi Ewing, Alan Page Arriaga, Producers: Mynette Louie, Heidi Ewing) — An epic love story spanning decades is sparked by a chance encounter between two men in provincial Mexico. Based on a true story, ambition and societal pressure propel an aspiring chef to leave his soulmate and make the treacherous journey to New York, where life will never be the same. Cast: Armando Espitia, Christian Vázquez, Michelle Rodríguez, Ángeles Cruz, Arcelia Ramírez, Michelle González. World Premiere

The Killing of Two Lovers / U.S.A. (Director and screenwriter: Robert Machoian, Producers: Scott Christopherson, Clayne Crawford, Robert Machoian) — David desperately tries to keep his family of six together during a separation from his wife. They both agree to see other people but David struggles to grapple with his wife’s new relationship. Cast: Clayne Crawford, Sepideh Moafi, Chris Coy, Aver Pizzuto, Arri Graham, Ezra Graham. World Premiere

La Leyenda Negra / U.S.A. (Director and screenwriter: Patricia Vidal Delgado, Producers: Alicia Herder, Marcel Perez) — In Compton, a soon-to-be undocumented teenager fights for her right to stay in America while risking her family, her friendships, and her first love. Cast: Monica Betancourt, Kailei Lopez, Irlanda Moreno, Justin Avila, Sammy Flores, Juan Reynoso. World Premiere

The Mountains Are a Dream That Call to Me / U.S.A. (Director and screenwriter: Cedric Cheung-Lau, Producers: Alexandra Byer, Madeleine Askwith) — On the Annapurna Massif, Tukten, a young Nepali man setting off for a new life as a laborer in Dubai, encounters an older Australian woman who causes him to change course and discover his homeland in a new light. Cast: Sanjay Lama Dong, Alice Cummins. World Premiere

Omniboat: A Fast Boat Fantasia / U.S.A. (Directors and Screenwriters: The Daniels, Hannah Fidell, Alexa Lim Haas, Lucas Leyva, Olivia Lloyd, Jillian Mayer, The Meza Brothers, Terence Nance, Brett Potter, Dylan Redford, Xander Robin, Julian Yuri Rodriguez, Celia Rowlson-Hall, Producers: Olivia Lloyd, Matthew Perniciaro, Michael Sherman, Taylor Shung) — It’s not just a speed boat ride, it’s a Miami adventure. Cast: Mel Rodriguez, Finn Wolfhard, Casey Wilson, Adam Devine, Jessica Williams, Robert Redford. World Premiere

Some Kind of Heaven / U.S.A. (Director: Lance Oppenheim, Producers: Darren Aronofsky, Kathleen Lingo, Melissa Oppenheim Lano, Pacho Velez, Jeffrey Soros, Simon Horsman) — Behind the gates of a palm tree-lined fantasyland, four residents of America’s largest retirement community, The Villages, FL, strive to find happiness and meaning. World Premiere

Spree / U.S.A. (Director: Eugene Kotlyarenko, Screenwriters: Gene McHugh, Eugene Kotlyarenko, Producers: Matthew Budman, Sumaiya Kaveh, John Lang, Eugene Kotlyarenko) — Kurt Kunkle, a rideshare driver thirsty for followers, has figured out a deadly plan to go viral. As his disturbing livestream is absurdly embraced by the social media hellscape, a comedienne emerges as the only hope to stop this rampage. Cast: Joe Keery, Sasheer Zamata, David Arquette, Kyle Mooney, Mischa Barton, Josh Ovalle. World Premiere

Summertime / U.S.A. (Director: Carlos Lopez Estrada, Screenwriters: Dave Harris, 19 Get Lit Poets, Producers: Kimberly Stuckwisch, Jeffrey Soros, Alisa Tager, Simon Horsman, Diane Luby Lane) — In the heat of the summer, the lives of 25 strangers collide. A love letter to Los Angeles written and performed by a collective of young spoken word poets. Cast: 19 Get Lit Poets. World Premiere.

DAY ONE

PREMIERES
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year. Films that have premiered in this category in recent years include The Report, Late Night, The Big Sick and Call Me By Your Name.

Downhill / U.S.A. (Directors: Nat Faxon, Jim Rash, Screenwriters: Jesse Armstrong, Nat Faxon, Jim Rash, Producers: Anthony Bregman, Julia Louis-Dreyfus, Stefanie Azpiazu, Erik Hemmendorff, Ruben Östlund) Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. Cast: Julia Louis-Dreyfus, Will Ferrell, Zach Woods, Zoë Chao, Miranda Otto. World Premiere

Dream Horse / United Kingdom (Director: Euros Lyn, Screenwriter: Neil McKay, Producers: Katherine Butler, Tracy O’Riordan) — Jan, a cleaner and bartender, decides on a whim to breed a race horse in her Welsh village. As the horse rises through the ranks against all odds, Jan and the townspeople are pitted against the racing elite in a nail-biting race for the national championship. Cast: Toni Collette, Damian Lewis. World Premiere

Falling / Canada, United Kingdom, Denmark (Director and screenwriter: Viggo Mortensen, Producers: Viggo Mortensen, Daniel Bekerman, Chris Curling) — When 80-year-old independent farmer Willis travels to Los Angeles for an indefinite stay with son John and his family, two very different worlds collide. Mentally declining, Willis’ abrasiveness is both caustic and funny, bringing old wounds from the past and years of mutual mistrust to the surface. Cast: Lance Henriksen, Viggo Mortensen, Terry Chen, Sverrir Gudnason, Hannah Gross, Laura Linney. World Premiere. CLOSING NIGHT

The Father / United Kingdom, France (Director: Florian Zeller, Screenwriters: Christopher Hampton, Florian Zeller, Producers: Philippe Carcassonne, Jean-Louis Livi, David Parfitt) — Anthony is 80 years old. He lives alone in London and refuses the nurses that his daughter tries to impose upon him. Yet help is becoming more pressing, as she has decided to move to Paris. At once comedic and profound, this is a moving story of our human condition. Cast: Anthony Hopkins, Olivia Colman, Mark Gatiss, Imogen Poots, Rufus Sewell, Olivia Williams. World Premiere

Four Good Days / U.S.A. (Director: Rodrigo Garcia, Screenwriters: Rodrigo Garcia, Eli Saslow, Producers: Jon Avnet, Marina Grasic, Jake Avnet, Jai Khanna, Rodrigo Garcia, Sage Scroope) — Ten years of opioids have left Molly’s life in shambles. A new drug may give her a chance to break free if she is able to stay clean for four days, with the help of her mother Deb, a tough, clear-eyed woman. Their love will be tested to the limits. Cast: Glenn Close, Mila Kunis, Stephen Root, Joshua Leonard. World Premiere

The Glorias / U.S.A. (Director: Julie Taymor, Screenwriters: Julie Taymor, Sarah Ruhl, Producers: Alex Saks, Lynn Hendee) — An equal rights crusader, journalist and activist: Gloria Steinem embodies these and more. From her role in the revolutionary women’s rights movement to her travels throughout the U.S. and around the world, Steinem has made an everlasting mark on modern history. A nontraditional chronicle of a trailblazing life. Cast: Julianne Moore, Alicia Vikander, Bette Midler, Janelle Monae, Timothy Hutton, Lorraine Toussaint. World Premiere

Herself / Ireland, United Kingdom (Director: Phyllida Lloyd, Screenwriters: Clare Dunne, Malcolm Campbell, Producers: Rory Gilmartin, Ed Guiney, Sharon Horgan) — Struggling to provide her daughters with a safe, happy home, Sandra decides to build one – from scratch. Using all her ingenuity to make her ambitious dream a reality, Sandra draws together a community to lend a helping hand to build her house and ultimately recover her own sense of self. Cast: Clare Dunne, Harriet Walter, Conleth Hill. World Premiere

Horse Girl / U.S.A. (Director: Jeff Baena, Screenwriters: Jeff Baena, Alison Brie, Producers: Alana Carithers, Jeff Baena, Alison Brie) — A socially awkward woman with a fondness for arts and crafts, horses, and supernatural crime shows finds her increasingly lucid dreams trickling into her waking life. Cast: Alison Brie, Debby Ryan, John Reynolds, Molly Shannon, John Ortiz, Jay Duplass. World Premiere

