LOS ANGELES (Jan. 28, 2017) — Riz Ahmed, Viola Davis, Michelle Dockery, Kathryn Hahn, Salma Hayek, Jonah Hill, Kate Hudson, Nicole Kidman, Ashton Kutcher, John Legend, James Marsden, Gina Rodriguez and Denzel Washington will be presenters at the 23rd Annual Screen Actors Guild Awards®, announced Executive Producer Kathy Connell.
These highly esteemed actors join a growing roster of peers who will honor their colleagues at the SAG Awards® Ceremony, a noteworthy assemblage that already includes Casey Affleck, Mahershala Ali, Millie Bobby Brown, Sophia Bush, Gabrielle Carteris, Common, Naomie Harris, Lucas Hedges, Taraji P. Henson, Rashida Jones, Brie Larson, Gaten Matarazzo, Caleb McLaughlin, Janelle Monáe, Viggo Mortensen, Alia Shawkat, Octavia Spencer, Finn Wolfhard and Steven Yeun, along with Life Achievement Award presenters Jane Fonda and Dolly Parton. The 23rd Annual Screen Actors Guild Awards® will be simulcast live on TNT and TBS on Sunday, Jan. 29, 2017 at 8 p.m. (ET)/5 p.m. (PT).
Riz Ahmed joins the exclusive class of SAG Awards nominees for the first time this year, recognizing his role in The Night Of as an Outstanding Performance by a Male Actor in a Television Movie or Limited Series.
Viola Davis has received four Actors® and a total of eight nominations, two of which are this year for Fences: Female Actor in a Supporting Role and as a member of the cast. She previously was honored as the leading actor and as a cast member in The Help (2012), and twice for her leading role in How to Get Away with Murder (2016, 2015). Her previous two nominations were for her supporting role and cast member of Doubt (2008).
Michelle Dockery has been presented with The Actor® three times for her portrayal of Lady Mary Crawley in Downton Abbey (Ensemble in a Drama Series 2016, 2015, 2013). She also received an individual nomination for the role and two additional nominations for the ensemble. She currently stars as the central character Letty Raines in TNT’s Good Behavior.
Kathryn Hahn is a SAG Award nominee for Captain Fantastic, a distinction she shares with other cast members. She also was nominated last year as a member of the Transparent comedy series ensemble, in which she portrays Raquel Fein.
Salma Hayek received a nomination recognizing her Outstanding Performance in the title role of Frida (2002), the biographical movie for which Hayek also received an Imagen Award. Her latest movie, Beatriz at Dinner, opened earlier this month.
Jonah Hill received a SAG Award nomination for his supporting role in Moneyball(2011). He recently was seen in War Dogs (2016) and heard in the animated Sausage Party (2016), on which he also served as writer and executive producer.
Kate Hudson has been nominated for an Actor® three times. Two were for her performance in Almost Famous (2002): supporting role and a Cast in a Motion Picture. Her third was as a cast member in Rob Marshall’s Nine (2010).
Nicole Kidman has received seven SAG Awards nominations, including for this year’s supporting role in Lion. Her previous nominations include four for lead actor: Grace of Monaco (2014), Hemingway & Gellhorn (2012), Rabbit Hole (2010) and The Hours (2002). She also was recognized for supporting actor in The Paperboy (2012) and as a cast member of Rob Marshall’s Nine (2010), The Hours and Moulin Rouge! (2001).
Ashton Kutcher played the role of Fisher in dramatized biography Bobby (2006), which earned him an Outstanding Cast nomination. He can currently be seen in the series The Ranch on Netflix.
John Legend plays Keith in La La Land, which he also executive produced. The movie’s lead actors, Ryan Gosling and Emma Stone, are both nominated to take home an Actor®. Legend is also a musician with multiple Grammy Awards®, NAACP Image Awards and an Oscar®.
James Marsden is nominated as a member of the Westworld ensemble. He has two previous SAG Awards nominations for outstanding motion picture cast, one for Lee Daniel’s The Butler (2013) and other for Hairspray (2017).
Gina Rodriguez continues as the title character in Jane the Virgin, a role that earned her an Imagen Award, as the Peabody Award winning comedy returns to television for its third season. In movies, Rodriguez recently starred in Deepwater Horizon.
Denzel Washington joins the exclusive roster of actors simultaneously nominated in two Outstanding Performance categories for Fences: Male Actor in a Leading Role and Cast in a Motion Picture. He has three previous nominations as lead actor, for Flight, Training Day and The Hurricane. In addition, he was in consideration for The Actor® as a cast member of American Gangster.
About the 23rd Annual Screen Actors Guild Awards®
The 23rd Annual Screen Actors Guild Awards® presented by SAG-AFTRA with Screen Actors Guild Awards, LLC will be produced by Avalon Harbor Entertainment, Inc. and will be simulcast live on TNT and TBS on Sunday, Jan. 29, 2017 at 8 p.m. (ET) / 5 p.m. (PT). TBS and TNT subscribers can also watch the SAG Awards live through the networks’ websites and mobile apps. In addition, TNT will present a primetime encore of the ceremony immediately following the live presentation. The telecast is available internationally, including to U.S. military installations through the American Forces Network.
Prior to the televised ceremony, honorees for outstanding television and film stunt ensemble action performances will be announced from the red carpet during the People, EW & TNT’s SAG Awards® Red Carpet Live pre-show which will stream simultaneously on sagawards.tntdrama.com, sagawards.org, the People/Entertainment Weekly Network (People.com/PEN), EW.com, InStyle.com, Essence.com, and Time.combeginning at 5:30 p.m. (ET) / 2:30 p.m. (PT).
One of the awards season’s premier events, the SAG Awards® annually celebrates the outstanding motion pictures and television performances from the previous calendar year. Of the top industry honors presented to actors, only the SAG Awards are selected entirely performers’ peers in SAG-AFTRA, which this year number 121,546. The SAG Awards was the first televised awards show to acknowledge the work of union members and the first to present awards to motion picture casts and television ensembles. For more information about the SAG Awards®, SAG-AFTRA, TNT and TBS, visit sagawards.org/about.
