Category Archives: Santa Barbara International Film Festival

FILM REVIEW: Gutterbee (Ulrich Thomsen, 2019), Denmark

Posted by Larry Gleeson

First film I see for the 35th Santa Barbara International Film Festival (SBIFF) sponsored by UGG, packs an unexpected, invisible wallop to the sensibilities. Making its US Premiere at SBIFF following its World Premiere at the São Paulo International Film GutterbeeFestival, Gutterbee, a character-driven, “social satire about the nexus of identity fear, where religion becomes an intellectual cul-de-sac, and racism, homophobia and intolerance reign supreme,”  provides, at a minimum, a snapshot of what life in small town, rural America looks like from an international perspective. It also reveals a solution on how to forge an elevated pathway into a better, more inclusive existence without forgetting who we are and where we came from.

Writer/director/producer Ulrich Thomsen encases his deeply felt messaging inside two dreamers who set out to open the “ultimate German Sausage restaurant: The Gourmet House of Refuge.” Anthony Starr (The Boys) portrays Mike Dankworth McCoid, a good-hearted bloke who has just been granted a prison release, while Ewen Bremner (Trainspotting) portrays Edward Hofler, a German sausage zealot. The two complement and play off one another as well as American film comedy duo, Dean Martin and Jerry Lewis.

Gutterbee opens with a simple black and white title frame coupled with non-diegetic, Western music. With noir-style composition, Thomsen immediately begins exposing the dark aspects of rural life and culture spouting throughout the Americana landscape with a voice-over narrative of the town sheriff, played by Chance Kelly. Deftly, he reveals current topics of discussion including gender conversion therapy, greed disguised in the form of wealth gospel preachers, racism, xenophobia, bestiality, superstitions, and bullying, and how these behaviors continue to thrive.

Gutterbee is, by choice, not a major film studio production. It is a filmmaker’s truth. Thomsen derived the material and created his art from his experience including many years working in the United States, his monitoring of presidential tweets, and historical trivia on the art of sausage-making. Nevertheless, it is a professionally orchestrated production.

Oscar-winner Anthony Dod Mantle’s cinematography [Best Achievement in Cinematography Slumdog Millionaire (2008)] is stellar. The cast is strong with authentic performances from W. Earl Brown (Preacher, Deadwood: The Movie), Pia Mechler, Joshua Harto, Clark Middleton, and Gareth Williams. Scott Christopher Clark’s art direction, via the mise-en-scene, keeps the viewer wary and engaged. The costuming, designed by Suzanne Barnes, is spot on. And, the music from George Kallis, Breakthrough Composer of the Year 2018, International Film Music Critics Award, captivates.

In addition to the very noirish low key lighting and dramatic use of shadows, Gutterbee employs high key lighting, augmenting a plethora of comedic relief juxtaposed against the garishness of the depicted rural culture. Savvy writing allows for a natural and rhythmic flow adroitly addressing social concerns. The editing from Soren B Ebbe is expertly carried out and the use of jump cuts, a verified comedic device, is nicely woven into the film’s fabric.

Thomsen’s artistic snapshot of Americana in Gutterbee left me dumbfounded. In a brilliantly executed film, a message of hope is revealed amidst the human condition of rural Americans. Important to note, the majority of rural dwellers in the United States are of Germanic descent. Having grown up in a German-American community, I appreciated the inclusion of Germanic cultural artifacts including, but not limited to, lederhosen and the St. Pauli Girl-style costuming. Seemingly, the hope for the future of America lies within their rich, cultural hands. Ask, or in the case of Gutterbee, knock, and it shall be opened. Highly recommended film and wildly entertaining!