Ironbark / United Kingdom (Director: Dominic Cooke, Screenwriter: Tom O’Connor, Producers: Adam Ackland, Ben Browning, Ben Pugh, Rory Aitken) — The true story of a British businessman unwittingly recruited into one of the greatest international conflicts in history. Forming an unlikely partnership with a Soviet officer hoping to prevent a nuclear confrontation, the two men work together to provide the crucial intelligence used to defuse the Cuban Missile Crisis. Cast: Benedict Cumberbatch, Merab Ninidze, Rachel Brosnahan, Jessie Buckley. World Premiere

Kajillionaire / U.S.A. (Director and screenwriter: Miranda July, Producers: Dede Gardner, Jeremy Kleiner) — Low-stakes grifters, Old Dolio and her parents invite a chipper young woman into their insular clan, only to have their entire world turned upside down. Cast: Evan Rachel Wood, Gina Rodriguez, Richard Jenkins, Debra Winger. World Premiere

The Last Shift / U.S.A. (Director and screenwriter: Andrew Cohn, Producers: Albert Berger, Ron Yerxa, Sam Bisbee, Alex Lipschultz, Bert Kern) — Stanley, an aging fast food worker, prepares to work his final graveyard shift after 38 years. When he’s asked to train his replacement, Jevon, Stanley’s weekend takes an unexpected turn. Cast: Richard Jenkins, Shane Paul McGhie, Da’Vine Joy Randolph, Birgundi Baker, Allison Tolman, Ed O’Neill. World Premiere

The Last Thing He Wanted / U.S.A. (Director: Dee Rees, Screenwriters: Marco Vallalobos, Dee Rees, Producers: Cassian Elwes, Dee Rees) — A veteran D.C. journalist loses the thread of her own narrative when a guilt-propelled errand for her father thrusts her from byline to unwitting subject in the very story she’s trying to break. Adapted from the Joan Didion novel of the same title. Cast: Anne Hathaway, Ben Affleck, Willem Dafoe, Rosie Perez. World Premiere

Lost Girls / U.S.A. (Director: Liz Garbus, Screenwriter: Michael Werwie, Producers: Anne Carey, Kevin McCormick) — When Mari Gilbert’s daughter disappears, police inaction drives her own investigation into the gated Long Island community where Shannan was last seen. Committed to finding the truth, her search brings attention to over a dozen murdered sex workers Mari will not let the world forget. Inspired by true events. Cast: Amy Ryan, Thomasin McKenzie, Lola Kirke, Oona Laurence, Gabriel Byrne, Miriam Shor. World Premiere

The Nest / United Kingdom, Canada (Director and screenwriter: Sean Durkin, Producers: Ed Guiney, Derrin Schlesinger, Rose Garnett, Sean Durkin, Amy Jackson, Christina Piovesan) — Charismatic entrepreneur, Rory, relocates his family to England with dreams of profiting from booming 1980’s London. But as his wife, Allison, struggles to adapt, and the promise of a lucrative new beginning starts to unravel, the couple have to face the unwelcome truths lying beneath the surface of their marriage. Cast: Jude Law, Carrie Coon, Charlie Shotwell, Oona Roche. World Premiere

Promising Young Woman / U.S.A. (Director and screenwriter: Emerald Fennell, Producers: Margot Robbie, Tom Ackerly, Josey McNamara, Ben Browning, Ashley Fox, Emerald Fennell) — Everyone said Cassie was a promising young woman… until something abruptly derailed her future. Nothing in Cassie’s life is as it appears: she’s smart, cunning, and living a double life by night. Now, Cassie has a chance to right the wrongs of the past in this thrilling take on revenge. Cast: Carey Mulligan, Bo Burnham, Alison Brie, Connie Britton, Adam Brody, Jennifer Coolidge. World Premiere

Sergio / U.S.A. (Director: Greg Barker, Screenwriter: Craig Borten, Producers: Brent Travers, Daniel Dreifuss, Wagner Moura) — A sweeping drama set in the chaotic aftermath of the U.S. invasion of Iraq, where the life of top UN diplomat Sergio Vieira de Mello hangs in the balance during the most treacherous mission of his career. Cast: Wagner Moura, Ana de Armas, Garret Dillahunt, Will Dalton, Bradley Whitford, Brían F. O’Byrne. World Premiere

Tesla Hawke

Tesla / U.S.A. (Director and screenwriter: Michael Almereyda, Producers: Avi Lerner, Jeffery Greenstein, Uri Singer, Christa Campbell, Lati Grobman, Isen Robbins) — Highlighting the Promethean struggles of Nikola Tesla, as he attempts to transcend entrenched technology–including his own previous work–by pioneering a system of wireless energy that will change the world. Cast: Ethan Hawke, Kyle Maclachlan, Eve Hewson, Jim Gaffigan, Hannah Gross, Josh Hamilton. World Premiere. Alfred P. Sloan Feature Film Prize

Uncle Frank / U.S.A. (Director and screenwriter: Alan Ball, Producers: Alan Ball, Peter Macdissi, Michael Costigan, Jay Van Hoy, Bill Block, Stephanie Meurer) — In 1973, when 18-year-old Beth and her uncle Frank take a road trip from Manhattan to Creekville, South Carolina for the family patriarch’s funeral, they’re unexpectedly joined by Frank’s lover Walid. A story about family, forgiveness, and our inherent power to choose who we want to be. Cast: Paul Bettany, Sophia Lillis, Peter Macdissi, Steve Zahn, Judy Greer, Margo Martindale. World Premiere

Wendy / U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Eliza Zeitlin, Producers: Dan Janvey, Josh Penn, Paul Mezey, Becky Glupczynski) — Lost on a mysterious island where aging and time have come unglued, Wendy must fight to save her family, her freedom, and the joyous spirit of youth from the deadly peril of growing up. The classic story of Peter Pan is wildly reimagined in this ragtag epic. Cast: Devin France, Yashua Mack, Gage Naquin, Gavin Naquin, Ahmad Cage, Krzysztof Meyn. World Premiere. Dolby Institute Fellowship

Worth / U.S.A. (Director: Sara Colangelo, Screenwriter: Max Borenstein) — Kenneth Feinberg, a powerful D.C. lawyer appointed Special Master of the 9/11 Fund, fights off the cynicism, bureaucracy, and politics associated with administering government funds and, in doing so, discovers what life is worth. Based on true events. Cast: Michael Keaton, Stanley Tucci, Amy Ryan, Tate Donovan, Talia Balsam, Laura Benanti. World Premiere

DOCUMENTARY PREMIERES
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries. Films that have premiered in this category in recent years include Ask Dr. Ruth, Won’t You Be My Neighbor?, RBG, An Inconvenient Sequel and The Hunting Ground.

Aggie / U.S.A. (Director and screenwriter: Catherine Gund, Producers: Catherine Gund, Tanya Selvaratnam) — An exploration of the nexus of art, race, and justice through the story of art collector and philanthropist Agnes Gund who sold Roy Lichtenstein’s painting “Masterpiece” in 2017 for $165 million to start the Art for Justice Fund to end mass incarceration. Cast: Agnes Gund, Darren Walker, Ava DuVernay, Thelma Golden, John Waters, Glenn Ligon. World Premiere

Assassins / U.S.A. (Director: Ryan White, Producers: Jessica Hargrave, Ryan White) — True crime meets global spy thriller in this gripping account of the assassination of Kim Jong-nam, the half brother of the North Korean leader. The film follows the trial of the two female assassins, probing the question: were the women trained killers or innocent pawns of North Korea? World Premiere

Disclosure: Trans Lives On Screen / U.S.A. (Director: Sam Feder, Producers: Amy Scholder, Sam Feder) — An investigation of how Hollywood’s fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves. Cast: Laverne Cox, Mj Rodriguez, Lilly Wachowski, Yance Ford, Chaz Bono, Jamie Clayton. World Premiere

The Dissident / U.S.A. (Director: Bryan Fogel, Screenwriters: Mark Monroe, Bryan Fogel, Producers: Bryan Fogel, Jake Swantko, Mark Monroe, Thor Halvorssen) — When Washington Post journalist Jamal Khashoggi disappears after entering Saudi Arabia’s consulate in Istanbul, his fiancée and dissidents around the world are left to piece together the clues to a brutal murder and expose a global cover up perpetrated by the very country he loved. World Premiere

