“Don’t let yourself harden in these hard times.” The lyrics by East-German protest singer Wolf Biermann have been running through Berlinale director Dieter Kosslick’s head lately. He recited them for the assembled press at Tuesday’s program preview.
Officially, there is no theme for the Berlinale Film Festival’s competition program. But Kosslick wants to stress that there’s a certain bravery, even levity, that runs through the whole festival.
When asked directly whether the Berlinale will respond to recent events in US or world politics, Kosslick demurs. Not being reactive, he says, it is its own form of protest—and the diversity and range of the program is enough of a statement.
While the festival as a whole isn’t designed to respond to contemporary politics, some films certainly do.
Panorama director Wieland Speck explains:
“One film, of course, is like an anchor film, which is the Oscar-nominated film I Am Not Your Negro from Raoul Peck. I Am Not Your Negro is a find that makes my heart swell, because it’s James Baldwin, [who is] not only an icon, as a brilliant writer, but an activist, a gay person at a time when that was basically not possible.”
Also in the Panorama section is the documentary Strong Island, which brings the same questions about sexuality and race into the present tense.
“Strong Island is an incredible find of today’s America. It’s about a killing of a young man twenty years ago, but the family is of course not over this. The sister, who is now a man, is the filmmaker,” Speck explains. “This is a very deep, philosophical, almost poetic—if it wouldn’t be such a gruesome reality, you would call it that way—film to explore that kind of situation from the personal to the very political.”
The NATIVe Program, which highlights indigenous filmmakers, also serves as a kind of litmus to our rapidly changing world. The issue of climate change runs throughout this year’s selections.
Here’s section director, Maryanne Redpath:
“This year it’s on indigenous film from the Arctic region all the way around the Polar Circle. Of course we all know there are a lot of issues around climate. Many people from the Western worlds project a utopic vision of what it’s like up there, with the eternal eyes and the Aurora Borealis. We have this idea that it’s still very pristine, and of course the indigenous people have been telling us for a long time that it’s not so rosy.”
These films respond to issues like colonization and industrialization, showing both directly and indirectly the immediate impact of climate change above the Arctic Circle.
Still, as Wolf Biermann sings, “the world needs your cheerfulness.” There are plenty of comedies across the program as well.
ACTIVITIES FOR AND WITH REFUGEES DURING THE 67TH BERLINALE
In 2017 the Berlin International Film Festival will again work towards furthering the integration of refugees. The Festival has always made a point of fostering understanding, tolerance, and acceptance, as well as responding to current events in society – not only with its film program, but also with many other activities.
The Berlinale will renew its collaboration with KulturLeben Berlin in order to promote the participation of the socially disadvantaged in the cultural life of the city. Tickets for vacant seats will again be available to people with low incomes at a 50 percent discount.
Last year several concrete projects were launched to support refugees. Due to the very positive feedback of the participants and the desire to achieve longer-lasting integration, these projects will be continued and expanded.
A call for donations
The Berlinale would like to urge Festival guests and visitors to make donations to the children and youth department of Zentrum ÜBERLEBEN (formerly called the Behandlungszentrum für Folteropfer e. V.). This Berlin-based centre provides psychological, social, and integrative support to children and adolescents who have been traumatized by torture, flight, and/or persecution. In addition to individual therapeutic care, group activities are an important feature of the centre’s work. The money collected last year enabled adolescents who have experienced flight and trauma to attend a film camp. There they were able to try out different positions in front of and behind the camera, and creatively explore topics of their choice, some of which were autobiographical.
Donations may be paid into an account (banking details are at the bottom of this press release) or made at 17 donation boxes distributed around the Festival grounds.
Participation
Movie mentors for refugees
Within the scope of a “movie mentoring”-project, volunteers from Berlin’s non-profit refugee aid organizations are asked to register as mentors and accompany refugees to Berlinale screenings.
With this project the Berlinale wants to show its appreciation to volunteers for their engagement and strengthen existing relationships, as well as promote cultural exchange.
LOLA at the Berlinale
Within the scope of a collaboration with the Berliner Volkshochschulen (VHS: schools for adult education), the Berlinale is offering 160 free tickets to VHS “integration classes” and their instructors. They will be able to select from eight German films screening in the LOLA series of the Berlinale at the Zoo Palast.
Guest trainees
During the Berlinale around 20 guest trainees who came to Germany as refugees will be given the chance to take a look at various fields behind the scenes of the Festival in collaboration with the Beratungs- und Betreuungszentrum für junge Flüchtlinge und Migrant*innen (BBZ/ KommMit e.V.).
Generation: School projects for “welcome classes”
For eleven years now, the Generation section has offered pupils the opportunity to participate within the framework of a school project in the Berlinale. With educational staff that is well versed in cinema, these pupils may see and discuss films, as well as work on assignments about them afterwards.
Since last year, the Berlinale’s school program has been extended to include “welcome classes” (introductory German language classes for refugees). This year ten “welcome classes” are to participate in the program.
Banking details for donations:
Zentrum ÜBERLEBEN GmbH
Bank für Sozialwirtschaft
IBAN: DE82 1002 0500 0001 5048 00
BIC: BFSWDE33BER
Reason for transfer: “Berlinale helps 2017”
The Santa Barbara International Film Festival has announced its long-awaited festival app. The app had been in beta for several months leading up to the announcement, is fully functional and can be updated easily to reflect last-minute additions to the festival’s programming.
“With the app, not only can you view the schedule and info on all films and events, you can add reminders to your device’s calendar and join in discussions about each film through a Facebook login,” according to the festival.
Utilizing an extensive drop-down menu, the new app’s design packs a powerful punch of information to keep festival goers up-to-date on films and events. Included is an interactive map for routes to the various venues, a complete schedule of films with an option to set reminders, a link for passes and tickets and detailed information on each event under the Discover tab.
Other tabs available are the Information & Social, My Profile and My Favorites. These tabs require some engagement. The payoff is a one-stop-shop for social media and up-to-date festival information. All-in-all, the SBIFF app is a comprehensive app and a most welcomed addition to the festival experience. Highly recommended!
The app is available for download on iOS and Android platforms.
