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2017 Sundance Film Festival: Competition And Next Lineup Announced

Park City, UT — Sundance Institute convenes a full slate of provocative and agenda-setting independent films at the 2017 Sundance Film Festival, beginning with today’s announcement of the 66 films selected for U.S. Competition, World Competition and NEXT, as well as a slate of environmentally focused programming under the Festival’s The New Climate program. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort January 19-29.

The Festival celebrates creativity and independence at the summit of the Institute’s year-round public programming, which also includes festivals in London, Hong Kong and Los Angeles. Sundance Institute programs support artists year-round, with more than $2.5 million in grants and 25 global residency Labs across theatre, film, New Frontier and episodic content.

Robert Redford, President and Founder of Sundance Institute, said, “From the passion and chaos of creativity, independent filmmakers make decisions to harness that energy, break new ground and tell their stories. This year’s Festival reflects every step of that journey, and shows how art can engage, provoke and connect people all over the world.”

Keri Putnam, Executive Director of Sundance Institute, said, “It’s more crucial now than ever to have storytellers illuminating the world around us. Artists help us better understand one another and recognize what we have in common. We are proud to champion and amplify original independent work through the Festival and our year-round programs.”

John Cooper, Director of the Sundance Film Festival, said, “The films in this year’s Festival show the human sides of issues, people and places we don’t often see. Independent filmmakers, with their fearless, bold perspectives, are challenging us to witness our world’s whole story. These artists, armed with their films, will lead us into the future.”

For the first time, the Festival is focusing its programming efforts to drive attention and action around a specific theme: climate change and environmental preservation. The New Climate program builds on the Institute’s longstanding commitment to showcasing environmental films and projects, including An Inconvenient Truth, Blackfish, The Cove, Gasland, Chasing Ice, Racing Extinction and Collisions. The program includes Chasing Coral, which follows a team of divers, photographers and scientists documenting the world’s changing coral reefs; Trophy, an in-depth look at the controversial, multi-billion-dollar big-game hunting industry; Water & Power: A California Heist, an investigation of California’s convoluted water system; and Plastic China, an examination of employee life at a Chinese recycling plant.

About The New Climate, Redford said, “My own engagement on climate change began more than 40 years ago, and the urgency I felt then has only grown stronger given its very real and increasingly severe consequences. If we’re going to avoid the worst-case scenario, then we must act boldly and immediately, even in the face of indifference, apathy and opposition.”

For the 2017 Festival, 113 feature-length films were selected, representing 32 countries and 37 first-time filmmakers, including 20 in competition. These films were selected from 13,782 submissions including 4,068 feature-length films and 8,985 short films. Of the feature film submissions, 2,005 were from the U.S. and 2,063 were international. Ninety-eight feature films at the Festival will be world premieres. In 2016, the Festival drew 46,600 attendees, generated $143.3 million in economic activity for the state of Utah and supported 1,400 local jobs.

Recent films that have premiered in the sections announced today include Morris From America, Beasts of the Southern Wild, Swiss Army Man, City of Gold, Fruitvale Station, The Diary of A Teenage Girl, Whiplash, Blackfish, Life, Animated, All These Sleepless Nights, Weiner and First Girl I Loved.

More films, including additional New Climate programming, will be announced soon; watch sundance.org/festival. Other films, including Premieres, Midnight and Kids were recently announced; click here PREMIERES, MIDNIGHT, KIDS, AND MORE

U.S. DRAMATIC COMPETITION
Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film.

Band Aid / U.S.A. (Director and screenwriter: Zoe Lister-Jones) — A couple who can’t stop fighting embark on a last-ditch effort to save their marriage: turning their fights into songs and starting a band. Cast: Zoe Lister-Jones, Adam Pally, Fred Armisen, Susie Essman, Hannah Simone, Ravi Patel. World Premiere

Beach Rats / U.S.A. (Director and screenwriter: Eliza Hittman) — An aimless teenager on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online.Cast: Harris Dickinson, Madeline Weinstein, Kate Hodge, Neal Huff. World Premiere

Brigsby Bear / U.S.A. (Director: Dave McCary, Screenwriters: Kevin Costello, Kyle Mooney) — Brigsby Bear Adventures is a children’s TV show produced for an audience of one: James. When the show abruptly ends, James’s life changes forever, and he sets out to finish the story himself. Cast: Kyle Mooney, Claire Danes, Mark Hamill, Greg Kinnear, Matt Walsh, Michaela Watkins. World Premiere

Burning Sands / U.S.A. (Director: Gerard McMurray, Screenwriters: Christine Berg, Gerard McMurray) — Deep into a fraternity’s Hell Week, a favored pledge is torn between honoring a code of silence or standing up against the intensifying violence of underground hazing. Cast: Trevor Jackson, Alfre Woodard, Steve Harris, Tosin Cole, DeRon Horton, Trevante Rhodes. World Premiere

Crown Heights / U.S.A. (Director and screenwriter: Matt Ruskin) — When Colin Warner is wrongfully convicted of murder, his best friend, Carl King, devotes his life to proving Colin’s innocence. Adapted from This American Life, this is the incredible true story of their harrowing quest for justice. Cast: Lakeith Stanfield, Nnamdi Asomugha, Natalie Paul, Bill Camp, Nestor Carbonell, Amari Cheatom. World Premiere

Golden Exits / U.S.A. (Director and screenwriter: Alex Ross Perry) — The arrival of a young foreign girl disrupts the lives and emotional balances of two Brooklyn families. Cast: Emily Browning, Adam Horovitz, Mary-Louise Parker, Lily Rabe, Jason Schwartzman, Chloë Sevigny. World Premiere

The Hero / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch) — Lee, a former Western film icon, is living a comfortable existence lending his golden voice to advertisements and smoking weed. After receiving a lifetime achievement award and unexpected news, Lee reexamines his past, while a chance meeting with a sardonic comic has him looking to the future. Cast: Sam Elliott, Laura Prepon, Krysten Ritter, Nick Offerman, Katharine Ross. World Premiere

i-dont-feel-at-home-in-this-world-anymore.jpgI Don’t Feel at Home in This World Anymore / U.S.A. (Director and screenwriter: Macon Blair) — When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves, alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals. Cast: Melanie Lynskey, Elijah Wood, David Yow, Jane Levy, Devon Graye. World Premiere. DAY ONE

Ingrid Goes West / U.S.A. (Director: Matt Spicer, Screenwriters: Matt Spicer, David Branson Smith) — A young woman becomes obsessed with an Instagram lifestyle blogger and moves to Los Angeles to try and befriend her in real life. Cast: Aubrey Plaza, Elizabeth Olsen, O’Shea Jackson Jr., Wyatt Russell, Billy Magnussen. World Premiere

Landline / U.S.A. (Director: Gillian Robespierre, Screenwriters: Elisabeth Holm, Gillian Robespierre) — Two sisters come of age in ’90s New York when they discover their dad’s affair—and it turns out he’s not the only cheater in the family. Everyone still smokes inside, no one has a cell phone and the Jacobs finally connect through lying, cheating and hibachi. Cast: Jenny Slate, John Turturro, Edie Falco, Abby Quinn, Jay Duplass, Finn Wittrock. World Premiere

Novitiate / U.S.A. (Director and screenwriter: Maggie Betts) — In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church. Cast: Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron, Morgan Saylor. World Premiere

Patti Cake$ / U.S.A. (Director and screenwriter: Geremy Jasper) — Straight out of Jersey comes Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$, an aspiring rapper fighting through a world of strip malls and strip clubs on an unlikely quest for glory. Cast: Danielle Macdonald, Bridget Everett, Siddharth Dhananjay, Mamoudou Athie, Cathy Moriarty. World Premiere

Roxanne Roxanne / U.S.A. (Director and screenwriter: Michael Larnell) — The most feared battle MC in early-’80s NYC was a fierce teenager from the Queensbridge projects with the weight of the world on her shoulders. At age 14, hustling the streets to provide for her family, Roxanne Shanté was well on her way to becoming a hip-hop legend. Cast: Chanté Adams, Mahershala Ali, Nia Long, Elvis Nolasco, Kevin Phillips, Shenell Edmonds. World Premiere

To the Bone / U.S.A. (Director and screenwriter: Marti Noxon) — In a last-ditch effort to battle her severe anorexia, 20-year-old Ellen enters a group recovery home. With the help of an unconventional doctor, Ellen and the other residents go on a sometimes-funny, sometimes-harrowing journey that leads to the ultimate question—is life worth living? Cast: Lily Collins, Keanu Reeves, Carrie Preston, Lili Taylor, Alex Sharp, Liana Liberato. World Premiere

Walking Out / U.S.A. (Directors and screenwriters: Alex Smith, Andrew Smith) — A father and son struggle to connect on any level until a brutal encounter with a predator in the heart of the wilderness leaves them both seriously injured. If they are to survive, the boy must carry his father to safety. Cast: Matt Bomer, Josh Wiggins, Bill Pullman, Alex Neustaedter, Lily Gladstone. World Premiere

The Yellow Birds / U.S.A. (Director: Alexandre Moors, Screenwriters: David Lowery, R.F.I. Porto) — Two young men enlist in the army and are deployed to fight in the Iraq War. After an unthinkable tragedy, the returning soldier struggles to balance his promise of silence with the truth and a mourning mother’s search for peace. Cast: Tye Sheridan, Jack Huston, Alden Ehrenreich, Jason Patric, Toni Collette, Jennifer Aniston. World Premiere

U.S. DOCUMENTARY COMPETITION
Sixteen world-premiere American documentaries that illuminate the ideas, people and events that shape the present day.

