Category Archives: Feature Film

CLIFFORD THE BIG RED DOG IS COMING! NEW PHOTOS & VIDEO FROM THE BIG RED CARPET IN NYC!

Posted by Larry Gleeson

Paramount Pictures

In Association with eOne Films and New Republic Pictures
A Scholastic Entertainment/Kerner Entertainment Company Production
Presents
NEW YORK, NEW YORK – NOVEMBER 04: A view of atmosphere during the New York Special Screening of ‘Clifford the Big Red Dog’ at the Scholastic Inc. Headquarters on November 04, 2021 in New York, New York. (Photo by Roy Rochlin/Getty Images for Paramount Pictures)
STARRING:
Jack Whitehall, Darby Camp, Tony Hale, Sienna Guillory, David Alan Grier, Russell Wong, and John Cleese
IN THEATRES AND ON PARAMOUNT+ NOVEMBER 10, 2021

When middle-schooler Emily Elizabeth (Darby Camp) meets a magical animal rescuer (John Cleese) who gifts her a little, red puppy, she never anticipated waking up to find a giant ten-foot hound in her small New York City apartment. While her single mom (Sienna Guillory) is away for business, Emily and her fun but impulsive uncle Casey (Jack Whitehall) set out on an adventure that will keep you on the edge-of-your-seat as our heroes take a bite out of the Big Apple. Based on the beloved Scholastic book character, Clifford will teach the world how to love big!

Tickets on sale here! 

But wait! There’s more….!!!

 

SEE STARS JACK WHITEHALL, DARBY CAMP, TONY HALE, IZAAC WANG, PAUL RODRIGUEZ, AND MORE
ON THE BIG RED CARPET AT THE SCHOLASTIC BUILDING IN NYC!
NEW YORK, NEW YORK – NOVEMBER 04: Mia Ronn, Bear Allen Blaine, Darby Camp, Keith Ewell, Tovah Feldshuh, Ty Jones, Izaac Wang, Jack Whitehall, and Tony Hale attend the New York Special Screening of ‘Clifford the Big Red Dog’ at the Scholastic Inc. Headquarters on November 04, 2021 in New York, New York. (Photo by Roy Rochlin/Getty Images for Paramount Pictures)

 

NEW YORK, NEW YORK – NOVEMBER 04: Caitlin Friedman attends the New York Special Screening of ‘Clifford the Big Red Dog’ at the Scholastic Inc. Headquarters on November 04, 2021 in New York, New York. (Photo by Roy Rochlin/Getty Images for Paramount Pictures)
NEW YORK, NEW YORK – NOVEMBER 04: Iole Lucchese (L) and Jordan Kerner attend the New York Special Screening of ‘Clifford the Big Red Dog’ at the Scholastic Inc. Headquarters on November 04, 2021 in New York, New York. (Photo by Roy Rochlin/Getty Images for Paramount Pictures)
NEW YORK, NEW YORK – NOVEMBER 04: Yasha Jackson attends the New York Special Screening of ‘Clifford the Big Red Dog’ at the Scholastic Inc. Headquarters on November 04, 2021 in New York, New York. (Photo by Roy Rochlin/Getty Images for Paramount Pictures)

 

House Of Gucci is Coming!

Posted by Larry Gleeson

Over fifteen years in the making, House of Gucci, directed by Ridley Scott and based on the 2001 Sara Gay Forden novel,  The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed, is coming!

G_00924_RC
Lady Gaga stars as Patrizia Reggiani in Ridley Scott’s
HOUSE OF GUCCI
A Metro Goldwyn Mayer Pictures film
Photo credit: Fabio Lovino
© 2021 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.

Featuring Lady Gaga, Adam Driver, Jared Leto, Jeremy Irons, and Al Pacino, House of Gucci’s world premiere is scheduled for the new Academy of Motion Picture Arts and Sciences Museum in Los Angeles, Calif., followed by a theatrical release beginning November 24th.