Since 1986 the Berlin International Film Festival has presented the Berlinale Camera to film personalities or institutions to which it feels particularly indebted and wishes to express its thanks.
At the 67th Berlin International Film Festival, three personalities will be awarded the Berlinale Camera: film producer and distributor Nansun Shi (Hong Kong, China), actor Geoffrey Rush (Australia), and film critic and author Samir Farid (Egypt).
Nansun Shi is one of the most important and influential producers and distributors of the international film world. In the 1970s, following her studies in statistics and computer science in London, and before starting her career as a film producer, she was engaged in the field of television in Hong Kong.
In 1984, after working as executive director for Cinema City Studios for a number of years, Nansun Shi and renowned director Tsui Hark, founded Film Workshop, their own production company. It wasn’t long before its name was equated with hits at the box office. Their biggest international successes in this period include A Better Tomorrow (1986) by John Woo; Once Upon a Time in China (1991) with Jet Li, and Seven Swords (2005), both of which were directed by Tsui Hark. Produced in 2002, the multiple prize-winning thriller Infernal Affairs was the film on which Martin Scorsese based The Departed (2006).
In addition, as co-founder of Distribution Workshop, she was committed to her role as distributor of Chinese-language films. She was also the Vice Chairman of the Media Asia Group, one of the largest Asian film studios. In 2011 she served on the jury of the International Film Festival in Cannes, and in 2014 she received the Best Independent Producer Award in Locarno. In 2013 the French government honored Nansun with the title of Officier de I’Ordre des Arts et des Lettres; in 2015 the Udine Far East Film Festival, with the Golden Mulberry Life Time Achievement Award.
She has close ties with the Berlinale: in 2007 she was a member of the International Jury, and since then has been a regular guest at the Festival. In 2011 she presented Late Autumn (dir: Kim Tae-Yong) in the Forum; and in 2012 Flying Swords of Dragon Gate (dir: Tsui Hark) in the Competition section, where it screened out of competition. Most recently, she produced The Taking of Tiger Mountain, which was a big hit in China.
Nansun Shi will be awarded the Berlinale Camera in the cinema at the Martin-Gropius-Bau at 12.30 pm on Friday, February 10, 2017. Fred Tsui will give a speech in her honor. First awarded in 2016, this prestigious prize will now be presented annually to an outstanding producer.
GEOFFREY RUSH, ACTOR (AUSTRALIA)
For over 40 years, Geoffrey Rush has been recognized as one of the world’s most remarkable character actors. He is equally at home on stage and screen. The Australian is among the few to have ever won the “Triple Crown of Acting”: the Emmy, Oscar, and Tony – as well as countless other awards for his performances. He has starred in eight films presented at the Berlin International Film Festival.
Rush made his stage debut when he was just 20. In the following years, he developed an extraordinary repertoire of classical theatre roles. He first performed on screen in 1981. For his tour-de-force portrayal of the highly dysfunctional but brilliant pianist David Helfgott in Shine (dir: Scott Hicks, 1996), he won an Academy Award. He also received Golden Globe and Oscar nominations for two period dramas, Shakespeare in Love (dir: John Madden) and Quills (dir: Philip Kaufman), and participated with them in the Berlinale Competition in 1999 and 2001 respectively. Rush starred in The Tailor of Panama (dir: John Boorman), which was also screened in the 2001 Competition. In 2003, he portrayed Captain Hector Barbossa, one of the villains in Pirates of the Caribbean (dir: Gore Verbinski), for the first time. The huge international success of this adventure film led to three sequels – in all of them Rush plays the roguish Captain.
In 2006, Rush returned to the Berlinale Competition, appearing in the drug film Candy (dir: Neil Armfield). In 2011, he could be seen in the Berlinale Special, in Tom Hooper’s touching drama The King’s Speech. Among many other prizes, he received the BAFTA Award for Best Supporting Actor for this film. Rush’s most recent appearance at the Festival was in 2013 when he presented the thriller The Best Offer by Giuseppe Tornatore in the Berlinale Special.
In this year’s Competition program he is playing the lead in Stanley Tucci’s Final Portrait (out of competition). Geoffrey Rush will be awarded the Berlinale Camera at the Berlinale Palast at 7.00 pm on Saturday, February 11, 2017.
SAMIR FARID, FILM CRITIC, AUTHOR (EGYPT)
Samir Farid is one of the most eminent film critics and authors of the Arab world. As an expert on cinema, his advice and opinions are in demand worldwide. As a film critic he has accompanied the Berlinale for decades.
He first trained his sharp eye for film during his studies at the Higher Institute of Dramatic Arts at the Academy of Arts in Cairo. In 1965 he began his career as a critic at the Egyptian daily Al-Gomhoreya, where he worked for 38 years. During this period, he co-founded the National Festival of Short and Documentary Films (1970), the National Festival of Feature Films (1971), as well as the Egyptian Film Critics Association (1972). Since the early 1970s, Farid has also been a member of the FIPRESCI, the international federation of film critics. Over the course of his long career, he has used his extensive knowledge while serving as a jury member at many world-renowned film festivals.
For a few years during the 1980s, he was also a correspondent for the trade magazine Variety. In 2004 he began working for the daily Al-Masry Al-Youm. Farid is the author and translator of more than 60 books on Arab and world cinema. For his achievements and contributions to the discourse on cinema, he received the Cannes Film Festival Gold Medal in both 1997 and 2000, as well as Lifetime Achievement Awards at the Osian’s-Cinefan Festival in New Delhi in 2012 and at the Dubai International Film Festival in 2013.
Samir Farid will be awarded the Berlinale Camera at the Berlinale Lunch Club at 12.30 pm on Wednesday, February 15, 2017. Journalist and FIPRESCI Secretary General Klaus Eder will give a speech in his honour.
Modelled on a real camera, the Berlinale Camera has 128 finely crafted components made by Dusseldorf-based goldsmith Georg Hornemann.
