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2017 Sundance Film Festival: Competition And Next Lineup Announced

Park City, UT — Sundance Institute convenes a full slate of provocative and agenda-setting independent films at the 2017 Sundance Film Festival, beginning with today’s announcement of the 66 films selected for U.S. Competition, World Competition and NEXT, as well as a slate of environmentally focused programming under the Festival’s The New Climate program. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort January 19-29.

The Festival celebrates creativity and independence at the summit of the Institute’s year-round public programming, which also includes festivals in London, Hong Kong and Los Angeles. Sundance Institute programs support artists year-round, with more than $2.5 million in grants and 25 global residency Labs across theatre, film, New Frontier and episodic content.

Robert Redford, President and Founder of Sundance Institute, said, “From the passion and chaos of creativity, independent filmmakers make decisions to harness that energy, break new ground and tell their stories. This year’s Festival reflects every step of that journey, and shows how art can engage, provoke and connect people all over the world.”

Keri Putnam, Executive Director of Sundance Institute, said, “It’s more crucial now than ever to have storytellers illuminating the world around us. Artists help us better understand one another and recognize what we have in common. We are proud to champion and amplify original independent work through the Festival and our year-round programs.”

John Cooper, Director of the Sundance Film Festival, said, “The films in this year’s Festival show the human sides of issues, people and places we don’t often see. Independent filmmakers, with their fearless, bold perspectives, are challenging us to witness our world’s whole story. These artists, armed with their films, will lead us into the future.”

For the first time, the Festival is focusing its programming efforts to drive attention and action around a specific theme: climate change and environmental preservation. The New Climate program builds on the Institute’s longstanding commitment to showcasing environmental films and projects, including An Inconvenient Truth, Blackfish, The Cove, Gasland, Chasing Ice, Racing Extinction and Collisions. The program includes Chasing Coral, which follows a team of divers, photographers and scientists documenting the world’s changing coral reefs; Trophy, an in-depth look at the controversial, multi-billion-dollar big-game hunting industry; Water & Power: A California Heist, an investigation of California’s convoluted water system; and Plastic China, an examination of employee life at a Chinese recycling plant.

About The New Climate, Redford said, “My own engagement on climate change began more than 40 years ago, and the urgency I felt then has only grown stronger given its very real and increasingly severe consequences. If we’re going to avoid the worst-case scenario, then we must act boldly and immediately, even in the face of indifference, apathy and opposition.”

For the 2017 Festival, 113 feature-length films were selected, representing 32 countries and 37 first-time filmmakers, including 20 in competition. These films were selected from 13,782 submissions including 4,068 feature-length films and 8,985 short films. Of the feature film submissions, 2,005 were from the U.S. and 2,063 were international. Ninety-eight feature films at the Festival will be world premieres. In 2016, the Festival drew 46,600 attendees, generated $143.3 million in economic activity for the state of Utah and supported 1,400 local jobs.

Recent films that have premiered in the sections announced today include Morris From America, Beasts of the Southern Wild, Swiss Army Man, City of Gold, Fruitvale Station, The Diary of A Teenage Girl, Whiplash, Blackfish, Life, Animated, All These Sleepless Nights, Weiner and First Girl I Loved.

More films, including additional New Climate programming, will be announced soon; watch sundance.org/festival. Other films, including Premieres, Midnight and Kids were recently announced; click here PREMIERES, MIDNIGHT, KIDS, AND MORE

U.S. DRAMATIC COMPETITION
Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film.

Band Aid / U.S.A. (Director and screenwriter: Zoe Lister-Jones) — A couple who can’t stop fighting embark on a last-ditch effort to save their marriage: turning their fights into songs and starting a band. Cast: Zoe Lister-Jones, Adam Pally, Fred Armisen, Susie Essman, Hannah Simone, Ravi Patel. World Premiere

Beach Rats / U.S.A. (Director and screenwriter: Eliza Hittman) — An aimless teenager on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online.Cast: Harris Dickinson, Madeline Weinstein, Kate Hodge, Neal Huff. World Premiere

Brigsby Bear / U.S.A. (Director: Dave McCary, Screenwriters: Kevin Costello, Kyle Mooney) — Brigsby Bear Adventures is a children’s TV show produced for an audience of one: James. When the show abruptly ends, James’s life changes forever, and he sets out to finish the story himself. Cast: Kyle Mooney, Claire Danes, Mark Hamill, Greg Kinnear, Matt Walsh, Michaela Watkins. World Premiere

Burning Sands / U.S.A. (Director: Gerard McMurray, Screenwriters: Christine Berg, Gerard McMurray) — Deep into a fraternity’s Hell Week, a favored pledge is torn between honoring a code of silence or standing up against the intensifying violence of underground hazing. Cast: Trevor Jackson, Alfre Woodard, Steve Harris, Tosin Cole, DeRon Horton, Trevante Rhodes. World Premiere

Crown Heights / U.S.A. (Director and screenwriter: Matt Ruskin) — When Colin Warner is wrongfully convicted of murder, his best friend, Carl King, devotes his life to proving Colin’s innocence. Adapted from This American Life, this is the incredible true story of their harrowing quest for justice. Cast: Lakeith Stanfield, Nnamdi Asomugha, Natalie Paul, Bill Camp, Nestor Carbonell, Amari Cheatom. World Premiere

Golden Exits / U.S.A. (Director and screenwriter: Alex Ross Perry) — The arrival of a young foreign girl disrupts the lives and emotional balances of two Brooklyn families. Cast: Emily Browning, Adam Horovitz, Mary-Louise Parker, Lily Rabe, Jason Schwartzman, Chloë Sevigny. World Premiere

The Hero / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch) — Lee, a former Western film icon, is living a comfortable existence lending his golden voice to advertisements and smoking weed. After receiving a lifetime achievement award and unexpected news, Lee reexamines his past, while a chance meeting with a sardonic comic has him looking to the future. Cast: Sam Elliott, Laura Prepon, Krysten Ritter, Nick Offerman, Katharine Ross. World Premiere

i-dont-feel-at-home-in-this-world-anymore.jpgI Don’t Feel at Home in This World Anymore / U.S.A. (Director and screenwriter: Macon Blair) — When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves, alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals. Cast: Melanie Lynskey, Elijah Wood, David Yow, Jane Levy, Devon Graye. World Premiere. DAY ONE

Ingrid Goes West / U.S.A. (Director: Matt Spicer, Screenwriters: Matt Spicer, David Branson Smith) — A young woman becomes obsessed with an Instagram lifestyle blogger and moves to Los Angeles to try and befriend her in real life. Cast: Aubrey Plaza, Elizabeth Olsen, O’Shea Jackson Jr., Wyatt Russell, Billy Magnussen. World Premiere

Landline / U.S.A. (Director: Gillian Robespierre, Screenwriters: Elisabeth Holm, Gillian Robespierre) — Two sisters come of age in ’90s New York when they discover their dad’s affair—and it turns out he’s not the only cheater in the family. Everyone still smokes inside, no one has a cell phone and the Jacobs finally connect through lying, cheating and hibachi. Cast: Jenny Slate, John Turturro, Edie Falco, Abby Quinn, Jay Duplass, Finn Wittrock. World Premiere

Novitiate / U.S.A. (Director and screenwriter: Maggie Betts) — In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church. Cast: Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron, Morgan Saylor. World Premiere

Patti Cake$ / U.S.A. (Director and screenwriter: Geremy Jasper) — Straight out of Jersey comes Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$, an aspiring rapper fighting through a world of strip malls and strip clubs on an unlikely quest for glory. Cast: Danielle Macdonald, Bridget Everett, Siddharth Dhananjay, Mamoudou Athie, Cathy Moriarty. World Premiere

Roxanne Roxanne / U.S.A. (Director and screenwriter: Michael Larnell) — The most feared battle MC in early-’80s NYC was a fierce teenager from the Queensbridge projects with the weight of the world on her shoulders. At age 14, hustling the streets to provide for her family, Roxanne Shanté was well on her way to becoming a hip-hop legend. Cast: Chanté Adams, Mahershala Ali, Nia Long, Elvis Nolasco, Kevin Phillips, Shenell Edmonds. World Premiere

To the Bone / U.S.A. (Director and screenwriter: Marti Noxon) — In a last-ditch effort to battle her severe anorexia, 20-year-old Ellen enters a group recovery home. With the help of an unconventional doctor, Ellen and the other residents go on a sometimes-funny, sometimes-harrowing journey that leads to the ultimate question—is life worth living? Cast: Lily Collins, Keanu Reeves, Carrie Preston, Lili Taylor, Alex Sharp, Liana Liberato. World Premiere

Walking Out / U.S.A. (Directors and screenwriters: Alex Smith, Andrew Smith) — A father and son struggle to connect on any level until a brutal encounter with a predator in the heart of the wilderness leaves them both seriously injured. If they are to survive, the boy must carry his father to safety. Cast: Matt Bomer, Josh Wiggins, Bill Pullman, Alex Neustaedter, Lily Gladstone. World Premiere

The Yellow Birds / U.S.A. (Director: Alexandre Moors, Screenwriters: David Lowery, R.F.I. Porto) — Two young men enlist in the army and are deployed to fight in the Iraq War. After an unthinkable tragedy, the returning soldier struggles to balance his promise of silence with the truth and a mourning mother’s search for peace. Cast: Tye Sheridan, Jack Huston, Alden Ehrenreich, Jason Patric, Toni Collette, Jennifer Aniston. World Premiere

U.S. DOCUMENTARY COMPETITION
Sixteen world-premiere American documentaries that illuminate the ideas, people and events that shape the present day.

Casting JonBenet / U.S.A., Australia (Director: Kitty Green) — The unsolved death of six-year-old American beauty queen JonBenet Ramsey remains the world’s most sensational child murder case. Over 15 months, responses, reflections and performances were elicited from the Ramsey’s Colorado hometown community, creating a bold work of art from the collective memories and mythologies the crime inspired. World Premiere

Chasing Coral / U.S.A. (Director: Jeff Orlowski) — Coral reefs around the world are vanishing at an unprecedented rate. A team of divers, photographers and scientists set out on a thrilling ocean adventure to discover why and to reveal the underwater mystery to the world. World Premiere. THE NEW CLIMATE

City of Ghosts / U.S.A. (Director: Matthew Heineman) — With unprecedented access, this documentary follows the extraordinary journey of “Raqqa is Being Slaughtered Silently”—a group of anonymous citizen journalists who banded together after their homeland was overtaken by ISIS—as they risk their lives to stand up against one of the greatest evils in the world today. World Premiere

Dina / U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story. World Premiere

Dolores / U.S.A. (Director: Peter Bratt) — Dolores Huerta bucks 1950s gender conventions by co-founding the country’s first farmworkers’ union. Wrestling with raising 11 children, gender bias, union defeat and victory, and nearly dying after a San Francisco Police beating, Dolores emerges with a vision that connects her newfound feminism with racial and class justice. World Premiere

The Force / U.S.A. (Director: Pete Nicks) — This cinema verité look at the long-troubled Oakland Police Department goes deep inside their struggles to confront federal demands for reform, a popular uprising following events in Ferguson and an explosive scandal. World Premiere

ICARUS / U.S.A. (Director: Bryan Fogel) — When Bryan Fogel sets out to uncover the truth about doping in sports, a chance meeting with a Russian scientist transforms his story from a personal experiment into a geopolitical thriller involving dirty urine, unexplained death and Olympic Gold—exposing the biggest scandal in sports history. World Premiere

The New Radical / U.S.A. (Director: Adam Bhala Lough) — Uncompromising millennial radicals from the United States and the United Kingdom attack the system through dangerous technological means, which evolves into a high-stakes game with world authorities in the midst of a dramatically changing political landscape. World Premiere

NOBODY SPEAK: Hulk Hogan, Gawker and Trials of a Free Press / U.S.A. (Director: Brian Knappenberger) — The trial between Hulk Hogan and Gawker Media pitted privacy rights against freedom of the press, and raised important questions about how big money can silence media. This film is an examination of the perils and duties of the free press in an age of inequality. World Premiere

