Category Archives: World Premiere

#AFIDOCS, #AFIFEST, Academy Awards, AFIDocs, American Film Institute, Arlington Theater, Documentary, Maltin Award, Opening Night, Oscar, outstanding performer of the year, Santa Barbara International Film Festival, SBIFF Virtuosos, Sundance, Sundance Film Festival, Tribute, World Premiere

2023 Santa Barbara International Film Festival Wrap

February 21, 2023 HollywoodGlee Leave a comment

Posted by Larry Gleeson

The 38th Santa Barbara International Film Festival (SBIFF) has closed after another successful run from February 8th to February 18th, 2023. In all, SBIFF showcased 52 world premiere films as well as 78 US premieres! Official events included screenings, filmmaker Q&As, industry panels, and celebrity tributes, held throughout the city, including at the historic Arlington Theatre.

The Opening Night Film, Wednesday, February 8, featured the WORLD Premiere of MIRANDA’S VICTIM, a biographical crime drama, directed by Michelle Danner and starring Abigail Breslin, Ryan Phillippe, Luke Wilson, Donald Sutherland, Mireille Enos and Andy Garcia.

Without missing a beat,the following evening SBIFF feted Angela Bassett, who incidentally is nominated for Best Supporting Oscar for this year’s performance in Marvel Studios’ BLACK PANTHER: WAKANDA FOREVER directed by Ryan Coogler from Disney Studios. Bassett received the festival’s Montecito Award. The Montecito Award is named after one of the most beautiful and stylish areas in Santa Barbara. Past recipients include Penélope Cruz, Amanda Seyfried, Lupita Nyong’o, Melissa McCarthy, Saoirse Ronan, Isabelle Huppert, Sylvester Stallone, Jennifer Aniston, Oprah Winfrey, Daniel Day-Lewis, Geoffrey Rush, Julianne Moore, Kate Winslet, Naomi Watts and Javier Bardem.

On Friday, February 10th, the SBIFF Filmmaker Seminars kicked off with a timely topic of Overcoming Adversity/Fight the Power: Documentary Activism at Work at 11:00 am at Tamsen Gallery at 911 1/2 State Street across from the Fiesta 5 Theatre. The new and improved free film format (daily) screened TÁR, directed by Todd Field and starring Cate Blanchett, at 2:00 pm at the Arlington Theatre. Blanchett’s performance in TAR has a strong chance of landing the actress her third Academy Award. Consequently, SBIFF honored Blanchett with its OUTSTANDING PERFORMER OF THE YEAR AWARD.

The morning of Saturday, February 11th, brought out the Writers Panel featuring The Daniels (Everything Everywhere All at Once), Todd Field (Tár), Kazuo Ishiguro (Living), Rian Johnson (Glass Onion: A Knives Out Mystery), Tony Kushner (The Fabelmans), Martin McDonagh (The Banshees of Inisherin), Ruben Östlund (Triangle of Sadness), Lesley Paterson (All Quiet on the Western Front), Sarah Polley (Women Talking).

The afternoon brought the Women’s Panel with Anne Alvergue – Director (The Martha Mitchell Effect), Ruth E. Carter – Costume Designer (Black Panther: Wakanda Forever), Hannah Minghella – Producer (The Boy, The Mole, The Fox and The Horse), Domee Shi – Director (Turning Red), Gwendolyn Yates Whittle – Sound Editor (Avatar: The Way of Water), Mary Zophres – Costume Designer (Babylon).

In the evening, SBIFF hosted the Maltin Modern Master Award honoring Jamie Lee Curtis. The Modern Master Award was established in 1995 and is the highest accolade presented by SBIFF. Created to honor an individual who has enriched our culture through accomplishments in the motion picture industry, it was re-named the Maltin Modern Master Award in 2015 in honor of long-time SBIFF moderator and renowned film critic Leonard Maltin. Past recipients include Nicole Kidman, Javier Bardem, Bill Murray, Brad Pitt, Glenn Close, Denzel Washington, Michael Keaton, Bruce Dern, Ben Affleck, Christopher Plummer, Christopher Nolan, James Cameron, Clint Eastwood, Cate Blanchett, Will Smith, George Clooney and Peter Jackson.

Sunday morning, February 12th, brought out the Producers Panel, 11:00am at the Arlington Theatre featuring Gail Berman (Elvis), Jerry Bruckheimer (Top Gun: Maverick), Todd Field (Tár), Dede Gardner (Women Talking), Malte Grunert (All Quiet on the Western Front), Erik Hemmendorff (Triangle of Sadness), Kristie Macosko Krieger (The Fabelmans), Jon Landau (Avatar: The Way of Water), Jonathan Wang (Everything Everywhere All at Once).

Sunday afternoon highlighted the International Directors Panel, 2:00pm at the Arlington Theatre with Colm Bairéad (The Quiet Girl), Edward Berger (All Quiet on the Western Front), Lukas Dhont (Close), Santiago Mitre (Argentina, 1985), Jerzy Skolimowski (Eo).

On Monday February 13th, the Filmmaker Seminar “Say it Loud: How Under-Represented Voices Get Heard,” featured Maureen Bharoocha, Director (The Prank) Alison Millar, Director (Lyra) Caylee So, Director (The Harvest) Victor Nunez, Director (Rachel Hendrix) Angie Wang, Juror (Director, MDMA (2017)).

The Daily Free Film featured David Crosby: Remember My Name – 2:00pm @ Arlington Theatre. The screening was followed by a Q&A with Director A.J. Eaton.