Outstanding Directors of the Year Award
Honoring:
Damien Chazelle (La La Land)
Barry Jenkins (Moonlight)
Kenneth Lonergan (Manchester by the Sea)
and Denis Villeneuve (Arrival)
Tuesday, February 7, 2017 @ 8:00pm
Arlington Theatre
The Santa Barbara International Film Festival will honor this year’s Outstanding Directors at the Arlington Theatre, Tuesday, February 7, 2017, at 8 PM in Santa Barbara, Calif. (Pictured left to right; Damien Chazelle, Barry Jenkins, Kenneth Lonergan and Denis Villeneuve. Photo courtesy of sbiff.org)
Barry Jenkins, Damien Chazelle, Denis Villeneuve, and Kenneth Lonergan will receive the 2017 Outstanding Directors of the Year Award. They will each be celebrated individually for their films Moonlight, La La Land, Arrival, and Manchester by the Sea respectively. The individual honors will be followed by a joint conversation between the directors on their craft and the landscape of modern day filmmaking. The ceremony will take place on Tuesday, February 7th at the historic Arlington Theatre.
SBIFF Executive Director, Roger Durling (Photo via SBIndependent)
“These directors are true visionaries, with a body of work that exemplifies excellence in filmmaking,” said SBIFF Executive Director Roger Durling. “We are thrilled to honor this group for their indelible contributions to cinema.”
The Outstanding Directors of the Year Award is given to directors that push the boundaries of cinema with their innovative approach. They are master storytellers, bringing their vision to life on screen.
Past recipients include:
2016 – Lenny Abrahamson (ROOM), Alejandro G. Iñárritu (THE REVENANT), Tom McCarthy (SPOTLIGHT), Adam McKay (THE BIG SHORT), and George Miller (MAD MAX: FURY ROAD)
2015 – Damien Chazelle (WHIPLASH), Richard Linklater (BOYHOOD), Bennett Miller (FOXCATCHER), Laura Poitras (CITIZENFOUR), and Morten Tyldum (THE IMITATION GAME)
2014 – David O. Russell (AMERICAN HUSTLE)
2010 – Kathryn Bigelow (THE HURT LOCKER)
2009 – Danny Boyle (SLUMDOG MILLIONAIRE)
Official Selection – Section Panorama Dokumente Berlinale 2017
A cruise ship and 3,000 men – it is a universe without heteros and women that usually remains a mystery to the outside world. Once a year the DREAM BOAT sets sail for a cruise exclusively for gay men where most passengers are united by the wish to live life authentically as themselves in a protected place: Dipankar from India escaped an arranged marriage and now throws himself into the action to find his dream man. But the gay community‘s ideal of masculinity increasingly becomes a tight corset for him. Ramzi from Palestine was persecuted by the police in his home country, Palestine, for being gay and had to start a new life in Europe with nothing. The Frenchman Philippe was let down by his family when he was bound to a wheelchair. The more important is his long-term relationship with his partner, and his gay substitute family. Martin from Austria enjoys the hedonism and abundant choice of men to the full and gives perspectives on how to deal with HIV today. Marek from Poland, has everything he needs to stand out on the men’s market, thanks to his trained body. However, he feels lonely in the crowd. Now the countdown is on for seven days of hunting for freedom, love, and happiness – but on board are also their personal stories, their doubts and uncertainties…
ABOUT THE DIRECTOR
Tristan Ferland Milewski has directed numerous documentary portraits about top pop acts like Madonna, among others and was responsible for the script and direction of the documentary series MAKE LOVE – ONE CAN LEARN HOW TO MAKE LOVE (nominated for the German Television Prize 2017). DREAM BOAT is his first feature-length documentary for theatrical release.
Dream Boat Director , Tristan Ferland Milewski (Photo courtesy of Koelner Filmpresse)
Kenya’s film industry has seen a revival in recent years as the first edition of the NBO Film Festival was opened last Thursday.
The main feature at the first edition of the Film Festival was a drama entitled “Kati Kati ”, about the mystery that surrounds death.
‘Kati Kati’ a Swahili word , means Middle, it narrates the story of a young woman called ‘Kaleche’ who dies and moves on to the next life where others who have gone before her are trapped in a posthumous commune run by ‘Thoma’.
The film was written and directed by Mbithi Masya, a first time filmmaker, who said the story was deeply personal for him and his co-writer Mugambi Nthiga.
Kati Kati made its public Kenyan debut at a cinema in a Nairobi suburb where Hollywood and Bollywood films make up for almost all ticket sales.
The film won the Prize for the International Federation of Film Critics (FIPRESCI) at the 2016 Toronto International Film Festival (TIFF).
According to the organizers, the festival is aimed at growing cinema-going audiences for notable content from around the world, but mostly to give local films a platform to help take the industry to the next level.
Creative players in the industry say there is little support from the government to grow local talent and not enough projects to offer regular professionals work despite claims by the Kenya Film Commission saying it was worth 2 billion US dollars in 2016 up from 600 million in 2007.
Ceremony Caps Snowy Festival; Top Prizes Go To Dina, I don’t feel at home in this world anymore., Last Men in Aleppo, The Nile Hilton Incident
Chasing Coral, Crown Heights, Joshua: Teenager vs. Superpower, Sueño en otroidioma (I Dream in Another Language) and Gook Win Audience Awards
Park City, Utah — After 10 days, 119 feature films and three feet of snow, an evening of humor and humanity marked the 2017 Sundance Film Festival’s Awards Ceremony, with host Jessica Williams emceeing and jurors presenting 27 prizes for feature filmmaking in Park City, Utah. Honorees, named in total below, range from sharp comedies to provocative and timely documentaries and represent new achievements in global independent storytelling. Human stories prevailed across categories, with Grand Jury Prizes awarded to Dina (U.S. Documentary), Last Men in Aleppo (World Documentary), I don’t feel at home in this world anymore. (U.S. Dramatic) and The Nile Hilton Incident (World Dramatic). Chasing Coral, showcased in the Festival’s environmental program The New Climate, won an Audience Award in the U.S. Documentary category.
John Cooper, Director of the Sundance Film Festival (Photo via twitter)
John Cooper, Director of the Sundance Film Festival, said, “This has been one of the wildest, wackiest and most rewarding Festivals in recent memory. From a new government to the independently organized Women’s March on Main, to power outages, a cyberattack and snow at record levels, the work of our artists rose above it all and challenged and changed us these last 10 days. I am most proud that, through it all, we have formed a community that is bound tighter by the art we make and the ideas we support.”