Giving Voice / U.S.A. (Directors: James D. Stern, Fernando Villena, Producers: James D. Stern, Karen Bove, Fernando Villena, Schoen Smith, Craig Piligian) — Every year, thousands of high schoolers enter the August Wilson monologue competition for a chance to perform on Broadway. This film follows these students, examining how Wilson and his characters speak to a new generation, inspiring them to listen to his words and find their own voice. World Premiere

The Go-Go’s / U.S.A., Ireland, Canada (Director: Alison Ellwood, Producers: Trevor Birney, Corey Russell, Eimhear O’Neill) — As the first all-female band to play their instruments, write their songs and have a No. 1 album, The Go-Go’s made history. Underpinned by candid testimonies, this film chronicles the meteoric rise to fame of a band born in the LA punk scene who became a pop phenomenon. Cast: Charlotte Caffey, Belinda Carlisle, Gina Schock, Kathy Valentine, Jane Wiedlin. World Premiere

Happy Happy Joy Joy – The Ren & Stimpy Story / U.S.A. (Directors and Screenwriters: Ron Cicero, Kimo Easterwood, Producer: Ron Cicero) — Exploring the rise and fall of the groundbreaking animated series Ren & Stimpy and its controversial creator, John Kricfalusi, through archival footage, show artwork and interviews with the artists, actors and executives behind the show. Cast: John Kricfalusi, Robyn Byrd, Vanessa Coffey, Chris Reccardi, Richard Pursel, Bobby Lee. World Premiere

Natalie Wood: What Remains Behind / U.S.A. (Director: Laurent Bouzereau, Producers: Natasha Gregson Wagner, Manoah Bowman, Laurent Bouzereau) — Exploring actor Natalie Wood’s life and career through the unique perspective of her daughter, Natasha Gregson Wagner, and others who knew her best. An examination of her personal and professional triumphs and challenges, which have often been overshadowed by her tragic death at age 43. World Premiere

Okavango: River of Dreams (Director’s Cut) / Botswana (Directors and Producers: Dereck Joubert, Beverly Joubert, Screenwriter: Dereck Joubert) — An insiders’ view of one of the greatest river systems on the planet, presented as a love letter, exploring the layers of paradise, limbo and inferno in a natural history echo of Dante’s Divine Comedy, a river of dreams, or beauty of conflict and turmoil. World Premiere

Rebuilding Paradise / U.S.A. (Director: Ron Howard, Producers: Brian Grazer, Ron Howard, Xan Parker, Sara Bernstein, Justin Wilkes) — On November 8, 2018, a spark flew in the Sierra Nevada foothills, igniting the most destructive wildfire in California history and decimating the town of Paradise. Unfolding during the year after the fire, this is the story of the Paradise community as they begin to rebuild their lives. World Premiere

Taylor Swift: Miss Americana / U.S.A. (Director: Lana Wilson, Producers: Morgan Neville, Caitrin Rogers, Christine O’Malley) — A raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life as she learns to embrace her role not only as a songwriter and performer, but as a woman harnessing the full power of her voice. Cast: Taylor Swift. World Premiere. DAY ONE

Untitled Kirby Dick/Amy Ziering Film / U.S.A. (Directors: Kirby Dick, Amy Ziering, Screenwriters: Kirby Dick, Amy Ziering, Sara Newens, Producers: Amy Ziering, Kirby Dick, Amy Herdy, Jamie Rogers) — A brilliant former hip hop executive grapples with whether to go public about her rape by one of the most powerful men in the music industry. A gripping and profound examination of race, gender, intersectionality, and the toll sexual abuse takes on survivors and on society at large. Cast: Drew Dixon, Sil Lai Abrams, Sheri Hines, Joan Morgan, Kimberlé Crenshaw, Shanita Hubbard. World Premiere

Vivos / Germany, Mexico (Director and Producer: Ai Weiwei) — Since an attack on students of the Ayotzinapa Rural Teachers’ College in 2014 resulted in six deaths and in the forced disappearance of 43, the students’ families have been living in limbo with their unanswered questions, their struggle embodying the psychological and emotional toll of endemic violence upon Mexican society. World Premiere

MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include Greener Grass, Hereditary, Assassination Nation, The Little Hours and The Babadook.

Amulet / United Kingdom (Director and screenwriter: Romola Garai, Producers: Matthew James Wilkinson, Maggie Monteith) — Tomaz, an ex-soldier now homeless in London, is offered a place to stay at a decaying house, inhabited by a young woman and her dying mother. As he starts to fall for Magda, Tomaz cannot ignore his suspicion that something insidious might also be living alongside them. Cast: Carla Juri, Alec Secareanu, Imelda Staunton, Angeliki Papoulia. World Premiere

Bad Hair / U.S.A. (Director and screenwriter: Justin Simien, Producers: Julia Lebedev, Angel Lopez, Eddie Vaisman, Justin Simien) — In this horror satire set in 1989, an ambitious young woman gets a weave in order to succeed in the image-obsessed world of music television. However, her flourishing career may come at a great cost when she realizes that her new hair may have a mind of its own. Cast: Elle Lorraine, Vanessa Williams, Jay Pharoah, Lena Waithe, Blair Underwood, Laverne Cox. World Premiere. DAY ONE

His House / United Kingdom (Director and screenwriter: Remi Weekes, Producers: Edward King, Martin Gentles, Roy Lee, Aidan Elliott, Arnon Milchan) — A young refugee couple makes a harrowing escape from war-torn South Sudan, but then they struggle to adjust to their new life in a small English town that has an evil lurking beneath the surface. Cast: Wunmi Mosaku, Sope Dirisu, Matt Smith. World Premiere

Impetigore / Indonesia (Director and screenwriter: Joko Anwar, Producers: Shanty Harmayn, Tia Hasibuan, Aoura Lovenson, Ben Soebiakto) — An out-of-luck woman decides to go back to her secluded home village in hopes of inheritance. Little does she know, the villagers have been waiting for her because she got what they needed to lift off a plagueing curse. Cast: Tara Basro, Marissa Anita, Christine Hakim, Ario Bayu, Asmara Abigail. International Premiere

The Night House / U.S.A. (Director: David Bruckner, Screenwriters: Ben Collins, Luke Piotrowski, Producers: David Goyer, Keith Levine, John Zois) — A widow begins to uncover her recently deceased husband’s disturbing secrets. Cast: Rebecca Hall, Sarah Goldberg, Stacy Martin, Evan Jonigkeit, Vondie Curtis-Hall. World Premiere

The Nowhere Inn / U.S.A. (Director: Bill Benz, Screenwriters: Carrie Brownstein, Annie Clark, Producers: Jett Steiger, Lana Kim, Annie Clark, Carrie Brownstein) — When St. Vincent sets out to make a documentary about her music, the goal is to both reveal and revel in the unadorned truth behind her on-stage persona. But when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre. Cast: Annie Clark, Carrie Brownstein. World Premiere

Relic / Australia (Director: Natalie Erika James, Screenwriters: Natalie Erika James, Christian White, Producers: Anna McLeish, Sarah Shaw, Riva Marker, Jake Gyllenhaal) — When Edna, the elderly and widowed matriarch of the family, goes missing, her daughter Kay and granddaughter Sam travel to their remote family home to find her. Soon after her return, they start to discover a sinister presence haunting the house and taking control of Edna. Cast: Emily Mortimer, Robyn Nevin, Bella Heathcote. World Premiere

Run Sweetheart Run / U.S.A. (Director and screenwriter: Shana Feste, Producers: Jason Blum, Brian Kavanaugh-Jones, Aml Ameen, Dayo Okeniyi, Betsy Brandt, Shohreh Aghdashloo) — A blind date turns violent and the woman has to get home through Los Angeles, with her date in pursuit. Cast: Ella Balinska, Pilou Asbaek, Clark Gregg. World Premiere

Scare Me / U.S.A. (Director and screenwriter: Josh Ruben, Producers: Alex Bach, Daniel Powell, Josh Ruben) — During a power outage, two strangers tell scary stories. The more Fred and Fanny commit to their tales, the more the stories come to life in the dark of a Catskills cabin. The horrors of reality manifest when Fred confronts his ultimate fear: Fanny is the better storyteller. Cast: Aya Cash, Josh Ruben, Chris Redd, Rebecca Drysdale. World Premiere

SPOTLIGHT
The Spotlight program is a tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include The Biggest Little Farm, The Death of Stalin, The Rider, Ida and The Lobster.

