Category Archives: AFIDocs

#AFI, #AFIFEST, AFI DWW+, AFI FEST, AFI Life Achievement Award, AFI Movie Club, AFIDocs, American Film Institute, American Film Market

AFI FEST 2025 PRESENTED BY CANVA ANNOUNCES SPONSORS AND PARTNERS – OPENS ON WEDNESDAY, OCTOBER 22

Leave a comment

Posted by Larry Gleeson

AFI FEST 2025 PRESENTED BY CANVA ANNOUNCES SPONSORS AND PARTNERS FESTIVAL TO PRESENT OVER 160 FILMS
OPENS ON WEDNESDAY, OCTOBER 22

Tickets and Passes Available Online and at the AFI FEST Box Office During Festival

FOR IMMEDIATE RELEASE – Los Angeles, CA, October 20, 2025 — The American Film Institute (AFI) announced today the sponsors and partners for AFI FEST 2025 presented by Canva. This year’s festival runs from Wednesday, October 22 through Sunday, October 26 in Hollywood and the festival line-up includes 7 Red Carpet Premieres, 12 Special Screenings, 14 Luminaries selections, 15 Discovery films, 20 World Cinema selections, 15 Documentaries, 6 After Dark titles, 44 films in the Short Film Competition, and 23 films from the AFI Conservatory Showcase. There are 5 World Premieres, 5 North American Premieres and 5 U.S. Premieres.

Passes and tickets are available at FEST.AFI.com and at the AFI FEST Box Office located inside the TCL Chinese 6 Theatres Lobby during the festival. Sold-out screenings, including Red Carpet Premieres, will have a rush line.

“The worlds of art and entertainment are reliant on the support of those who believe, as AFI does, that film and festivals inspire a communal connection at a time we need them most,” said Bob Gazzale, AFI President & CEO.  “We are deeply grateful for the imperative support of our sponsors that ensure AFI FEST will lift the spirits of the tens of thousands of film lovers who are part of the AFI community.”

Canva returns as this year’s Presenting Sponsor for AFI FEST 2025 presented by Canva. The festival is proud to welcome an exceptional roster of Corporate Partners, including Official Water Partner FIJI Water, Premium Sponsor Apple Original Films, Northern Trust, AMC Networks, AT&T, Amazon MGM Studios, Netflix, and IMDbPro.

AFI FEST is delighted to welcome back AT&T, IMDbPro, Dell Technologies, and Stella Artois. The festival is also excited to welcome new sponsors Northern Trust, HitsBev, and Francis Ford Coppola’s Inglenook Wines.

AT&T returns with UNTOLD STORIES, its $1.2 million production grant program. Immediately following the screening of HONEYJOON—a winning project from the program—AT&T will host a discussion and invite filmmakers in the audience to submit applications for this prestigious grant opportunity.

IMDbPro returns as an AFI FEST sponsor and will host a portrait studio at the invite-only AFI FEST Filmmaker Party, empowering IMDbPro members in attendance with a complimentary professional headshot to enhance their industry presence. IMDbPro Premium members can add these and other images to their IMDb and IMDbPro name pages and select their primary and featured images as part of a suite of tools to manage and showcase their IMDb profile.

Building on last year’s successful workshop, Canva is hosting Design Without Limits: Panel and Workshop with Patty Jenkins and William Means on October 25 at 10:30am. AFI Alumni and collaborators on JUNKIE—screening at the Festival, October 26—director/screenwriter/producer William Means and executive producer Patty Jenkins will share their creative process and vision, from initial concept to final cut.

FIJI Water, the No. 1 premium imported bottled water in the U.S., proudly returns as the Official Water of AFI FEST. FIJI Water will once again appear at all red carpet premieres with its signature FIJI Water Bar, and throughout the festival, providing 500 mL bottles made from 100% recycled plastic (rPET) to keep attendees refreshed as they celebrate another year of exceptional achievements in film.

Northern Trust is the sponsor of the Red Carpet Premiere screening of JAY KELLY on October 23. AMC Networks is once again presenting the AFI Conservatory Showcase, scheduled for October 23-24.

This year’s In-Kind Sponsors include Panavision, Illuminar, Eventive, Ovation Hollywood, TCL Chinese Theatres, US Blanks, Cinegear and SirReel.

The Envelope by The Los Angeles Times is back as the festival’s Primary Media Partner and the Red Carpet Premieres Media Partner.

The Wall Street Journal, Variety, The Hollywood Reporter and ABC7 On the Red Carpet are Official Media Partners.

Affiliate Media Partners include TheWrap, IndieWire, Screen International, Los Angeles Magazine and KCRW.

The Official Media Partners and Affiliate Media Partners will each be presenting a dedicated Special Screening. The Wall Street Journal will present RENTAL FAMILY, Variety will present BUGONIA, The Hollywood Reporter will present TRAIN DREAMS, ABC7 On the Red Carpet will present IS THIS THING ON?, TheWrap will present REBUILDING, IndieWire will present THE CHRONOLOGY OF WATER, Screen International will present THE CHORAL and Los Angeles Magazine will present MERRILY WE ROLL ALONG.

This year’s Cultural Supporters include the European Languages and Movies in America (ELMA), Farhang Foundation, Japan House and SAGindie.

This year’s Community Partners are African Film Critics Association, Amoeba Music, Animation is Film, Antigravity Academy, Armenian Film Society, Asian American Media Alliance, ASIFA (Association International of Film Animation), BAFTA North America, Black Film Space, CalARTS, CAPE, The Cinegogue, Consulate General of France LA, Consulate General of Spain, Consulate of Belgium, Consulate of Croatia, Film Fatales, Film Independent, German Films Service, Ghetto Film School, GLAAD, Goethe Institute, GoldHouse, Hollywood Shorts, Italian Institute of Culture LA, LALIFF(Los Angeles Latino International Film Festival), Latino Filmmakers Network, International Documentary Association, Korean Cultural Center, LACMA, NALIP (National Association of Latino Independent Producers), New Filmmakers LA, Nimruz, Queer Film LA, Reframe, Revival Hub, SEEfest (South East European Film Festival), Trade Commission of Spain LA, Tramp Stamp Grannys, Undocumented Filmmakers Collective, USC Women of Cinematic Arts, VC Media, We The Latin, Women Independent Producers and Women in Film.

As previously announced, the festival will open with SPRINGSTEEN: DELIVER ME FROM NOWHERE and will close with the World Premiere of SONG SUNG BLUE.

JAY KELLY, NUREMBERG, DEAD MAN’S WIRE, CHRISTY and the World Premiere of THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS complete the Red Carpet Premieres section.

To learn more about AFI FEST and to view the full festival lineup visit FEST.AFI.com

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to FEST passes and exclusive one-of-a-kind opportunities at AFI FEST. To learn more, email Advancement@AFI.com.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

About AFI FEST
Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, X.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva
Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

Press contact: Shari Mesulam

Shari@themesulamgroup.com

American Film Institute

 

#AFI, #AFIFEST, AFI FEST, AFI Life Achievement Award, AFI Movie Club, AFIDocs, American Film Institute, TCL Chinese Theatre, television

The News about AFI FEST presented by Canva keeps getting better!

Leave a comment

Posted by Larry Gleeson

The news about AFI FEST presented by Canva keeps getting better!

 

Following the announcement of  the Red Carpet Premieres section: Noah Baumbach’s JAY KELLY, starring George Clooney and Adam Sandler; CHRISTY, starring Sydney Sweeney; NUREMBERG, starring Russell Crowe; and Gus Van Sant’s DEAD MAN’S WIRE, starring Bill Skarsgård, several new titles have been added  to the Special Screenings section!

 

Passes on Sale!

A limited number of tickets will go on sale October 6. For priority access, purchase a Patron Pass. A Patron Pass allows you to reserve two tickets to each Red Carpet Premiere with priority access to Special Screenings before they go on sale to the general public.Joining AFI today gets you 20% off AFI FEST tickets plus complimentary tickets at the Cinephile level and above. Upgrading to Premiere Circle gives exclusive access including Red Carpet Premieres. For more info, contact Peter Indall at pindall@AFI.com. 