Keri Putnam, Executive Director of Sundance Institute (Photo via Sundance Institute)
Keri Putnam, Executive Director of Sundance Institute, added, “Let’s take the amazing energy we feel here at the Festival when we share stories with one another, and work together on behalf of the arts for the future we want to see.”
The awards ceremony marked the culmination of the 2017 Festival, where 119 feature-length and 68 short films — selected from 13,782 submissions — were showcased in Park City, Salt Lake City and Sundance, Utah, alongside new episodic work, panels, music and New Frontier. The ceremony was live-streamed; video is available at youtube.com/sff.
This year’s jurors, invited in recognition of their accomplishments in the arts, technical craft and visionary storytelling, deliberated extensively before presenting awards from the stage; this year’s jurors were Diego Buñuel, Julie Goldman, Robert Greene, Susan Lacy, Larry Wilmore, Gael García Bernal, Peter Dinklage, Jody Hill, Jacqueline Lyanga, Jeannine Oppewall, Nai An, Sonia Braga, Athina Rachel Tsangari, Carl Spence, Marina Stavenhagen and Lynette Wallworth. Festival audiences voted for the Audience Awards in each of the U.S. and World Competitions and NEXT.
Feature film award winners in previous years include: Weiner, Sand Storm, The Birth of a Nation, Whiplash, Fruitvale Station, Beasts of the Southern Wild, Twenty Feet from Stardom, Searching for Sugarman, The Square, Me and Earl and the Dying Girl, Cartel Land, The Wolf Pack, The Diary of a Teenage Girl, Dope, Dear White People, The Cove and Man on Wire.
FILM FESTIVAL FEATURE FILM AWARDS
The U.S. Grand Jury Prize: Documentary was presented by Larry Wilmore to: Dina / U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story.
The U.S. Grand Jury Prize: Dramatic was presented by Peter Dinklage to: I don’t feel at home in this world anymore. / U.S.A. (Director and screenwriter: Macon Blair) — When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves, alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals. Cast: Melanie Lynskey, Elijah Wood, David Yow, Jane Levy, Devon Graye.
The World Cinema Grand Jury Prize: Documentary was presented by Lynette Wallworth to: Last Men in Aleppo / Denmark, Syria (Director: Feras Fayyad) — After five years of war in Syria, Aleppo’s remaining residents prepare themselves for a siege. Khalid, Subhi and Mahmoud, founding members of The White Helmets, have remained in the city to help their fellow citizens—and experience daily life, death, struggle and triumph in a city under fire.
The World Cinema Grand Jury Prize: Dramatic was presented by Sonia Braga to: The Nile Hilton Incident / Sweden, Germany, Denmark (Director and screenwriter: Tarik Saleh) — In Cairo, weeks before the 2011 revolution, Police Detective Noredin is working in the infamous Kasr el-Nil Police Station when he is handed the case of a murdered singer. He soon realizes that the investigation concerns the power elite, close to the President’s inner circle. Cast: Fares Fares, Mari Malek, Mohamed Yousry, Yasser Ali Maher, Ahmed Selim, Hania Amar.
The Audience Award: U.S. Documentary, Presented by Acura was presented by Barbara Kopple to: Chasing Coral / U.S.A. (Director: Jeff Orlowski) — Coral reefs around the world are vanishing at an unprecedented rate. A team of divers, photographers and scientists set out on a thrilling ocean adventure to discover why and to reveal the underwater mystery to the world.
The Audience Award: U.S. Dramatic, Presented by Acura was presented by Taylor Sheridan to: Crown Heights / U.S.A. (Director and screenwriter: Matt Ruskin) — When Colin Warner is wrongfully convicted of murder, his best friend, Carl King, devotes his life to proving Colin’s innocence. Adapted from This American Life, this is the incredible true story of their harrowing quest for justice. Cast: Lakeith Stanfield, Nnamdi Asomugha, Natalie Paul, Bill Camp, Nestor Carbonell, Amari Cheatom.
The Audience Award: World Cinema Documentary was presented by Barbara Kopple to: Joshua: Teenager vs. Superpower / U.S.A. (Director: Joe Piscatella) — When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.
The Audience Award: World Cinema Dramatic was presented by Taylor Sheridan to: Sueño en otro idioma (I Dream in Another Language) / Mexico, Netherlands (Director: Ernesto Contreras, Screenwriter: Carlos Contreras) — The last two speakers of a millennia-old language haven’t spoken in 50 years, when a young linguist tries to bring them together. Yet hidden in the past, in the heart of the jungle, lies a secret concerning the fate of the Zikril language. Cast: Fernando Álvarez Rebeil, Eligio Meléndez, Manuel Poncelis, Fátima Molina, Juan Pablo de Santiago, Hoze Meléndez.
The Audience Award: NEXT, Presented by Adobe was presented by Bridget Everett to: Gook / U.S.A. (Director and screenwriter: Justin Chon) — Eli and Daniel, two Korean American brothers who own a struggling women’s shoe store, have an unlikely friendship with 11-year-old Kamilla. On the first day of the 1992 L.A. riots, the trio must defend their store—and contemplate the meaning of family, their personal dreams and the future. Cast: Justin Chon, Simone Baker, David So, Curtiss Cook Jr., Sang Chon, Ben Munoz.
The Directing Award: U.S. Documentary was presented by Susan Lacy to:
Peter Nicks for his film The Force / U.S.A. (Director: Peter Nicks) — This cinema verité look at the long-troubled Oakland Police Department goes deep inside their struggles to confront federal demands for reform, a popular uprising following events in Ferguson and an explosive scandal.
The Directing Award: U.S. Dramatic was presented by Jody Hill to:
Eliza Hittman for her film Beach Rats / U.S.A. (Director and screenwriter: Eliza Hittman) — An aimless teenager on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online. Cast: Harris Dickinson, Madeline Weinstein, Kate Hodge.
