Category Archives: Oscar

See Why Conan O’Brien is returning to host the 2026 Oscars

Posted by Larry Gleeson

THE OSCARS¨ – 97th Oscars¨ hosted by Conan OÕBrien. (Disney/Andrew Eccles)

 

HOST CONAN O’BRIEN AND EXECUTIVE PRODUCERS RAJ KAPOOR  AND KATY MULLAN ARE REUNITING FOR 98TH OSCARS

JEFF ROSS AND MIKE SWEENEY RETURN AS PRODUCERS

THE OSCARS SET TO AIR LIVE MARCH 15, 2026, ON ABC

 

LOS ANGELES, CA – For a second consecutive year, Emmy® Award-winning television host, writer, producer and comedian Conan O’Brien will return to host the Oscars® broadcast, and Emmy Award-winning live television event producers Raj Kapoor and Katy Mullan return as the show’s executive producers for the third consecutive year, Academy CEO Bill Kramer and Academy President Janet Yang announced today. Jeff Ross and Mike Sweeney will return as producers for a second time, and Sweeney will also serve as a writer. The 98th Oscars will air live on ABC on Sunday, March 15, 2026, at 7 p.m. ET/4 p.m. PT.

Emmy Award-winning live television event producers Raj Kapoor and Katy Mullan return as the show’s executive producers for the third consecutive year. (Photo courtesy of The Academy)

 

“We are thrilled to bring back Conan, Raj, Katy, Jeff and Mike for the 98th Oscars!” said Kramer and Yang. “This year, they produced a hugely entertaining and visually stunning show that celebrated our nominees and the global film community in the most beautiful and impactful way. Conan was the perfect host – skillfully guiding us through the evening with humor, warmth and reverence. It is an honor to be working with them again.”

“The only reason I’m hosting the Oscars next year is that I want to hear Adrien Brody finish his speech,” said O’Brien.

“Conan delivered an unforgettable performance at ‘The Oscars,’ and we’re honored to have him and the producing team back next year,” said Craig Erwich, president of Disney Television Group. “Conan’s unique comedic style perfectly captured the moment, and I’m excited to have his talents back onstage next year to helm another indelible performance.”

“We are both so honored to be returning in our roles for the 98th Oscars,” said Kapoor and Mullan. “We can’t wait to work with Conan and his entire team as we continue to explore even more special and heartfelt opportunities to celebrate next year’s nominees and the impact of film around the world.”

Hosted by O’Brien, the 97th Oscars, held earlier this month on March 2, delivered a five-year high in both total viewers (19.69 million) and adults 18-49 (4.54 rating) and ranked as the number one primetime entertainment telecast in both total viewers and adults for the 2024-2025 season. The 97th Oscars earned 104.2 million total social interactions, ranking as the number one most social TV program season-to-date, outperforming both “The Grammy Awards” (102.2 million interactions) and “The Super Bowl” (62.4 million) this season for the first time on record.

O’Brien is best known for hosting the late-night talk shows “Late Night with Conan O’Brien,” “The Tonight Show with Conan O’Brien” and “Conan.” Before his more than two-decade hosting career, he served as a writer for “Saturday Night Live” and “The Simpsons.” Currently, O’Brien hosts the “Conan O’Brien Needs a Friend” podcast, MAX travel show “Conan O’Brien Must Go” and has a supporting role in the feature film “If I Had Legs I’d Kick You.” He has won five Primetime Emmys® and earned 31 nominations for his work.

Kapoor has earned eight Emmy Award nominations and won Emmys for his work on the 96th Oscars and for executive producing the Outstanding Variety Special (Pre-Recorded) “Adele: One Night Only.” In addition to several Oscars shows, Kapoor’s credits include “The Grammy Awards®,” “ACM Awards,” “Latin Grammys,” “The Emmy Awards,” “Hannah Waddingham: Home for Christmas,” “Beauty and the Beast: A 30th Celebration,” “Norman Lear: 100 Years of Music and Laughter” and “The Paris Olympics LA28 Handover Closing Ceremony.”

Mullan is an executive producer, showrunner and partner of the global live event production company Done + Dusted. Her work in live entertainment ranges from producing the London Olympics opening and closing ceremonies to “The Little Mermaid Live!.” She won an Emmy for the 96th Oscars, and her other credits include “Hannah Waddingham: Home for Christmas,” “Beauty and the Beast: A 30th Celebration,” “Step Into…The Movies,” several Christmas and New Year’s Eve television specials and the “Disney Family Singalong” franchise.

Ross is a producer whose credits include “Conan O’Brien Needs a Friend,” “Conan O’Brien Must Go,” “Conan Without Borders,” “Conan,” “The Tonight Show with Conan O’Brien”, “Late Night with Conan O’Brien” and “The Kids in the Hall.”  He has won a Primetime Emmy and earned 15 nominations for his work.

Sweeney is a producer, writer and director whose credits include “Conan O’Brien Must Go,” “Conan,” “The Tonight Show with Conan O’Brien” and “Late Night with Conan O’Brien.” He has won three Primetime Emmys and earned 22 nominations for his work.

The 98th Oscars will be held on Sunday, March 15, 2026, at the Dolby® Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide.

ABOUT THE ACADEMY

The Academy of Motion Picture Arts and Sciences is home to a global membership of more than 10,500 of the most accomplished film industry artists and leaders. The Academy recognizes and celebrates all aspects of the arts and sciences of moviemaking through renowned awards for cinematic achievement, including the Oscars®. With the largest film-related collection in the world, the Academy is a leader in the fields of conservation, preservation and exhibition of film-related objects and materials. Through its Academy Museum of Motion Pictures, the Academy presents powerful exhibitions, screenings and programs about cinema’s past, present, and future. The Academy also inspires young artists and creates opportunities for underrepresented communities to engage with the film world. Across all initiatives, the Academy connects global audiences – its members, the film industry, and film fans – through their shared passion for making and watching films.

 

 

 

Oscar Winners 2025

Posted by Larry Gleeson

It was quite a night at the 97th Academy Awards inside the Dolby Theatre at Ovation in Hollywood, California. Indie filmmaker Sean Baker walked away with four Oscars for his latest work, Anora. Meanwhile, his lead actress, Mikey Madison, walked away with an Oscar of her own, Best Performance by an Actress in a Leading Role, for her portrayal of sex worker Anora. There were many highlights to the evening including a stand up performance by Conan O’Brien as this year’ s host, a magical opening montage, A-list presenters, song and dance routines, a tribute to the late Quincy Jones, and a “wicked” performance from Arianna Grande and Cynthia Erivo. A complete list of Oscar winners is below:

Oscar Winners 2025

Best Picture

  • Anora – WINNER
  • The Brutalist
  • A Complete Unknown
  • Conclave
  • Dune: Part Two
  • Emilia Pérez
  • I’m Still Here
  • Nickel Boys
  • The Substance
  • Wicked

Best Director

  • Sean Baker (Anora) – WINNER
  • Brady Corbet (The Brutalist)
  • James Mangold (A Complete Unknown)
  • Jacques Audiard (Emilia Pérez)
  • Coralie Fargeat (The Substance)

Actor in a Leading Role

  • Adrien Brody (The Brutalist) – WINNER
  • Timothée Chalamet (A Complete Unknown)
  • Colman Domingo (Sing Sing)
  • Ralph Fiennes (Conclave)
  • Sebastian Stan (The Apprentice)