Ceremony Caps Snowy Festival; Top Prizes Go To Dina, I don’t feel at home in this world anymore., Last Men in Aleppo, The Nile Hilton Incident
Chasing Coral, Crown Heights, Joshua: Teenager vs. Superpower, Sueño en otroidioma (I Dream in Another Language) and Gook Win Audience Awards
Park City, Utah — After 10 days, 119 feature films and three feet of snow, an evening of humor and humanity marked the 2017 Sundance Film Festival’s Awards Ceremony, with host Jessica Williams emceeing and jurors presenting 27 prizes for feature filmmaking in Park City, Utah. Honorees, named in total below, range from sharp comedies to provocative and timely documentaries and represent new achievements in global independent storytelling. Human stories prevailed across categories, with Grand Jury Prizes awarded to Dina (U.S. Documentary), Last Men in Aleppo (World Documentary), I don’t feel at home in this world anymore. (U.S. Dramatic) and The Nile Hilton Incident (World Dramatic). Chasing Coral, showcased in the Festival’s environmental program The New Climate, won an Audience Award in the U.S. Documentary category.
John Cooper, Director of the Sundance Film Festival (Photo via twitter)
John Cooper, Director of the Sundance Film Festival, said, “This has been one of the wildest, wackiest and most rewarding Festivals in recent memory. From a new government to the independently organized Women’s March on Main, to power outages, a cyberattack and snow at record levels, the work of our artists rose above it all and challenged and changed us these last 10 days. I am most proud that, through it all, we have formed a community that is bound tighter by the art we make and the ideas we support.”
Keri Putnam, Executive Director of Sundance Institute (Photo via Sundance Institute)
Keri Putnam, Executive Director of Sundance Institute, added, “Let’s take the amazing energy we feel here at the Festival when we share stories with one another, and work together on behalf of the arts for the future we want to see.”
The awards ceremony marked the culmination of the 2017 Festival, where 119 feature-length and 68 short films — selected from 13,782 submissions — were showcased in Park City, Salt Lake City and Sundance, Utah, alongside new episodic work, panels, music and New Frontier. The ceremony was live-streamed; video is available at youtube.com/sff.
This year’s jurors, invited in recognition of their accomplishments in the arts, technical craft and visionary storytelling, deliberated extensively before presenting awards from the stage; this year’s jurors were Diego Buñuel, Julie Goldman, Robert Greene, Susan Lacy, Larry Wilmore, Gael García Bernal, Peter Dinklage, Jody Hill, Jacqueline Lyanga, Jeannine Oppewall, Nai An, Sonia Braga, Athina Rachel Tsangari, Carl Spence, Marina Stavenhagen and Lynette Wallworth. Festival audiences voted for the Audience Awards in each of the U.S. and World Competitions and NEXT.
Feature film award winners in previous years include: Weiner, Sand Storm, The Birth of a Nation, Whiplash, Fruitvale Station, Beasts of the Southern Wild, Twenty Feet from Stardom, Searching for Sugarman, The Square, Me and Earl and the Dying Girl, Cartel Land, The Wolf Pack, The Diary of a Teenage Girl, Dope, Dear White People, The Cove and Man on Wire.
FILM FESTIVAL FEATURE FILM AWARDS
The U.S. Grand Jury Prize: Documentary was presented by Larry Wilmore to: Dina / U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story.
The U.S. Grand Jury Prize: Dramatic was presented by Peter Dinklage to: I don’t feel at home in this world anymore. / U.S.A. (Director and screenwriter: Macon Blair) — When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves, alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals. Cast: Melanie Lynskey, Elijah Wood, David Yow, Jane Levy, Devon Graye.
The World Cinema Grand Jury Prize: Documentary was presented by Lynette Wallworth to: Last Men in Aleppo / Denmark, Syria (Director: Feras Fayyad) — After five years of war in Syria, Aleppo’s remaining residents prepare themselves for a siege. Khalid, Subhi and Mahmoud, founding members of The White Helmets, have remained in the city to help their fellow citizens—and experience daily life, death, struggle and triumph in a city under fire.
The World Cinema Grand Jury Prize: Dramatic was presented by Sonia Braga to: The Nile Hilton Incident / Sweden, Germany, Denmark (Director and screenwriter: Tarik Saleh) — In Cairo, weeks before the 2011 revolution, Police Detective Noredin is working in the infamous Kasr el-Nil Police Station when he is handed the case of a murdered singer. He soon realizes that the investigation concerns the power elite, close to the President’s inner circle. Cast: Fares Fares, Mari Malek, Mohamed Yousry, Yasser Ali Maher, Ahmed Selim, Hania Amar.
The Audience Award: U.S. Documentary, Presented by Acura was presented by Barbara Kopple to: Chasing Coral / U.S.A. (Director: Jeff Orlowski) — Coral reefs around the world are vanishing at an unprecedented rate. A team of divers, photographers and scientists set out on a thrilling ocean adventure to discover why and to reveal the underwater mystery to the world.
The Audience Award: U.S. Dramatic, Presented by Acura was presented by Taylor Sheridan to: Crown Heights / U.S.A. (Director and screenwriter: Matt Ruskin) — When Colin Warner is wrongfully convicted of murder, his best friend, Carl King, devotes his life to proving Colin’s innocence. Adapted from This American Life, this is the incredible true story of their harrowing quest for justice. Cast: Lakeith Stanfield, Nnamdi Asomugha, Natalie Paul, Bill Camp, Nestor Carbonell, Amari Cheatom.
The Audience Award: World Cinema Documentary was presented by Barbara Kopple to: Joshua: Teenager vs. Superpower / U.S.A. (Director: Joe Piscatella) — When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.
