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Berlinale 2017: Competition and Berlinale Special Are Complete – Master Directors, Newcomers, and Stars Galore

Posted by Larry Gleeson

The Competition and Berlinale Special of the 67th Berlin International Film Festival are now complete. 18 of the 24 films selected for Competition will be competing for the Golden and the Silver Bears. 22 of the films will have their world premieres at the festival.

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The Berlinale Special will present recent works by contemporary filmmakers, documentaries, and extraordinary formats, as well as brand new series from around the world.

Berlinale Special Galas will be held at the Friedrichstadt-Palast and Zoo Palast. Other Special premieres will take place at the Kino International. Moderated discussions will follow the screenings at the Haus der Berliner Festspiele.

For the third time, Berlinale Special Series will present a selection of series in the official program. Six German and international productions will have their world premieres at the Haus der Berliner Festspiele this year. Audiences will be able to see the first two episodes of each series.

Competition

The following films will complete the Competition program:

Final Portrait
United Kingdom / France
By Stanley Tucci (Big Night, Joe Gould’s Secret, Blind Date)
With Geoffrey Rush, Armie Hammer, Clémence Poésy, Tony Shalhoub, James Faulkner, Sylvie Testud
World premiere – Out of competition

Hao ji le (Have a Nice Day) – Animation
People’s Republic of China
By Liu Jian (Piercing I)
World premiere

Sage femme (The Midwife)
France / Belgium
By Martin Provost (Le ventre de Juliette, Séraphine, Violette)
With Catherine Frot, Catherine Deneuve, Olivier Gourmet
World premiere – Out of competition

The following countries are participating in the Competition programme: Austria, Belgium, Brazil, Chile, Czech Republic, Finland, France, Germany, Hong Kong – China, Hungary, India, Ireland, Japan, Lebanon, Norway, People’s Republic of China, Poland, Portugal, Romania, Senegal, Slovakian Republic, Republic of Korea (South Korea), Spain, Sweden, Taiwan, United Kingdom, and USA.

Berlinale Special

Berlinale Special Gala at the Friedrichstadt-Palast

Maudie
Canada / Ireland
By Aisling Walsh (Song for a Raggy Boy, The Daisy Chain)
With Sally Hawkins, Ethan Hawke, Kari Matchett, Zachary Bennett
European premiere

Berlinale Special Gala at the Zoo Palast

The Lost City of Z
USA
By James Gray (We Own The Night, Two Lovers, The Immigrant)
With Charlie Hunnam, Sienna Miller, Robert Pattinson, Tom Holland
International premiere

Berlinale Special at the Haus der Berliner Festspiele

the bomb – Experimental film
USA
By Kevin Ford (Three Days, By the River), Smriti Keshari (Food Chains), Eric Schlosser (Command and Control; Fast Food Nation; Food, Inc.)
Live music by The Acid
International premiere

La libertad del diablo (Devil’s Freedom) – Documentary
Mexico
By Everardo González (Pulque Song, Old Thieves: The Legend of Artegio, El cielo abierto)
World premiere

Nema-ye nazdik (Close Up)
Iran (1990)
By Abbas Kiarostami (Taste of Cherry, The Wind Will Carry Us, Certified Copy)
With Hossain Sabzian, Mohsen Makhmalbaf, Abolfazl Ahankhah, Mehrdad Ahankhah, Monoochehr Ahankhah
German Premiere of the restored version
As part of the cultural program Iranian Modernity of the Goethe-Institut

The Trial: The State of Russia vs Oleg Sentsov – Documentary
Estonia / Poland / Czech Republic
By Askold Kurov (Zima, ukhodi!; Leninland; Children 404)
World premiere
30 Years European Film Academy

13 films have been selected for the Berlinale Special program, including productions and co-productions from the following countries: Belgium, Canada, Cuba, Czech Republic, Estonia, France, Germany, Iran, Ireland, Luxembourg, Mexico, Poland, Slovakian Republic, Spain, and USA.

Berlinale Special Series at the Haus der Berliner Festspiele

4 Blocks
Germany
Director: Marvin Kren (Blood Glacier, The ABCs of Death 2, Rammbock: Berlin Undead)
With Kida Khodr Ramadan, Frederick Lau, Veysel Gelin, Almila Bagriacik, Maryam Zaree, Karolina Lodyga, Oliver Masucci, Massiv
Broadcaster: TNT Serie
World premiere

Below The Surface
Denmark / Germany
Creator: Kasper Barfoed (Summer of ’92)
Director: Kasper Barfoed
With Johannes Lassen, Sara Hjort Ditlevsen, Paprika Steen
Broadcaster: Kanal 5, Discovery Networks Denmark
World premiere

Black Spot
France / Belgium
Creator: Mathieu Missoffe (Profiling)
By Thierry Poiraud (Goal of the Dead), Julien Despaux (Accused)
With Suliane Brahim, Laurent Capelluto, Hubert Delattre, Samuel Jouy
Broadcaster: France 2
World premiere

Der gleiche Himmel (The Same Sky)
Germany / Czech Republic
Creator: Paula Milne (The Politician’s Wife, The Virgin Queen, Endgame)
Director: Oliver Hirschbiegel (Downfall, 13 Minutes)
With Tom Schilling, Sofia Helin, Friederike Becht, Ben Becker, Jörg Schüttauf
Broadcaster: ZDF
World premiere

Patriot
USA / Czech Republic
Creator: Steve Conrad (The Secret Life of Walter Mitty)
With Michael Dorman, Kurtwood Smith, Michael Chernus, Kathleen Munroe, Aliette Opheim, Chris Conrad, Terry O’Quinn
Broadcaster: Amazon Prime Video
World Premiere

SS-GB
United Kingdom
Director: Philipp Kadelbach (Platonic Love, Generation War)
With Sam Riley, Kate Bosworth, Lars Eidinger, James Cosmo, Rainer Bock, Maeve Dermody, Aneurin Barnard, Jason Flemyng
Broadcaster: BBC One
World premiere

The following countries are participating in the Berlinale Special Series programme: Belgium, Czech Republic, Denmark, France, Germany, United Kingdom, and USA.

The 67th Internationale Filmfestspiele Berlin will take place February 9 to 19, 2017.
The Award Ceremony will be held at the Berlinale Palast on Saturday, February 18, 2017. The last festival day, February 19, 2017, is the Berlinale Publikumstag.