The Directing Award: World Cinema Documentary was presented by Marina Stavenhagen to:
Pascale Lamche, for her film WINNIE / France (Director: Pascale Lamche) — While her husband served a life sentence, paradoxically kept safe and morally uncontaminated, Winnie Mandela rode the raw violence of apartheid, fighting on the front line and underground. This is the untold story of the mysterious forces that combined to take her down, labeling him a saint, her, a sinner.
The Directing Award: World Cinema Dramatic was presented by Athina Tsangari to:
Francis Lee, for his film God’s Own Country / United Kingdom (Director and screenwriter: Francis Lee) — Springtime in Yorkshire: isolated young sheep farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker, employed for the lambing season, ignites an intense relationship that sets Johnny on a new path. Cast: Josh O’Connor, Alec Secareanu, Ian Hart, Gemma Jones.
The Waldo Salt Screenwriting Award: U.S. Dramatic was presented by Gael Garcia Bernal to:
Matt Spicer and David Branson Smith, for their film Ingrid Goes West / U.S.A. (Director: Matt Spicer, Screenwriters: Matt Spicer, David Branson Smith) — A young woman becomes obsessed with an Instagram “influencer” and moves to Los Angeles to try and befriend her in real life. Cast: Aubrey Plaza, Elizabeth Olsen, O’Shea Jackson Jr., Wyatt Russell, Billy Magnussen.
A U.S. Documentary Special Jury Award for Inspirational Filmmaking was presented by Julie Goldman to: STEP / U.S.A. (Director: Amanda Lipitz) — With dreams of becoming the first in their families to attend college, a group of seniors from an inner-city Baltimore girls high school strives to make their step dance team a success against a backdrop of social unrest in a troubled city.
A U.S. Documentary Special Jury Award for Storytelling was presented by Robert Greene to: Strong Island / U.S.A., Denmark (Director: Yance Ford) — Examining the violent death of the filmmaker’s brother and the judicial system that allowed his killer to go free, this documentary interrogates murderous fear and racialized perception, and re-imagines the wreckage in catastrophe’s wake, challenging us to change.
A U.S. Documentary Special Jury Award for Editing was presented by Diego Buñuel to:
Editors Kim Roberts and Emiliano Battista for Unrest / U.S.A. (Director: Jennifer Brea) — When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she sets out on a virtual journey to document her story—and four other families’ stories—fighting a disease medicine forgot.
A U.S. Documentary Special Jury Award: The Orwell Award was presented by Diego Buñuel to: ICARUS / U.S.A. (Director: Bryan Fogel) — When Bryan Fogel sets out to uncover the truth about doping in sports, a chance meeting with a Russian scientist transforms his story from a personal experiment into a geopolitical thriller involving dirty urine, unexplained death and Olympic Gold—exposing the biggest scandal in sports history.
A U.S. Dramatic Special Jury Award for Best Cinematography was presented by Gael Garcia Bernal to:
Director of Photography Daniel Landin for The Yellow Birds / U.S.A. (Director: Alexandre Moors, Screenwriters: David Lowery, R.F.I. Porto) — Two young men enlist in the army and are deployed to fight in the Iraq War. After an unthinkable tragedy, the returning soldier struggles to balance his promise of silence with the truth and a mourning mother’s search for peace. Cast: Tye Sheridan, Jack Huston, Alden Ehrenreich, Jason Patric, Toni Collette, Jennifer Aniston.
A U.S. Dramatic Special Jury Award for Breakthrough Performance was presented by Jacqueline Lyanga to:
Chanté Adams, in Roxanne Roxanne / U.S.A. (Director and screenwriter: Michael Larnell) — The most feared battle MC in early-’80s NYC was a fierce teenager from the Queensbridge projects with the weight of the world on her shoulders. At age 14, hustling the streets to provide for her family, Roxanne Shanté was well on her way to becoming a hip-hop legend. Cast: Chanté Adams, Mahershala Ali, Nia Long, Elvis Nolasco, Kevin Phillips, Shenell Edmonds.
A U.S. Dramatic Special Jury Award for Breakthrough Director was presented by Jeannine Oppewall to:
Maggie Betts, for her film Novitiate / U.S.A. (Director and screenwriter: Maggie Betts) — In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church. Cast: Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron, Morgan Saylor.
A World Cinema Documentary Special Jury Award for Excellence in Cinematography was presented by Marina Stavenhagen to:
Cinematographer Rodrigo Trejo Villanueva for Machines / India, Germany, Finland (Director: Rahul Jain) — This intimate, observant portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
A World Cinema Documentary Special Jury Award for Commanding Vision was presented by Carl Spence to: Motherland / U.S.A., Philippines (Director: Ramona S. Diaz) — Taking us into the heart of the planet’s busiest maternity hospital, the viewer is dropped like an unseen outsider into the hospital’s stream of activity. At first, the people are strangers. As the film continues, it’s absorbingly intimate, rendering the women at the heart of the story increasingly familiar.
A World Cinema Documentary Special Jury Award for Masterful Storytelling was presented by Lynette Wallworth to: RUMBLE: The Indians Who Rocked The World / Canada (Directors: Catherine Bainbridge, Alfonso Maiorana) — This powerful documentary about the role of Native Americans in contemporary music history—featuring some of the greatest music stars of our time—exposes a critical missing chapter, revealing how indigenous musicians helped shape the soundtracks of our lives and, through their contributions, influenced popular culture. Cast: Robbie Robertson, Buffy Sainte-Marie, Martin Scorsese, Tony Bennett, Steven Tyler, Iggy Pop.
A World Cinema Dramatic Special Jury Award for Cinematography was presented by Athina Tsangari to:
Cinematographer Manu Dacosse for Axolotl Overkill / Germany (Director and screenwriter: Helene Hegemann) — Mifti, age 16, lives in Berlin with a cast of characters including her half-siblings; their rich, self-involved father; and her junkie friend Ophelia. As she mourns her recently deceased mother, she begins to develop an obsession with Alice, an enigmatic, and much older, white-collar criminal. Cast: Jasna Fritzi Bauer, Arly Jover, Mavie Hörbiger, Laura Tonke, Hans Löw, Bernhard Schütz.