Actress in a Leading Role

  • Cynthia Erivo (Wicked)
  • Karla Sofía Gascón (Emilia Pérez)
  • Mikey Madison (Anora) – WINNER
  • Demi Moore (The Substance)
  • Fernanda Torres (I’m Still Here)

Actor in a Supporting Role

  • Yura Borisov (Anora)
  • Kieran Culkin (A Real Pain) – WINNER
  • Edward Norton (A Complete Unknown)
  • Guy Pearce (The Brutalist)
  • Jeremy Strong (The Apprentice)

Actress in a Supporting Role

  • Monica Barbaro (A Complete Unknown)
  • Ariana Grande (Wicked)
  • Felicity Jones (The Brutalist)
  • Isabella Rossellini (Conclave)
  • Zoe Saldaña (Emilia Pérez) – WINNER

Writing (Adapted Screenplay)

  • A Complete Unknown
  • Conclave – WINNER
  • Emilia Pérez
  • Nickel Boys
  • Sing Sing

Writing (Original Screenplay)

  • Anora – WINNER
  • The Brutalist
  • A Real Pain
  • September 5
  • The Substance

Cinematography

  • The Brutalist – WINNER
  • Dune: Part Two
  • Emilia Pérez
  • Maria
  • Nosferatu

Animated Feature Film

  • Flow – WINNER
  • Inside Out 2
  • Memoir Of A Snail
  • Wallace & Gromit: Vengeance Most Fowl
  • The Wild Robot

Music (Original Score)

  • The Brutalist – WINNER
  • Conclave
  • Emilia Pérez
  • Wicked
  • The Wild Robot

Music (Original Song)

  • El Mal (Emilia Pérez) – WINNER
  • The Journey (The Six Triple Eight)
  • Like A Bird (Sing Sing)
  • Mi Camino (Emilia Pérez)
  • Never Too Late (Elton John: Never Too Late)

Production Design

  • The Brutalist
  • Conclave
  • Dune: Part Two
  • Nosferatu
  • Wicked – WINNER

Film Editing

  • Anora – WINNER
  • The Brutalist
  • Conclave
  • Emilia Pérez
  • Wicked

Documentary Feature Film

  • Black Box Diaries
  • No Other Land – WINNER
  • Porcelain War
  • Soundtrack To A Coup D’Etat
  • Sugarcane

Documentary Short Film

  • Death By Numbers
  • I Am Ready, Warden
  • Incident
  • Instruments Of A Beating Heart
  • The Only Girl In The Orchestra – WINNER

International Feature Film

  • I’m Still Here (Brazil) – WINNER
  • The Girl With The Needle (Denmark)
  • Emilia Pérez (France)
  • The Seed Of The Sacred Fig (Germany)
  • Flow (Latvia)

Makeup and Hairstyling

  • A Different Man
  • Emilia Pérez
  • Nosferatu
  • The Substance – WINNER
  • Wicked

Visual Effects

  • Alien: Romulus
  • Better Man
  • Dune: Part Two – WINNER
  • Kingdom Of The Planet Of The Apes
  • Wicked

Costume Design

  • A Complete Unknown
  • Conclave
  • Gladiator II
  • Nosferatu
  • Wicked – WINNER

Animated Short Film

  • Beautiful Men
  • In The Shadow Of The Cypress – WINNER
  • Magic Candies
  • Wander To Wonder
  • Yuck!

Live-Action Short Film

  • A Lien
  • Anuja
  • I’m Not A Robot – WINNER
  • The Last Ranger
  • The Man Who Could Not Remain Silent

Sound

  • A Complete Unknown
  • Dune: Part Two – WINNER
  • Emilia Pérez
  • Wicked
  • The Wild Robot

Who’s taking Oscar home?

Posted by Larry Gleeson

As we inch closer to the 97th Academy Awards, one can only guess who will be taking Oscar home. Here are my top picks leading into Sunday evening’s event.

My best guess for Best Picture is Anora

Best Actor Adrian Brody (The Brutalist)

Best Actress Demi Moore (The Substance) (Mikey Madison is my personal favorite- she’s just fun!)

Best Supporting Actress Ariana Grande (Wicked) (I love Isabella Rossellini –The Conclave)

Best Supporting Actor Kieran Culkin. (A Real Pain)

Best Director Sean Baker (Anora) (Coralie Fargeat obliterated The Substance – in a good kind of way!

Ok. There you have it. And please keep in mind everyone deserves a chance to fly!

Conan O’Brien is hosting the 97th Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Hollywood, Calif. Hollywood. The event will be televised live on ABC, streamed live on Hulu.

Black Narcissus awes with production values, stuns with narrative

Written and reviewed by Larry Gleeson during the annual TCM 31 Days of Oscar

The first time I saw Black Narcissus was the Egyptian Theatre in Hollywood, California, during the TCM Classic Film Festival. Martin Scorsese introduced the film. While introducing the film, Scorsese informed the audience the Egyptian had been recently retrofitted to allow for silver nitrate film stock to be safely screened and tonight’s screening of Black Narcissus would be from a 35mm silver nitrate film reel. It was my first and, as far as I know, the only time I’ve seen a film on 35mm silver nitrate film stock. As most of you probably know, the film industry moved away from the stock as it had the propensity to combust when not stored properly. Nevertheless, the screening was majestic with a vibrant array of grays, deep blacks, and shimmering silver, unparalled in my filmic experience. Technicolor added rich and saturated color palette, as well.

Black Narcissus, adapted from a novel by Rumer Godden, was written, produced and directed by Michael Powell and Emeric Pressburger. The narrative revolves around a group of nuns sent to an old, dilapidated Palace of Nopu to establish a school and a hospital for the natives. Sister Clodagh, young and not considered experienced enough by the Reverend Mother Superior (Nancy Roberts), was selected to be the Sister Superior at Nopu. To accompany Sister Clodagh, the  Reverend Mother selected four other nuns: Sister Briony (Judith Furse), picked for her strength; Sister Philippa (Flora Robson), picked for her gardening skills; Sister Honey (Jenny Laird), the most popular nun in the order, picked to help with popularity among the local populace; and Sister Ruth (Kathleen Bryon), who is ill but in need of challenge and a sense of importance.

A voice-over informs the audience of the contents of the letter from the General. The Palace of Nopu is perched on a mountain shelf had been where a General had housed his ladies (harem) and was locally known as the House of the Women. The wind blows constantly. The natives live below. The men are men, the woman are women, and the children are children. In addition, a holy man sits above the palace day and night and the locals revere him with food and drink. A caretaker, Angu Ayah (May Hallatt) lives in the palace by herself imagining what life must have been like in its heyday.

As the nuns arrive and make the palace home, the audience is treated to majestic views of the populace and the stunning vistas. The air is clear and fresh. Soon, however, Sister Briony and Sister Clodagh begin having flashbacks of their lives before taking their vows. Both are troubled by these memories. The tension in the environment is so thick a butter knife could cut through it. There’s tension between the Sisters. There’s tension between Mr. Dean and two of the Sisters. Lastly, Sister Ruth does not renew her vows. What unfolds is a cold and stark reality of the environment. Lessons are learned. Lives are lost.

Nevertheless, the production design (Alfred Junge) of Black Narcissus is magnificent. The mise-en-scen underscores the palace history and helps reveal the narrative. The costuming works in establishing time and place. The Oscar-winning cinematography, by Jack Cardiff ,adds an artistic dimension with various camera angles allowing for power, something awry, god shot perspectives and character emotionality. Continuity editing (Reginald Mills) is evident and used to great effect in more than one scene  In addition, Kerr and Bryon turn in stellar performances. Roberts is very convincing as Mother Superior. Meanwhile, Farrar fills the scene with masculinity in his scenes throughout the film. Furse, Robson, and Laird more than hold their own. With a runtime of one hour and forty-one minutes there is nary a dull moment. This is a production that awes! Highly recommended.