Quest / U.S.A. (Director: Jonathan Olshefski) — For over a decade, this portrait of a North Philadelphia family and the creative sanctuary offered by their home music studio was filmed with vérité intimacy. The family’s 10-year journey is an illumination of race and class in America, and it’s a testament to love, healing and hope. World Premiere

STEP / U.S.A. (Director: Amanda Lipitz) — The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city. World Premiere

Strong Island / U.S.A., Denmark (Director: Yance Ford) — Examining the violent death of the filmmaker’s brother and the judicial system that allowed his killer to go free, this documentary interrogates murderous fear and racialized perception, and re-imagines the wreckage in catastrophe’s wake, challenging us to change. World Premiere

Trophy / U.S.A. (Director: Shaul Schwarz, Co-Director: Christina Clusiau) — This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities. World Premiere. THE NEW CLIMATE

Unrest / U.S.A. (Director: Jennifer Brea) — When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she sets out on a virtual journey to document her story—and four other families’ stories—fighting a disease medicine forgot. World Premiere

Water & Power: A California Heist / U.S.A. (Director: Marina Zenovich) — In California’s convoluted water system, notorious water barons find ways to structure a state-engineered system to their own advantage. This examination into their centers of power shows small farmers and everyday citizens facing drought and a new, debilitating groundwater crisis. World Premiere. THE NEW CLIMATE

whose-streets.jpgWhose Streets? / U.S.A. (Director: Sabaah Folayan, Co-Director: Damon Davis) — A nonfiction account of the Ferguson uprising told by the people who lived it, this is an unflinching look at how the killing of 18-year-old Michael Brown inspired a community to fight back—and sparked a global movement. World Premiere. DAY ONE

WORLD CINEMA DRAMATIC COMPETITION
Twelve films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles.

Axolotl Overkill / Germany (Director and screenwriter: Helene Hegemann) — Mifti, age 16, lives in Berlin with a cast of characters including her half-siblings; their rich, self-involved father; and her junkie friend Ophelia. As she mourns her recently deceased mother, she begins to develop an obsession with Alice, an enigmatic, and much older, white-collar criminal. Cast: Jasna Fritzi Bauer, Arly Jover, Mavie Hörbiger, Laura Tonke, Hans Löw, Bernhard Schütz. World Premiere

Berlin Syndrome / Australia (Director: Cate Shortland, Screenwriter: Shaun Grant) — A passionate holiday romance takes an unexpected and sinister turn when an Australian photographer wakes one morning in a Berlin apartment and is unable to leave. Cast: Teresa Palmer, Max Riemelt. World Premiere

Carpinteros (Woodpeckers) / Dominican Republic (Director and screenwriter: José María Cabral) — Julián finds love and a reason for living in the last place imaginable: the Dominican Republic’s Najayo Prison. His romance with fellow prisoner Yanelly must develop through sign language and without the knowledge of dozens of guards. Cast: Jean Jean, Judith Rodriguez Perez, Ramón Emilio Candelario. World Premiere

Don’t Swallow My Heart, Alligator Girl! / Brazil, Netherlands, France, Paraguay (Director and screenwriter: Felipe Bragança) — In this fable about love and memories, Joca is a 13-year-old Brazilian boy in love with an indigenous Paraguayan girl. To conquer her love, he must face the violent region’s war-torn past and the secrets of his elder brother, Fernando, a motorcycle cowboy. Cast: Cauã Reymond, Eduardo Macedo, Adeli Gonzales, Zahy Guajajara, Claudia Assunção, Ney Matogrosso. World Premiere

Family Life / Chile (Directors: Alicia Scherson, Cristián Jiménez, Screenwriter: Alejandro Zambra) — While house-sitting for a distant cousin, a lonely man fabricates the existence of a vindictive ex-wife withholding his daughter, in order to gain the sympathy of the single mother he has just met. Cast: Jorge Becker, Gabriela Arancibia, Blanca Lewin, Cristián Carvajal. World Premiere

Free and Easy / Hong Kong (Director: Jun Geng, Screenwriters: Jun Geng, Yuhua Feng, Bing Liu) — When a traveling soap salesman arrives in a desolate Chinese town, a crime occurs, and sets the strange residents against each other with tragicomic results. Cast: Gang Xu, Zhiyong Zhang, Baohe Xue, Benshan Gu, Xun Zhang. World Premiere

God’s Own Country / United Kingdom (Director and screenwriter: Francis Lee) — Springtime in Yorkshire: isolated young sheep farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker, employed for the lambing season, ignites an intense relationship that sets Johnny on a new path. Cast: Josh O’Connor, Alec Secareanu, Ian Hart, Gemma Jones. World Premiere

My Happy Family / Germany, Georgia, France (Directors: Nana & Simon, Screenwriter: Nana Ekvtimishvili) — Tbilisi, Georgia, 2016: In a patriarchal society, an ordinary Georgian family lives with three generations under one roof. All are shocked when 52-year-old Manana decides to move out from her parents’ home and live alone. Without her family and her husband, a journey into the unknown begins. Cast: Ia Shugliashvili, Merab Ninidze, Berta Khapava, Tsisia Qumsishvili, Giorgi Tabidze, Dimitri Oragvelidze. World Premiere

The Nile Hilton Incident / Sweden (Director and screenwriter: Tarik Saleh) — In Cairo, weeks before the 2011 revolution, Police Detective Noredin is working in the infamous Kasr el-Nil Police Station when he is handed the case of a murdered singer. He soon realizes that the investigation concerns the power elite, close to the President’s inner circle. Cast: Fares Fares, Mari Malek, Mohamed Yousry, Yasser Ali Maher, Ahmed Selim, Hania Amar. World Premiere

pop-aye.jpgPop Aye / Singapore, Thailand (Director and screenwriter: Kirsten Tan) — On a chance encounter, a disenchanted architect bumps into his long-lost elephant on the streets of Bangkok. Excited, he takes his elephant on a journey across Thailand in search of the farm where they grew up together. Cast: Thaneth Warakulnukroh, Penpak Sirikul, Bong. World Premiere. DAY ONE

Sueño en otro idioma (I Dream in Another Language) / Mexico, Netherlands (Director: Ernesto Contreras, Screenwriter: Carlos Contreras) — The last two speakers of a millennia-old language haven’t spoken in 50 years, when a young linguist tries to bring them together. Yet hidden in the past, in the heart of the jungle, lies a secret concerning the fate of the Zikril language. Cast: Fernando Álvarez Rebeil, Eligio Meléndez, Manuel Poncelis, Fátima Molina, Juan Pablo de Santiago, Hoze Meléndez. World Premiere

The Wound / South Africa (Director: John Trengove, Screenwriters: John Trengove, Thando Mgqolozana, Malusi Bengu) — Xolani, a lonely factory worker, joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. When a defiant initiate from the city discovers his best kept secret, Xolani’s entire existence begins to unravel. Cast: Nakhane Touré, Bongile Mantsai, Niza Jay Ncoyini. World Premiere

WORLD CINEMA DOCUMENTARY COMPETITION
Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today.

The Good Postman / Finland, Bulgaria (Director: Tonislav Hristov) — In a small Bulgarian village troubled by the ongoing refugee crisis, a local postman runs for mayor—and learns that even minor deeds can outweigh good intentions. North American Premiere

In Loco Parentis / Ireland, Spain (Directors: Neasa Ní Chianáin, David Rane) — John and Amanda teach Latin, English and guitar at a fantastical, stately home-turned-school. Nearly 50-year careers are drawing to a close for the pair who have become legends with the mantra: “Reading! ’Rithmetic! Rock ’n’ roll!” But for pupil and teacher alike, leaving is the hardest lesson. North American Premiere

It’s Not Yet Dark / Ireland (Director: Frankie Fenton) — This is the incredible story of Simon Fitzmaurice, a young filmmaker who becomes completely paralyzed from motor neurone disease but goes on to direct an award-winning feature film through the use of his eyes. International Premiere

Joshua: Teenager vs. Superpower / U.S.A. (Director: Joe Piscatella) — When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents. World Premiere

Last Men in Aleppo / Denmark, Syria (Directors: Feras Fayyad, Steen Johannessen) — After five years of war in Syria, Aleppo’s remaining residents prepare themselves for a siege. Khalid, Subhi and Mahmoud, founding members of The White Helmets, have remained in the city to help their fellow citizens—and experience daily life, death, struggle and triumph in a city under fire. World Premiere

Machines / India, Germany, Finland (Director: Rahul Jain) — This intimate, observant portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship. North American Premiere.

Motherland / U.S.A., Philippines (Director: Ramona Diaz) — The planet’s busiest maternity hospital is located in one of its poorest and most populous countries: the Philippines. There, poor women face devastating consequences as their country struggles with reproductive health policy and the politics of conservative Catholic ideologies. World Premiere

Plastic China / China (Director: Jiu-liang Wang) — Yi-Jie, an 11-year-old girl, works alongside her parents in a recycling facility while dreaming of attending school. Kun, the facility’s ambitious foreman, dreams of a better life. Through the eyes and hands of those who handle its refuse, comes an examination of global consumption and culture. International Premiere. THE NEW CLIMATE

RUMBLE: The Indians Who Rocked The World / Canada (Directors: Catherine Bainbridge, Alfonso Maiorana) — This powerful documentary about the role of Native Americans in contemporary music history—featuring some of the greatest music stars of our time—exposes a critical missing chapter, revealing how indigenous musicians helped shape the soundtracks of our lives and, through their contributions, influenced popular culture. World Premiere

Tokyo Idols / United Kingdom, Canada (Director: Kyoko Miyake) — This exploration of Japan’s fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies. World Premiere

WINNIE / France (Director: Pascale Lamche) — While her husband served a life sentence, paradoxically kept safe and morally uncontaminated, Winnie Mandela rode the raw violence of apartheid, fighting on the front line and underground. This is the untold story of the mysterious forces that combined to take her down, labeling him a saint, her, a sinner. World Premiere

the-workers-cup.jpgThe Workers Cup / United Kingdom (Director: Adam Sobel) — Inside Qatar’s labor camps, African and Asian migrant workers building the facilities of the 2022 World Cup compete in a football tournament of their own. World Premiere. DAY ONE

NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Digital technology paired with unfettered creativity promises that the films in this section will shape a “greater” next wave in American cinema. Presented by Adobe.