 

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CYNTHIA ERIVO, TARON EGERTON, AND ALDIS HODGE SHOW OFF VOCALS SINGING FAVORITE KARAOKE SONGS AT THE 35TH ANNUAL SANTA BARBARA INTERNATIONAL FILM FESTIVAL

Posted by Larry Gleeson

VIRTUOSOS AWARD PRESENTED TO ALDIS HODGE, AWKWAFINA, BEANIE FELDSTEIN, CYNTHIA ERIVO, TARON EGERTON, FLORENCE PUGH, AND TAYLOR RUSSELL AT THE 35TH ANNUAL SANTA BARBARA INTERNATIONAL FILM FESTIVAL

SANTA BARBARA, Calif. (January 19, 2020) – Day 4 of the 35th Annual Santa Barbara International Film Festival presented by UGG concluded with a star-studded evening with the presentation of the Virtuosos Award, which recognizes a select group of talent whose noteworthy performances in film have elevated them into the national cinematic dialogue.

This year’s honorees included: Awkwafina (The Farewell), Taron Egerton (Rocketman), Cynthia Erivo (Harriet), Beanie Feldstein (Booksmart), Aldis Hodge (Clemency), George MacKay (1917), Florence Pugh (Midsommar), and Taylor Russell (Waves).

The tribute, held at the historic Arlington Theatre in Santa Barbara, was moderated for the tenth year by Turner Classic Movies host and IMDb special correspondent Dave Karger, who engaged in one-on-one discussions with each of the night’s honorees to take a look back at their flourishing career and recent noteworthy performances.

The one-on-one discussions were followed by a group panel discussion, also moderated by Karger. Following the conclusion of the panel discussion, Santa Barbara local and legendary actor Christopher Lloyd presented each honoree with their award.

Highlights from the evening include:

Aldis Hodge on working with Alfre Woodard in the film Clemency: “As an actor and an artist, I always seem to put myself around teachers. I love to get around education and an environment that’s going to help elevate and grow me. Being around someone as masterful as miss Woodard – that’s exactly what you’re going to get. She’s a fantastic actress, a fantastic scene partner, a fantastic leader. So for me, it really was a privileged education.

Awkwafina on using her real name, Nora Lum, for her on-screen credit in the future: “I think in the beginning, Awkwafina really was someone to kind of like take the stage fright and the nervousness and the neuroses and the overthinking. But I think more and more as I grew up, I realize they are the same person. And when I see the name Awkwafina on like a chair back or a call sheet, it’s the name I chose for myself. That means something to the 15-year-old girl that was like ‘it’s a great idea to name yourself Awkwafina. Which years later – regrettable – but it’s fine. It’s an homage to that, and I don’t think I’m ready to lose it yet.”

Beanie Feldstein on young girls admiring her for her role in Booksmart: “Sometimes I’ll just see two young girls come walk up to me and I just put my arms out, and it’s so fun and it’s so lovely. It’s just a joy. We made this movie for everyone, but it’s a testament and celebration of young women, and we just wanted to do this generation proud because they’re so engaged with the world in a way that even…I was at that age. But I feel like young people today are invested in their society at such a young age and it’s so inspiring and we really wanted to celebrate that in Booksmart.”

Cynthia Erivo on getting emotional during the Sesame Street tribute at the Kennedy Center Honors: “I think there’s something so endearing about the stories that Sesame Street would tell. It included everybody. No one was excluded from something like Sesame Street. So when I was watching the montage of the things that went by, it just made me feel like a kid again. I felt like these people really wanted to include all the children in the world. No one was different, no one was apart.”

Florence Pugh on her performance as Amy March in Little Women: “[Greta] wanted Amy to be more than just the girl that burned the book and ended up with the guy, and she was excited to maybe let people see themselves in Amy…When we made it, it felt great and lovely. Through Amy in this version, the audience finally gets to see how rough and how tough it was for women, and how clever she was for her to choose the life that she had.”

George MacKay on working on the film 1917: “It’s like a play and a film together, and that process of being involved right from the beginning…we had to choreograph the entire film. We had to suss out the emotional rhythm and the pace of the entire piece because it dictated the actual length of the set.”

Taron Egerton on winning a Golden Globe for Rocketman: “You know, I’m from a really rural part of the UK. I’m from the middle of Wales, and the Golden Globes feels like something that happens to other people. So to be there, to be nominated was incredible…to win was just really wonderful.”

Taylor Russell on how her personal experience translated to her role in Waves: “There’s a lot in my life that I think prepared me for this role. I have two brothers, and that connection is really important to me…I know what it feels like to love somebody and not like them. I knew what a relationship was like with a brother, so I had that and felt that with Kelvin right away.”