 

 

 

 

 

97the Oscar nominees – The Oscars set to Air Live March 2nd at 7 P.M. ET/4 P.M. PT, on ABC AND HULU

Posted by Larry Gleeson

The Academy of Motion Picture Arts and Sciences recently announced the designated Oscar® nominees that were yet to be determined in the Animated Feature Film, Documentary Feature Film and Best Picture categories at the time of the 97th Oscars® Nominations Announcement that took place on Thursday, January 23. Across 23 awards categories, there are a total of 220 individual nominees, not including the five countries nominated for International Feature Film. For a complete list of nominees, visit www.oscars.org.

Watch the Oscars live – Sunday March 2, 2025 at 7ET/4PT on ABC and Hulu.

Actor in a Leading Role

Nominees

Adrien Brody

The Brutalist

Timothée Chalamet

A Complete Unknown

Colman Domingo

Sing Sing

Ralph Fiennes

Conclave

Sebastian Stan

The Apprentice

Actor in a Supporting Role

Nominees

Yura Borisov

Anora

Kieran Culkin

A Real Pain

Edward Norton

A Complete Unknown

Guy Pearce

The Brutalist

Jeremy Strong

The Apprentice

Actress in a Leading Role

Nominees

Cynthia Erivo

Wicked

Karla Sofía Gascón

Emilia Pérez

Mikey Madison

Anora

Demi Moore

The Substance

Fernanda Torres

I’m Still Here

Actress in a Supporting Role

Nominees

Monica Barbaro

A Complete Unknown

Ariana Grande

Wicked

Felicity Jones

The Brutalist

Isabella Rossellini

Conclave

Zoe Saldaña

Emilia Pérez

Animated Feature Film

Nominees

Flow

Gints Zilbalodis, Matīss Kaža, Ron Dyens and Gregory Zalcman

Inside Out 2

Kelsey Mann and Mark Nielsen

Memoir of a Snail

Adam Elliot and Liz Kearney

Wallace & Gromit: Vengeance Most Fowl

Nick Park, Merlin Crossingham and Richard Beek

The Wild Robot

Chris Sanders and Jeff Hermann

Animated Short Film

Nominees

Beautiful Men

Nicolas Keppens and Brecht Van Elslande

In the Shadow of the Cypress

Shirin Sohani and Hossein Molayemi

Magic Candies

Daisuke Nishio and Takashi Washio

Wander to Wonder

Nina Gantz and Stienette Bosklopper

Yuck!

Loïc Espuche and Juliette Marquet

Cinematography

Nominees

The Brutalist

Lol Crawley

Dune: Part Two

Greig Fraser

Emilia Pérez

Paul Guilhaume

Maria

Ed Lachman

Nosferatu

Jarin Blaschke

Costume Design

Nominees

A Complete Unknown

Arianne Phillips

Conclave

Lisy Christl

Gladiator II

Janty Yates and Dave Crossman

Nosferatu

Linda Muir

Wicked

Paul Tazewell

Directing

Nominees

Anora

Sean Baker

The Brutalist

Brady Corbet

A Complete Unknown

James Mangold

Emilia Pérez

Jacques Audiard

The Substance

Coralie Fargeat

Documentary Feature Film

Nominees

Black Box Diaries

Shiori Ito, Eric Nyari and Hanna Aqvilin

No Other Land

Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham

Porcelain War

Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen

Soundtrack to a Coup d’Etat

Johan Grimonprez, Daan Milius and Rémi Grellety

Sugarcane

Julian Brave NoiseCat, Emily Kassie and Kellen Quinn

Documentary Short Film

Nominees

Death by Numbers

Kim A. Snyder and Janique L. Robillard

I Am Ready, Warden

Smriti Mundhra and Maya Gnyp

Incident

Bill Morrison and Jamie Kalven

Instruments of a Beating Heart

Ema Ryan Yamazaki and Eric Nyari

The Only Girl in the Orchestra

Molly O’Brien and Lisa Remington

Film Editing

Nominees

Anora

Sean Baker

The Brutalist

David Jancso

Conclave

Nick Emerson

Emilia Pérez

Juliette Welfling

Wicked

Myron Kerstein

International Feature Film

Nominees

Brazil

I’m Still Here

Denmark

The Girl with the Needle

France

Emilia Pérez

Germany

The Seed of the Sacred Fig

Latvia

Flow

Makeup and Hairstyling

Nominees

A Different Man

Mike Marino, David Presto and Crystal Jurado

Emilia Pérez

Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini

Nosferatu

David White, Traci Loader and Suzanne Stokes-Munton

The Substance

Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli

Wicked

Frances Hannon, Laura Blount and Sarah Nuth

Music (Original Score)

Nominees

The Brutalist

Daniel Blumberg

Conclave

Volker Bertelmann

Emilia Pérez

Clément Ducol and Camille

Wicked

John Powell and Stephen Schwartz

The Wild Robot

Kris Bowers

Music (Original Song)

Nominees

El Mal

from Emilia Pérez; Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard

The Journey

from The Six Triple Eight; Music and Lyric by Diane Warren

Like A Bird

from Sing Sing; Music and Lyric by Abraham Alexander and Adrian Quesada

Mi Camino

from Emilia Pérez; Music and Lyric by Camille and Clément Ducol

Never Too Late

from Elton John: Never Too Late; Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin

Best Picture

Nominees

Anora

Alex Coco, Samantha Quan and Sean Baker, Producers

The Brutalist

Nick Gordon, Brian Young, Andrew Morrison, D.J. Gugenheim and Brady Corbet, Producers

A Complete Unknown

Fred Berger, James Mangold and Alex Heineman, Producers

Conclave

Tessa Ross, Juliette Howell and Michael A. Jackman, Producers

Dune: Part Two

Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers

Emilia Pérez

Pascal Caucheteux and Jacques Audiard, Producers

I’m Still Here

Maria Carlota Bruno and Rodrigo Teixeira, Producers

Nickel Boys

Dede Gardner, Jeremy Kleiner and Joslyn Barnes, Producers

The Substance

Coralie Fargeat and Tim Bevan & Eric Fellner, Producers

Wicked

Marc Platt, Producer

Production Design

Nominees

The Brutalist

Production Design: Judy Becker; Set Decoration: Patricia Cuccia

Conclave

Production Design: Suzie Davies; Set Decoration: Cynthia Sleiter

Dune: Part Two

Production Design: Patrice Vermette; Set Decoration: Shane Vieau

Nosferatu

Production Design: Craig Lathrop; Set Decoration: Beatrice Brentnerová

Wicked

Production Design: Nathan Crowley; Set Decoration: Lee Sandales

Live Action Short Film

Nominees

A Lien

Sam Cutler-Kreutz and David Cutler-Kreutz

Anuja

Adam J. Graves and Suchitra Mattai

I’m Not a Robot

Victoria Warmerdam and Trent

The Last Ranger

Cindy Lee and Darwin Shaw

The Man Who Could Not Remain Silent

Nebojša Slijepčević and Danijel Pek

Sound

Nominees

A Complete Unknown

Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco

Dune: Part Two

Gareth John, Richard King, Ron Bartlett and Doug Hemphill

Emilia Pérez

Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta

Wicked

Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis

The Wild Robot

Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts

Visual Effects

Nominees

Alien: Romulus

Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan

Better Man

Luke Millar, David Clayton, Keith Herft and Peter Stubbs

Dune: Part Two

Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer

Kingdom of the Planet of the Apes

Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke

Wicked

Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould

Writing (Adapted Screenplay)