Casting JonBenet / U.S.A., Australia (Director: Kitty Green) — The unsolved death of six-year-old American beauty queen JonBenet Ramsey remains the world’s most sensational child murder case. Over 15 months, responses, reflections and performances were elicited from the Ramsey’s Colorado hometown community, creating a bold work of art from the collective memories and mythologies the crime inspired. World Premiere

Chasing Coral / U.S.A. (Director: Jeff Orlowski) — Coral reefs around the world are vanishing at an unprecedented rate. A team of divers, photographers and scientists set out on a thrilling ocean adventure to discover why and to reveal the underwater mystery to the world. World Premiere. THE NEW CLIMATE

City of Ghosts / U.S.A. (Director: Matthew Heineman) — With unprecedented access, this documentary follows the extraordinary journey of “Raqqa is Being Slaughtered Silently”—a group of anonymous citizen journalists who banded together after their homeland was overtaken by ISIS—as they risk their lives to stand up against one of the greatest evils in the world today. World Premiere

Dina / U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story. World Premiere

Dolores / U.S.A. (Director: Peter Bratt) — Dolores Huerta bucks 1950s gender conventions by co-founding the country’s first farmworkers’ union. Wrestling with raising 11 children, gender bias, union defeat and victory, and nearly dying after a San Francisco Police beating, Dolores emerges with a vision that connects her newfound feminism with racial and class justice. World Premiere

The Force / U.S.A. (Director: Pete Nicks) — This cinema verité look at the long-troubled Oakland Police Department goes deep inside their struggles to confront federal demands for reform, a popular uprising following events in Ferguson and an explosive scandal. World Premiere

ICARUS / U.S.A. (Director: Bryan Fogel) — When Bryan Fogel sets out to uncover the truth about doping in sports, a chance meeting with a Russian scientist transforms his story from a personal experiment into a geopolitical thriller involving dirty urine, unexplained death and Olympic Gold—exposing the biggest scandal in sports history. World Premiere

The New Radical / U.S.A. (Director: Adam Bhala Lough) — Uncompromising millennial radicals from the United States and the United Kingdom attack the system through dangerous technological means, which evolves into a high-stakes game with world authorities in the midst of a dramatically changing political landscape. World Premiere

NOBODY SPEAK: Hulk Hogan, Gawker and Trials of a Free Press / U.S.A. (Director: Brian Knappenberger) — The trial between Hulk Hogan and Gawker Media pitted privacy rights against freedom of the press, and raised important questions about how big money can silence media. This film is an examination of the perils and duties of the free press in an age of inequality. World Premiere

Quest / U.S.A. (Director: Jonathan Olshefski) — For over a decade, this portrait of a North Philadelphia family and the creative sanctuary offered by their home music studio was filmed with vérité intimacy. The family’s 10-year journey is an illumination of race and class in America, and it’s a testament to love, healing and hope. World Premiere

STEP / U.S.A. (Director: Amanda Lipitz) — The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city. World Premiere

Strong Island / U.S.A., Denmark (Director: Yance Ford) — Examining the violent death of the filmmaker’s brother and the judicial system that allowed his killer to go free, this documentary interrogates murderous fear and racialized perception, and re-imagines the wreckage in catastrophe’s wake, challenging us to change. World Premiere

Trophy / U.S.A. (Director: Shaul Schwarz, Co-Director: Christina Clusiau) — This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities. World Premiere. THE NEW CLIMATE

Unrest / U.S.A. (Director: Jennifer Brea) — When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she sets out on a virtual journey to document her story—and four other families’ stories—fighting a disease medicine forgot. World Premiere

Water & Power: A California Heist / U.S.A. (Director: Marina Zenovich) — In California’s convoluted water system, notorious water barons find ways to structure a state-engineered system to their own advantage. This examination into their centers of power shows small farmers and everyday citizens facing drought and a new, debilitating groundwater crisis. World Premiere. THE NEW CLIMATE

whose-streets.jpgWhose Streets? / U.S.A. (Director: Sabaah Folayan, Co-Director: Damon Davis) — A nonfiction account of the Ferguson uprising told by the people who lived it, this is an unflinching look at how the killing of 18-year-old Michael Brown inspired a community to fight back—and sparked a global movement. World Premiere. DAY ONE

WORLD CINEMA DRAMATIC COMPETITION
Twelve films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles.

Axolotl Overkill / Germany (Director and screenwriter: Helene Hegemann) — Mifti, age 16, lives in Berlin with a cast of characters including her half-siblings; their rich, self-involved father; and her junkie friend Ophelia. As she mourns her recently deceased mother, she begins to develop an obsession with Alice, an enigmatic, and much older, white-collar criminal. Cast: Jasna Fritzi Bauer, Arly Jover, Mavie Hörbiger, Laura Tonke, Hans Löw, Bernhard Schütz. World Premiere

Berlin Syndrome / Australia (Director: Cate Shortland, Screenwriter: Shaun Grant) — A passionate holiday romance takes an unexpected and sinister turn when an Australian photographer wakes one morning in a Berlin apartment and is unable to leave. Cast: Teresa Palmer, Max Riemelt. World Premiere

Carpinteros (Woodpeckers) / Dominican Republic (Director and screenwriter: José María Cabral) — Julián finds love and a reason for living in the last place imaginable: the Dominican Republic’s Najayo Prison. His romance with fellow prisoner Yanelly must develop through sign language and without the knowledge of dozens of guards. Cast: Jean Jean, Judith Rodriguez Perez, Ramón Emilio Candelario. World Premiere

Don’t Swallow My Heart, Alligator Girl! / Brazil, Netherlands, France, Paraguay (Director and screenwriter: Felipe Bragança) — In this fable about love and memories, Joca is a 13-year-old Brazilian boy in love with an indigenous Paraguayan girl. To conquer her love, he must face the violent region’s war-torn past and the secrets of his elder brother, Fernando, a motorcycle cowboy. Cast: Cauã Reymond, Eduardo Macedo, Adeli Gonzales, Zahy Guajajara, Claudia Assunção, Ney Matogrosso. World Premiere

Family Life / Chile (Directors: Alicia Scherson, Cristián Jiménez, Screenwriter: Alejandro Zambra) — While house-sitting for a distant cousin, a lonely man fabricates the existence of a vindictive ex-wife withholding his daughter, in order to gain the sympathy of the single mother he has just met. Cast: Jorge Becker, Gabriela Arancibia, Blanca Lewin, Cristián Carvajal. World Premiere

Free and Easy / Hong Kong (Director: Jun Geng, Screenwriters: Jun Geng, Yuhua Feng, Bing Liu) — When a traveling soap salesman arrives in a desolate Chinese town, a crime occurs, and sets the strange residents against each other with tragicomic results. Cast: Gang Xu, Zhiyong Zhang, Baohe Xue, Benshan Gu, Xun Zhang. World Premiere

God’s Own Country / United Kingdom (Director and screenwriter: Francis Lee) — Springtime in Yorkshire: isolated young sheep farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker, employed for the lambing season, ignites an intense relationship that sets Johnny on a new path. Cast: Josh O’Connor, Alec Secareanu, Ian Hart, Gemma Jones. World Premiere

My Happy Family / Germany, Georgia, France (Directors: Nana & Simon, Screenwriter: Nana Ekvtimishvili) — Tbilisi, Georgia, 2016: In a patriarchal society, an ordinary Georgian family lives with three generations under one roof. All are shocked when 52-year-old Manana decides to move out from her parents’ home and live alone. Without her family and her husband, a journey into the unknown begins. Cast: Ia Shugliashvili, Merab Ninidze, Berta Khapava, Tsisia Qumsishvili, Giorgi Tabidze, Dimitri Oragvelidze. World Premiere

The Nile Hilton Incident / Sweden (Director and screenwriter: Tarik Saleh) — In Cairo, weeks before the 2011 revolution, Police Detective Noredin is working in the infamous Kasr el-Nil Police Station when he is handed the case of a murdered singer. He soon realizes that the investigation concerns the power elite, close to the President’s inner circle. Cast: Fares Fares, Mari Malek, Mohamed Yousry, Yasser Ali Maher, Ahmed Selim, Hania Amar. World Premiere

pop-aye.jpgPop Aye / Singapore, Thailand (Director and screenwriter: Kirsten Tan) — On a chance encounter, a disenchanted architect bumps into his long-lost elephant on the streets of Bangkok. Excited, he takes his elephant on a journey across Thailand in search of the farm where they grew up together. Cast: Thaneth Warakulnukroh, Penpak Sirikul, Bong. World Premiere. DAY ONE

Sueño en otro idioma (I Dream in Another Language) / Mexico, Netherlands (Director: Ernesto Contreras, Screenwriter: Carlos Contreras) — The last two speakers of a millennia-old language haven’t spoken in 50 years, when a young linguist tries to bring them together. Yet hidden in the past, in the heart of the jungle, lies a secret concerning the fate of the Zikril language. Cast: Fernando Álvarez Rebeil, Eligio Meléndez, Manuel Poncelis, Fátima Molina, Juan Pablo de Santiago, Hoze Meléndez. World Premiere

The Wound / South Africa (Director: John Trengove, Screenwriters: John Trengove, Thando Mgqolozana, Malusi Bengu) — Xolani, a lonely factory worker, joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. When a defiant initiate from the city discovers his best kept secret, Xolani’s entire existence begins to unravel. Cast: Nakhane Touré, Bongile Mantsai, Niza Jay Ncoyini. World Premiere

WORLD CINEMA DOCUMENTARY COMPETITION
Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today.

The Good Postman / Finland, Bulgaria (Director: Tonislav Hristov) — In a small Bulgarian village troubled by the ongoing refugee crisis, a local postman runs for mayor—and learns that even minor deeds can outweigh good intentions. North American Premiere

In Loco Parentis / Ireland, Spain (Directors: Neasa Ní Chianáin, David Rane) — John and Amanda teach Latin, English and guitar at a fantastical, stately home-turned-school. Nearly 50-year careers are drawing to a close for the pair who have become legends with the mantra: “Reading! ’Rithmetic! Rock ’n’ roll!” But for pupil and teacher alike, leaving is the hardest lesson. North American Premiere

It’s Not Yet Dark / Ireland (Director: Frankie Fenton) — This is the incredible story of Simon Fitzmaurice, a young filmmaker who becomes completely paralyzed from motor neurone disease but goes on to direct an award-winning feature film through the use of his eyes. International Premiere

Joshua: Teenager vs. Superpower / U.S.A. (Director: Joe Piscatella) — When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents. World Premiere

Last Men in Aleppo / Denmark, Syria (Directors: Feras Fayyad, Steen Johannessen) — After five years of war in Syria, Aleppo’s remaining residents prepare themselves for a siege. Khalid, Subhi and Mahmoud, founding members of The White Helmets, have remained in the city to help their fellow citizens—and experience daily life, death, struggle and triumph in a city under fire. World Premiere

Machines / India, Germany, Finland (Director: Rahul Jain) — This intimate, observant portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship. North American Premiere.

Motherland / U.S.A., Philippines (Director: Ramona Diaz) — The planet’s busiest maternity hospital is located in one of its poorest and most populous countries: the Philippines. There, poor women face devastating consequences as their country struggles with reproductive health policy and the politics of conservative Catholic ideologies. World Premiere

Plastic China / China (Director: Jiu-liang Wang) — Yi-Jie, an 11-year-old girl, works alongside her parents in a recycling facility while dreaming of attending school. Kun, the facility’s ambitious foreman, dreams of a better life. Through the eyes and hands of those who handle its refuse, comes an examination of global consumption and culture. International Premiere. THE NEW CLIMATE

RUMBLE: The Indians Who Rocked The World / Canada (Directors: Catherine Bainbridge, Alfonso Maiorana) — This powerful documentary about the role of Native Americans in contemporary music history—featuring some of the greatest music stars of our time—exposes a critical missing chapter, revealing how indigenous musicians helped shape the soundtracks of our lives and, through their contributions, influenced popular culture. World Premiere

Tokyo Idols / United Kingdom, Canada (Director: Kyoko Miyake) — This exploration of Japan’s fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies. World Premiere

WINNIE / France (Director: Pascale Lamche) — While her husband served a life sentence, paradoxically kept safe and morally uncontaminated, Winnie Mandela rode the raw violence of apartheid, fighting on the front line and underground. This is the untold story of the mysterious forces that combined to take her down, labeling him a saint, her, a sinner. World Premiere

the-workers-cup.jpgThe Workers Cup / United Kingdom (Director: Adam Sobel) — Inside Qatar’s labor camps, African and Asian migrant workers building the facilities of the 2022 World Cup compete in a football tournament of their own. World Premiere. DAY ONE

NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Digital technology paired with unfettered creativity promises that the films in this section will shape a “greater” next wave in American cinema. Presented by Adobe.

