Category Archives: Venice International Film Festival

Variety Artisan Awards at SBIFF

Posted by Larry Gleeson

VARIETY ARTISANS AWARD

HONORING ALESSANDRO BERTOLAZZI, JESS GONCHOR, JUSTIN HURWITZ, JAMES LAXTON, ROBERT LEGATO, ALAN MURRAY, KEVIN O’CONNELL, JOE WALKER, AND MARY ZEPHERS

MONDAY, FEBRUARY 6, 2017
LOBERO THEATRE
8:00PM

Click Here To Attend

The third annual Santa Barbara International Film Festival (SBIFF) Variety Artisans Awards celebrates those essential to the filmmaking process and who have exhibited the most exciting and innovative work of the year in their respective fields. The Tribute evening will take place on Monday, February 6th, at the Lobero Theatre and will be moderated by Variety’s Sr. VP Awards Editor, Tim Gray.

The Variety Artisans Award will be presented to the following 2017 Oscar nominees:

Alessandro Bertolazzi for Makeup and Hair for the Warner Brothers film “Suicide Squad,” directed by David Ayer.  This marks Alessandro’s first Academy Award nomination.  His previous credits include “Skyfall, “Biutiful,” and “Babel.”

Jess Gonchor, for Production Design in the Universal Pictures film “Hail, Caesar!” directed by Joel and Ethan Coen. Gonchor was previously nominated for an Academy Award for his work on “True Grit” which was nominated for a total of 10 Academy Awards. Gonchor has worked with the Coen Brothers on each of their films since “No Country For Old Men”.

Justin Hurwitz, for original score in the Lionsgate musical “La La Land” directed by Damien Chazelle. Justin received both the Golden Globe and Critic’s Choice Award for Best Original Score for the film. He is a first time Oscar nominee this year.

Justin Hurwitz, Benj Pasek & Justin Paul for Original Song City of Stars in the Lionsgate musical “La La Land”.  The song received both the Golden Globe and Critic’s Choice Award for Best Original Song this year.

James Laxton for Cinematographer in A24’s “Moonlight” directed by Barry Jenkins. James won the Los Angeles Film Critics,  New York Film Critics, and San Francisco Film Critics award for Best Cinematography for his work on the film.

Robert Legato for Visual Effects in the Disney live-action film “The Jungle Book,” directed by Jon Favreau. Legato has won two Academy Awards (and has been nominated a total of four times) for his work on “Titanic” and “Hugo.”

Alan Murray for Sound Editing in the Warner Brothers film “Sully,” directed by Clint Eastwood.  He has been nominated for eight Academy Awards and won for his work on Eastwood’s films, “American Sniper” and “Letters from Iwo Jima.”

Kevin O’Connell for Sound Mixing in the Lionsgate Film “Hacksaw Ridge” directed by Mel Gibson. This is his 21st Academy Award nomination for films that include “Top Gun” and “Transformers.”

Joe Walker for Editor in the Paramount Film “Arrival” directed Denis Villeneuve for which he is nominated for an Oscar®. He was nominated for an Academy Award for his work on “12 Years A Slave”.   “Arrival” marks his second collaboration with Villeneuve following last year’s critically-acclaimed “Sicario.”  He is currently working with Villeneuve on the upcoming “Bladerunner.”

Mary Zophres for Costume Designer in the Lionsgate film “La La Land” directed by Damien Chazelle. She was nominated for an Academy Award for her work in the Coen Brother’s Film “True Grit”. In 2016, Mary received the Key West Film Festival’s Career Achievement Award for costume design.

(Source: sbiff.org)

 

JOHN CHO AND LESLIE MANN TO HOST ACADEMY’S SCI-TECH AWARDS

Posted by Larry Gleeson

FOR IMMEDIATE RELEASE

LOS ANGELES, CA – Actors John Cho and Leslie Mann will host the Academy of Motion Picture Arts and Sciences’ Scientific and Technical Awards Presentation on Saturday, February 11, at the Beverly Wilshire in Beverly Hills.  They will present 18 awards to 34 individual recipients, as well as five organizations, during the evening.

cbi
Academy President Cheryl Boone Isaacs (Photo via oscars.org)

“We’re so excited to have John and Leslie join us as hosts for this year’s Scientific and Technical Awards,” said Academy President Cheryl Boone Isaacs.  “It’s one of our favorite, and most talked about, events each Oscar® season, and John and Leslie’s humor and refreshing take on the honorees will be a perfect addition to a night where we celebrate our colleagues’ groundbreaking scientific and technical achievements.”

 

Cho most recently starred in the summer blockbuster “Star Trek Beyond.”  His other credits include “Grandma,” “Star Trek Into Darkness,” “Harold & Kumar Go to White Castle” and “American Pie.”  He also appeared in the 1999 Best Picture Oscar winner “American Beauty.”