Nominees

A Complete Unknown

Screenplay by James Mangold and Jay Cocks

Conclave

Screenplay by Peter Straughan

Emilia Pérez

Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi

Nickel Boys

Screenplay by RaMell Ross & Joslyn Barnes

Sing Sing

Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield

Writing (Original Screenplay)

Nominees

Anora

Written by Sean Baker

The Brutalist

Written by Brady Corbet, Mona Fastvold

A Real Pain

Written by Jesse Eisenberg

September 5

Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David

The Substance

Written by Coralie Fargeat

(Photo credit: Larry Gleeson)

2023 Santa Barbara International Film Festival Wrap

Posted by Larry Gleeson

The 38th Santa Barbara International Film Festival (SBIFF) has closed after another successful run from February 8th to February 18th, 2023. In all, SBIFF showcased 52 world premiere films as well as 78 US premieres! Official events included screenings, filmmaker Q&As, industry panels, and celebrity tributes, held throughout the city, including at the historic Arlington Theatre.

The Opening Night Film, Wednesday, February 8, featured the WORLD Premiere of MIRANDA’S VICTIM, a biographical crime drama, directed by Michelle Danner and starring Abigail Breslin, Ryan Phillippe, Luke Wilson, Donald Sutherland, Mireille Enos and Andy Garcia.

SANTA BARBARA, CALIFORNIA – FEBRUARY 09: Angela Bassett speaks onstage at the Montecito Award Ceremony during the 38th Annual Santa Barbara International Film Festival at The Arlington Theatre on February 09, 2023 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)

Without missing a beat,the following evening  SBIFF feted Angela Bassett, who incidentally is nominated for Best Supporting Oscar for this year’s performance in Marvel Studios’ BLACK PANTHER: WAKANDA FOREVER directed by Ryan Coogler from Disney Studios. Bassett received the festival’s Montecito Award. The Montecito Award is named after one of the most beautiful and stylish areas in Santa Barbara. Past recipients include Penélope Cruz, Amanda Seyfried, Lupita Nyong’o, Melissa McCarthy, Saoirse Ronan, Isabelle Huppert, Sylvester Stallone, Jennifer Aniston, Oprah Winfrey, Daniel Day-Lewis, Geoffrey Rush, Julianne Moore, Kate Winslet, Naomi Watts and Javier Bardem.

SANTA BARBARA, CALIFORNIA – FEBRUARY 10: Honoree Cate Blanchett poses with the Outstanding Performer of the Year Award during the 38th Annual Santa Barbara International Film Festival at the Arlington Theatre on February 10, 2023 in Santa Barbara, California. (Photo by Rebecca Sapp/Getty Images for SBIFF)

On Friday, February 10th, the SBIFF Filmmaker Seminars kicked off with  a timely topic of Overcoming Adversity/Fight the Power: Documentary Activism at Work at 11:00 am at Tamsen Gallery at 911 1/2 State Street across from the Fiesta 5 Theatre. The new and improved free film format (daily) screened TÁR, directed by Todd Field and starring Cate Blanchett, at 2:00 pm at the Arlington Theatre. Blanchett’s performance in TAR has a strong chance of landing the actress her third Academy Award. Consequently, SBIFF honored Blanchett with its OUTSTANDING PERFORMER OF THE YEAR AWARD.

The morning of Saturday, February 11th, brought out the Writers Panel featuring The Daniels (Everything Everywhere All at Once), Todd Field (Tár), Kazuo Ishiguro (Living), Rian Johnson (Glass Onion: A Knives Out Mystery), Tony Kushner (The Fabelmans), Martin McDonagh (The Banshees of Inisherin), Ruben Östlund (Triangle of Sadness), Lesley Paterson (All Quiet on the Western Front), Sarah Polley (Women Talking).

The afternoon brought the Women’s Panel with Anne Alvergue – Director (The Martha Mitchell Effect), Ruth E. Carter – Costume Designer (Black Panther: Wakanda Forever), Hannah Minghella – Producer (The Boy, The Mole, The Fox and The Horse), Domee Shi – Director (Turning Red), Gwendolyn Yates Whittle – Sound Editor (Avatar: The Way of Water), Mary Zophres – Costume Designer (Babylon).

 

SANTA BARBARA, CALIFORNIA – FEBRUARY 11: Jamie Lee Curtis speaks at the Maltin Modern Master Award ceremony during the 38th Annual Santa Barbara International Film Festival at Arlington Theatre on February 11, 2023 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)

In the evening, SBIFF hosted the Maltin Modern Master Award honoring Jamie Lee Curtis. The Modern Master Award was established in 1995 and is the highest accolade presented by SBIFF. Created to honor an individual who has enriched our culture through accomplishments in the motion picture industry, it was re-named the Maltin Modern Master Award in 2015 in honor of long-time SBIFF moderator and renowned film critic Leonard Maltin. Past recipients include Nicole Kidman, Javier Bardem, Bill Murray, Brad Pitt, Glenn Close, Denzel Washington, Michael Keaton, Bruce Dern, Ben Affleck, Christopher Plummer, Christopher Nolan, James Cameron, Clint Eastwood, Cate Blanchett, Will Smith, George Clooney and Peter Jackson.

Sunday morning, February 12th, brought out the Producers Panel, 11:00am at the Arlington Theatre featuring Gail Berman (Elvis), Jerry Bruckheimer (Top Gun: Maverick), Todd Field (Tár), Dede Gardner (Women Talking), Malte Grunert (All Quiet on the Western Front), Erik Hemmendorff (Triangle of Sadness), Kristie Macosko Krieger (The Fabelmans), Jon Landau (Avatar: The Way of Water), Jonathan Wang (Everything Everywhere All at Once).

Sunday afternoon highlighted the International Directors Panel, 2:00pm at the Arlington Theatre with Colm Bairéad (The Quiet Girl), Edward Berger (All Quiet on the Western Front), Lukas Dhont (Close), Santiago Mitre (Argentina, 1985), Jerzy Skolimowski (Eo).

On Monday February 13th, the Filmmaker Seminar “Say it Loud: How Under-Represented Voices Get Heard,” featured Maureen Bharoocha, Director (The Prank) Alison Millar, Director (Lyra) Caylee So, Director (The Harvest) Victor Nunez, Director (Rachel Hendrix) Angie Wang, Juror (Director, MDMA (2017)).

The Daily Free Film featured David Crosby: Remember My Name – 2:00pm @ Arlington Theatre. The screening was followed by a Q&A with Director A.J. Eaton.

In the evening the Variety Artisans Award, took place at the Arlington Theatre, recognizing M. M. Keeravaani – Songwriter (RRR), Son Lux – Composer (Everything Everywhere All at Once), Catherine Martin – Costume Designer (Elvis), Florencia Martin – Production Designer (Babylon), Claudio Miranda – Cinematography (Top Gun: Maverick), Adrien Morot – Hairstyling/Make Up (The Whale), Paul Rogers – Editing (Everything Everywhere All at Once), Eric Saindon – VFX (Avatar: The Way of Water), Sound Team (All Quiet on the Western Front).