 

#AFI, #AFIFEST, AFI DWW+, AFI FEST, AFI Life Achievement Award, AFI Movie Club, AFIDocs, American Film Institute, American Film Market, TCL Chinese Theatre, television

WORLD PREMIERE OF THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS SET FOR AFI FEST 2025 PRESENTED BY CANVA

Leave a comment

Posted by Larry Gleeson

WORLD PREMIERE OF THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS SET FOR AFI FEST 2025 PRESENTED BY CANVA

 

Patrick Star (Bill Fagerbakke) and SpongeBob SquarePants (Tom Kenny) in The Spongebob Movie: Search For Squarepants from Paramount Animation and Nickelodeon.

 

FOR IMMEDIATE RELEASE — Los Angeles, CA, September 18, 2025 – Today, the American Film Institute (AFI) announced that THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS from Paramount Animation and Nickelodeon Movies, in association with Domain Entertainment and MRC, will have its World Premiere at AFI FEST 2025 presented by Canva. Desperate to be a big guy, SpongeBob sets out to prove his bravery to Mr. Krabs by following The Flying Dutchman — a mysterious swashbuckling ghost pirate — on a seafaring comedy-adventure that takes him to the deepest depths of the deep sea where no Sponge has gone before. The family-friendly film, directed by Derek Drymon, will screen in the afternoon on October 26, the Closing Day of the festival, at the historic TCL Chinese Theatre as part of the Red Carpet Premieres section. Passes are available at FEST.AFI.com.

Bob Gazzale, AFI President and CEO

“If nautical nonsense be something you wish, then join AFI for the World Premiere of THE SPONGEBOB MOVIE:       SEARCH FOR SQUAREPANTS,” said Bob Gazzale, AFI President and CEO. “Spongebob is an American icon — absorbent and yellow and porous is he — and AFI is honored to host this celebration under the sea.”

 

The film features Tom Kenny, Clancy Brown, Rodger Bumpass, Bill Fagerbakke, Carolyn Lawrence, Mr. Lawrence, George Lopez, Isis “Ice Spice” Gaston, Arturo Castro, Sherry Cola with Regina Hall and Mark Hamill, and it will be released on December 19.

Making its Los Angeles debut with the feature is the new short film TEENAGE MUTANT NINJA TURTLES CHROME ALONE 2: LOST IN NEW JERSEY. From producers Seth Rogen, Evan Goldberg, James Weaver, Jeff Rowe, and Ramsay McBean and directed by Kent Seki, the film reunites audiences with the Turtle brothers from the 2023 feature TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM for a festive adventure. When a mysterious toy company seeks to profit off the turtles’ new hero status, the brothers follow the clues to New Jersey and make a shocking discovery in this all new original short.

The festival will take place October 22–26 at the TCL Chinese Theatres in the heart of Hollywood and feature a curated selection of Red Carpet Premieres, Special Screenings, World Cinema, Documentaries and Short Films.

As previously announced, Academy Award®-winning filmmaker Guillermo del Toro will serve as the Guest Artistic Director for this year’s festival, and the festival will open with SPRINGSTEEN: DELIVER ME FROM NOWHERE and will close with the World Premiere of SONG SUNG BLUE.

Passes to AFI FEST 2025 are now available for purchase online at FEST.AFI.com. Festivalgoers have the opportunity to purchase a Star Pass or upgrade to a Patron Pass. The AFI FEST Star Pass is a five-day pass with access to all screenings (excluding Red Carpet Premieres), early screening selection before individual tickets go on sale, priority theater access, entry to the festival lounge, invitation to the festival mixer to mingle with filmmakers and guests, a complimentary AFI FEST tote and free Rush Line access to all screenings. The AFI FEST Patron Pass features all the benefits of the Star Pass plus two tickets to all of the star-studded Red Carpet Premieres held at the historic TCL Chinese Theatre and priority screening selection before Star passholders.

The full festival lineup will be unveiled on September 30. Individual tickets will be available on October 6.

AFI FEST is recognized by the Academy of Motion Picture Arts and Sciences as a qualifying festival for the Live Action, Animated and Documentary Short Film categories for the annual Academy Awards®. AFI FEST is also a qualifying festival for consideration for the British Short Film categories of both the BAFTA Film Awards and the British Independent Film Awards (BIFA).

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to exclusive one-of-a-kind opportunities at AFI events, including AFI FEST. To learn more, email Advancement@AFI.com.

Canva, the all-in-one visual communication and collaboration platform, returns as the exclusive Presenting Sponsor of AFI FEST 2025. Designed to empower entertainment professionals to visualize their ideas into impactful film and TV projects, Canva will be integrated throughout AFI FEST including hosting industry networking events, hands-on training workshops for filmmakers, and powering the festival’s digital and printed materials. Entertainment professionals can explore resources to pitch projects, plan shoots, and bring creative visions to life at canva.com/entertainment.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

 

About AFI FEST

Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, Twitter.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva

Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

Press Contact: American Film Institute

Shari Mesulam, Shari@themesulamgroup.com

#AFI, #AFIDOCS, #AFIFEST, AFI DWW+, AFIDocs, American Film Institute, Feature Film, TCL Chinese Theatre

World Premiere of Focus Features’ SONG SUNG BLUE to Close 2025 AFI FEST, October 26th.

Leave a comment

Posted by Larry Gleeson

 

 

WORLD PREMIERE OF SONG SUNG BLUE TO CLOSE AFI FEST 2025 PRESENTED BY CANVA

PASSES NOW ON SALE

FOR IMMEDIATE RELEASE – Los Angeles, CA, September 10, 2025 — Today, the American Film Institute (AFI) announced that the World Premiere of Focus Features’ SONG SUNG BLUE, written and directed by Craig Brewer, will close the 39th edition of AFI FEST presented by Canva on Sunday, October 26.

Based on a true story, the film follows two down-on-their-luck musicians, played by Hugh Jackman and Kate Hudson, who form a joyous Neil Diamond tribute band, proving it’s never too late to find love and follow your dreams. The film is produced by John Davis (p.g.a.), John Fox (p.g.a.) and Craig Brewer (p.g.a.) and features Michael Imperioli, Ella Anderson, King Princess, Mustafa Shakir, Hudson Hensley, with Fisher Stevens, and Jim Belushi.

 

Bob Gazzale, AFI President and CEO

“AFI FEST is proud to close our annual celebration of excellence and artistry with the World Premiere of SONG SUNG BLUE – a timely film about love and resilience – music and magic,” said Bob Gazzale, AFI President and CEO. “Audiences will leave the theater chanting the refrain of “Sweet Caroline” – so good, so good, so good!”

 

The festival will take place October 22–26 at the TCL Chinese Theatres in the heart of Hollywood and feature a curated selection of Red Carpet Premieres, Special Screenings, World Cinema, Documentaries and Short Films.

As previously announced, Academy Award®-winning filmmaker Guillermo del Toro will serve as the Guest Artistic Director for this year’s festival, and the festival will open with SPRINGSTEEN: DELIVER ME FROM NOWHERE, starring Jeremy Allen White and written for the screen and directed by Scott Cooper.

Passes to AFI FEST 2025 are now available for purchase online at FEST.AFI.com. Festivalgoers have the opportunity to purchase a Star Pass or upgrade to a Patron Pass. The AFI FEST Star Pass is a five-day pass with access to all screenings (excluding Red Carpet Premieres), early screening selection before individual tickets go on sale, priority theater access, entry to the festival lounge, invitation to the festival mixer to mingle with filmmakers and guests, a complimentary AFI FEST tote and free Rush Line access to all screenings. The AFI FEST Patron Pass features all the benefits of the Star Pass plus two tickets to all of the star-studded Red Carpet Premieres held at the historic TCL Chinese Theatre and priority screening selection before Star passholders.

The full festival lineup will be unveiled on September 30. Individual tickets will be available on October 6.

AFI FEST is recognized by the Academy of Motion Picture Arts and Sciences as a qualifying festival for the Live Action, Animated and Documentary Short Film categories for the annual Academy Awards®. AFI FEST is also a qualifying festival for consideration for the British Short Film categories of both the BAFTA Film Awards and the British Independent Film Awards (BIFA).

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to exclusive one-of-a-kind opportunities at AFI events, including AFI FEST. To learn more, email Advancement@AFI.com.

