Tag Archives: entertainment

#SBIFF, Academy Awards, Academy of Motion Picture Arts and Sciences

OSCAR NOMINEES TO BE HONORED AT ACADEMY LUNCHEON

February 4, 2017 HollywoodGlee Leave a comment

FOR IMMEDIATE RELEASE

LOS ANGELES, CA – More than 165 Oscar® nominees will come together at noon on Monday, February 6, at the Beverly Hilton when the Academy of Motion Picture Arts and Sciences honors this year’s Oscar contenders at its annual Nominees Luncheon.

Among the Lead Actor and Actress nominees, Casey Affleck, Ryan Gosling, Isabelle Huppert, Viggo Mortensen, Ruth Negga, Natalie Portman, Emma Stone, Meryl Streep and Denzel Washington are expected to attend the pre-Oscars® event. Supporting Actor and Actress nominees Mahershala Ali, Jeff Bridges, Viola Davis, Naomie Harris, Lucas Hedges, Nicole Kidman, Dev Patel, Octavia Spencer and Michelle Williams also will join in the celebratory lunch.

All five nominees in the Directing category – Damien Chazelle, Mel Gibson, Barry Jenkins, Kenneth Lonergan and Denis Villeneuve – are expected to attend as well.

The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.

# # #

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 7,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

MEDIA CONTACT
Natalie Kojen
nkojen@oscars.org

(Source: Academy Publicity Department)

Featured, Venice International Film Festival

Nostradamus Report – The Future of Film

February 4, 2017 HollywoodGlee Leave a comment

Posted by Larry Gleeson

If you could see what the film industry has in store for the next 3-5 years, would you dare…

2017 Nostradamus Report

Despite increased competition for audience attention in general and cinema screens in particular, the number of feature films produced in Europe and the US continues to grow. It is not expected to shrink significantly in the next 3-5 years. Among the reasons are new tax incentives and increasing investment from new platform media companies, but also the impact of real democratization of production technologies and to some degree of funding.

A Swell of Films

While this swell of cinema in theory allows a wider range of voices to be heard, in practice it makes it very difficult even for excellent work – of which there is arguably a lot – to find an audience, as there is no equivalent surge of innovation in distribution and audience relations. It also means that bad or irrelevant work has almost no chance to be seen. While it seems clear that public funds should be redirected from the latter categories either towards more deserving feature projects, or towards the production of excellent film content in other formats or for other platforms, this is currently not politically possible. A change like that might also exacerbate the already difficult career paths especially of directors in a marketplace where films by unknowns are very difficult to fund or sell.

On the next 3-5 years, all exhibitors will need to focus on the customer experience to stay competitive, but this can look very different depending on their type. On the one hand, we are seeing the emergence of a technologically oriented cinema optimized for experiencing blockbuster fare. On the other hand, we are seeing a focus on human interactions and live performance – so called “live cinema” – as a rapidly developing segment of the exhibition sector, helping audiences both new and old to build relationships with institutions and curators. These ostensibly very different styles of exhibition have in common that they are immersive, allowing the viewers to place themselves socially or physically inside the story, or to engage with its themes together. The social aspect is also at the heart of the growing market for film festivals aimed at general audiences.

Specializing The Screening Experience

Another approach to eventizing movies is just to make the cinemas a lot nicer, with better chairs, better concessions, food and alcohol, increasing cinema’s appeal to, for instance, grownups on dates. This strategy is working well both in mainstream and arthouse environments. At the extreme end are the dedicated luxury cinemas, offering experiences like butler service, Tempur mattresses, or massages.

While the future looks bright for movie theatres big and small, the sheer number of feature premieres means a theatrical window is not feasible even for all quality films – not even on the festival circuit. There is certainly room in the VOD marketplace for both strong curation and dedicated film libraries, but among the pieces missing from the distribution puzzle are still business models for social or distributed digital premieres.

A complete digital transformation of the small screen landscape seems inevitable and will probably happen relatively fast since audiences neither understand nor much care about business models or back-end technologies. As we discussed last year, the end result will probably look something like TV has for the past few decades, with consumers paying one or a few separate bills to services aggregating OTT content. Viewers are, however, likely to be allowed to pick their packaged channels more selectively than before.