The Audience Award: World Cinema Dramatic was presented by Taylor Sheridan to: Sueño en otro idioma (I Dream in Another Language) / Mexico, Netherlands (Director: Ernesto Contreras, Screenwriter: Carlos Contreras) — The last two speakers of a millennia-old language haven’t spoken in 50 years, when a young linguist tries to bring them together. Yet hidden in the past, in the heart of the jungle, lies a secret concerning the fate of the Zikril language. Cast: Fernando Álvarez Rebeil, Eligio Meléndez, Manuel Poncelis, Fátima Molina, Juan Pablo de Santiago, Hoze Meléndez.
The Audience Award: NEXT, Presented by Adobe was presented by Bridget Everett to: Gook / U.S.A. (Director and screenwriter: Justin Chon) — Eli and Daniel, two Korean American brothers who own a struggling women’s shoe store, have an unlikely friendship with 11-year-old Kamilla. On the first day of the 1992 L.A. riots, the trio must defend their store—and contemplate the meaning of family, their personal dreams and the future. Cast: Justin Chon, Simone Baker, David So, Curtiss Cook Jr., Sang Chon, Ben Munoz.
The Directing Award: U.S. Documentary was presented by Susan Lacy to:
Peter Nicks for his film The Force / U.S.A. (Director: Peter Nicks) — This cinema verité look at the long-troubled Oakland Police Department goes deep inside their struggles to confront federal demands for reform, a popular uprising following events in Ferguson and an explosive scandal.
The Directing Award: U.S. Dramatic was presented by Jody Hill to:
Eliza Hittman for her film Beach Rats / U.S.A. (Director and screenwriter: Eliza Hittman) — An aimless teenager on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online. Cast: Harris Dickinson, Madeline Weinstein, Kate Hodge.
The Directing Award: World Cinema Documentary was presented by Marina Stavenhagen to:
Pascale Lamche, for her film WINNIE / France (Director: Pascale Lamche) — While her husband served a life sentence, paradoxically kept safe and morally uncontaminated, Winnie Mandela rode the raw violence of apartheid, fighting on the front line and underground. This is the untold story of the mysterious forces that combined to take her down, labeling him a saint, her, a sinner.
The Directing Award: World Cinema Dramatic was presented by Athina Tsangari to:
Francis Lee, for his film God’s Own Country / United Kingdom (Director and screenwriter: Francis Lee) — Springtime in Yorkshire: isolated young sheep farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker, employed for the lambing season, ignites an intense relationship that sets Johnny on a new path. Cast: Josh O’Connor, Alec Secareanu, Ian Hart, Gemma Jones.
The Waldo Salt Screenwriting Award: U.S. Dramatic was presented by Gael Garcia Bernal to:
Matt Spicer and David Branson Smith, for their film Ingrid Goes West / U.S.A. (Director: Matt Spicer, Screenwriters: Matt Spicer, David Branson Smith) — A young woman becomes obsessed with an Instagram “influencer” and moves to Los Angeles to try and befriend her in real life. Cast: Aubrey Plaza, Elizabeth Olsen, O’Shea Jackson Jr., Wyatt Russell, Billy Magnussen.
A U.S. Documentary Special Jury Award for Inspirational Filmmaking was presented by Julie Goldman to: STEP / U.S.A. (Director: Amanda Lipitz) — With dreams of becoming the first in their families to attend college, a group of seniors from an inner-city Baltimore girls high school strives to make their step dance team a success against a backdrop of social unrest in a troubled city.
A U.S. Documentary Special Jury Award for Storytelling was presented by Robert Greene to: Strong Island / U.S.A., Denmark (Director: Yance Ford) — Examining the violent death of the filmmaker’s brother and the judicial system that allowed his killer to go free, this documentary interrogates murderous fear and racialized perception, and re-imagines the wreckage in catastrophe’s wake, challenging us to change.
A U.S. Documentary Special Jury Award for Editing was presented by Diego Buñuel to:
Editors Kim Roberts and Emiliano Battista for Unrest / U.S.A. (Director: Jennifer Brea) — When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she sets out on a virtual journey to document her story—and four other families’ stories—fighting a disease medicine forgot.
A U.S. Documentary Special Jury Award: The Orwell Award was presented by Diego Buñuel to: ICARUS / U.S.A. (Director: Bryan Fogel) — When Bryan Fogel sets out to uncover the truth about doping in sports, a chance meeting with a Russian scientist transforms his story from a personal experiment into a geopolitical thriller involving dirty urine, unexplained death and Olympic Gold—exposing the biggest scandal in sports history.
A U.S. Dramatic Special Jury Award for Best Cinematography was presented by Gael Garcia Bernal to:
Director of Photography Daniel Landin for The Yellow Birds / U.S.A. (Director: Alexandre Moors, Screenwriters: David Lowery, R.F.I. Porto) — Two young men enlist in the army and are deployed to fight in the Iraq War. After an unthinkable tragedy, the returning soldier struggles to balance his promise of silence with the truth and a mourning mother’s search for peace. Cast: Tye Sheridan, Jack Huston, Alden Ehrenreich, Jason Patric, Toni Collette, Jennifer Aniston.
A U.S. Dramatic Special Jury Award for Breakthrough Performance was presented by Jacqueline Lyanga to:
Chanté Adams, in Roxanne Roxanne / U.S.A. (Director and screenwriter: Michael Larnell) — The most feared battle MC in early-’80s NYC was a fierce teenager from the Queensbridge projects with the weight of the world on her shoulders. At age 14, hustling the streets to provide for her family, Roxanne Shanté was well on her way to becoming a hip-hop legend. Cast: Chanté Adams, Mahershala Ali, Nia Long, Elvis Nolasco, Kevin Phillips, Shenell Edmonds.
A U.S. Dramatic Special Jury Award for Breakthrough Director was presented by Jeannine Oppewall to:
Maggie Betts, for her film Novitiate / U.S.A. (Director and screenwriter: Maggie Betts) — In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church. Cast: Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron, Morgan Saylor.