 

The final portion of the program was a true crowd-pleaser as Karger brought out all eight honorees for a panel discussion. The audience got a special treat when Karger asked what each person’s go-to karaoke song is, which then escalated to the honorees breaking out into song on stage.

Provoked by Erivo, Hodge sang a few lines of his favorite karaoke song, “Gold Digger” by Jamie Foxx ft. Kanye West. He then prompted Erivo to sing her song, “We Don’t Need Another Hero” by Tina Turner. While Erivo was belting out a few bars from the song, Feldstein pretended to faint in her chair as the audience cheered for more. Egerton also volunteered to sing part of his favorite karaoke song, “Faith” by George Michael.

Other topics of discussion included favorite movies of all time, dream roles and the films that surprised them the most this year.

Following the panel discussion, actor Christopher Lloyd presented each honoree with their award. The evening concluded as the talented group of actors laughed and mingled in a VIP afterparty.

Last year’s recipients of the Virtuosos Award were Yalitza Aparicio, Sam Elliott, Elsie Fisher, Claire Foy, Richard E. Grant, Thomasin McKenzie, John David Washington, and Steven Yeun.

The 35th Annual Santa Barbara International Film Festival runs from January 15-25, 2020. For more information, and to purchase tickets, festival passes and packages, please visit www.sbiff.org.

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization. Over the past 34 years, SBIFF has become one of the leading film festivals in the United States – attracting 95,000 attendees and offering 11 days of 200+ films, tributes and panels, fulfilling their mission to engage, enrich, and inspire people through the power of film. We celebrate the art of cinema and provide impactful educational experiences for our local, national and global communities.

SBIFF continues its commitment to education and the community throughout many free educational programs and events. In June 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day. In May 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.

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(Source materials provided by sbiff.org)

ADAM DRIVER ACCEPTS OUTSTANDING PERFORMERS OF THE YEAR AWARD AT THE 35TH ANNUAL SANTA BARBARA INTERNATIONAL FILM FESTIVAL

Posted by Larry Gleeson

SANTA BARBARA, Calif. (January 18, 2020) – Day 3 of the 35th Annual Santa Barbara International Film Festival presented by UGG featured a heartening tribute to 2020 Oscar nominated actor Adam Driver, who received the Outstanding Performers of the Year Award presented by Belvedere Vodka. Driver was recognized for his critically acclaimed work in Noah Baumbach’s Marriage Story.

As he arrived to the tribute, the actor was greeted by SBIFF Executive Director Roger Durling, who later presented him with the award. After taking a few questions from young aspiring student journalists on the red carpet, Driver sat down with IndieWire’s Anne Thompson for an insightful conversation and look back at his varied career and beginnings as a U.S. Marine.

Some of the highlights from the conversation included:

  • On shooting the dramatic “fight scene” in Marriage Story with Scarlett Johansson: ”We were supported by a very clear backbone of what we were doing. It was very carefully choreographed. We worked on it very similar to a play…because it was so well-written, blocking came really fast…When we were shooting it, it didn’t feel very dissimilar to what it’s like when you shoot a love scene with everyone naked. Our boom operator is holding the mic, but he’s kind of looking away. There’s such focus given to what we’re doing, and there’s not a lot of conversation in between…there’s two people trying to be as naked as possible.”
  • On working with Noah Baumbach: “It was on our first day of working together we clicked right away…His scripts are very to the letter and feel very much like theatre to me, which I found immediately comforting. I like that he just sets different boundaries than other directors. The lines are the lines. Don’t change them. And how you interpret them is up for grabs.”
  • On his character Charlie’s connection to his ballad of “Being Alive”: “It’s a song that he knows very well. By heart…he’s seen the YouTube clips and probably has the soundtrack. Maybe he even directed a production of it in high school. He knows it implicitly…for the first time he starts to process not the loss of love but love transitioning into something else.”
  • On how being in the military prepared him for acting: “It’s the best acting training…the structure is exactly the same. I mean, the end result is much different, and in one you’re pretending the stakes are life and death, in the other they actually are.”