The Uncovered Financial Stream

The revenue streams will of course be radically different from the current models. Mergers and acquisitions are likely to continue as the biggest players scramble to establish dominance throughout the value chain. In the US, studios and networks are eyeing a future after affiliate fees and syndication fees, and considering whether owning the viewer relationship directly could provide a similar amount of revenue. Similarly, it seems feasible that a major technology company could purchase a major studio. If antitrust regulation is relaxed under the Trump administration, as net neutrality rules almost certainly will be, the media landscape is regardless likely to consolidate dramatically during the next four years. Changes in the US entertainment industry have global ripple effects. It is also likely that the cultural importance of US content specifically will diminish in the long term, a tendency that could be accelerated by isolationist policies.

VR on the Verge

In the next 3-5 years, the fundamental grammar of VR storytelling will finally be developed, and the real leaps will happen once the production tools are more widely available. Some standardisation will help focus a splintered marketplace. Investment in “VR cinemas” today should be viewed as tests – exhibitors preparing for a coming generation of the technology that may not be easily available in homes. In the short run we are also likely to see a brief exclusive “theatrical” window for VR.

Download the full report here at your own risk: nostradamus2017

(Source: nostradamusproject.org)

#SBIFF, Santa Barbara International Film Festival, Venice International Film Festival

Variety Artisan Awards at SBIFF

February 3, 2017 HollywoodGlee Leave a comment

Posted by Larry Gleeson

VARIETY ARTISANS AWARD

HONORING ALESSANDRO BERTOLAZZI, JESS GONCHOR, JUSTIN HURWITZ, JAMES LAXTON, ROBERT LEGATO, ALAN MURRAY, KEVIN O’CONNELL, JOE WALKER, AND MARY ZEPHERS

MONDAY, FEBRUARY 6, 2017
LOBERO THEATRE
8:00PM

Click Here To Attend

The third annual Santa Barbara International Film Festival (SBIFF) Variety Artisans Awards celebrates those essential to the filmmaking process and who have exhibited the most exciting and innovative work of the year in their respective fields. The Tribute evening will take place on Monday, February 6th, at the Lobero Theatre and will be moderated by Variety’s Sr. VP Awards Editor, Tim Gray.

The Variety Artisans Award will be presented to the following 2017 Oscar nominees:

Alessandro Bertolazzi for Makeup and Hair for the Warner Brothers film “Suicide Squad,” directed by David Ayer. This marks Alessandro’s first Academy Award nomination. His previous credits include “Skyfall, “Biutiful,” and “Babel.”

Jess Gonchor, for Production Design in the Universal Pictures film “Hail, Caesar!” directed by Joel and Ethan Coen. Gonchor was previously nominated for an Academy Award for his work on “True Grit” which was nominated for a total of 10 Academy Awards. Gonchor has worked with the Coen Brothers on each of their films since “No Country For Old Men”.

Justin Hurwitz, for original score in the Lionsgate musical “La La Land” directed by Damien Chazelle. Justin received both the Golden Globe and Critic’s Choice Award for Best Original Score for the film. He is a first time Oscar nominee this year.

Justin Hurwitz, Benj Pasek & Justin Paul for Original Song City of Stars in the Lionsgate musical “La La Land”. The song received both the Golden Globe and Critic’s Choice Award for Best Original Song this year.

James Laxton for Cinematographer in A24’s “Moonlight” directed by Barry Jenkins. James won the Los Angeles Film Critics, New York Film Critics, and San Francisco Film Critics award for Best Cinematography for his work on the film.

Robert Legato for Visual Effects in the Disney live-action film “The Jungle Book,” directed by Jon Favreau. Legato has won two Academy Awards (and has been nominated a total of four times) for his work on “Titanic” and “Hugo.”

Alan Murray for Sound Editing in the Warner Brothers film “Sully,” directed by Clint Eastwood. He has been nominated for eight Academy Awards and won for his work on Eastwood’s films, “American Sniper” and “Letters from Iwo Jima.”

Kevin O’Connell for Sound Mixing in the Lionsgate Film “Hacksaw Ridge” directed by Mel Gibson. This is his 21st Academy Award nomination for films that include “Top Gun” and “Transformers.”