Mann can currently be seen starring alongside Robert De Niro in Taylor Hackford’s “The Comedian.”  Her feature film credits include “How to Be Single,” “The Other Woman,” “This Is 40” and “Knocked Up,” as well as the animated features “Rio 2” and the Oscar-nominated “ParaNorman.”

Portions of the Scientific and Technical Awards Presentation will be included in the Oscar telecast.

The 89th Oscars® will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT.  The Oscars also will be televised live in more than 225 countries and territories worldwide.

(Source: Oscars Publicity Department)

Charged Opens Santa Barbara Film Fest

Posted by Larry Gleeson

The Santa Barbara International Film Festival (SBIFF) opened its 32nd edition with the heartfelt and spirit-lifting documentary, Charged: The Eduardo Garcia Story, directed by Phillip Baribeau. Charged is a film about a TV personality chef, Eduardo Garcia, who experiences a 2400 volt jolt of electricity while hiking in the Montana backcountry when he touches a bear atop a live downed electrical wire. Garcia (pictured below with mic) would lose a hand, several ribs and contract testicular cancer. Charged chronicles his successful road to recovery and reveals a spirit triumphant over adversity and strife.

The festival runs through the 11th. Tickets and passes are still available at sbiff.org.

charged-1
Santa Barbara International Film Festival (SBIFF) Executive Director Roger Durling cajoles Eduardo Garcia during SBIFF’s free Filmmaker Seminar, Thursday, February 2nd, 2017 at the Santa Ynez Lounge. Looking on from left to right are Charged director, Phillip Baribeau and Jennifer Jane (Photo credit: Larry Gleeson/HollywoodGlee)

SBIFF Executive Director conducted a Q & A – Conversation during the first of the  free Filmmaking Seminars at the Santa Ynez Lounge with the cast and crew the morning after Charged screened as the  Opening Night Film.

Here’s what festival goers had to say about Charged on the recently announced SBIFF app discussion page:

“So impressed with this comprehensive documentary and the story of how medical technology, love and support of family/friends, and Eduardo Garcia’s strength of spirit/humanity/commitment to overcome this tragic accident combined to bring a tragic accident around to the best possible outcome. A must see!” – Laura Ray

“Really good. Quite a tale. Loved what it said about life and love.” – Jim Lincoln

Charged will screen today at 4:30 PM at the Lobero Theatre. Tickets are still available at the door for $15.

The festival runs through the 11th. Tickets and passes are still available at sbiff.org.

See you at the Cinema!

Life In Berlin: A Preview Of The Berlinale 2017 Film Festival

Posted by Larry Gleeson

By Lily Kelting

screen-shot-2017-02-02-at-4-17-22-pm

“Don’t let yourself harden in these hard times.” The lyrics by East-German protest singer Wolf Biermann have been running through Berlinale director Dieter Kosslick’s head lately. He recited them for the assembled press at Tuesday’s program preview.

Officially, there is no theme for the Berlinale Film Festival’s competition program. But Kosslick wants to stress that there’s a certain bravery, even levity, that runs through the whole festival.

When asked directly whether the Berlinale will respond to recent events in US or world politics, Kosslick demurs. Not being reactive, he says, it is its own form of protest—and the diversity and range of the program is enough of a statement.

While the festival as a whole isn’t designed to respond to contemporary politics, some films certainly do.

Panorama director Wieland Speck explains:

screen-shot-2017-02-02-at-4-20-01-pm“One film, of course, is like an anchor film, which is the Oscar-nominated film I Am Not Your Negro from Raoul Peck. I Am Not Your Negro is a find that makes my heart swell, because it’s James Baldwin, [who is] not only an icon, as a brilliant writer, but an activist, a gay person at a time when that was basically not possible.”

Also in the Panorama section is the documentary Strong Island, which brings the same questions about sexuality and race into the present tense.

Strong Island is an incredible find of today’s America. It’s about a killing of a young man twenty years ago, but the family is of course not over this. The sister, who is now a man, is the filmmaker,” Speck explains. “This is a very deep, philosophical, almost poetic—if it wouldn’t be such a gruesome reality, you would call it that way—film to explore that kind of situation from the personal to the very political.”

The NATIVe Program, which highlights indigenous filmmakers, also serves as a kind of litmus to our rapidly changing world. The issue of climate change runs throughout this year’s selections.

Here’s section director, Maryanne Redpath:

“This year it’s on indigenous film from the Arctic region all the way around the Polar Circle. Of course we all know there are a lot of issues around climate. Many people from the Western worlds project a utopic vision of what it’s like up there, with the eternal eyes and the Aurora Borealis. We have this idea that it’s still very pristine, and of course the indigenous people have been telling us for a long time that it’s not so rosy.”