SANTA BARBARA, CALIFORNIA – FEBRUARY 14: Brendan Fraser receives the American Riviera Awardonstage at the American Riviera Award Ceremony during the 38th Annual Santa Barbara International Film Festival at the Arlington Theatre on February 14, 2023 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)

On Tuesday, Brendan Fraser was honored with the American Riviera Award and an in-person conversation about his career, leading up to this year’s performance as Charlie in the A24 film THE WHALE, a story from Darren Aranofsky, of a reclusive English teacher living with severe obesity who attempts to reconnect with his estranged teenage daughter for one last chance at redemption.

The American Riviera Award was established to recognize actors who have made a significant contribution to American Cinema. Previous recipients include Kristen Stewart, Delroy Lindo, Renée Zellweger, Viggo Mortenson, Sam Rockwell, Jeff Bridges, Michael Keaton, Rachel McAdams, Mark Ruffalo, Patricia Arquette, Ethan Hawke, Robert Redford, Quentin Tarantino, Martin Scorsese, Annette Bening, Sandra Bullock, Mickey Rourke, Tommy Lee Jones, Forrest Whitaker, Philip Seymour Hoffman, Kevin Bacon and Diane Lane.

Wednesday brought The Virtuosos, moderated by Deadline’s Dave Karger, and featured AUSTIN BUTLER (ELVIS), KERRY CONDON (THE BANSHEES OF INISHERIN), DANIELLE DEADWYLER (TILL), NINA HOSS (TÁR), STEPHANIE HSU (EVERYTHING EVERYWHERE ALL AT ONCE), JEREMY POPE (THE INSPECTION), KE HUY QUAN (EVERYTHING EVERYWHERE ALL AT ONCE), JEREMY STRONG (ARMAGEDDON TIME). The Virtuosos Award is an honor created to recognize a select group of talent whose noteworthy performances in film have elevated them into the national cinematic dialogue.

Thursday, Colin Farrell & Brendan Gleeson, received the Cinema Vanguard Award, presented by Director Martin McDonagh. The Cinema Vanguard Award recognizes actors who have forged their own path, taking artistic risks and making a significant and unique contribution to film.

Colin Farrell has had a distinguished career of nearly twenty-plus years in film and television. He can be seen in Warner Bros.’ The Batman for director Matt Reeves; in the MGM film Thirteen Lives for director Ron Howard; in the BBC / AMC drama “The North Water”; and After Yang which premiered at the 2021 Cannes Film Festival and also made its North American debut at the 2022 Sundance Film Festival. Farrell was most recently seen in Tim Burton’s 2019 live action film Dumbo and Fox’s 2018 ensemble feature Widows, directed by Steve McQueen and co-starring Viola Davis. In 2017, Farrell made his second film with Yorgos Lanthimos, The Killing of the Sacred Deer opposite Nicole Kidman for A24. The film premiered at the Cannes Film Festival along with Sofia Coppola’s The Beguiled in which he also starred with Nicole Kidman, Elle Fanning, and Kirsten Dunst. That same year, he appeared opposite Denzel Washington in the Sony film Roman Israel, Esq., written and directed by Dan Gilroy.

SANTA BARBARA, CALIFORNIA – FEBRUARY 16: Honorees Colin Farrell and Brendan Gleeson pose with their Cinema Vanguard Awards during the 38th Annual Santa Barbara International Film Festival at the Arlington Theatre on February 16, 2023 in Santa Barbara, California. (Photo by Rebecca Sapp/Getty Images for SBIFF)

A former teacher, Dublin-born Brendan Gleeson left the profession to pursue a career in his first love – acting. He joined the Irish theater company Passion Machine and has since starred on the stage, in films, and on television, winning fans and awards worldwide. Other recent films include: The Coen Brothers’ The Ballad of Buster Scruggs for Netflix; Hampstead, opposite Diane Keaton; Paddington 2 also starring Hugh Grant, Sally Hawkins, and Julie Walters; Trespass Against Us opposite Michael Fassbender; Vincent Perez’s Alone in Berlin opposite Emma Thompson; Assassin’s Creed once again with Michael Fassbender; the Warner Bros. Ben Affleck  Live By Night; Ron Howard’s In the Heart of the Sea; and Suffragette opposite Carey Mulligan and Meryl Streep, once again winning the BIFA Award for Best Supporting Actor.

The next evening, Martin McDonagh (The Banshees Of Inisherin) and Todd Field (Tár) were honored as the Best Directors of the Year. Scott Feinberg, Executive Editor of Awards at the Hollywood Reporter hosted the evening.

SANTA BARBARA, CALIFORNIA – FEBRUARY 17: (L-R) Todd Field, Martin McDonagh and Scott Feinberg speak onstage at the Outstanding Directors of the Year Award Ceremony during the 38th Annual Santa Barbara International Film Festival at the Arlington Theatre on February 17, 2023 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)

After a clip from The Banshees of Inisherin, director Martin McDonagh stated that although he started out with plays, McDonagh noted that he always would’ve preferred to do movies, as those were his great love. In fact, McDonagh never had a great fondness for theater, finding that plays could be somewhat dull. So, when he started writing plays, he tried to take them as far from dullness as he could, attempting to infuse as much cinematic character as possible. When McDonagh made the jump to film, his biggest fear was making films that could be seen as playlike, being overly wordy or limited in scope.

Field, on the other hand, talked about his original interest in music, after a clip from Tar, and how working at a movie theater caused him to fall in love with the medium. Even so, he originally intended to pursue music in school, though he followed a girl into theater. Field stated that he had the character of Lydia Tár running around his head for years.

After ten days, the 38th Santa Barbara International Film Festival came to a close with the U.S Premiere of “I LIKE MOVIES.” 

I Like Movies

In closing, while last year, SBIFF had its triumphant return to in-person screenings, panels, and events with 48 world premier and 95 U.S. premieres, this year’s SBIFF expanded its free screenings and its run back to its more recent fare of ten days of film with 52 world premieres and 78 U.S. premieres.  In addition, with the American Film Institute’s Hollywood AFI FEST and AFI DOCS combining into a very truncated five days of film, SBIFF was able to attract pre-eminnent filmmakers such as Barbara Kopple (an AFI DOCS Board member). Furthermore, with the world famous Sundance Film Festival being laser-focused on first-time filmmakers (over 50% of its 2023 programming was devoted to first-time filmmakers), and underserved filmmakers, SBIFF was also able to attract film wizardry from Gabriela Cowperthwaite and her riveting geopolitical documentary, The Grab, featuring investigative reporter, Nathan Halverson of the non-profit, Center for Investigative Reporting.

SBIFF Q&A with Director Gabriela Cowperthwaite (center) and Investigative Reporter  Mathan Halverson (left) following the screening of The Grab, a geopolitical documentary on “the money, influence, and alarming rationale behind covert efforts to control the most vital resource on the planet.” (Photo cr. Larry Gleeson/HollywoodGlee)

SBIFF’s Programming Director Claudia Puig summed it up by saying, “This 38th edition of the Santa Barbara International Film Festival drew filmmakers from as far as Turkey, India, Israel, and Sierra Leone, half of whom were women. We were delighted with the enthusiastic reception to our diverse program of 200 films from 43 countries. Cinema is one of the most powerful vehicles for empathy, providing a window of understanding to all who seek to look through it.  We thank the filmmakers in attendance and our avid Santa Barbara audience for so heartily embracing the festival experience. Several films prompted standing ovations and packed theaters, marking 2023 a full-throttled return to celebrating cinema from around the globe.”