Joe Walker for Editor in the Paramount Film “Arrival” directed Denis Villeneuve for which he is nominated for an Oscar®. He was nominated for an Academy Award for his work on “12 Years A Slave”. “Arrival” marks his second collaboration with Villeneuve following last year’s critically-acclaimed “Sicario.” He is currently working with Villeneuve on the upcoming “Bladerunner.”

Mary Zophres for Costume Designer in the Lionsgate film “La La Land” directed by Damien Chazelle. She was nominated for an Academy Award for her work in the Coen Brother’s Film “True Grit”. In 2016, Mary received the Key West Film Festival’s Career Achievement Award for costume design.

(Source: sbiff.org)

Academy Awards, Academy of Motion Picture Arts and Sciences, Oscar, Venice International Film Festival

JOHN CHO AND LESLIE MANN TO HOST ACADEMY’S SCI-TECH AWARDS

February 3, 2017 HollywoodGlee Leave a comment

Posted by Larry Gleeson

FOR IMMEDIATE RELEASE

LOS ANGELES, CA – Actors John Cho and Leslie Mann will host the Academy of Motion Picture Arts and Sciences’ Scientific and Technical Awards Presentation on Saturday, February 11, at the Beverly Wilshire in Beverly Hills. They will present 18 awards to 34 individual recipients, as well as five organizations, during the evening.

Academy President Cheryl Boone Isaacs (Photo via oscars.org)

“We’re so excited to have John and Leslie join us as hosts for this year’s Scientific and Technical Awards,” said Academy President Cheryl Boone Isaacs. “It’s one of our favorite, and most talked about, events each Oscar^® season, and John and Leslie’s humor and refreshing take on the honorees will be a perfect addition to a night where we celebrate our colleagues’ groundbreaking scientific and technical achievements.”

Cho most recently starred in the summer blockbuster “Star Trek Beyond.” His other credits include “Grandma,” “Star Trek Into Darkness,” “Harold & Kumar Go to White Castle” and “American Pie.” He also appeared in the 1999 Best Picture Oscar winner “American Beauty.”

Mann can currently be seen starring alongside Robert De Niro in Taylor Hackford’s “The Comedian.” Her feature film credits include “How to Be Single,” “The Other Woman,” “This Is 40” and “Knocked Up,” as well as the animated features “Rio 2” and the Oscar-nominated “ParaNorman.”

Portions of the Scientific and Technical Awards Presentation will be included in the Oscar telecast.

The 89th Oscars^® will be held on Sunday, February 26, 2017, at the Dolby Theatre^® at Hollywood & Highland Center^® in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.

(Source: Oscars Publicity Department)

#Sundance

Kimberly Steward up for Oscar gold with ‘Manchester’

February 3, 2017 HollywoodGlee Leave a comment

Posted by Larry Gleeson

By Kenya Vaughn

When Kimberly Steward was at home in St. Louis, Missouri making media rounds for the film “Manchester by the Sea” just ahead of its nationwide theatrical release this past October, she didn’t want to entertain the Oscar buzz surrounding the film.

The idea of it seemed too farfetched – too much of a fairytale ending for the first-time feature film producer.

“If anything happens with any kind of awards, I will definitely be giving Oprah a shout out,” Steward said.

“Manchester by the Sea” was nominated for a Best Picture Academy Award making Steward the second African American woman producer to have a film in the running for the most coveted award of the film season. Oprah Winfrey is the other.

“What she has done as a filmmaker and a producer has opened doors for me and so many others,” Steward said of Winfrey. “If that actually happens, I will actually bow and curtsey to her because she paved the way.”

“This is exciting and surreal,” Steward told The Huffington Post’s Zahara Hill. “I’m just beyond belief.”

With a diverse mix of nominees both in front of and behind the scenes, Steward has the chance to strike Oscar gold with her debut as producer/financier thanks to “Manchester.”

“As an African American woman, it’s important to have that representation off screen too,” Steward said of her role in bringing the film to mass audiences.

Steward and her K. Period Media (which she operates with producing partner Lauren Beck) put forth the necessary financing for the Kenneth Lonegran feature to see the light of day.