Competition 2017

Ana, mon amour by Călin Peter Netzer (Romania / Germany / France)
Bamui haebyun-eoseo honja (On the Beach at Night Alone) by Hong Sangsoo (Republic of Korea – South Korea)
Beuys by Andres Veiel (Germany) – Documentary
Colo by Teresa Villaverde (Portugal / France)
The Dinner by Oren Moverman (USA)
Django by Etienne Comar (France) – First feature
El bar (The Bar) by Álex de la Iglesia (Spain) – Out of competition
Félicité by Alain Gomis (France / Senegal / Belgium / Germany / Lebanon)
Final Portrait by Stanley Tucci (United Kingdom / France) – Out of competition
Hao ji le (Have a Nice Day) by Liu Jian (People’s Republic of China) – Animation
Helle Nächte (Bright Nights) by Thomas Arslan (Germany / Norway)
Joaquim by Marcelo Gomes (Brazil / Portugal)
Logan by James Mangold (USA) – Out of competition
Mr. Long by Sabu (Japan / Hong Kong, China / Taiwan / Germany)
The Party by Sally Potter (United Kingdom)
Pokot (Spoor) by Agnieszka Holland (Poland / Germany / Czech Republic / Sweden / Slovakian Republic)
Return to Montauk by Volker Schlöndorff (France / Germany / Ireland)
Sage femme (The Midwife) by Martin Provost (France / Belgium) – Out of competition
T2 Trainspotting by Danny Boyle (United Kingdom) – Out of competition
Teströl és lélekröl (On Body and Soul) by Ildikó Enyedi (Hungary)
Toivon tuolla puolen (The Other Side of Hope) by Aki Kaurismäki (Finland / Germany)
Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio (Chile / USA / Germany / Spain)
Viceroy’s House by Gurinder Chadha (India / United Kingdom) – Out of competition
Wilde Maus (Wild Mouse) by Josef Hader (Austria) – First feature

Berlinale Special 2017

Acht Stunden sind kein Tag (Eight Hours Don’t Make A Day) by Rainer Werner Fassbinder (Federal Republic of Germany 1972) – TV series with 5 episodes
the bomb by Kevin Ford, Smriti Keshari, Eric Schlosser (USA) – Experimental film
Es war einmal in Deutschland… (Bye Bye Germany) by Sam Garbarski (Germany / Luxembourg / Belgium)
In Zeiten des abnehmenden Lichts (In Times of Fading Light) by Matti Geschonneck (Germany)
La libertad del diablo (Devil’s Freedom) by Everardo González (Mexico) – Documentary
La Reina de España (The Queen of Spain) by Fernando Trueba (Spain)
Le jeune Karl Marx (The Young Karl Marx) by Raoul Peck (France / Germany / Belgium)
The Lost City of Z by James Gray (USA)
Masaryk (A Prominent Patient) by Julius Ševčík (Czech Republic / Slovakian Republic)
Maudie by Aisling Walsh (Canada / Ireland)
Nema-ye nazdik (Close Up) by Abbas Kiarostami (Iran)
The Trial: The State of Russia vs Oleg Sentsov by Askold Kurov (Estonia / Poland / Czech Republic) – documentary
Últimos días en La Habana (Last Days in Havana) by Fernando Pérez (Cuba / Spain)

Berlinale Special Series

4 Blocks – Director: Marvin Kren (Germany)
Below The Surface – Creator / Director: Kasper Barfoed (Denmark / Germany)
Black Spot – Creator: Mathieu Missoffe – Director: Thierry Poiraud, Julien Despaux (France / Belgium)
Der gleiche Himmel (The Same Sky) – Creator: Paula Milne – Director: Oliver Hirschbiegel (Germany / Czech Republic)
Patriot – Creator: Steve Conrad (USA / Czech Republic)
SS-GB – Director: Philipp Kadelbach (United Kingdom)

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(Source: Berlinale Press Office)

AFI Taps 25 Alumnae for Fox Filmmakers Lab

Posted by Larry Gleeson

Following a rigorous selection process, AFI selected 25 alumnae from the AFI Conservatory and the AFI Conservatory Directing Workshop for Women (DWW) to advance to the next phase of the Fox Filmmakers Lab. From a previous post, the Lab is a partnership between Twentieth Century Fox Film and AFI, who will together work to increase the number of female directors working on major studio films by giving the alumnae opportunities to direct short films based on the studio’s film franchises and titles, such as: ALIEN, CHRONICLE, DIE HARD, ERAGON (Fox 2000), THE FLY, THE MAZE RUNNER, THE OMEN, PLANET OF THE APES and PREDATOR.

The 2017 Fox Filmmaker Lab directors/AFI alumnae are:

Joey Ally
Gillian Barnes
Shaz Bennett
Meredith Berg
Aubree Bernier-Clarke
Christine Boylan
Jan Eliasberg
Rachel Goldberg
Anne Hamilton
Tannaz Hazemi
Courtney Hoffman
Mako Kamitsuna
Alexis O. Korycinski
Jean Lee
Erin Li
Maggie Mahrt
Manjari Makijany
Rosita Lama Muvdi
Mia Niebruegge
Jane Pickett
Deborah M. Pratt
Lisanne Sartor
Thoranna Sigurdardottir
Devi Snively
Valerie Weis

Following the conclusion of Lab Week at Fox — which provided participants with tremendous access to the process of studio filmmaking — the filmmakers were celebrated at a cocktail party kickoff event in Beverly Hills, CA on Thursday, January 12, with Stacey Snider (Chairman and CEO of Twentieth Century Fox Film) and Bob Gazzale (President and CEO of AFI) in attendance in support of this groundbreaking partnership and to welcome the incoming filmmakers to the program.

In the Spring, following further mentored development of their material, the directors will pitch their franchise or reboot ideas to Fox executives. One or more filmmakers will be chosen to make their concept into a short film.

Fox is committed to providing significant resources to the projects, to reflect the quality and scale of the films that they support. The filmmakers will be able to add the projects to their portfolios and pitch Fox feature films unrelated to the shorts in the future.

RELATED POST: AFI and 20th Century Fox Strike Partnership Aimed at Female Directors

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(Source:afi.com)

 

French under-18s to be allowed to watch real sex scenes in cinemas

Posted by Larry Gleeson
Minors in France will no longer be automatically barred from watching films containing real, non-simulated sex scenes, according to a report, as the Ministry of Culture is set to liberalize domestic laws on film classifications.

France’s Minister of Culture Audrey Azoulay will issue a decree softening the criteria for banning films to those aged under 18 as soon as next month, BFM TV reports.

Until now, a decree dating from 2003 stipulates that films “with non-simulated or very violent sex scenes” must be banned for children under 18 years of age. It means that any film covered by the description must be automatically prohibited to minors.

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Joel Chapron, UniFrance head of research and distributor relations, and Cannes Film Festival consultant (Photo via UniFrance.org)

“To ban children under 18 from watching films is nonsense,” Joel Chapron, UniFrance head of research and distributor relations, and Cannes Film Festival consultant, told RT.

“Society has long surpassed cinema. If people younger than 18 are making love in real life, don’t they have a right to watch a similar movie in the cinema? It’s double-dealing, insincerity, hypocrisy.”

 

The new decree will put an end to this ‘automaticity,’ the Ministry of Culture says.

“The ban on children below the age of 18 will no longer be automatically applied to works containing non-simulated sex scenes, but [will be] reserved for works involving scenes of sex or violence likely to seriously offend the sensitivity of minors,” the Ministry of the Culture stated, as quoted by BFM TV.

The new decree is thought to have been prompted by a report presented last year by Jean-Francois Mary, chairman of the French film classification commission. According to the report, the criterion of ‘non-simulated’ sex was outdated because “a scene can be quite explicit on the screen, while being simulated during the shooting.”