And Then We Danced / Sweden, Georgia, France (Director and screenwriter: Levan Akin, Producers: Mathilde Dedye, Ketie Daniela) — In the conservative confines of modern Tbilisi, Merab, a competitive dancer, is thrown off balance by the arrival of Irakli, a fellow male dancer with a rebellious streak. Cast: Levan Gelbakhiani, Bachi Valishvili, Ana Javakhishvilli, Kakha Gogidze, Anano Makharadze.

The Assistant / U.S.A. (Director and screenwriter: Kitty Green, Producers: Kitty Green, Scott Macaulay, James Schamus, P. Jennifer Dana, Ross Jacobson) — A day in the life of Jane, an assistant to a high-powered film executive. Cast: Julia Garner, Matthew Macfadyen, Makenzie Leigh, Kristine Froseth, Jon Orsini, Noah Robbins.

The Climb / U.S.A. (Director: Michael Covino, Screenwriters: Michael Covino, Kyle Marvin, Producers: Noah Lang, Michael Covino, Kyle Marvin) Kyle and Mike are best friends who share a close bond—until Mike sleeps with Kyle’s fiancée. A portrait of a tumultuous but enduring relationship between two men across many years of laughter, heartbreak, and rage. Cast: Kyle Marvin, Michael Covino, Gayle Rankin, Talia Balsam, George Wendt, Judith Godrèche. 

Collective / Romania, Luxembourg (Director and screenwriter: Alexander Nanau, Producers: Alexander Nanau, Bianca Oana) — Investigative journalists uncover massive fraud in the Romanian health care system revealing the price of corruption and ultimately, the price of truth. Cast: Catalin Tolontan, Mirela Neag, Razvan Lutac, Tedy Ursuleanu, Vlad Voiculescu, Camelia Roiu. U.S. Premiere

Ema / Chile (Director: Pablo Larraín, Screenwriters: Guillermo Calderón, Alejandro Moreno, Producer: Juan de Dios Larraín) — After a shocking incident upends her family life and marriage to a tempestuous choreographer, Ema, a reggaeton dancer, sets out on an odyssey of personal liberation in this incendiary story of art, desire, and the modern family. Cast: Mariana Di Girolamo, Gael García Bernal, Santiago Cabrera.

La Llorona / Guatemala, France (Director and screenwriter: Jayro Bustamante, Producers: Jayro Bustamante, Herminio Gutiérrez, Gustavo Matheu, Marina Peralta, Georges Ranand) — Enrique, a retired general who oversaw the Maya genocide, is haunted by his devastating crimes. A tale of horror and fantasy, reimagining the Latin American fable as an urgent metaphor of Guatemalan recent history and its unhealed political wounds. Cast: María Mercedes Coroy, Sabrina De La Hoz, Julio Diaz, Margarita Kénefic, Juan Pablo Olyslager, Ayla-Elea Hurtado.

The Perfect Candidate / Germany, Saudi Arabia (Director: Haifaa Al Mansour, Screenwriters: Haifaa Al Mansour, Brad Niemann, Producers: Roman Paul, Gerhard Meixner, Haifaa Al Mansour, Brad Niemann) — A determined young Saudi doctor’s surprise run for office in the local city elections sweeps up her family and community as they struggle to accept their town’s first female candidate. Cast: Mila Alzahrani, Dhay, Khalid Abdulrahim, Shafi Al Harthy. DAY ONE

KIDS
This section of the Festival is especially for our youngest independent film fans. Programmed in cooperation with Utah Film Center, which presents the annual Tumbleweeds Film Festival, Utah’s premiere film festival for children and youth. Films that have played in this category in recent years include The Elephant Queen, Science Fair, My Life as a Zucchini, The Eagle Huntress and Shaun the Sheep.

Binti / Belgium (Director and Screenwriter: Frederike Migom, Producer: Katleen Goosens) — Twelve-year-old Binti dreams of becoming a famous vlogger like her idol Tatyana. But when the police raid her home, and try to deport her and her dad, they are forced to flee. Together with her friend Elias she now plots the perfect plan to stay in the country. Cast: Bebel Tshiani Baloji, Mo Bakker, Joke Devynck, Baloji, Caroline Stas, Noa Jacobs. U.S. Premiere

Come Away / United Kingdom, U.S.A. (Director: Brenda Chapman, Screenwriter: Marissa Kate Goodhill, Producers: Leesa Kahn, James Spring, David Oyelowo, Steve Richards, Andrea Keir) — Before Alice found Wonderland, and Peter became Pan, they were brother and sister. When their brother dies in an accident, they seek to save their parents from downward spirals until finally they’re forced to choose between home and imagination, setting the stage for their iconic journeys into Wonderland and Neverland. Cast: Angelina Jolie, David Oyelowo, Jordan Nash, Keira Chansa, Reece Yates, Michael Caine. World Premiere

Timmy Failure: Mistakes Were Made / U.S.A. (Director: Tom McCarthy, Screenwriters: Stephan Pastis, Tom McCarthy, Producers: Tom McCarthy, Jim Whitaker) — The hilarious exploits of Timmy Failure and his 1,500-pound polar bear partner, Total, as they operate Total Failure, Inc., a Portland detective agency. Based on the book by Stephan Pastis. Cast: Winslow Fegley, Ophelia Lovibond, Wallace Shawn, Craig Robinson, Kyle Bornheimer. World Premiere

 

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Sorry to Bother You, Won’t You Be My Neighbor?, Eighth Grade, Get Out, The Big Sick, Mudbound, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute®. 2020 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire; AT&T; Leadership Sponsors – Adobe, Amazon Studios, DIRECTV, Dropbox, Netflix, Omnicom Group, Southwest Airlines®, Stella Artois®, WarnerMedia; Sustaining Sponsors – Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Fire TV, GEICO, High West Distillery, Hulu, IMDbPro, Lyft, Unity Technologies, University of Utah Health; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, The New York Times, Variety, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discovering original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as The Farewell, Late Night, The Souvenir, The Infiltrators, Sorry to Bother You, Eighth Grade, Won’t You Be My Neighbor?, Hereditary, RBG, Call Me By Your Name, Get Out, The Big Sick, Top of the Lake, Winter’s Bone, Dear White People, Little Miss Sunshine, Beasts of the Southern Wild, Fruitvale Station, State of the Union, Indecent, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

(Source: Sundance Press Release)

 

Sundance Film Festival Director John Cooper to Step Aside

Posted by Larry Gleeson

Sundance Film Festival Director John Cooper
to Step Aside

Will Assume Newly-Created Emeritus Director Role Following 2020 Festival,
After 30 Years on Staff, 11 as Director

Legacies Include Short Film Category & Competition, New Frontier, Festivals in London & Hong Kong

Screen Shot 2019-06-27 at 12.25.37 PM
Sundance Film Festival Director John Cooper announces he’s stepping aside after the 2020 Sundance Film Festival.

Following Robert Redford’s lead from last year’s press conference, Sundance Film Festival Director John Cooper stepping aside.

robert redford
Robert Redford addresses the 2019 Sundance Film Festival Press Conference. (Photo credit: Larry Gleeson/HollywoodGlee)

Los AngelesSundance Institute announced today that John Cooper, Director of the Sundance Film Festival, will move into a newly-created Emeritus Director role following the 2020 Sundance Film Festival. 2020 will mark his 30th Sundance Film Festival, and his 11th year as Festival Director.

The new role will focus on special projects and overseeing the 40th anniversary of the Sundance Institute to be celebrated in 2021. The search for a new Director for the Sundance Film Festival will be led by the Institute’s CEO, Keri Putnam.

During his tenure to date, Cooper has kept the Festival vital and competitive with the growing independent film community and industry. Signature achievements in the Festival’s programming include the creation of the Short Film section and competition, as well as the Documentary Premiere, NEXT and New Frontier sections. His cultivation of the global independent film community, including helming Sundance Film Festival: London and Sundance Film Festival: Hong Kong, have helped build and reinforce the Institute’s year round global presence.