Columbus / U.S.A. (Director and screenwriter: Kogonada) — Casey lives with her mother in a little-known Midwestern town haunted by the promise of modernism. Jin, a visitor from the other side of the world, attends to his dying father. Burdened by the future, they find respite in one another and the architecture that surrounds them. Cast: John Cho, Haley Lu Richardson, Parker Posey, Rory Culkin, Michelle Forbes. World Premiere

dayveon.jpgDayveon / U.S.A. (Director: Amman Abbasi, Screenwriters: Amman Abbasi, Steven Reneau) — In the wake of his older brother’s death, 13-year-old Dayveon spends the sweltering summer days roaming his rural Arkansas town. When he falls in with a local gang, he becomes drawn to the camaraderie and violence of their world. Cast: Devin Blackmon, Kordell “KD” Johnson, Dontrell Bright, Chasity Moore, Lachion Buckingham, Marquell Manning. World Premiere. DAY ONE

Deidra & Laney Rob a Train / U.S.A. (Director: Sydney Freeland, Screenwriter: Shelby Farrell) — Two teenage sisters start robbing trains to make ends meet after their single mother’s emotional meltdown in an electronics store lands her in jail. Cast: Ashleigh Murray, Rachel Crow, Tim Blake Nelson, David Sullivan, Danielle Nicolet, Sasheer Zamata. World Premiere

A Ghost Story / U.S.A. (Director and screenwriter: David Lowery) — This is the story of a ghost and the house he haunts. Cast: Casey Affleck, Rooney Mara, Will Oldham, Sonia Acevedo, Rob Zabrecky, Liz Franke. World Premiere

Gook / U.S.A. (Director and screenwriter: Justin Chon) — Eli and Daniel, two Korean American brothers who own a struggling women’s shoe store, have an unlikely friendship with 11-year-old Kamilla. On the first day of the 1992 L.A. riots, the trio must defend their store—and contemplate the meaning of family, their personal dreams and the future. Cast: Justin Chon, Simone Baker, David So, Curtiss Cook Jr., Sang Chon, Ben Munoz. World Premiere

L.A. Times / U.S.A. (Director and screenwriter: Michelle Morgan) — In this classically styled comedy of manners set in Los Angeles, sophisticated thirtysomethings try to determine whether ideal happiness exists in coupledom or if the perfectly suited couple is actually just an urban myth. Cast: Michelle Morgan, Dree Hemingway, Jorma Taccone, Kentucker Audley, Margarita Levieva, Adam Shapiro. World Premiere

Lemon / U.S.A. (Director: Janicza Bravo, Screenwriters: Janicza Bravo, Brett Gelman) — A man watches his life unravel after he is left by his blind girlfriend. Cast: Brett Gelman, Judy Greer, Michael Cera, Nia Long, Shiri Appleby, Fred Melamed. World Premiere

Menashe / U.S.A. (Director: Joshua Z Weinstein, Screenwriters: Joshua Z Weinstein, Alex Lipschultz, Musa Syeed) — Within Brooklyn’s ultra-orthodox Jewish community, a widower battles for custody of his son. A tender drama performed entirely in Yiddish, the film intimately explores the nature of faith and the price of parenthood. Cast: Menashe Lustig. World Premiere

Person to Person / U.S.A. (Director and screenwriter: Dustin Guy Defa) — A record collector hustles for a big score while his heartbroken roommate tries to erase a terrible mistake, a teenager bears witness to her best friend’s new relationship and a rookie reporter, alongside her demanding supervisor, chases the clues of a murder case involving a life-weary clock shop owner. Cast: Abbi Jacobson, Michael Cera, Tavi Gevinson, Philip Baker Hall, Bene Coopersmith, George Sample III. World Premiere

Thoroughbred / U.S.A. (Director and screenwriter: Cory Finley) — Two teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. In the process, they learn that neither is what she seems to be—and that a murder might solve both of their problems. Cast: Olivia Cooke, Anya Taylor-Joy, Anton Yelchin, Paul Sparks, Francie Swift, Kaili Vernoff. World Premiere

Three films announced today were funded in part through Kickstarter campaigns: Dayveon, Gook and Unrest.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR,The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

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Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home.

(Source: http://www.sundance.org)

David Lynch and Johnny Depp are helping a teenager with stage four cancer make a gory zombie film

Posted by Larry Gleeson

By Olivia Waring

Horror fan Anthony Conti has stage four kidney cancer, but thanks to the Make A Film Foundation, his short film The Black Ghiandola, starring Depp, Lynch, Laura Dern and JK Simmons, is in post-production.

It was also co-directed by three massive Hollywood names — Evil Dead director Sam Raimi, Twilight director Catherine Hardwicke and St Vincent director Ted Melfi — during the five-day shoot.

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The synopsis of the film, which Conti wrote himself, reads: ‘The Black Ghiandola centers on a young man, played by Anthony Conti, who risks his life to save the girl he loves, after his family is wiped out during a zombie apocalypse.’

Conti, who lives in Hollywood, already had experience making his own comedy/sci-fi YouTube series, The Satanic Zucchini Show.

He later managed to get this new project off the ground after contacting Make A Film Foundation to get hold of a copy of one of their other movies.

Writing The Black Ghiandola apparently helped Conti fight his cancer, and stars involved in the project have paid tribute to the ‘courageous’ youngster in touching a video from the foundation.

The teen also uploaded a shot of the letter he received from the American Film Institute telling him Sam Raimi would be directing his movie, which must have been a huge moment for him.

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Conti, who is undergoing chemotherapy, received financial help from dozens of Hollywood businesses, including channel AMC who make his fave show The Walking Dead, plus family members and online supporters.

Snaps from the set of the film show just how much fun all those taking part had, and how much fake blood was deployed, too.

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Depp appears to be playing a doctor who gets attacked by flesh-eating zombies, a role he no doubt relished.

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*Photos from @ThatOneAnt22 Instagram

(Source: http://metro.co.uk)

Alibaba Invests In Irish Startup Specializing In Cinema Analytics

Posted by Larry Gleeson

By Aman Jain

Alibaba Pictures has made an investment in Showtime Analytics, an Irish movie data startup, through Yueke (a.k.a. Finixx) – its cinema ticketing system subsidiary. The company stated that Showtime and Finixx will collaborate to develop products specific to the Chinese cinema industry, according to e27.

Showtime Analytics was founded in 2014, and it provides data analytics products and services to cinema owners and film distributors. This allows them to collate, analyze and visualize their operational data in real time to deliver insights that drive improved business performance. Currently, the Irish company employs 30 full-time staff, notes e27.

screen-shot-2016-12-07-at-10-50-17-pmShowtime CEO Richie Power said, “We want to help cinema owners and film distributors to unlock the potential of their data and help them understand more about the types of films being made, how they’re being made and marketed, and how audiences are responding to them.”

Yueke is a leading cinema ticket software system service in China. It serves more than 2000 theaters and several online movie-ticketing platforms such as Maoyan, Mtime, Alipay, Gewara, WeChat Movie Ticket and QQ Movie Ticket through its Finixx system. In 2015, Alibaba Pictures fully acquired the company for RMB830 million (around $120 million).

Yueke General Manager Li Xiangxiong said that the merger of Showtime’s capabilities with Finixx and the advantages that Big Data from the Alibaba ecology offers will help Yueke expand its portfolio of data products and services.

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Alibaba Pictures, currently valued at $9.6 billion, has been aggressively investing in building out assets across the film and television production, distribution, and ticketing line. In July, the company launched an investment fund of $300 million with a focus on film and television production.

Recently, Alibaba’s film and entertainment arm acquired a stake in Steven Spielberg’s Amblin Partners. In the past, Alibaba’s film and entertainment arm has made investments in major Hollywood blockbusters like Star Trek Beyond and Mission: Impossible – Rogue Nation.

This is its second investment outside China and the first by its subsidiary Yueke/Finixx. It is expected that by the year’s end, China will overtake the U.S. as the world’s largest movie market.

(Source: http://www.valuewalk.com)

 

Martin Scorsese’s #SILENCE

Martin Scorsese’s SILENCE tells the story of two Christian missionaries (Andrew Garfield and Adam Driver) who face the ultimate test of faith when they travel to Japan in search of their missing mentor (Liam Neeson) – at a time when Christianity was outlawed and their presence forbidden. The celebrated director’s 28-year journey to bring Shusaku Endo’s 1966 acclaimed novel to life will be in theaters this Christmas.

(Source: Paramount Studios)

Note from Roger – Last chance to see The Handmaiden

Dear Cinephiles,

Tonight is the last chance to see the spectacular film THE HANDMAIDEN which just won Best Foreign Film and Production Design from The Los Angeles Film Critics.  This is a sexy and extraordinary film.

We are attaching the review from The Atlantic and the headline says it all.

It plays tonight (Wednesday) at 7:30pm at the Riviera Theatre.

See you at the movies!
Roger Durling

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Click here for tickets

The Handmaiden Is a Cinematic Masterpiece
Park Chan-wook’s new romantic thriller is a sumptuous tale of shifting identities, forbidden love, and colonialism.
By David Sims – The Atlantic

The Handmaiden contains multitudes: It’s a sumptuous romantic period piece, as well as a sexy spy thriller, replete with secret identities and triple-crosses. It’s an extended commentary on Japan’s occupation of Korea in the 1930s, and it’s an intense piece of psychological horror from one of the masters of the genre, Park Chan-wook. But more than anything, The Handmaiden is just pure cinema, a dizzying, disturbing fable of love and betrayal that piles on luxurious imagery, while never losing track of its story’s human core. For Park, the Korean director of crossover genre hits like Old Boy and Thirst, the movie feels like an evolutionary leap forward in an already brilliant career.

The film is, surprisingly enough, an adaptation of Sarah Waters’s 2002 novel Fingersmith, a Victorian crime novel about a petty thief who gets entangled in a long con against a noblewoman, with whom she then falls in love (after that, many further twists ensue). Park and his co-writer Chung Seo-kyung have taken Waters’s investigation of Victorian repression and its limits on female empowerment, and translated it into a tale that delves into the dynamics of Korean culture during Japan’s pre-war occupation. This is a movie about the costumes people wear, both literal and psychological, and that focus extends outward to its setting, a peculiar mansion that mashes up Japanese and Victorian architecture. Park’s film is one where every gesture or period detail is loaded with double meaning, and where his heroines have to wrap their feelings in layers of deception just to try and survive.