These films respond to issues like colonization and industrialization, showing both directly and indirectly the immediate impact of climate change above the Arctic Circle.

Still, as Wolf Biermann sings, “the world needs your cheerfulness.” There are plenty of comedies across the program as well.

Berlinale Film Festival starts next week February 9th, 2017 and runs until Feb 19th, 2017.

 

screen-shot-2017-02-02-at-4-23-34-pm

(Source: nprberlin.de)

AFI Statement on Asghar Farhadi

Posted by Larry Gleeson

The American Film Institute (AFI) released an official statement on Iranian Filmmaker Asghar Farhadi. Farhadi’s latest film, The Salesman, is nominated for an Oscar for Best Foreign Language Film. However, due to the recent travel restriction implemented by the United States via executive order, Farhadi will not be attending this year’s Oscar ceremony.

screen-shot-2017-02-02-at-4-49-29-pm

From AFI:

Asghar Farhadi has served as Artist-in-Residence for the past two years at the AFI Conservatory, and his classes had a profound impact upon the 250 young men and women who attend AFI from around the world.

The AFI Conservatory stands with artists and filmmakers who find the power of creation through freedom of expression and freedom of movement. We believe that any form of censorship — including the restriction of travel — to be against all values we cherish as a community of storytellers.

We look forward to welcoming Mr. Farhadi back to AFI in the fall.

 

afi_logo_20110611000547

(Source: afi.com)

ACADEMY’S OSCAR® WEEK EVENTS

Posted by Larry Gleeson

FOR IMMEDIATE RELEASE

LOS ANGELES, CA — In the week leading up to the 89th Oscars®, the Academy of Motion Picture Arts and Sciences will present a series of public programs celebrating this year’s nominees in the Animated Feature Film, Documentary Feature, Documentary Short Subject, Foreign Language Film, Makeup and Hairstyling, and Animated and Live Action Short Film categories.  All events will be held at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

The Oscar® Week schedule is as follows:

OSCAR WEEK: SHORTS
Tuesday, February 21, 7 p.m.
Hosted by director Tim Miller  

Miller received an Oscar nomination in the Animated Short Film category for “Gopher Broke” and most recently directed last year’s “Deadpool.”  The program will delve into the Animated Short Film and Live Action Short Film categories with complete screenings of all the nominated films as well as onstage panel discussions with the filmmakers (schedules permitting).

OSCAR WEEK: DOCUMENTARIES
Wednesday, February 22, 7:30 p.m. 
Hosted by Documentary Branch governors Kate Amend and Rory Kennedy

Amend is a film editor whose film credits include “The Case against 8” and the Oscar winning documentaries “Into the Arms of Strangers: Stories of the Kindertransport” and “The Long Way Home.”  Kennedy is a director-producer who received an Oscar nomination in 2015 for the documentary feature “Last Days in Vietnam.”  Her other credits include “Ethel” and “Ghosts of Abu Ghraib.”  All the films nominated in the Documentary Feature and Documentary Short Subject categories this year will be presented in an evening of clips and onstage discussions with the filmmakers (schedules permitting).

OSCAR WEEK: ANIMATED FEATURES
Thursday, February 23, 7:30 p.m.
Hosted by director Pete Docter and Producer Jonas Rivera

Docter and Rivera took home Animated Feature Film Oscars last year for “Inside Out.”  Docter’s other feature credits include “Up, “which Rivera also produced, “Monsters Inc.” and “Toy Story.”  This year’s nominees in the Animated Feature Film category (schedules permitting) will talk about their creative processes and present clips illustrating their techniques.

OSCAR WEEK: FOREIGN LANGUAGE FILMS
Saturday, February 25, 10 a.m. 
Hosted by Producers Branch governor Mark Johnson

Johnson won the 1988 Best Picture Oscar for “Rain Man” and received a second nomination for “Bugsy.”  The directors of the nominated films in the Foreign Language Film category (schedules permitting) will explore a wide range of topics, from their experiences developing their projects to the specific challenges of their profession.  The program will include clips from each of the nominated films.

OSCAR WEEK: MAKEUP AND HAIRSTYLING SYMPOSIUM
Saturday, February 25, 3 p.m. 
Moderated by Academy Governors Kathryn L. Blondell, Lois Burwell and Leonard Engelman

Blondell is a BAFTA winning hairstylist for “The Aviator” whose other film credits include “The Revenant,” “Django Unchained,” ” Shampoo,” and “Harold and Maude.”  Burwell won an Oscar for her work on “Braveheart” and was nominated for “Saving Private Ryan.”  Her other feature credits include “Lincoln” and “The Princess Bride.” Engelman, has served as a makeup artist on such features as “Burlesque,” “Heat,” “Moonstruck,” “Rocky IV,” and “Ghostbusters.” In Oscar Week’s final public event, the nominees in the Makeup and Hairstyling category (schedules permitting) will reveal the secrets behind their on-screen work.  Photographs, appliances, molds, wigs and other items will be on display in the theater lobby.