The film is inspired by the shocking true story of the family empire behind the Italian fashion house of Gucci. Spanning three decades of love, betrayal, decadence, revenge, and ultimately murder, we see what a name means, what it’s worth, and how far a family will go for control.

Stay tuned!

AFI ANNOUNCES WORLD PREMIERE OF ILLUMINATION’S SING 2 AT AFI FEST

Posted by Larry Gleeson

AFI ANNOUNCES WORLD PREMIERE OF

ILLUMINATION’S SING 2

AT AFI FEST

Film To Screen At TCL Chinese Theatre On Nov. 14

FOR IMMEDIATE RELEASE, Los Angeles, CA, October 20, 2021 — Today, the American Film Institute (AFI) announced that the World Premiere of Illumination’s SING 2, the new animated feature film written and directed by Garth Jennings and produced by Illumination founder and CEO Chris Meledandri and by Janet Healy, will join AFI FEST 2021 as a Red Carpet Premiere. The film, in theaters December 22, will screen in-person at the historic TCL Chinese Theatre on Sunday, November 14.

ABOUT SING 2

In the new chapter from Illumination’s film franchise, ever-optimistic Buster Moon and his all-star cast of performers prepare to launch their most dazzling stage show yet …all in the glamorous entertainment capital of the world, Redshore City. There’s just one hitch: They first have to persuade the world’s most reclusive rock star—played by global music icon and Academy Award® nominee Bono—to join them.

With more than 40 contemporary and classic hit songs, electrifying performances and breathtaking artistry, SING 2 serves as an emotional reminder about the importance of dreaming big and the power of music to heal.

SING 2  features all of the characters audiences fell in love with in the first film (voiced by Academy Award®  winners Matthew McConaughey and Reese Witherspoon, Academy Award®  nominee Scarlett Johansson, Taron Egerton, Tori Kelly, Nick Kroll and Garth Jennings), plus new characters played by music superstars Academy Award®  nominee Pharrell Williams and Halsey, actors Bobby Cannavale and Letitia Wright, and comedians Eric André and Chelsea Peretti.

More on AFI FEST 2021

AFI FEST 2021 takes place from November 10 – 14, 2021 in Los Angeles. The World Premiere of  tick, tick…BOOM! directed by Pulitzer Prize and Tony Award® winner Lin-Manuel Miranda will open the festival and KING RICHARD directed by Reinaldo Marcus Green will close the festival.  Additional Red Carpet Premieres include the World Premieres of Academy Award® winner Halle Berry’s directorial debut BRUISED and Academy Award®  winner Benjamin Cleary’s feature directorial debut SWAN SONG, PARALLEL MOTHERS, directed by Academy Award® winner Pedro Almodóvar and THE POWER OF THE DOG, directed by Academy Award® winner Jane Campion. The full program can be found here.

This year’s hybrid festival will feature both in-person screenings and events, as well as virtual screenings, showcasing transformative stories from groundbreaking artists.

With health and safety being top priority, AFI FEST 2021 will require all festival-goers who attend in-person events and/or screenings to be fully vaccinated.

Top Sponsors for AFI FEST 2021 include AT&T, Apple Original Films, National Geographic Documentary Films and Dell.

Passes to AFI FEST 2021 and individual tickets are currently available on FEST.AFI.com. AFI Members receive exclusive discounts and benefits to the festival. To become an AFI member, visit AFI.com/join/.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FESTAFI DOCS and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. Other pioneering programs include workshops aimed at increasing diversity in the storytelling community, including the AFI Directing Workshop for Women and the AFI Cinematography Intensive for Women. AFI’s newest program is AFI Movie Club, a daily global engagement for those who love the movies. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstituteYouTube.com/AFITwitter.com/AmericanFilm and Instagram.com/AmericanFilmInstitute.

About AFI FEST
Now in its 35th year, AFI FEST is a world-class event, showcasing the best films from across the globe. With an innovative slate of programming, the five-day festival historically presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. This year’s edition takes place in-person and online November 10-14, 2021. The festival includes Special Presentations of high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts presented in established AFI FEST sections. Additional information about AFI FEST is available at FEST.AFI.com. Connect with AFI FEST at Facebook.com/AFIFESTTwitter.com/AFIFESTInstagram/AmericanFilmInstitute and YouTube.com/AFI.