Columbus / U.S.A. (Director and screenwriter: Kogonada) — Casey lives with her mother in a little-known Midwestern town haunted by the promise of modernism. Jin, a visitor from the other side of the world, attends to his dying father. Burdened by the future, they find respite in one another and the architecture that surrounds them. Cast: John Cho, Haley Lu Richardson, Parker Posey, Rory Culkin, Michelle Forbes. World Premiere

dayveon.jpgDayveon / U.S.A. (Director: Amman Abbasi, Screenwriters: Amman Abbasi, Steven Reneau) — In the wake of his older brother’s death, 13-year-old Dayveon spends the sweltering summer days roaming his rural Arkansas town. When he falls in with a local gang, he becomes drawn to the camaraderie and violence of their world. Cast: Devin Blackmon, Kordell “KD” Johnson, Dontrell Bright, Chasity Moore, Lachion Buckingham, Marquell Manning. World Premiere. DAY ONE

Deidra & Laney Rob a Train / U.S.A. (Director: Sydney Freeland, Screenwriter: Shelby Farrell) — Two teenage sisters start robbing trains to make ends meet after their single mother’s emotional meltdown in an electronics store lands her in jail. Cast: Ashleigh Murray, Rachel Crow, Tim Blake Nelson, David Sullivan, Danielle Nicolet, Sasheer Zamata. World Premiere

A Ghost Story / U.S.A. (Director and screenwriter: David Lowery) — This is the story of a ghost and the house he haunts. Cast: Casey Affleck, Rooney Mara, Will Oldham, Sonia Acevedo, Rob Zabrecky, Liz Franke. World Premiere

Gook / U.S.A. (Director and screenwriter: Justin Chon) — Eli and Daniel, two Korean American brothers who own a struggling women’s shoe store, have an unlikely friendship with 11-year-old Kamilla. On the first day of the 1992 L.A. riots, the trio must defend their store—and contemplate the meaning of family, their personal dreams and the future. Cast: Justin Chon, Simone Baker, David So, Curtiss Cook Jr., Sang Chon, Ben Munoz. World Premiere

L.A. Times / U.S.A. (Director and screenwriter: Michelle Morgan) — In this classically styled comedy of manners set in Los Angeles, sophisticated thirtysomethings try to determine whether ideal happiness exists in coupledom or if the perfectly suited couple is actually just an urban myth. Cast: Michelle Morgan, Dree Hemingway, Jorma Taccone, Kentucker Audley, Margarita Levieva, Adam Shapiro. World Premiere

Lemon / U.S.A. (Director: Janicza Bravo, Screenwriters: Janicza Bravo, Brett Gelman) — A man watches his life unravel after he is left by his blind girlfriend. Cast: Brett Gelman, Judy Greer, Michael Cera, Nia Long, Shiri Appleby, Fred Melamed. World Premiere

Menashe / U.S.A. (Director: Joshua Z Weinstein, Screenwriters: Joshua Z Weinstein, Alex Lipschultz, Musa Syeed) — Within Brooklyn’s ultra-orthodox Jewish community, a widower battles for custody of his son. A tender drama performed entirely in Yiddish, the film intimately explores the nature of faith and the price of parenthood. Cast: Menashe Lustig. World Premiere

Person to Person / U.S.A. (Director and screenwriter: Dustin Guy Defa) — A record collector hustles for a big score while his heartbroken roommate tries to erase a terrible mistake, a teenager bears witness to her best friend’s new relationship and a rookie reporter, alongside her demanding supervisor, chases the clues of a murder case involving a life-weary clock shop owner. Cast: Abbi Jacobson, Michael Cera, Tavi Gevinson, Philip Baker Hall, Bene Coopersmith, George Sample III. World Premiere

Thoroughbred / U.S.A. (Director and screenwriter: Cory Finley) — Two teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. In the process, they learn that neither is what she seems to be—and that a murder might solve both of their problems. Cast: Olivia Cooke, Anya Taylor-Joy, Anton Yelchin, Paul Sparks, Francie Swift, Kaili Vernoff. World Premiere

Three films announced today were funded in part through Kickstarter campaigns: Dayveon, Gook and Unrest.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR,The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

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Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home.

(Source: http://www.sundance.org)

Alibaba Invests In Irish Startup Specializing In Cinema Analytics

Posted by Larry Gleeson

By Aman Jain

Alibaba Pictures has made an investment in Showtime Analytics, an Irish movie data startup, through Yueke (a.k.a. Finixx) – its cinema ticketing system subsidiary. The company stated that Showtime and Finixx will collaborate to develop products specific to the Chinese cinema industry, according to e27.

Showtime Analytics was founded in 2014, and it provides data analytics products and services to cinema owners and film distributors. This allows them to collate, analyze and visualize their operational data in real time to deliver insights that drive improved business performance. Currently, the Irish company employs 30 full-time staff, notes e27.

screen-shot-2016-12-07-at-10-50-17-pmShowtime CEO Richie Power said, “We want to help cinema owners and film distributors to unlock the potential of their data and help them understand more about the types of films being made, how they’re being made and marketed, and how audiences are responding to them.”

Yueke is a leading cinema ticket software system service in China. It serves more than 2000 theaters and several online movie-ticketing platforms such as Maoyan, Mtime, Alipay, Gewara, WeChat Movie Ticket and QQ Movie Ticket through its Finixx system. In 2015, Alibaba Pictures fully acquired the company for RMB830 million (around $120 million).

Yueke General Manager Li Xiangxiong said that the merger of Showtime’s capabilities with Finixx and the advantages that Big Data from the Alibaba ecology offers will help Yueke expand its portfolio of data products and services.

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Alibaba Pictures, currently valued at $9.6 billion, has been aggressively investing in building out assets across the film and television production, distribution, and ticketing line. In July, the company launched an investment fund of $300 million with a focus on film and television production.

Recently, Alibaba’s film and entertainment arm acquired a stake in Steven Spielberg’s Amblin Partners. In the past, Alibaba’s film and entertainment arm has made investments in major Hollywood blockbusters like Star Trek Beyond and Mission: Impossible – Rogue Nation.

This is its second investment outside China and the first by its subsidiary Yueke/Finixx. It is expected that by the year’s end, China will overtake the U.S. as the world’s largest movie market.

(Source: http://www.valuewalk.com)

 

American Movies Should Not Have to Be Approved by Bureaucrats in Beijing

Posted by Larry Gleeson

By Therese Shaheen

Last week’s phone call between President-elect Donald Trump and Taiwan president Tsai Ing-wen had all the makings of a Hollywood blockbuster. The world is on edge with the election of an untested U.S. president determined to confront China. Upstart Taiwan creates the flashpoint: The leader calls the U.S. president — even before he takes office — and initiates a secret dialogue. Military forces are on alert. Markets waver. There are appeals for calm. But it’s too late. The fuse is lit. Watch the movie to see how it ends.

Probably the most appropriate working title for a Hollywood treatment of what took place between Tsai and Trump is “Much Ado About Nothing.” There are many ways in which America’s China policy with respect to Taiwan has become a jumble of inconsistencies and dangerous unrealism, starting with the implication in our policy that Taiwan exists only insofar as China permits us to recognize its existence. While the call between the two leaders was unorthodox, the reaction to it is more a reflection of a stultified underlying policy than an upset to the world order.

A bigger problem with the supposition that this episode might one day make for good Hollywood treatment is that before long, there might be no one to make such a film that is not somehow tied to the growing Chinese involvement in the U.S. film industry. From production to distribution, Chinese companies are increasing their stakes in one of the crown jewels of U.S. industry.

Much has been written about China’s Dalian Wanda Group, which took a majority stake in the U.S. theater chain AMC in 2012. Earlier this year, Dalian Wanda made an offer for the smaller Carmike theater chain. Together, the two chains own more than 8,000 screens, roughly one-fifth of the U.S. total.

On the production end of the process, Alibaba Pictures in October announced a co-production, co-finance partnership with Amblin Entertainment, Steven Spielberg’s production company. This in the wake of January’s announcement that Dalian Wanda bought the finance and production company Legendary Entertainment. The purchase of a major Hollywood studio by Dalian Wanda, Alibaba, or some other China interest seems a matter of time.

So what? Foreign investment in Hollywood is not unheard of; indeed, Japan’s Softbank had an estimated 10 percent stake in Legendary and was one of the investors bought out by the Dalian Wanda purchase. The stalwarts at the Wall Street Journal editorial page rightly noted in an October editorial that “the movie business is a competitive market with none of the immediate security risks of defense contractors or power-plant operators.”

To that end, the expressed intent of the Alibaba and Dalian Wanda deals mentioned is to create a global production and distribution network for what is clearly a global industry. While more movies are made in India than anywhere else and China is second only to the U.S. in total box office (but is the fastest growing country in that category), the U.S. remains a global leader in content and bankability. One measure: Global box office for 2016 is expected to be about $38 billion, but the combined gross of the Harry Potter, Avengers, and Batman franchises alone is about 15 percent of that. By the way, Legendary Entertainment, now owned by Dalian Wanda, produced the Batman series.

It is understandable that U.S. filmmaking interests are looking for every advantage they can get to distribute films in China, which accounts for more than 10 percent of global box office. China’s movie-going public is anchored by a growing urban middle class that has disposable income and is enamored with all things Western, from automobiles to iPhones. Co-finance, co-production deals to make movies makes perfect sense.

It also makes perfect sense that U.S. filmmakers will do all they can to avoid running afoul of a Chinese government that is increasingly obvious about two things that intersect in ways that put a bull’s-eye on the moviemaking process: control over the media and the use of “soft power” to enhance its role in the world.

On the first point: The Communist government under Xi Jinping is cracking down on so-called civil-society activities. The regime’s attempts to stifle dissent are becoming clear to the public. These include placing restrictions and conditions on Internet access by ordinary citizens, arrests of dissident bloggers, and even abducting several booksellers from Hong Kong and spiriting them back to the mainland for harassment and intimidation.

This control extends to moviemaking. Last month, the Standing Committee of the National People’s Congress approved a new film-industry-promotion law, ostensibly to modernize the domestic industry. The Chinese film industry is already heavily protected. According to China Law Blog, the draft law does not change existing prohibitions on “foreigners engaging independently in film production in China.” Foreigners still cannot distribute films in China, and quotas on foreign-film imports continue.

By entering into co-production and co-finance agreements with Chinese interests, U.S. filmmakers obviously hope to get over, around, or through these restrictions and gain access to a fast-growing urban market. To do so, though, Spielberg and other auteurs will probably have to accept the overall intent of the new domestic law, which, according to the Wall Street Journal, is “to serve ‘the people and socialism, prioritize social benefit, and coordinate social and economic effects.’”

Here’s another way to think about that: self-censorship. For example, Alibaba’s partner Amblin, or Dalian Wanda’s subsidiary Legendary, are not likely to want to make two versions of their movies — one for the U.S. and one for China — and so will likely take care to exclude from them anything that Beijing might see as not “prioritizing social benefit” for Chinese viewers.

What might that look like? No need to guess, because it’s already happening. In pre-release publicity for the Marvel blockbuster Doctor Strange, screenwriter C. Robert Cargill acknowledged, as reported in the New York Times, why a key character drawn from the original comic is Tibetan but in the film is played by a British actress, Tilda Swinton. “If you acknowledge that Tibet is a place and that he’s Tibetan, you risk alienating one billion people,” Cargill said in an interview. Just in case you wouldn’t get his point, he also expressed concerns about “the risk of the Chinese government going, ‘Hey, you know one of the biggest film-watching countries in the world? We’re not going to show your movie because you decided to get political.’”

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Got it. And this was a film made by Marvel Studios, and distributed by Marvel’s owner, Walt Disney Studios, a U.S. public company. How might self-censorship look when Dalian Wanda is financing the film and opening distribution doors across the country and attempting not to run afoul of the same government that kidnaps obscure booksellers in Hong Kong?

It’s one thing for Amblin or Legendary to engage in self-censorship to get movies that have been paid for by Chinese companies distributed in China. But the Marvel example is something we had better get used to: Movies produced and paid for by U.S. companies and distributed in the U.S. are censored in the hope that the same movie might somehow find its way into Chinese distribution.

While U.S. national security doesn’t depend on whether a a role in a movie based on a comic book is played by a British or a Tibetan actor, it is pretty obvious that the same kind of self-censorship will apply to political thrillers, historical fiction, real-world history, documentaries, and anything else that producers hope will be distributed in China. At the very least, the burden of proof is on filmmakers to demonstrate otherwise.

This plays into the attention that the Communist government under the Xi regime pays to so-called soft power. The world is fixated on the rise of the Chinese navy, its adventurism in the South China and Philippine Seas, and other “hard power” demonstrations that are raising concerns in the region and in the United States. But Xi intends to extend China’s influence in less belligerent ways, too. These include a proliferating number of international forums such as the Boao Conference, the hosting of global events such as the Olympics and Special Olympics, and investments in CCTV and other foreign-language television.

Core to the soft-power thesis are public diplomacy and related activities. The U.S. understood this for years going back to World War II, when it produced pro-military, pro-government films and, after the war, established Voice of America. The Chinese may simply believe they are modernizing that approach by controlling film content. Shaping the image of China and its interests through the global film industry could hardly be considered an incidental objective for Beijing when we consider the draft film-industry-promotion law or the efforts by Alibaba, Dalian Wanda, and others seeking a stronger foothold in the U.S. film industry.