Canva, the all-in-one visual communication and collaboration platform, returns as the exclusive Presenting Sponsor of AFI FEST 2025. Designed to empower entertainment professionals to visualize their ideas into impactful film and TV projects, Canva will be integrated throughout AFI FEST including hosting industry networking events, hands-on training workshops for filmmakers, and powering the festival’s digital and printed materials. Entertainment professionals can explore resources to pitch projects, plan shoots, and bring creative visions to life at canva.com/entertainment.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

About AFI FEST
Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, Twitter.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva
Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

Press contact:

American Film Institute: Shari Mesulam, shari@themesulamgroup.com

#AFIDOCS, #AFIFEST, Academy Awards, AFIDocs, American Film Institute, Arlington Theater, Documentary, Maltin Award, Opening Night, Oscar, outstanding performer of the year, Santa Barbara International Film Festival, SBIFF Virtuosos, Sundance, Sundance Film Festival, Tribute, World Premiere

2023 Santa Barbara International Film Festival Wrap

Leave a comment

Posted by Larry Gleeson

The 38th Santa Barbara International Film Festival (SBIFF) has closed after another successful run from February 8th to February 18th, 2023. In all, SBIFF showcased 52 world premiere films as well as 78 US premieres! Official events included screenings, filmmaker Q&As, industry panels, and celebrity tributes, held throughout the city, including at the historic Arlington Theatre.

The Opening Night Film, Wednesday, February 8, featured the WORLD Premiere of MIRANDA’S VICTIM, a biographical crime drama, directed by Michelle Danner and starring Abigail Breslin, Ryan Phillippe, Luke Wilson, Donald Sutherland, Mireille Enos and Andy Garcia.

SANTA BARBARA, CALIFORNIA – FEBRUARY 09: Angela Bassett speaks onstage at the Montecito Award Ceremony during the 38th Annual Santa Barbara International Film Festival at The Arlington Theatre on February 09, 2023 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)

Without missing a beat,the following evening  SBIFF feted Angela Bassett, who incidentally is nominated for Best Supporting Oscar for this year’s performance in Marvel Studios’ BLACK PANTHER: WAKANDA FOREVER directed by Ryan Coogler from Disney Studios. Bassett received the festival’s Montecito Award. The Montecito Award is named after one of the most beautiful and stylish areas in Santa Barbara. Past recipients include Penélope Cruz, Amanda Seyfried, Lupita Nyong’o, Melissa McCarthy, Saoirse Ronan, Isabelle Huppert, Sylvester Stallone, Jennifer Aniston, Oprah Winfrey, Daniel Day-Lewis, Geoffrey Rush, Julianne Moore, Kate Winslet, Naomi Watts and Javier Bardem.

SANTA BARBARA, CALIFORNIA – FEBRUARY 10: Honoree Cate Blanchett poses with the Outstanding Performer of the Year Award during the 38th Annual Santa Barbara International Film Festival at the Arlington Theatre on February 10, 2023 in Santa Barbara, California. (Photo by Rebecca Sapp/Getty Images for SBIFF)

On Friday, February 10th, the SBIFF Filmmaker Seminars kicked off with  a timely topic of Overcoming Adversity/Fight the Power: Documentary Activism at Work at 11:00 am at Tamsen Gallery at 911 1/2 State Street across from the Fiesta 5 Theatre. The new and improved free film format (daily) screened TÁR, directed by Todd Field and starring Cate Blanchett, at 2:00 pm at the Arlington Theatre. Blanchett’s performance in TAR has a strong chance of landing the actress her third Academy Award. Consequently, SBIFF honored Blanchett with its OUTSTANDING PERFORMER OF THE YEAR AWARD.

The morning of Saturday, February 11th, brought out the Writers Panel featuring The Daniels (Everything Everywhere All at Once), Todd Field (Tár), Kazuo Ishiguro (Living), Rian Johnson (Glass Onion: A Knives Out Mystery), Tony Kushner (The Fabelmans), Martin McDonagh (The Banshees of Inisherin), Ruben Östlund (Triangle of Sadness), Lesley Paterson (All Quiet on the Western Front), Sarah Polley (Women Talking).

The afternoon brought the Women’s Panel with Anne Alvergue – Director (The Martha Mitchell Effect), Ruth E. Carter – Costume Designer (Black Panther: Wakanda Forever), Hannah Minghella – Producer (The Boy, The Mole, The Fox and The Horse), Domee Shi – Director (Turning Red), Gwendolyn Yates Whittle – Sound Editor (Avatar: The Way of Water), Mary Zophres – Costume Designer (Babylon).

 

SANTA BARBARA, CALIFORNIA – FEBRUARY 11: Jamie Lee Curtis speaks at the Maltin Modern Master Award ceremony during the 38th Annual Santa Barbara International Film Festival at Arlington Theatre on February 11, 2023 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)

In the evening, SBIFF hosted the Maltin Modern Master Award honoring Jamie Lee Curtis. The Modern Master Award was established in 1995 and is the highest accolade presented by SBIFF. Created to honor an individual who has enriched our culture through accomplishments in the motion picture industry, it was re-named the Maltin Modern Master Award in 2015 in honor of long-time SBIFF moderator and renowned film critic Leonard Maltin. Past recipients include Nicole Kidman, Javier Bardem, Bill Murray, Brad Pitt, Glenn Close, Denzel Washington, Michael Keaton, Bruce Dern, Ben Affleck, Christopher Plummer, Christopher Nolan, James Cameron, Clint Eastwood, Cate Blanchett, Will Smith, George Clooney and Peter Jackson.

Sunday morning, February 12th, brought out the Producers Panel, 11:00am at the Arlington Theatre featuring Gail Berman (Elvis), Jerry Bruckheimer (Top Gun: Maverick), Todd Field (Tár), Dede Gardner (Women Talking), Malte Grunert (All Quiet on the Western Front), Erik Hemmendorff (Triangle of Sadness), Kristie Macosko Krieger (The Fabelmans), Jon Landau (Avatar: The Way of Water), Jonathan Wang (Everything Everywhere All at Once).

Sunday afternoon highlighted the International Directors Panel, 2:00pm at the Arlington Theatre with Colm Bairéad (The Quiet Girl), Edward Berger (All Quiet on the Western Front), Lukas Dhont (Close), Santiago Mitre (Argentina, 1985), Jerzy Skolimowski (Eo).

On Monday February 13th, the Filmmaker Seminar “Say it Loud: How Under-Represented Voices Get Heard,” featured Maureen Bharoocha, Director (The Prank) Alison Millar, Director (Lyra) Caylee So, Director (The Harvest) Victor Nunez, Director (Rachel Hendrix) Angie Wang, Juror (Director, MDMA (2017)).

The Daily Free Film featured David Crosby: Remember My Name – 2:00pm @ Arlington Theatre. The screening was followed by a Q&A with Director A.J. Eaton.

In the evening the Variety Artisans Award, took place at the Arlington Theatre, recognizing M. M. Keeravaani – Songwriter (RRR), Son Lux – Composer (Everything Everywhere All at Once), Catherine Martin – Costume Designer (Elvis), Florencia Martin – Production Designer (Babylon), Claudio Miranda – Cinematography (Top Gun: Maverick), Adrien Morot – Hairstyling/Make Up (The Whale), Paul Rogers – Editing (Everything Everywhere All at Once), Eric Saindon – VFX (Avatar: The Way of Water), Sound Team (All Quiet on the Western Front).

SANTA BARBARA, CALIFORNIA – FEBRUARY 14: Brendan Fraser receives the American Riviera Awardonstage at the American Riviera Award Ceremony during the 38th Annual Santa Barbara International Film Festival at the Arlington Theatre on February 14, 2023 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)

On Tuesday, Brendan Fraser was honored with the American Riviera Award and an in-person conversation about his career, leading up to this year’s performance as Charlie in the A24 film THE WHALE, a story from Darren Aranofsky, of a reclusive English teacher living with severe obesity who attempts to reconnect with his estranged teenage daughter for one last chance at redemption.

The American Riviera Award was established to recognize actors who have made a significant contribution to American Cinema. Previous recipients include Kristen Stewart, Delroy Lindo, Renée Zellweger, Viggo Mortenson, Sam Rockwell, Jeff Bridges, Michael Keaton, Rachel McAdams, Mark Ruffalo, Patricia Arquette, Ethan Hawke, Robert Redford, Quentin Tarantino, Martin Scorsese, Annette Bening, Sandra Bullock, Mickey Rourke, Tommy Lee Jones, Forrest Whitaker, Philip Seymour Hoffman, Kevin Bacon and Diane Lane.