In the evening the Variety Artisans Award, took place at the Arlington Theatre, recognizing M. M. Keeravaani – Songwriter (RRR), Son Lux – Composer (Everything Everywhere All at Once), Catherine Martin – Costume Designer (Elvis), Florencia Martin – Production Designer (Babylon), Claudio Miranda – Cinematography (Top Gun: Maverick), Adrien Morot – Hairstyling/Make Up (The Whale), Paul Rogers – Editing (Everything Everywhere All at Once), Eric Saindon – VFX (Avatar: The Way of Water), Sound Team (All Quiet on the Western Front).

On Tuesday, Brendan Fraser was honored with the American Riviera Award and an in-person conversation about his career, leading up to this year’s performance as Charlie in the A24 film THE WHALE, a story from Darren Aranofsky, of a reclusive English teacher living with severe obesity who attempts to reconnect with his estranged teenage daughter for one last chance at redemption.

The American Riviera Award was established to recognize actors who have made a significant contribution to American Cinema. Previous recipients include Kristen Stewart, Delroy Lindo, Renée Zellweger, Viggo Mortenson, Sam Rockwell, Jeff Bridges, Michael Keaton, Rachel McAdams, Mark Ruffalo, Patricia Arquette, Ethan Hawke, Robert Redford, Quentin Tarantino, Martin Scorsese, Annette Bening, Sandra Bullock, Mickey Rourke, Tommy Lee Jones, Forrest Whitaker, Philip Seymour Hoffman, Kevin Bacon and Diane Lane.

Wednesday brought The Virtuosos, moderated by Deadline’s Dave Karger, and featured AUSTIN BUTLER (ELVIS), KERRY CONDON (THE BANSHEES OF INISHERIN), DANIELLE DEADWYLER (TILL), NINA HOSS (TÁR), STEPHANIE HSU (EVERYTHING EVERYWHERE ALL AT ONCE), JEREMY POPE (THE INSPECTION), KE HUY QUAN (EVERYTHING EVERYWHERE ALL AT ONCE), JEREMY STRONG (ARMAGEDDON TIME). The Virtuosos Award is an honor created to recognize a select group of talent whose noteworthy performances in film have elevated them into the national cinematic dialogue.

Thursday, Colin Farrell & Brendan Gleeson, received the Cinema Vanguard Award, presented by Director Martin McDonagh. The Cinema Vanguard Award recognizes actors who have forged their own path, taking artistic risks and making a significant and unique contribution to film.

Colin Farrell has had a distinguished career of nearly twenty-plus years in film and television. He can be seen in Warner Bros.’ The Batman for director Matt Reeves; in the MGM film Thirteen Lives for director Ron Howard; in the BBC / AMC drama “The North Water”; and After Yang which premiered at the 2021 Cannes Film Festival and also made its North American debut at the 2022 Sundance Film Festival. Farrell was most recently seen in Tim Burton’s 2019 live action film Dumbo and Fox’s 2018 ensemble feature Widows, directed by Steve McQueen and co-starring Viola Davis. In 2017, Farrell made his second film with Yorgos Lanthimos, The Killing of the Sacred Deer opposite Nicole Kidman for A24. The film premiered at the Cannes Film Festival along with Sofia Coppola’s The Beguiled in which he also starred with Nicole Kidman, Elle Fanning, and Kirsten Dunst. That same year, he appeared opposite Denzel Washington in the Sony film Roman Israel, Esq., written and directed by Dan Gilroy.

A former teacher, Dublin-born Brendan Gleeson left the profession to pursue a career in his first love – acting. He joined the Irish theater company Passion Machine and has since starred on the stage, in films, and on television, winning fans and awards worldwide. Other recent films include: The Coen Brothers’ The Ballad of Buster Scruggs for Netflix; Hampstead, opposite Diane Keaton; Paddington 2 also starring Hugh Grant, Sally Hawkins, and Julie Walters; Trespass Against Us opposite Michael Fassbender; Vincent Perez’s Alone in Berlin opposite Emma Thompson; Assassin’s Creed once again with Michael Fassbender; the Warner Bros. Ben Affleck Live By Night; Ron Howard’s In the Heart of the Sea; and Suffragette opposite Carey Mulligan and Meryl Streep, once again winning the BIFA Award for Best Supporting Actor.

The next evening, Martin McDonagh (The Banshees Of Inisherin) and Todd Field (Tár) were honored as the Best Directors of the Year. Scott Feinberg, Executive Editor of Awards at the Hollywood Reporter hosted the evening.

After a clip from The Banshees of Inisherin, director Martin McDonagh stated that although he started out with plays, McDonagh noted that he always would’ve preferred to do movies, as those were his great love. In fact, McDonagh never had a great fondness for theater, finding that plays could be somewhat dull. So, when he started writing plays, he tried to take them as far from dullness as he could, attempting to infuse as much cinematic character as possible. When McDonagh made the jump to film, his biggest fear was making films that could be seen as playlike, being overly wordy or limited in scope.

Field, on the other hand, talked about his original interest in music, after a clip from Tar, and how working at a movie theater caused him to fall in love with the medium. Even so, he originally intended to pursue music in school, though he followed a girl into theater. Field stated that he had the character of Lydia Tár running around his head for years.

After ten days, the 38th Santa Barbara International Film Festival came to a close with the U.S Premiere of “I LIKE MOVIES.”