A World Cinema Dramatic Special Jury Award for Cinematic Vision was presented by Sonia Braga to: Free and Easy / Hong Kong (Director: Jun Geng, Screenwriters: Jun Geng, Yuhua Feng, Bing Liu) — When a traveling soap salesman arrives in a desolate Chinese town, a crime occurs, and sets the strange residents against each other with tragicomic results. Cast: Xu Gang, Zhang Zhiyong, Xue Baohe, Gu Benbin, Zhang Xun, Yuan Liguo.
A World Cinema Dramatic Special Jury Award for Screenplay was presented by Nai An to:
Screenwriter Kirsten Tan for Pop Aye / Singapore, Thailand (Director and screenwriter: Kirsten Tan) — On a chance encounter, a disenchanted architect bumps into his long-lost elephant on the streets of Bangkok. Excited, he takes his elephant on a journey across Thailand in search of the farm where they grew up together. Cast: Thaneth Warakulnukroh, Penpak Sirikul, Bong.
The following awards were presented at separate ceremonies at the Festival:
SHORT FILM AWARDS:
Jury prizes and honorable mentions in short filmmaking were presented at a ceremony in Park City on January 24. The Short Film Grand Jury Prize was awarded to:And so we put goldfish in the pool./ Japan (Director and screenwriter: Makoto Nagahisa). The Short Film Jury Award: U.S. Fiction was presented to: Lucia, Before and After / U.S.A. (Director and screenwriter: Anu Valia). The Short Film Jury Award: International Fiction was presented to: And The Whole Sky Fit In The Dead Cow’s Eye / Chile, U.S.A. (Director and screenwriter: Francisca Alegría). The Short Film Jury Award: Non-Fiction was presented to: Alone / U.S.A. (Director: Garrett Bradley). The Short Film Jury Award: Animation was presented to: Broken – The Women’s Prison at Hoheneck / Germany (Directors: Volker Schlecht, Alexander Lahl, Screenwriters: Alexander Lahl, Max Mönch). A Short Film Special Jury Award for Cinematography was presented to: Dadyaa — The Woodpeckers of Rotha / Nepal, France (Directors and screenwriters: Pooja Gurung, Bibhusan Basnet, Cinematographer: Chintan Rajbhandari),
and a Short Film Special Jury Award for Editing was presented to: Laps / U.S.A. (Director and screenwriter: Charlotte Wells, editor Blair McClendon).
The Short Film jurors were costume designer and wardrobe stylist Shirley Kurata, comedian, actor and writer Patton Oswalt and filmmaker David Lowery. The Short Film program is presented by YouTube.
GLOBAL FILMMAKING AWARDS:
The winning directors and projects of the 2017 Sundance Institute Global Filmmaking Awards, in recognition and support of emerging independent filmmakers from around the world on the basis of their next screenplay, are: Yalda (Iran) / Massoud Bakhshi
Mignonnes (France) / Maimouna Doucoure
The Hanged (Brazil) / Fernando Coimbra
Untitled Rock Opera (Poland) / Agnieszka Smoczynska
The Sundance Institute / NHK Award was presented to: I Came By (United Kingdom) / Babak Anvari
SUNDANCE INSTITUTE | AMAZON STUDIOS PRODUCERS AWARDS Anish Savjani and Neil Kopp (producers, I don’t feel at home in this world anymore.) and Joslyn Barnes (producer, Strong Island) received the 2017 Sundance Institute | Amazon Studios Producers Awards. The award recognizes bold vision and a commitment to continuing work as a creative producer in the independent space, and grants money (via the Sundance Institute Feature Film Program and Documentary Film Program) to emerging producers of films at the Sundance Film Festival.
The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Manchester by the Sea, Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, Omnicom, Stella Artois® and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Creators League Studio, Daydream, Francis Ford Coppola Winery, GEICO, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Oculus and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival
Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.
Powerful European Auteur Cinema / Three Surprising Indie Gems from China and Hong Kong / Brazil Well-Represented with Five Films
With the invitation of 24 further feature films, the selection for the Panorama 2017 program has been completed. 51 works from 43 countries have been chosen for screening in the section, including 21 in Panorama Dokumente and 29 feature films in the main program and Panorama Special. 36 of these films will be celebrating their world premieres at the Berlinale, while the program also features six international and nine European premieres
The German production Tiger Girl by Jakob Lass will open this year’s edition of Panorama Special at Berlin’s Zoo Palast cinema, along with the previously announced Brazilian production Vazante.
In Tiger Girl’s fast-paced narrative, a strong friendship develops between two women, one in which conventional value systems begin to unravel, in what amounts to a veritable moral portrait of the underbelly of today’s German republic. Daniela Thomas’ Vazante represents for its part the programme focus “Black Worlds”, which is also reinforced by the freshly confirmed inclusion of the South African production Vaya by Akin Omotoso, which offers an immersion in the urbanity of Johannesburg.
The fourth film from Brazil is Como Nossos Pais (Just Like Our Parents) by Laís Bodanzky, who depicts the everyday lives of three generations in Sao Paulo as a pyrotechnic display of individual passions and existential delusions staged with a sublime naturalness. The short animated film Vênus – Filó a fadinha lésbica (Venus – Filly the Lesbian Little Fairy) by Sávio Leite rounds off Brazil’s strong presence at this year’s edition of Panorama.
With Discreet, US indie director Travis Mathews, a chronographer of a gay Western modernity, is showing his second film in Panorama. An eerie soundscape floats atop his often elliptically edited story, which revolves around a man approaching middle age who gets caught up in the darker depths of his past.
The original style of Moroccan filmmaker Hicham Lasri was already apparent at Panorama 2015 in The Sea is Behind and on display again last year in Starve Your Dog. Now he returns for the third time with Headbang Lullaby, a visually stunning psychedelic fairy tale swimming in vibrant color and full of absurd situations, which also takes a long socially critical look at the history of Lasri’s native Morocco.
Naoko Ogigami already enchanted audiences in Berlin with Megane in 2008 and Rentaneko in 2012. In her most recent film Karera ga Honki de Amu toki wa (Close-Knit), the Japanese director employs contemplative, focused imagery to honor a potential matter-of-factness for non-normative sexuality and the value of families that are defined by love and care and not by conventions.