The plot plays out the same way that Fingersmith does, following a a three-part structure where each successive chapter sheds new light on the last, and a series of three grand cons bound up into a larger, swooning tale of misandry, romance, and liberation. Sook-hee (Kim Tae-ri, making her film debut) is a crafty young pickpocket plucked from a den of orphans to be the new handmaiden to a Japanese heiress, Lady Hideko (Kim Min-hee). She’s part of an elaborate scheme cooked up by the conman Count Fujiwara (Ha Jung-woo), who plans to marry the emotionally fragile Hideko for her money and then swiftly have her committed. Sook-hee is hired to facilitate his deception, manipulating Hideko into the Count’s arms, but of course, things don’t go exactly as expected.

Hideko is a prisoner in a gilded cage, a manse designed to reflect the culture of Korea’s occupying power, of which she is a prized example. In interviews, Park has said what fascinated him most about transposing Fingersmith to 1930s Korea was the opportunity to comment on the occupation. The chief villain of the piece, Hideko’s uncle-by-marriage, Kozuki, is a Korean intellectual who fetishizes Japanese culture—but he’s also keeping the Japanese Hideko under his thumb as some petty act of supremacy. While he delves into a budding romance between Hideko and Sook-hee, Park burrows into the twisted relationship between the two countries, and the foolishness of the Korean characters gunning for social ascendency by imitating the Japanese way of life.

The film’s dialogue is subtitled in two colors (Korean in white, Japanese in yellow) to underline the disguises the characters are constantly donning in their efforts to blend in. Park has never been a subtle director, which is why he’s worked so well with more lurid genres (most of his movies fall in the thriller or horror category). With The Handmaiden, he makes use of a smorgasbord of tropes and somehow gets away with it. It’s not every film that can feature astute historical commentary, explicit lesbian sex, prolonged bouts of torture, and a giant foreboding octopus without seeming ridiculous. But in The Handmaiden, each of these elements is as wonderfully surprising as the plot itself, which never lets the viewer guess what’s coming next.

The first part of the film charts Sook-hee’s manipulation of Hideko, a con job that turns into a seduction, and then, a seemingly authentic romance; the power dynamic is clearly tilted against the timid heiress. After 45 minutes, the story is abruptly inverted, then re-told through the eyes of Hideko, revealed as far more self-aware than initially imagined; for its third act, the film upends itself again, each time layering a deeper understanding of its four major characters. You might see each twist coming in isolation, but when they’re all knitted together, the effect is stupefying.

The Handmaiden’s identity shifts as much as its sinuous ensemble; it’s as exciting to watch Park keep his grasp on its changing tone as it is to watch the characters double-cross each other. To say much more would spoil a dazzling climax, but this is at its core a tale of liberation, of costumes being thrown off, and of the delight (and terror) that comes with embracing one’s true self. The Handmaiden is long, occasionally demented, and intense enough that it won’t suit everyone. But it’s moviemaking that demands to be enjoyed, a thrill ride in service something far grander and more important.

(Source: sbiff.org)

American Movies Should Not Have to Be Approved by Bureaucrats in Beijing

Posted by Larry Gleeson

By Therese Shaheen

Last week’s phone call between President-elect Donald Trump and Taiwan president Tsai Ing-wen had all the makings of a Hollywood blockbuster. The world is on edge with the election of an untested U.S. president determined to confront China. Upstart Taiwan creates the flashpoint: The leader calls the U.S. president — even before he takes office — and initiates a secret dialogue. Military forces are on alert. Markets waver. There are appeals for calm. But it’s too late. The fuse is lit. Watch the movie to see how it ends.

Probably the most appropriate working title for a Hollywood treatment of what took place between Tsai and Trump is “Much Ado About Nothing.” There are many ways in which America’s China policy with respect to Taiwan has become a jumble of inconsistencies and dangerous unrealism, starting with the implication in our policy that Taiwan exists only insofar as China permits us to recognize its existence. While the call between the two leaders was unorthodox, the reaction to it is more a reflection of a stultified underlying policy than an upset to the world order.

A bigger problem with the supposition that this episode might one day make for good Hollywood treatment is that before long, there might be no one to make such a film that is not somehow tied to the growing Chinese involvement in the U.S. film industry. From production to distribution, Chinese companies are increasing their stakes in one of the crown jewels of U.S. industry.

Much has been written about China’s Dalian Wanda Group, which took a majority stake in the U.S. theater chain AMC in 2012. Earlier this year, Dalian Wanda made an offer for the smaller Carmike theater chain. Together, the two chains own more than 8,000 screens, roughly one-fifth of the U.S. total.

On the production end of the process, Alibaba Pictures in October announced a co-production, co-finance partnership with Amblin Entertainment, Steven Spielberg’s production company. This in the wake of January’s announcement that Dalian Wanda bought the finance and production company Legendary Entertainment. The purchase of a major Hollywood studio by Dalian Wanda, Alibaba, or some other China interest seems a matter of time.

So what? Foreign investment in Hollywood is not unheard of; indeed, Japan’s Softbank had an estimated 10 percent stake in Legendary and was one of the investors bought out by the Dalian Wanda purchase. The stalwarts at the Wall Street Journal editorial page rightly noted in an October editorial that “the movie business is a competitive market with none of the immediate security risks of defense contractors or power-plant operators.”

To that end, the expressed intent of the Alibaba and Dalian Wanda deals mentioned is to create a global production and distribution network for what is clearly a global industry. While more movies are made in India than anywhere else and China is second only to the U.S. in total box office (but is the fastest growing country in that category), the U.S. remains a global leader in content and bankability. One measure: Global box office for 2016 is expected to be about $38 billion, but the combined gross of the Harry Potter, Avengers, and Batman franchises alone is about 15 percent of that. By the way, Legendary Entertainment, now owned by Dalian Wanda, produced the Batman series.

It is understandable that U.S. filmmaking interests are looking for every advantage they can get to distribute films in China, which accounts for more than 10 percent of global box office. China’s movie-going public is anchored by a growing urban middle class that has disposable income and is enamored with all things Western, from automobiles to iPhones. Co-finance, co-production deals to make movies makes perfect sense.

It also makes perfect sense that U.S. filmmakers will do all they can to avoid running afoul of a Chinese government that is increasingly obvious about two things that intersect in ways that put a bull’s-eye on the moviemaking process: control over the media and the use of “soft power” to enhance its role in the world.

On the first point: The Communist government under Xi Jinping is cracking down on so-called civil-society activities. The regime’s attempts to stifle dissent are becoming clear to the public. These include placing restrictions and conditions on Internet access by ordinary citizens, arrests of dissident bloggers, and even abducting several booksellers from Hong Kong and spiriting them back to the mainland for harassment and intimidation.

This control extends to moviemaking. Last month, the Standing Committee of the National People’s Congress approved a new film-industry-promotion law, ostensibly to modernize the domestic industry. The Chinese film industry is already heavily protected. According to China Law Blog, the draft law does not change existing prohibitions on “foreigners engaging independently in film production in China.” Foreigners still cannot distribute films in China, and quotas on foreign-film imports continue.

By entering into co-production and co-finance agreements with Chinese interests, U.S. filmmakers obviously hope to get over, around, or through these restrictions and gain access to a fast-growing urban market. To do so, though, Spielberg and other auteurs will probably have to accept the overall intent of the new domestic law, which, according to the Wall Street Journal, is “to serve ‘the people and socialism, prioritize social benefit, and coordinate social and economic effects.’”

Here’s another way to think about that: self-censorship. For example, Alibaba’s partner Amblin, or Dalian Wanda’s subsidiary Legendary, are not likely to want to make two versions of their movies — one for the U.S. and one for China — and so will likely take care to exclude from them anything that Beijing might see as not “prioritizing social benefit” for Chinese viewers.

What might that look like? No need to guess, because it’s already happening. In pre-release publicity for the Marvel blockbuster Doctor Strange, screenwriter C. Robert Cargill acknowledged, as reported in the New York Times, why a key character drawn from the original comic is Tibetan but in the film is played by a British actress, Tilda Swinton. “If you acknowledge that Tibet is a place and that he’s Tibetan, you risk alienating one billion people,” Cargill said in an interview. Just in case you wouldn’t get his point, he also expressed concerns about “the risk of the Chinese government going, ‘Hey, you know one of the biggest film-watching countries in the world? We’re not going to show your movie because you decided to get political.’”

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Got it. And this was a film made by Marvel Studios, and distributed by Marvel’s owner, Walt Disney Studios, a U.S. public company. How might self-censorship look when Dalian Wanda is financing the film and opening distribution doors across the country and attempting not to run afoul of the same government that kidnaps obscure booksellers in Hong Kong?

It’s one thing for Amblin or Legendary to engage in self-censorship to get movies that have been paid for by Chinese companies distributed in China. But the Marvel example is something we had better get used to: Movies produced and paid for by U.S. companies and distributed in the U.S. are censored in the hope that the same movie might somehow find its way into Chinese distribution.

While U.S. national security doesn’t depend on whether a a role in a movie based on a comic book is played by a British or a Tibetan actor, it is pretty obvious that the same kind of self-censorship will apply to political thrillers, historical fiction, real-world history, documentaries, and anything else that producers hope will be distributed in China. At the very least, the burden of proof is on filmmakers to demonstrate otherwise.

This plays into the attention that the Communist government under the Xi regime pays to so-called soft power. The world is fixated on the rise of the Chinese navy, its adventurism in the South China and Philippine Seas, and other “hard power” demonstrations that are raising concerns in the region and in the United States. But Xi intends to extend China’s influence in less belligerent ways, too. These include a proliferating number of international forums such as the Boao Conference, the hosting of global events such as the Olympics and Special Olympics, and investments in CCTV and other foreign-language television.

Core to the soft-power thesis are public diplomacy and related activities. The U.S. understood this for years going back to World War II, when it produced pro-military, pro-government films and, after the war, established Voice of America. The Chinese may simply believe they are modernizing that approach by controlling film content. Shaping the image of China and its interests through the global film industry could hardly be considered an incidental objective for Beijing when we consider the draft film-industry-promotion law or the efforts by Alibaba, Dalian Wanda, and others seeking a stronger foothold in the U.S. film industry.

To address this, the U.S. should consider some modernizing approaches of its own. That may already be underway. In September a bipartisan group of 16 members of the House of Representatives wrote to the comptroller general of the United States to ask for a review of the Committee on Foreign Investment in the United States, “to determine whether its . . . authorities have effectively kept pace” with the current security landscape.

CFIUS is an interagency group that, under the auspices of the Treasury Department, determines whether potential foreign investments in U.S. entities could undermine national security. CFIUS has heretofore focused on national security and proposed investments in critical infrastructure. The September congressional letter asks the comptroller general this pointed question: “Should the definition of national security be broadened to address concerns about propaganda and control of the media and ‘soft power’ institutions?”