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Explicit scene still from Gasper Noe’s erotic 3D melodrama ‘Love.’ (Photo via hyperanimals.com)

 

In 2015, Gaspar Noé’s erotic 3D melodrama ‘Love,’ awash with explicit sexual scenes, provoked a war of words and ratings in France.

The film, which had its world premiere at the Cannes Film Festival, was initially rated 16, meaning that children under that age could not watch it in French cinemas. Worried about the sexual nature of the film, then-Culture Minister Fleur Pellerin asked the ratings board for a second review, recommending a stronger rating.

The minister came under fire from the French Directors Guild (L’ARP) and film distribution and international sales giant Wild Bunch.

“We have nothing to gain from being in the game of conservatism and puritanism,” L’ARP said in a statement, as quoted by the Hollywood Reporter.

The ‘moralization’ of works, the intimate friend of censorship, is a dangerous game. The filmmakers of ARP remain convinced that poetry, sexual as it is, [from] filmmaker Gaspar Noé, will remain a better educational source than that of porn debauchery permanently available on the internet,” it added.

The French ratings board ignored Pellerin’s judgment, and the certificate for the erotic movie remained unchanged

(Source: rt.com)

2017 Oscar Nominations: Live Stream

Posted by Larry Gleeson

The Academy of Motion Pictures Arts and Sciences along with several Oscar-winning and Academy nominated members including Jennifer Hudson, Brie Larson, Emmanuel Lubezki, Jason Reitman and Ken Watanabe as they join Academy President Cheryl Boone Isaacs to reveal the 89th Oscars® Nominations, on Tuesday, January 24, beginning at 5:18 a.m. PST/8:18 a.m. EST/1:18 p.m. GMT/9:18 p.m. CST. Come and celebrate the nominees here with HollywoodGlee!

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 7,000 of the most accomplished artists, filmmakers and executives working in film.  In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

(Source: oscars.org)

Berlinale NATIVe 2017 Features Indigenous Films from the Arctic Circle

Posted by Larry Gleeson

 

Cinema Born of the Icy Cold

NATIVe – A Journey into Indigenous Cinema will focus in 2017 on Indigenous cinema from the Arctic. The film programme for the special series, which is comprised of nine short and ten feature-length films, will also be complemented by a number of events featuring discussion and other spoken word formats.

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NATIVe 2017 will open with a film from the cultural sphere of the Sámi, Europe’s only Indigenous people: 2016’s Kuun metsän Kaisa (Kaisa’s Enchanted Forest), by Finnish Skolt Sámi director Katja Gauriloff.

Kuun metsän Kaisa tells the story of Gauriloff’s charismatic great-grandmother Kaisa. This personal and poetic documentary film effortlessly weaves original film and sound recordings from the 1930s to the 1970s together with animated sequences and folk tales of the Skolt Sámi. It stands as a testament to the eventful history of the Skolt Sámi and their struggle to preserve their unique culture in the wake of resettlements brought about by shifting borders throughout the course of the 20th century.

The pressure to assimilate and wider social change influence all of the Indigenous peoples who call the area around the Arctic Circle home: these include the Inuit of Canada, the Greenlanders, the Sámi of Northern Europe and Russia’s Kola Peninsula as well as the Yakuts and Chukchi of the Russian Federation’s Eastern Siberian region.

Sustainability, climate change, delocalisation and questions of Indigenous rights and self-empowerment are further themes addressed in this year’s featured films. “Climate change in the Arctic and the economic machinations of the industrialised nations of the West represent serious impositions in the everyday lives of the Indigenous communities which still inhabit the region. The medium of film can play a positive role by enabling them to position themselves and gain international exposure for their points of view,” comments NATIVe Curator Maryanne Redpath.

Festival Director Dieter Kosslick also emphasises the significance of Indigenous cinema: “With each new regional focus, NATIVe demonstrates how multifaceted and creative the world of Indigenous filmmaking is and how much its films enrich the international cinema landscape.”

As in previous years, the film programme of this special series will be accompanied by an extensive supporting programme. On two afternoons, the Embassy of Canada will assist the NATIVe team in co-hosting panel discussions with Indigenous filmmakers and international guests in the rooms of their Leipziger Platz location, to be followed by film screenings.

The event “Arctic Change, Indigenous Life and Scientific Tracks in Sakha / Russia”, organised in co-operation with the Climate Initiative Regional Climate Change (REKLIM) at the Alfred Wegener Institute Helmholtz Centre for Polar and Marine Research, and the DEKRA Hochschule für Medien, will present the effects of climate change on everyday life and the environment in Sakha to a Berlin audience in the scope of talks and short films.

For the first time, NATIVe will also be represented in the special series Berlinale Goes Kiez with an additional screening of the documentary film Angry Inuk, which provides insight into the Inuit perspective on the heated international debate surrounding seal hunting.

 

Feature Films at NATIVe:

24 Snega (24 Snow)
By Mikhail Barynin, Russian Federation 2016
Documentary form
International premiere
Despite the sacrifices it entails, Sergei passionately devotes his life to traditional horse breeding, toughing out the winter in the taiga like a lone cowboy hero. Spectacular cinematography conveys the biting cold feeling of nomadic life in Sakha.

Angry Inuk
By Alethea Arnaquq-Baril, Canada 2016
Documentary form
A vivid depiction of the quiet anger of a people whose very subsistence is being threatened from many angles. An outcry to reassess the preconceptions around commercial seal-hunting, while illustrating the role of global sealskin trade for Inuit.

Johogoi Aiyy (God Johogoi)
By Sergei Potapov, Russian Federation 2016
Documentary form
International premiere
The young horse herder Johogoi feels summoned by the equine deity to attend the celebrated summer festival of Sakha. His excitement radiates through his smile as he participates in the rituals, believing he will find the woman who appears in his dreams.

Jumalan morsian (A Bride of the Seventh Heaven)
By Anastasia Lapsui, Markku Lehmuskallio, Finland 2003
With Angelina Saraleta, Viktoria Hudi, Ljuba Filipova, Jevgeni Hudi
At birth, Syarda was promised as a bride to Num, the highest god of the Nenets. Now an elderly lady, still bound to this fate, she tells the story of her wistful, yet self-determined life to a blind young girl who alleviates her loneliness.

Kniga Tundry. Povest’ o Vukvukaye – Malen’kom Kamne. (The Tundra Book. A Tale of Vukvuka – the Little Rock.)
By Aleksei Vakhrushev, Russian Federation 2011
Documentary form
Jovial and as energetic as a teenager, the wise Vukvukai guides his nomadic Chukchi community. These tough reindeer herders survive in their snowy wonderland despite the harsh threats posed by the weather and Russian politics.

Kuun metsän Kaisa (Kaisa’s Enchanted Forest)
By Katja Gauriloff, Finland 2016
Documentary form
The Swiss author Robert Crottet visits the Skolt Sámi and records spirited Kaisa’s unique storytelling gift. Handmade animation and rare archival footage illustrate the full world of the Skolt Sámi, from magical moments to the hardships of war.