His community-building efforts included creating the Sundance Industry Office and the youth-focused Sundance Ignite Program, as well as early development of the Arthouse Convergence, all the while building systems and staff to handle a growing volume of submissions.

Said Cooper, “This journey has been exhilarating. I’ve been lucky to find my perfect job. l always had the founding principles, passed down by Robert Redford, to guide me. I attribute any success I have had to being part of an amazing staff (past and present) who strive together to help storytellers follow their dreams and launch careers. I’ve got such confidence and pride in the team, and am excited by all that the future holds. I look forward to remaining a part of this fantastic organization in my new role, and creating a seamless transition for new Festival leadership.”

Putnam said, “Cooper’s contributions are immeasurably large and he will be missed in this role…but then again, he will be right down the hall in this new capacity. He’ll lend his vision and experience to key projects, as we build towards our 40th anniversary celebration and look ahead to the coming decades of supporting independent creativity.”

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Sorry to Bother You, Eighth Grade, Won’t You Be My Neighbor?, Hereditary, RBG, Call Me By Your Name, Get Out, The Big Sick, Top of the Lake, Winter’s Bone, Dear White People, Brooklyn, Little Miss Sunshine, 20 Feet From Stardom, Beasts of the Southern Wild, Fruitvale Station, I’m Poppy, America to Me, Leimert Park, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

###
(Source: Press release provided by Sundance Press Office)

2019 SUNDANCE FILM FESTIVAL AWARDS ANNOUNCED

Posted by Larry Gleeson

Top Prizes Go To Clemency, One Child Nation, The Souvenir and Honeyland

Brittany Runs a Marathon, Knock Down the House, Queen of Hearts and Sea of Shadows  Win Audience Awards

Sundance_Awards
(L-R) Honeyland, Credit: Samir Ljuma; Clemency, Credit: Eric Branco; The Souvenir, Credit: Agatha A. Nitecka.

Park City, Utah — After 10 days and 121 feature films, the 2019 Sundance Film Festival’s Awards Ceremony took place tonight, with host Marianna Palka emceeing and jurors presenting 28 prizes for feature filmmaking. Honorees, named in total below, represent new achievements in global independent storytelling. Bold, intimate, and humanizing stories prevailed across categories, with Grand Jury Prizes awarded to Clemency (U.S. Dramatic), One Child Nation (U.S. Documentary), Honeyland (World Cinema Documentary) and The Souvenir (World Cinema Dramatic).

“Supporting artists and their stories has been at the core of Sundance Institute’s mission from the very beginning,” said Sundance Institute President and Founder Robert Redford. “At this critical moment, it’s more necessary than ever to support independent voices, to watch and listen to the stories they tell.”

“This year’s expansive Festival celebrated and championed risk-taking artists,” said Keri Putnam, the Institute’s Executive Director. “As the Festival comes to a close, we look forward to watching the stories and conversations that started here as they shape and define our culture in the year to come.”

“These past ten days have been extraordinary,” said John Cooper, Sundance Film Festival Director. “It’s been an honor to stand with these artists, and to see their work challenge, enlighten and charm its first audiences.”

The awards ceremony marked the culmination of the 2019 Festival, where 121 feature-length and 73 short films — selected from 14,259 submissions — were showcased in Park City, Salt Lake City and Sundance, Utah, alongside work in the new Indie Episodic category, panels, music and New Frontier. The ceremony was live-streamed; video is available at youtube.com/sff.

This year’s jurors, invited in recognition of their accomplishments in the arts, technical craft and visionary storytelling, deliberated extensively before presenting awards from the stage; this year’s jurors were Desiree Akhavan, Damien Chazelle, Dennis Lim, Phyllis Nagy, Tessa Thompson, Lucien Castaing-Taylor, Yance Ford, Rachel Grady, Jeff Orlowski, Alissa Wilkinson, Jane Campion, Charles Gillibert, Ciro Guerra, Maite Alberdi, Nico Marzano, Véréna Paravel, Young Jean Lee, Carter Smith, Sheila Vand, and Laurie Anderson. Festival Favorite, an award voted on by audiences, will be announced in the coming days.

Feature film award winners in previous years include: The Miseducation of Cameron Post, I don’t feel at home in this world anymore., Weiner, Whiplash, Fruitvale Station, Beasts of the Southern Wild, Twenty Feet from Stardom, Searching for Sugarman, The Square, Me and Earl and the Dying Girl, Cartel Land, The Wolf Pack, The Diary of a Teenage Girl, Dope, Dear White People, The Cove and Man on Wire.

Of the 28 prizes awarded tonight to 23 films – comprising the work of 27 filmmakers – 13 (56.5%) were directed by one or more women; eight (34.8%) were directed by one or more people of color; and one (4.3%) was directed by a person who identifies as LGBTQI+.

2019 SUNDANCE FILM FESTIVAL FEATURE FILM AWARDS

The U.S. Grand Jury Prize: Documentary was presented by Rachel Grady to: Nanfu Wang and Jialing Zhang, for One Child Nation / China, U.S.A. (Directors: Nanfu Wang, Jialing Zhang, Producers: Nanfu Wang, Jialing Zhang, Julie Goldman, Christoph Jörg, Christopher Clements, Carolyn Hepburn) — After becoming a mother, a filmmaker uncovers the untold history of China’s one-child policy and the generations of parents and children forever shaped by this social experiment.

The U.S. Grand Jury Prize: Dramatic was presented by Damien Chazelle to: Chinonye Chukwu, for Clemency / U.S.A. (Director and screenwriter: Chinonye Chukwu, Producers: Bronwyn Cornelius, Julian Cautherley, Peter Wong, Timur Bekbosunov) — Years of carrying out death row executions have taken a toll on prison warden Bernadine Williams. As she prepares to execute another inmate, Bernadine must confront the psychological and emotional demons her job creates, ultimately connecting her to the man she is sanctioned to kill. Cast: Alfre Woodard, Aldis Hodge, Richard Schiff, Wendell Pierce, Richard Gunn, Danielle Brooks. 

The World Cinema Grand Jury Prize: Documentary was presented by Verena Paravel to: Tamara Kotevska and Ljubomir Stefanov, for Honeyland / Macedonia (Directors: Ljubomir Stefanov, Tamara Kotevska, Producer: Atanas Georgiev) — When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.

The World Cinema Grand Jury Prize: Dramatic was presented by Jane Campion to: Joanna Hogg, for The Souvenir / United Kingdom (Director and screenwriter: Joanna Hogg, Producers: Luke Schiller, Joanna Hogg) — A shy film student begins finding her voice as an artist while navigating a turbulent courtship with a charismatic but untrustworthy man. She defies her protective mother and concerned friends as she slips deeper and deeper into an intense, emotionally fraught relationship which comes dangerously close to destroying her dreams. Cast: Honor Swinton Byrne, Tom Burke, Tilda Swinton.

The Audience Award: U.S. Documentary, Presented by Acura was presented by Mark Duplass to: Knock Down the House / U.S.A. (Director: Rachel Lears, Producers: Sarah Olson, Robin Blotnick, Rachel Lears) — A young bartender in the Bronx, a coal miner’s daughter in West Virginia, a grieving mother in Nevada and a registered nurse in Missouri build a movement of insurgent candidates challenging powerful incumbents in Congress. One of their races will become the most shocking political upset in recent American history. Cast: Alexandria Ocasio-Cortez.

The Audience Award: U.S. Dramatic, Presented by Acura was presented by Paul Downs Colaizzo to: Brittany Runs A Marathon / U.S.A. (Director and screenwriter: Paul Downs Colaizzo, Producers: Matthew Plouffe, Tobey Maguire, Margot Hand)A woman living in New York takes control of her life – one city block at a time. Cast: Jillian Bell, Michaela Watkins, Utkarsh Ambudkar, Lil Rel Howery, Micah Stock, Alice Lee. 

The Audience Award: World Cinema Documentary was presented by Ray Romano to: Sea of Shadows / Austria (Director: Richard Ladkani, Producers: Walter Koehler, Wolfgang Knoepfler) —The vaquita, the world’s smallest whale, is near extinction as its habitat is destroyed by Mexican cartels and Chinese mafia, who harvest the swim bladder of the totoaba fish, the “cocaine of the sea.” Environmental activists, Mexican navy and undercover investigators are fighting back against this illegal multimillion-dollar business.