“We had nobody except K Period,” Matt Damon said during a “Produced By” panel. A fellow producer along with Steward, the concept of the film was Damon’s idea – and he was originally set to star in the drama. Scheduling conflicts meant that Casey Affleck would assume the role of Lee Chandler, a reclusive New England janitor forced to confront his painful past and mend broken familial ties.

The film – and Affleck’s performance in particular – was praised by critics from its premiere at Sundance last winter.

While at Sundance, Amazon paid $10 million for the film’s distribution rights. Manchester” was believed to be a shoe-in for several honors for the next awards season.

First came the Golden Globes – where “Manchester” earned a total of five nominations. Casey Affleck took home “Best Performance by an Actor in a Motion Picture – Drama.” Steward was the first person Affleck reached out to embrace when his name was announced at last month’s ceremony.

Hats off to Kimberly Steward.

(Source: St. Louis American)

distribution

GLOBALGATE EXPANDS ITS WORLDWIDE REACH

February 3, 2017 HollywoodGlee Leave a comment

Posted by Larry Gleeson

News provided by Lionsgate

Brazil’s Paris Filmes and Colombia’s Cine Colombia Join the Consortium

SANTA MONICA, Calif., Feb. 2, 2017 /PRNewswire/ — Globalgate Entertainment, the local-language film production and financing venture aligned with Lionsgate (NYSE: LGF.A, LGF.B), has added Brazil’s Paris Filmes and Colombia’s Cine Colombia to its now 11-strong, worldwide consortium of production and distribution partners, the company announced today. The consortium already includes Televisa, Gaumont, Nordisk, Kadokawa, Lotte, Tobis, TME and Belga.

Paris Filmes, founded 57 years ago, is the number-one Brazilian distributor of local-language films with an 81% market share, and it is also a leading Brazilian distributor of English-language films including those of Lionsgate. In addition, the company is a strong home entertainment distributor of premium content in DVD, blu-ray and digital platforms. Paris Filmes’ recent Brazilian hits include Os Dez Mandamentos, Loucas pra Casar, Minha Mae e uma Peca and Meu Passado me Condena 1 & 2.

Cine Colombia is the number-one distributor in Colombia with a 46% market share, where it distributes major-studio, independent and local-language films. Joining Cine Colombia in its Globalgate partnership is Colombia’s top production company, Dynamo Productions, producers of Netflix’s super-hit Narcos, the audience-pleasing The Hidden Face, and Sundance award-winning Undertow.

Said Paris Filmes’ Partner Sandi Adamiu and CEO Marcio Fraccaroli, “Clifford has been active in Brazilian cinema production for many years, and this partnership with Globalgate and our strong positioning alongside Globalgate’s partners around the world is certain to enhance Paris Filmes’ dominance in Brazil.”

“Cine Colombia will further leverage our industry-leading position as both a distributor and exhibitor in Colombia, by joining Globalgate’s assembly of best-in-class production and distribution companies,” said Cine Colombia President and CEO Munir Falah.

“Dynamo’s partnership with Globalgate complements our global strategies, and we look forward to working with Paul, William, Clifford, Lionsgate and all our other consortium partners,” said Dynamo CEO Andres Calderon.

Globalgate Co-Founders Paul Presburger, William Pfeiffer and Clifford Werber added, “Paris Filmes, Cine Colombia and Dynamo Productions are world-class film distribution and production companies and a perfect fit for Globalgate’s consortium. We’re delighted they’ve joined us and look forward to producing many great Brazilian and Colombian films together as well as augmenting Globalgate’s formidable inventory of commercial intellectual property emanating from our consortium partners’ vibrant territories.”

Globalgate management has recently been involved with several major local-language box office successes, including Pantelion Films’ recent Mexican hit No Manches Frida, based on the German box office sensation Fack ju Gohte and Pantelion’s mega-hit, Instructions Not Included, the highest-grossing Spanish-language film ever released in the U.S.

Remakes of Instructions Not Included are being produced and distributed in territories around the world, including Demain tout commence, starring Omar Sy, which has garnered nearly 3 million admissions in France and almost 800,000 admissions in its first four weeks in Germany, and Sen Benim HerSeyimsin in Turkey. The company has several upcoming local-language films in the pipeline with its consortium partners.