It’s the right question, and a review of the future of CFIUS is the right lever to pull. The Trump administration seems predisposed to ask such questions. President-elect Trump and many of his advisers seem to have no qualms about acknowledging the obvious: The Chinese government intervenes in markets of all types to exert its will. That Beijing would attempt to influence the global filmmaking industry to achieve its own ends doesn’t sound like something that would meet a lot of doubt or skepticism from the new administration, some of whose appointees will constitute the CFIUS.

“This has never happened. . . . There’s no road map for this,” Legendary Productions founder and CEO Thomas Tull said at the time of the Dalian Wanda takeover of the company. Now, while it’s still possible (maybe) to watch a movie in a theater in Kansas and not have to question whether a bureaucrat in Beijing approved it, is a good time to start making that map. — Therese Shaheen is a businesswoman and CEO of US Asia International. She was the chairman of the State Department’s American Institute in Taiwan from 2002 to 2004.

(Source: http://www.nationalreview.com)

PREMIERES, MIDNIGHT, KIDS, AND MORE: LATEST ADDITIONS TO 2017 SUNDANCE FILM FESTIVAL LINEUP

FOR IMMEDIATE RELEASE

Park City, UT— The final pieces of the 2017 Sundance Film Festival feature film program fall into place today, as Sundance Institute announces the lineup for Premieres, Documentary Premieres, Midnight, Spotlight, Kids and Special Events. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort January 19-29.

Three projects announced today are part of The New Climate, the Festival’s new environmental program: Rancher, Farmer, Fisherman (Documentary Premieres), Look & See: A Portrait of Wendell Berry (Spotlight) and RISE (Special Events).

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John Cooper, Director of the Sundance Film Festival, said, “Some of the most pressing themes that we can trace through the Festival lineup — the environment, political upheaval, social change — are distilled to their very human essences in both comic and dramatic stories. These stories, and the conversations they spark, start here and will extend well beyond the mountain and the Festival in the months ahead.”

Trevor Groth, Director of Programming for the Sundance Film Festival, said, “Powerful visions of our times — past, present and future — resound throughout these sections. Inspired storytellers are shining a light on urgent issues or providing an exhilarating escape from them. From citizen journalists to robust and powerful roles for women — in front of and behind the camera — these projects are a testament to the force and value of the individual.”

Among the films that have premiered in these sections in recent years are Boyhood, Under The Shadow, Twenty Feet from Stardom, Captain Fantastic, The Lobster, Mistress America, Manchester By The Sea, Mapplethorpe: Look at the Pictures, Shaun the Sheep, O.J.: Made in America and The Jinx: The Life and Deaths of Robert Durst.

For a full list of films announced to date, including selections for the U.S. and World Competitions, NEXT and New Frontier, visit sundance.org/festival. The Short Film program announcement will be forthcoming.

PREMIERES
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year.

Beatriz at Dinner / U.S.A. (Director: Miguel Arteta, Screenwriter: Mike White) — Beatriz, an immigrant from a poor town in Mexico, has drawn on her innate kindness to build a career as a health practitioner. Doug Strutt is a cutthroat, self-satisfied billionaire. When these two opposites meet at a dinner party, their worlds collide and neither will ever be the same. Cast: Salma Hayek, John Lithgow. World Premiere

Before I Fall / U.S.A. (Director: Ry Russo-Young, Screenwriter: Maria Maggenti) — Samantha Kingston has everything. Then, everything changes. After one fateful night, she wakes up with no future at all. Trapped into reliving the same day over and over, she begins to question just how perfect her life really was. Cast: Zoey Deutch, Halston Sage, Logan Miller, Kian Lawley, Elena Kampouris, Diego Boneta. World Premiere

The Big Sick / U.S.A. (Director: Michael Showalter, Screenwriters: Emily V. Gordon, Kumail Nanjiani) — Based on the real-life courtship: Pakistan-born comedian Kumail and grad student Emily fall in love, but they struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail must navigate the crisis with her parents and the emotional tug-of-war between his family and his heart. Cast: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. World Premiere

Call Me by Your Name / Italy, France (Director: Luca Guadagnino, Screenwriters: James Ivory, Luca Guadagnino) — The sensitive and cultivated Elio, only child of the American-Italian-French Perlman family, is facing another lazy summer at his parents’ villa in the beautiful and languid Italian countryside when Oliver, an academic who has come to help with Elio’s father’s research, arrives. Cast: Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar, Esther Garrel, Victoire Du Bois. World Premiere

The Discovery / U.S.A. (Director: Charlie McDowell, Screenwriters: Charlie McDowell, Justin Lader) — In a world where the afterlife has just been scientifically proven—resulting in millions of people taking their own lives to get there—comes this love story. Cast: Jason Segel, Rooney Mara, Robert Redford, Jesse Plemons, Riley Keough, Ron Canada. World Premiere

Fun Mom Dinner / U.S.A. (Director: Alethea Jones, Screenwriter: Julie Rudd) — Four women, whose kids attend the same preschool class, get together for a “fun mom dinner.” When the night takes an unexpected turn, these unlikely new friends realize they have more in common than just marriage and motherhood. Together, they reclaim a piece of the women they used to be. Cast: Katie Aselton, Toni Collette, Bridget Everett, Molly Shannon, Adam Scott, Adam Levine. World Premiere

The Incredible Jessica James / U.S.A. (Director and screenwriter: Jim Strouse) — Jessica James, an aspiring NYC playwright, is struggling to get over a recent breakup. She sees a light at the end of the tunnel when she meets the recently divorced Boone. Together, they discover how to make it through the tough times while realizing they like each other—a lot. Cast: Jessica Williams, Chris O’Dowd, Keith Stanfield, Noël Wells. World Premiere. CLOSING NIGHT FILM

The Last Word / U.S.A. (Director: Mark Pellington, Screenwriter: Stuart Ross Fink) — Harriett is a retired businesswoman who tries to control everything around her. When she decides to write her own obituary, a young journalist takes up the task of finding out the truth, resulting in a life-altering friendship. Cast: Shirley MacLaine, Amanda Seyfried, Anne Heche, Thomas Sadoski, Philip Baker Hall. World Premiere

Manifesto / Germany (Director and screenwriter: Julian Rosefeldt) — Can history’s art manifestos apply to contemporary society? An homage to the twentieth century’s most impassioned artistic statements and innovators, from Futurists and Dadaists to Pop Art, Fluxus, Lars von Trier and Jim Jarmusch, this series of reenactments performed by Cate Blanchett explores these declarations’ performative components and political significance. Cast: Cate Blanchett. World Premiere

Marjorie Prime / U.S.A. (Director and screenwriter: Michael Almereyda) — In the near future—a time of artificial intelligence—86-year-old Marjorie has a handsome new companion who looks like her deceased husband and is programmed to feed the story of her life back to her. What would we remember, and what would we forget, if given the chance? Cast: Jon Hamm, Geena Davis, Lois Smith, Tim Robbins. World Premiere

Mudbound / U.S.A. (Director: Dee Rees, Screenwriters: Virgil Williams, Dee Rees) — In the post–World War II South, two families are pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad. This epic pioneer story is about friendship, heritage and the unending struggle for and against the land. Cast: Carey Mulligan, Jason Clarke, Jason Mitchell, Mary J. Blige, Garrett Hedlund, Jonathan Banks. World Premiere

The Polka King / U.S.A. (Director: Maya Forbes, Screenwriters: Maya Forbes, Wally Wolodarsky) — Based on the remarkable true story of the world’s only known Polka Ponzi scheme, this mix of comedy and tragedy is about Jan Lewan, a polish immigrant who believed in the American Dream. But with big dreams came big mistakes for the man who became the “King of Pennsylvania Polka.” Cast: Jack Black, Jenny Slate, Jason Schwartzman, Jacki Weaver, J.B. Smoove. World Premiere

Rebel in the Rye / U.S.A. (Director and screenwriter: Danny Strong) — This portrait of the life and mind of reclusive author J.D. Salinger goes from the bloody front lines of World War II to his early rejections and the PTSD-fueled writer’s block that led to his iconic novel, The Catcher in the Rye. Cast: Nicholas Hoult, Kevin Spacey, Sarah Paulson, Zoey Deutch, Hope Davis, Victor Garber. World Premiere

Rememory / U.S.A., Canada (Director: Mark Palansky, Screenwriters: Michael Vukadinovich, Mark Palansky) — A visionary inventor found dead. A machine that can record people’s memories. A man haunted by the past. This noir mystery explores the ways in which memory defines the present. Cast: Peter Dinklage, Julia Ormond, Martin Donovan, Anton Yelchin, Henry Ian Cusick, Evelyne Brochu. World Premiere

Sidney Hall / U.S.A. (Director: Shawn Christensen, Screenwriters: Shawn Christensen, Jason Dolan) — Over the course of 12 years, and three stages of life, Sidney Hall falls in love, writes the book of a generation and then disappears without a trace. Cast: Logan Lerman, Elle Fanning, Kyle Chandler, Michelle Monaghan, Nathan Lane, Margaret Qualley. World Premiere

Where is Kyra? / U.S.A. (Director: Andrew Dosunmu, Screenwriters: Andrew Dosunmu, Darci Picoult) — Pushed to the brink after losing her job, a woman struggles to survive. As the months pass and her troubles deepen, she embarks on a perilous and mysterious journey that threatens to usurp her life. Cast: Michelle Pfeiffer, Kiefer Sutherland. World Premiere

Wilson / U.S.A. (Director: Craig Johnson, Screenwriter: Daniel Clowes) — Wilson, a lonely, neurotic and hilariously honest middle-aged misanthrope, reunites with his estranged wife and gets a shot at happiness when he learns he has a teenage daughter he has never met. In his uniquely outrageous and slightly twisted way, he sets out to connect with her. Cast: Woody Harrelson, Laura Dern, Judy Greer. World Premiere

Wind River / U.S.A. (Director and screenwriter: Taylor Sheridan) — An FBI agent teams with the town’s veteran game tracker to investigate a murder that ocurred on a Native American reservation. Cast: Jeremy Renner, Elizabeth Olsen, Jon Bernthal. World Premiere

DOCUMENTARY PREMIERES
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries.