The Audience Award: World Cinema Dramatic was presented by Mark Duplass to: Queen of Hearts / Denmark (Director: May el-Toukhy, Screenwriters: Maren Louise Käehne, May el-Toukhy, Producers: Caroline Blanco, René Ezra) — A woman jeopardizes both her career and her family when she seduces her teenage stepson and is forced to make an irreversible decision with fatal consequences. Cast: Trine Dyrholm, Gustav Lindh, Magnus Krepper. 

The Audience Award: NEXT, Presented by Adobe was presented by Danielle Macdonald to: The Infiltrators / U.S.A. (Directors: Alex Rivera, Cristina Ibarra, Screenwriters: Alex Rivera, Aldo Velasco, Producers: Cristina Ibarra, Alex Rivera, Darren Dean) — A rag-tag group of undocumented youth – Dreamers – deliberately get detained by Border Patrol in order to infiltrate a shadowy, for-profit detention center. Cast: Maynor Alvarado, Manuel Uriza, Chelsea Rendon, Juan Gabriel Pareja, Vik Sahay. 

The Directing Award: U.S. Documentary was presented by Yance Ford to: Steven Bognar and Julia Reichert, for American Factory / U.S.A. (Directors: Steven Bognar, Julia Reichert, Producers: Steven Bognar, Julia Reichert, Jeff Reichert, Julie Parker Benello) — In post-industrial Ohio, a Chinese billionaire opens a new factory in the husk of an abandoned General Motors plant, hiring two thousand blue-collar Americans. Early days of hope and optimism give way to setbacks as high-tech China clashes with working-class America.

The Directing Award: U.S. Dramatic was presented by Desiree Akhavan to: Joe Talbot, for The Last Black Man in San Francisco / U.S.A. (Director: Joe Talbot, Screenwriters: Joe Talbot, Rob Richert, Producers: Khaliah Neal, Joe Talbot, Dede Gardner, Jeremy Kleiner, Christina Oh) — Jimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind.

The Directing Award: World Cinema Documentary was presented by Maite Alberdi to: Mads Brügger, for Cold Case Hammarskjöld / Denmark, Norway, Sweden, Belgium (Director: Mads Brügger, Producers: Peter Engel, Andreas Rocksén, Bjarte M. Tveit) — Danish director Mads Brügger and Swedish private investigator Göran Bjorkdahl are trying to solve the mysterious death of Dag Hammarskjold. As their investigation closes in, they discover a crime far worse than killing the Secretary-General of the United Nations.

The Directing Award: World Cinema Dramatic was presented by Ciro Guerra to: Lucía Garibaldi, for The Sharks / Uruguay, Argentina, Spain (Director and screenwriter: Lucía Garibaldi, Producers: Pancho Magnou Arnábal, Isabel García) — While a rumor about the presence of sharks in a small beach town distracts residents, 15-year-old Rosina begins to feel an instinct to shorten the distance between her body and Joselo’s. Cast: Romina Bentancur, Federico Morosini, Fabián Arenillas, Valeria Lois, Antonella Aquistapache.

The Waldo Salt Screenwriting Award: U.S. Dramatic was presented by Phyllis Nagy to: Pippa Bianco, for Share / U.S.A. (Director and screenwriter: Pippa Bianco, Producers: Carly Hugo, Tyler Byrne, Matt Parker) — After discovering a disturbing video from a night she doesn’t remember, sixteen-year-old Mandy must try to figure out what happened and how to navigate the escalating fallout. Cast: Rhianne Barreto, Charlie Plummer, Poorna Jagannathan, J.C. MacKenzie, Nick Galitzine, Lovie Simone.

A U.S. Documentary Special Jury Award for Moral Urgency was presented by Alissa Wilkinson to: Jacqueline Olive, for Always in Season / U.S.A. (Director: Jacqueline Olive, Producers: Jacqueline Olive, Jessica Devaney) — When 17-year-old Lennon Lacy is found hanging from a swing set in rural North Carolina in 2014, his mother’s search for justice and reconciliation begins as the trauma of more than a century of lynching African Americans bleeds into the present.

A U.S. Documentary Special Jury Award: Emerging Filmmaker was presented by Jeff Orlowski to: Liza Mandelup, for Jawline / U.S.A. (Director: Liza Mandelup, Producers: Bert Hamelinck, Sacha Ben Harroche, Hannah Reyer) — The film follows 16-year-old Austyn Tester, a rising star in the live-broadcast ecosystem who built his following on wide-eyed optimism and teen girl lust, as he tries to escape a dead-end life in rural Tennessee.

A U.S. Documentary Special Jury Award for Editing was presented by Alissa Wilkinson to: Todd Douglas Miller, for APOLLO 11 / U.S.A. (Director: Todd Douglas Miller, Producers: Todd Douglas Miller, Thomas Petersen, Evan Krauss) — A purely archival reconstruction of humanity’s first trip to another world, featuring never-before-seen 70mm footage and never-before-heard audio from the mission.

A U.S. Documentary Special Jury Award for Cinematography was presented by Jeff Orlowski to: Luke Lorentzen, Midnight Family / Mexico, U.S.A. (Director: Luke Lorentzen, Producers: Kellen Quinn, Daniela Alatorre, Elena Fortes, Luke Lorentzen) — In Mexico City’s wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent help. As they try to make a living in this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care.

A U.S. Dramatic Special Jury Award for Vision and Craft was presented by Tessa Thompson to: Alma Har’el for her film Honey Boy / U.S.A. (Director: Alma Har’el, Screenwriter: Shia LaBeouf, Producers: Brian Kavanaugh-Jones, Daniela Taplin Lundberg, Anita Gou, Christopher Leggett, Alma Har’el) — A child TV star and his ex-rodeo clown father face their stormy past through time and cinema. Cast: Shia LaBeouf, Lucas Hedges, Noah Jupe. 

A U.S. Dramatic Special Jury Award for Creative Collaboration was presented by Dennis Lim to: Director Joe Talbot for his film The Last Black Man in San Francisco / U.S.A. (Director: Joe Talbot, Screenwriters: Joe Talbot, Rob Richert, Producers: Khaliah Neal, Joe Talbot, Dede Gardner, Jeremy Kleiner, Christina Oh) — Jimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind. Cast: Jimmie Fails, Jonathan Majors, Rob Morgan, Tichina Arnold, Danny Glover.

A U.S. Dramatic Special Jury Award for Achievement in Acting was presented by Tessa Thompson to: Rhianne Barreto, for Share / U.S.A. (Director and screenwriter: Pippa Bianco, Producers: Carly Hugo, Tyler Byrne, Matt Parker) — After discovering a disturbing video from a night she doesn’t remember, sixteen-year-old Mandy must try to figure out what happened and how to navigate the escalating fallout. Cast: Rhianne Barreto, Charlie Plummer, Poorna Jagannathan, J.C. MacKenzie, Nick Galitzine, Lovie Simone.

A World Cinema Documentary Special Jury Award for No Borders was presented by Maite Alberdi to: Hassan Fazzili, for Midnight Traveler / U.S.A., Qatar, United Kingdom, Canada (Director: Hassan Fazili, Screenwriter: Emelie Mahdavian, Producers: Emelie Mahdavian, Su Kim) — When the Taliban puts a bounty on Afghan director Hassan Fazili’s head, he is forced to flee with his wife and two young daughters. Capturing their uncertain journey, Fazili shows firsthand the dangers facing refugees seeking asylum and the love shared between a family on the run.

A World Cinema Documentary Special Jury Award for Impact for Change was presented by Nico Marzano to: Tamara Kotevska and Ljubomir Stefanov, for Honeyland / Macedonia (Directors: Ljubomir Stefanov, Tamara Kotevska, Producer: Atanas Georgiev) — When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.

A World Cinema Documentary Special Jury Award for Cinematography was presented by Nico Marzano to: Fejmi Daut and Samir Ljuma, for Honeyland / Macedonia (Directors: Ljubomir Stefanov, Tamara Kotevska, Producer: Atanas Georgiev) — When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.