Wednesday brought The Virtuosos, moderated by Deadline’s Dave Karger, and featured AUSTIN BUTLER (ELVIS), KERRY CONDON (THE BANSHEES OF INISHERIN), DANIELLE DEADWYLER (TILL), NINA HOSS (TÁR), STEPHANIE HSU (EVERYTHING EVERYWHERE ALL AT ONCE), JEREMY POPE (THE INSPECTION), KE HUY QUAN (EVERYTHING EVERYWHERE ALL AT ONCE), JEREMY STRONG (ARMAGEDDON TIME). The Virtuosos Award is an honor created to recognize a select group of talent whose noteworthy performances in film have elevated them into the national cinematic dialogue.

Thursday, Colin Farrell & Brendan Gleeson, received the Cinema Vanguard Award, presented by Director Martin McDonagh. The Cinema Vanguard Award recognizes actors who have forged their own path, taking artistic risks and making a significant and unique contribution to film.

Colin Farrell has had a distinguished career of nearly twenty-plus years in film and television. He can be seen in Warner Bros.’ The Batman for director Matt Reeves; in the MGM film Thirteen Lives for director Ron Howard; in the BBC / AMC drama “The North Water”; and After Yang which premiered at the 2021 Cannes Film Festival and also made its North American debut at the 2022 Sundance Film Festival. Farrell was most recently seen in Tim Burton’s 2019 live action film Dumbo and Fox’s 2018 ensemble feature Widows, directed by Steve McQueen and co-starring Viola Davis. In 2017, Farrell made his second film with Yorgos Lanthimos, The Killing of the Sacred Deer opposite Nicole Kidman for A24. The film premiered at the Cannes Film Festival along with Sofia Coppola’s The Beguiled in which he also starred with Nicole Kidman, Elle Fanning, and Kirsten Dunst. That same year, he appeared opposite Denzel Washington in the Sony film Roman Israel, Esq., written and directed by Dan Gilroy.

SANTA BARBARA, CALIFORNIA – FEBRUARY 16: Honorees Colin Farrell and Brendan Gleeson pose with their Cinema Vanguard Awards during the 38th Annual Santa Barbara International Film Festival at the Arlington Theatre on February 16, 2023 in Santa Barbara, California. (Photo by Rebecca Sapp/Getty Images for SBIFF)

A former teacher, Dublin-born Brendan Gleeson left the profession to pursue a career in his first love – acting. He joined the Irish theater company Passion Machine and has since starred on the stage, in films, and on television, winning fans and awards worldwide. Other recent films include: The Coen Brothers’ The Ballad of Buster Scruggs for Netflix; Hampstead, opposite Diane Keaton; Paddington 2 also starring Hugh Grant, Sally Hawkins, and Julie Walters; Trespass Against Us opposite Michael Fassbender; Vincent Perez’s Alone in Berlin opposite Emma Thompson; Assassin’s Creed once again with Michael Fassbender; the Warner Bros. Ben Affleck  Live By Night; Ron Howard’s In the Heart of the Sea; and Suffragette opposite Carey Mulligan and Meryl Streep, once again winning the BIFA Award for Best Supporting Actor.

The next evening, Martin McDonagh (The Banshees Of Inisherin) and Todd Field (Tár) were honored as the Best Directors of the Year. Scott Feinberg, Executive Editor of Awards at the Hollywood Reporter hosted the evening.

SANTA BARBARA, CALIFORNIA – FEBRUARY 17: (L-R) Todd Field, Martin McDonagh and Scott Feinberg speak onstage at the Outstanding Directors of the Year Award Ceremony during the 38th Annual Santa Barbara International Film Festival at the Arlington Theatre on February 17, 2023 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)

After a clip from The Banshees of Inisherin, director Martin McDonagh stated that although he started out with plays, McDonagh noted that he always would’ve preferred to do movies, as those were his great love. In fact, McDonagh never had a great fondness for theater, finding that plays could be somewhat dull. So, when he started writing plays, he tried to take them as far from dullness as he could, attempting to infuse as much cinematic character as possible. When McDonagh made the jump to film, his biggest fear was making films that could be seen as playlike, being overly wordy or limited in scope.

Field, on the other hand, talked about his original interest in music, after a clip from Tar, and how working at a movie theater caused him to fall in love with the medium. Even so, he originally intended to pursue music in school, though he followed a girl into theater. Field stated that he had the character of Lydia Tár running around his head for years.

After ten days, the 38th Santa Barbara International Film Festival came to a close with the U.S Premiere of “I LIKE MOVIES.” 

I Like Movies

In closing, while last year, SBIFF had its triumphant return to in-person screenings, panels, and events with 48 world premier and 95 U.S. premieres, this year’s SBIFF expanded its free screenings and its run back to its more recent fare of ten days of film with 52 world premieres and 78 U.S. premieres.  In addition, with the American Film Institute’s Hollywood AFI FEST and AFI DOCS combining into a very truncated five days of film, SBIFF was able to attract pre-eminnent filmmakers such as Barbara Kopple (an AFI DOCS Board member). Furthermore, with the world famous Sundance Film Festival being laser-focused on first-time filmmakers (over 50% of its 2023 programming was devoted to first-time filmmakers), and underserved filmmakers, SBIFF was also able to attract film wizardry from Gabriela Cowperthwaite and her riveting geopolitical documentary, The Grab, featuring investigative reporter, Nathan Halverson of the non-profit, Center for Investigative Reporting.

SBIFF Q&A with Director Gabriela Cowperthwaite (center) and Investigative Reporter  Mathan Halverson (left) following the screening of The Grab, a geopolitical documentary on “the money, influence, and alarming rationale behind covert efforts to control the most vital resource on the planet.” (Photo cr. Larry Gleeson/HollywoodGlee)

SBIFF’s Programming Director Claudia Puig summed it up by saying, “This 38th edition of the Santa Barbara International Film Festival drew filmmakers from as far as Turkey, India, Israel, and Sierra Leone, half of whom were women. We were delighted with the enthusiastic reception to our diverse program of 200 films from 43 countries. Cinema is one of the most powerful vehicles for empathy, providing a window of understanding to all who seek to look through it.  We thank the filmmakers in attendance and our avid Santa Barbara audience for so heartily embracing the festival experience. Several films prompted standing ovations and packed theaters, marking 2023 a full-throttled return to celebrating cinema from around the globe.”

An eclectic jury composed of Angie Wang, Antonio Marziale, Christina Birro, Elizabeth Marighetto, Gwen Deglise, Jean Oppenheimer, Jeff Arch, Lela Meadow Conner, Leslie Ekker, Margy Rochlin, Nicole Noren, Perry Lang, Robert Abele, Steven Raphael, Tim Cogshell, and Tim Matheson, deemed the following films award worthy:

Audience Choice Award sponsored by The Santa Barbara Independent: 26.2 TO LIFE Directed by Christine Yoo

Panavision Spirit Award for Independent Cinema: I LIKE MOVIES Directed by Chandler Levack

Jeffrey C. Barbakow Award – Best International Feature Film: A MAN (ARU OTOKO) Directed by Kei Ishikawa

Best Documentary Award: A BUNCH OF AMATEURS Directed by Kim Hopkins

Nueva Vision Award for Spain/Latin America Cinema: MANUELA Directed by Clara Cullen

Best Middle Eastern/Israeli Film Award: THE TASTE OF APPLES IS RED (TA’AM AL TUFAH, AHMAR) Directed by Ehab Tarabieh

Best Nordic Film Award: SUMMERLIGHT AND THEN COMES THE NIGHT (SUMARLJÓS OG SVO KEMUR NÓTTIN) Directed by Elfar Aðalsteins

Social Justice Award for Documentary Film: BLACK MAMBAS Directed by Lena Karbe

ADL Stand Up Award, sponsored by ADL Santa Barbara/Tri-Counties, the Skinner Social Impact Fund, and Steve & Cindy Lyons: THE QUIET GIRL (AN CAILÍN CIÚIN) Directed by Colm Bairéad

Best Documentary Short Film Award: NOWHERE TO GO BUT EVERYWHERE (行き止まりのむこう側) Directed by Masako Tsumura, Erik Shirai

Bruce Corwin Award – Best Live-Action Short Film: THE MOISTURE (RUTUBET) Directed by Turan Haste

*Now eligible for the 2024 Academy Awards

Bruce Corwin Award – Best Animated Short Film: EPICENTER (소문의 진원지) Directed by Heeyoon Hahm

*Now eligible for the 2024 Academy Awards

This years films (and Mike’s Field Trip to the Movies), in my opinion, were the crux of what makes the Santa Barbara Film Festival the massively successful community event that it is. Santa Barbara has historically been a Hollywood film premiere town hearkening back to the silent film era. And, Roger Durling, the Executive Director of the Santa Barbara International Film Festival for two decades now, has been able to tap into this zeitgeist over and over again while making the festival more accessible to Santa Barbarans and more inclusive to all ranks of filmmakers. Until next year, I’ll see you at the movies!