ABOUT GLOBALGATE ENTERTAINMENT

Globalgate Entertainment is a producer and financier of mainstream, local-language motion pictures with a proprietary, global consortium of tier-1 production and distribution partners in key and emerging territories. Globalgate’s consortium partners include Lionsgate, Televisa (Latin America), Gaumont (France), Nordisk (Scandinavia), Kadokawa (Japan), Lotte (Korea), Tobis (Germany), TME (Turkey), Belga Filmes (Belgium, Netherlands, Luxembourg) and Paris Filmes (Brazil). Globalgate, aligned with its consortium partners, has access to over 20,000 titles and, from its offices in Los Angeles, New York, London, and Beijing, curates additional commercial intellectual property from third-party rightsholders worldwide.

ABOUT PARIS FILMES

Paris Filmes is a Brazilian film company that was founded in 1960. Led by Marcio Fraccaroli and Sandi Adamiu, the company specializes in high-quality film distribution and production. Paris Filmes is the leading producer of Brazilian films and, in 2016, had an 81% market share of local-language films. Produced by Paris Entretenimento, “Um Marido Para Minha Mulher” was a success with audiences and critics alike in 2016, as was “Carrossel 2 – O Sumiço de Maria Joaquina.” Paris Filmes also had great success in distribution with popular Brazilian films such as “De Pernas Pro Ar” which was directed by Roberto Santucci and “Até Que a Sorte Nos Separe” which starred Camila Morgardo and Leandro Hassum. In 2017, the company released record-tying Academy Award nominee “La La Land” in Brazil and will distribute the much anticipated “Power Rangers”. International releases by the company in Brazil include: “Inside Llewyn Davis”, the Coen brothers movie; the acclaimed “The Wolf of Wall Street” by Martin Scorsese; “Maps to the Stars” by David Cronenberg (Julianne Moore was the winner of the Best Actress award in Cannes); the first animated adaptation of the masterpiece of Antoine de Saint-Exupery “The Little Prince”; the Divergent film series; “Mockingjay Part 2” from the global blockbuster Hunger Games franchise; “Now You See Me 2”; and successes of Argentine cinema such as “Kóblic” which starred Ricardo Darín, and the movie based on the life of Brazilian MMA fighting champion José Aldo, “Mais Forte que O Mundo”, which was directed by Afonso Poyart. In 2016 Paris Filmes also distributed multiple Academy Award nominees such as “Brooklyn” and “The Desert Wolf”. Other major achievements were the distribution of the Golden Globe-winning film “Silver Linings Playbook” in which American actress Jennifer Lawrence won an Oscar for Best Actress for her performance in 2013 and “Midnight in Paris“, the highest–grossing Woody Allen film in Brazil.

ABOUT CINE COLOMBIA

Cine Colombia, founded in 1927, is the first circuit in Colombia to install digital projection in 2007, evidencing its architectural and technological industry prominence. Munir Falah, President and CEO since 1990, currently oversees roughly 2,000 employees. Cine Colombia has 290 screens, at 43 locations, in 12 Colombian cities and is investing $100 million on 110 new screens opening over the next three years. Cine Colombia has several large format screens called Mega Sala Cineco, boosting a 40% bigger screen than traditional screens. The circuit also has 7 MediaMation Mx4D theatres, branded as Dinamix 4D.

In addition, Cine Colombia is the leading distributor in Colombia, with a 46% market share, representing Fox, many Latin American Consortiums and independent production companies. In 2016, the company released 88 of the 320 films released in Colombia and, on average, co-finances 5 Colombian films each year. Cine Colombia also has a very strong Alternative Content division, representing the NY MET Opera, the Bolshoi Ballet, the London National Theatre, and many other cultural events.

ABOUT DYNAMO PRODUCTIONS

DYNAMO was founded in Bogotá on 2006 by Andrés Calderón and Diego Ramírez, who today lead the Company along with their creative and executive partners Cristian Conti, Andi Baiz and Michel Ruben from their offices in Bogotá, New York, Mexico, and Madrid.