A World Cinema Documentary Special Jury Award for Excellence in Cinematography was presented by Marina Stavenhagen to:
Cinematographer Rodrigo Trejo Villanueva for Machines / India, Germany, Finland (Director: Rahul Jain) — This intimate, observant portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
A World Cinema Documentary Special Jury Award for Commanding Vision was presented by Carl Spence to: Motherland / U.S.A., Philippines (Director: Ramona S. Diaz) — Taking us into the heart of the planet’s busiest maternity hospital, the viewer is dropped like an unseen outsider into the hospital’s stream of activity. At first, the people are strangers. As the film continues, it’s absorbingly intimate, rendering the women at the heart of the story increasingly familiar.
A World Cinema Documentary Special Jury Award for Masterful Storytelling was presented by Lynette Wallworth to: RUMBLE: The Indians Who Rocked The World / Canada (Directors: Catherine Bainbridge, Alfonso Maiorana) — This powerful documentary about the role of Native Americans in contemporary music history—featuring some of the greatest music stars of our time—exposes a critical missing chapter, revealing how indigenous musicians helped shape the soundtracks of our lives and, through their contributions, influenced popular culture. Cast: Robbie Robertson, Buffy Sainte-Marie, Martin Scorsese, Tony Bennett, Steven Tyler, Iggy Pop.
A World Cinema Dramatic Special Jury Award for Cinematography was presented by Athina Tsangari to:
Cinematographer Manu Dacosse for Axolotl Overkill / Germany (Director and screenwriter: Helene Hegemann) — Mifti, age 16, lives in Berlin with a cast of characters including her half-siblings; their rich, self-involved father; and her junkie friend Ophelia. As she mourns her recently deceased mother, she begins to develop an obsession with Alice, an enigmatic, and much older, white-collar criminal. Cast: Jasna Fritzi Bauer, Arly Jover, Mavie Hörbiger, Laura Tonke, Hans Löw, Bernhard Schütz.
A World Cinema Dramatic Special Jury Award for Cinematic Vision was presented by Sonia Braga to: Free and Easy / Hong Kong (Director: Jun Geng, Screenwriters: Jun Geng, Yuhua Feng, Bing Liu) — When a traveling soap salesman arrives in a desolate Chinese town, a crime occurs, and sets the strange residents against each other with tragicomic results. Cast: Xu Gang, Zhang Zhiyong, Xue Baohe, Gu Benbin, Zhang Xun, Yuan Liguo.
A World Cinema Dramatic Special Jury Award for Screenplay was presented by Nai An to:
Screenwriter Kirsten Tan for Pop Aye / Singapore, Thailand (Director and screenwriter: Kirsten Tan) — On a chance encounter, a disenchanted architect bumps into his long-lost elephant on the streets of Bangkok. Excited, he takes his elephant on a journey across Thailand in search of the farm where they grew up together. Cast: Thaneth Warakulnukroh, Penpak Sirikul, Bong.
The following awards were presented at separate ceremonies at the Festival:
SHORT FILM AWARDS:
Jury prizes and honorable mentions in short filmmaking were presented at a ceremony in Park City on January 24. The Short Film Grand Jury Prize was awarded to:And so we put goldfish in the pool./ Japan (Director and screenwriter: Makoto Nagahisa). The Short Film Jury Award: U.S. Fiction was presented to: Lucia, Before and After / U.S.A. (Director and screenwriter: Anu Valia). The Short Film Jury Award: International Fiction was presented to: And The Whole Sky Fit In The Dead Cow’s Eye / Chile, U.S.A. (Director and screenwriter: Francisca Alegría). The Short Film Jury Award: Non-Fiction was presented to: Alone / U.S.A. (Director: Garrett Bradley). The Short Film Jury Award: Animation was presented to: Broken – The Women’s Prison at Hoheneck / Germany (Directors: Volker Schlecht, Alexander Lahl, Screenwriters: Alexander Lahl, Max Mönch). A Short Film Special Jury Award for Cinematography was presented to: Dadyaa — The Woodpeckers of Rotha / Nepal, France (Directors and screenwriters: Pooja Gurung, Bibhusan Basnet, Cinematographer: Chintan Rajbhandari),
and a Short Film Special Jury Award for Editing was presented to: Laps / U.S.A. (Director and screenwriter: Charlotte Wells, editor Blair McClendon).
The Short Film jurors were costume designer and wardrobe stylist Shirley Kurata, comedian, actor and writer Patton Oswalt and filmmaker David Lowery. The Short Film program is presented by YouTube.
GLOBAL FILMMAKING AWARDS:
The winning directors and projects of the 2017 Sundance Institute Global Filmmaking Awards, in recognition and support of emerging independent filmmakers from around the world on the basis of their next screenplay, are: Yalda (Iran) / Massoud Bakhshi
Mignonnes (France) / Maimouna Doucoure
The Hanged (Brazil) / Fernando Coimbra
Untitled Rock Opera (Poland) / Agnieszka Smoczynska
The Sundance Institute / NHK Award was presented to: I Came By (United Kingdom) / Babak Anvari
SUNDANCE INSTITUTE | AMAZON STUDIOS PRODUCERS AWARDS Anish Savjani and Neil Kopp (producers, I don’t feel at home in this world anymore.) and Joslyn Barnes (producer, Strong Island) received the 2017 Sundance Institute | Amazon Studios Producers Awards. The award recognizes bold vision and a commitment to continuing work as a creative producer in the independent space, and grants money (via the Sundance Institute Feature Film Program and Documentary Film Program) to emerging producers of films at the Sundance Film Festival.
The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Manchester by the Sea, Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, Omnicom, Stella Artois® and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Creators League Studio, Daydream, Francis Ford Coppola Winery, GEICO, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Oculus and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival
Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.
BEVERLY HILLS, Calif. – The motion picture academy calls “extremely troubling,” the possible visa ban of Iranian director Asghar Farhadi, whose feature film “The Salesman” is nominated for a best foreign language Oscar.
In a statement released Saturday, the Academy of Motion Picture Arts and Sciences expressed concern that Farhadi and his cast and crew may not be permitted to attend next month’s Oscar ceremony in Los Angeles following President Trump’s plan to temporarily suspend issuing visas for people from Iran and six other Muslim countries.