SANTA BARBARA, CALIFORNIA – FEBRUARY 18: SBIFF Executive Director Roger Durling speaks at the Awards Breakfast during the 38th Annual Santa Barbara International Film Festival at El Encanto on February 18, 2023 in Santa Barbara, California. (Photo by Rebecca Sapp/Getty Images for SBIFF)

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 37 years, SBIFF has become one of the leading film festivals in the United States – attracting 100,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

SBIFF continues its commitment to education and the community throughout many free educational programs and events. In 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day. In 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.

#AFI, #AFIDOCS, #AFIFEST, AFI FEST, AFIDocs, American Film Institute, Apple TV, TCL Chinese Theatre

AFI FEST 2022 Tickets on Sale Now

Leave a comment

Posted by Larry Gleeson

From Special Screenings and international Oscar® submissions to captivating short films and powerful documentaries, tickets to AFI FEST 2022 will be available to purchase starting today, October 12 at 11:00 a.m. PT. Check out the film guide and full festival schedule now.

I have several films on my “must-see” list featured below. Stay tuned as the American Film Institute has combined AFI FEST and AFI DOCS this year in what is shaping up to be a spectacular showcase of film and cinema!

 

ALCARRAS

ALCARRAS – In Spain’s official Oscar® submission and the second feature from Carla Simón (SUMMER 1993, AFI FEST 2017), the close-knit Solé family, nestled in the rural village of Alcarràs, experiences an eventful summer when the livelihood of their peach orchard is threatened.

 

THE VOLCANO: RESCUE FROM WHAKAARI

 

In 2019, a volcano erupted on Whakaari in New Zealand without warning, raining down rocks and debris, and enveloping the island in a quiet, dark cloud of burning-hot steam. As the debris settled and onlookers gasped from the opposite shore, a rescue mission stirred into action; 47 tourists were trapped on the island, and another boat of tourists was just returning, having narrowly escaped. In this unbelievable new documentary from Academy Award® nominee Rory Kennedy (LAST DAYS IN VIETNAM, AFI FEST 2014), rescuers and survivors each recount their own version of the worst day of their lives, sharing what it means to cling to hope and life and to make impossible choices.

 

WOMEN TALKING

 

Adapted from Miriam Toews’ acclaimed novel and based on real events, Academy Award®-nominated director Sarah Polley (STORIES WE TELL) tells the riveting story of a tight-knit group of women who are part of an isolated religious community with an epidemic of sexual abuse. In the wake of this horrific discovery, they must decide to forgive their attackers or leave the colony forever. Shifting the lens away from the heinous crime and onto its ramifications sets the stage for a nuanced yet incisive examination of patriarchal oppression, religious imperatives, and conflicting values. Featuring a formiddable ensemble cast including Rooney Mara, Claire Foy, Jessie Buckley, and Frances McDormand.

AFI FEST 2022

The complete AFI FEST program includes 125 titles (7 Red Carpet Premieres, 6 Special Screenings, 12 Discovery, 12 World Cinema, 12 Documentary, 30 Short Film Competition, 43 AFI Conservatory and 3 Guest Artistic Director Selections). Of the official selections, 53% are directed by women, 32% are directed by BIPOC filmmakers and 11% are directed by LGBTQIA+ filmmakers. This year’s program represents 31 countries and includes six International Feature Oscar® submissions, ALCARRÀS (Spain), BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS (Mexico), CLOSE (Belgium), EO (Poland), JOYLAND (Pakistan) and SAINT OMER (France).

 

Returning filmmakers to AFI FEST include Lucien Castaing-Taylor (DE HUMANI CORPORIS FABRICA), Guillermo del Toro (GUILLERMO DEL TORO’S PINOCCHIO), Alice Diop (SAINT OMER), Quentin Dupieux (SMOKING CAUSES COUGHING/FUMER FAIT TOUSSER), Alain Gomis (REWIND & PLAY), Sam Green (32 SOUNDS), Luca Guadagnino (BONES AND ALL), Kristy Guevara-Flanagan (BODY PARTS), Mark Gustafson (GUILLERMO DEL TORO’S PINOCCHIO), Mia Hansen-Løve (ONE FINE MORNING/UN BEAU MATIN), Joanna Hogg (THE ETERNAL DAUGHTER), Alejandro González Iñárritu (BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS), Nikyatu Jusu (NANNY), Rory Kennedy (THE VOLCANO: RESCUE FROM WHAKAARI), Léa Mysius (THE FIVE DEVILS), Andrea Pallaoro (MONICA), Hlynur Pálmason (GODLAND/VANSKABTE LAND/VOLAÐA LAND), Jafar Panahi (NO BEARS), Verena Paravel (DE HUMANI CORPORIS FABRICA), Alice Rohrwacher (LE PUPILLE), Hong Sang-soo (WALK UP), Albert Serra (PACIFICTION), Carla Simón (ALCARRÀS), Jerzy Skolimowski (EO), Chris Smith (“SR.”), Steven Spielberg (THE FABELMANS) and Florian Zeller (THE SON).

AFI FEST 2022 will take place exclusively in person in Los Angeles from November 2-6. AFI members receive discounts on passes and tickets and other exclusive benefits. To become an AFI member, visit AFI.com/join/.

The World Premiere of Apple Original Film’s SELENA GOMEZ: MY MIND AND ME will open the festival and the U.S. premiere of Universal Pictures’ and Amblin Entertainment’s THE FABELMANS, directed by AFI Life Achievement Award recipient and Academy Award®-winning director Steven Spielberg, will close AFI FEST 2022. Additional Red Carpet Premieres include BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS, directed by Academy Award®-winning director Alejandro González Iñárritu; the U.S. Premiere of GUILLERMO DEL TORO’S PINOCCHIO, directed by Academy Award®-winning director Guillermo del Toro and Emmy Award® winner Mark Gustafson; LIVING, directed by Oliver Hermanus; SHE SAID, directed by Emmy Award®-winning director Maria Schrader; and THE SON, directed by Academy Award® winner Florian Zeller. Academy Award®-nominated filmmaker Ava DuVernay will serve as Guest Artistic Director at AFI FEST 2022 and will be showcasing three independent films amplifying the voices of women directors including HELLION (2014), directed by Kat Candler and starring Academy Award®-nominee Juliette Lewis and Aaron Paul; MOSQUITA Y MARI (2012) directed by Aurora Guerrero and YELLING TO THE SKY (2011), directed by Victoria Mahoney and starring Academy Award®-nominee Gabourey Sidibe and Zoë Kravitz.

 

Harvey Keitel and Daphna Kastner – AFI FEST 2021 Red Carpet Premiere Screening of THE POWER OF THE DOG, TCL Chinese Theatre, Los Angeles, California, Nov. 11, 2021 – Photo Credit: Rob Latour/AFI/Shutterstock

 

RED CARPET PREMIERES

Kirsten Dunst – AFI FEST 2021 Red Carpet Premiere Screening of THE POWER OF THE DOG, TCL Chinese Theatre, Los Angeles, California, Nov. 11, 2021 – Photo Credit: Rob Latour/AFI/Shutterstock

AFI rolls out the red carpet for the most anticipated films of the festival. Sure to be an exciting celebration of the best in film, the section delivers world-class filmmakers, talented actors and artisans, and a dose of Hollywood magic that can only be found at the iconic TCL Chinese Theatre.

Stay tuned!