Maliglutit (Searchers)
By Zacharias Kunuk, Canada 2016
With Benjamin Kunuk, Jocelyne Immaroitok, Karen Ivalu, Joseph Uttak
European premiere
The tranquil life of a nomadic family in Nunavut is torn apart by a marauding gang of hunters looking for wives. Kuanana, the head of the family, goes out for revenge. A poetic Inuit Western.

Sameblod (Sami Blood)
By Amanda Kernell, Sweden 2016
With Lene Cecilia Sparrok, Mia Erika Sparrok, Maj Doris Rimpi, Julius Fleischanderl
A teenage girl from a traditional Sámi family yearns to be accepted by the Swedish society of the 1930s, a society full of prejudice and discrimination against her people. A shrewd commentary on institutionalised abuse and its consequences.

Seitsemän laulua tundralta (Seven Songs from the Tundra)
By Anastasia Lapsui, Markku Lehmuskallio, Finland 2000
With Vitalina Hudi, Hatjako Yzangi, Gregory Anaguritsi, Nadezhda Volodeeva
A rich contemplation of the Nenets in a seven-part chronicle, each guided by a meaningful song. Once a free people, the Soviet rule arrives to infringe upon their culture, affecting their identity irreversibly. An emotional political statement.

SUME – Mumisitsinerup Nipaa (SUMÉ – The Sound of a Revolution)
By Inuk Silis Høegh, Greenland / Denmark / Norway 2014
Documentary form
For the Greenlanders of the 1970s, the surge of the progressive rock band SUME was mind-blowing: lyrics in their own language, inspiring them to act against the repression of their people. This is the compelling testimony to their revolution.

 

Short Films at NATIVe:

Bihttoš (Rebel)
By Elle-Máijá Tailfeathers, Canada / Norway 2014
Documentary form
In a poignant personal essay, Elle-Máijá Tailfeathers examines her complex relationship to her Sámi father. Her family’s blissful life was silently affected by a dark pain her father harboured. A pain rooted in past injustices against a whole generation of the Sámi.

Half&half
By Aka Hansen, Denmark / Greenland 2014
Documentary form
Aka Hansen ponders her mixed heritage by posing well-struck questions about how others perceive her, which in contrast to the filmic symmetry suggests that identity cannot be split neatly in half.

Nowhere Land
By Rosie Bonnie Ammaaq, Canada 2015
Documentary form
Denied the opportunity to lead a true Inuit life on Baffin Island, Rosie Bonnie Ammaaq shares the grief she felt when forced to relocate, while witnessing the heartbreaking demise of her homeland. She stands in front of the camera and bares her soul.

Ogo Kuyuurduu Turara (Boy and Lake)
By Prokopyi Nogovitsyn, Russian Federation 2003
With Slava Titov, Roman Danilov, Vladimir Krivoshapkin
A Sakha boy sets out on a lyrical journey through the boreal forest to catch fish in a secluded icebound lake. He performs the laborious task as a meditative ritual, at the same time drifting into a magical oneiric world.

Sámi Boddu (Sámi Moment)
By Ken Are Bongo, Norway 2011
With Nils Henrik Buljo, Svein Birger Olsen
Surrounded only by the wintry tundra, two Sámi men meet and contemplate the immense horizon. The silence is scarcely broken by the soft breeze, shared cigarettes and a few laconic words.

Sikumi (On the Ice)
By Andrew Okpeaha MacLean, USA 2008
With Brad Weyiouanna, Tony Bryant, Olemaun Rexford
On the frozen barren horizon, Apuna spots a furious fight between two hunters, which escalates to a fatality. As Apuna rushes to the scene he becomes conflicted when the perpetrator asks him to bend his morals and appeals to his sense of community.

Sloth
By Alethea Arnaquq-Baril, Canada 2011
With Bryan Pearson
A witty sketch of the Inuit way of life, playfully poking fun at stereotypical perceptions.

Tungijuq
By Félix Lajeunesse, Paul Raphaël, Canada 2009
With Tanya Tagaq, Zacharias Kunuk
An artistically powerful statement about the reality of hunting, expressed through a fantastic icy universe and Inuit throat singing, embracing the relevance and appreciation of this vital act.

Vor dem Schnee (Before the Snow)
By Christian Vagt, Germany 2007
Documentary form
Eerie first-hand accounts of the supernatural and the dead in the world of the Khanty and Nenets. An intimate atmosphere encompasses the spiritual world void of interpretation, and tells of the mysteries beyond the reality of western Siberia.

 

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(Source: Berlinale Press Office)

UPDATE: 28th Annual Palm Springs International Film Festival Announce Audience Awards

Posted by Larry Gleeson

 

*This is an update from yesterday’s 28th Annual Palm Springs 28th International Film Festival Audience Awards.

 

FOR IMMEDIATE RELEASE

When We Rise and Take Me Home Huey Receives Mercedes-Benz Audience Awards;

Toni Erdmann Receives FIPRESCI Prize;

Gael García Bernal and Isabelle HuppertReceive Acting Prizes;

White Sun Receives New Voices/New Visions Award;

No Dress Code Required Receives The John Schlesinger Award;

Neruda Receives Cine Latino Award; Mercenary Receives The HP Bridging The Borders Awards

Palm Springs, CA (January 15, 2017) – The 28th Annual Palm Springs International Film Festival (PSIFF) announced this year’s juried award winners at a luncheon at the Hilton Palm Springs on Saturday, January 14, 2017. The Mercedes-Benz Audience Awards for Best Narrative Feature and Best Documentary Feature were announced on Sunday, January 15, 2017 during the closing night screening of “The Comedian.”  The Festival, held from January 2-16, 2017, screened 190 films from 72 countries.

 

AUDIENCE AWARDS

Mercedes-Benz Audience Award for Best Narrative Feature:

When We Rise (U.S.), directed by Gus Van Sant.  From Gus van Sant and Dustin Lance Black, the festival screened the first episode of this stirring seven-part docudrama that charts the progress of Gay Liberation from its early days in San Francisco in the 1960s to its 21st-century triumphs.  When We Rise will air on ABC starting February 27. The screening was a North American premiere at the Festival.

 

Mercedes-Benz Audience Award for Best Documentary Feature:

Take Me Home Huey (U.S.), directed by Alicia Brauns and Christine SteeleThis moving documentary traces the evolution of Steve Maloney’s eponymous mixed-media sculpture, in which he took a wrecked Huey helicopter and transformed it into a memorial to the men who served and lost their lives in Vietnam. It’s a salutary reminder of the healing power of art. The film was a World Premiere at the Festival.

 

FIPRESCI PRIZE

A special jury of international film critics reviewed 43 of the 85 official submissions for the Academy Awards(R) Best Foreign Language Film category screened at this year’s Festival.  Awards are presented to the Best Foreign Language Film and Best Actor and Actress in a Foreign Language Film.

 

FIPRESCI Prize for Best Foreign Language Film of the Year:

Toni Erdmann (Germany), directed by Maren Ade.  In this unforgettable comedy, a prankster father puts on a wig and false teeth and invades the life of his rigid, ambitious corporate consultant daughter, whose life is upended in profound and often hilarious ways.The jury presented the award to the film, “for its originality, human complexity and unique tonal orchestration that seems natural and uncalculated. It is also an observant look at corporate culture carried by two wonderful performances.”