 

Wild Indian

Posted by Larry Gleeson

After viewing Smoke Signals, the Audience Award and Filmmakers Trophy winner at the 1988 Sundance Film Festival, and the first feature film written, directed, and produced by Native Americans, I had an overwhelming desire to see more Indigenous filmmaking. Sundance Film Festival was organized around the guiding principle of giving Native American voices a platform. The 2021 Sundance Film Festival premiered a total of four Indigenous films, three short-form films, and one feature-length film, Wild Indian from Lyle Mitchell Corbine, Jr., (a member of the Northern Wisconsin Bad River Tribe of Lake Superior Chippewa).

Wild Indian opens with a metaphorical scene from possibly the 18th century depicting a Native-American in the woods shooting another Native-American in the distance. In a preceding scene, it is quickly revealed that Makwa, a young Anishinaabe boy, has a rough life. He’s bullied at school and doesn’t get along well at home with his young parents. He often appears with bruises he says he got falling down, but no one believes him.

As he is being questioned in the school’s administrative office a majestic piece of cinematography provides foreshadowing. Makwa has only one friend, Ted-O. Makwa and Ted-O like to escape by playing in the woods, until the day Makwa shockingly murders a schoolmate. After covering up the crime, Makwa runs away and the two boys go on to live very different lives.

Now, as adult men, they must face the truth of what they have done and what they have become. In what feels like going through a time and space continuum, Corbine takes the narrative to California where we are introduced to Michael, a senior-level corporate executive with authority over a Jesse Eisenberg character. In addition, Michael has a stylish home and a beautiful wife. With a strong and compelling visual style that evokes both fascination and dread, it quickly becomes clear Michael, portrayed by Michael Greyeyes,  has done terrible, unforgivable things.

Displaying sadomasochist tendencies, Michael is struggling to hold it all together. Meanwhile, a hard-looking adult Ted-O is being released from prison. Ted-O returns to the reservation, camping in the woods and making amends to the murdered boy’s mother with the truth of what happened to her son the day Makwa murdered him. Despite making his amends, Ted-O still suffers inner conflict and decides he must track down Makwa and complete the cycle of justice.

Unfortunately for Ted-O, Michael gains the upper hand and kills Ted-O to continue his life in California while covering up any links to the past. Michael still has to face the presiding District Attorney with jurisdiction over the reservation and the accusation from the murdered boy’s mother, Mrs. Wolf. In a diabolical manner, Michael manages to clear himself.

Wild Indian is a compelling look into the state of Native American life. And, Michael Greyeyes delivers a gripping, enigmatic performance as a modern Native American with a dark past. In addition, Kate Bosworth portrays Michael’s wife in California, with considerable depth and nuance. Jesse Eisenberg delivers a strong supporting performance and is credited as Executive Producer as well. Wild Indian was writer/director Corbine’s feature debut and is sure to become a touchstone in modern Indigenous cinema. Highly recommended.

Judas and The Black Messiah

Posted by Larry Gleeson

Judas and The Black Messiah, recipient of the recently awarded, American Film Institute’s Movie of the Year, made its World Premiere at the 2021 Sundance Film Festival with fanfare. A late, Warner Brothers production, addition to the Premiere category starring Daniel Kaluuya and LaKeith Stanfield, Judas and The Black Messiah was a richly told story of the leadership, revolutionary activism, and eventual assassination of Black Panther Fred Hampton, and powerful addition to the social revolution films of the 1960s and early 1970s.

With the film set in 1968, social unrest in the United States was at the highest it had been in close to 50 years. The New Left was emerging. The Anti-War Movement was underway. Fears and threats of Communism were still present. And Chicago was hosting the 1968 Democratic National Convention. Martin Luther King, Jr. and Robert F. Kennedy had been recently assassinated and as the Black Community looking for new leadership, the Chicago Chapter of the Black Panthers and its chairman, Fred Hampton, saw an opportunity to fill a void and unite the disenfranchised.