DYNAMO has consolidated itself as one of Latin America’s most important audiovisual production companies. Among their most relevant productions since their first feature film ‘Satanás’, are ‘Malcriados’, ‘Out of the Dark’, ‘Contracorriente’ and ‘The Hidden Face’. Dynamo has also produced ‘Los 33’ with Antonio Banderas, the first feature film under the Rebate Law of 2012 as well as their alliance with Netflix for the widely successful series ‘Narcos’. They also have stellar productions under the Rebate Law such as ‘American Made’ with Tom Cruise and ‘Escobar’ with Javier Bardem and Penélope Cruz.

For further information and inquiries, please contact:

Peter D. Wilkes
Lionsgate
pwilkes@lionsgate.com
310-255-3726

(Source: prnewswire.com)

distribution, Sundance Film Festival

Netflix snags NOLA-shot ‘Mudbound’ in $12.5 million deal: report

February 2, 2017 HollywoodGlee Leave a comment

Posted by Larry Gleeson

By Mike Scott, NOLA.com

Mudbound, the New Orleans-shot race drama that debuted this month at the Sundance Film Festival to sweeping acclaim, has been picked up by Netflix. The online streaming service paid $12.5 million for distribution rights to director Dee Rees’ film, the biggest deal to come out of this year’s fest, according to Variety and other industry publications.

With Mudbound being hailed as an instant contender for next year’s Oscars, Netflix will reportedly release the film simultaneously online and in theaters, following it with an award-season campaign. It is unclear how soon Netflix plans to release the film.

Based on Hillary Jordan’s 2008 novel of the same name, “Mudbound” tracks the complicated relationship between two families — one white, the other black — living in rural Mississippi just after World War II. Carey Mulligan plays a refined Memphis woman who relocates with her new husband (Jason Clarke) and their two young daughters to the Delta. Rob Morgan and Mary J. Blige play the heads of a black family that farms cotton on a leased part of Mulligan and Clarke’s land.

Also starring are Garret Hedlund and New Orleans native Jason Mitchell.

(Source: nola.com)

#AFI, Venice International Film Festival

AFI Statement on Asghar Farhadi

February 2, 2017 HollywoodGlee Leave a comment

Posted by Larry Gleeson

The American Film Institute (AFI) released an official statement on Iranian Filmmaker Asghar Farhadi. Farhadi’s latest film, The Salesman, is nominated for an Oscar for Best Foreign Language Film. However, due to the recent travel restriction implemented by the United States via executive order, Farhadi will not be attending this year’s Oscar ceremony.

From AFI:

Asghar Farhadi has served as Artist-in-Residence for the past two years at the AFI Conservatory, and his classes had a profound impact upon the 250 young men and women who attend AFI from around the world.

The AFI Conservatory stands with artists and filmmakers who find the power of creation through freedom of expression and freedom of movement. We believe that any form of censorship — including the restriction of travel — to be against all values we cherish as a community of storytellers.

We look forward to welcoming Mr. Farhadi back to AFI in the fall.

(Source: afi.com)

#Berlinale, #BIFF, Berlin Film Festival

An Honorary Golden Bear and Homage for Oscar-winner Milena Canonero

February 1, 2017 HollywoodGlee Leave a comment

Posted by Larry Gleeson

The Homage of the 67th Berlin International Film Festival is dedicated to Italian costume designer Milena Canonero, who will also receive an Honorary Golden Bear for her lifetime achievement.

Milena Canonero is one of the world’s most celebrated costume designers. She has worked with a long list of directors, including Stanley Kubrick, Francis Ford Coppola, Sydney Pollack, Warren Beatty, Roman Polanski, Steven Soderbergh, Louis Malle, Tony Scott, Barbet Schroeder, Sofia Coppola, and Wes Anderson. Over the years she has won four Academy Awards for her outstanding costume designs and has been nominated five other times.

“Milena Canonero is an extraordinary costume designer. With her designs she has contributed decisively to the style of many cinematic masterpieces. With this year’s Homage, we would like to honour a great artist as well as direct attention to another film profession,” says Berlinale Director Dieter Kosslick.

