The Santa Barbara International Film Festival has announced its long-awaited festival app. The app had been in beta for several months leading up to the announcement, is fully functional and can be updated easily to reflect last-minute additions to the festival’s programming.
“With the app, not only can you view the schedule and info on all films and events, you can add reminders to your device’s calendar and join in discussions about each film through a Facebook login,” according to the festival.
Utilizing an extensive drop-down menu, the new app’s design packs a powerful punch of information to keep festival goers up-to-date on films and events. Included is an interactive map for routes to the various venues, a complete schedule of films with an option to set reminders, a link for passes and tickets and detailed information on each event under the Discover tab.
Other tabs available are the Information & Social, My Profile and My Favorites. These tabs require some engagement. The payoff is a one-stop-shop for social media and up-to-date festival information. All-in-all, the SBIFF app is a comprehensive app and a most welcomed addition to the festival experience. Highly recommended!
The app is available for download on iOS and Android platforms.
Audrie & Daisy, a new documentary co-directed by Bonni Cohen and Jon Shenk, takes an in-depth look at the effects of cyber bullying following the aftermath when two teenage girls are sexually assaulted. The girls went to parties, drank alcohol to excess and were then sexually assaulted by boys and young men they believed were their friends. The shame and scorn the girls were subjected to resulted in a suicide of a Saratoga, Georgia high school student, Audrie, who believed her reputation was beyond repair. The culprits in the assault eventually reached a plea agreement so the young men could graduate from high school. The agreement included an admission of guilt and a public apology as well as a 45 minute videotaped interview. In the case of Audrie, a Missouri resident in the small town of Maryville in Nodaway County, all charges were dropped in a highly publicized news reported court judgement.
Cohen and Shenk open the film with a slow pan of empty desks in a classroom as a voice over about the Audrey case begins. A cut is made to a high school football practice with the diagetic sounds of grunting, helmets and pads colliding and thudding with the sounds of whistles chirping. An audio deposition of Jon B., not the perpetrator’s real name, is heard as an image shows the critical information of what is occurring in a black and white frame as the film’s narrative is slowly opening. In a taped 2015 interview, Audrey’s mother and father, Larry and Sheila Pott talk candidly about Audrey while pictures of Audrey range from the time she was a baby up into her high school years. Sheila reminisced how she and Audrey cooked together while they watched the food network together. Audrey’s best friend from the time of middle school, Amanda Le, opened up about their experiences together through adolescence. Le remembers Audrey developed early physically and by high school was well developed. A group of boys from junior high began a Yahoo! group where they shared nude pictures of their classmates. Le stated Audrey received a lot of requests for pictures, however, as Audrey was quite self-conscious she didn’t provide any pictures. Audrey was popular and had many friends. One night at a party Audrey drank too much. In a deposition, her “friend” stated her carried Audrey upstairs and laid her on a bed. Two other young men entered the room and closed the door. With Audrey, unmoving on the bed, the three boys stripped her naked. They took turns sexually assaulting her with their fingers. They painted half her face black and placed indelible lewd comments on her body. Photographs were taken and videos were recorded while Audrey laid defenseless.
Through the use of textual overlays from conversations Audrey initiated with her “friend,” Cohen and Shenk create a sense of real-time. Audrey does not recollect what happened and pleads with her friend and others to tell her what happened. Her “friend” tells her it will blow over in a week. Yet, when Audrey gets to school, she comes to a realization that everyone in school is aware of what happened and the images of her assaulted naked body have made their way online. Shamed and humiliated, Audrey feels her reputation is beyond repair and commits suicide.
Daisy Coleman, a perky blonde-haired, blue-eyed freshman, and new to the small town of Maryville, Missouri also is subjected to shame, humiliation and ridicule following her sexual assault. Daisy and her 8th grade friend who according to an official police investigator looked about eight are invited to a “party.” While at the party held in the basement of one of the three older high school males present, both girls are raped while incapacitated. The following morning Daisy is found on her home’s lawn with her hair frozen to the grass. What unfolds in Daisy’s story is the difficulty is prosecuting an assault without hard evidence. None of the males were over 17. A video was recorded and shared and subsequently deleted without means of retrieval. Consequently, all charges were dropped.