An eclectic jury composed of Angie Wang, Antonio Marziale, Christina Birro, Elizabeth Marighetto, Gwen Deglise, Jean Oppenheimer, Jeff Arch, Lela Meadow Conner, Leslie Ekker, Margy Rochlin, Nicole Noren, Perry Lang, Robert Abele, Steven Raphael, Tim Cogshell, and Tim Matheson, deemed the following films award worthy:

Audience Choice Award sponsored by The Santa Barbara Independent: 26.2 TO LIFE Directed by Christine Yoo

Panavision Spirit Award for Independent Cinema: I LIKE MOVIES Directed by Chandler Levack

Jeffrey C. Barbakow Award – Best International Feature Film: A MAN (ARU OTOKO) Directed by Kei Ishikawa

Best Documentary Award: A BUNCH OF AMATEURS Directed by Kim Hopkins

Nueva Vision Award for Spain/Latin America Cinema: MANUELA Directed by Clara Cullen

Best Middle Eastern/Israeli Film Award: THE TASTE OF APPLES IS RED (TA’AM AL TUFAH, AHMAR) Directed by Ehab Tarabieh

Best Nordic Film Award: SUMMERLIGHT AND THEN COMES THE NIGHT (SUMARLJÓS OG SVO KEMUR NÓTTIN) Directed by Elfar Aðalsteins

Social Justice Award for Documentary Film: BLACK MAMBAS Directed by Lena Karbe

ADL Stand Up Award, sponsored by ADL Santa Barbara/Tri-Counties, the Skinner Social Impact Fund, and Steve & Cindy Lyons: THE QUIET GIRL (AN CAILÍN CIÚIN) Directed by Colm Bairéad

Best Documentary Short Film Award: NOWHERE TO GO BUT EVERYWHERE (行き止まりのむこう側) Directed by Masako Tsumura, Erik Shirai

Bruce Corwin Award – Best Live-Action Short Film: THE MOISTURE (RUTUBET) Directed by Turan Haste

*Now eligible for the 2024 Academy Awards

Bruce Corwin Award – Best Animated Short Film: EPICENTER (소문의 진원지) Directed by Heeyoon Hahm

*Now eligible for the 2024 Academy Awards

This years films (and Mike’s Field Trip to the Movies), in my opinion, were the crux of what makes the Santa Barbara Film Festival the massively successful community event that it is. Santa Barbara has historically been a Hollywood film premiere town hearkening back to the silent film era. And, Roger Durling, the Executive Director of the Santa Barbara International Film Festival for two decades now, has been able to tap into this zeitgeist over and over again while making the festival more accessible to Santa Barbarans and more inclusive to all ranks of filmmakers. Until next year, I’ll see you at the movies!

SANTA BARBARA, CALIFORNIA – FEBRUARY 18: SBIFF Executive Director Roger Durling speaks at the Awards Breakfast during the 38th Annual Santa Barbara International Film Festival at El Encanto on February 18, 2023 in Santa Barbara, California. (Photo by Rebecca Sapp/Getty Images for SBIFF)

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 37 years, SBIFF has become one of the leading film festivals in the United States – attracting 100,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

SBIFF continues its commitment to education and the community throughout many free educational programs and events. In 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day. In 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.

Today’s AFI Movie Club Selection

Posted by Larry Gleeson

Today’s AFI Movie Club selection received a Best Picture Academy-award-winning Oscar and is based on the play In Moonlight Black Boys Look Blue by Tarell Alvin McCraney.

From writer/director Barry Jenkins, MOONLIGHT was also honored in 2016 with an AFI AWARD, recognizing it as one of the year’s most outstanding achievements in the art of the moving image – with the official rationale stating that, “MOONLIGHT illuminates the peerless power of cinema to inspire empathy for others and embrace a greater understanding of ourselves. Barry Jenkins’ poetic tour de force presents a deeply emotional triptych — the journey of boy to man searching for connection amidst the labyrinth of societal boundaries. An extraordinary ensemble lights the way in this sublime realization of a world where the question ‘Who is you?’ echoes in the pain of dreams deferred and the strength of an inner truth.”

Available to watch on Kanopy, Hoopla, Fubu Tv, and Showtime. Highly recommended viewing!

Until next time, I’ll see you at the movies!

Winners of the 2022 Oscars – CODA takes Best Picture

Posted by Larry Gleeson

Regina Hall, Amy Schumer, and Wanda Sykes hosted this year’s Academy Awards –  the first time ever that three women have hosted the show. Another first time ever was Will Smith assaulting (battery) comedian, Chris Rock, a fellow actor and Best Documentary presenter, on live television.

And, the Oscar goes to…..

 

Best Picture

  • “Belfast”
  • “CODA” – WINNER
  • “Don’t Look Up”
  • “Drive My Car”
  • “Dune”
  • “King Richard”
  • “Licorice Pizza”
  • “Nightmare Alley”
  • “The Power of the Dog”
  • “West Side Story”

Best Director

  • Kenneth Branagh – “Belfast”
  • Paul Thomas Anderson – “Licorice Pizza”
  • Jane Campion – “The Power of the Dog” – WINNER
  • Ryûsuke Hamaguchi – “Drive My Car”
  • Steven Spielberg – “West Side Story”

Best Actor

  • Javier Bardem – “Being the Ricardos”
  • Benedict Cumberbatch – “The Power of the Dog”
  • Andrew Garfield – “Tick, Tick… BOOM!”
  • Will Smith – “King Richard” – WINNER
  • Denzel Washington – “The Tragedy of Macbeth”

Best Actress

  • Jessica Chastain – “The Eyes of Tammy Faye” – WINNER
  • Olivia Colman – “The Lost Daughter”
  • Penélope Cruz – “Parallel Mothers”
  • Nicole Kidman – “Being the Ricardos”
  • Kristen Stewart – “Spencer”

Best Supporting Actor

  • Ciarán Hinds, “Belfast”
  • Troy Kotsur, “CODA” – WINNER
  • Jesse Plemons, “The Power of the Dog”
  • J.K. Simmons, “Being the Ricardos”
  • Kodi Smit-McPhee, “The Power of the Dog”

Best Supporting Actress

  • Jessie Buckley, “The Lost Daughter”
  • Ariana DeBose, “West Side Story” – WINNER
  • Judi Dench, “Belfast”
  • Kirsten Dunst, “The Power of the Dog”
  • Aunjanue Ellis, “King Richard”

Best Adapted Screenplay

  • “CODA” – WINNER
  • “Drive My Car”
  • “Dune”
  • “The Lost Daughter”
  • “The Power of the Dog”

Best Original Screenplay

  • “Belfast” – WINNER
  • “Don’t Look Up”
  • “King Richard”
  • “Licorice Pizza”
  • “The Worst Person in the World”

Best Original Song

  • “Be Alive” (King Richard)
  • “Dos Oruguitas” (Encanto)
  • “Down to Joy” (Belfast)
  • “No Time to Die” (No Time to Die) – WINNER
  • “Somehow You Do” (Four Good Days)

Best Animated Feature Film

  • “Encanto” – WINNER
  • “Flee”
  • “Luca”
  • “The Mitchells vs. the Machines”
  • “Raya and the Last Dragon”

Best International Feature Film

  • “Drive My Car” – WINNER
  • “Flee”
  • “The Hand of God”
  • “Lunana: A Yak in the Classroom”
  • “The Worst Person in the World”

Best Documentary Feature

  • “Ascension”
  • “Attica”
  • “Flee”
  • “Summer of Soul (Or, When The Revolution Could Not Be Televised)” – WINNER
  • “Writing with Fire”