 

#AFI, #AFIDOCS, AFIDocs, American Film Institute, Documentary, Film Festival, television

AFI DOCS 2021 Award Winners

Leave a comment

Posted by Larry Gleeson

Audience Award for Best Feature Goes to

STORM LAKE

Audience Award for Best Short Goes to SHELTER

Short Film Grand Jury Prize Goes to RED TAXI

Among the Participants in 19th Annual Festival of Documentary Film:

Senator Amy Klobuchar, Morgan Neville, Garrett Bradley, Dawn Porter

FOR IMMEDIATE RELEASE

JUNE 28, 2021, WASHINGTON, DC — The American Film Institute (AFI) has announced the AFI DOCS 2021 Award Winners, concluding the six-day festival, with screenings presented online and in-person at the AFI Silver Theatre and Cultural Center. The festival’s Audience Award for Best Feature went to STORM LAKE, directed by Jerry Risius and Beth Levison. The Audience Award for Best Short went toSHELTER, directed by Smriti Mundhra.

This year’s voting jury for the competitive Short Films slate was comprised of Mike Attie, award-winning filmmaker and professor of film at the University of the Arts in Philadelphia; Greta Hagen-Richardson, Director of Programming at the Hot Springs Documentary Film Festival and Lead Features Programmer at the New Orleans Film Festival; and Yvonne Ashley Kouadjo, Associate Producer for The New York Times’ award-winning short documentary series Op-Docs.

The Grand Jury Prize for Short Films went to RED TAXI, directed byAnonymous. The jury said of RED TAXI: “For its creative and accessible approach to telling a story from the perspective of those living and working in a moment of political upheaval, we award the Shorts Grand Jury Prize to RED TAXI. The courage of the anonymous filmmaker struck us for their commitment to depicting the nuances of reality on the ground.” The Shorts Grand Jury Prize at AFI DOCS is a qualifying award for Academy Award® eligibility.

The jury also awarded the Special Jury Prize to two films: THE COMMUNION OF MY COUSIN ANDREA, directed by BrandánCerviño Abeledo, saying,

“For its ability to tell a reflexive story with levity and tenderness, we award a Special Jury Prize to THE COMMUNION OF MY COUSIN ANDREA”; and S P A C E S (M E Z E R Y), directed by Nora Štrbová, saying, “For its intelligent use of multi-dimensional media in telling a fraught, emotional story, we award a Special Jury Prize to S P A C E S (M E Z E R Y).”

The 19th edition of AFI DOCS presented a diverse slate of 78 films from 23 countries, shedding light on overlooked stories from the past, honoring champions of change and giving us glimpses into the everyday lives of subjects close to home and around the world. This year, 52% of AFI DOCS films were directed by women, 40% by BIPOC directors and 18% by LGBTQ directors.

Among the festival participants were filmmakers and notables including Minnesota Senator Amy Klobuchar; Academy Award®winners Morgan Neville, Sean Fine, Andrea Nix Fine and Mark Ronson; Academy Award®-nominated filmmakers Julie Cohen, Betsy West and Steve James; Pulitzer Prize-winning journalist Art Cullen; award-winning filmmaker Dawn Porter; Emmy® Award winner Chris Nee; CNN political contributor and host Van Jones; author and The New Yorker contributor Jelani Cobb; filmmaker and actor Sonja Sohn; musician and filmmaker Ahmir “Questlove” Thompson; Smithsonian National Museum of African American History and Culture Curator Dwandalyn Reece; President of the African American Film Critics Association Gil Robertson; Georgetown University Professor Dr. Janet Mann; rapper KYLE; and son of late comedian and activist Dick Gregory Christian Gregory.

The festival’s panels and discussions provided filmmakers, film subjects and audiences the opportunity to delve deeper into the films with conversations led by some of the nation’s top journalists, including: NBC News Correspondent Morgan Radford; NBC News’ Meet the Press Moderator and NBC News Political Director Chuck Todd; NBC News Correspondent Anne Thompson; MSNBC Correspondent Trymaine Lee; Variety’s Film Awards Editor Clayton Davis; Axios Justice and Race Reporter Russell Contreras; Senior Segment Producer of WGN Morning News and WGN’s Entertainment Producer Tyra Martin; entertainment journalist & TV producer KJ Matthews; CQ Roll Call Deputy Editor Jason Dick andHealth Care Editor Rebecca Adams; and The Washington Post’s Managing Editor for Diversity and Inclusion Krissah Thompson, Chief Film Critic Ann Hornaday, Global Opinions writer Jason Rezaian, National Security Editor Peter Finn, Religion Reporter Michelle Boorstein, and Host and Editor of Food Video Mary Beth Albright.

This year’s inaugural DOCS Talks programming included the World Premiere of Netflix’s and Higher Ground’s WE THE PEOPLE, as well as “History Is Out of the Closet: Excavating Queer Stories for the Screen,” a live stream conversation celebrating LGBTQ+ pride. The AFI DOCS Industry Forum explored building accessibility practices into all steps of the production process, demystifying investigative documentaries, the making of the hit series PHILLY D.A., how documentaries shape conversations on racial violence, a behind-the-scenes look at the Hindsight Project films and new collaborations between public media and indie filmmakers. This year’s Industry Forum programming also included closed captioning and American Sign Language (ASL) interpretation. The AFI DOCS Industry Forum is supported by the Corporation for Public Broadcasting and the National Endowment for the Arts.

RED TAXI

DIR: Anonymous. As protests in Hong Kong escalate, taxi drivers experience a city in upheaval driving the streets day and night. Anonymously filmed by locals.

SHORT FILM SPECIAL JURY PRIZE

THE COMMUNION OF MY COUSIN ANDREA

DIR: Brandán Cerviño Abeledo. Andrea’s First Communion ceremony lacks glamour. For Andrea, things without sparkles are meaningless.

SHORT FILM SPECIAL JURY PRIZE

S P A C E S (M E Z E R Y)

DIR: Nora Štrbová. A multi-textured animated exploration of memory as a container of identity, based on the personal story of the filmmaker and her brother who was diagnosed with a brain tumor.

This year’s Premium Sponsor is Apple Original Films. The Corporation for Public Broadcasting (CPB) returns as Official Sponsor of the festival. NBC News’ Meet the Press with Chuck Todd and The Washington Post return this year as Primary Media Partners. Variety and The Hollywood Reporter are this year’s Official Media Partners. The Wrap is an Affiliate Media Partner.Screen Sponsors include SHOWTIME® Documentary Films, Netflix, WarnerMedia and HBO Documentary Films. Participant, National Geographic, and Eventive serve as Major Sponsors. This year’s Contributing Sponsors are ESPN, the National Endowment for the Arts and the DC Office of Cable Television, Film, Music, and Entertainment (OCTFME). Supporting Sponsors include the Maryland Film Office, Greater Silver Spring Chamber of Commerce and Rev. The Embassy of Denmark in Washington, DC, and the Farhang Foundation are this year’s Cultural Sponsors. Generous individual support comes from Stephanie and Hunter Hunt.

 

About AFI DOCS

AFI DOCS is the American Film Institute’s annual documentary festival historically held in Washington, DC.  Presenting the year’s best documentaries, AFI DOCS is the only festival in the U.S. dedicated to screenings and events that connect audiences, filmmakers and policy leaders in the heart of our nation’s government. The AFI DOCS advisory board includes Ken Burns, Davis Guggenheim, Chris Hegedus, Werner Herzog, Rory Kennedy, Barbara Kopple, Spike Lee, Errol Morris, Stanley Nelson and Frederick Wiseman. Now in its 19th year, the festival will be held June 22-27, 2021. Visit DOCS.AFI.com and connect onTwitter.com/AFIDOCS, Facebook.com/AFIDOCS, YouTube.com/AFIand Instagram.com/AmericanFilmInstitute.

 

About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s nonprofit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, Twitter.com/AmericanFilmand Instagram.com/AmericanFilmInstitute.

 

About the Corporation for Public Broadcasting

The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of more than 1,500 locally managed and operated public television and radio stations nationwide. CPB is also the largest single source of funding for research, technology and program development for public radio, television and related online services. For more information, visit www.cpb.org and follow us on Twitter @CPBmedia, Facebook and LinkedIn, and subscribefor email updates.

About The Washington Post and Washington Post Press Freedom Partnership

The Washington Post is an award-winning news leader whose mission is to connect, inform and enlighten local, national and global readers with trustworthy reporting, in-depth analysis and engaging opinions. It combines world-class journalism with the latest technology and tools so readers can interact with The Post anytime, anywhere.