To address this, the U.S. should consider some modernizing approaches of its own. That may already be underway. In September a bipartisan group of 16 members of the House of Representatives wrote to the comptroller general of the United States to ask for a review of the Committee on Foreign Investment in the United States, “to determine whether its . . . authorities have effectively kept pace” with the current security landscape.

CFIUS is an interagency group that, under the auspices of the Treasury Department, determines whether potential foreign investments in U.S. entities could undermine national security. CFIUS has heretofore focused on national security and proposed investments in critical infrastructure. The September congressional letter asks the comptroller general this pointed question: “Should the definition of national security be broadened to address concerns about propaganda and control of the media and ‘soft power’ institutions?”

It’s the right question, and a review of the future of CFIUS is the right lever to pull. The Trump administration seems predisposed to ask such questions. President-elect Trump and many of his advisers seem to have no qualms about acknowledging the obvious: The Chinese government intervenes in markets of all types to exert its will. That Beijing would attempt to influence the global filmmaking industry to achieve its own ends doesn’t sound like something that would meet a lot of doubt or skepticism from the new administration, some of whose appointees will constitute the CFIUS.

“This has never happened. . . . There’s no road map for this,” Legendary Productions founder and CEO Thomas Tull said at the time of the Dalian Wanda takeover of the company. Now, while it’s still possible (maybe) to watch a movie in a theater in Kansas and not have to question whether a bureaucrat in Beijing approved it, is a good time to start making that map. — Therese Shaheen is a businesswoman and CEO of US Asia International. She was the chairman of the State Department’s American Institute in Taiwan from 2002 to 2004.

(Source: http://www.nationalreview.com)

PREMIERES, MIDNIGHT, KIDS, AND MORE: LATEST ADDITIONS TO 2017 SUNDANCE FILM FESTIVAL LINEUP

FOR IMMEDIATE RELEASE

Park City, UT— The final pieces of the 2017 Sundance Film Festival feature film program fall into place today, as Sundance Institute announces the lineup for Premieres, Documentary Premieres, Midnight, Spotlight, Kids and Special Events. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort January 19-29.

Three projects announced today are part of The New Climate, the Festival’s new environmental program: Rancher, Farmer, Fisherman (Documentary Premieres), Look & See: A Portrait of Wendell Berry (Spotlight) and RISE (Special Events).

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John Cooper, Director of the Sundance Film Festival, said, “Some of the most pressing themes that we can trace through the Festival lineup — the environment, political upheaval, social change — are distilled to their very human essences in both comic and dramatic stories. These stories, and the conversations they spark, start here and will extend well beyond the mountain and the Festival in the months ahead.”

Trevor Groth, Director of Programming for the Sundance Film Festival, said, “Powerful visions of our times — past, present and future — resound throughout these sections. Inspired storytellers are shining a light on urgent issues or providing an exhilarating escape from them. From citizen journalists to robust and powerful roles for women — in front of and behind the camera — these projects are a testament to the force and value of the individual.”

Among the films that have premiered in these sections in recent years are Boyhood, Under The Shadow, Twenty Feet from Stardom, Captain Fantastic, The Lobster, Mistress America, Manchester By The Sea, Mapplethorpe: Look at the Pictures, Shaun the Sheep, O.J.: Made in America and The Jinx: The Life and Deaths of Robert Durst.

For a full list of films announced to date, including selections for the U.S. and World Competitions, NEXT and New Frontier, visit sundance.org/festival. The Short Film program announcement will be forthcoming.

PREMIERES
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year.

Beatriz at Dinner / U.S.A. (Director: Miguel Arteta, Screenwriter: Mike White) — Beatriz, an immigrant from a poor town in Mexico, has drawn on her innate kindness to build a career as a health practitioner. Doug Strutt is a cutthroat, self-satisfied billionaire. When these two opposites meet at a dinner party, their worlds collide and neither will ever be the same. Cast: Salma Hayek, John Lithgow. World Premiere

Before I Fall / U.S.A. (Director: Ry Russo-Young, Screenwriter: Maria Maggenti) — Samantha Kingston has everything. Then, everything changes. After one fateful night, she wakes up with no future at all. Trapped into reliving the same day over and over, she begins to question just how perfect her life really was. Cast: Zoey Deutch, Halston Sage, Logan Miller, Kian Lawley, Elena Kampouris, Diego Boneta. World Premiere

The Big Sick / U.S.A. (Director: Michael Showalter, Screenwriters: Emily V. Gordon, Kumail Nanjiani) — Based on the real-life courtship: Pakistan-born comedian Kumail and grad student Emily fall in love, but they struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail must navigate the crisis with her parents and the emotional tug-of-war between his family and his heart. Cast: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. World Premiere

Call Me by Your Name / Italy, France (Director: Luca Guadagnino, Screenwriters: James Ivory, Luca Guadagnino) — The sensitive and cultivated Elio, only child of the American-Italian-French Perlman family, is facing another lazy summer at his parents’ villa in the beautiful and languid Italian countryside when Oliver, an academic who has come to help with Elio’s father’s research, arrives. Cast: Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar, Esther Garrel, Victoire Du Bois. World Premiere

The Discovery / U.S.A. (Director: Charlie McDowell, Screenwriters: Charlie McDowell, Justin Lader) — In a world where the afterlife has just been scientifically proven—resulting in millions of people taking their own lives to get there—comes this love story. Cast: Jason Segel, Rooney Mara, Robert Redford, Jesse Plemons, Riley Keough, Ron Canada. World Premiere

Fun Mom Dinner / U.S.A. (Director: Alethea Jones, Screenwriter: Julie Rudd) — Four women, whose kids attend the same preschool class, get together for a “fun mom dinner.” When the night takes an unexpected turn, these unlikely new friends realize they have more in common than just marriage and motherhood. Together, they reclaim a piece of the women they used to be. Cast: Katie Aselton, Toni Collette, Bridget Everett, Molly Shannon, Adam Scott, Adam Levine. World Premiere

The Incredible Jessica James / U.S.A. (Director and screenwriter: Jim Strouse) — Jessica James, an aspiring NYC playwright, is struggling to get over a recent breakup. She sees a light at the end of the tunnel when she meets the recently divorced Boone. Together, they discover how to make it through the tough times while realizing they like each other—a lot. Cast: Jessica Williams, Chris O’Dowd, Keith Stanfield, Noël Wells. World Premiere. CLOSING NIGHT FILM

The Last Word / U.S.A. (Director: Mark Pellington, Screenwriter: Stuart Ross Fink) — Harriett is a retired businesswoman who tries to control everything around her. When she decides to write her own obituary, a young journalist takes up the task of finding out the truth, resulting in a life-altering friendship. Cast: Shirley MacLaine, Amanda Seyfried, Anne Heche, Thomas Sadoski, Philip Baker Hall. World Premiere

Manifesto / Germany (Director and screenwriter: Julian Rosefeldt) — Can history’s art manifestos apply to contemporary society? An homage to the twentieth century’s most impassioned artistic statements and innovators, from Futurists and Dadaists to Pop Art, Fluxus, Lars von Trier and Jim Jarmusch, this series of reenactments performed by Cate Blanchett explores these declarations’ performative components and political significance. Cast: Cate Blanchett. World Premiere

Marjorie Prime / U.S.A. (Director and screenwriter: Michael Almereyda) — In the near future—a time of artificial intelligence—86-year-old Marjorie has a handsome new companion who looks like her deceased husband and is programmed to feed the story of her life back to her. What would we remember, and what would we forget, if given the chance? Cast: Jon Hamm, Geena Davis, Lois Smith, Tim Robbins. World Premiere

Mudbound / U.S.A. (Director: Dee Rees, Screenwriters: Virgil Williams, Dee Rees) — In the post–World War II South, two families are pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad. This epic pioneer story is about friendship, heritage and the unending struggle for and against the land. Cast: Carey Mulligan, Jason Clarke, Jason Mitchell, Mary J. Blige, Garrett Hedlund, Jonathan Banks. World Premiere

The Polka King / U.S.A. (Director: Maya Forbes, Screenwriters: Maya Forbes, Wally Wolodarsky) — Based on the remarkable true story of the world’s only known Polka Ponzi scheme, this mix of comedy and tragedy is about Jan Lewan, a polish immigrant who believed in the American Dream. But with big dreams came big mistakes for the man who became the “King of Pennsylvania Polka.” Cast: Jack Black, Jenny Slate, Jason Schwartzman, Jacki Weaver, J.B. Smoove. World Premiere

Rebel in the Rye / U.S.A. (Director and screenwriter: Danny Strong) — This portrait of the life and mind of reclusive author J.D. Salinger goes from the bloody front lines of World War II to his early rejections and the PTSD-fueled writer’s block that led to his iconic novel, The Catcher in the Rye. Cast: Nicholas Hoult, Kevin Spacey, Sarah Paulson, Zoey Deutch, Hope Davis, Victor Garber. World Premiere

Rememory / U.S.A., Canada (Director: Mark Palansky, Screenwriters: Michael Vukadinovich, Mark Palansky) — A visionary inventor found dead. A machine that can record people’s memories. A man haunted by the past. This noir mystery explores the ways in which memory defines the present. Cast: Peter Dinklage, Julia Ormond, Martin Donovan, Anton Yelchin, Henry Ian Cusick, Evelyne Brochu. World Premiere

Sidney Hall / U.S.A. (Director: Shawn Christensen, Screenwriters: Shawn Christensen, Jason Dolan) — Over the course of 12 years, and three stages of life, Sidney Hall falls in love, writes the book of a generation and then disappears without a trace. Cast: Logan Lerman, Elle Fanning, Kyle Chandler, Michelle Monaghan, Nathan Lane, Margaret Qualley. World Premiere

Where is Kyra? / U.S.A. (Director: Andrew Dosunmu, Screenwriters: Andrew Dosunmu, Darci Picoult) — Pushed to the brink after losing her job, a woman struggles to survive. As the months pass and her troubles deepen, she embarks on a perilous and mysterious journey that threatens to usurp her life. Cast: Michelle Pfeiffer, Kiefer Sutherland. World Premiere

Wilson / U.S.A. (Director: Craig Johnson, Screenwriter: Daniel Clowes) — Wilson, a lonely, neurotic and hilariously honest middle-aged misanthrope, reunites with his estranged wife and gets a shot at happiness when he learns he has a teenage daughter he has never met. In his uniquely outrageous and slightly twisted way, he sets out to connect with her. Cast: Woody Harrelson, Laura Dern, Judy Greer. World Premiere

Wind River / U.S.A. (Director and screenwriter: Taylor Sheridan) — An FBI agent teams with the town’s veteran game tracker to investigate a murder that ocurred on a Native American reservation. Cast: Jeremy Renner, Elizabeth Olsen, Jon Bernthal. World Premiere

DOCUMENTARY PREMIERES
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries.