All eyes were on Chicago, as the United States continued to deal with the issues at home and abroad. J. Edgar Hoover, the founder and first director of the Federal Bureau of Investigation had turned the organization into a menacing, crime-fighting apparatus.  Richard Nixon was elected as the 37th President of the United States under the promise of law and order. Hoover and his FBI saw Hampton as a radical “Black Messiah” threat and managed to compromise a young black male, William O’Neal, portrayed by Stanfield, to infiltrate the Black Panthers and keep tabs on Fred Hampton and the Chicago Chapter. Hampton, portrayed to a tee by Kaluuya, was young, impressionable, and highly charismatic. He rose up in the ranks of the Black Panthers and rallied the New Left, the Anti-War Movement, and the young Communists with his war cry, “I am… a Revolutionary.”

Judas and The Black Messiah, directed by Shaka King, with a cast, led by Kaluuya and Stanfield, and supported by a strong performance from Dominique Fishback portraying Hampton’s life partner, Deborah Johnson, is exceptional as the production design, costuming, makeup and wardrobe move the film into a period piece. And, the writing pulls heavily from historical texts with Black Panther phrases such as “War is politics with blood. Politics is war without blood.” King also manages to pose questions about how to make progress as his characters address the concepts of reform and revolution.  While the film is set in 1968-69, these issues are still prevalent today.

Judas and The Black Messiah, an historical drama on par with Gore Vidal’s Lincoln, is an emotionally moving, and at times, riveting film. Seeing history brought to life in a viscerally real and emphatic manner, made the work very compelling to me. Fred Hampton was killed at the age of 21 on December 4th, 1969. The aggrieved parties would wait well over a decade for justice with a civil suit settlement of $1.85 million in 1982 after an initial coroner’s jury inquest in January of 1970 found Fred Hampton’s death justifiable homicide. Watch at your own peril.

 

 

 

LaKeith Stanfield, left, and Shaka King in Judas and the Black Messiah (Warner Brothers 2021)

 

(Warner Brothers 2021)

CODA

Posted by Larry Gleeson

CODA (Children of Deaf Adults) despite being somewhat formulaic pushed all the buttons – strong writing, superb acting, and solid production design. Imagine being the only family member who can hear and speak! Basically, that’s where our film’s lead actress finds herself. Actress Emilia Jones portrays seventeen-year-old, Ruby Rossi, a Peppermint Patty, and semi-typical teen in that she goes to high school, has a teenage crush, and feels awkward socially in her hometown of Gloucester, Massachusetts.

What’s not typical is that she engages in a commercial fishing operation with her family before school, signs to communicate with and for her father (Tony Kotsur), mother (Marlee Matlin), and brother (Daniel Durant), haggles with the local fishmonger and sings with a voice most nightingales would be envious of. Despite, all of this, the Director and Writer of CODA, Sian Heder, manages to thread the needle as most of the time it’s wholly plausible that this person is living this life.

CODA so pleased audiences at the 2021 Sundance Film Festival, it walked away with more awards than any film in recent Sundance history. Most notably it took home both the Grand Jury Prize and the Audience Award for best drama. In addition, Apple TV splashed a record-smashing $25 million for the film rights. Until the last few years, no film had reached the $10 million mark. So don’t expect to see CODA out at any local film festivals.

At its most basic essence, CODA is heartwarming, endearing, and full of characters embodied by actors who truly understand the concept of emoting. In my opinion, next to Oscar-winner, Marlee Matlin (Children of a Lesser God), Mexican actor/writer/director/producer, Eugenio Derbez, stands out as he delivers more than one show-stealing moment with his dead-pan presence and energetic delivery. Emilia Jones’s performance is exceptional as her character Rubi’s struggle is self-evident onscreen. Rubi is conflicted with going her own way or continuing to support her family. The issue comes to the forefront when she joins the school’s choir and finds herself attracted to her duet partner and her latent singing ability draws the attention of her tough-love choirmaster, portrayed by Derbez.