500 YEARS / U.S.A. (Director: Pamela Yates) — From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society. World Premiere

Cries from Syria / U.S.A., Syria, Czech Republic (Director: Evgeny Afineevsky) — This documentary attempts to recontextualize the European migrant crisis and ongoing hostilities in Syria, through eyewitness and participant testimony. Children and parents recount the revolution, civil war, air strikes, atrocities and ongoing humanitarian aid crises, in a portrait of recent history and the consequences of violence. World Premiere

Give Me Future: Major Lazer in Cuba / U.S.A., Cuba (Director: Austin Peters) — In the spring of 2016, global music sensation Major Lazer performed a free concert in Havana, Cuba—an unprecedented show that drew an audience of almost half a million. This concert documentary evolves into an exploration of youth culture in a country on the precipice of change. World Premiere

Legion of Brothers / U.S.A. (Director: Greg Barker) — Afghanistan, immediately post-9/11: Small teams of Green Berets arrive on a series of secret missions to overthrow the Taliban. What happens next is equal parts war origin story and cautionary tale, illuminating the nature and impact of 15 years of constant combat, with unprecedented access to U.S. Special Forces. World Premiere

Oklahoma City / U.S.A. (Director: Barak Goodman) — The bombing of the Alfred P. Murrah Federal Building in Oklahoma City in April 1995 is the worst act of domestic terrorism in American history; this documentary explores how a series of deadly encounters between American citizens and federal law enforcement—including the standoffs at Ruby Ridge and Waco—led to it. World Premiere

Rancher, Farmer, Fisherman / U.S.A. (Directors: Susan Froemke, John Hoffman, Beth Aala) — From the Montana Rockies to the wheat fields of Kansas and the Gulf of Mexico, families who work the land and sea are crossing political divides to find unexpected ways to protect the natural resources vital to their livelihoods. These are the new heroes of conservation, deep in America’s heartland. World Premiere. THE NEW CLIMATE

TAKE EVERY WAVE: The Life of Laird Hamilton / U.S.A. (Director: Rory Kennedy) — This is the remarkable story of an American icon who changed the sport of big wave surfing forever. Transcending the surf genre, this in-depth portrait of a hard-charging athlete explores the fear, courage and ambition that push a man to greatness—and the cost that comes with it. World Premiere

Tell Them We Are Rising: The Story of Black Colleges and Universities / U.S.A. (Director: Stanley Nelson) — A haven for Black intellectuals, artists and revolutionaries—and path of promise toward the American dream—Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for 150 years. For the first time ever, their story is told. World Premiere

This Is Everything: Gigi Gorgeous / U.S.A. (Director: Barbara Kopple) — Are there limits to your love for your family? One family’s acceptance is tested when a champion diver, destined for the Olympics, announces he’s transitioning into a woman—and invites his YouTube followers along for every moment. It’s a story about unconditional love and finding the courage to be yourself. World Premiere

Untitled Lucy Walker / Buena Vista Social Club Documentary / U.S.A., United Kingdom, Cuba (Director: Lucy Walker) — The musicians of the Buena Vista Social Club exposed the world to Cuba’s vibrant culture with their landmark 1997 album. Now, against the backdrop of Cuba’s captivating musical history, hear the band’s story as they reflect on their remarkable careers and the extraordinary circumstances that brought them together. World Premiere

MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour.

78/52 / U.S.A. (Director: Alexandre Philippe) — This is an unprecedented look at the iconic shower scene in Alfred Hitchcock’s Psycho, the “man behind the curtain,” and the screen murder that profoundly changed the course of world cinema. World Premiere

Bad Day for the Cut / Northern Ireland (Director: Chris Baugh, Screenwriters: Chris Baugh, Brendan Mullin) — A middle-aged Irish farmer, who still lives at home with his mother, sets off on a mission of revenge when the old lady is murdered. Cast: Nigel O’Neill, Susan Lynch, Józef Pawłowski, Stuart Graham, Anna Próchniak, Ian McElhinney. World Premiere

Bitch / U.S.A. (Director and screenwriter: Marianna Palka) — A woman snaps under crushing life pressures and assumes the psyche of a vicious dog. Her philandering, absentee husband is forced to become reacquainted with his four children and sister-in-law as they attempt to keep the family together during this bizarre crisis. Cast: Jason Ritter, Jaime King, Marianna Palka, Brighton Sharbino, Rio Mangini, Kingston Foster. World Premiere

Bushwick / U.S.A. (Directors: Cary Murnion, Jonathan Milott, Screenwriters: Nick Damici, Graham Reznick) — Lucy emerges from a Brooklyn subway to find that her neighborhood is under attack by black-clad military soldiers. An ex-Marine corpsman, Stupe, reluctantly helps her fight for survival through a civil war, as Texas attempts to secede from the United States of America. Cast: Dave Bautista, Brittany Snow, Angelic Zambrana, Jeremie Harris, Myra Lucretia Taylor, Arturo Castro. World Premiere

Killing Ground / Australia (Director and screenwriter: Damien Power) — Ian and Samantha arrive at an isolated campsite to find an SUV and a tent—with no sign of the occupants. The discovery of a distressed child wandering in the woods unleashes a terrifying chain of events that will test the young couple’s breaking point. Cast: Aaron Pedersen, Ian Meadows, Harriet Dyer, Aaron Glenane. International Premiere

Kuso / U.S.A. (Director: Steven Ellison, Screenwriters: Steven Ellison, David Firth, Zach Fox) — Broadcasting through a makeshift network of discarded televisions, this story is tangled up in the aftermath of Los Angeles’s worst earthquake nightmare. Travel between screens and aftershocks into the twisted lives of the survived. Cast: Iesha Coston, Zack Fox, Hannibal Buress, The Buttress, Tim Heidecker, Mali Matsuda. World Premiere

The Little Hours / U.S.A. (Director and screenwriter: Jeff Baena) — A young servant fleeing from his master takes refuge at a dysfunctional convent in medieval Tuscany. Cast: Alison Brie, Dave Franco, Kate Micucci, Aubrey Plaza, John C. Reilly, Molly Shannon. World Premiere. DAY ONE

XX / U.S.A. (Directors and screenwriters: Annie Clark, Karyn Kusama, Roxanne Benjamin, Jovanka Vuckovic) — This all-female horror anthology features four dark tales from four fiercely talented women. Cast: Natalie Brown, Melanie Lynskey, Breeda Wool, Christina Kirk. World Premiere

SPOTLIGHT
The Spotlight program is a tribute to the cinema we love from throughout the past year.

Colossal / U.S.A. (Director and screenwriter: Nacho Vigalondo) — An unapologetic party girl dreams of a fresh start only to discover a mysterious and fantastical connection between herself and a city-wrecking monster on the other side of the globe. Cast: Anne Hathaway, Dan Stevens, Jason Sudeikis, Tim Blake Nelson, Austin Stowell.

Frantz / France, Germany (Director: François Ozon, Screenwriters: François Ozon, Philippe Piazzo) — In a small German town after World War I, Anna mourns daily at the grave of her fiancé, Frantz, killed in battle in France. One day a young Frenchman, Adrien, also lays flowers at the grave. His presence, so soon after the German defeat, ignites passions. Cast: Pierre Niney, Paula Beer, Ernst Stötzner, Marie Gruber, Johann von Bülow, Anton von Lucke.

Lady Macbeth / United Kingdom (Director: William Oldroyd, Screenwriter: Alice Birch) — Rural England, 1865: Katherine is stifled by her loveless marriage to a bitter man and his unforgiving family. When she embarks on a passionate affair with a stableman from the estate, the force unleashed inside her is so powerful that she will stop at nothing to get what she wants. Cast: Florence Pugh, Cosmo Jarvis, Paul Hilton, Naomi Ackie, Christopher Fairbank. U.S. Premiere

Look and See: A Portrait of Wendell Berry / U.S.A. (Directors: Laura Dunn, Jef Sewell) — This cinematic portrait of the changing landscapes and shifting values of rural America in the era of industrial agriculture is seen through the mind’s eye of farmer and writer Wendell Berry. THE NEW CLIMATE

Raw / France (Director and screenwriter: Julia Ducournau) — When a young vegetarian undergoes a carnivorous hazing ritual at vet school, she develops an unbidden taste for meat, with unexpected consequences. Cast: Garance Marillier, Ella Rumpf, Rabah Nait Oufella, Laurent Lucas, Joana Preiss.

Sami Blood / Sweden (Director and screenwriter: Amanda Kernell) — Elle Marja, 14, is a reindeer-breeding Sámi girl. Exposed to race biology examinations at her boarding school and the racism of the 1930s, she starts dreaming of another life—one that demands she become someone else and break all ties with her family and culture. Cast: Lene Cecilia Sparrok, Mia Sparrok, Maj-Doris Rimpi, Olle Sarri, Hanna Alström, Malin Crépin. U.S. Premiere

Their Finest / United Kingdom (Director: Lone Scherfig, Screenwriter: Gaby Chiappe) — During the 1940 London Blitz, untried screenwriter Catrin struggles to find her voice amidst war, as she and a makeshift cast work under fire to create a film to lift the nation’s spirits—and inspire America to join the war. Cast: Gemma Arterton, Sam Claflin, Bill Nighy, Jack Huston, Jake Lacy, Jeremy Irons. U.S. Premiere

KIDS
This section of the Festival is especially for our youngest independent film fans. Programmed in cooperation with Utah Film Center, which presents the annual Tumbleweeds Film Festival, Utah’s premiere film festival for children and youth.

The Mars Generation / U.S.A. (Director: Michael Barnett) — Aspiring teenage astronauts reveal that a journey to Mars is closer than you think. World Premiere. SALT LAKE CITY OPENING NIGHT FILM

My Life as a Zucchini / Switzerland, France (Director: Claude Barras, Screenwriter: Céline Sciamma) — After his mother’s death, Zucchini is befriended by a police officer, Raymond, who accompanies him to a foster home filled with other orphans his age. There, with the help of his newfound friends, Zucchini eventually learns to trust and love as he searches for a new family of his own. World Premiere (English Version)

RED DOG: True Blue / Australia (Director: Kriv Stenders, Screenwriter: Daniel Taplitz) — When 11-year-old Mick is shipped off to his grandfather’s cattle station in Australia’s remote Pilbara, he prepares himself for a life of dull hardship but instead finds myth, adventure and a friendship with a scrappy, one-of-a-kind pup that will change his life forever. Cast: Levi Miller, Bryan Brown, Hanna Mangan-Lawrence, Thomas Cocquerel, Jason Isaacs. North American Premiere

SPECIAL EVENTS
One-of-a-kind moments highlighting new independent works that add to the unique Festival experience. An evolving section, this year includes episodic work, short films and live post-screening discussions.