Best Cinematography

  • “Dune” – WINNER
  • “Nightmare Alley”
  • “The Power of the Dog”
  • “The Tragedy of Macbeth”
  • “West Side Story”

Best Visual Effects

  • “Dune” – WINNER
  • “Free Guy”
  • “No Time to Die”
  • “Shang-Chi and the Legend of the Ten Rings”
  • “Spider-Man: No Way Home”

Best Original Score

  • “Don’t Look Up”
  • “Dune” – WINNER
  • “Encanto”
  • “The Power of the Dog”
  • “Parallel Mothers”

Best Sound

  • “Belfast”
  • “Dune” – WINNER
  • “No Time to Die”
  • “The Power of the Dog”
  • “West Side Story”

Best Production Design

  • “Dune” – WINNER
  • “Nightmare Alley”
  • “The Power of the Dog”
  • “The Tragedy of Macbeth”
  • “West Side Story”

Best Film Editing

  • “Don’t Look Up”
  • “Dune” – WINNER
  • “King Richard”
  • “The Power of the Dog”
  • “Tick, Tick… Boom”

Best Costume Design

  • “Cruella” – WINNER
  • “Dune”
  • “Cyrano”
  • “Nightmare Alley”
  • “West Side Story”

Best Makeup and Hairstyling

  • “Coming 2 America”
  • “Cruella”
  • “Dune”
  • “The Eyes of Tammy Faye” – WINNER
  • “House of Gucci”

Best Animated Short Film

  • “Affairs of the Art”
  • “Bestia”
  • “Boxballet”
  • “Robin Robin”
  • “The Windshield Wiper” – WINNER

Best Live Action Short Film

  • “Ala Kachuu – Take and Run”
  • “The Dress”
  • “The Long Goodbye” – WINNER
  • “On My Mind”
  • “Please Hold”

Best Documentary Short Subject

  • “Audible”
  • “Lead Me Home”
  • “The Queen of Basketball” – WINNER
  • “Three Songs for Benazir”
  • “When We Were Bullies”

Danny Glover received the Jean Hersholt Humanitarian Award, while Samuel L. Jackson, Elaine May, and Liv Ullmann received honorary Oscars.

Until next year, I’ll see you at the movies.

 

HollywoodGlee celebrating the start of the 2019 AFI FEST presented by Audi. (Photo credit: Larry Gleeson)

94TH OSCARS® ROUNDS OUT SHOW PRESENTERS

Posted by Larry Gleeson

94TH OSCARS® ROUNDS OUT SHOW PRESENTERS:

JOSH BROLIN, JACOB ELORDI, JAKE GYLLENHAAL, JASONMOMOA,  JILL SCOTT, J.K. SIMMONS, SERENA WILLIAMS, VENUS WILLIAMS AND RACHEL ZEGLER

THE OSCARS SET TO AIR LIVE, MARCH 27, ON ABC

 

 

LOS ANGELES, CA – Show producers Will Packer and Shayla Cowan today announced the final slate of presenters for the 94th Oscars®.  Rounding out the presenter lineup are Josh Brolin, Jacob Elordi, Jake Gyllenhaal, Jason Momoa, Jill Scott, J.K. Simmons, Serena Williams, Venus Williams, and Rachel Zegler.  The Oscars will air live on ABC and broadcast outlets worldwide on Sunday, March 27, 2022, at 8 p.m. EDT/5 p.m. PDT.

Previously announced Oscars presenters include Halle Bailey, Stephanie Beatriz, Ruth E. Carter, Sean “Diddy” Combs, Kevin Costner, Jamie Lee Curtis, DJ Khaled, Jennifer Garner, H.E.R., Tiffany Haddish, Woody Harrelson, Tony Hawk, Anthony Hopkins, Samuel L. Jackson, Lily James, Daniel Kaluuya, Zoë Kravitz, Mila Kunis, Lady Gaga, John Leguizamo, Simu Liu, Rami Malek, Shawn Mendes, Bill Murray, Lupita Nyong’o, Elliot Page, Rosie Perez, Tyler Perry, Chris Rock, Tracee Ellis Ross, Naomi Scott, Kelly Slater, Wesley Snipes, Uma Thurman, John Travolta, Shaun White and Yuh-Jung Youn.

The 94th Oscars will be held on Sunday, March 27, 2022, at the Dolby® Theatre at Ovation Hollywood and will be televised live on ABC at 8 p.m. EDT/5 p.m. PDT and in more than 200 territories worldwide.  American Sign Language (ASL) provided by Certified Deaf Interpreters, live closed captioning and audio description will be available during the live broadcast.

 

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers, and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach, and the Academy Museum of Motion Pictures.

 

(News release from Communications Department of the Academy of Motion Picture Arts and Sciences)

Santa Barbara International Film Festival Wraps Its 37th Edition

Posted by Larry Gleeson

The 2022 Santa Barbara International Film Festival (SBIFF) has officially wrapped.

 

SANTA BARBARA, CALIFORNIA – MARCH 12: A view outside the Arlington Theatre at the Closing Night Film “Dionne Warwick: Don’t Make Me Over” during the 37th Annual Santa Barbara International Film Festival on March 12, 2022, in Santa Barbara, California. (Photo by Rebecca Sapp/Getty Images for SBIFF)

 

The 37th Annual Santa Barbara International Film Festival presented by UGG closed with a special screening of DIONNE WARWICK: DON’T MAKE ME OVER, with the iconic singer in attendance. The documentary followed Warwick as she smashed through cultural, racial, and gender barriers to become the soundtrack for generations and a voice fighting for humanitarian causes. Featured interviews with Burt Bachrach, Gladys Knight, Gloria Estefan, Snoop Dogg, Bill Clinton, and many more!

This year was the festival’s first-ever hybrid in-person/virtual format. Nevertheless, it didn’t stop the Phase Two Oscar juggernaut from featuring Hollywood’s top talent. Despite herculean efforts to claim the wildly heralded tributes and panels are only window-dressings for the film program, no one actually believed it.

 

SANTA BARBARA, CALIFORNIA – MARCH 05: (L-R) Anne Thompson, Zach Baylin, Kenneth Branagh, Maggie Gyllenhaal, Sian Heder, Adam McKay, Denis Villeneuve and Eskil Vogt appear onstage at the Writers Panel during the 37th Annual Santa Barbara International Film Festival at Arlington Theatre on March 5, 2022 in Santa Barbara, California. (Photo by Rebecca Sapp/Getty Images for SBIFF)

 

For example, the Director’s Panel/Tribute honored all five Oscar-nominated directors: Paul Thomas Anderson (LICORICE PIZZA), Kenneth Branagh (BELFAST), Jane Campion (THE POWER OF THE DOG), Ryusuke Hamaguchi (DRIVE MY CAR), and Steven Spielberg (WEST SIDE STORY).

But it was the American Riviera Award tributing Penelope Cruz that was the most evident example of the festival promoting Oscar talent. Passionate cinephilic SBIFF Executive Director Roger Durling led the nearly two-hour-long conversation with Cruz sporting a red cape dress by Chanel. Durling lobbed a few well-placed “soft ball” questions and Cruz swatted them into the stratosphere as the audience was treated to several clips from Cruz’s exceptional filmography.  Undoubtedly, Cruz moved up into the top tier of the Best Actress category, and deservedly so. She is a major talent and her work in Spanish auteur Pedro Almodovar’s Parallel Mothers is her most seasoned and mature performance to date.