 

The Press Freedom Partnership is a public service initiative from The Washington Post to promote press freedom and raise awareness of the rights of journalists who are in pursuit of the truth. Learn more at www.wapo.st/pressfreedom

About Meet the Press with Chuck Todd

Meet the Press with Chuck Todd is where newsmakers come to make news — setting the political agenda and spotlighting the impact Washington decision-making has on Americans across the country. It is the #1 most-watched Sunday public affairs show for the 2019-2020 season, reaching more than three million viewers every Sunday and millions more through social, digital and on-demand platforms. Meet the Press brings its authority and influencer interviews to MSNBC with MTP Daily weekdays at 1 p.m. ET, to the ongoing weekly podcast, The Chuck ToddCast, and to Meet the Press Reports, a 30-minute program on NBC News NOW and Peacock, focusing on a single topic explored through the Meet the Press lens. It’s the longest-running show in television history, recently expanding its brand to also include a political short-documentary film festival in collaboration with the American Film Institute. Chuck Todd is the political director of NBC News and the moderator of Meet the Press; John Reiss is the executive producer.

CONTACT:

Elizabeth Ward, AFI DOCS PR, elizabeth@prcollaborative.com

American Film Institute: Stacy Adamski, 323.856.7759,SAdamski@AFI.com

#AFI, #AFIDOCS, AFIDocs, Documentary, Film Festival, Meet The Press, television

THE AMERICAN FILM INSTITUTE ANNOUNCES SPONSORS FOR AFI DOCS 2021

Leave a comment

THE AMERICAN FILM INSTITUTE ANNOUNCES
SPONSORS FOR AFI DOCS 2021

Support Comes From Wide Range of Art and Cultural Institutions, Media Partners and Corporations

Apple Original Films Joins AFI DOCS as a Premium Sponsor

FOR IMMEDIATE RELEASE, June 18, 2021, WASHINGTON, DC — The American Film Institute (AFI) has announced the sponsors for AFI DOCS 2021. Support for the festival comes from both local organizations based in the DC-metro area and major corporations across the nation. The 19th edition of AFI DOCS will run June 22–27, with films available to view on DOCS.AFI.com as well as in-person screenings at the AFI Silver Theatre and Cultural Center in Silver Spring, MD.

“AFI DOCS reaches a nationwide audience with the support of our sponsors,” said Sarah Harris, AFI Festivals Director of Programming. “It is their generosity that amplifies the voices of today’s most vital storytellers, and we thank them on behalf of all who find inspiration in the arts.” 

In addition to supporting AFI DOCS film programming and events, sponsors provide services and exclusive experiences to filmmakers and audiences throughout the festival. Sponsor participation includes sponsoring specific film screenings, panels and events as well as national and local promotion of the festival.  

This year, AFI is proud to have Apple Original Films support AFI DOCS for the first time as a Premium Sponsor. Top festival sponsors will give audiences sneak peeks at exclusive upcoming trailers and content on the festival’s streaming platform and in the AFI DOCS Festival Hub. Media partners will also provide DOCS audiences with access to their digital issues during the week of the festival via a virtual newsstand.

The Corporation for Public Broadcasting (CPB) returns as Official Sponsor of the festival. CPB is Official Sponsor of the AFI DOCS Industry Forum and the Spotlight on the Hindsight Project, a special selection of short filmsthat chronicle the experiences of BIPOC communities in the American South and U.S. Territories during the unprecedented events of 2020.  

NBC News’ Meet the Press with Chuck Todd and The Washington Post return this year as Primary Media Partners. Meet the Press and The Washington Post, in conjunction with the Washington Post Press Freedom Partnership, will provide moderators for a number of films in this year’s festival. Highlights include Meet the Press Moderator and NBC Political Director Chuck Todd moderating LFG and NBC News Correspondent Morgan Radford moderating the discussion following the Opening Night World Premiere of NAOMI OSAKA. In addition to supporting post-screening discussions, Washington Post Live, The Post’s live journalism platform, will host a conversation with ROADRUNNER: A FILM ABOUT ANTHONY BOURDAIN filmmaker Morgan Neville. Post Managing Editor for Diversity and Inclusion Krissah Thompson will also moderate the World Premiere of WE THE PEOPLE in the inaugural DOCS Talks program.

Variety and The Hollywood Reporter are this year’s Official Media Partners. This year, Variety sponsors the Charles Guggenheim Symposium, which will feature a conversation between the 2021 Guggenheim honoree Dawn Porter and Variety’s Clayton Davis, and The Hollywood Reporter will be a media partner for the screening of SUMMER OF SOUL (…OR WHEN THE REVOLUTION COULD NOT BE TELEVISED). 

The Wrap joins AFI DOCS as an Affiliate Media Partner this year and is a media partner for the screening of TOM PETTY: SOMEWHERE YOU FEEL FREE.

Screen Sponsors are SHOWTIME® Documentary Films, Netflix, WarnerMedia and HBO Documentary Films. SHOWTIME® Documentary Films will once again host a networking event for filmmakers and industry, adjusted to be virtual instead of the in-person event they have hosted in the past. SHOWTIME® willalso send a special, customized gift to the festival filmmakers as they celebrate AFI DOCS from home.

Participant returns as a Major Sponsor, along with new sponsors National Geographic and Eventive. 

This year’s Contributing Sponsors are ESPN, the National Endowment for the Arts and the DC Office of Cable Television, Film, Music, and Entertainment (OCTFME). 

Supporting Sponsors include the Maryland Film Office, Greater Silver Spring Chamber of Commerce and Rev. 

The Embassy of Denmark in Washington, DC, and the Farhang Foundation are this year’s Cultural Sponsors. 

Generous individual support comes from Stephanie and Hunter Hunt.

About AFI DOCS 

AFI DOCS is the American Film Institute’s annual documentary festival historically held in Washington, DC.  Presenting the year’s best documentaries, AFI DOCS is the only festival in the U.S. dedicated to screenings and events that connect audiences, filmmakers and policy leaders in the heart of our nation’s government. The AFI DOCS advisory board includes Ken Burns, Davis Guggenheim, Chris Hegedus, Werner Herzog, Rory Kennedy, Barbara Kopple, Spike Lee, Errol Morris, Stanley Nelson and Frederick Wiseman. Now in its 19th year, the festival will be held June 22-27, 2021. Visit DOCS.AFI.comand connect on Twitter.com/AFIDOCS,Facebook.com/AFIDOCS, YouTube.com/AFI andInstagram.com/AmericanFilmInstitute. 

About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s nonprofit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media atFacebook.com/AmericanFilmInstitute,YouTube.com/AFI, Twitter.com/AmericanFilm andInstagram.com/AmericanFilmInstitute.

About the Corporation for Public Broadcasting  

The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of more than 1,500 locally managed and operated public television and radio stations nationwide. CPB is also the largest single source of funding for research, technology and program development for public radio, television and related online services. For more information, visit www.cpb.org and follow us on Twitter @CPBmedia,Facebook and LinkedIn, and subscribe for email updates. 

About The Washington Post and Washington Post Press Freedom Partnership  

The Washington Post is an award-winning news leader whose mission is to connect, inform and enlighten local, national and global readers with trustworthy reporting, in-depth analysis and engaging opinions. It combines world-class journalism with the latest technology and tools so readers can interact with The Post anytime, anywhere.  

The Press Freedom Partnership is a public service initiative from The Washington Post to promote press freedom and raise awareness of the rights of journalists who are in pursuit of the truth. Learn more at www.wapo.st/pressfreedom

About Meet the Press with Chuck Todd 

Meet the Press with Chuck Todd is where newsmakers come to make news — setting the political agenda and spotlighting the impact Washington decision-making has on Americans across the country. It is the #1 most-watched Sunday public affairs show for the 2019-2020 season, reaching more than three million viewers every Sunday and millions more through social, digital and on-demand platforms. Meet the Press brings its authority and influencer interviews to MSNBC with MTP Daily weekdays at 1 p.m. ET, to the ongoing weekly podcast, The Chuck ToddCast, and to Meet the Press Reports, a 30-minute program on NBC News NOW and Peacock, focusing on a single topic explored through the Meet the Press lens. It’s the longest-running show in television history, recently expanding its brand to also include a political short-documentary film festival in collaboration with the American Film Institute. Chuck Todd is the political director of NBC News and the moderator of Meet the Press; John Reiss is the executive producer. 