Just before Driver’s conversation with Thompson, the audience was treated to a montage of Driver’s varied career, including clips from films like Inside Llewyn Davis, Francis Ha, BlacKkKlansman and Star Wars. 

Following Driver’s conversation with Thompson, Durling took the stage to present him with the Outstanding Performers of the Year Award, saying: Adam Driver, in my humble opinion, your acting as Charlie is the best performance by a male in 2019 by far. You bare your soul in this film. You do not rely on makeup. You don’t rely on wardrobe, nor dramatic weight changes. Instead, you wear your emotions on your skin and dig deep.”

Upon accepting his award with a standing ovation from the audience, Driver said: “Acting to me is many things. You know, it’s a craft. It’s a political act. Unfortunately, it’s a business, and it’s a service. I think that acting is a service industry. I’m there in service of the director, the actors and the crew, and the story overall, which is more important. I very much believe in that. I believe in the potential effect of great collaboration. I think movies and films and art can lead people out of the dark.”

Following the tribute, Driver and Thompson headed just outside the theatre for a VIP after party presented by Belvedere, where guests mingled over specialty cocktails, struck a pose in a gif-able photo booth and gathered around warm cozy lounge areas amid the chilly Santa Barbara weather.

The Outstanding Performers of the Year Award recognizes select individuals who have distinguished themselves with exceptional performances in film this past year. Past recipients of the award include Rami Malek, Margot Robbie and Allison Janney, Ryan Gosling and Emma Stone, Brie Larson and Saoirse Ronan, Steve Carell, Cate Blanchett, Jennifer Lawrence, Viola Davis, James Franco, Colin Firth, Penelope Cruz, Angelina Jolie, Helen Mirren, Heath Ledger, Kate Winslet and Charlize Theron.

The 35th Annual Santa Barbara International Film Festival runs from January 15-25, 2020. For more information, and to purchase tickets, festival passes and packages, please visit www.sbiff.org.

 

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization. Over the past 34 years, SBIFF has become one of the leading film festivals in the United States – attracting 95,000 attendees and offering 11 days of 200+ films, tributes and panels, fulfilling their mission to engage, enrich, and inspire people through the power of film. We celebrate the art of cinema and provide impactful educational experiences for our local, national and global communities.

SBIFF continues its commitment to education and the community throughout many free educational programs and events. In June 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day. In May 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.

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(Source: Press release courtesy of sbiff)

 

The Marijuana Conspiracy

Posted by Larry Gleeson

Never a dull moment during the 35th Santa Barbara International Film Festival’s (SBIFF) red carpet events. Adam Driver and Scarlett Johansson were slated to receive the Outstanding Performers of the Year which “recognizes select individuals who have distinguished themselves with exceptional performances in film this past year.” Yet, for the first time in the history of SBIFF, a no-show occurred. Late reports have Ms. Johansson under the weather.

Thank heavens for the talented and vivacious cast and the collaborative writer/director of The Marijuana Conspiracy, based on “Project Venus,” a government-funded research project to study the effects of marijuana on females.

The passion and zeal The Marijuana Conspiracy group emanated in our short conversation leads me to believe The Marijuana Conspiracy is a highly potent project. The story line about a group of women held in isolation for ninety-eight days during the winter of 1972 in Toronto, Canada, with a team of doctors noting the physical and social effects of marijuana on the females resonates.

So without further adieu, check out our talk, catch a screening, and experience the positivity of The Marijuana Conspiracy. You’ll be glad you did!

See below for more details on the film.

 

(From SBIFF.org) In 1972, a group of young women took part in an outlandish scientific study to measure the effects of marijuana on women. It began as fun, like a hippie camp: get paid to smoke weed and make some easy cash. The young women thrived and excelled at their given tasks despite their “toke times,” so scientists gave the girls ever-increasing THC levels to smoke. The girls eventually become zombified and felt like lab rats under constant observation and prodding. Yet, they endured, with no one to care for them and no laws to protect them. The girls used their unique strengths, resilience, and friendship to overcome this extreme adversity. This film tells their story.