500 YEARS / U.S.A. (Director: Pamela Yates) — From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society. World Premiere

Cries from Syria / U.S.A., Syria, Czech Republic (Director: Evgeny Afineevsky) — This documentary attempts to recontextualize the European migrant crisis and ongoing hostilities in Syria, through eyewitness and participant testimony. Children and parents recount the revolution, civil war, air strikes, atrocities and ongoing humanitarian aid crises, in a portrait of recent history and the consequences of violence. World Premiere

Give Me Future: Major Lazer in Cuba / U.S.A., Cuba (Director: Austin Peters) — In the spring of 2016, global music sensation Major Lazer performed a free concert in Havana, Cuba—an unprecedented show that drew an audience of almost half a million. This concert documentary evolves into an exploration of youth culture in a country on the precipice of change. World Premiere

Legion of Brothers / U.S.A. (Director: Greg Barker) — Afghanistan, immediately post-9/11: Small teams of Green Berets arrive on a series of secret missions to overthrow the Taliban. What happens next is equal parts war origin story and cautionary tale, illuminating the nature and impact of 15 years of constant combat, with unprecedented access to U.S. Special Forces. World Premiere

Oklahoma City / U.S.A. (Director: Barak Goodman) — The bombing of the Alfred P. Murrah Federal Building in Oklahoma City in April 1995 is the worst act of domestic terrorism in American history; this documentary explores how a series of deadly encounters between American citizens and federal law enforcement—including the standoffs at Ruby Ridge and Waco—led to it. World Premiere

Rancher, Farmer, Fisherman / U.S.A. (Directors: Susan Froemke, John Hoffman, Beth Aala) — From the Montana Rockies to the wheat fields of Kansas and the Gulf of Mexico, families who work the land and sea are crossing political divides to find unexpected ways to protect the natural resources vital to their livelihoods. These are the new heroes of conservation, deep in America’s heartland. World Premiere. THE NEW CLIMATE

TAKE EVERY WAVE: The Life of Laird Hamilton / U.S.A. (Director: Rory Kennedy) — This is the remarkable story of an American icon who changed the sport of big wave surfing forever. Transcending the surf genre, this in-depth portrait of a hard-charging athlete explores the fear, courage and ambition that push a man to greatness—and the cost that comes with it. World Premiere

Tell Them We Are Rising: The Story of Black Colleges and Universities / U.S.A. (Director: Stanley Nelson) — A haven for Black intellectuals, artists and revolutionaries—and path of promise toward the American dream—Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for 150 years. For the first time ever, their story is told. World Premiere

This Is Everything: Gigi Gorgeous / U.S.A. (Director: Barbara Kopple) — Are there limits to your love for your family? One family’s acceptance is tested when a champion diver, destined for the Olympics, announces he’s transitioning into a woman—and invites his YouTube followers along for every moment. It’s a story about unconditional love and finding the courage to be yourself. World Premiere

Untitled Lucy Walker / Buena Vista Social Club Documentary / U.S.A., United Kingdom, Cuba (Director: Lucy Walker) — The musicians of the Buena Vista Social Club exposed the world to Cuba’s vibrant culture with their landmark 1997 album. Now, against the backdrop of Cuba’s captivating musical history, hear the band’s story as they reflect on their remarkable careers and the extraordinary circumstances that brought them together. World Premiere

MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour.

78/52 / U.S.A. (Director: Alexandre Philippe) — This is an unprecedented look at the iconic shower scene in Alfred Hitchcock’s Psycho, the “man behind the curtain,” and the screen murder that profoundly changed the course of world cinema. World Premiere

Bad Day for the Cut / Northern Ireland (Director: Chris Baugh, Screenwriters: Chris Baugh, Brendan Mullin) — A middle-aged Irish farmer, who still lives at home with his mother, sets off on a mission of revenge when the old lady is murdered. Cast: Nigel O’Neill, Susan Lynch, Józef Pawłowski, Stuart Graham, Anna Próchniak, Ian McElhinney. World Premiere

Bitch / U.S.A. (Director and screenwriter: Marianna Palka) — A woman snaps under crushing life pressures and assumes the psyche of a vicious dog. Her philandering, absentee husband is forced to become reacquainted with his four children and sister-in-law as they attempt to keep the family together during this bizarre crisis. Cast: Jason Ritter, Jaime King, Marianna Palka, Brighton Sharbino, Rio Mangini, Kingston Foster. World Premiere

Bushwick / U.S.A. (Directors: Cary Murnion, Jonathan Milott, Screenwriters: Nick Damici, Graham Reznick) — Lucy emerges from a Brooklyn subway to find that her neighborhood is under attack by black-clad military soldiers. An ex-Marine corpsman, Stupe, reluctantly helps her fight for survival through a civil war, as Texas attempts to secede from the United States of America. Cast: Dave Bautista, Brittany Snow, Angelic Zambrana, Jeremie Harris, Myra Lucretia Taylor, Arturo Castro. World Premiere

Killing Ground / Australia (Director and screenwriter: Damien Power) — Ian and Samantha arrive at an isolated campsite to find an SUV and a tent—with no sign of the occupants. The discovery of a distressed child wandering in the woods unleashes a terrifying chain of events that will test the young couple’s breaking point. Cast: Aaron Pedersen, Ian Meadows, Harriet Dyer, Aaron Glenane. International Premiere

Kuso / U.S.A. (Director: Steven Ellison, Screenwriters: Steven Ellison, David Firth, Zach Fox) — Broadcasting through a makeshift network of discarded televisions, this story is tangled up in the aftermath of Los Angeles’s worst earthquake nightmare. Travel between screens and aftershocks into the twisted lives of the survived. Cast: Iesha Coston, Zack Fox, Hannibal Buress, The Buttress, Tim Heidecker, Mali Matsuda. World Premiere

The Little Hours / U.S.A. (Director and screenwriter: Jeff Baena) — A young servant fleeing from his master takes refuge at a dysfunctional convent in medieval Tuscany. Cast: Alison Brie, Dave Franco, Kate Micucci, Aubrey Plaza, John C. Reilly, Molly Shannon. World Premiere. DAY ONE

XX / U.S.A. (Directors and screenwriters: Annie Clark, Karyn Kusama, Roxanne Benjamin, Jovanka Vuckovic) — This all-female horror anthology features four dark tales from four fiercely talented women. Cast: Natalie Brown, Melanie Lynskey, Breeda Wool, Christina Kirk. World Premiere

SPOTLIGHT
The Spotlight program is a tribute to the cinema we love from throughout the past year.

Colossal / U.S.A. (Director and screenwriter: Nacho Vigalondo) — An unapologetic party girl dreams of a fresh start only to discover a mysterious and fantastical connection between herself and a city-wrecking monster on the other side of the globe. Cast: Anne Hathaway, Dan Stevens, Jason Sudeikis, Tim Blake Nelson, Austin Stowell.

Frantz / France, Germany (Director: François Ozon, Screenwriters: François Ozon, Philippe Piazzo) — In a small German town after World War I, Anna mourns daily at the grave of her fiancé, Frantz, killed in battle in France. One day a young Frenchman, Adrien, also lays flowers at the grave. His presence, so soon after the German defeat, ignites passions. Cast: Pierre Niney, Paula Beer, Ernst Stötzner, Marie Gruber, Johann von Bülow, Anton von Lucke.

Lady Macbeth / United Kingdom (Director: William Oldroyd, Screenwriter: Alice Birch) — Rural England, 1865: Katherine is stifled by her loveless marriage to a bitter man and his unforgiving family. When she embarks on a passionate affair with a stableman from the estate, the force unleashed inside her is so powerful that she will stop at nothing to get what she wants. Cast: Florence Pugh, Cosmo Jarvis, Paul Hilton, Naomi Ackie, Christopher Fairbank. U.S. Premiere

Look and See: A Portrait of Wendell Berry / U.S.A. (Directors: Laura Dunn, Jef Sewell) — This cinematic portrait of the changing landscapes and shifting values of rural America in the era of industrial agriculture is seen through the mind’s eye of farmer and writer Wendell Berry. THE NEW CLIMATE

Raw / France (Director and screenwriter: Julia Ducournau) — When a young vegetarian undergoes a carnivorous hazing ritual at vet school, she develops an unbidden taste for meat, with unexpected consequences. Cast: Garance Marillier, Ella Rumpf, Rabah Nait Oufella, Laurent Lucas, Joana Preiss.

Sami Blood / Sweden (Director and screenwriter: Amanda Kernell) — Elle Marja, 14, is a reindeer-breeding Sámi girl. Exposed to race biology examinations at her boarding school and the racism of the 1930s, she starts dreaming of another life—one that demands she become someone else and break all ties with her family and culture. Cast: Lene Cecilia Sparrok, Mia Sparrok, Maj-Doris Rimpi, Olle Sarri, Hanna Alström, Malin Crépin. U.S. Premiere

Their Finest / United Kingdom (Director: Lone Scherfig, Screenwriter: Gaby Chiappe) — During the 1940 London Blitz, untried screenwriter Catrin struggles to find her voice amidst war, as she and a makeshift cast work under fire to create a film to lift the nation’s spirits—and inspire America to join the war. Cast: Gemma Arterton, Sam Claflin, Bill Nighy, Jack Huston, Jake Lacy, Jeremy Irons. U.S. Premiere

KIDS
This section of the Festival is especially for our youngest independent film fans. Programmed in cooperation with Utah Film Center, which presents the annual Tumbleweeds Film Festival, Utah’s premiere film festival for children and youth.

The Mars Generation / U.S.A. (Director: Michael Barnett) — Aspiring teenage astronauts reveal that a journey to Mars is closer than you think. World Premiere. SALT LAKE CITY OPENING NIGHT FILM

My Life as a Zucchini / Switzerland, France (Director: Claude Barras, Screenwriter: Céline Sciamma) — After his mother’s death, Zucchini is befriended by a police officer, Raymond, who accompanies him to a foster home filled with other orphans his age. There, with the help of his newfound friends, Zucchini eventually learns to trust and love as he searches for a new family of his own. World Premiere (English Version)

RED DOG: True Blue / Australia (Director: Kriv Stenders, Screenwriter: Daniel Taplitz) — When 11-year-old Mick is shipped off to his grandfather’s cattle station in Australia’s remote Pilbara, he prepares himself for a life of dull hardship but instead finds myth, adventure and a friendship with a scrappy, one-of-a-kind pup that will change his life forever. Cast: Levi Miller, Bryan Brown, Hanna Mangan-Lawrence, Thomas Cocquerel, Jason Isaacs. North American Premiere

SPECIAL EVENTS
One-of-a-kind moments highlighting new independent works that add to the unique Festival experience. An evolving section, this year includes episodic work, short films and live post-screening discussions.

Downward Dog / U.S.A. (Showrunners: Kat Likkel, John Hoberg, Creators: Michael Killen, Samm Hodges) — The story of a struggling millennial, Nan, as observed from the point of view of her lonely and philosophical dog, Martin. The Festival will premiere the first four episodes of the series, followed by an extended Q&A with the cast, creators and showrunners. Cast: Allison Tolman, Samm Hodges, Lucas Neff, Kirby Howell-Baptiste, Barry Rothbart. World Premiere

The History of Comedy / U.S.A. (Executive Producers: Mark Herzog, Christopher G. Cowen, Sean Hayes, Todd Milliner) — Utilizing archival footage punctuated by contemporary interviews with comedy legends and scholars, this is the history of not only what makes us laugh, but how comedy has affected the social and political landscape throughout history. The Festival will premiere two episodes of this docuseries, Spark of Madness and Going Blue, followed by an extended Q&A. World Premiere

I Love Dick / U.S.A. (Directors: Jill Soloway, Andrea Arnold, Kimberly Peirce, Executive Producers: Jill Soloway, Sarah Gubbins, Andrea Sperling, Victor Hsu) — Chris and Sylvere, a married couple in the intellectual community of Marfa, Texas, become obsessed with a charismatic artist named Dick. What follows is the unraveling of a marriage, the deification of a reluctant messiah and the awakening of the female gaze. The Festival will present the first three episodes of this Amazon original series, followed by an extended Q&A. Cast: Kevin Bacon, Kathryn Hahn, Griffin Dunne, Roberta Colindrez, India Menuez, Phoebe Robinson. World Premiere

RISE / Canada (Director and screenwriter: Michelle Latimer) — This vibrant and immersive documentary series explores the front lines of indigenous resistance. Episodes Apache Stronghold, Sacred Water and Red Power examine factors that threaten indigenous liberation in the 21st century. A series of contrasts, this series is both a condemnation of colonialism and a celebration of indigenous peoples. Continuing Sundance Institute’s ongoing commitment to presenting bold stories from within the Native American and Indigenous communities, we are proud to debut three episodes: Apache Stronghold, Sacred Water and Red Power, followed by an extended Q&A. World Premiere. THE NEW CLIMATE

Shots Fired / U.S.A. (Executive Producers: Gina Prince-Bythewood, Reggie Rock Bythewood, Brian Grazer, Francie Calfo) — After racially-charged shootings in a North Carolina town, an investigator digs into the cases alongside a special prosecutor. Together they seek justice while navigating the ensuing media attention and public unrest threatening the divided town. The Festival will premiere two episodes of this 10-hour series, followed by an extended Q&A. Cast: Sanaa Lathan, Stephan James, Helen Hunt, Richard Dreyfuss, Stephen Moyer, Mack Wilds. World Premiere

TIME: The Kalief Browder Story / U.S.A. (Director: Jenner Furst, Executive Producers: Jenner Furst, Shawn “Jay Z” Carter, Harvey Weinstein, David C. Glasser, Nick Sandow, Julia Willoughby Nason, Michael Gasparro) — After his arrest at age 16, Kalief Browder fought the system and prevailed, despite unthinkable circumstances. He became an American hero. The Festival will debut the first two episodes of this in-depth, humanizing look at a broken justice system, followed by an extended Q&A. World Premiere

Docuseries Showcase — The Festival is proud to debut individual episodes from two exciting new Netflix docuseries, featuring an extended Q&A with directors Morgan Neville and Rashida Jones.