As the conflict mounts, Rubi learns to stand in her truth and Director Heder allows the audience to witness and experience the world from the deaf person’s perspective. But wait! There’s more. Heder illuminates the family in a subtle manner with the prime focus on Rubi. Despite their handicap of being deaf, they all engage in what is considered normal activities. There’s sibling rivalry, budding relationship angst, concerns about making a living and supporting a family. And, there’s some hilarious comic relief in the parents’ expressive love for one another.

Normally, I’m not so drawn to a dramedy. Yet, CODA, while predictable at times, pivoted at critical moments creating a most compelling narrative with its expressive, heartfelt acting, its naturalistic, on-location filming, and its strong writing. Not sure when CODA will be available for public viewing. But, I can definitely say. CODA is worth the price of admission. Highly recommended!

While we wait for the film’s release check out the Meet the Artist: Sian Heder on Coda video. You’ll be glad you did!

Baz Poonpiriya’s “One For the Road” Will Leave You Wanting More

Posted by Larry Gleeson

When I viewed One For the Road, recipient of the 2021 Sundance Film Festival World Cinema Dramatic Special Jury Award: Creative Vision, and directed by Baz Poonpiriya (the first Thai director to feature in Sundance’s World Cinema Dramatic Competition), my mind wandered as I became aware of a thought, “This film reminds me of Wong Kar Wai’s work, In the Mood for Love.” The film had a wonderful soundtrack with some Cat Stevens music along with several mainstream hits, a strong production design, and a lovely mise-en-scene with exquisite cinematography and a touch of colorization. One For the Road follows a young Thai man, who is dying from cancer and has decided to make his final amends by delivering a parting gift to those closest to him on the earthly plane. The narrative structure is non-linear as the director uses flashbacks to inform the viewer and add depth of meaning to the present.

Unfortunately for the film’s lead character, Aood, portrayed by Ice Natara, the only Thai runway model in South Korea, he doesn’t drive and doesn’t own a car. So, he calls on his best friend, Boss, portrayed by actor/singer/model Tor Thanapob, to drive him across Thailand beginning in the north and traversing the length of the country down to the south in order to bring closure with the people from Aood’s past. Only, Boss owns a bar in New York where he seems to be living the dream with an endless lineup of beautiful women that he entertains after hours.

Boss and his family had supported Aood over the years and the two were as close as two blood brothers until a falling out left them estranged. But when Aood tells Boss he is sick and needs Boss’s help to complete a final “to do” list, Boss comes to help. As the two rekindle their friendship,  Boss puts up with Aood’s idiosyncrasies and his overt intrusions into people’s lives with his parting gifts. Yet, when Aood tries to give Boss a gift, truths are revealed threatening their friendship while simultaneously offering an opportune moment for redemption.

One for the Road is full of nostalgia as multiple genres come together including romance, buddy film, as well as sex-positive melodrama. It’s very visual, very visceral, and one I was sad to see it end after 136 minutes. But end it did and as the credits began to roll, there it was – a title revealing “Produced by Wong Kar Wai” – “… a filmmaker who specializes in making the evanescent tangible, in capturing fleeting emotions in a style that is always poetic, often ravishing and, despite his films’ surface-level dreaminess, unerringly precise.” (https://www.nytimes.com/2020/11/26/movies/Wong-Kar-wai-romance-films.html) I’m a huge fan of Mr. Wong’s work so all I could do in that moment was sit and smile. What a wonderful gift. (Wong and Baz worked together on One For The Road for three years.)

Director Baz Poonpiriya, a strong storyteller who has come into his own, had previously helmed Bad Genius the 2017 Thai box-office smashing and the record-breaking winner of twelve categories at the 27th Suphannahong National Film Awards (the Thai Oscars), before embarking on One For The Road with Wong. If you’re a fan of Wong, this is a film you don’t want to miss. And, if you’re a fan of Thai film (Apichatpong Weerasethakul’s 2010 Uncle Boonmee Who Can Recall His Past Lives turned me on to Thai film), it’s a must-see! Lastly, if you simply enjoy exquisitely told films, I highly recommend you see Baz Poonpiriya’s One For The Road!