Tickets are now available online at Oscars.org.  Tickets to the Shorts, Docs, Animated Features and Foreign Language Films events are $5 for the general public and $3 for Academy members and students with a valid ID (Shorts and Foreign Language Films tickets limited to four per person).  Admission to the Saturday afternoon Makeup and Hairstyling event is free, but advance tickets are required (limited to two per person).  The Academy’s Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills.  Doors open one hour prior to each event.  All ticketed seating is unreserved.  For more information, visit Oscars.org or call (310) 247-3600.

The 89th Oscars will be held on Sunday, February 26, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

 

# # #

 

 

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 7,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

(Source; oscars.org/Academy Publicity Department)

BEN GURION, EPILOGUE will have its US premiere at the Santa Barbara Int’l Film Festival

Source: BEN GURION, EPILOGUE will have its US premiere at the Santa Barbara Int’l Film Festival

BEN GURION, EPILOGUE will have its US premiere at the Santa Barbara Int’l Film Festival

Source: BEN GURION, EPILOGUE will have its US premiere at the Santa Barbara Int’l Film Festival

BERLIN FILM FEST PROMOTING CULTURAL PARTICIPATION, STRENGTHENING ENGAGEMENT, CREATING COMMUNAL EXPERIENCES

Posted by Larry Gleeson

ACTIVITIES FOR AND WITH REFUGEES DURING THE 67TH BERLINALE

In 2017 the Berlin International Film Festival will again work towards furthering the integration of refugees. The Festival has always made a point of fostering understanding, tolerance, and acceptance, as well as responding to current events in society – not only with its film program, but also with many other activities.

The Berlinale will renew its collaboration with KulturLeben Berlin in order to promote the participation of the socially disadvantaged in the cultural life of the city. Tickets for vacant seats will again be available to people with low incomes at a 50 percent discount.

Last year several concrete projects were launched to support refugees. Due to the very positive feedback of the participants and the desire to achieve longer-lasting integration, these projects will be continued and expanded.

screen-shot-2017-01-31-at-2-16-06-pmA call for donations

The Berlinale would like to urge Festival guests and visitors to make donations to the children and youth department of Zentrum ÜBERLEBEN (formerly called the Behandlungszentrum für Folteropfer e. V.). This Berlin-based centre provides psychological, social, and integrative support to children and adolescents who have been traumatized by torture, flight, and/or persecution. In addition to individual therapeutic care, group activities are an important feature of the centre’s work. The money collected last year enabled adolescents who have experienced flight and trauma to attend a film camp. There they were able to try out different positions in front of and behind the camera, and creatively explore topics of their choice, some of which were autobiographical.

Donations may be paid into an account (banking details are at the bottom of this press release) or made at 17 donation boxes distributed around the Festival grounds.

Participation

Movie mentors for refugees
Within the scope of a “movie mentoring”-project, volunteers from Berlin’s non-profit refugee aid organizations are asked to register as mentors and accompany refugees to Berlinale screenings.
With this project the Berlinale wants to show its appreciation to volunteers for their engagement and strengthen existing relationships, as well as promote cultural exchange.

LOLA at the Berlinale
Within the scope of a collaboration with the Berliner Volkshochschulen (VHS: schools for adult education), the Berlinale is offering 160 free tickets to VHS “integration classes” and their instructors. They will be able to select from eight German films screening in the LOLA series of the Berlinale at the Zoo Palast.

Guest trainees
During the Berlinale around 20 guest trainees who came to Germany as refugees will be given the chance to take a look at various fields behind the scenes of the Festival in collaboration with the Beratungs- und Betreuungszentrum für junge Flüchtlinge und Migrant*innen (BBZ/ KommMit e.V.).

Generation: School projects for “welcome classes”
For eleven years now, the Generation section has offered pupils the opportunity to participate within the framework of a school project in the Berlinale. With educational staff that is well versed in cinema, these pupils may see and discuss films, as well as work on assignments about them afterwards.
Since last year, the Berlinale’s school program has been extended to include “welcome classes” (introductory German language classes for refugees). This year ten “welcome classes” are to participate in the program.

Banking details for donations:

Zentrum ÜBERLEBEN GmbH
Bank für Sozialwirtschaft
IBAN: DE82 1002 0500 0001 5048 00
BIC: BFSWDE33BER
Reason for transfer: “Berlinale helps 2017”

Logo-Berlinale-Facebook

(Source: Berlinale press Office)

 

 

BEN GURION, EPILOGUE will have its US premiere at the Santa Barbara Int’l Film Festival

Source: BEN GURION, EPILOGUE will have its US premiere at the Santa Barbara Int’l Film Festival