  • Abstract: The Art of Design / U.S.A. (Director and executive producer: Morgan Neville) — A look beyond blueprints and computers into the art and science of design, showcasing great designers from every discipline whose work shapes our world. The Festival will debut one episode of the series, followed by an extended Q&A with Director and Executive Producer Morgan Neville. Cast: Christoph Niemann. World Premiere
  • Hot Girls Wanted: Turned On / U.S.A. (Director: Rashida Jones, “Women on Top,” Executive Producers: Rashida Jones, Ronna Gradus, Jill Bauer, Peter LoGreco) — Porn has gone mainstream; the question is, can we handle it? This exploration of the intersection of sex and technology is told through the stories of the people whose lives are defined by the current explosion of internet porn—whether they’re creating it, consuming it, or both. The Festival will debut one episode of the series, followed by an extended Q&A with Director and Executive Producer Rashida Jones. World Premiere

Independent Pilot Showcase — We are proud to present the world premieres of these outstanding pilot presentations, highlighting the best in episodic series work from the independent community.

  • Playdates / U.S.A. (Writers: Giles Andrew, Dan Marshall, Creators: Giles Andrew, Dan Marshall, Alex Bourne) — Uprooted from their Midwestern life, Bennett, a new stay-at-home dad, and Julie, a working mom, are forced to take their kids on playdates inside the elitist parenting culture of Silicon Beach. Cast: Paul Scheer, Carla Gallo, Miles Fisher, Craig Frank, Gemma Brooke Allen, Landon Gordon. World Premiere
  • Shit Kids / U.S.A. (Director and creator: Kyle Dunnigan) — The daughter of an earth-shatteringly boring couple, along with the son of an equally humdrum set of parents, have decided to plot their parents’ murders. Cast: Kyle Dunnigan, Kevin Berntson, Candace Brown, Margee Magee, Grace van Dien, Doug Noble. World Premiere
  • When The Street Lights Go On / U.S.A. (Director: Brett Morgen, Screenwriters: Eddie O’Keefe, Chris Hutton) — The residents of a small town grapple with the ruthless killing of a young girl and a teacher. Cast: Max Burkholder, Odessa Young, Adam Long, Ben Winchell, Kelli Mayo, Graham Beckel. World Premiere

Made in Cuba — We are proud to present these three cinematic and affecting Cuban short documentaries, reflecting Sundance Institute’s longstanding commitment to international artists. These films were guided by the Institute’s Documentary Film Program in collaboration with La Escuela Internacional de Cine y TV (EICTV) and The Guardian Multimedia Program.

  • Connection (Conectifai) / Cuba (Director: Horizoe Garcia Miranda) — ETECSA—Cuba’s only telephone company—installed Wi-Fi routers in 18 public parks in 2016. For many Cubans, this meant being able to go online for the first time. This film shows us how Cubans of all ages initially explore social media, online dating and more. U.S. Premiere
  • Great (Muy Bien) / Cuba (Director: Sheyla Pool Pástor) — The United States restored diplomatic relations with Cuba in 2015, making it no longer unrealistic for Cubans to dream of one day living and working abroad. Cubans of all ages and diverse aspirations enroll at the makeshift Big Ben English school in Havana. U.S. Premiere
  • House for Sale (Casa en Venta) / Cuba (Director: Emanuel Giraldo Betancur) — After more than 50 years, the ban on individuals in Cuba selling their houses was lifted in 2011. Three Cubans invite us into their homes—full of memories, souvenirs and family members—to hear their “sales pitch.” U.S. Premiere

Midnight Episodic Showcase — For the after-dark crowd, we present the world premieres of two thrilling new episodic additions to our Midnight lineup: Pineapple, from Adaptive Studios, and Snatchers, from Stage 13, followed by an extended Q&A with the creators of both series.

  • Pineapple / U.S.A. (Director and writer: Arkasha Stevenson) — When a miner’s daughter is assaulted in the local coal mine, she utters only one word, leaving the town’s sheriff baffled. The event quickly spirals out of control, impacting the entire town. The Festival will premiere three short-form episodes of this uniquely cinematic drama series. Cast: Tyler Vickers, Kel Owens, Ron Gilbert, Gloria Vonn, Lucille Sharp, Brooklyn Robinson. World Premiere
  • Snatchers / U.S.A. (Directors: Stephen Cedars, Benji Kleiman, Screenwriters: Scott Yacyshyn, Benji Kleiman, Stephen Cedars) — After status-obsessed teen Sara has sex for the first time, she wakes up the next day nine months pregnant—with an alien. Turning to her nerdy ex-bestie, Hayley (the only person she can trust without ruining her reputation), they strive to put an end to all the carnage. The Festival will premiere eight short-form episodes of this otherworldly horror-comedy series. Cast: Mari Nepi, Gabrielle Elyse, Austin Fryberger, J.J. Nolan, Nick Gomez, Rich Fulcher. World Premiere

Short-Form Episodic Showcase — A celebration of the evolving landscape of content consumption, we present these short-form episodic series as new voices in the medium, defying broadcast boilerplates with a redefinition of traditional episodic conventions.

  • The Chances / U.S.A. (Director: Anna Kerrigan, Creators: Josh Feldman, Shoshannah Stern) — Best friends Kate and Michael, who are deaf, try their best to see their friendship through new changes in their lives, as Kate adjusts to being newly married and Michael attempts to get over his ex-boyfriend. The Festival will debut five episodes of this short-form episodic series. Cast: Josh Feldman, Shoshannah Stern, Aaron Costa Ganis, Lucas Near-Verbrugghe, Darryl Stephens, Wilson Cruz. World Premiere
  • Gente-fied / U.S.A. (Creator: Marvin Lemus, Executive Producers: Charles D. King, Aaliyah Williams, America Ferrera) — Seven characters deal with the effects of change in LA’s Boyle Heights. Bicultural millennials and old-school business owners hustle to create spaces that celebrate their Latino identities—even while faced with rent hikes, a housing crisis, and a steady stream of outsiders threatening to gentrify their barrio. The Festival will debut three episodes of this short- form episodic series. Cast: Edsson Morales, Alicia Sixtos, Victoria Ortiz, Yareli Arizmendi, Salvador Velez Jr, Rafael Sigler. World Premiere
  • Strangers / U.S.A. (Director: Mia Lidofsky, Executive Producers: Michael B. Clark, Alex Turtletaub, Jesse Peretz, Mia Lidofsky) — Isobel decides to rent out her spare bedroom in order to generate much-needed extra income after a messy and painful breakup. With the help of her best friend, she navigates the most emotionally, sexually and professionally complicated time of her life, while hosting a constant stream of new guests. The Festival will debut the first three episodes of this short- form episodic series. Cast: Zoë Chao, Meredith Hagner, Jemaine Clement, Breeda Wool, Matthew Oberg, Shiri Appleby. World Premiere

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern WildFruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshinesex, lies, and videotapeReservoir Dogs, Hedwig and the Angry InchAn Inconvenient TruthPrecious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

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Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

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SUNDANCE INSTITUTE ANNOUNCES SHORTS FOR 2017 SUNDANCE FILM FESTIVAL

DECEMBER 6, 2016  

FOR IMMEDIATE RELEASE                              

Park City, UT — Sixty-eight short films, announced today, will complement the lineup of longer fare at the 2017 Sundance Film Festival. The short film slate aligns thematically with other Festival categories, including Midnight and The New Climate, the Festival’s new programming strand highlighting climate change and the environment. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort January 19-29.

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The Institute’s support for short films extends internationally and year-round. Select Festival short films are presented as a traveling program at over 50 theaters in the U.S. and Canada each year, and short films and filmmakers take part in regional Master Classes geared towards supporting emerging shorts-makers  in several cities. Sundance Institute’s Documentary Film Program, supported by the John D. and Catherine T. MacArthur Foundation and in partnership with The Guardian and The New York Times’ Op-Docs, provides grants to makers of documentary shorts around the world, including new filmmakers in Cuba featured in a Special Event program at this year’s Festival.

Mike Plante, Senior Programmer for the Sundance Film Festival, said, “Each year we see more short films from around the country and from more regions around the world, which is exciting as we want to discover new voices to support. This year’s crop captures the full spectrum of what short films can be: emotional, hilarious, horrifying and touching — sometimes all at once.”

Among the shorts the Festival has shown in recent years are World of Tomorrow, Thunder Road, Whiplash, The Tsunami and the Cherry Blossom, Gregory Go Boom and Edmond.

The Short Film program is presented by YouTube.

U.S. NARRATIVE SHORT FILMS

American Paradise / U.S.A. (Director and screenwriter: Joe Talbot) — A desperate man in Trump’s America tries to shift his luck with the perfect crime in this story inspired by true events.

Cecile on the Phone / U.S.A. (Director: Annabelle Dexter-Jones, Screenwriters: Annabelle Dexter-Jones, Ellen Greenberg) — Overwhelmed by doubt and confusion after her ex-boyfriend’s return to New York, Cecile embarks on a series of telephone conversations that serve only to distract her from the one conversation she really needs to have.

Come Swim / U.S.A. (Director and screenwriter: Kristen Stewart) — This is a diptych of one man’s day, half impressionist and half realist portraits.

GOOD CRAZY / U.S.A. (Director and screenwriter: Rosa Salazar) — A complex chick deals with a vanilla beau, a shitty brunch and a dead coyote all in a Los Angeles day. There’s batshit crazy and then there’s good crazy—she fits somewhere in between.

Hardware / U.S.A. (Director: Stephen Jacobson, Screenwriters: Ellen Stringer, Stephen Jacobson) — An amateur electronic-drum enthusiast travels to a housewares trade show looking to strike up the perfect business partnership. When things don’t go as planned, he finds himself at the mercy of the electronic drumbeat playing in his head.

Hold On / U.S.A. (Director and screenwriter: Christine Turner) — Family bonds are tested when a young man is left to care for his grandmother one morning.

Hot Seat / U.S.A. (Director and screenwriter: Anna Kerrigan) — Teenaged Andrea uses a male stripper to gain the respect and admiration of cool girl Daphne in this exploration of coming-of-age sexuality and teen girls’ complex relationships, based on a true story.

I Know You from Somewhere / U.S.A. (Director and screenwriter: Andrew Fitzgerald) — A young woman incurs the wrath of the internet after she inadvertently becomes a viral sensation.

Kaiju Bunraku / U.S.A. (Directors: Lucas Leyva, Jillian Mayer, Screenwriter: Lucas Leyva) — Here’s a day in the life of a husband and wife living in a world of giant monsters.

Laps / U.S.A. (Director and screenwriter: Charlotte Wells) — On a routine morning, a woman on a crowded New York City subway is sexually assaulted in plain sight.

LostFound / U.S.A. (Director: Shakti Bhagchandani, Screenwriters: Shakti Bhagchandani, Emre Gulcan) — This story portrays a day in the life of a woman in the Nation of Islam.