Farhadi has not commented on his travel plans, but on Friday, the president of the National Iranian American Council, Trita Parsi, tweeted: “Confirmed: Iran’s Asghar Farhadi won’t be let into the US to attend Oscar’s.”
On Thursday, Iranian actress Taraneh Alidoosti, star of the “The Salesman,” tweeted she would boycott the Oscars — whether allowed to attend or not — in protest of Trump’s immigration policies, which she called “racist.”
In its statement Saturday, the academy said, “As supporters of filmmakers — and the human rights of all people — around the globe, we find it extremely troubling that Asghar Farhadi, the director of the Oscar-winning film from Iran ‘A Separation,’ along with the cast and crew of this year’s Oscar-nominated film ‘The Salesman,’ could be barred from entering the country because of their religion or country of origin.”
*Featured photo:This May 21, 2016 file photo shows actress Taraneh Alidoosti during a photo call for the film “Forushande” (The Salesman) at the 69th international film festival, Cannes, southern France. Alidoosti, star of the Oscar-nominated “The Salesman,” says she won’t attend the Academy Awards in protest of President Donald Trump’s immigration plans. Alidoosti called plans for a visa ban of Iranians “racist” in a message posted Thursday, Jan. 26, 2017, on Twitter. “The Salesman,” directed by Asghar Farhadi, was nominated for best foreign language film. Joel Ryan, FileAP Photo
Another space of distribution deals have been made this week at the 2017 Sundance Film Festival:
• Fox Searchlight bought worldwide distribution rights to “Patti Cake$,” director Geremy Jasper’s crowd-pleasing tale of a white New Jersey girl (Danielle McDonald) who pursues his dreams of being a rap star. It played in the U.S. Dramatic competition.
• Fox Searchlight also picked up worldwide distribution rights to Amanda Lipitz’s documentary “Step,” which follows the progress of a step team at an inner-city Baltimore school. Fox Searchlight also acquired the remake rights. The movie played in the U.S. Documentary competition.
• Sony Pictures Classics has bought worldwide rights to the comedy “Brigsby Bear,” which played in the U.S. Dramatic competition. Directed by Dave McCary and filmed in Utah, the movie stars Kyle Mooney (who co-wrote the screenplay) as a young man whose life is upended, and he discovers the children’s TV show he watched his entire life was made for an audience of one.
Roadside Attractions and FilmNation teamed up to secure North American rights to “Beatriz at Dinner,” starring Salma Hayek as a holistic therapist who encounters a businessman (John Lithgow) at a dinner party. The movie, which played in the Premieres section, was directed by Miguel Arteta and written by Mike White.
• Amazon picked up the true-life drama “Crown Heights,” starring Lakeith Stansfield as a Brooklyn man wrongfully imprisoned for a murder he didn’t commit. The movie was directed by Matt Ruskin.
• Amazon also has picked up worldwide theatrical rights to “City of Ghosts,” Matthew Heineman’s documentary (in the U.S. Documentary competition) about a citizen-journalist group risking life and limb to get out information about the Islamic State’s atrocities in Syria. The movie was produced by A&E Indie Films, and A&E will retain the TV rights.
• IFC Midnight has acquired U.S. rights to “78/52,” director Alexandre O. Phillippe’s documentary (which played in the Midnight section) that dissects the shower scene from Alfred Hitchcock’s “Psycho.”
• RLJ Entertainment landed U.S. rights to the Midnight title “Bushwick.” The movie, directed by Cary Murnion and Jonathan Milott and starring Brittany Snow and Dave Bautista, is set in a near-future in which a secessionist Texas militia invades Brooklyn.
Be the look of the 53rd Chicago International Film Festival! Cinema/Chicago is again hosting its annual design competition seeking the unique poster to be the key image for this year’s Festival, Oct 12-26, 2017. The winning designer, selected by a panel of Festival officials, will receive a $2,500 cash prize!
The official Festival poster is the signature look of the Chicago International Film Festival each year. Poster submissions should convey the experience of the Festival and be designed with the tagline “BECAUSE LIFE IS A MOVIE” Poster submissions must also conform to Cinema/Chicago’s design and submission guidelines and include the $25/entry fee. Submissions without the required elements (see below) or submission fee will not be considered.
Entries must be submitted by March 31, 2017 at 11:59pm CST. Late entries will not be accepted. Please read the Designer Agreement fully here. Complete rules and details are available here.
Design Guidelines:
All designs must be 27” x 40”, or scale to 27” x 40”
Must be vertically orientated
Design must be easily translated into a variety of mediums (online banners, book covers, etc.)
Design must incorporate the Festival’s official “eyes” logo (available here)
Design must reflect the theme “BECAUSE LIFE IS A MOVIE” and include that text
Design must clearly state: 53rnd Chicago International Film Festival
Design must include the festival dates: October 12-27, 2017
Design must include website: ChicagoFilmFestival.com
Artists must use their own original artwork; Copyrighted characters, images or clip art will not be accepted (with the exception of the Chicago International Film Festival logo)
Submission Guidelines:
All file submissions must be in pdf, jpeg or png format
Entries must be submitted at 300 dpi (CMYK)
File must be no larger than 12MB
Entries must include a completed Submission Form
To submit multiple designs, submit the Form and entry fee for each design
ALMOST HEAVEN (UK, 2017) is a gentle portrait of a young girl coming-of-age and her start into the working world learning an unusual job. The first feature film by British Director Carol Salter will celebrate its world premiere at the section Generation 14plus of the Berlin International Film Festival and is nominated for the overall sections Glashütte Original Documentary Award. The prize will be presented during the official Award Ceremony in the Berlinale Palast. ALMOST HEAVEN is one of 16 documentaries that have been nominated for the Award.