 

FIPRESCI Prize for the Best Actor in a Foreign Language Film:

Gael García Bernalin Neruda(Chile), directed by Pablo Larraín.  The jury said, “Bernal’s performance is the heart of the film’s tonal shifts, infusing the historical drama with the very poetry of its subject matter.”

 

FIPRESCI Prize for Best Actress in a Foreign Language Film:

Isabelle Huppert in Elle (France), directed by Paul VerhoevenThe jury said, “Isabelle Huppert gives depth and humanity to a complex and conflicted character in a challenging, unorthodox film. Her intelligence, self-assurance, and gift for conveying rich emotional tones have never been more strikingly displayed.”

The FIPRESCI jury members were Kiva Reardon (programming associate, TIFF), Yael Shuv (chief film critic, Time Out Tel Aviv) and David Sterritt (editor-in-chief, Quarterly Review of Film and Video).

 

NEW VOICES/NEW VISIONS AWARD

The New Voices/New Visions competition showcases ten films from emerging international directors bringing their first or second narrative features to the Festival. The winner is selected by a jury of festival programmers and U.S. distributors.

 

New Voices/New VisionsAward:

White Sun (Nepal/U.S./Qatar/Netherlands), directed by Deepak Rauniyar. The film is a dark comedy about two brothers from each side of the Nepalese civil war brought together after 10 years for their father’s funeral. A trenchant, eye-catching parable, this is the best film to come out of Nepal in years.

 

The jury issued the following statement, “White Sun, for its sympathetic but unsentimental portrayals of multiple perspectives, artfully integrating landscape as a participating character in the film. Featuring stunning performances from an ensemble cast, directed with sensitivity, the film’s storytelling leaves space for the audience to experience the tension between tradition and modernity. The film balances personal and political drama with a touch of absurdist humor.”

 

New Voices/New Visions Special Mentions:

Kati Kati (Kenya/Germany), directed by Mbithi Masya and Mellow Mud (Latvia), directed by Ren?rs Vimba.  The jury said, “Both directors create worlds that lead the audience deeply into beautifully-realized worlds.”

The films were juried byJonathan Howell (founder and director, Big World Pictures), Funa Maduka (Global Content Acquisition group, Netflix), Jane Schoettle (International Programmer, TIFF).

 

THE JOHN SCHLESINGER AWARD

The John Schlesinger Award, named after the director, writer, producer and festival supporter,ispresented to the director of either a first or second feature documentary from among those screened at the festival.

 

Schlesinger Award:

No Dress Code Required (Mexico), directed by Cristina Herrera Bórquez. This memorable doc follows a same-sex couple, Víctor and Fernando, as they fight for the right to be married in their home town of Mexicali, Baja California. A rallying cry for equality and a testament to the power of ordinary people to become agents of change.

 

The jury issued the following statement, “For a film that does not let you look away as ordinary people rise to the challenge of fighting for their legal rights, the John Schlesinger Award goes to No Dress Code Required, a compelling documentary that puts us on the front line of the evolving story of marriage equality.”

 

Schlesinger Special Mention:

Beauties of the Night (Mexico), directed by María José Cuevas.  The jury said, “For a beautifully crafted exploration of ageism with a powerful vision, and an empowering take on what it means to grow old in a culture obsessed with youth and beauty, Special Mention goes to Beauties of the Night.”

The films were juried by Daniela Elena Alatorre (head of documentary programming, Morelia International Film Festival), Fenton Bailey (co-founder, World of Wonder Productions), Sudeep Sharma (senior programmer, Indian Film Festival of Los Angeles).

 

CINE LATINO AWARD

The Cine Latino Award is presented to the best Ibero-American film screening at the festival.  The award aims to highlight the creativity seen in modern Spanish, Portuguese and Latin American films.  Cine Latino is supported in part by Acción Cultural Espanola, Spain’s Public Agency for Cultural Action.

 

Cine Latino Award:

Neruda (Chile), directed by Pablo Larraín.  The jury said, “Bypassing narrative tropes associated with films about important historical figures and creating a nearly fantastical story that is as visually striking as it is telling about the relationship between an artist and his creation, the Cine Latino Grand Jury Prize goes to Neruda.”

 

Cine Latino Special Mention:

Everything Else (Mexico), directed by Natalia Almada. The jury said, “Coming from a doc background gives this filmmaker a unique perspective and framing that has created a powerful film. Her story often asks more questions than there are answers for but anchored by a strong, yet understated performance this film succeeds.  The film is executed with precise framing and uncanny cinematography.”

 

The films were judged by Carlos Aguilar (film journalist), Lane Kneedler (Director of Programming, AFI Fest) and Andrea Roa (producer)

 

THE HP BRIDGING THE BORDERS AWARD

The HP Bridging the Borders Award is presented by Cinema Without Borders and Hewlett Packard, which honors the film that is most successful in exemplifying art that promotes bringing the people of our world closer together. The prize includes an HP ZBook 17 Mobile Workstation, valued at $4,000.

 

HP Bridging the Borders Award:

Mercenary (France), directed by Sacha Wolff.  The film is a fierce, moving thriller about a massive Polynesian rugby player recruited to play in France. This stunning debut film shows us a violent, unfamiliar world through the eyes of an unforgettable outsider.

 

The jury said, “The winner of HP Bridging The Border Award is the story of a tattooed, colossal 19 year-old recruited from his island shack in Wallis, New Caledonia , to the brutal world of a rugby team in France. Wolff, paints the contrasting societies with authenticity and elicits from his non-professional actor, Toki Pilioki a performance of quiet dignity that scorches your memory. The winning film is Mercenary by Sasha Wolff.”

 

The Best of the Fest screenings will take place on Monday, January 16.  For a complete list of screenings visit www.psfilmfest.org.

best_psiff

 

The complete list of award winners are:

 

Mercedes-Benz Audience Award for Best Narrative Feature

When We Rise (U.S.), directed by Gus Van Sant

 

Mercedes-Benz Audience Award for Best Documentary Feature

Take Me Home Huey (U.S.), directed by Alicia Brauns and Christine Steele

 

FIPRESCI Prize for Best Foreign Language Film of the Year

Toni Erdmann (Germany), directed by Maren Ade

 

FIPRESCI Prize for the Best Actor in a Foreign Language Film

Gael García Bernal in Neruda (Chile)

 

FIPRESCI Prize for Best Actress in a Foreign Language Film

Isabelle Huppert in Elle(France)

 

New Voices/New Visions Award

Winner:White Sun (Nepal/U.S./Qatar/Netherlands), directed by Deepak Runiyar

Special Mentions: Kati Kati (Kenya/Germany), directed by Mbithi Masya and Mellow Mud (Latvia), directed by Ren?rs Vimba

 

The John Schlesinger Award

Winner: No Dress Code Required (Mexico), directed by Cristina Herrera Bórquez

Special Mention: Beauties of the Night (Mexico), directed by Maria José Cuevas

 