Lucia, Before and After / U.S.A. (Director and screenwriter: Anu Valia) — After traveling 200 miles, a young woman waits out Texas’s state-mandated 24-hour waiting period before her abortion can proceed.

New Neighbors / U.S.A. (Director and screenwriter: E.G. Bailey) — How far will a mother go to protect her children?

Night Shift / U.S.A. (Director and screenwriter: Marshall Tyler) — Get a glimpse into a day in the life of a bathroom attendant in a Los Angeles nightclub.

Rubber Heart / U.S.A. (Director: Lizzy Sanford, Screenwriters: Lizzy Sanford, Anna Cordell) — After a painful dry spell, a woman attempts to have a one-night stand.

Shinaab / U.S.A. (Director and screenwriter: Lyle Corbine) — A young Anishinaabe man struggles with his place in the inner city of Minneapolis.

Toru / U.S.A. (Directors and screenwriters: Jonathan Minard, Scott Rashap) — An infant’s life is transformed by a new technology.

INTERNATIONAL NARRATIVE SHORT FILMS

5 Films About Technology / Canada (Director and screenwriter: Peter Huang) — Take a satirical look at the dumber side of technology.

And so we put goldfish in the pool. / Japan (Director and screenwriter: Makoto Nagahisa) — One summer day, 400 goldfish were found in the swimming pool of a secondary school. This is a story about the four 15-year-old girls who put them there.

And The Whole Sky Fit In The Dead Cow’s Eye / Chile, U.S.A. (Director and screenwriter: Francisca Alegría) — Emeteria is visited by the ghost of her patrón, Teodoro. She believes he has come to take her to the afterlife—but he has more devastating news.

Dadyaa — The Woodpeckers of Rotha / Nepal, France (Directors and screenwriters: Pooja Gurung, Bibhusan Basnet) — Atimaley and Devi’s village is haunted by memories. When a dear friend leaves the village without saying goodbye, the old couple faces a dilemma: keep living with the memories or leave the village for good?

Dawn of the Deaf / United Kingdom (Director and screenwriter: Rob Savage) — When a strange sound wipes out the hearing population, a small group of deaf people must band together to survive.

Dear Mr. Shakespeare / United Kingdom (Director: Shola Amoo, Screenwriter: Phoebe Boswell) — An exploration of Shakespeare’s intentions when writing Othello explores the play’s racial themes in historical and contemporary settings, and draws wider parallels between immigration and blackness in the UK today.

The Geneva Convention / France (Director and screenwriter: Benoit Martin) — As Hakim is waiting for the bus after class, he is caught in a vendetta between teenagers. He’s not exactly keen to be involved, but can he avoid it?

HEAT / Poland (Directors and screenwriters: Agata Trzebuchowska, Mateusz Pacewicz) — A young boy does an unusual favor for a friend, assuming his identity to visit his senile grandmother. The woman takes him for a walk, and tells him about the biggest mystery of her life.

Kao Shi (A Test) / China (Director and screenwriter: Zuxiang Zhao) — In a small-town high school, days before the college entrance exam, teacher Chen Jun finds out that the father of his most promising student has died in a mining accident. Telling him—or not—bears heavy consequences.

MappaMundi / Austria (Director and screenwriter: Bady Minck) — Through the eyes of cosmic cartographers, the viewer takes a voyage through 950 million years of Earth history and 15,000 years of cartography. This accelerated journey visualizes the change in our world—a change unnoticeable in a single lifetime.

Mare Nostrum / France, Syrian Arab Republic (Directors: Rana Kazkaz, Anas Khalaf, Screenwriter: Rana Kazkaz) — On a Mediterranean shore, a Syrian father makes a decision that puts his daughter’s life at risk.

Pedro / Portugal (Directors and screenwriters: André Santos, Marco Leão) — Pedro gets home at dawn. Before the young boy falls asleep, his lonely mother drags him to the beach.

Slapper / Australia (Director: Luci Schroder, Screenwriters: Luci Schroder, Sam West) — A broke and rebellious teen navigates a suburban wasteland, hustling money for the morning-after pill—before it’s too late.

What Tears Us Apart / France (Director and screenwriter: Wei Hu) — A Chinese couple visits the daughter they gave up for adoption 30 years ago. While meeting the French adoptive parents, language barriers become apparent and the birth mother’s hidden emotions rise to the surface.

DOCUMENTARY SHORT FILMS

Alone / U.S.A. (Director: Garrett Bradley) — This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.

Bayard & Me / U.S.A. (Director: Matt Wolf) — Walter Naegle’s boyfriend, Bayard Rustin, was a famous civil rights activist 30 years Walter’s senior. In the 1980s, Bayard decided to adopt Walter for legal protection. This love story is about a time when gay marriage was inconceivable.

Close Ties / Poland (Director: Zofia Kowalewska) — Barbara and Zdzislaw will soon celebrate their 45th anniversary—despite their constant bickering, and the fact that Zdzislaw spent eight of those years living with another woman. This is a portrait of a relationship that, somewhat inexplicably, perseveres.

Deer Squad: The Movie / U.S.A. (Directors: Pipus Larsen, Kenneth Gug, Scott J. Ross) — Kelvin Peña, a charismatic 17-year-old from rural Pennsylvania, shares his story of going viral after befriending a group of wild deer in his backyard.

The Diver / Mexico (Director: Esteban Arrangoiz) — Julio César Cu Cámara is the chief diver in the Mexico City sewer system. His job is to repair pumps and dislodge garbage that flows into the gutters to maintain the circulation of sewage waters. THE NEW CLIMATE

Fish Story / United Kingdom (Director: Charlie Lyne) — Behind a fishy tale lies this search for the truth.

Hairat / Ethiopia (Director: Jessica Beshir) — This is a visual and lyrical exploration of the nightly ritual between a man in Eastern Ethiopia and his feral companions.

Legal Smuggling with Christine Choy / U.S.A. (Director: Lewie Kloster) — Academy Award–nominated documentary filmmaker Christine Choy undergoes an adventure of wild proportions when she accidentally smuggles cigarettes.

My Father’s Tools / Canada (Director: Heather Condo) — Stephen continues producing traditional baskets to honor his father and thus finds peace in his studio as he connects with the man who taught him the craft.

Project X / U.S.A. (Directors: Laura Poitras, Henrik Moltke) — A top secret handbook takes viewers on an undercover journey to the site of a hidden partnership. Based on NSA documents, this film reveals the inner workings of a windowless skyscraper in Manhattan.

The Rabbit Hunt / U.S.A. (Director: Patrick Bresnan) — On the weekends during the harvest season, 17-year-old Chris and his family hunt rabbits in the sugarcane fields of the Florida Everglades.

Ten Meter Tower / Sweden (Directors: Maximilien Van Aertryck, Axel Danielson) — People who have never been up a 10-meter diving tower must choose whether to jump or climb down in this entertaining study of people in a vulnerable position.

Tough / United Kingdom (Director: Jennifer Zheng) — New light is shed on childhood cultural misunderstandings when a Chinese mother and her British-born daughter speak as adults for the first time. Some things can only be understood with maturity.

Visions of an Island / U.S.A. (Director: Sky Hopinka) — Indigenous and foreign presences coexist on an Alaskan island in the center of the Bering Sea. THE NEW CLIMATE

Waiting for Hassana / Nigeria (Director: Ifunanya Maduka) — In 2014, 276 teenage girls came together for exams in Chibok, Nigeria—by dawn, nearly all had disappeared, and their school was burned to the ground. Jessica, an escapee, shares her haunting account of a friendship violently interrupted by Boko Haram.

White Riot: London / United Kingdom (Director: Rubika Shah) — In 1977, immigration divides Britain. What happens when a punk fanzine challenges the status quo?

MIDNIGHT SHORT FILMS

Do No Harm / New Zealand (Director and screenwriter: Roseanne Liang) — 3:00 a.m., 1980s Hongjing: In an aging private hospital, a single-minded surgeon is forced to break her physician’s oath when violent gangsters storm in to stop a crucial operation.

Fucking Bunnies / Finland (Director: Teemu Niukkanen, Screenwriters: Antti Toivonen, Teemu Niukkanen) — Raimo’s comfortable, middle-class bubble is burst when a Satan-worshipping sex cult moves in next door.

Hot Winter: A film by Dick Pierre / U.S.A. (Director: Jack Henry Robbins, Screenwriters: Jack Henry Robbins, Nunzio Randazzo) — One of the first films in American cinema to address climate change, Hot Winter: A film by Dick Pierre, was also a hardcore porno. All sex scenes have been removed as to not distract from the conscious message. THE NEW CLIMATE

A Nearly Perfect Blue Sky (Un ciel bleu presque parfait) / France (Director and screenwriter: Quarxx) — You might think that Simon lives a monotonous life, but you would be wrong—contrary to appearances, he doesn’t live alone among the ruins of an old farm. Between kidnapper and guardian angel, he never takes his eyes off his roommate.

Pussy / Poland (Director and screenwriter: Renata Gasiorowska) — Alone at home one evening, a young girl decides to have a solo pleasure session—but not everything goes according to plan.

The Robbery / U.S.A. (Director: Jim Cummings, Screenwriters: Jim Cummings, Dustin Hahn) — Crystal robs a liquor store—it goes pretty OK.

Summer’s Puke Is Winter’s Delight / Japan (Director and screenwriter: Sawako Kabuki) — Painful events become memories over time. Still, we vomit and eat again. Life is eco.

ANIMATED SHORT FILMS

The Bald Future / France (Director and screenwriter: Paul Cabon) — Being a bald man sucks. Knowing you’ll become one is worse.

Black Holes / U.S.A., France (Directors and screenwriters: David Nicolas, Laurent Nicolas) — Dave is about to lead the first mission to Mars when he’s teamed up with a sentient melon, who claims to be the reincarnation of a fashion designer, upstaging his big moment and driving him to the brink of madness.

Broken – The Women’s Prison at Hoheneck / Germany (Directors: Volker Schlecht, Alexander Lahl, Screenwriters: Alexander Lahl, Max Mönch) — This animated documentary about Hoheneck, the main women’s prison in former East Germany, is based on original interviews with former inmates. It’s a film about political imprisonment, forced labor and enormous profits on both sides of the Iron Curtain.

Drawn & Recorded: Teen Spirit / U.S.A. (Director: Drew Christie, Screenwriters: Drew Christie, Bill Flanagan) — This is the story behind one of the most iconic songs ever written, animated in the style of a pop-up book.

How’s your prostate? / France (Directors: Jeanne Paturle, Cécile Rousset, Screenwriters: Jeanne Paturle, Cécile Rousset, Cécile Mille) — One friend tells the other about the very strange time when, beside a swimming pool, she learned about her father’s prostate, his erectile function and his nighttime fantasies.

It’s a Date / U.S.A. (Director and screenwriter: Zachary Zezima) — This film explores miscommunication, perceptions and vulnerability in the modern world. Everyone is an alien at first.

Jonas and the Sea / Netherlands (Director: Marlies Van der Wel, Screenwriters: Ruben Picavet, Marlies Van der Wel) — Jonas has dreamed of living in the sea all his life, but it’s impossible. Or is it?

The Laughing Spider / Japan (Director: Keiichi Tanaami) — The early childhood memory of aerial attacks leaves a lasting impression, with strong stimulus and disquiet.

LOVE / France, Hungary (Director and screenwriter: Réka Bucsi) — Abstract haiku-like situations reveal the changing atmosphere on one planet caused by a meteoric impact in a distant solar system. Inhabitants on this pulsing planet become one with each other, in various ways, in this three-chapter exploration of affection.

Nighthawk / Slovenia, Croatia (Director: Špela Čadež, Screenwriters: Gregor Zorc, Špela Čadež) — Attempting to remove an unresponsive badger from a dark road, a police patrol soon realizes that the animal is not dead but rather dead drunk. Things take an even stranger turn when the creature wakes up.