In closing, while last year, SBIFF had its triumphant return to in-person screenings, panels, and events with 48 world premier and 95 U.S. premieres, this year’s SBIFF expanded its free screenings and its run back to its more recent fare of ten days of film with 52 world premieres and 78 U.S. premieres. In addition, with the American Film Institute’s Hollywood AFI FEST and AFI DOCS combining into a very truncated five days of film, SBIFF was able to attract pre-eminnent filmmakers such as Barbara Kopple (an AFI DOCS Board member). Furthermore, with the world famous Sundance Film Festival being laser-focused on first-time filmmakers (over 50% of its 2023 programming was devoted to first-time filmmakers), and underserved filmmakers, SBIFF was also able to attract film wizardry from Gabriela Cowperthwaite and her riveting geopolitical documentary, The Grab, featuring investigative reporter, Nathan Halverson of the non-profit, Center for Investigative Reporting.

SBIFF’s Programming Director Claudia Puig summed it up by saying, “This 38th edition of the Santa Barbara International Film Festival drew filmmakers from as far as Turkey, India, Israel, and Sierra Leone, half of whom were women. We were delighted with the enthusiastic reception to our diverse program of 200 films from 43 countries. Cinema is one of the most powerful vehicles for empathy, providing a window of understanding to all who seek to look through it. We thank the filmmakers in attendance and our avid Santa Barbara audience for so heartily embracing the festival experience. Several films prompted standing ovations and packed theaters, marking 2023 a full-throttled return to celebrating cinema from around the globe.”

An eclectic jury composed of Angie Wang, Antonio Marziale, Christina Birro, Elizabeth Marighetto, Gwen Deglise, Jean Oppenheimer, Jeff Arch, Lela Meadow Conner, Leslie Ekker, Margy Rochlin, Nicole Noren, Perry Lang, Robert Abele, Steven Raphael, Tim Cogshell, and Tim Matheson, deemed the following films award worthy:

Audience Choice Award sponsored by The Santa Barbara Independent: 26.2 TO LIFE Directed by Christine Yoo

Panavision Spirit Award for Independent Cinema: I LIKE MOVIES Directed by Chandler Levack

Jeffrey C. Barbakow Award – Best International Feature Film: A MAN (ARU OTOKO) Directed by Kei Ishikawa

Best Documentary Award: A BUNCH OF AMATEURS Directed by Kim Hopkins

Nueva Vision Award for Spain/Latin America Cinema: MANUELA Directed by Clara Cullen

Best Middle Eastern/Israeli Film Award: THE TASTE OF APPLES IS RED (TA’AM AL TUFAH, AHMAR) Directed by Ehab Tarabieh

Best Nordic Film Award: SUMMERLIGHT AND THEN COMES THE NIGHT (SUMARLJÓS OG SVO KEMUR NÓTTIN) Directed by Elfar Aðalsteins

Social Justice Award for Documentary Film: BLACK MAMBAS Directed by Lena Karbe

ADL Stand Up Award, sponsored by ADL Santa Barbara/Tri-Counties, the Skinner Social Impact Fund, and Steve & Cindy Lyons: THE QUIET GIRL (AN CAILÍN CIÚIN) Directed by Colm Bairéad

Best Documentary Short Film Award: NOWHERE TO GO BUT EVERYWHERE (行き止まりのむこう側) Directed by Masako Tsumura, Erik Shirai

Bruce Corwin Award – Best Live-Action Short Film: THE MOISTURE (RUTUBET) Directed by Turan Haste

*Now eligible for the 2024 Academy Awards

Bruce Corwin Award – Best Animated Short Film: EPICENTER (소문의 진원지) Directed by Heeyoon Hahm

*Now eligible for the 2024 Academy Awards

This years films (and Mike’s Field Trip to the Movies), in my opinion, were the crux of what makes the Santa Barbara Film Festival the massively successful community event that it is. Santa Barbara has historically been a Hollywood film premiere town hearkening back to the silent film era. And, Roger Durling, the Executive Director of the Santa Barbara International Film Festival for two decades now, has been able to tap into this zeitgeist over and over again while making the festival more accessible to Santa Barbarans and more inclusive to all ranks of filmmakers. Until next year, I’ll see you at the movies!

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 37 years, SBIFF has become one of the leading film festivals in the United States – attracting 100,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

SBIFF continues its commitment to education and the community throughout many free educational programs and events. In 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day. In 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.

Venice International Film Festival, World Premiere

Venice News: David Cronenberg to Receive Golden Lion for Lifetime Achievement

June 5, 2018 HollywoodGlee Leave a comment

Posted by Larry Gleeson

David Cronenberg will receive the Golden Lion for Lifetime Achievement for directors at the 75th Venice International Film Festival (August 29 – September 8, 2018).

Accepting the award, David Cronenberg declared: “I’ve always loved the Golden Lion of Venice. A lion that flies on golden wings –that’s the essence of art, isn’t it? The essence of cinema. It will be almost unbearably thrilling to receive a Golden Lion of my own.”

The decision was made by the Board of Directors of the Biennale di Venezia, chaired by Paolo Baratta, who espoused the proposal made by the Festival Director, Alberto Barbera.

With regard to this prize, Alberto Barbera declared: “Although Cronenberg was originally relegated to the margins of the horror genre, right from his first, scandalously subversive movies, the director has shown that he wants to take his audiences well beyond the cinema of exploitation, as he constructs an original and highly personal structure, movie after movie. Revolving around the inseparable relationship of body, sex, and death, his universe is populated by grotesque deformities and terrifying couplings, a horror which reflects the fear of mutations inflicted on bodies by science and technology, of disease and physical decay, of the unresolved conflict between spirit and flesh. Violence, sexual transgression, confusion between what is real and what is virtual, the image’s deforming role in contemporary society: these are a few of the recurring themes which have helped make him one of the most daring and stimulating filmmakers ever, a tireless innovator of forms and languages.”