Synopsis
Far from home, afraid of the dark, and terrified of ghosts, young Ying Ling is training to become a mortician in one of China’s largest funeral homes. Charming, cheeky and quirky, Ying Ling spends 24 hours a day with her fellow trainee morticians, living together and working in a basement with no daylight. She learns to perform spa and beauty treatments for the dead, speaking to them softly, watched by their family members. Against this backdrop, she forms a special friendship with a fellow mortician Jin Hau and they share the strangeness of working with the dead together. In their spare time, they go together to arcades and fast food outlets, bantering playfully with each other, a welcome relief from the daily grind at the funeral home. But when Jin Hau suddenly leaves the funeral home, Ying Ling is left to face the harsh realities of the job alone.
ALMOST HEAVEN is a reflection on death and the fragility of life but also a reflection what it is like to be young and alive; a tender elegy to first love, friendship and caring for the dead.
Director: Carol Salter, UK, 2017, 75 Minutes, Color, 5.1
Stay tuned for more on ALMOST HEAVEN!
The Director. Carol Salter is an award winning documentary director and editor who has specialized in making intimate portraits of extraordinary people in other cultures. Her films, e.g. the semi long documentary Mayomi (2008) and the documentary short film Unearthing the Pen (2011) have been presented at many international film festivals winning numerous awards worldwide.
For many years now, the Berlin International Film Festival has been committed to documentary film and diverse documentary forms. This was evident not only in the programmes of the different sections, initiatives and special series but also in the European Film Market (EFM).
Thanks to the support of Glashütte Original, watch manufacturer from Saxony, the Berlin International Film Festival is launching a new award, the Glashütte Original Documentary Award.
The Glashütte Original Documentary Award is endowed with € 50,000, funded by Glashütte Original. The prize money will be split between the film’s director and producer. A total of 16 documentary entries from the current programmes of the Competition, Berlinale Special, Panorama, Forum, Generation and Perspektive Deutsches Kino sections are nominated for the Glashütte Original Documentary Award.
The prize will be presented during the official Award Ceremony in the Berlinale Palast on February 18. In addition to the prize money, Glashütte Original will also provide the trophy, which will be finely crafted in the company’s manufactory in Saxony.
A three-member jury will pick the winner:
Daniela Michel (Photo by Fabrizio Maltese)
Daniela Michel (Mexico)
Born in Mexico City, Daniela Michel is a film critic and founding director of the Morelia International Film Festival, an annual event launched in 2003 to support a new generation of Mexican filmmakers. After studying filmmaking she received a degree in English Literature. She has curated retrospectives of Mexican cinema in and outside Mexico. Michel has also served on the Jury for the “Un Certain Regard” and “La Semaine de la Critique” sections of the Cannes Film Festival, the Venice Film Festival, the Sundance Film Festival, the Locarno International Film Festival, the San Sebastian International Film Festival, the International Documentary Festival Amsterdam (IDFA), the Sarajevo Film Festival, among other festivals, as well as the Rockefeller Foundation’s Media Arts Fellowships and the Rolex Mentor and Protégé Arts Initiative.
Laura Poitras (Photo by Jan Sturman
Laura Poitras (USA)
Laura Poitras, who was born in the USA, first studied at the San Francisco Art Institute and then The New School in New York. Her work crosses the boundaries of documentary film, journalism, and art. In 2006 she began her 9/11 Trilogy with the film My Country, My Country, for which she received her first Oscar nomination. This was followed by The Oath (2010), which like My Country, My Country, was shown in the Berlinale’s Forum section. With CITIZENFOUR, the third part of her trilogy, Poitras won the Academy Award for Best Documentary in 2015. With this film about Edward Snowden, she also took home awards from the German Film Prize, the Director’s Guild of America, and BAFTA. Her reporting on NSA surveillance has appeared in Der Spiegel, The Guardian, and the Washington Post, and received a Pulitzer Prize and the Nannen Prize for Press Freedom. In 2016, she mounted her first solo museum exhibition at the Whitney Museum of American Art. She is co-creator of the visual journalism project, Field of Vision.
Samir (Photo courtesy of Dschoint Ventschr Filmproduktion)
Samir (Iraq / Switzerland)
Samir was born in Bagdad and moved with his family to Switzerland when he was seven years old. In the 1980s, after studying at Zurich University of the Arts (ZHdK) and training to be a typesetter, he began working as a cameraman, director, and screenwriter. Over the years he has made more than 40 short and full-length films. In 1994, he – and documentary filmmaker Werner Schweizer and producer Karin Koch – took over Dschoint Ventschr (spoken like Joint Venture) Filmproduktion, which concentrates on promoting young Swiss talents. Samir has directed both fiction and documentary films for the cinema and television – including Snow White (2005), which received multiple awards – as well as many stage productions. His documentary Iraqi Odyssey was screened in the Berlinale Panorama in 2015 and submitted by Switzerland for an Oscar for Best Foreign Language Film.
The following films are nominated for the Glashütte Original Documentary Award:
Competition (1)
Beuys – Germany
By Andres Veiel
Berlinale Special (1)
La libertad del diablo (Devil’s Freedom) – Mexico
By Everardo González
Panorama (5)
Belinda – France
By Marie Dumora
El Pacto de Adriana – Chile
By Lissette Orozco
Erase and Forget – United Kingdom
By Andrea Luka Zimmerman
Fünf Sterne (Five Stars) – Germany
By Annekatrin Hendel
Istiyad Ashbah (Ghost Hunting) – France / Palestine/ Switzerland / Qatar
By Raed Andoni
Forum (5)
For Ahkheem – USA
By Jeremy S. Levine and Landon Van Soest
Maman Colonelle (Mama Colonel) – Democratic Republic of Congo / France
By Dieudo Hamadi
El mar la mar – USA
By Joshua Bonnetta and J.P. Sniadecki
Mzis qalaqi (City of the Sun) – Georgia / USA / The Netherlands / Qatar
By Rati Oneli
Tigmi n Igren (House in the Fields) – Morocco / Qatar
By Tala Hadid
Generation (3)
Almost Heaven – United Kingdom
By Carol Salter
Shkola nomer 3 (School Number 3) – Ukraine / Germany
By Yelizaveta Smith, Georg Genoux
Soldado (Soldier) – Argentina
By Manuel Abramovich
Perspektive Deutsches Kino (1)
Eisenkopf (Ironhead) – Germany
By Tian Dong
All nominated films will celebrate their world premiere at the Berlinale 2017.