Downward Dog / U.S.A. (Showrunners: Kat Likkel, John Hoberg, Creators: Michael Killen, Samm Hodges) — The story of a struggling millennial, Nan, as observed from the point of view of her lonely and philosophical dog, Martin. The Festival will premiere the first four episodes of the series, followed by an extended Q&A with the cast, creators and showrunners. Cast: Allison Tolman, Samm Hodges, Lucas Neff, Kirby Howell-Baptiste, Barry Rothbart. World Premiere

The History of Comedy / U.S.A. (Executive Producers: Mark Herzog, Christopher G. Cowen, Sean Hayes, Todd Milliner) — Utilizing archival footage punctuated by contemporary interviews with comedy legends and scholars, this is the history of not only what makes us laugh, but how comedy has affected the social and political landscape throughout history. The Festival will premiere two episodes of this docuseries, Spark of Madness and Going Blue, followed by an extended Q&A. World Premiere

I Love Dick / U.S.A. (Directors: Jill Soloway, Andrea Arnold, Kimberly Peirce, Executive Producers: Jill Soloway, Sarah Gubbins, Andrea Sperling, Victor Hsu) — Chris and Sylvere, a married couple in the intellectual community of Marfa, Texas, become obsessed with a charismatic artist named Dick. What follows is the unraveling of a marriage, the deification of a reluctant messiah and the awakening of the female gaze. The Festival will present the first three episodes of this Amazon original series, followed by an extended Q&A. Cast: Kevin Bacon, Kathryn Hahn, Griffin Dunne, Roberta Colindrez, India Menuez, Phoebe Robinson. World Premiere

RISE / Canada (Director and screenwriter: Michelle Latimer) — This vibrant and immersive documentary series explores the front lines of indigenous resistance. Episodes Apache Stronghold, Sacred Water and Red Power examine factors that threaten indigenous liberation in the 21st century. A series of contrasts, this series is both a condemnation of colonialism and a celebration of indigenous peoples. Continuing Sundance Institute’s ongoing commitment to presenting bold stories from within the Native American and Indigenous communities, we are proud to debut three episodes: Apache Stronghold, Sacred Water and Red Power, followed by an extended Q&A. World Premiere. THE NEW CLIMATE

Shots Fired / U.S.A. (Executive Producers: Gina Prince-Bythewood, Reggie Rock Bythewood, Brian Grazer, Francie Calfo) — After racially-charged shootings in a North Carolina town, an investigator digs into the cases alongside a special prosecutor. Together they seek justice while navigating the ensuing media attention and public unrest threatening the divided town. The Festival will premiere two episodes of this 10-hour series, followed by an extended Q&A. Cast: Sanaa Lathan, Stephan James, Helen Hunt, Richard Dreyfuss, Stephen Moyer, Mack Wilds. World Premiere

TIME: The Kalief Browder Story / U.S.A. (Director: Jenner Furst, Executive Producers: Jenner Furst, Shawn “Jay Z” Carter, Harvey Weinstein, David C. Glasser, Nick Sandow, Julia Willoughby Nason, Michael Gasparro) — After his arrest at age 16, Kalief Browder fought the system and prevailed, despite unthinkable circumstances. He became an American hero. The Festival will debut the first two episodes of this in-depth, humanizing look at a broken justice system, followed by an extended Q&A. World Premiere

Docuseries Showcase — The Festival is proud to debut individual episodes from two exciting new Netflix docuseries, featuring an extended Q&A with directors Morgan Neville and Rashida Jones.

  • Abstract: The Art of Design / U.S.A. (Director and executive producer: Morgan Neville) — A look beyond blueprints and computers into the art and science of design, showcasing great designers from every discipline whose work shapes our world. The Festival will debut one episode of the series, followed by an extended Q&A with Director and Executive Producer Morgan Neville. Cast: Christoph Niemann. World Premiere
  • Hot Girls Wanted: Turned On / U.S.A. (Director: Rashida Jones, “Women on Top,” Executive Producers: Rashida Jones, Ronna Gradus, Jill Bauer, Peter LoGreco) — Porn has gone mainstream; the question is, can we handle it? This exploration of the intersection of sex and technology is told through the stories of the people whose lives are defined by the current explosion of internet porn—whether they’re creating it, consuming it, or both. The Festival will debut one episode of the series, followed by an extended Q&A with Director and Executive Producer Rashida Jones. World Premiere

Independent Pilot Showcase — We are proud to present the world premieres of these outstanding pilot presentations, highlighting the best in episodic series work from the independent community.

  • Playdates / U.S.A. (Writers: Giles Andrew, Dan Marshall, Creators: Giles Andrew, Dan Marshall, Alex Bourne) — Uprooted from their Midwestern life, Bennett, a new stay-at-home dad, and Julie, a working mom, are forced to take their kids on playdates inside the elitist parenting culture of Silicon Beach. Cast: Paul Scheer, Carla Gallo, Miles Fisher, Craig Frank, Gemma Brooke Allen, Landon Gordon. World Premiere
  • Shit Kids / U.S.A. (Director and creator: Kyle Dunnigan) — The daughter of an earth-shatteringly boring couple, along with the son of an equally humdrum set of parents, have decided to plot their parents’ murders. Cast: Kyle Dunnigan, Kevin Berntson, Candace Brown, Margee Magee, Grace van Dien, Doug Noble. World Premiere
  • When The Street Lights Go On / U.S.A. (Director: Brett Morgen, Screenwriters: Eddie O’Keefe, Chris Hutton) — The residents of a small town grapple with the ruthless killing of a young girl and a teacher. Cast: Max Burkholder, Odessa Young, Adam Long, Ben Winchell, Kelli Mayo, Graham Beckel. World Premiere

Made in Cuba — We are proud to present these three cinematic and affecting Cuban short documentaries, reflecting Sundance Institute’s longstanding commitment to international artists. These films were guided by the Institute’s Documentary Film Program in collaboration with La Escuela Internacional de Cine y TV (EICTV) and The Guardian Multimedia Program.

  • Connection (Conectifai) / Cuba (Director: Horizoe Garcia Miranda) — ETECSA—Cuba’s only telephone company—installed Wi-Fi routers in 18 public parks in 2016. For many Cubans, this meant being able to go online for the first time. This film shows us how Cubans of all ages initially explore social media, online dating and more. U.S. Premiere
  • Great (Muy Bien) / Cuba (Director: Sheyla Pool Pástor) — The United States restored diplomatic relations with Cuba in 2015, making it no longer unrealistic for Cubans to dream of one day living and working abroad. Cubans of all ages and diverse aspirations enroll at the makeshift Big Ben English school in Havana. U.S. Premiere
  • House for Sale (Casa en Venta) / Cuba (Director: Emanuel Giraldo Betancur) — After more than 50 years, the ban on individuals in Cuba selling their houses was lifted in 2011. Three Cubans invite us into their homes—full of memories, souvenirs and family members—to hear their “sales pitch.” U.S. Premiere

Midnight Episodic Showcase — For the after-dark crowd, we present the world premieres of two thrilling new episodic additions to our Midnight lineup: Pineapple, from Adaptive Studios, and Snatchers, from Stage 13, followed by an extended Q&A with the creators of both series.

  • Pineapple / U.S.A. (Director and writer: Arkasha Stevenson) — When a miner’s daughter is assaulted in the local coal mine, she utters only one word, leaving the town’s sheriff baffled. The event quickly spirals out of control, impacting the entire town. The Festival will premiere three short-form episodes of this uniquely cinematic drama series. Cast: Tyler Vickers, Kel Owens, Ron Gilbert, Gloria Vonn, Lucille Sharp, Brooklyn Robinson. World Premiere
  • Snatchers / U.S.A. (Directors: Stephen Cedars, Benji Kleiman, Screenwriters: Scott Yacyshyn, Benji Kleiman, Stephen Cedars) — After status-obsessed teen Sara has sex for the first time, she wakes up the next day nine months pregnant—with an alien. Turning to her nerdy ex-bestie, Hayley (the only person she can trust without ruining her reputation), they strive to put an end to all the carnage. The Festival will premiere eight short-form episodes of this otherworldly horror-comedy series. Cast: Mari Nepi, Gabrielle Elyse, Austin Fryberger, J.J. Nolan, Nick Gomez, Rich Fulcher. World Premiere

Short-Form Episodic Showcase — A celebration of the evolving landscape of content consumption, we present these short-form episodic series as new voices in the medium, defying broadcast boilerplates with a redefinition of traditional episodic conventions.

  • The Chances / U.S.A. (Director: Anna Kerrigan, Creators: Josh Feldman, Shoshannah Stern) — Best friends Kate and Michael, who are deaf, try their best to see their friendship through new changes in their lives, as Kate adjusts to being newly married and Michael attempts to get over his ex-boyfriend. The Festival will debut five episodes of this short-form episodic series. Cast: Josh Feldman, Shoshannah Stern, Aaron Costa Ganis, Lucas Near-Verbrugghe, Darryl Stephens, Wilson Cruz. World Premiere
  • Gente-fied / U.S.A. (Creator: Marvin Lemus, Executive Producers: Charles D. King, Aaliyah Williams, America Ferrera) — Seven characters deal with the effects of change in LA’s Boyle Heights. Bicultural millennials and old-school business owners hustle to create spaces that celebrate their Latino identities—even while faced with rent hikes, a housing crisis, and a steady stream of outsiders threatening to gentrify their barrio. The Festival will debut three episodes of this short- form episodic series. Cast: Edsson Morales, Alicia Sixtos, Victoria Ortiz, Yareli Arizmendi, Salvador Velez Jr, Rafael Sigler. World Premiere
  • Strangers / U.S.A. (Director: Mia Lidofsky, Executive Producers: Michael B. Clark, Alex Turtletaub, Jesse Peretz, Mia Lidofsky) — Isobel decides to rent out her spare bedroom in order to generate much-needed extra income after a messy and painful breakup. With the help of her best friend, she navigates the most emotionally, sexually and professionally complicated time of her life, while hosting a constant stream of new guests. The Festival will debut the first three episodes of this short- form episodic series. Cast: Zoë Chao, Meredith Hagner, Jemaine Clement, Breeda Wool, Matthew Oberg, Shiri Appleby. World Premiere

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern WildFruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshinesex, lies, and videotapeReservoir Dogs, Hedwig and the Angry InchAn Inconvenient TruthPrecious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

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Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

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Moonlight Shines at 42nd LAFCA Awards

The results are in from the 42nd Annual Los Angeles Film Critics Association’s Film Awards.

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Scene from Barry Jenkins’ Moonlight. Director Jenkins won the Los Angeles Film Critics Award for Best Director while Moonlight captured Best Film.

Top honors for Best Picture and Best Director belong to Moonlight and Barry Jenkins. Moonlight also garnered Best Cinematography. Damien Chazelle took home runner up in both Best Picture and Best Director categories with his musical La La Land while his talented musical counterpart, Justin Hurwitz, landed Best Musical Score for his well-noted La La Land contribution. Park Chan-Wook pulled in the Best Foreign Film as well as Best Production Design for his exquisite, erotic thriller, The Handmaiden.

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Scene from Park Chan-Wook’s The Handmaiden, winner of the Los Angeles Film Critics Association’s Best Foreign Film and Best Production Design Awards.