Directed by Craig Pryce
Produced by Colin Brunton, Jennifer Haufler, Katarzyna Kochany, Craig Pryce, Mark Pancer
Written by Craig Pryce
Starring Brittany Bristow, Morgan Kohan, Julia Sarah Stone, Tymika Tafari, Kyla Young
Independent Competition Sponsored by Panavision
Country: Canada
123 minutes
US Premiere

The Marijuana Conspiracy is screening tomorrow at 4:20PM, at the Fiesta Theatre, Auditorium #4, and,

January 19th, at 5:20PM, at the Metro Theatre, Auditorium #2

For more information on screenings visit SBIFF.org.

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Lost Transmissions

Posted by Larry Gleeson

Sometimes it pays to be in the right place at the right time. More red carpet coverage from the 35th Santa Barbara International Film Festival (SBIFF). Katharine O’Brien’s Lost Transmissions, a powerful human interest story starring Alexandra Daddario, is sure to pique the sensibilities. Check out the conversation and, more importantly, check out Lost Transmissions. See below for details.

 

 

(FROM SBIFF.org) Hannah, a shy songwriter, discovers that her friend, respected record producer Theo Ross, has lapsed on his medication for schizophrenia. Hannah rallies a group of friends to help commit Theo to a psychiatric facility, chasing him as he outruns his colorful delusions through the glamour and grit of Los Angeles. From the highs of rock ‘n’ roll to rock bottom, it’s a story of the unsung heroes behind the hits.

Directed by Katharine O’Brien
Produced by Filip Jan Rymsza, Tory Lenosky
Written by Katharine O’Brien
Starring Simon Pegg, Juno Temple, Alexandra Daddario
Cinesonic Sidebar
Country: USA
105 minutes

Last Lost Transmissions screenings of the festival!

Tomorrow, 6PM, Metro Theatre, Auditorium 4

January 19th, 2:20PM, Metro Theatre, Auditorium 2

For more screening information visit: SBIFF.org

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Gutterbee

Posted by Larry Gleeson

While covering the red carpet last night for the 35th Santa Barbara International Film Festival (SBIFF) American Riviera Award honoring Renee Zellwegger for her significant contributions to the art of motion pictures, I managed to catch a team of Danes in town with their satirical dramedy, Gutterbee. After witnessing last year’s SBIFF Audience Award winner and Nordic Cinema prize winner, another Danish offering, In Love and War, and after chatting up the Gutterbee team, I am quite optimistic, about this viewing. Make no mistake, the Danes are a force to be reckoned. Check out the conversation with Writer/Director Ulrich Thomsen and three of the film’s stars. And,  make sure to get to a screening of Gutterbee! See below for details.

(From SBIFF.org) GUTTERBEE is a character-driven comedy about friendship and sausage–the German sausage, that is. Set in small-town America, it’s a story about two men who are hopeless dreamers and who join forces in a quest to erect the ultimate German sausage restaurant: the Gourmet House of Refuge. GUTTERBEE is also a social satire about the nexus of fear, where religion becomes an intellectual cul-de-sac, and racism, homophobia, and intolerance reign supreme.

Directed by Ulrich Thomsen
Produced by Ulrich Thomsen
Written by Ulrich Thomsen
Starring Antony Starr, Ewen Bremner, W. Earl Brown, Joshua Harto, Clark Middleton, Chance Kelly, Gareth Williams. Pia Mechler
Independent Competition / Screen Cuisine Sidebar
Country: Denmark
107 minutes
US Premiere

Screening tomorrow, January 18th, 12PM, Metro Theatre, Auditorium #4, and

January 20th, 8:20PM, Metro Theatre, Auditorium #2.

Visit SBIFF.org for more screening information

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OVERLAND and the Art of Falconry

Posted by Larry Gleeson

I had the distinct pleasure of meeting film director, Elisabeth Haviland James on the red carpet last night at the 35th Santa Barbara International Film Festival. Check out the short conversation. It’s intense and informative. Don’t be afraid!