Cine Latino Award

Winner: Neruda (Chile), directed by Pablo Larraín

Special Mention: Everything Else (Mexico), directed by Natalia Alamda

 

HP Bridging the Borders Award

Winner: Mercenary (France), directed by Sacha Wolff

About The Palm Springs International Film Festival

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The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees last year for its lineup of new and celebrated international features and documentaries. The Festival is also known for its annual Film Awards Gala, a glamorous, black-tie event, presented by Chopard and sponsored by Mercedes Benz and Entertainment Tonight, and attended by 2,500.  The Film Awards Gala honors the year’s best achievements in cinema in front of and behind the camera.  The celebrated list of talents who have been honored in recent years includes Ben Affleck, Javier Bardem, Cate Blanchett, Sandra Bullock, Bradley Cooper, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Tom Hanks, Matthew McConaughey, Julianne Moore, Brad Pitt, Eddie Redmayne, Julia Roberts, David O. Russell, Meryl Streep, and Reese Witherspoon.  PSIFF is organized by The Palm Springs International Film Society, a 501(c)(3) charitable non-profit organization with a mission to cultivate and promote the art and science of film through education and cross-cultural awareness.

(Source: psiff.org)

 

 

European Film Market & Co-Production Market

Posted by Larry Gleeson

36 Attractive Feature Film Projects Searching for International Partners at the Berlinale Co-Production Market

At the 14th edition of the Berlinale Co-Production Market (February 12 to 15, 2017) a selection of 36 promising feature-film projects from 29 countries will come together with a wide range of potential co-production and funding partners from around the world. In addition, the market will be presenting several respected production companies in the scope of their exclusive “Company Matching Programme”.

To aid the producers of the selected projects and companies, the Berlinale Co-Production Market team is organizing a total of approximately 1,200 one-on-one meetings with interested potential partners from a participant pool made up of 550 producers, world sales agents, broadcasters, distributors, film funds and financiers from all across the world.

For the official project selection, 20 promising feature-film projects with budgets ranging from 750,000 euros to eleven million euros were chosen from a total of 323 submissions. They will be presented by internationally experienced producers and have all either already secured production funding from their native countries or have at least been able to cover 30% of their projected financing needs to date.

In the scope of the “Rotterdam Berlinale Express”, three additional film projects will take part both in the CineMart Rotterdam and the Berlinale Co-Production Market.

Ten newcomers to the world of international film production will also be presenting their projects at the “Talent Project Market”, which is organized in co-operation with Berlinale Talents. These attendees were chosen from an additional 178 submitted projects.

Among the directors of the selected projects are familiar names such as Hans Petter Moland (In Order of Disappearance, A Somewhat Gentle Man, The Beautiful Country), whose films have already been featured three times in the official Berlinale programme, Agnieszka Holland, whose most recent film Spoor is celebrating its premiere at this year’s Berlinale, as well as further directors of Competition films from the past years, including for instance Lou Ye (Blind Massage), Celina Murga (The Third Side of the River), Anne Zohra Berrached (24 Weeks) and Laura Bispuri (Sworn Virgin).

In the category “Berlinale Directors”, three projects from directors whose previous films were shown at the Berlinale will be presented; though these productions are still in a very early stage of development from a financing perspective, they are considered so promising that they can already benefit from finding co-operation partners in order to ease their way to the big screen.

In addition to the meetings with potential partners, which are arranged individually to satisfy the concrete needs of each project, there are also three awards available: the Eurimages Co-Production Development Award, worth 20,000 euros, the VFF Talent Highlight Award, worth 10,000 euros, and the ARTE International Prize, worth 6,000 euros, will all be given away at the Berlinale Co-Production Market.

The four already confirmed companies featured in the “Company Matching Programme” come from Germany, France, Israel and Norway. The 550 other participants can also request one-on-one meetings with them in order to exchange information on a structural level or on the basis of project slates and move towards exploring the possibility of long-term co-operation.

There are at least two films screening in the festival programme of the upcoming Berlinale which were presented at the Berlinale Co-Production Market as projects in previous years and met partners: Una mujer fantástica (A fantastic woman) by Sebastián Lelio, which is part of the Competition, and Mulher do pai (Nalu on the Border) by Cristiane Oliveira, which is being shown in Generation 14plus.

The primary partners of the Berlinale Co-Production Market are the MDM – Mitteldeutsche Medienförderung and Creative Europe MEDIA, a programme of the European Union.

The Berlinale Co-Production Market is a part of the European Film Market.
The Berlin House of Representatives, which is located right across from the European Film Market in the Martin-Gropius-Bau, will once again serve as a co-operation partner and main venue for the event.

Official project selection for Berlinale Co-Production Market 2017
(in alphabetical order by production company):

Where the Summer Went (D: Beatriz Sanchis), Animal de Luz Films, Mexico
Psychobitch (D: Martin Lund), Ape&Bjørn, Norway
7500 (D: Patrick Vollrath), Augenschein Filmproduktion, Germany
Irene (D: Celina Murga), Cepa Audiovisual & Tresmilmundos Cine, Argentina
The Ski Jumper Who Didn’t Want to Land (D: Hans Petter Moland), Chezville & Storyline Studios, Norway
Overgod (D: Gabriel Mascaro), Desvia Produções, Brazil
Clear Blue (D: Lindsay MacKay), Devonshire Productions, Canada
Man’s Fate (D: Lou Ye), Dream Factory, China & Chinese Shadows, Hong Kong, China
The Deer (D: Bogdan George Apetri), Fantascope, Romania
The Monster Within (D: Rodrigo Susarte), Forastero, Chile
Lost Country (D: Vladimir Perisic), KinoElektron, France, Trilema, Serbia & MPM Film, France
Benigno Cruz (D: Jorge Hernandez Aldana), La Pandilla Producciones, Venezuela & Lucía Films & Paloma Negra Films, Mexico
Eloe (D: Piotr Złotorowicz), Lava Films, Poland
Charlatan (D: Agnieszka Holland), Marlene Film Production, Czech Republic
A Film by Verner Holm (D: Jannik Johansen), Profile Pictures, Denmark
Blanquita (D: Fernando Guzzoni), QuijoteRampante, Chile
Paloma’s Wedding (D: Marcelo Gomes), Rec Produtores, Brazil
Waiting for an Angel (D: Akin Omotoso), Rififi Pictures, South Africa & Triptych Media, Canada
Dead Noon (D: Jeff Desom), Samsa Film, Luxembourg
Daughter of Mine (D: Laura Bispuri), Vivo Film, Italy

“Berlinale Directors” projects:
Ten Thousand Happiness (D: Johnny Ma), Image X Productions, China
Colour of the Skull (D: Sibs Shongwe-La Mer), Mille et Une Productions, France
Zorro (D: Ronny Trocker), Zischlermann Filmproduktion, Germany

“Rotterdam Berlinale Express”:
Girls of the Sun (D: Eva Husson), Maneki Films, France
Jumpman (D: Ivan I. Tverdovsky), New People Film Company, Russia
The Wife of the Pilot (D: Anne Zohra Berrached), Razor Film Produktion, Germany