 

SHERILYN FENN, ALAN POWELL, NICHOLAS TURTURRO AND CATHY MORIARTY FILM “SHOOTING HEROIN” PIVOTS TO VOD/SVOD/EST RELEASE APRIL 3

Posted by Larry Gleeson

Note: We present this piece of film and entertainment news with deep respect to the media and individual concerns surrounding the country’s COVID-19 Crisis. We have heard media tell us they want to hear how filmmakers are coping with film releases during this time. We hope it is not perceived as impertinent or inappropriate. Thank you.

Opioid Drama, Originally Slated to Open in More Than Two Dozen Cities and at Three Festivals, Goes Day-And Date

Los Angeles, CA, March 20, 2020–Los Angeles, CA, March 20, 2020—SHOOTING HEROIN, one of the first narrative feature films on the current opioid epidemic in America, will debut on all VOD, SVOD and EST platforms on Friday, April 3. The film was originally set for an initial limited national release in two dozen cities and about 100 screens on Friday, April 3rd but quickly made the move to video-on-demand and pay-per-view platforms following the shutdown of almost all movie theatres nationally during the COVID-19 crisis. The film had also been set to premiere at three film festivals in Northern New Jersey, Dallas, and Los Angeles, all of which were canceled.

EST platforms and services will go live on April 3, including, on cable: InDemand and MSOs; Vubiquity; Verizon Fios; ATT U-Verse; DirecTV; Dish Network-IPVOD/EST; and Sling, and on transactional digital including iTunes; Amazon; GooglePlay; Microsoft X-Box; Vimeo; Sony PSN; Fandango; and Vudu.

Director

Director and producer Spencer Folmar, himself a small theatre chain operator and distributor through his company Veritas Films, says, “Like every other filmmaker, we’ve hit a wall with theatrical distribution in these turbulent times, which puts our little indie film on the same footing as Disney as we work to find our audience. And of course that audience is the home viewing audience, hundreds of millions of people who are searching for education and issues-oriented entertainment. We consider ourselves lucky to have VOD distribution of SHOOTING HEROIN in place to offer the public, and hope the media pivots along with us to let the public know we’re out there.” Folmar hopes for theatrical exhibition of the film in the future, and in the meantime is looking at booking the film at some of America’s several hundred drive-in theatres still operating.

Shooting Heroin

SHOOTING HEROIN tells the story of a small-town community that comes together to fight back against the spread of drugs “by any means necessary”—a story of a group of vigilante townsfolk who take justice into their own hands to fight for the heart of America, and save the next generation from overdosing and dying.

The film features Sherilyn Fenn (Twin Peaks), Alan Powell (Quantico), Garry Pastore (HBO’s The Deuce), Nicholas Turturro (SVU), Cathy Moriarty (RAGING BULL), and Lawrence-Hilton Jacobs (Cooley High), among others. Before being programmed in three March film festivals in California, Texas and New Jersey, the film most recently claimed the Best Film, Best Director and Best Supporting Actor (Pastore) prizes at the Hell’s Kitchen Film Festival in New York City last October. SHOOTING HEROIN is being distributed digitally on VOD/SVOD by Stone Cutter Media.

 

The film is written and directed by Spencer T. Folmar (GENERATIONAL SINS). Since Folmar’s last film premiered nationally, he has pursued new ventures in distributing independent films, including WARNING SHOT, starring David Spade, Bruce Dern, and James Earl Jones, and creating a partnership with his own Veritas Theatres chain in major cities. Folmar is undeterred by the current crisis, which he views as temporary, and is confident Americans will return to movie theatres when it has passed. His first movie theatre was in the Pittsburgh, PA region called the Guthrie Theatre (a 600 seat, the single-screen historic theatre now featuring live entertainment, community theatre and a steakhouse in connection with the screening venue). He had also acquired two theatres in the Dallas region and still hopes to purchase and build theatres in Orlando, Chicago, New York City, and Los Angeles later in 2020 into 2021. Folmar is building his own theatre chain to give transparency and integrity for indie filmmakers to enjoy their films on the big screen across the country—when it’s safe to do so. All of his theatres are currently shuttered.