 

 

(FROM SBIFF) How can we connect to our natural, primal spirit when modern society threatens to erase it?

OVERLAND is a stunning cinematic journey across four continents that twists and turns like nature itself – bridging ancient to modern, east to west, and earth to sky. Lauren, a daredevil anthropologist, trains injured eagles to fly and hunt while scouring the world for falconry secrets. A confused eagle whose tragic past seems beyond repair pushes her to the brink. Giovanni left Rome for a solitary life in the countryside with his wolves, horse, and hawks. After a transcendent experience with an 800-year-old falconry book, he begins to question his life’s purpose. In Dubai, Khalifa is training to be the world’s best falcon racer. For millennia, his nomadic ancestors hunted with falcons in the harsh Arabian desert. Now, with city life encroaching, he must find a way to keep his fragile Bedouin culture from vanishing forever.

For more screening information check out sbiff.org

Directed by Revere La Noue, Elisabeth Haviland James
Produced by Elisabeth Haviland James, Revere La Noue, Amy Tiemann, Michael Tiemann, Marilyn Jacobs Preyer, Christopher Behlau
Written by Elisabeth Haviland James, Revere La Noue
Starring Lauren McGough, Khalifa Bin Mujren, Giovanni Granati
Documentary Competition / Reel Nature Sidebar
Country: USA
105 minutes
World Premiere
Subtitled

Free public screening today, 2PM, at the Lobero!

Tomorrow, January 18th, 4PM, at the Fiesta Theatre, Auditorium #3, and

Sunday, January 19th, 8:30AM, at the Metro Theatre, Auditorium #4.

Until next time, I’ll see you at the festival!

 

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The 35th Santa Barbara International Film Festival Kicks Up Its Heels With A BUMP ALONG THE WAY

Posted by Larry Gleeson

The 35th Santa Barbara International Film Festival (SBIFF) is underway. An at-capacity Arlington Theatre audience ushered in the January 15-25 Phase Two Oscar Campaign film festival. In traditional fashion, The Mayor of Santa Barbara, Cathy Murillo (pictured above) made opening remarks and hinted of the magic about to unfold in the Opening Night film, A BUMP ALONG THE WAY, making its U.S. premiere at SBIFF. With her promise to sprinkle pixie dust into the air before introducing SBIFF Executive Director, Roger Durling.

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Santa Barbara International Film Festival Executive Director, Roger Durling, delivers Opening night remarks for the festival’s 35th edition on January 15th, 2020, at the historic Arlington Theatre in Santa Barbara, Calif. (Photo credit: Larry Gleeson)

Without further adieu, Durling entering from stage left strutted to center stage and delivered eloquent remarks on his love of cinema, its unabashed inclusiveness, sense of community, and educational properties of the festival today. SBIFF began in 1986 as an economic venture. One of the community-building moments under Durling’s direction is pausing his remarks so audience members can spend a moment introducing and bonding with a before-unknown cinephile friend. In addition, a strong thank you to the festival volunteers, the backbone of the in-festival mode of operations, and to the Manitou Fund for its generous support in equipping several viewing screens with the  OTOjOY hearing loop technology.

Seemingly, with the pixie dust taking effect, Durling expounded on a 1986 cinema experience with his close friend, socially incapacitated with facial lesions. From this moment and similar experiences, a revelation of cinema as a great equalizer full of wonder, curiosity, hope, and positive expectation unfolded. With that, a vivacious Irish woman (a bonafide Derry girl), Bronagh Gallagher, took stage alongside Durling to introduce the 35th Santa Barbara International Film Festival’s Opening night film, A BUMP ALONG THE WAY.

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Bronagh Gallagher, right, lead actress, of the 35th Santa Barbara International Film Festival’s Opening night film, A BUMP ALONG THE WAY, took stage alongside festival director, Roger Durling, on January 15th, 2020, at the historic Arlington Theatre in downtown Santa Babara, Calif. (Photo credit: Larry Gleeson).