 

SANTA BARBARA, CALIFORNIA – MARCH 08: Penélope Cruz and SBIFF Executive Director Roger Durling speak onstage at the Montecito Award Ceremony during the 37th Annual Santa Barbara International Film Festival at Arlington Theatre on March 8, 2022 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)

 

Following Cruz’s conversation with Durling, she was treated to a surprise personal message from Sophia Loren. While presenting the award Loren told Cruz, “The day I met you on the set of Nine more than twelve years ago, I knew that you would be part of my life forever. I knew I found a sister, a daughter, a colleague, and a great, great friend.”

 

 

In juxtaposition to the Durling-led conversation, The Hollywood Reporter Awards Columnist, the affable Scott Feinberg, poked and prodded the boisterous and energetic Will Smith and the reserved and talented Aunjanue Ellis during the festival Outstanding Performers of the Year Tribute for their work in the Richard Williams biopic King Richard. Richard Williams is the father of tennis greats, Serena and Venus Williams. Smith is considered a front-runner for Best Actor as is Ellis for Best Supporting Actress.

 

SANTA BARBARA, CALIFORNIA – MARCH 06: (L-R) Aunjanue Ellis, Will Smith, and Scott Feinberg speak onstage at the Outstanding Performers of the Year Award tribute during the 37th Annual Santa Barbara International Film Festival at Arlington Theatre on March 6, 2022, in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)

Smith is seeing the competition heat up though with The Power of the Dog lead, the cerebral Benedict Cumberbatch, making a splash, and who, coincidentally, was at the festival receiving the SBIFF Cinema Vanguard Award presented by The Power of the Dog’s Oscar-nominated writer/director, Jane Campion! Campion lavishes high praise on Cumberbatch (see clip).

 

 

The Variety Artisan Awards, honoring those nominated for an Academy Award in below-the-line categories, the various panels, and the Virtuosos round out the festival’s Oscar-laden focus.

 

SANTA BARBARA, CALIFORNIA – MARCH 12: (L-R) Madelyn Hammond , Lynn Harris, Jessica Kingdom, Elizabeth Mirzaei, Diane Warren, and Amber Richards attend the women’s panel during the 37th Annual Santa Barbara International Film Festival on March 12, 2022, in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)

 

Not to take anything away from this year’s films put together by The Los Angeles Critic Association’s, Claudia Puig. Puig was determined to showcase more films representative of the greater Santa Barbara community.

 

A Place in the Field

 

Luckily, I had the good fortune to bend Puig’s ear on the sidewalk outside the Fiesta Five screening venue singing the praise of the directing debut of Nicole Mejia,  A Place In the Field, while thanking her for programming such a film directed by a woman,  produced primarily by a woman, and shot by a woman depicting a veteran dealing with unresolved war-time conflicts. Unabashedly, Puig communicated an Uber was arriving in two minutes and confided that there were a few last-minute additions worth checking out.

 

Nitram

 

Little did I know in that very moment, that one of the last films screening on Friday night in a slot up against the festival’s biggest and most prestigious award, the Maltin Modern Master Award honoring the Aaron Sorkin-penned, I Love Lucy leads, Nicole Kidman, and Javier Bardem would be the blistering backstory of the Australian Port Arthur Massacre on Tasmania, Nitram, featuring a monumental, “one for the ages” performance by Caleb Landry Jones as the lead Nitram (Martin spelled backward) for which he received Best Actor in Film from the illustrious Cannes Film Festival. Fortunately, a second screening occurred on Saturday afternoon. I did attend the second screening as I had watched virtually Leonard Maltin’s truncated performance on Friday evening with Kidman and Bardem.

 

Big Crow

 

Another film Puig brought forth was a Native film, Big Crow, a narrative documentary on the legend Cheryl Big Crow, a 1980’s standout basketball player and visionary of the Lakota people. Like many films this year, Big Crow did not feature a sold-out audience. Due to COVID and by design, fewer passes and diminished capacities were the norms with masks required along with proof of vaccination or negative test within the previous 72 hours to have a seat for any of the festival’s offerings.

A short-form documentary with vivid colors and a female subject matter, Fresh to Frightening: The Shannon Green Story, on Santa Barbara’s, world-renowned Yacht Racing photographer epitomized Puig’s determination to show more films representative of Santa Barbara. Fresh to Frightening s is “a kinetic and gorgeously shot documentary which captures the beauty and energy of sailing and yacht racing while it also introduces us to a dynamic woman and the art of her photography.” Indeed.

I can honestly say, I did not see a bad film. In reality, there were only two kinds of films this year – good and better!

Here are the award-winning films for the 2022 Santa Barbara International Film Festival:

Audience Choice Award sponsored by The Santa Barbara Independent: Rachael Moriarty and Peter Murphy’s Róise and Frank (Mo ghrá buan)

Best Documentary Short Film Award: Jordan Matthew Horowitz’s LALITO 10

Bruce Corwin Award – Best Live-Action Short Film: Marilyn Cooke’s NO GHOST IN THE MORGUE (PAS DE FANTÔME À LA MORGUE)

Bruce Corwin Award – Best Animated Short Film: Zacharias Kunuk’s THE SHAMAN’S APPRENTICE

Best Documentary Award: Jon-Sesrie Goff’s AFTER SHERMAN

Jeffrey C. Barbakow Award – Best International Feature Film: Shawkat Amin Korki’s THE EXAM (EZMÛN)

Best Middle Eastern/Israeli Film Award: Dina Amer’s YOU RESEMBLE ME (TU ME RESSEMBLES)

Best Nordic/Dutch Film Award: Marianne Blicher’s MISS VIBORG

Nueva Vision Award for Spain/Latin America Cinema: Martín Barrenechea and Nicolás Branca’s 9

Panavision Spirit Award for Independent Cinema: Shasha Nakhai and Rich Williamson’s SCARBOROUGH

Social Justice Award for Documentary Film: Emma Macey-Storch’s GEETA

ADL Stand Up Award, sponsored by ADL Santa Barbara/Tri-Counties, the Skinner Social Impact Fund, and Steve & Cindy Lyons: Jordan W. Barrow and Matt Edwards’s OUR WORDS COLLIDE.

The films were chosen by jury members Carlos Aguilar, Justine Bateman, Dupe Bosu, Julie Carmen, Annlee Ellingson, Tim Grierson, Beandrea July, Elizabeth Lo, Scott Mantz, Jose Novoa, Gil Robertson, Charles Solomon, Angie Wang, Steve Zahn, and Anthony & Annette Zerbe.

SBIFF’s Programming Director Claudia Puig.

“We are so thrilled to have had our slate of 200 films from 54 countries so well-received by festivalgoers. A few films even elicited standing ovations. We are very proud that filmmakers came from as far as Nepal, Iran, and Uganda–and many countries in between– to attend with their films. We thank all the wonderful filmmakers and our enthusiastic Santa Barbara audience for making this such a joyful return to theaters, and a celebration of terrific world cinema.” commented SBIFF’s Programming Director Claudia Puig.

In addition, the festival offered several free screenings and a few with Q&A’s  including:

The Power of the Dog and Q&A with Jane Campion

Licorice Pizza and Q&A with Paul Thomas Anderson and Alana Haim

Belfast

King Richard and a Q&A with Reinaldo Marcus Green and Aunjanue Ellis

Selena

Silver Linings Playbook and a Q&A with David O. Russell and editor Jay Cassidy

Until next year, I’ll see you at the movies!