(Source: labiennale.org)

#AFIDOCS, Documentary, Opening Night, World Premiere

The AFI DOCS Interview: Juliane Dressner, Director of Opening Night World Premiere PERSONAL STATEMENT

May 28, 2018 HollywoodGlee Leave a comment

Posted by Larry Gleeson

Karoline, Enoch and Christine are Brooklyn high school seniors who just want to go to college, but like so many public school students throughout the country, their schools don’t have enough college guidance support. Refusing to give up, they decide to work as college counselors in their schools, becoming the very resource they don’t have themselves. Inspirational and moving, heartwarming and heartbreaking, PERSONAL STATEMENT is a testament to the power of knowledge and the ability to lead with a dream.

PERSONAL STATEMENT opens AFI DOCS on Wednesday, June 13 at the Newseum. Get tickets here.

AFI spoke with filmmaker Juliane Dressner, in an interview below.

AFI:What led you to pursue documentary filmmaking?

JD: Before my film career, I worked as a consultant in the nonprofit sector, documenting best practices in social programs, including youth organizing. I was so inspired by the young people who were addressing problems in their communities that I decided to become a filmmaker so that others could see the power of their work.

AFI: What inspired you to tell this story?

JD: College access is one of the dominant civil rights issues of our time. People from low-income backgrounds are increasingly excluded from higher education. One reason why this disparity exists is because many low-income students don’t have access to enough college guidance support.

When I learned that young people were taking it upon themselves to close the college guidance gap in their schools, I realized this was an extraordinary opportunity to both understand the obstacles they face, and to draw attention to their inspirational determination to surmount them.

AFI: How did you find the subjects in your film?

JD: I reached out to the staff at CARA (College Access: Research & Action), the organization that trains students to work as college counselors in their schools, and they were open to collaborating on a film. They knew that seeing these young people bringing about change in their communities is the best way to understand just how effective they can be.

CARA invited me to the peer counselor training, and that is where I met Karoline, Christine and Enoch. They were three of the 70 inspirational young people I met that day who had decided to step up and fill the guidance gap in their schools by working as peer college counselors.

AFI: What was a particular obstacle you faced while making the film?

JD: When I showed up on the first day of the peer college counselor training with a camera crew, I had raised enough money to make a short video.

After meeting Karoline, Christine and Enoch, and understanding the enormous responsibility they were taking on, we realized that the best to way tell their stories was to follow them through their senior year and into college. This would mean shooting at their schools and homes at least weekly — and sometimes even more often. But I did not have the funds to pay for a crew to do that much filming. I considered delaying to raise money in order to film the next cohort of peer college counselors. But after meeting Karoline, Enoch and Christine, who were all interested in collaborating on a film, I felt compelled to continue. So I used what little money we had to purchase a camera.

I ended up doing much of the filming on my own. In some cases, and especially when capturing sound would be challenging with a one-person crew, Eddie Martinez and I would work as a two-person crew, with Eddie shooting. Even as I was filming, I was raising funds for the film. It was hard, but I think that the film benefited from having a small crew. Karoline, Christine and Enoch, as well as their families, classmates and teachers, became accustomed to us. As a result, we were able to capture pivotal and intimate moments.

AFI: What do you want audiences to walk away with after screening your film?

JD: Low-income teenagers want all that higher education promises: the possibility of prospering and moving beyond survival mode. They know that a college degree is their best bet. But many of them can’t get there, and as a result, income inequality persists.

One of the main barriers keeping low-income students out of college is the lack of college guidance in public schools. Many people don’t realize that most public schools don’t employ college counselors. Instead, guidance counselors are expected to provide help with the college process. But nationwide, the guidance counselor to student ratio is one to 490. And guidance counselors report that they can spend only 22% of their time on college guidance. The lack of college guidance support is especially troubling for students who don’t have someone at home who can help them with the college process.

I hope that audiences walk away from the film with a better awareness of the college guidance gap. The film sheds light on both the systemic barriers that keep so many young people from attaining a college degree, and the power that already exists within their communities to address problems of inequality. In the film we see that the very people who are affected by a problem are in fact the ones who are best situated to solve it.

AFI: Why is Washington, DC, a valuable location to screen your film?

JD: There is no better place for PERSONAL STATEMENT to premiere than Washington because the issues addressed in the film are national ones. We hope that the film will build support for systemic change throughout the U.S.

AFI: Why are documentary films important today?

JD: Documentary films are a powerful vehicle for transporting viewers to worlds they have never experienced. Watching PERSONAL STATEMENT, the audience comes to understand what it is like to navigate the daunting college process on a terribly uneven playing field. We see how challenging it can be for low-income students to become the first in their families to go to college. We hope the film will build support for the reforms that are needed to enable all young people to fulfill their potential.