Three modern arthouse films from China and Hong Kong shed some fresh light on the complex upheavals afoot throughout the vast country. Establishing alternatives for one’s self within authoritarian systems is a great step towards individual freedom: In Bing Lang Xue (The Taste of Betel Nut), we experience the whirlwind of young love on a resort island, while in Ghost in the Mountains and Ciao Ciao, a French co-production, we bask in the breath-taking landscapes of the Chinese highlands through the power of adept cinematography.
In his New Zealand film One Thousand Ropes, Samoan director Tusi Tamasese creates mythic images full of tension and concentration to relate the story of Maea, the baker and male midwife with the healing hands, whose personal demons play an integral role in his everyday life.
Today whole hordes of young cosmopolitans are drawn to Berlin by the promise of happiness that the city has come to represent – three films that pay tribute to this vision in extremely different manners are gathered at Panorama: the psycho thriller Berlin Syndrome by Australian director Cate Shortland, featuring Teresa Palmer, Max Riemelt and Matthias Habich; the feminist fairy tale The Misandrists by Berlinale regular Bruce LaBruce; and the para-pornographic work of underground science fiction Fluidø, by Taiwanese-American artist Shu Lea Cheang.
Europe
Thirteen more films have been confirmed for the final selection from Europe alone. These include works like the Spanish debut feature Pieles (Skins) by Eduardo Casanova, Rekvijem za gospodju J. (Requiem for Mrs. J.) by Serbia’s Bojan Vuletić, Ferenc Török’s 1945 from Hungary and God’s Own Country, Francis Lee’s feature-film debut from United Kingdom. Teona Mitevska returns with a bitter depiction of Macedonian adolescents trying to get their bearings in When the Day Had no Name. Also returning to Panorama are Norwegians Ole Giæver, with the emancipatory and philosophical self-examination Fra balkongen (From the Balcony), and Erik Poppe with Kongens Nei (The King’s Choice), which deals with the Norwegian king’s resistance to the German armed forces in World War II.
Luca Guadagnino will show his French-Italian account of summer love, Call Me by Your Name, featuring Armie Hammer, Timothée Chalamet, Michael Stuhlbarg and Amira Casar, a screen adaptation of André Aciman’s novel of the same name, co-written with James Ivory.
The Belgian-French-Lebanese co-production Insyriated by Philippe Van Leeuw is an intense chamber drama featuring Hiam Abbass as a woman trapped in the family’s apartment while a war rages on outside. Kaygı (Inflame) by Ceylan Özgün Özçelik tells the story of the incremental roll-out of wide-spread censorship of the press in Turkey and its effect on the work of a young female journalist. And finally there is Georgian director Rezo Gigineishvili’s Hostages, in which a longing for freedom and independence escalates into a readiness to use violence for young Soviet citizens during an airplane hijacking set in 1983.
The Panorama Audience Awards for Best Feature Film and Best Documentary will be presented for the 19th time together with radioeins and for the first time in co-operation with rbb television. In 2016, over 30,000 audience members cast their votes. On the Berlinale Publikumstag, February 19, the winning films will be presented in CinemaxX7 following the awards ceremony.
For the fifth time, the Heiner Carow Prize will be awarded to a documentary, fiction feature or essay film in Panorama in co-operation with the DEFA Foundation for the Promotion of German Film Culture. Following the presentation of the award on February 16 in Kino International, the Heiner Carow film Bis dass der Tod euch scheidet (Until Death Do Us Part, GDR 1979) will be shown.
Panorama main programme and Panorama Special
1945 – Hungary
By Ferenc Török
With Péter Rudolf, Bence Tasnádi, Tamás Szabó Kimmel, Dóra Sztarenki, Eszter Nagy-Kálózy
European premiere
Berlin Syndrome – Australia
By Cate Shortland
With Teresa Palmer, Max Riemelt
European premiere
Bing Lang Xue (The Taste of Betel Nut) – Hong Kong, China
By Hu Jia
With Zhao Bing Rui, Yue Ye, Shen Shi Yu
World premiere
Call Me by Your Name – Italy / France
By Luca Guadagnino
With Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar, Esther Garrel, Victoire Du Bois
European premiere
Ciao Ciao – France / People’s Republic of China
By Song Chuan
With Liang Xueqin, Zhang Yu
World premiere
Como Nossos Pais (Just Like Our Parents) – Brazil
By Laís Bodanzky
With Maria Ribeiro, Clarisse Abujamra, Paulo Vilhena, Felipe Rocha, Jorge Mautner, Herson Capri, Sophia Valverde, Annalara Prates
World premiere
Discreet – USA
By Travis Mathews
With Jonny Mars, Atsuko Okatsuko, Joy Cunningham, Bob Swaffar
World premiere
Fluidø – Germany
By Shu Lea Cheang
World premiere
Fra balkongen (From the Balcony) – Norway
By Ole Giaever
World premiere
Ghost in the Mountains – People’s Republic of China
By Yang Heng
With Tang Shenggang, Liang Yu, Shang Meitong, Xiang Peng, Zhang Yun
World premiere
God’s Own Country – United Kingdom
By Francis Lee
With Josh O’Connor, Alec Secăreanu, Gemma Jones, Ian Hart
European premiere
Headbang Lullaby – Morocco / France / Qatar / Lebanon
By Hicham Lasri
With Aziz Hattab, Latefa Ahrrare, Zoubir Abou el Fadl, El Jirari Benaissa, Salma Eddlimi, Adil Abatorab
World premiere
Hostages – Russian Federation / Georgia / Poland
By Rezo Gigineishvili
With Merab Ninidze, Darejan Kharshiladze, Tina Dalakishvili, Irakli Kvirikadze
World premiere
Insyriated – Belgium / France / Lebanon
By Philippe Van Leeuw
With Hiam Abbass, Diamand Abou Abboud, Juliette Navis, Mohsen Abbas, Moustapha Al Kar
World premiere
Karera ga Honki de Amu toki wa (Close-Knit) – Japan
By Naoko Ogigami
With Toma Ikuta, Rinka Kakihara, Kenta Kiritani
World premiere
Kaygı (Inflame) – Turkey
By Ceylan Özgün Özçelik
With Algı Eke, Özgür Çevik
World premiere– Debut film
Kongens Nei (The King’s Choice) – Norway / Sweden / Denmark / Ireland