A World Cinema Dramatic Special Jury Award for Originality was presented by Ciro Guerra to: Makoto Nagahisa, for WE ARE LITTLE ZOMBIES / Japan (Director and screenwriter: Makoto Nagahisa, Producers: Taihei Yamanishi, Shinichi Takahashi, Haruki Yokoyama, Haruhiko Hasegawa) — Their parents are dead. They should be sad, but they can’t cry. So they form a kick-ass band. This is the story of four 13-year-olds in search of their emotions. Cast: Keita Ninomiya, Satoshi Mizuno, Mondo Okumura, Sena Nakajima. 

A World Cinema Dramatic Special Jury Award was presented by Charles Gillbert to: Alejandro Landes, for Monos / Colombia, Argentina, Netherlands, Germany, Sweden, Uruguay (Director: Alejandro Landes, Screenwriters: Alejandro Landes, Alexis Dos Santos, Producers: Alejandro Landes, Fernando Epstein, Santiago Zapata, Cristina Landes) — On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow. Cast: Julianne Nicholson, Moisés Arias, Sofia Buenaventura, Deiby Rueda, Karen Quintero, Laura Castrillón.

A World Cinema Dramatic Special Jury Award for Acting was presented by Charles Gillbert to: Krystyna Janda, for Dolce Fine Giornata / Poland (Director: Jacek Borcuch, Screenwriters: Jacek Borcuch, Szczepan Twardoch, Producer: Marta Habior) — In Tuscany, Maria’s stable family life begins to erode as her relationship with a young immigrant develops against a backdrop of terrorism and eroding democracy.

The NEXT Innovator Prize was presented by juror Laurie Anderson to: Alex Rivera and Cristina Ibarra, for The Infiltrators / U.S.A. (Directors: Alex Rivera, Cristina Ibarra, Screenwriters: Alex Rivera, Aldo Velasco, Producers: Cristina Ibarra, Alex Rivera, Darren Dean) — A rag-tag group of undocumented youth – Dreamers – deliberately get detained by Border Patrol in order to infiltrate a shadowy, for-profit detention center. Cast: Maynor Alvarado, Manuel Uriza, Chelsea Rendon, Juan Gabriel Pareja, Vik Sahay. 

he following awards were presented at separate ceremonies at the Festival:

SHORT FILM AWARDS:
Jury prizes and honorable mentions in short filmmaking were presented at a ceremony in Park City on January 29. The Short Film Grand Jury Prize was awarded to: Aziza / Syria, Lebanon (Director: Soudade Kaadan, Screenwriters: Soudade Kaadan, May Hayek). The Short Film Jury Award: U.S. Fiction was presented to: Green / U.S.A. (Director: Suzanne Andrews Correa, Screenwriters: Suzanne Andrews Correa, Mustafa Kaymak). The Short Film Jury Award: International Fiction was presented to: Dunya’s Day / Saudi Arabia, U.S.A. (Director and screenwriter: Raed Alsemari). The Short Film Jury Award: Nonfiction was presented to: Ghosts of Sugar Land / U.S.A. (Director: Bassam Tariq). The Short Film Jury Award: Animation was presented to: Reneepoptosis / U.S.A., Japan (Director and screenwriter: Renee Zhan). Two Special Jury Awards for Directing werepresented to:  FAST HORSE / Canada (Director and screenwriter: Alexandra Lazarowich) and The MINORS / U.S.A. (Director and screenwriter: Robert Machoian). The Short Film jurors were Young Jean Lee, Carter Smith and Sheila Vand. The Short Film program is presented by YouTube.

SUNDANCE INSTITUTE | ALFRED P. SLOAN FEATURE FILM PRIZE
The 2019 Alfred P. Sloan Feature Film Prize, presented to an outstanding feature film about science or technology, was presented to The Boy Who Harnessed the Wind. The filmmakers received a $20,000 cash award from Sundance Institute with support from the Alfred P. Sloan Foundation.

SUNDANCE INSTITUTE | AMAZON STUDIOS PRODUCERS AWARDS
Carly Hugo
and Matt Parker received the 2019 Sundance Institute | Amazon Studios Producers Awards for Feature Film. Lori Cheatle received the 2019 Sundance Institute | Amazon Studios Producers Award for Documentary Film. The award recognizes bold vision and a commitment to continuing work as a creative producer in the independent space, and grants money (via the Sundance Institute Feature Film Program and Documentary Film Program) to emerging producers of films at the Sundance Film Festival.

The Sundance Institute / NHK Award was presented to Planet Korsakov (Japan) / Taro Aoshima.
The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Sorry to Bother You, Won’t You Be My Neighbor?, Eighth Grade, Get Out, The Big Sick, Mudbound, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute®. The Festival is a program of the non-profit Sundance Institute®. 2019 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire, YouTube; Leadership Sponsors – Adobe, Amazon Studios, AT&T, DIRECTV, Dropbox, Netflix, Omnicom, Stella Artois; Sustaining Sponsors – Ancestry, Canada Goose, Canon, Dell, Francis Ford Coppola Winery, GEICO, High West Distillery, IMDbPro, Lyft, RIMOWA, Unity Technologies, University of Utah Health; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, The New York Times, VARIETY, The Wall Street Journal. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Sorry to Bother You, Eighth Grade, Won’t You Be My Neighbor?, Hereditary, RBG, Call Me By Your Name, Get Out, The Big Sick, Top of the Lake, Winter’s Bone, Dear White People, Brooklyn, Little Miss Sunshine, 20 Feet From Stardom, Beasts of the Southern Wild, Fruitvale Station, I’m Poppy, America to Me, Leimert Park, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home.

Screen Shot 2018-12-13 at 1.09.09 AM

(Source: Sundance Press Release

 

Advocate

Posted by Larry Gleeson

In the blistering new documentary premiering at the 2019 Sundance Film Festival, Advocate, Israeli attorney, Lea Tsemel defends Palestinians: from feminists to fundamentalists, from nonviolent demonstrators to armed militants. Politically and socially engaged filmmakers Rachel Lea Jones and Philippe Bellaïche assemble a comprehensive look into Tsemel’s life work beginning with Tsemel as a firebrand law student who, after the 1967 war, fearlessly distributes flyers on campus warning her fellow Israelis to end the occupation or risk a vicious cycle of violence. In Advocate, Tsemel speaks truth to power before the term became popular and for all intents and purposes will continue to do so for the foreseeable future. She’s spent a lifetime going against the grain of Israeli society, and is as much a product of it as she is an exception to it.

Utilizing archival footage, newsreels, still photographs and primary interviews panning twenty-five years, Jones and Bellaïche bring us into the present as they follows Tsemel’s caseload in real time, including the high-profile trial of a 13-year-old boy — her youngest client to date — while also revisiting her landmark cases and reflecting on the political significance of her work and the personal price one pays for taking on the role of “devil’s advocate.” One thing is still eminently clear – interrogators still infuriate her, prosecutors still madden her, judges still frustrate her, verdicts still disappoint her — and clients still break her heart.

Directing duo Rachel Leah Jones and Philippe Bellaïche have assumed the privileged position of a fly on the wall of Tsemel’s practice, where a year of documenting is like gathering a lifetime of evidence as the two push to bring to light and preserve a mush-needed model of advocacy that balances justice and the system responsible for its administration. This evidentiary mission is a powerful testament to not only the wrongs of occupation but also to the faults of those who try to resist it, the failings of those who try to defend them, and the fundamental flaws of a legal system that purports to serve justice but in fact serves the powers that be.

As a Jewish-Israeli lawyer who has represented political prisoners for five decades, Tsemel, in her tireless quest for justice, pushes the praxis of a human rights defender to its limits. As far as most Israelis are concerned, she defends the indefensible. As far as Palestinians are concerned, she’s more than an attorney, she’s an ally. to put it another way, she’s the little boy calling the Emperor naked, i.e. naming the system’s most fundamental fault – the occupier is judging the occupied – while at the same time she’s the boy with his finger in the dam, doing her utmost to uphold the rule-of-law before the flood of injustice drowns us all. Her rebellious spirit and radical zeal prompted one military court judge to say: “If Lea Tsemel didn’t exist, we’d have to invent her.”

Advocate is an extraordinary film, highly engaging and deeply moving. With a fast runtime of 110 minutes it is highly recommended and required viewing for any cinephile engaged in social justice. 

Marianne, Marianne, Marianne!