(Source: blog.AFI.com)

#Berlinale, #BIFF, Berlin Film Festival, Documentary, World Premiere

World Premiere: DREAM BOAT documentary to screen at Berlin Film Festival

January 30, 2017 HollywoodGlee Leave a comment

Posted by Larry Gleeson

World Premiere of DREAM BOAT

by Tristan Ferland Milewski

Official Selection – Section Panorama Dokumente Berlinale 2017

A cruise ship and 3,000 men – it is a universe without heteros and women that usually remains a mystery to the outside world. Once a year the DREAM BOAT sets sail for a cruise exclusively for gay men where most passengers are united by the wish to live life authentically as themselves in a protected place: Dipankar from India escaped an arranged marriage and now throws himself into the action to find his dream man. But the gay community‘s ideal of masculinity increasingly becomes a tight corset for him. Ramzi from Palestine was persecuted by the police in his home country, Palestine, for being gay and had to start a new life in Europe with nothing. The Frenchman Philippe was let down by his family when he was bound to a wheelchair. The more important is his long-term relationship with his partner, and his gay substitute family. Martin from Austria enjoys the hedonism and abundant choice of men to the full and gives perspectives on how to deal with HIV today. Marek from Poland, has everything he needs to stand out on the men’s market, thanks to his trained body. However, he feels lonely in the crowd. Now the countdown is on for seven days of hunting for freedom, love, and happiness – but on board are also their personal stories, their doubts and uncertainties…

ABOUT THE DIRECTOR

Tristan Ferland Milewski has directed numerous documentary portraits about top pop acts like Madonna, among others and was responsible for the script and direction of the documentary series MAKE LOVE – ONE CAN LEARN HOW TO MAKE LOVE (nominated for the German Television Prize 2017). DREAM BOAT is his first feature-length documentary for theatrical release.

The film has been produced by the award winning production company gebrueder beetz filmproduktion (Sundance, IDFA, SXSW).

DREAM BOAT

Deutschland 2017

92 Min. / OmU

dream_boat_poster_berlin

(Source: Press release courtesy of Koelner Filmpresse)

#Berlinale, #BIFF, Berlin Film Festival, Berlinale Talents, Documentary, World Premiere

Glashütte Original Documentary Award Jury

January 27, 2017 HollywoodGlee 1 Comment

Posted by Larry Gleeson

For many years now, the Berlin International Film Festival has been committed to documentary film and diverse documentary forms. This was evident not only in the programmes of the different sections, initiatives and special series but also in the European Film Market (EFM).

screen-shot-2017-01-27-at-4-02-18-am

Thanks to the support of Glashütte Original, watch manufacturer from Saxony, the Berlin International Film Festival is launching a new award, the Glashütte Original Documentary Award.

The Glashütte Original Documentary Award is endowed with € 50,000, funded by Glashütte Original. The prize money will be split between the film’s director and producer. A total of 16 documentary entries from the current programmes of the Competition, Berlinale Special, Panorama, Forum, Generation and Perspektive Deutsches Kino sections are nominated for the Glashütte Original Documentary Award.

The prize will be presented during the official Award Ceremony in the Berlinale Palast on February 18. In addition to the prize money, Glashütte Original will also provide the trophy, which will be finely crafted in the company’s manufactory in Saxony.

A three-member jury will pick the winner:

Daniela Michel (Photo by Fabrizio Maltese)

Daniela Michel (Mexico)
Born in Mexico City, Daniela Michel is a film critic and founding director of the Morelia International Film Festival, an annual event launched in 2003 to support a new generation of Mexican filmmakers. After studying filmmaking she received a degree in English Literature. She has curated retrospectives of Mexican cinema in and outside Mexico. Michel has also served on the Jury for the “Un Certain Regard” and “La Semaine de la Critique” sections of the Cannes Film Festival, the Venice Film Festival, the Sundance Film Festival, the Locarno International Film Festival, the San Sebastian International Film Festival, the International Documentary Festival Amsterdam (IDFA), the Sarajevo Film Festival, among other festivals, as well as the Rockefeller Foundation’s Media Arts Fellowships and the Rolex Mentor and Protégé Arts Initiative.

Laura Poitras (USA)
Laura Poitras, who was born in the USA, first studied at the San Francisco Art Institute and then The New School in New York. Her work crosses the boundaries of documentary film, journalism, and art. In 2006 she began her 9/11 Trilogy with the film My Country, My Country, for which she received her first Oscar nomination. This was followed by The Oath (2010), which like My Country, My Country, was shown in the Berlinale’s Forum section. With CITIZENFOUR, the third part of her trilogy, Poitras won the Academy Award for Best Documentary in 2015. With this film about Edward Snowden, she also took home awards from the German Film Prize, the Director’s Guild of America, and BAFTA. Her reporting on NSA surveillance has appeared in Der Spiegel, The Guardian, and the Washington Post, and received a Pulitzer Prize and the Nannen Prize for Press Freedom. In 2016, she mounted her first solo museum exhibition at the Whitney Museum of American Art. She is co-creator of the visual journalism project, Field of Vision.

Samir (Photo courtesy of Dschoint Ventschr Filmproduktion)

Samir (Iraq / Switzerland)
Samir was born in Bagdad and moved with his family to Switzerland when he was seven years old. In the 1980s, after studying at Zurich University of the Arts (ZHdK) and training to be a typesetter, he began working as a cameraman, director, and screenwriter. Over the years he has made more than 40 short and full-length films. In 1994, he – and documentary filmmaker Werner Schweizer and producer Karin Koch – took over Dschoint Ventschr (spoken like Joint Venture) Filmproduktion, which concentrates on promoting young Swiss talents. Samir has directed both fiction and documentary films for the cinema and television – including Snow White (2005), which received multiple awards – as well as many stage productions. His documentary Iraqi Odyssey was screened in the Berlinale Panorama in 2015 and submitted by Switzerland for an Oscar for Best Foreign Language Film.