CAMBRIDGE, MA (January 26th, 2017) – The Hasty Pudding Theatricals, the oldest theatrical organization in the United States, welcomed Oscar winning actress, OCTAVIA SPENCER (who was nominated for a second Oscar earlier this week), to Harvard University, where she received her Woman of the Year award.
The Woman of the Year is the Hasty Pudding Theatricals oldest honor, bestowed annually on performers who have made lasting and impressive contributions to the world of entertainment. Established in 1951, Woman of the Year has been given to many notable and talented entertainers, including Meryl Streep, Debbie Reynolds, Mary Tyler Moore, Julia Roberts, Jodie Foster, Dame Helen Mirren, and most recently Kerry Washington.
Octavia Spencer, the Hasty Puddings 2017 Woman of the Year parades through Cambridge, Mass. (Photo credit: Getty Images)
The Woman of the Year festivities, presented by RELATED, began with a parade through the streets of Cambridge. The weather was uncharacteristically warm for Cambridge in January. Following the parade, the Hasty Pudding Theatricals hosted a celebratory roast for the actress at Farkas Hall, the Hasty Pudding’s historic home in the heart of Harvard Square since 1888. Before she was able to receive her pot, Ms. Spencer had to work her way off the “naughty list”, which she was placed on due to her roles in the Bad Santa movies. First she referenced her infamous pie scene from The Help by choosing one of three people to pie in the face. Her choice was a Hasty Pudding member dressed as Presidential Counselor, Kellyanne Conway. She also proved her fealty to her alma mater, Auburn University, by tackling an archrival, University of Alabama fan onstage. Due to her fondness for pink nail polish, she was charged with giving another Cast member a makeover with an oversize tube of nail polish. Finally, she rounded out her roast by singing a duet of James Brown’s “I Got You (I Feel Good)” in reference to her role in Get on Up.
A press conference followed the presentation, which was the first to be live-streamed free and to the public via the Hasty Pudding’s Facebook (www.facebook.com/thehastypudding), as it happened. To close out the festivities, the Hasty Pudding Theatricals members performed several musical numbers from the group’s upcoming 169th production, Casino Evil.
The Hasty Pudding Theatricals will celebrate their 51st Man of the Year, RYAN REYNOLDS, on Friday February 3rd, 2017. The traditional roast and Pudding Pot ceremony will take place at Farkas Hall, as well as the Opening night of HPT 169: Casino Evil.
TO LIVE STREAM the Hasty Pudding Theatricals’ Man of Year press conference, viewers can tune in at 8:30 p.m. EST on Friday, February 3rd via the Hasty Pudding’s Facebook www.facebook.com/thehastypudding
TO PURCHASE TICKETS to the Hasty Pudding Theatricals’ 169th production, Casino Evil, contact the HPT Box Office at 617-495-5205 or order online at www.hastypudding.org/buy- tickets. The show will be performed at Harvard University’s historic Farkas Hall, located at 12 Holyoke Street, from February 3rd until March 5th. The company then travels to New York to perform at The Kaye Playhouse at Hunter College on March 10th and 11th (call 212-772-4448 for tickets), followed by performances on March 15th-17th at Hamilton City Hall in Bermuda.
ABOUT THE HASTY PUDDING INSTITUTE OF 1770
The Hasty Pudding Institute of 1770’s philanthropic mission is to provide educational and developmental support in all aspects of the performing arts for the underprivileged, to encourage satire and comedy, and to cultivate young talent around the world. The Institute is comprises the Hasty Pudding Club (the oldest social club in the United States), the Hasty Pudding Theatricals (the third oldest theater group in the world, after the Comédie-Française and the Oberammergau Passion Players) and the Harvard Krokodiloes (the foremost collegiate a cappella group in the United States). Over the last two centuries, it has grown into a premiere performing arts organization, a patron of the arts and comedy, and an advocate for satire and discourse as tools for change worldwide.
Nomination for the Glashütte Original Documentary Award at Berlin Film Festival
FOR AHKEEM (USA, 2017) is the coming-of- age story of an extraordinary young girl who never gives up as she strives to balance school, family, and trauma within the challenging world of being a Black teenager in America. This feature documentary by Jeremy Levine and Landon Van Soest will celebrate its world premiere at the section Forum of the Berlin International Film Festival and is nominated for the overall sections Glashütte Original Documentary Award. The prize will be presented during the official Award Ceremony in the Berlinale Palast. FOR AHKEEM is one of 16 documentaries that have been nominated for the Award.
Beginning one year before the fatal police shooting of a Black teenager in nearby Ferguson, Missouri, FOR AHKEEM is the coming-of-age story of Daje Shelton, a Black 17-year-old girl in North St. Louis. She fights for her future as she is placed in an alternative high school and navigates the marginalized neighborhoods, biased criminal justice policies and economic devastation that have set up many Black youth like her to fail. After she is expelled from her public high school, a juvenile court judge sends Daje to the court-supervised Innovative Concept Academy, which offers her one last chance to earn a diploma. Over two years we watch as Daje struggles to maintain focus in school, attends the funerals of friends killed around her, falls in love with a classmate named Antonio, and navigates a loving-but-tumultuous relationship with her mother.
As Antonio is drawn into the criminal justice system and events in Ferguson just four miles from her home seize the national spotlight, Daje learns she is pregnant and must contend with the reality of raising a young Black boy.
Through Daje’s intimate coming of age story, FOR AHKEEM illuminates challenges that many Black teenagers face in America today, and witnesses the strength, resilience, and determination it takes to survive.
Since 2006, when it introduced the GWFF Best First Feature Award, the Berlinale has been even more committed to supporting the next generation of film makers. The award is endowed with 50,000 Euros, donated by the GWFF (Gesellschaft zur Wahrnehmung von Film- und Fernsehrecht), a society dedicated to safeguarding film and television rights. The prize money is to be split between the producer and the director of the winning film. Additionally, the director will be awarded with a high-quality viewfinder as both a useful instrument and memorable trophy.