By Erik Poppe
With Jesper Christensen, Anders Baasmo Christiansen, Karl Markovics, Tuva Novotny, Katharina Schüttler, Juliane Köhler
European premiere
The Misandrists – Germany
By Bruce LaBruce
With Susanne Sachsse, Kembra Pfahler
World premiere
One Thousand Ropes – New Zealand
By Tusi Tamasese
With Uelese Petaia, Frankie Adams, Væle Sima Urale, Ene Petaia, Beulah Koale, Anapela Polataivao
World premiere
Pieles (Skins) – Spain
By Eduardo Casanova
with Ana Polvorosa, Candela Peña, Carmen Machi, Macarena Gómez, Secun de la Rosa, Jon Kortajarena, Antonio Duran “Morris”, Eloi Costa
World premiere – Debut film
Rekvijem za gospodju J. (Requiem for Mrs. J.) – Serbia / Bulgaria / Macedonia / Russian Federation / France
By Bojan Vuletić
With Mirjana Karanović, Jovana Gavrilović, Danica Nedeljković, Vučić Perović
World premiere
Tiger Girl – Germany
By Jakob Lass
With Ella Rumpf, Maria Dragus
World premiere
Vaya – South Africa
By Akin Omotoso
With Mncedisi Shabangu, Zimkhitha Nyoka, Nomonde Mbusi, Sihle Xaba, Warren Masemola, Zimkhitha Nyoka, Nomonde Mbusi, Azwile Chamane
European premiere
When the Day Had no Name – Macedonia / Belgium / Slovenia
By Teona Mitevska
With Leon Ristov, Hanis Bagashov, Dragan Mishevski, Stefan Kitanovic, Igorco Postolov, Ivan Vrtev Soptrajanov
World premiere
Supporting Film
Vênus – Filó a fadinha lésbica (Venus – Filly the Lesbian Little Fairy) – Brazil
By Sávio Leite
Already Announced Titles
Centaur – Kyrgyzstan / France / Germany / The Netherlands, by Aktan Arym Kubat Honeygiver Among the Dogs – Bhutan, by Dechen Roder Pendular – Brazil / Argentinia / France, by Julia Murat The Wound – South Africa / Germany / The Netherlands / France, by John Trengove Vazante – Brazil / Portugal, by Daniela Thomas
Another space of distribution deals have been made this week at the 2017 Sundance Film Festival:
• Fox Searchlight bought worldwide distribution rights to “Patti Cake$,” director Geremy Jasper’s crowd-pleasing tale of a white New Jersey girl (Danielle McDonald) who pursues his dreams of being a rap star. It played in the U.S. Dramatic competition.
• Fox Searchlight also picked up worldwide distribution rights to Amanda Lipitz’s documentary “Step,” which follows the progress of a step team at an inner-city Baltimore school. Fox Searchlight also acquired the remake rights. The movie played in the U.S. Documentary competition.
• Sony Pictures Classics has bought worldwide rights to the comedy “Brigsby Bear,” which played in the U.S. Dramatic competition. Directed by Dave McCary and filmed in Utah, the movie stars Kyle Mooney (who co-wrote the screenplay) as a young man whose life is upended, and he discovers the children’s TV show he watched his entire life was made for an audience of one.
Roadside Attractions and FilmNation teamed up to secure North American rights to “Beatriz at Dinner,” starring Salma Hayek as a holistic therapist who encounters a businessman (John Lithgow) at a dinner party. The movie, which played in the Premieres section, was directed by Miguel Arteta and written by Mike White.
• Amazon picked up the true-life drama “Crown Heights,” starring Lakeith Stansfield as a Brooklyn man wrongfully imprisoned for a murder he didn’t commit. The movie was directed by Matt Ruskin.
• Amazon also has picked up worldwide theatrical rights to “City of Ghosts,” Matthew Heineman’s documentary (in the U.S. Documentary competition) about a citizen-journalist group risking life and limb to get out information about the Islamic State’s atrocities in Syria. The movie was produced by A&E Indie Films, and A&E will retain the TV rights.
• IFC Midnight has acquired U.S. rights to “78/52,” director Alexandre O. Phillippe’s documentary (which played in the Midnight section) that dissects the shower scene from Alfred Hitchcock’s “Psycho.”
• RLJ Entertainment landed U.S. rights to the Midnight title “Bushwick.” The movie, directed by Cary Murnion and Jonathan Milott and starring Brittany Snow and Dave Bautista, is set in a near-future in which a secessionist Texas militia invades Brooklyn.
“One film, of course, is like an anchor film, which is the Oscar-nominated film I Am Not Your Negro from Raoul Peck. I Am Not Your Negro is a find that makes my heart swell, because it’s James Baldwin, [who is] not only an icon, as a brilliant writer, but an activist, a gay person at a time when that was basically not possible.”
A call for donations
“With the app, not only can you view the schedule and info on all films and events, you can add reminders to your device’s calendar and join in discussions about each film through a Facebook login,” according to the festival.
Since 1986 the Berlin International Film Festival has presented the Berlinale Camera to film personalities or institutions to which it feels particularly indebted and wishes to express its thanks.
authentically as themselves in a protected place: Dipankar from India escaped an arranged marriage and now throws himself into the action to find his dream man. But the gay community‘s ideal of masculinity increasingly becomes a tight corset for him. Ramzi from Palestine was persecuted by the police in his home country, Palestine, for being gay and had to start a new life in Europe with nothing. The Frenchman Philippe was let down by his family when he was bound to a wheelchair. The more important is his long-term relationship with his partner, and his gay substitute family. Martin from Austria enjoys the hedonism and abundant choice of men to the full and gives perspectives on how to deal with HIV today. Marek from Poland, has everything he needs to stand out on the men’s market, thanks to his trained body. However, he feels lonely in the crowd. Now the countdown is on for seven days of hunting for freedom, love, and happiness – but on board are also their personal stories, their doubts and uncertainties…
Kenya’s film industry has seen a revival in recent years as the first edition of the 