The following films are nominated for the Glashütte Original Documentary Award:

Competition (1)

Beuys – Germany
By Andres Veiel

Berlinale Special (1)

La libertad del diablo (Devil’s Freedom) – Mexico
By Everardo González

Panorama (5)

Belinda – France
By Marie Dumora

El Pacto de Adriana – Chile
By Lissette Orozco

Erase and Forget – United Kingdom
By Andrea Luka Zimmerman

Fünf Sterne (Five Stars) – Germany
By Annekatrin Hendel

Istiyad Ashbah (Ghost Hunting) – France / Palestine/ Switzerland / Qatar
By Raed Andoni

Forum (5)

For Ahkheem – USA
By Jeremy S. Levine and Landon Van Soest

Maman Colonelle (Mama Colonel) – Democratic Republic of Congo / France
By Dieudo Hamadi

El mar la mar – USA
By Joshua Bonnetta and J.P. Sniadecki

Mzis qalaqi (City of the Sun) – Georgia / USA / The Netherlands / Qatar
By Rati Oneli

Tigmi n Igren (House in the Fields) – Morocco / Qatar
By Tala Hadid

Generation (3)

Almost Heaven – United Kingdom
By Carol Salter

Shkola nomer 3 (School Number 3) – Ukraine / Germany
By Yelizaveta Smith, Georg Genoux

Soldado (Soldier) – Argentina
By Manuel Abramovich

Perspektive Deutsches Kino (1)

Eisenkopf (Ironhead) – Germany
By Tian Dong

All nominated films will celebrate their world premiere at the Berlinale 2017.

(Source: Berlinale Press Office)

#BIFF, Berlin Film Festival, World Premiere

Hedgehog’s Home to Premiere at Berlin International Film Festival

January 16, 2017 HollywoodGlee Leave a comment

Posted by Larry Gleeson

Hedgehog’s Home (Ježeva kuća), an animated film by Canadian-Croatian Eva Cvijanović based on a classic tale by Branko Ćopić, will have its world premiere at the 67th Berlin International Film Festival.

The film, which was part of the national curriculum for primary school literature in Croatia, has been included in the Generation Kplus competition programme at the famous festival, which will be held from 9 – 19 February 2017.

Hedgehog’s Home is about a hedgehog who lives in a lush and lively forest. He is respected and envied by the other animals. However, the hedgehog’s unwavering devotion to his home annoys a quartet of insatiable beasts. Together, they march off towards Hedgehog’s home and spark a tense and prickly standoff.

Cvijanović’s 10-minute animated film is based on Ćopić’s classic story which is a warm and universal tale for young and old that reminds us there truly is no place like home.

The film has been narrated in three languages – Croatian (by actor Rade Šerbedžija), English (by actor Kenneth Welsh (Twin Peaks), and in French (by actor France Castel).

The film is co-produced by The National Film Board (NFB) of Canada, winner of 12 Oscar Awards, and Croatia’s Bonobostudio.

Find out more about the film here.

(Source: croatiaweek.com)

#SBIFF, Documentary, Santa Barbara International Film Festival, World Premiere

2017 Opening Night Film – CHARGED

January 12, 2017 HollywoodGlee 4 Comments

Posted by Larry Gleeson

The 2017 SBIFF will kick off the festival on Wednesday, February 1st, at the historic Arlington Theatre with the World Premiere of CHARGED. The Opening Night Film is sponsored by UGG®.

Directed by Phillip Baribeau, CHARGED chronicles the journey of chef and outdoorsman, Eduardo Garcia and his recovery after being electrocuted by 2400 volts of electricity miles from help in the Montana backcountry. Garcia had his hand amputated, lost ribs, muscle mass and nearly his life, but more important than what he lost is what he found. CHARGED tells Eduardo’s remarkable journey from getting up off the forest floor to becoming the man he is today.

The documentary is produced by Dennis Aig and Phillip Baribeau along with executive producers Teri Weinberg, Scott Ballew, Doug Ellin, Peter Hochfelder, Constance Schwartz–Morini and Michael Strahan.

Opening Night Film
CHARGED

Directed by Phillip Baribeau
Starring Eduardo Garcia

Wednesday, February 1, 2017 @ 8:00pm
Arlington Theatre

CLICK HERE FOR PASSES

(Source: sbiff.org)

Palm Springs International Film Festival, World Premiere

Palm Springs International Film Festival – January 11

January 10, 2017 HollywoodGlee Leave a comment

Posted by Larry Gleeson

STUDENT SCREENING DAY

student_screening_psiff

On Monday, January 9 students from around the Coachella Valley gathered at Palm Springs High School for Student Screening Day. First they saw the film THE EAGLE HUNTRESS with a special taped introduction by the film’s Director, Otto Bell. Following the screening there was a taped Q&A session with Mr. Bell.

After a lunch break the students got to see A MAN CALLED OVE, introduced by Director, Hannes Holm who answered the student’s questions about the film following the screening.

MORE FINE FILMS ON THURSDAY, JANUARY 12

PAST LIFE

Israel – 2016 – 103 minutes

Director: Avi Nesher

MODERN MASTERS

US Premiere

In 1977 Jerusalem, two sisters, the daughters of Holocaust survivors, investigate a taboo topic: the mystery of their difficult father’s experiences in Poland during World War II. This profoundly moving drama confronts a burden of history that is still very much part of the Israeli present.

Thu, Jan 12 – 4:30 PM – Annenberg

Fri, Jan 13 – 1:15 PM – Annenberg

Director, Avi Nesher to attend.

Purchase tickets HERE.

THE TURKISH WAY

Spain – 2016 – 90 minutes

Director: Luis González

TRUE STORIES

North American Premiere

An exuberant follow-up to last year’s scrumptious, globe-trotting documentary Cooking Up a Tribute, this is a delicious travelogue following the acclaimed Roca brothers (from El Celler de Can Roca) as they dive into the rich and diverse food cultures of Turkey.