Festival Director Dieter Kosslick and the heads of the Competition, Panorama, Forum, Generation and Perspektive Deutsches Kino sections have nominated a total of 16 directorial debuts. The winners will be announced at the official Award Ceremony in the Berlinale Palast on February 18.
A three-person jury will decide on the GWFF Best First Feature Award:
Jayro Bustamante (Photo credit: berlinale.de)
Jayro Bustamante (Guatemala)
In 2015 with his debut feature, Ixcanul, Jayro Bustamante was the first Guatemalan director invited to participate in the Competition of the Berlinale. Cast with amateur actors from the region of the Kaqchikel Maya, the film won the Silver Bear Alfred Bauer Prize. Ixcanul went on to screen at 60 other film festivals, including those in Karlovy Vary, Jerusalem, Telluride, Toronto, Biarritz, Cartagena, Mumbai, Guadalajara, Ghent, and San Sebastián, and took home 52 awards. What is more, Ixcanul was the second Guatemalan movie ever submitted for an Oscar for Best Foreign Language Film. Jayro Bustamante, who had previously studied in Paris and Rome, as well as directed commercials for Ogilvy & Matter, has also made a variety of short, documentary, and animated films. Currently he is working on his next two full-length feature films: Temblores and Los tenis de barrondo.
Clotilde Courau (Photo credit: Roch Armando)
Clotilde Courau (France)
Clotilde Courau began her acting career at 16 and performed on stage while still at acting school. For her screen debut in Jacques Doillon’s The Little Gangster, which ran in the Berlinale Competition in 1991, she received the European Film Award and her first nomination for a César. Ever since, Clotilde Courau has been an established star of French cinema. She is known for films such as Elisa (dir: Jean Becker, 1995); The Bait (dir: Bertrand Tavernier, 1995); the opening film of the Berlinale 2007, La vie en rose (dir: Olivier Dahan); and In the Shadow of Women (dir: Philippe Garrel, 2015). She has also starred in international productions, e.g. in Paul Mazursky’s The Pickle (1993) and Rod Lurie’s Deterrence (1999). Courau regularly performs on the stage: recently she played in “Piaf, l’être intime”, which she also directed. Her latest film Le Ciel attendra by Marie Castille Mention-Schaar will open in German cinemas in 2017.
Mahmoud Sabbagh (Photo credit: Ahmed Mater)
Mahmoud Sabbagh (Saudi Arabia)
Born in Jeddah (Saudi Arabia) in 1983, author, director and producer Mahmoud Sabbagh presented his debut feature, Barakah Meets Barakah, in the Berlinale’s Forum section in 2016. There this remarkably humorous film won the Prize of the Ecumenical Jury. It went on to be screened at, e.g., the Toronto International Film Festival, and ultimately entered the race – only the second Saudi Arabian film ever to do so – for the Oscar for Best Foreign Language Film. For some years now, Sabbagh, who has a degree in documentary filmmaking from New York’s Columbia University, has been considered one of the pioneers of a new independent generation of filmmakers in his country. Among other works, he has directed and penned a documentary on the controversial poet Hamza Shehata as well as the highly-regarded online TV series Cash.
The following 16 films are nominated for the GWFF Best First Feature Award:
Competition(2)
Django – France
By Etienne Comar
With Reda Kateb, Cécile de France, Alex Brendemühl, Ulrich Brandhoff
Wilde Maus – Austria
By Josef Hader
With Josef Hader, Pia Hierzegger, Georg Friedrich, Jörg Hartmann, Denis Moschitto
Panorama(2)
Kaygı (Inflame) – Turkey
By Ceylan Özgün Özçelik
With Algı Eke, Özgür Çevik
Pieles(Skins) – Spain
By Eduardo Casanova
With Ana Polvorosa, Candela Peña, Carmen Machi, Macarena Gómez, Secun de la Rosa, Jon Kortajarena, Antonio Duran “Morris”, Eloi Costa
Forum(3)
Adiós entusiasmo(So Long Enthusiasm) – Argentina / Colombia
By Vladimir Durán
With Camilio Castiglione, Mariel Fernandez, Laila Maltz, Martina Juncadella, Verónica Llinás
Casa Roshell – Mexico / Chile
By Camila José Donoso
With Roshell Terranova, Liliana Alba, Lia García, Diego Alberico, Cristian Aravena
Motza el hayam (Low Tide) – Israel / France
By Daniel Mann
With Gal Hoyberger, Susanne Gschwendtner, Amnon Wolf, Eran Ivanir, Oleg Levin
Generation(5)
As duas Irenes(Two Irenes) – Brazil
By Fabio Meira
With Priscila Bittencourt, Isabela Torres
Butterfly Kisses – United Kingdom
By Rafael Kapelinski
With Theo Stevenson, Liam Whiting
Estiu 1993(Summer 1993) – Spain
By Carla Simón
With Laia Artigas, Paula Robles
Freak Show – USA
By Trudie Styler
With Alex Lawther, Abigail Breslin
Wallay – France / Burkina Faso / Qatar
By Berni Goldblat
With Makan Nathan Diarra, Ibrahim Koma
Perspektive Deutsches Kino (4)
Back for Good – Germany
By Mia Spengler
With Kim Riedle, Juliane Köhler, Leonie Wesselow, Nicki von Tempelhoff
Die beste aller Welten(The Best Of All Worlds) – Germany / Austria
By Adrian Goiginger
With Verena Altenberger, Jeremy Miliker, Lukas Miko, Michael Pink
Millennials – Germany
By Jana Bürgelin
With Anne Zohra Berrached, Leonel Dietsche, Jan Koslowski, Anna Herrmann
Die Tochter(Dark Blue Girl) – Germany
By Mascha Schilinski
With Helena Zengel, Karsten Antonio Mielke, Artemis Chalkidou
All nominated films will celebrate their world premiere at the Berlinale 2017.