Milena Canonero’s designs result from extensive art historical research and sophisticated concepts. She never just adopts parameters from fashion history but adapts them creatively for each movie. In doing so she excels not only in the art of subtly accentuating a character’s personality but also in enhancing the texture of a film through very detailed and original designs. Her creations have influenced global fashion trends and inspired fashion designers such as Alexander McQueen and Ralph Lauren.

Right at the beginning of her career Canonero met Stanley Kubrick and it was for his film A Clockwork Orange (United Kingdom / USA 1971) that she designed her first film costumes. With them white lost its innocence and set a new benchmark for costume design. Already with her second work for Kubrick, Barry Lyndon (United Kingdom / USA 1975), she took home her first Academy Award for Best Costume Design (shared with Ulla-Britt Söderlund).

Next came Kubrick’s The Shining (United Kingdom / USA 1980) and Hugh Hudson’s Chariots of Fire (United Kingdom 1981), for which she received her second Academy Award, as well as Francis Ford Coppola’s The Cotton Club (USA 1984) and Sydney Pollack’s Out of Africa (United Kingdom / USA 1985).

For Francis Ford Coppola’s The Godfather Part III (USA 1990), Milena Canonero took inspiration from the painters of the Renaissance. She made use of both subdued dark hues and striking colour compositions. In the same year, Warren Beatty’s Dick Tracy (USA 1990) was completed. For it Canonero drew on classic cuts from 1930s fashion, while referencing the original comic strip by choosing clear bright colours for the fabrics of the costumes. She limited herself to the three primary colours, plus black and white, as well as five mixed colours – and used them consistently throughout the film for all the costumes and accessories.

For Barbet Schroeder’s Single White Female (USA 1992), Milena Canonero was not only responsible for the costumes, but also for the production design. Later she received her third Academy Award for the pastel and candy-coloured garments in Sofia Coppola’s Marie Antoinette (France / Japan / USA 2006).

In past years Milena Canonero has participated in the Berlinale with two films directed by Wes Anderson – The Life Aquatic with Steve Zissou (USA 2004) and The Grand Budapest Hotel (USA / Germany 2014). For her extraordinary purple and mauve hotel staff uniforms, and the fanciful design of Madame D.’s gown from The Grand Budapest Hotel, Milena Canonero won her fourth Academy Award for Best Costume Design.

Rainer Rother, Head of the Retrospective and Homage and Artistic Director of the Deutsche Kinemathek (Photo via berlinale.de)

“What is also so impressive about Milena Canonero is the versatility of her artistic interests. Her costume designs for productions at the Metropolitan Opera in New York, La Scala in Milan, and the Vienna State Opera, as well as for Roman Polanski’s stage adaptation of Amadeus have brought her international recognition and success too,” comments Rainer Rother, Head of the Retrospective and Homage and Artistic Director of the Deutsche Kinemathek.

In addition Milena Canonero recently co-produced the film Romeo & Juliet (United Kingdom / Italy / Switzerland 2013) by Carlo Carlei, and finished directing her first commercial. Currently she is developing a documentary about the costume and production designer Piero Tosi.

The presentation of the Honorary Golden Bear at the Berlinale Palast on February 16, 2017 will be accompanied by a screening of the film The Shining (United Kingdom / USA 1980) by Stanley Kubrick.

The ten films in the Homage are:

Barry Lyndon (United Kingdom / USA 1975, director: Stanley Kubrick)
Chariots of Fire (United Kingdom 1981, director: Hugh Hudson)
A Clockwork Orange (United Kingdom / USA 1971, director: Stanley Kubrick)
The Cotton Club (USA 1984, director: Francis Ford Coppola)
Dick Tracy (USA 1990, director: Warren Beatty)
The Godfather. Part III (USA 1990, director: Francis Ford Coppola)
The Grand Budapest Hotel (USA / Germany 2014, director: Wes Anderson)
Marie Antoinette (France / Japan / USA 2006, director: Sofia Coppola)
Out of Africa (United Kingdom / USA 1985, director: Sydney Pollack)
The Shining (United Kingdom / USA 1980, director: Stanley Kubrick)

(Source: Berlinale Press Office)