“Talent Project Market” – projects and selected production talents (in alphabetical order by production company):
The Deposit (P: Eva Sigurdardottir), Askja Films, Iceland
MNK Boy (P: Aydin Dehzad), Kaliber Film, Netherlands / Turkey
Shock Labor (P: Maria Carla del Rio), Marinca Filmes, Cuba
The Bus to Amerika (P: Nefes Polat), Mars Production, Turkey
The Space Between (P: Angela Lee), Nifty Pictures, USA
Memoryland (P/D: Quy Bui), Pixelholic Media, Vietnam
Tomorrow is a Long Time (P: Jeremy Chua), Potocol, Singapore
Never the Bright Lights (P: Tonee Acejo), Quiapost Productions, Philippines
You Will Die at Twenty (P: Hossam Elouan), Transit Films, Egypt / Sudan
Breaking Surface (P: Julia Gebauer), Way Creative Films, Sweden

Company Matching (in alphabetical order by company):
Black Sheep Film Productions, Israel
Haut et Court, France
Mer Film, Norway
Weydemann Bros., Germany

Logo-Berlinale-Facebook

(Source: Berlinale Press Office)

32nd #SBIFF Film Program

Posted by Larry Gleeson

The Santa Barbara International Film Festival (SBIFF), presented by UGG®, will offer a vast array of films representing 50+ countries, 51 world premieres and 64 US premieres, along with tributes with the year’s top talent, panel discussions, and free community education and outreach programs.

OPENING NIGHT

SBIFF 2017 will kick off the festival on Wednesday, February 1st, at the historic Arlington Theatre with the World Premiere of CHARGED. The Opening Night Film is sponsored by UGG®.

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Directed by Phillip Baribeau, CHARGED chronicles the journey of chef and outdoorsman, Eduardo Garcia and his recovery after being electrocuted by 2400 volts of electricity miles from help in the Montana backcountry.  Garcia had his hand amputated, lost ribs, muscle mass and nearly his life, but more important than what he lost is what he found. CHARGED tells Eduardo’s remarkable journey from getting up off the forest floor to becoming the man he is today.

The documentary is produced by Dennis Aig and Phillip Baribeau along with executive producers Teri Weinberg, Scott Ballew, Doug Ellin, Peter Hochfelder, Constance Schwartz–Morini and Michael Strahan.

INTERNATIONAL GALA

For the International Gala, the festival will feature the US Premiere of HEAL THE LIVING (Réparer les vivants) a French–Belgian drama directed by Katell Quillévéré and written by Quillévéré and Gilles Taurand. HEAL THE LIVING stars Tahar Rahim (A Prophet, The Past, Grand Central, The Informant), Emmanuelle Seigner (Venus in Fur, The Diving Bell and the Butterfly) and Anne Dorval (Mommy, Heartbeats). Three seemingly unrelated stories are masterfully woven together in this family medical drama. A French teenager takes a road trip to the sea with friends to go surfing; a woman learns her heart is failing; and the staff at a regional hospital struggles through another day of saving lives. Cohen Media Group plans for a Spring 2017 release.

CLOSING NIGHT

The Festival will close with the Lone Scherfig’s period comedy–drama THEIR FINEST at the Arlington Theatre on Saturday, February 11 in advance of the film’s March 24 stateside release. The Closing Night Film is sponsored by Winchester Mystery House.

Their Finest Hour and A HalfDirected by Lone Sherfig
Their Finest directed by Lone Sherfig stars Gemma Arteton, left, as a scriptwriter in charge of writing female dialogue, and Bill Nighy as pretentious, fading movie star Ambrose Hilliard in this 1940’s British period comedy-drama.

The year is 1940, Britain. With the nation devastated by the war, the British ministry turns to propaganda films to boost morale at home. Realizing their films could use “a woman’s touch,” the ministry hires Catrin Cole (Gemma Arterton) as a scriptwriter in charge of writing the female dialogue. Although her artist husband looks down on her job, Catrin’s natural flair quickly gets her noticed by charming lead scriptwriter Buckley (Sam Claflin). Catrin and Buckley set out to make an epic feature film based on the Battle of Dunkirk starring pretentious fading movie star Ambrose Hilliard (Bill Nighy). As bombs are dropping all around them, Catrin, Buckley and their colorful cast and crew work furiously to make a film that will warm the hearts of the nation.

The film is produced by Stephen Woolley, Amanda Posey, Finola Dwyer and Elizabeth Karlsen. Christine Langan, Ed Wethered, Robert Norris, Ivan Dunleavy, Peter Watson, Zygi Kamasa and Thorsten Schumacher serve as executive producers. The film is produced by Number 9 Films and Wildgaze Films.

THE TRIBUTES

SBIFF has become an important showcase for Academy–Award® frontrunners, many of whom have arrived as nominees and gone on to win the Oscar. The 32nd Santa Barbara International Film Festival proudly celebrates some of the year’s finest work in film.  The complete list of 2017 Honorees (in date order) is as follows:

All tributes take place at the historic Arlington Theatre except the Variety Artisans Award, which will be at the Lobero Theatre.

THE PANELS

SBIFF has become renowned for creating smart, insightful panels that feature a who’s who in the world of filmmaking, including many Oscar® contenders.

The panel series begins on Saturday, February 4th with the “Movers and Shakers,” (Producers Panel), bringing together the industry’s most prolific producers to talk about current projects, hopes for the future of filmmaking, and insight into the creative process. Moderated by Glenn Whipp.

That same day proceeds with “It Starts With the Script” (Screenwriters Panel), bringing together top writers to discuss their craft. The panel will be moderated by Anne Thompson.

On Saturday, February 11th, Creative Forces: Women in the Business (Women’s Panel), will be moderated by Madelyn Hammond.

All panels take place at the Lobero Theatre.

PROGRAM HIGHLIGHTS

The 2017 Film Program addresses timely themes including a focus on environmental activism, feminism in the Middle East, efforts to thwart ISIS around the world including, Mali and Kurdistan, the fight for democracy in Ukraine and the global refugee crisis. In addition, some of the new highlights in the program include the following sections:

  • Nordic Cinema Competition: A diverse showcase of contemporary cinema From Denmark, Finland, Iceland, Norway, and Sweden.
  • Crime Scenes: An international selection of crime thrillers and neo-noirs filled with gritty underworlds and moral nihilists.
  • Documentary Shorts: Refugees: A program of short documentaries featuring compelling stories from refugees living in Malawi, Syria, West Africa, Greece, Sweden and the United States.

The Jury – Films in several of the Festival’s film categories are in competition. These categories are viewed by a hand selected group of industry professionals including: Richard Raymond, Joanna Kerns, Jesus Lloveras, Tamara Asseyev, Martin Gooch, Anthony & Arnette Zerbe, Alan Marshall, Artie Schmidt, Janet Walker, Phyllis de Picciotto, Perry Lang and Mimi deGruy. On the last day of the Festival, the award winning films will be announced at the annual SBIFF awards breakfast.