Thu, Jan 12 – 5:45 PM – Palm Canyon

Fri, Jan 13 – 10:30 AM – Regal

Screenwriter, Andrea Gómez to attend.

Purchase tickets HERE.

WHEN WE RISE

U.S. – 2017 – 84 minutes

Director: Gus Van Sant

THE GAY!LA

North American Premiere

From Gus van Sant and Dustin Lance Black (Milk), the first episode of their stirring seven-part docudrama that charts the progress of Gay Liberation from its early days in San Francisco in the 1960s to its 21st century triumphs.

Thu, Jan 12 – 6:45 PM – PSHS

Director, Gus Van Sant; Writer, Dustin Lance Black and Actors, Guy Pearce,
Rachel Griffiths and Ivory Aquino to attend.

Purchase tickets HERE.

FESTIVAL MERCHANDISE

merchandise_psiff

A stand-alone Film Festival Store for the Palm Springs International Film Festival is featuring a complete collection of Film Festival Merchandise at Destination PSP. The Festival Store is now open and will be open every day through January 16.

The Festival Store is located in the Regal Cinema Courtyard Plaza, unit 16,
just down from the Regal Cinemas and across the courtyard from the
Festival Ticket and Information Center.

You can also shop online at Destination PSP by clicking HERE.

UNDER THE SHADOW

UK/Jordan/Qatar – 2016 – 84 minutes

Director: Babak Anvari

AWARDS BUZZ-BEST FOREIGN LANGUAGE FILM

A tense, firmly feminist horror movie with echoes of The Babadook, Poltergeist and Repulsion, Babak Anvari’s Farsi-language frightener (Britain’s Foreign-Language Oscar® nominee) pits an Iranian ghost story against the backdrop of the Iran-Iraq war. An unnerving, audacious debut that stands as one of the best of 2016-if you can handle it.

Thu, Jan 12 – 7:30 PM – Mary Pickford

Fri, Jan 13 – 7:00 PM – Mary Pickford

Purchase tickets HERE.

BAD INFLUENCE

Chile – 2016 – 89 minutes

Director: Claudia Huaiquimilla

WORLD CINEMA NOW

North American Premiere

Against the backdrop of an impending environmental crisis, two troubled adolescents strive to find their place in the world in this stirring debut film from Chile, which weaves together political themes both social and personal. Winner: Best First Feature, Valdiva.

BE PART OF THE FESTIVAL READ THE PSIFF PROGRAM BOOK ONLINE!

Just click HERE.

Thu, Jan 12 – 7:30 PM – Regal

Sun, Jan 15 – 11:30 AM – Regal

Director, Claudia Huaiquimilla to attend.

Purchase tickets HERE.

I CALLED HIM MORGAN

Sweden/U.S. – 2016 – 91 minutes

Director: Kasper Collin

TRUE STORIES

Built around a recently recovered interview with Helen More, widow of jazz legend Lee Morgan (The Sidewinder), this is not just an evocative music film but a sucker punch of a crime story, related with palpable love and respect.

Thu, Jan 12 – 8:30 PM – Palm Canyon

Sat, Jan 14 – 1:00 PM – Regal

Sun, Jan 15 – 4:30 PM – Palm Canyon

Purchase tickets HERE

BONTA Restaurant & Bar

If you’re going to one of the great Festival films at the Mary Pickford (or even if you’re not) bonta-web

our friend Chef Hector Salvatierra at Bonta Restaurant & Bar, is offering a special discount to those attending the Palm Springs International Film Festival.

10% off entire check includes all bar items and dinner menu!

Bonta is located at 68510 E Palm Canyon Drive, Suite 140, Cathedral City, CA 92234 (across the street from the Mary Pickford Theatres in the Desert Cinema building). Telephone: 760-832-6100.

Ticket and Pass holders need to show their pass or ticket they have purchased at any time during the Festival. Tickets will be honored throughout the festival dates, they expire at end of festival.

They will be serving lunch from 11:00 am until 2:00 pm, Happy hour from 2:00 pm until 7:00 pm, dinner from 4:00 pm. Cocktails $4.50, Wine $5.00. Martinis $5.50.

They will also have take-out lunch boxes:

Soup and Salad or soup and Sandwich combos

Our Famous Homemade Chips and Chef Hectors Famous Chili and Split Pea soup

Check out their full menu HERE.

Make sure to stop by and say hello to Chef Hector and enjoy his truly amazing food. Tell him Larry sent you for a special treat!

(Source:psiff.org)

#AFI, #AFIFEST, Hollywood, World Premiere

AFI FEST 2016 Announces Special Screenings

October 26, 2016 HollywoodGlee 1 Comment

The Special Screenings section of AFI FEST 2016 presented by Audi includes three World Premieres and four additional highly anticipated films. The World Premiere of the CG-animated film MOANA (DIRS Ron Clements, John Musker) will play in the Special Screenings section, along with BRIGHT LIGHTS: STARRING CARRIE FISHER AND DEBBIE REYNOLDS (DIRS Fisher Stevens, Alexis Bloom), LION (DIR Garth Davis), PATERSON (DIR Jim Jarmusch) and TONI ERDMANN (DIR Maren Ade). Also bowing as Special Screenings will be the World Premieres of MISS SLOANE (DIR John Madden) and, as previously announced, THE COMEDIAN (DIR Taylor Hackford).