Nevertheless, the maelstrom created by Daisy coming forth had severe repercussions for Daisy on social media. Slowly diminishing in spirit, Daisy began sinking further and further into the rabbit hole when a young woman who had endured and survived a similar sexual assault reached out to Daisy via social media. Delaney Henderson heard about Daisy and used the Facebook chat feature to tell Daisy she understood the feelings and what Daisy was going through. The two young women have started and joined a survivors’ group facilitated by a professional counselor. In a Q & A following the screening, it was revealed Daisy Coleman received an athletic scholarship to Mountain Valley College. Daisy stated with strength and conviction, “I’m done with being mad. I finally wanted to move on. I’m not forgetting the past. I’m forgiving the past.”
Hear Daisy and what the filmmakers have to say the making of Audrie & Daisy:
High in production values complete with traditional interviews, archival news footage, original evidence-gathering investigation-room interviews, panning location shots, photographs as well as masked caricatures of the depositions, Audrie & Daisy, is a must-see documentary.
Spotlight Screening AUDRIE & DAISY tells the story of two teenage girls who went to parties, drank alcohol, passed out, and were sexually assaulted by guys they thought were their friends. In the aftermath, both girls discovered that the crimes were documented on cell phones. Video and pictures were passed around. Their lives were changed forever.
A riveting examination of the frightening consequences of social media gone out of control, AUDRIE & DAISY focuses on the traumatic aftermath for two teenage girls who were sexually assaulted in 2012. As evidence of the crimes went viral, the victims were scorned by their communities and cyber-bullied by their peers — to tragic ends. This heartbreaking film makes a powerful plea to end the cultures of shame and silence surrounding rape in the digital age. — Chuck Willett
As directors and parents of teenagers, we are struck by the frequency of sexual assaults in high schools across the country and have been even more shocked by the pictures and videos, posted online – almost as trophies – by teens that have committed these crimes. This has become the new public square of shame for our adolescents. Unfortunately, the story of drunken high school parties and sexual assault is not new. But today, the events of the night are recorded on smartphones and disseminated to an entire community and, sometimes, the nation. Such was the case for Audrie Pott and Daisy Coleman, two teenage girls, living thousands of miles apart but experiencing the same shame from their communities. While the subject matter is dark, we are inspired by these stories to make a film that captures these truths but can also help audiences digest the complexities of the world teenagers live in today.
As we began our research, the Steubenville, Ohio High School rape case was underway. At the time, there was wide criticism directed at national news outlets for their lack of focus on the victim and perceived sympathy for the perpetrators. As more cases have come to light since then, this damaging attitude – stemming from what many refer to as pervasive “rape culture” in American society – has remained largely in tact. However, journalists need stories and stories require characters. As is the norm in underage rape cases, in Steubenville, the survivor chose (understandably) to maintain her anonymity as a “Jane Doe.” We decided then that a genuinely emotional, meaningful film about teenage sexual assault required the affirmative on- camera participation of the survivor. Our main subjects, Daisy Coleman and Audrie Pott, involuntarily lost their anonymity when rumors, insults and photos about their assaults circulated around school and on social media. Identified by name and subjected to online character assassination, Daisy decided with great courage to speak out publicly. Audrie’s parents chose to go public with their daughter’s story after the unspeakable tragedy of Audrie’s suicide, as well. Thus, using their deeply personal – and, now public – stories as a starting point, we launched into production of our film.
AUDRIE & DAISY, directed by Bonni Cohen and Joe Shenk is screening Thursday, June 23rd, 2016, at the Newseum at 8:15 P.M. Click here for tickets.