Folmar concludes, “Even though it’s being eclipsed by the COVID-19 pandemic, opioid abuse remains a national public health crisis and claims over 100 American lives per day. With a strong cast and a compelling story ripped from daily headlines, we hope SHOOTING HEROIN will shed light on and give hope to those millions affected by it.”

Heroin

SHOOTING HEROIN (Drama): Release Date: Thursday, April 3, 2020
Starring: Sherilyn Fenn; Alan Powell; Garry Pastore; Nicholas Turturro; Cathy Moriarty; and Lawrence-Hilton Jacobs
Producers: Spencer T. Folmar, p.g.a., Mark Joseph
Director: Spencer T. Folmar
Writer: Spencer T. Folmar
Cinematographer: John Honoré
Composer: Mike Newport
Running Time: 90 minutes
Rating: R

*Note: We present this piece of film and entertainment news with deep respect to the media and individual concerns surrounding the country’s COVID-19 Crisis. We have heard media tell us they want to hear how filmmakers are coping with film releases during this time. We hope it is not perceived as impertinent or inappropriate. Thank you.

(Source: Press release presented by Henry Eshelman and Media Platform Group)

 

BLOODSHOT with Vin Diesel opens Thursday

Posted by Larry Gleeson

Based on the bestselling comic book, Ray Garrison (Vin Diesel) is an elite soldier recently killed in action, brought back to life as the superhero Bloodshot by the RST corporation. With an army of nanotechnology in his veins he’s an unstoppable force – the strongest warrior the corporation has ever created – and able to heal instantly. But in upgrading his body, the company is also manipulating his mind and memories. As he begins to remember his past life, Ray isn’t sure what’s real and what’s not – but he’s determined to take back control.

Bloodshot

Directed By:
David S.F. Wilson
Story by:
Jeff Wadlow
Screenplay by:
Jeff Wadlow and Eric Heisserer
Based on:
The Valiant Comic Book
Produced by:
Neal H. Moritz
Toby Jaffe
Dinesh Shamdasani
Vin Diesel
Executive Producers:
Dan Mintz
Louis G. Friedman
Yu Dong
Jeffrey Chan
Rita LeBlanc
Buddy Patrick
Matthew Vaughn
Cast:
Vin Diesel
Eiza Gonzalez
Sam Heughan
Toby Kebbell
and Guy Pearce
Columbia Pictures’ BLOODSHOT photo call, Los Angeles, USA - 06 March 2020
LOS ANGELES – March 6, 2020: Eiza González, Vin Diesel, Lamorne Morris and Sam Heughan at the Junket Photo Call for Columbia Pictures’ BLOODSHOT at The London West Hollywood. (Photo credit: Eric Charbonneau)

Bloodshot has been rated PG-13 by the Motion Picture Association for intense sequences of violence, some suggestive material, and language. The film will be released in theaters nationwide on March 13, 2020.

Orion Pictures BAD TRIP In Theaters Everywhere on April 17, 2020

Posted by Larry Gleeson

From a producer of JACKASS and BAD GRANDPA, this hidden camera comedy follows two best friends as they go on a cross-country road trip full of hilarious, inventive pranks, pulling its real-life audience into the mayhem.

Bad Trip stars Eric André, Lil Rel Howery, Tiffany Haddish and Michaela Conlin. The film is directed by Kitao Sakurai from the minds of Dan Curry, Kitao Sakurai, and André – and produced by André, Jeff Tremaine, David Bernad, and Ruben Fleischer.

Bad Trip

BAD TRIP 

Release: April 17, 2020

Genre: Comedy

Starring: Eric André, Lil Rel Howery, Tiffany Haddish, Michaela Conlin

Directed by: Kitao Sakurai

Produced by: Eric André, Jeff Tremaine, David Bernad, Ruben Fleischer