CONTACT: 

Elizabeth Ward, AFI DOCS PR,elizabeth@prcollaborative.com 

American Film Institute: Stacy Adamski, 323.856.7759,SAdamski@AFI.com

#AFIDOCS, AFIDocs, Documentary, Film Festival

AFI DOCS Film Review: Maria Finitzo’s Cliteracy-exploring DILEMMA OF DESIRE Shouts For More

Leave a comment

Posted by Larry Gleeson                                                                                      June 29, 2020

Watching the opening scene of the cliteracy-exploring documentary, The  Dilemma of Desire, I was intrigued watching a woman, neuroscientist Stacey Dutton, Ph. D., in an office present-day, walking across the screen and opening a Gray’s Anatomy Textbook, while a voice-over narration informs the viewer. What happens next befuddled me. I could not believe my eyes. Here is a woman in 2020 with an anatomy book that has no picture or information on the female clitoris. Unbelievable right? Well, apparently, the edition being discussed was published in 1858. A sleight of hand so to say. The intent is crystal clear in today’s protest language, “Let’s get emotional people! This is pussy power were dealing with here!!!”

But, the best was yet to come as the film’s most intriguing characters were introduced. One, a Brooklyn-based artist, Sophia Wallace, has a routine of going to the gym listening to “work-out” music then taking lyrics and reframing them with the clitoris in mind. From there, prints are created celebrating the “clit,” and the hundred laws of cliteracy. To accentuate, a revealing text title poses the question with dramatic flair, “Can you draw a clit?” Pulsating music accompanies the next segment, Womanhood: The Clitoris Chapter, introducing “Critical Thinking – The Best Work of Sophia Wallace” – a very thought-provoking art exhibit celebrating the female “joy button.” More importantly, Wallace is a compelling force on the screen as she shares her experience, strength, and hope in navigating desire as she expresses her truth as Director Maria Finitzo captures mush of it in Verite’ style.

In today’s world, we often hear somewhat crude and vulgar terms such as “bumping uglies” or “doing the nasty.” Wallace’s phrases, in juxtaposition, are framed in glitteringly gold letters – a beautiful and highly respectful manner and miles away from “bumping uglies” or “doing the nasty.” After Wallace’s whirlwind world, Finitzo goes on to highlight Linda Diamond, PH. D., Professor of Psychology and Gender Studies, a monthly newsletter for women interested in “pleasure in a practical everyday sense,” an industrial engineer manufacturing elegant female vibrators as well as a stunning Chicagoan woman, Coriama, who proudly postulates she has the will to negotiate for what she needs sexually.

Interestingly, Finitzo, a Peabody Award-winning director, spouts themes from Audrey Lourde’s feminist-leaning essay, Uses of the Erotic, that women have been suppressed from power and information by the male world. To prove her point, Finitzo adds a black and white still photograph of a woman suffering from what Dr. Sigmund Freud referred to as hysteria. Today, “hysterical” women in Decatur, Georgia, have formed a female support group. Here women create a sacred, safe space to explore the bounds of their sexuality. Adeptly, Finitzo managed to score footage from a meeting of the “mine’s.” as the women from Decatur openly share intimate feelings about their clitorises.

Nevertheless, “the little man in the boat” remains the misunderstood, “shuntive” part of the female anatomy, keeping women suppressed, as they are systematically warned against the dangers of eroticism and the resulting information. In one especially memorable scene, Finitzo mixes a driving, non-diegetic musical score culminating in a crescendo with a voice-over narration describing the clitoris as a powerful provocative force, a replenishing force. Some top-notch burlesque sequences, both archival performances as well as current-day performers, add an exquisite, erotic vibe.

The Dilemma of Desire, executively produced by Academy Award-winning Barbara Kopple, is an exceptionally well-executed film advocating that women are sexual beings with the right to live fully in the expression of their desires. The craftsmanship in gathering footage, in editing, informative narrative voice-overs, and musical score support and add timely emotionality in underscoring Finitzo’s sharply-pointed direction. My hat comes off to the cast and crew.

Probably most surprising was Finitzo’s ability to add tongue-in-cheek scenic elements underscoring the buffoonery surrounding the massive dismissal of the “devil’s doorbell” – in my opinion, a very serious oversight. But in the end, though the coverage seemed somewhat excessive, I found it wholly conceivable to view the clitoris as a replenishing, provocative force after viewing The Dilemma of Desire. A bit long, however, with a runtime of 109 minutes. Highly recommended.

 

 

 

#AFIDOCS, AFIDocs, Documentary, Film Festival

AFI DOCS FILM REVIEW: Ron Howard’s Gripping “Rebuilding Paradise” Uplifts and Inspires

2 Comments

Posted by Larry Gleeson

Academy Award-winning filmmaker Ron Howard’s Rebuilding Paradise, a blistering Verite-style, National Geographic documentary, captures the devastation of the 2018 Camp Fire and the resiliency of Paradise, Calif., residents in the fire’s aftermath. Howard, one of Hollywood’s most popular directors, also directed the 1991 fire drama Backdraft. Other Howard films include the Oscar-winning dramas A Beautiful Mind and Apollo 13, the hit comedies Parenthood and Splash, and the critically-acclaimed documentaries Pavarotti and The Beatles: Eight Days A Week – The Touring Years. Following the Rebuilding Paradise screening, Howard and Paradise residents, Michelle John and Woody Culleton, participated in a Q & A moderated by broadcast journalist Katy Tur, an NBC correspondent and anchor for MSNBC Live. Howard confided Rebuilding Paradise was his first venture into Verite-style filmmaking while the residents echoed the unimaginable magnitude of the fire’s devastation and that the images don’t reflect the fire’s “uncomprehendable” nature.

Rebuilding Paradise opens in dramatic fashion with narrative voice-over providing a weather update informing the viewer of a windy day and PG&E contemplating a pre-emptive decision to shut down the area’s power grid. Large, fast-moving fire breaks out in the Feather River Canyon with four dozers, two water tenders, and four strike teams are deployed. Emergency calls are heard. School and hospital evacuations are taking place. Audible prayers are heard. And then, dashcam footage of a vehicle racing through the haze and fiery embers with diegetic radio communications juxtaposed against footage of a raging, massive wildfire (imagine Lord of the Rings Mountain of Fire) fueled by dry timber and blustering forty mile-per-hour winds reveal the genesis of a perfect firestorm. Non-diegetic music from the master composer, Hans Zimmer accompanies haunting, apocalyptic slow-motion frames of horses seeking freedom or at least a free-range amidst a claustrophobic smoke and death-seeking fire patches. The scene closes tinged in hope as a family escapes the area in their vehicle with exclamatory verbiage.

For me, this opening scene captured the essence of Rebuilding Paradise. As devastating as the fire and the footage were, the family breaks out and into blue skies with a redemptive foreshadowing. Howard latches on to a group of Paradise residents who have a deeply rooted sense of place and home as they take the journey to rebuild Paradise one day at a time. There were plenty of setbacks and details of electrical equipment dating to 1921 still in use were trying and quite frustrating as the lawyers for PG&E managed to beat down a wrongful death case to manslaughter with a 3.5 million dollar fine for the lives of 85 Paradise residents who perished in the massive fire. Adeptly, Howard captures the real Erin Brockovich speaking to a group of Paradise residents. Brockovich was the subject of a 2000 bio-drama directed by Steven Soderbergh, starring Julia Roberts that dramatized Brockovich’s relentless and successful pursuit of justice for families who were victims of PG&E polluting their water supply.

Interestingly, Howard chose to tell the story in linear segments beginning with one month, then to three months, six months, culminating with nine months. On top of the eighty-five deaths, fifty thousand lives were displaced. One of the film’s most compelling characters turned out to be the school psychologist, Carly Ingersoll, a young thirty-something, married woman who had decided to start a family with her husband. But due to contaminants being absorbed into the groundwater, she and her husband were advised by their physician not to have a baby. In her professional capacity, she was fully engaged in trauma counseling with students and despite having nearly perished in the fire herself managed to see beyond the devastation and find a sense of hope for the future.

Rebuilding Paradise is a gripping, well-executed film with top-notch photography, driving musical score and inspirational, narrative story-telling and it covers the trials and tribulations of a community facing an assured annihilation who turn their devastation into a mythic Phoenix as their town rises from its ashes in warm and hopeful tones. Very highly recommended.