Oscar, Venice International Film Festival

ACADEMY’S OSCAR® WEEK EVENTS

February 1, 2017 HollywoodGlee Leave a comment

Posted by Larry Gleeson

FOR IMMEDIATE RELEASE

LOS ANGELES, CA — In the week leading up to the 89th Oscars^®, the Academy of Motion Picture Arts and Sciences will present a series of public programs celebrating this year’s nominees in the Animated Feature Film, Documentary Feature, Documentary Short Subject, Foreign Language Film, Makeup and Hairstyling, and Animated and Live Action Short Film categories. All events will be held at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

The Oscar^® Week schedule is as follows:

OSCAR WEEK: SHORTS
Tuesday, February 21, 7 p.m.
Hosted by director Tim Miller

Miller received an Oscar nomination in the Animated Short Film category for “Gopher Broke” and most recently directed last year’s “Deadpool.” The program will delve into the Animated Short Film and Live Action Short Film categories with complete screenings of all the nominated films as well as onstage panel discussions with the filmmakers (schedules permitting).

OSCAR WEEK: DOCUMENTARIES
Wednesday, February 22, 7:30 p.m.
Hosted by Documentary Branch governors Kate Amend and Rory Kennedy

Amend is a film editor whose film credits include “The Case against 8” and the Oscar winning documentaries “Into the Arms of Strangers: Stories of the Kindertransport” and “The Long Way Home.” Kennedy is a director-producer who received an Oscar nomination in 2015 for the documentary feature “Last Days in Vietnam.” Her other credits include “Ethel” and “Ghosts of Abu Ghraib.” All the films nominated in the Documentary Feature and Documentary Short Subject categories this year will be presented in an evening of clips and onstage discussions with the filmmakers (schedules permitting).

OSCAR WEEK: ANIMATED FEATURES
Thursday, February 23, 7:30 p.m.
Hosted by director Pete Docter and Producer Jonas Rivera

Docter and Rivera took home Animated Feature Film Oscars last year for “Inside Out.” Docter’s other feature credits include “Up, “which Rivera also produced, “Monsters Inc.” and “Toy Story.” This year’s nominees in the Animated Feature Film category (schedules permitting) will talk about their creative processes and present clips illustrating their techniques.

OSCAR WEEK: FOREIGN LANGUAGE FILMS
Saturday, February 25, 10 a.m.
Hosted by Producers Branch governor Mark Johnson

Johnson won the 1988 Best Picture Oscar for “Rain Man” and received a second nomination for “Bugsy.” The directors of the nominated films in the Foreign Language Film category (schedules permitting) will explore a wide range of topics, from their experiences developing their projects to the specific challenges of their profession. The program will include clips from each of the nominated films.

OSCAR WEEK: MAKEUP AND HAIRSTYLING SYMPOSIUM
Saturday, February 25, 3 p.m.
Moderated by Academy Governors Kathryn L. Blondell, Lois Burwell and Leonard Engelman

Blondell is a BAFTA winning hairstylist for “The Aviator” whose other film credits include “The Revenant,” “Django Unchained,” ” Shampoo,” and “Harold and Maude.” Burwell won an Oscar for her work on “Braveheart” and was nominated for “Saving Private Ryan.” Her other feature credits include “Lincoln” and “The Princess Bride.” Engelman, has served as a makeup artist on such features as “Burlesque,” “Heat,” “Moonstruck,” “Rocky IV,” and “Ghostbusters.” In Oscar Week’s final public event, the nominees in the Makeup and Hairstyling category (schedules permitting) will reveal the secrets behind their on-screen work. Photographs, appliances, molds, wigs and other items will be on display in the theater lobby.

Tickets are now available online at Oscars.org. Tickets to the Shorts, Docs, Animated Features and Foreign Language Films events are $5 for the general public and $3 for Academy members and students with a valid ID (Shorts and Foreign Language Films tickets limited to four per person). Admission to the Saturday afternoon Makeup and Hairstyling event is free, but advance tickets are required (limited to two per person). The Academy’s Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. Doors open one hour prior to each event. All ticketed seating is unreserved. For more information, visit Oscars.org or call (310) 247-3600.

The 89th Oscars will be held on Sunday, February 26, at the Dolby Theatre^® at Hollywood & Highland Center^® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 7,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

(Source; oscars.org/Academy Publicity Department)

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