 

 

Captivating the audience with her powerful presence and equally powerful Irish brogue voice, Gallagher informed the audience of the all-female film department heads involved in the film’s production. The audience responded with a resounding chorus of applause and rounds of laughter as the lead actress exuberantly expressed how proud she felt representing the women of Derry, Ireland, with the emotionally compelling film and that if she didn’t get a picture at of the full house she’d “never be allowed back into Derry.” With that, the lights went down and the 35th Santa Barbara Film Festival was underway.

Bump Along The Way
A BUMP ALONG THE WAY, a female-led, feel-good, comedy-drama set in Derry, Northern Ireland, about a middle-aged woman whose unexpected pregnancy after a one-night stand acts as the catalyst for her to finally take control of her life and become the role model her teenage daughter needs and craves, served as the Opening Night film for the 35th Santa barbara International Film Festival. (Photo courtesy of SBIFF)

Following the film, the Opening Night Gala was held in the beautiful outdoor Paseo Nuevo Shops and Restaurants in downtown Santa Barbara featuring entertainment, food, libations, while celebrating the start of the 35th SBIFF.

Sat tuned for more as the festival runs through January 25th!

While quantities are running low, some tickets and passes are still available HERE. Until next time, I’ll see you at the movies!

 

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MANITOU FUND TO EQUIPT HEARING LOOP SYSTEMS IN VENUES FOR 35TH #SBIFF

Posted by Larry Gleeson

Santa Barbara, CA: The Santa Barbara International Film Festival with the generous support of the Manitou Fund announced today that it has permanently equipped all four Metro 4 Theatres and two screens at Fiesta 5 Theatres with state of the art OTOjOY hearing loop technology, just in time for the 35th annual Film Festival.

All SBIFF auditoriums including The Lobero, Arlington and Riviera Theatres now proudly provide the hearing loop system. SBIFF values diversity and inclusion, and this project enriches access for the community permanently, providing a quality theatre-going experience for all.

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At the historic Arlington Theatre in downtown Santa Barbara, Calif., the Santa Barbara International Film Festival announced, with the generous support of the Manitou Fund, it  permanently equipped The Metro 4 and two Fiesta 5 screens with state of the art OTOjOY hearing loop technology, for the 35th annual Film Festival. (Photo credit: Larry Gleeson)

A hearing loop system is an assistive listening technology that sends audio wirelessly to a patron’s hearing aids or cochlear implant/s. The loop provides clean sound, minimizes background noise, and eliminates the need for a separate receiver or headset. It can be accessed by any number of users and by anyone with a compatible, telecoil-enabled hearing device.  When combined with a loop receiver, this technology can also assist people who do not wear a hearing device to improve the clarity of speech and sound. With the direct wireless connection, individuals with hearing loss don’t need to borrow or return equipment from the venue. Loops provide discreet communication access for people with hearing loss and greater inclusion in public events.

According to a recent Centers for Disease Control and Prevention study, approximately 23% of the U.S. population over the age of 12, more than 60 million people, have some degree of hearing loss.

“Part of our mission is to make the world of film and filmmaking accessible to everyone, so we are incredibly proud to partner with the Manitou Fund on this project,” says SBIFF Executive Director Roger Durling.

“Creating more hearing-friendly venues allows people with hearing loss to participate fully in the community. Every new hearing loop increases access for people with hearing loss and enhances our nation’s accessibility infrastructure,” says Barbara Kelley, Executive Director of Hearing Loss Association of America. “HLAA applauds the work of the Manitou Fund and the Santa Barbara International Film Festival to equip area theaters with looping systems.”

 “Accessing hearing assisting loop technology is a game-changer for not only the hard of hearing but for anyone who wishes to enjoy the best hearing experience possible in a looped venue,” shares Nora McNeely Hurley of the Manitou Fund. “Hearing loops have improved my quality of life profoundly and I hope that others will discover the exciting benefits of accessing Telecoil loop technology via personal hearing devices. Ask your audiologist and/or theater manager for ways by which you can get in the loop!”

Manitou Fund is dedicated to enriching the lives of people through financial support that enhances and sustains the beauty and importance of Nature, the Arts, Humanities, Health, and Education.