Here is a full list of winners:

Best Picture

WINNER: Moonlight
RUNNER-UP: La La Land

Best Director

WINNER: Barry Jenkins – Moonlight
RUNNER-UP: Damien Chazelle – La La Land

Best Actor

WINNER: Adam Driver – Paterson
RUNNER-UP: Casey Affleck – Manchester by the Sea

Best Actress

WINNER: Isabelle Huppert – Elle
RUNNER-UP: Rebecca Hall – Christine

Best Supporting Actor

WINNER: Mahershala Ali – Moonlight
RUNNER-UP: Issy Ogata – Silence

Best Supporting Actress

WINNER: Lily Gladstone – Certain Women
RUNNER-UP: Michelle Williams – Manchester by the Sea

Best Animation

WINNER: Your Name.
RUNNER-UP: The Red Turtle

Best Foreign Language Film

WINNER: The Handmaiden
RUNNER-UP: Toni Erdmann

Best Documentary

WINNER: I Am Not Your Negro
RUNNER-UP: OJ: Made in America

Best Screenplay

WINNER: Efthymis Filippou and Yorgos Lanthimos – The Lobster
RUNNER-UP: Kenneth Lonergan – Manchester by the Sea

Best Editing

WINNER: Bret Granato, Maya Mumma, Ben Sozanski – OJ: Made in America
RUNNER-UP: Tom Cross – La La Land

Best Production Design

WINNER: Ryu Seong-hee – The Handmaiden
RUNNER-UP: David Wasco – La La Land

Best Music Score

WINNER: Justin Hurwitz – La La Land
RUNNER-UP: Mica Levi – Jackie

Best Cinematography

WINNER: James Laxton – Moonlight
RUNNER-UP: Linus Sandgren – La La Land

New Generation Award

WINNER: Trey Edward Shults and Krisha Fairchild – Krisha

(Source: http://www.lafca.net)

How a Monster-Sized Marketing Campaign was Built for China’s ‘Great Wall’ (EXCLUSIVE)

Posted by Larry Gleeson

Patrick Frater, Asia Bureau Chief

The Great Wall” presents a whole series of firsts. It is the first movie made in English by Zhang Yimou, China’s master of the big spectacle. Costing some $150 million it is possibly the biggest-budget Chinese film of all time. It is certainly the biggest Hollywood-Chinese co-production to date and is Matt Damon’s first Asian movie.

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US Actor Matt Damon takes on his first role in an Asian film with the Great Wall, the biggest Hollywood-Chinese co-production to date. (Photo courtesy of Universal)

Additionally, it is the first picture to emerge from Legendary East, the Chinese wing of Thomas Tull’s – now Wanda-owned — Legendary Entertainment production powerhouse.

All that is another way of saying there is a lot at stake. And it is why the movie’s upcoming release in China is being delivered to market with an unprecedented marketing and promotional campaign.

“It is a new kind of film,” says producer Peter Loehr, and CEO of Legendary East. The action-fantasy-adventure movie has major elements of Western blockbuster cinema, yet is 20% in Chinese and is directed by Zhang, whose film credits include epic “Hero” and “House of Flying Daggers.” His track record mounting massive live events includes the opening and closing ceremonies of the 2008 Olympic Games, and the recent G20 Summit Conference in Hangzhou.

“This film is absolutely what I’ve spent 25 years of my career building up to,” says Beijing-based Loehr, who was previously a Chinese indie producer and later the China head of talent agency CAA.

Jeff Shell, chairman of Universal Filmed Entertainment Group, believes that the film can change the course of Chinese movies in international markets as well. “At Universal we are huge believers in a bright future for Chinese Cinema, fueled by the impressive recent growth of the Chinese theatrical marketplace. Our participation in ‘The Great Wall’ is very exciting to us. The combination of a tentpole scale Chinese-themed picture, the vision of the renowned filmmaker Zhang Yimou, the star power of Matt Damon and the enormous cast of talented Chinese actors make it the ideal vehicle to introduce Chinese creative product to the global audience,” Shell told Variety by email.

The film originated with a high concept idea – that the Great Wall of China only needed to be that size if it was built to keep out something far nastier than mere humans – from Legendary founder, Tull.

“It is not that I actually saw it from a plane. Rather when I was a little boy I heard that the only man-made object you could see from space was The Great Wall of China. Whether it is true or not, I could not conceive of the feat of engineering and ingenuity needed to build it. And I’ve been fascinated with it my whole life,” Tull says.

The film was shot in mid-2015 and Zhang has spent more than a year in post-production. The China release date of Dec. 16 puts it squarely at the height of peak season cinemagoing in the Middle Kingdom. It releases in North America on Feb. 17 next year with outings in international territories between those dates.

The lengthy post-production period gave plenty of time to cut visual material for promotion. Online marketing is much more important to film releases in China than in Western markets where posters and TV ads may dominate. Producers delivered more than 60 pieces of bespoke video for online consumption, in addition to a conventional trailer, a teaser trailer and three music videos. The trailers have played ahead of nearly every significant local and Hollywood film in Chinese theaters since Oct. 1.

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Marketing efforts for China’s Zhang Yimou’s Great Wall, are rolling out for a December 16, 2016, nation-wide release in China and a February 17, 2017 North American release. (Photo credit: China.org.cn)

Marketing in China shifted up a further gear  with a major event called the “Five Armies Press Conference” on Nov. 15. “The film’s marketing is stretched over a series of events, introducing the film’s worlds in pieces, so that people get to know the concept progressively,” says Loehr. The Five Armies event introduced the battle groups, their leaders and the actors who play them as well as the unique weapons required to fight the film’s monsters.

That has been followed by the release of the first and second singles from the soundtrack. This week (Dec. 6) sees a large glitzy press conference in Beijing with the full cast in attendance, followed by a one day junket for domestic Chinese press, and then another for South East Asian press who are being flown in.

Along the way there will be further reveals about the creatures, their interaction with the human characters and the release of the final song. On Friday, the promotional action shifts to Shanghai for an event with more focus on the movie’s animation and proceeds going to the Great Wall Preservation Fund.

Screenings for Chinese press, friends-and-family and opinion leaders begin from Dec. 12. Public screenings begin from 7pm on Dec. 15, the evening before the official release date. Presentations will use an almost unprecedented combination of formats including 2D, 3D, IMAX 2D and 3D, China Giant Screen, and 4DX, the Korean technology that sees supplementary content and screen extensions projected on a cinema’s side walls for a 270-degree effect.

The film was conceived and green-lighted even before Wanda acquired Legendary in the deal that was announced in January this year. Its four financiers and presenters are Legendary, Universal Pictures, China Film Group and Le Vision Pictures.

The range of resources that Wanda can bring to bear – China’s largest cinema chain, distribution, and two marketing companies — elevate the film’s launch into a national event. China Film and Wanda’s Wuzhou Distribution firm are the distributors of record, while Legendary and Le Vision (part of the Le Eco group) oversee marketing and promotion.

“Where we might have had 8 people in a marketing meeting for ‘Pacific Rim’ or ‘Godzilla’ that expanded to 20 people on ‘Warcraft,’ including people from Wanda, Wanda Cinema Line and (social media giant) Tencent,” says Loehr. “Warcraft had a stellar opening and achieved a lifetime gross of $220 million, making it the third biggest film this year in China, a figure that dwarfed the $47.2 million it achieved in North America.

“For ‘The Great Wall’ we’ve held marketing and strategy meetings every Saturday with up to 60 people in the room from Legendary, Le Vision, CFG, Wanda Cinema, Tencent, China Movie Marketing Group, Mtime, Wanda Malls and Wanda’s real estate development team,” says Loehr. Some 260 of Wanda’s malls are putting on “Wall” events. Mtime, the movie ticketing and marketing firm Wanda acquired this year, is putting on “Dare to Dream” and Zhang Yimou exhibitions in a further 56 malls and CMMG will promote an augmented reality video game.

“If you are doing things that are formulaic, or that audiences feel they’ve seen before, it is going to be a hard sell,” says Tull. “The canvas and some of what Zhang accomplished is jaw-dropping.”

(Source: http://variety.com)

Making the screen scene: The 16th annual Santa Fe Film Festival

Posted by Larry Gleeson

By Michael Abatemarco

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Sophie and the Rising Sun opens the 16th Annual Santa Fe Film Festival on Wednesday at 7 P.M., December 7th at the Jean Cocteau Cinema. (Photo via @Sophie

The 16th annual Santa Fe Film Festival launches on Wednesday, Dec. 7, and continues through Dec. 11, with screenings and special events happening all over town. This year’s festival highlights Latin American films, art documentaries, and Native cinema and includes discussion panels, workshops, and more. The festival opens at the Jean Cocteau Cinema (418 Montezuma St.) with a 7 p.m. screening of filmmaker Maggie Greenwald’s Sophie and the Rising Sun with actor Takashi Yamaguchi (Letters From Iwo Jima), who will be in attendance for an audience Q&A after the film. The screening follows a reception for festival passholders at the Gerard Vachez Gallery (418 Montezuma, next to the Jean Cocteau) at 5 p.m. The gallery is showing Faces of Film, an exhibit of artist Grant Kosh’s portraits of legends of the silver screen. An opening-night party at Cowgirl BBQ (319 S. Guadalupe St.)starts at 9 p.m. and features the music of Golden General and the Felecia Ford Band ($10 cover for non-passholders).

Screenings continue at 1 p.m. on Thursday, Dec. 8, at the Jean Cocteau with Tadashi screen-shot-2016-12-03-at-4-23-12-pmNakamura’s film Mele Murals, showing with the documentary short Arctic: Change at the Top of the World. A shorts program, Love Is Strange, screens at 1 p.m. at the Center for Contemporary Arts. Also showing at CCA on Thursday is Prison Dogs, along with the shorts The Gathering and Patarei Prison, at 3 p.m., and a Native Shorts program at 5:30 p.m. that includes the films Un Jour, The Hero Pose, How to Steal a Canoe, and more.

Friday’s screenings include the documentary The Lost City of Cecil B. DeMille along with the short A Done Deal, both showing at 1 p.m. at the Jean Cocteau; The Other Kids with the short Towed at 3 p.m. at CCA; and the documentary A Dangerous Idea, showing at The Screen at 6 p.m. with the short Hold on to You. Celebrity appearances over the course of the festival include John Benjamin Hickey, Daphne Zuniga, and Julia Jones, all of whom appear in the festival film Search Engines (showing at CCA at 8 p.m. on Saturday, Dec. 10).

Also on Saturday, Dec. 10, CCA is showing Art of the Prank, a documentary on media hoaxer Joey Skaggs, and the short Getting Ed Laid at 1 p.m. The Jean Cocteau screens the drama Kensho at the Bedfellow at 1 p.m., and Domenica Cameron-Scorsese’s comedy Almost Paris plays at 5 p.m. at The Screen with the short The Joneses.

On Sunday, Dec. 11, CCA is showing the Turkish drama My Mother’s Wound at 3 p.m., Ridley Scott’s beloved 1991 crime drama Thelma & Louise plays at the Jean Cocteau at 5 p.m., and The Screen shows an LGBT shorts program that starts at 7 p.m. The Scottish Rite Center (463 Paseo de Peralta)hosts a panel, “From Stage to the Screen,” at 1 p.m., followed by an acting workshop with Benjamin Hickey. The annual awards ceremony, also at the Scottish Rite Center, starts at 4 p.m. and honors Santa Fe’s own Jon Bowman — film critic, manager of the Jean Cocteau, and the festival’s co-founder — who also served as its executive director for the first decade.

Tickets for individual screenings are available at the theaters. All-access VIP passes ($299) are available through the festival website. For a complete schedule of screenings and events, visit www.santafefilmfestival.com or call 505-216-6063. Look for next week’s Pasatiempo for more in-depth coverage, including film reviews.

(Source:www.santafenewmexican.com)