ABOUT SBIFF

The Santa Barbara International Film Festival is a 501(c)(3) non–profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 30 years, SBIFF has become one of the leading film festivals in the United States – attracting 90,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

Sponsors of the 32nd Santa Barbara International Film Festival include: UGG®, Belvedere Vodka, Dom Pérignon, Anti–Defamation League, Montecito Bank & Trust, Visit The Santa Ynez Valley, IMDB, Santa Barbara Foundation, Union Bank, Winchester Mystery House, Wells Fargo, Westerly Wines, The Bentson Foundation and many more supporting through trade.

SBIFF continues its commitment to education and the community through free programs like its 10–10–10 Student Filmmaking and Screenwriting Competitions, Mike’s Field Trip to the Movies, National Film Studies Program, AppleBox Family Films, 3rd Weekend and educational seminars. This past June, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. The theatre is SBIFF’s new home and is the catalyst for program expansion and marks the first time that Santa Barbara has had a 24/7 community center to expand their mission of educational outreach.

(Source: sbiff.org)

WATCH THE AFI AWARDS 2016 VIDEO ALMANAC

Posted by Larry Gleeson

AFI asked Amy Adams, Mel Gibson, Donald Glover, Chris Pine, Martin Scorsese, Denzel Washington and many other artists what they’d like to be remembered for about their movies and TV shows, and why movies and television matter now. This AFI AWARDS 2016 video almanac serves as that part of film history. To see photos click here.

 

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The interviews were filmed at the AFI AWARDS luncheon, where each year the entertainment community celebrates the creative ensembles behind the year’s most outstanding films and television shows.

 

 

In order of appearance:

Martin Scorsese (SILENCE)
Jay Cocks (SILENCE)
Clint Eastwood (SULLY)
Denzel Washington (FENCES)
Amy Adams (ARRIVAL)
Mandy Moore (THIS IS US)
Donald Glover (ATLANTA)
John Lithgow (THE CROWN)
Kenneth Lonergan (MANCHESTER BY THE SEA)
Shawn Levy (ARRIVAL, STRANGER THINGS)
Eric Heisserer (ARRIVAL)
Damien Chazelle (LA LA LAND)
Matt and Ross Duffer (STRANGER THINGS)
Jeff Bridges and Gil Birmingham (HELL OR HIGH WATER)
Dan Cohen (ARRIVAL, STRANGER THINGS)
Saniyya Sidney (FENCES)
Taylor Sheridan (HELL OR HIGH WATER)
Cuba Gooding Jr. (THE PEOPLE V. O.J. SIMPSON: AMERICAN CRIME STORY)
Mahershala Ali (MOONLIGHT)
Andrew Garfield (HACKSAW RIDGE, SILENCE)
Susan Kelechi Watson (THIS IS US)
Mel Gibson (HACKSAW RIDGE)
Vince Gilligan (BETTER CALL SAUL)
Chris Pine (HELL OR HIGH WATER)
Milo Ventimiglia (THIS IS US)
Brian Tyree Henry (ATLANTA)

(Source: afi.com)

Palm Springs International Film Festival – January 13

Posted by Larry Gleeson

OH CANADA!

Telefilm Canada hosted a party at Lulu California Bistro to celebrate the great talent of Canadian filmmakers and their work. Looks like a pretty great party, eh?

telfilm_psiff

 

 

HERE ARE SOME MORE GREAT FILM CHOICES FOR SATURDAY, JANUARY 14

 

MY LIFE AS A ZUCCHINI

Switzerland/France – 2016 – 66 minutes
Director: Claude Barras
AWARDS BUZZ-BEST FOREIGN LANGUAGE FILM
zucchini_psiff
Delightful, brightly-colored stop-motion animation makes this sensitive coming-of-age story about an orphan nicknamed Zucchini all but irresistible. Submitted for the Academy Award® in the Animated Feature category and again as Switzerland’s FLO entry, it will charm children and adults alike. Winner: Best Feature and Audience Award, Annecy
Sat, Jan 1410:00 AM – PSHS
Purchase tickets HERE.

MOUNTAIN CRY

China – 2015 – 107 minutes
Director: Larry Yang
WORLD CINEMA NOW
North American Premiere
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Set against China’s rugged Taihang Mountains and superbly photographed by Patrick Murgia, Larry Yang’s forceful melodrama tells of the love between a mute widow and the man responsible for the death of her husband. A gorgeous film with the feel of a timeless allegory. Winner: Best Director, Screenplay, Shanghai.
Sat, Jan 1411:30 AM – Regal
Director, Larry Yang to attend.
Purchase tickets HERE.
 

LAYLA M.

Netherlands/Belgium/Germany/Jordan – 2016
– 98 minutes
Director: Mijke de Jong
WORLD CINEMA NOW
layla

This powerful, nuanced and resonant drama follows a teenage girl living in Amsterdam, who becomes disillusioned by daily encounters with racism, and turns to Islam. Her relationship with a Jihadist completes her radicalization, but her journey is far from over… Winner: Outstanding Performance, Philadelphia.

Sat, Jan 1412:30 PM – PSHS

Purchase tickets HERE.

FESTIVAL MERCHANDISE

merchandise_psiff

A stand-alone Film Festival Store  for the Palm Springs International Film Festival is featuring a complete collection of Film Festival Merchandise at Destination PSP. The Festival Store is now open and will be open every day through January 16.
The Festival Store is located in the Regal Cinema Courtyard Plaza, unit 16,
just down from the Regal Cinemas and across the courtyard from the
Festival Ticket and Information Center.

You can also shop online at Destination PSP by clicking HERE.

IN BETWEEN

Israel/France – 2016 – 96 minutes
Director: Maysaloun Hamoud
NEW VOICES/NEW VISIONS
US Premiere

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A spiky, compelling dramedy about strong, modern, sexually active Palestinian-Israeli women, living independently in the center of Tel Aviv, far from their families and the weight of tradition. Winner, Best Debut, Haifa; NETPAC Award, Toronto.

Sat, Jan 141:00 PM – Mary Pickford
Sun, Jan 155:30 PM – Regal

Director, Maysaloun Hamoud to attend.

Purchase tickets HERE

EAGLES OF DEATH METAL: NOS AMIS (OUR FRIENDS)

U.S./France – 2017 – 87 minutes
Director: Colin Hanks
TRUE STORIES
World Premiere

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Sat, Jan 147:00 PM – Annenberg
Sun, Jan 151:00 PM – Mary Pickford

Director, Colin Hanks and Producer, Sean Stuart to attend.

Purchase tickets HERE.

YOU CAN READ THE PSIFF PROGRAM BOOK ONLINE!
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You can read the official 2017 Palm Springs International Film Festival
Souvenir Program Book online.
Just click HERE.

THE UNKNOWN GIRL

Belgium/France – 2016 – 113 minutes
Directors: Jean-Pierre Dardenne, Luc Dardenne
MODERN MASTERS
unknown_girl_psiff
A casual brush-off has profound and terrible consequences in the latest morality tale from the Dardenne brothers (Two Days, One Night; The Kid with a Bike). A young doctor turns detective to investigate the circumstances around a suspicious death in which she feels implicated.

Sat, Jan 148:30 PM – Camelot

Purchase tickets HERE.

(Source: psiff.org)