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 34 years, SBIFF has become one of the leading film festivals in the United States – attracting 95,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

SBIFF continues its commitment to education and the community throughout many free educational programs and events. In 2016, SBIFF acquired the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s state-of-the-art, fully accessible, year-round home and Santa Barbara’s year-round arthouse theater. In 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs.

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(Source: Press release from SBIFF’s Tyler Carr)

 

ADL Stand Up Award goes to the feature film Liberté: A Call to Spy at the 2020 Santa Barbara International Film Festival

Posted by Larry Gleeson

DATE: January 8, 2020 … ADL Santa Barbara/Tri-Counties announced today that it has awarded its ADL Stand Up Award at the 2020 Santa Barbara International Film Festival to the feature film Liberté: A Call to Spy.

Dan Meisel, ADL’s Regional Director issued the following statement:

The ADL Santa Barbara/Tri-Counties Region is pleased to present this year’s Santa Barbara International Film Festival ADL Stand Up Award to Liberté:  A Call to Spy, a dramatic portrayal of the true stories of the first women recruited and sent by the British military to occupied France with orders to disrupt the Nazi war machine.

The courageous heroism of soldiers risking their lives to counter the Nazis is not a new story.  It is new, at least for the big screen, that the heroes featured in Liberté are women, and it is certainly worth discussing why it has taken so long for their stories to be celebrated in this way.  What made these women truly remarkable, in addition to the challenges they had to overcome as “lady spies,” was the strength of their common conviction despite their varied identities and experiences.  The lead characters enter the frame in Liberté bound by how the world sees them — an American foreign servant with a disability, a Muslim pacifist of Indian heritage, and a Romanian Jew fearing deportation.  By the end of the story, their shared commitment to defend the human dignity of others supersedes any limiting labels, and their diversity proves critical to the success of their respective missions.

A jury of local ADL staff and supporters annually present the ADL Stand Up Award to a film in the festival that exemplifies the impact storytelling can have in fostering mutual understanding and respect, consistent with ADL’s mission “to secure justice and fair treatment for all.”  Given the recent and deeply troubling trend of rising hate and violence directed towards religious, racial, and ethnic minorities in the U.S. and around the world, ADL is proud to stand up with these filmmakers in highlighting the real-life heroism of standing up to fear-based aggression towards others solely on account of who they are.

Liberté: A Call to Spy is directed by Lydia Dean Pilcher, and stars Sarah Megan Thomas (“Equity”), who also wrote the screenplay and produced, Stana Katic (“Castle”), and Radhika Apte (“Andhadhun”).  More info about the film can be found on twitter @libertethemovie.

The festival’s U.S. premiere of Liberté will occur on January 16.  ADL is hosting a cocktail Soireé in honor of the Stand Up Award at 6:15pm in the Lobero Theater Courtyard, to be followed by the film’s premiere at 7:40pm in the Fiesta 5 Theater with a Q&A thereafter with Lydia Dean Pilcher and Sarah Megan Thomas.  Tickets to ADL’s Soireé (which include a confirmed seat at the 7:40pm screening) can only be purchased at support.ADL.org/STANDUP2020 or by calling 805-564-6670.  Limited general admission to the 7:40pm showing will be available for the festival pass or ticket holders.

The film is also screening at the Metro 2 Theater on Friday, January 17 at 2:20pm and Saturday, January 18 at 5:20pm for the festival pass or ticket holders.

This is the fifth year ADL has sponsored its Stand Up Award.  Previous winners explored the lives of a drag performer in Cuba (Viva, 2016), Polish migrant workers in Sweden (Strawberry Days, 2017), Syrian refugees seeking passage to Berlin (Sky and Ground, 2018), and a team of basketball players with disabilities (Campeones, 2019).\

This year’s Soireé is being sponsored in part by the Jewish Federation of Greater Santa Barbara.  For information about sponsorship opportunities, please contact ADL at 805-564-6670.

ADL, founded in 1913, is among the world’s leading organizations fighting bigotry, hatred, and discrimination.  Learn more at www.adl.org.  ADL’s Santa Barbara/Tri-Counties Office was established in 2001.  Follow it on twitter @ADLSantaBarbara.

(Source: SBIFF press release)