Posted by Larry Gleeson

Marianne & Leonard – Words of Love, the latest work from Brit documentary filmmaker, Nick Broomfield, is a beautiful yet tragic love story between Leonard Cohen and his Norwegian muse Marianne Ihlen. Broomfield delivers a well-organized and polished film with traditional documentary filmmaking techniques of utilizing voice-over-narration, still photographs with effects, archival footage and present day interviews. Furthermore, Broomfield manages to interview very interesting characters to say the least, all of whom sing the praises of Marianne and share some insightful observations on the semi-reclusive Cohen, most often associated with his best-selling work, Hallelujah that contains most of Cohen’s common themes of religion, politics, isolation, sexuality and romantic relationships. What emerges from Broomfield’s efforts is a well-researched and documented look into the deeply persoanal and spiritual relationship of Leonard Cohen and Marianne Ihlen.

Interestingly, Broomfield’s work Tales of the Grim Sleeper (2014), introduced film goers to the Black Lives Matter Movement before it became a national movement. Broomfield was also the last person to speak to Ailenne Wuornos as he was making his Ailenne: The Life and Death of a Serial Killer (2003), the central character in Monster. Charlize Theron portrayed Wuornos and received an Oscar for her performance. Other prominent and well-known works from Broomfield include Sarah Palin: You Betcha! (2011), Battle for Haditha (2007), Kurt and Courtney (1998) Heidi Fleiss: Hollywood Madam (1995) and Soldier Girls (1981).

Broomfield begins Marianne & Leonard – Words of Love to when and where the love of Leonard Cohen and Marianne Islen began – on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician. It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Nick to make his first film and was an enormous influence on him.

Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way, Broomfield brings to light the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Cohen’s career, and the inspirational power that Marianne possessed. Marianne and Leonard died three months apart.

With Marianne & Leonard, Broomfield continues his already strong body of work with a more personal touch.

broomfield
Documentary Filmmaker, Nick Broomfield addresses the audience during a Q & A following the screening of his latest work, Leonard and Marianne: Words of Love at the 2019 Sundance Film Festival on January 27th, 2019 inside the MARC Theatre in Park City, Utah. (Photo credit: Larry Gleeson/HollywoodGlee)

 

In the Q & A following the film’s screening, Broomfield credits Marianne’s nurturing soul and gentle encouragement as the catalyst behind his advent into documentary filmmaking. Seemingly, Leonard and Marianne touched something deeply personal inside Broomfield. Following the Q & A I personally thanked Mr. Broomfield for his work and quickly inquired what his next project would be. Broomfield cooly replied he was doing something even more personal – a project about his father. Stay tuned as Broomfield is at the top of his game and I personally look forward to seeing more from this highly original and very authentic filmmaker. Warmly recommended.

 

David Crosby: Remember My Name

Posted by Larry Gleeson

David Crosby: Remember My Name, a revealing and deeply personal documentary produced by Cameron Crowe (Fast Times at Ridgemont High, Say Anything…, Jerry Maguire, Almost Famous, and Tom Petty’s Heartbreakers Beach Party)
and from first-time documentarian A.J. Eaton, explores the life and creative renaissance of music icon David Crosby while giving Crosby a platform to make amends to all his legendary band mates from Roger McGuinn of the Byrds to Graham Nash of Crosby, Still and Nash. Both bands are in the Rock ‘n Roll Hall of Fame. Crosby claims he is entitled to a third induction with the Supergroup of Crosby, Stills, Nash and Young and who knows he may be right. He might even gain a forth induction for just the David Crosby Band.

Either way,  A.J. Eaton had his work cut out for him. Crosby is a highly intelligent, enigmatic character and has been a cultural force for over fifty years. Crosby faced uncertain future after the 2015 dissolution of Crosby, Stills and Nash following their uninspired and disastrous performance at the White House Christmas Tree lighting.

Racked with health issues and personal obstacles, Crosby has managed to forge a new path at the age of 76. Seeking out younger musicians and recording a pair of critically-praised new albums, Crosby has now set out to make a mark in a world now so different from the generation he came to define in the 60’s. With unflinching honesty, self-examination, regret, fear, exuberance and an unshakable belief in family and the transformative nature of music, Crosby shares his remarkable journey with humor and bite.

While known for his musical contributions, Crosby was also a leading humanist in the early days of the Los Angeles music scene even though Eaton mostly skips over this particular aspect of Crosby during this time. To his credit, Eaton reveals Crosby’s humanism with the incriminating photograph of National Guard weapons being fired at Kent State. Eaton does include some iconic footage from the Byrds and CSN. Notably, Crosby’s outspoken commentary at the Monterey Pop Festival. That’s what makes Crosby, well, Crosby. Interspersed with the archival footage from concerts and television shows are still photographs from Crosby’s early home life with some voice-over narration that captures endearing love for his mother and enduring love of women, especially his wife, Jan. And. there’s the music. Artfully selected compositions underscore the magic of David Crosby’s musicianship.

Interestingly, Eaton uses a non-linear approach with startling effect that provides a powerful clarity to Crosby’s psyche. The film starts with an extreme close-up of Crosby talking, the opening credit roll and the film takes off with David’s imitation of his first encounter with legendary jazz-man John Coltrane. From here, the film became an exciting roller coaster ride, as I didn’t know what was around the next corner. Utilizing band interviews from 2000, 2012, 2015 and a recent excursion through the Hollywood Hills and down the infamous Sunset Boulevard, I sat mesmerized when the ride came back into the station. This iconic figure had just, not only bared his ass, but had bared his soul – and what a sight it was to behold. Highly recommended!

 

 

The Infiltrators take on Broward Transitional Center!

Posted by Larry Gleeson

The Infiltrators, screening in the Next category of films presented by Adobe at the 2019 Sundance Film Festival, based on true events inside an Obama-era immigration detention system is a flaccid hybrid of scripted narrative and documentary form directed by Alex Rivera and Christina Ibarra. Rivera and Ibarra follow the plight of Claudio Rojas, a detainee arrested by ICE officials outside his Florida home. Next films are defined as “Pure bold works distinguished by an innovative, forward-thinking approach to storytelling….Digital technology paired with unfettered creativity promises…a greater next wave in American cinema.

The film opens with some negative CGI imagery setting the tone of for what I anticipated would be an expose’. After the introduction, The Infiltrators goes into unchartered territory with an overwhelming amount of re-enactments utilizing sparse amounts of traditional documentary techniques of voice-over narration, archival news footage and direct interviews.

After Rojas, played convincingly by Manuel Uriza, is transferred to the Broward Transitional Center, a detention facility used as a holding space for imminent deportations, his family contacts the National Immigrant Youth Alliance (NIYA), a group of activist Dreamers known for stopping deportations. Believing that no one is free as long as one is in detention, NIYA enlists Marco Saavedra, portrayed by Maynor Alvarado, to self-deport with the hopes of gaining access to the detention center and impeding Rojas’s deportation. Once inside, the character of Marco begins subverting the deportation process with one impeded deportation of Ismael, represented by actor Oscar Perez, and comes to realize this complex, for-profit institution housing hundreds of multinational immigrants, is in essence, a minimum security prison.

In what starts out as a believable situation, the film diverts into moments of questionable authenticity. A few minuscule interviews with the real characters help a little, but to put unspeaking, laughing, real-life character, Samuel Soto, in front of the camera as he is about to be deported mocks a judicial systems based in lawful codes and brings to mind colorful comedy of Hispanics taken by ICE officials from their homes while eating dinner calling back over their shoulder, “Keep my plate warm, I’ll be right back.” In addition, the real subjects have such a small amount of screen time, I was left with a feeling that something was amiss. And it was never more evident than when Rojas arrived at an ICE office for his annual review after “a year of close observation.”

Ibarra (in her Sundance debut) and Rivera (SLEEP DEALER, 2008 Sundance Film Festival) are husband and wife and it’s pretty obvious their work is a passionate affair. The Infiltrators has it’s moments with stunning drone shots of the Broward Transitional Center, in elevating the status of their Dreamer activists, and paying homage to The Last Castle, starring Sundance Institute Founder, Robert Redford. Yet, in the end, the plight of the undocumented goes on unfinished and The Infiltrators doesn’t delve into the millions of dollars detention facilities generate with any substance or depth. It does show power when an inspired group of like-minded individuals  come together with a plan – not withstanding a dubious amount of “creative non-fiction” reenactment (scripted narrative). Warmly recommended.