About BRIGHT LIGHTS: STARRING CARRIE FISHER AND DEBBIE REYNOLDS
This documentary is a revealing portrait of Hollywood royalty in all its eccentricity. Two golden ages of American cinema are explored through the bittersweet relationship of Carrie Fisher and her mother, Hollywood legend Debbie Reynolds. DIRS Fisher Stevens, Alexis Bloom. CAST Debbie Reynolds, Carrie Fisher, Todd Fisher. USA

About THE COMEDIAN
An aging comic icon, Jackie has seen better days. Despite his efforts to reinvent himself and his comic genius, the audience only wants to know him as the former television character he once played. Already a strain on his younger brother and his wife, Jackie is forced to serve out a sentence doing community service for accosting an audience member. While there, he meets the daughter of a sleazy Florida real estate mogul, and the two find inspiration in one another, resulting in surprising consequences. DIR Taylor Hackford. SCR Art Linson. CAST Robert De Niro, Leslie Mann, Danny DeVito, Edie Falco, Veronica Ferres, Charles Grodin, Cloris Leachman, Patti LuPone, Harvey Keitel. USA. World Premiere.

About LION
Twenty-five years after getting lost on a train and separated from his home and family, Saroo (Dev Patel) returns to India to find them. DIR Garth Davis. SCR Luke Davies. CAST Dev Patel, Rooney Mara, Nicole Kidman, David Wenham, Sunny Pawar, Abhishek Bharate, Priyanka Bose, Tannishtha Chatterjee, Nawazuddin Siddiqui, Deepti Naval, Divian Ladwa, Pallavi Sharda, Arka Das. Australia

About MISS SLOANE
In the high-stakes world of political power brokers, Elizabeth Sloane (Jessica Chastain) is the most sought-after and formidable lobbyist in DC. Known equally for her cunning and her track record of success, she has always done whatever is required to win. But when she takes on the most powerful opponent of her career, she finds that winning may come at too high a price. DIR John Madden. SCR Jonathan Perera. CAST Jessica Chastain, Mark Strong, Gugu Mbatha-Raw, Alison Pill, Michael Stuhlbarg, Jake Lacy. USA. World Premiere

About MOANA
From Walt Disney Animation Studios comes a sweeping, CG-animated feature film about an adventurous teenager who sails out on a daring mission to save her people. DIRS Ron Clements, John Musker. SCR Jared Bush. CAST Auli’i Cravalho, Dwayne Johnson. USA. World Premiere

About PATERSON
In Jim Jarmusch’s latest, Adam Driver stars as a working-class poet and bus driver living a routine existence, and finding beauty in the details of everyday life. DIR Jim Jarmusch. SCR Jim Jarmusch. CAST Adam Driver, Golshifteh Farahani. USA

About TONI ERDMANN
The smash hit of this year’s Cannes Film Festival centers on a workaholic woman who must deal with her father’s eccentric new identity when he comes to stay. DIR Maren Ade. SCR Maren Ade. CAST Peter Simonischek, Sandra Hüller, Michael Wittenborn, Thomas Loibl, Trystan Pütter, Hadewych Minis, Lucy Russell, Ingrid Bisu, Vlad Ivanov, Victoria Cocias. Germany

Tickets to Special Screenings will be available on AFI.com beginning November 1.

(Source: http://www.blog.afi.com)

#AFI, #AFIFEST, World Premiere

AFI FEST Presents World Premiere of THE COMEDIAN with Robert De Niro & Leslie Mann

October 15, 2016 HollywoodGlee 1 Comment

The World Premiere of THE COMEDIAN from Sony Pictures Classics and Cinelou Films will play as a Special Screening of AFI FEST 2016 presented by Audi. The film stars Oscar^® winner Robert De Niro, along with Leslie Mann, Oscar^® nominee Danny DeVito, Edie Falco, Veronica Ferres, Charles Grodin, Oscar^® winner Cloris Leachman, Patti LuPone and Oscar^® nominee Harvey Keitel. Written by Art Linson, directed by Oscar^® winner Taylor Hackford and produced by Art Linson, John Linson, Mark Canton, Courtney Solomon and Taylor Hackford.

In THE COMEDIAN, an aging comic icon, Jackie (De Niro) has seen better days. Despite his efforts to reinvent himself and his comic genius, the audience only wants to know him as the former television character he once played. Already a strain on his younger brother (DeVito) and his wife (LuPone), Jackie is forced to serve out a sentence doing community service for accosting an audience member. While there, he meets Harmony (Mann), the daughter of a sleazy Florida real estate mogul (Keitel), and the two find inspiration in one another, resulting in surprising consequences.THE COMEDIAN will screen on Friday, November 11, at the Egyptian Theatre.

AFI FEST takes place November 10–17, 2016, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and The Hollywood Roosevelt. The full festival lineup and schedule will be unveiled in October.

Go to AFI.com for details to purchase Patron Packages, which include access to Galas and other high-demand films and events. Individual tickets will be available on AFI.com beginning November 1.

(Source: http://www.blog.afi.com)

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World Premiere of DREAM BOAT

by Tristan Ferland Milewski

Official Selection – Section Panorama Dokumente Berlinale 2017

ABOUT THE DIRECTOR

DREAM BOAT

Deutschland 2017

92 Min. / OmU

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A three-member jury will pick the winner:

Competition (1)

Berlinale Special (1)

Panorama (5)

Forum (5)

Generation (3)

Perspektive Deutsches Kino (1)

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STUDENT SCREENING DAY

MORE FINE FILMS ON THURSDAY, JANUARY 12

PAST LIFE

THE TURKISH WAY

WHEN WE RISE

FESTIVAL MERCHANDISE

UNDER THE SHADOW

BAD INFLUENCE

I CALLED HIM MORGAN

BONTA Restaurant & Bar

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Film Review and Marketing