Nutag — Homeland / Canada (Director and screenwriter: Alisi Telengut) — This hand-painted visual poem explores the ideas of diaspora, homeland and the mass deportations of the Kalmyk people during World War II.

Summer Camp Island / U.S.A., South Korea (Director and screenwriter: Julia Pott) — Oscar and his best friend, Hedgehog, just got dropped off at summer camp. Once the parents leave the island, the strangeness lurking beneath the surface is revealed—aliens exist, horses become unicorns and there are monsters under the bed.

Trumpet Man / Hong Kong (Director and screenwriter: Emily Wong) — A turntable springs out a woman named Avocado; her instinct creates a man called Soul. Passion swings both, and an uncertain madness strikes Soul heavily. Seeds of passion breed conflict among five men, eventually leading Soul to a deeper understanding of life.

Victor & Isolina / U.S.A. (Director: William Caballero) — Creatively visualized through 3D printing, two elderly Latinos embark on a resonating he said/she said account of the events that led them to live separately after more than 50 quirky and stressful years together.

One film announced today was funded through a Kickstarter campaign: Black Holes.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern WildFruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshinesex, lies, and videotapeReservoir Dogs, Hedwig and the Angry InchAn Inconvenient TruthPrecious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

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Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

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Q&A: Gosling and Stone on ‘La La Land’ & their movie romance

Posted by Larry Gleeson

By AP Film Writer Jake Coyle

NEW YORK (AP) — Bogart and Bacall. Tracy and Hepburn. Stone and Gosling.

The hugely charming Los Angeles musical “La La Land” seals it: Emma Stone and Ryan Gosling have entered the ranks of great cinematic couples. Their easy rapport together was first hinted at with “Crazy, Stupid, Love,” and carried through the crime drama “Gangster Squad.”

Those, though, were only appetizers to Damien Chazelle’s “La La Land,” in which they star as two flailing aspirants trying to make it in LA. Stone plays an actress, Gosling a jazz pianist. They sing. They dance. They patter like Cary Grant and Katharine Hepburn.

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Ryan Gosling, right and Emma Stone dancing in a scene from their upcoming movie, La La Land. (Photo Credit: Dale Robinette/Lionsgate)

This image released by Lionsgate shows Ryan Gosling, right, and Emma Stone in a scene from, “La La Land.” (Dale Robinette/Lionsgate via AP)

“La La Land,” a resurrection of joyful 1930s studio musicals on contemporary LA streets, is an impassioned argument for the movies, in all their widescreen glory. And part of that vintage Hollywood experience includes big ol’ movie stars.

In an era that has struggled to produce them, Stone and Gosling stand apart as two of our best answers. In “La La Land,” they’re our version of Fred Astaire and Ginger Rogers, maybe not quite as light on their feet (who is?), but more natural and funnier.

How far will they push their on-screen chemistry? “Do you think people would let us do anything together again?” Stone asked her co-star during an interview earlier this fall. “I don’t think we’d be allowed.”

After greeting warmly (Gosling had been shooting “Blade Runner 2049”), the actors sat down to reflect on why they go so well together, their own tortured paths to Hollywood success and just how deep their movie love runs.

AP: Did either of you hesitate about working together again?

STONE: That was an exciting aspect that it was our third thing together. The characters also have by the end five years between them and I think we’d probably known each other that long by that point. It’s kind of nice to not have to find that when the story depends so much on the connection between the two of them.

GOSLING: It’s also nice when you know the people you’re working with. Most of the time, everyone’s a stranger. It’s fine. That’s your job to make it seem like you have a relationship. But it certainly makes it a lot easier when you have one. And you listen to the way that person says their line more closely. You watch the way they’re playing the scene because you know each other. You’re more engaged in the scene than you would be otherwise.

AP: Did you feel a connection right away on your first film together, “Crazy, Stupid, Love”?

GOSLING: We’ve been asked to improvise a lot in the films that we’ve done together. I think even in our first audition we were asked to improvise. That just kind of connects actors in a way that just saying dialogue doesn’t do.

AP: Emma, you started in improv comedy.

STONE: That was the thing I loved to do the most. I thought I was just going to do comedy forever. I’ve always really loved to improvise but maybe strangely less so as time goes on. (She laughs.) Sometimes it’s nice to have a script nailed down. But comedy improv is pretty different from dramatic improv. Comedy improv is a lot of heckling.

AP: You both seem to a certain degree like comedic actors at heart.

STONE: It’s the best. It’s my favorite. Not to the exclusion of other types of films, but I do love comedy. That will always be my first love. (Turns to Gosling.) What do you think?

GOSLING: Well I don’t have as much experience with it…

STONE: But you’re so good at it.

GOSLING: What’s nice about it is you want to feel that whatever you’re doing is working. With comedy, it’s funny or it’s not.

AP: The film portrays some soul-crushing auditions. Were they familiar?

STONE: The first audition was inspired by Ryan’s story.

GOSLING: Yeah, where I had to cry and this lady took a call in the middle of it. And then just told me to go on, “Pick up where I left off.” That was part of what was great about making this film was Damien encouraged us to bring our experiences to these characters.

AP: Were they traumatic experiences?

GOSLING: Yeah, but it was so nice to see it realized in a movie and see Emma doing it. We made some lemonade out of lemons.

AP: Did either of you ever think about giving up?

STONE: I definitely thought about it. It was like a twice a year thing. Every six months there was a little meltdown. I’ve also thought about giving up in the middle of shoots before. “Well, after this one, I’m just never going to work again. That’s going to be fine. I’m never, ever going to work again because this is clearly not for me.”

GOSLING: About two week before shooting. “Can I still get out of this? They have time to find someone else.” It can be very discouraging. It’s kind of built in a way to discourage you. In some ways now being outside of it, I realize how inefficient it is, the auditioning process. It seems to reward people who are good at auditioning, which doesn’t really have anything to do with what happens when you get on set. The kind of people who are really great in a film I think you’ll find are for the most part pretty bad at auditioning. Yet they never feel they need to tinker with that system at all.

AP: How do you feel about being part of a proudly big-screen film like “La La Land” at a time when television is seen as eclipsing the movies?

STONE: I don’t think films are less than TV now, but there are some amazing characters on TV, so I understand why people want to do TV. When movies are at their full glory, I think it’s pretty mind-blowing. What do you think, Ry?

GOSLING: When I first met with Damien, it wasn’t about this. It was just kind of a general meeting. He has a very infectious love of movies but also of the experience of going to the movies. He talked a lot about wanting to make movies that you couldn’t watch on your iPhone, that you really wanted to see in a theater with an audience.

AP: Your love of movies seems clear, since you’ve previously acknowledged stuffing DVDs down your pants.

STONE: You put DVDs down your pants?!

GOSLING: (laughing) VHS. Look, in these kinds of situations, you’re encouraged to say anything. And it’s celebrated. And then you pay the price for that later.

STONE: Was it to be closer to your favorite movie?

GOSLING: No. It was one story a long time ago where I had to hide an R-rated movie from my parents. It was very intimate. This is the danger of this kind of thing that you do because it haunts us.

AP: Well, it’s a very vivid example of movie love.

GOSLING: I do love movies but I love making them more. I’ve never found something professionally that engages me as much as that. You work with such a large group of people and it’s this constant problem solving process that gets you to this end, whatever that is. Sometimes it works and sometimes it doesn’t. It’s always a crapshoot.

STONE: For me, watching movies is what makes me want to make movies. I’m so inspired by watching movies. The process of making it is engaging but I get so reinvigorated every time I see a great movie. Then I feel like I’m the character in the movie for the rest of the day. Then I realize I can’t play that same character I just watched.

AP: What was the first film that you mimicked that way?

STONE: “The Jerk.” Also “Hocus Pocus.” It was a combination of “The Jerk” and “Hocus Pocus,” so it shows my age and not my age. (Turns to Gosling) What was yours?

GOSLING: “Hocus Pocus.”

*Featured photo: Ryan Gosling, left, and Emma Stone posing for a portrait to promote their film, “La La Land,” at the Shangri-La Hotel in Toronto, Sept. 12, 2016. (Photo by Chris Pizzello/Invision/AP)

(Source: http://www.bigstory.ap.org)

Dhruva overseas distribution rights sold for record price

Posted by Larry Gleeson

By Shekhar Hooli

The overseas theatrical rights of Ram Charan and Rakul Preet Singh’s Dhruva have been sold for a record price. The distribution house plans to release the movie in 200 screens in the United States alone.

The hype surrounding Dhruva had created a lot of demand for its overseas distribution screen-shot-2016-11-30-at-8-46-59-pmrights. Several leading distribution houses were in the race to bag the rights, but JOLLYHITS eventually was the one to clinch the deal. JOLLYHITS has earlier distributed around 20 Kannada movies, including Rangitaranga, in the international markets. It’s now entering Tollywood with Dhruva.

JOLLYHITS has reportedly shelled out Rs 6 crore on the overseas distribution rights of Dhruva. Ram Charan’s previous outings — Govindudu Andarivadele and Bruce Lee: the Fighter — fetched Rs 4 crore and Rs 6 crore, respectively, for the sale of their international theatrical rights. Now, Dhruva has fetched another record price for him.

The distribution house plans to release Dhruva in over 200 screens in North America. Vamsi Kaka, the publicist for the movie, tweeted: “As of now, 195 locations are finalised for #Dhruva in the USA . This also includes 20+ IMAX Screens. #Carmike #Cinemark #Regal #AMC.”

Cherry’s Govindudu Andarivadele was released in 2014 in 150 in the US, and was the biggest release for the actor in the country. His next outing, Bruce Lee: the Fighter, shattered this record by hitting 220 screens in the country. Now, Dhruva is set to become his second biggest release in the US.

JOLLYHITS has made some grand plans for the premiere of Dhruva on November 8. They are said to have arranged 160 screens for the premiere of the movie in the country, and the number is likely to be increased to 175 as the day nears. The team of the film is set to attend the premieres in the country on the next Thursday.

Ram Charan is one of most popular young Telugu actors today. The movies of other popular stars, like Pawan Kalyan, Mahesh Babu, Junior NTR, Prabhas, Allu Arjun and Nani, have surpassed $1 million mark at the US box office. But the mega power star is yet to see his first $1 million grosser film in the country. Considering its hype and the volume of release, Dhruva is expected to surpass this mark in the country.

(Source: http://www.ibtimes.co.in)

Streaming And The Shifting Dynamics Of 21st Century Indie Film Distribution

Posted by Larry Gleeson

By Justine Harrison

Ten years ago, MANCHESTER BY THE SEA would have been a Miramax or Paramount Vintage picture. Now? It’s being distributed by a company that began as an online bookseller.

The history of Hollywood is a long and winding one. Over the course of its existence, it has been everything from a series of content factories to an accessory for giant multinationalscreen-shot-2016-11-30-at-3-40-24-pm hybrid companies. It has been through numerous cycles of boom and bust. It has given us both The Terminator and Terminator: Genisys (or as I prefer to call it, Terminator: Spylling Arror). And, as with any institution that exists for an extensive period of time, Hollywood’s methodologies have grown and changed. Low budget genre pictures are no longer made by the dozens on a production assembly line. Directors and actors work job to job, rather than on contracts built around a set number of films. The general structure and tone of blockbusters has changed time and again. And, just as the methods of producing films and the type of films that get made have changed, so too have the methods of getting them out into the world.

When Kenneth Lonergan’s Manchester by the Sea opens in theaters this week, it will be the latest offering from Amazon Films, the film distribution branch of the online bookseller screen-shot-2016-11-30-at-3-42-49-pmturned general internet juggernaut. It will receive both a theatrical and a home media release, but ultimately those are loss leaders for its eventual premiere on Amazon Prime’s streaming service. It will join Chi-Raq, Wiener Dog, The Neon Demon, The Handmaiden and others as part of a sales pitch to its potential audience. That pitch goes something like this – “We have distinctive films by distinctive filmmakers, and if you subscribe to our service, you will have access to them through what is currently being sold as the most accessible way to watch movies and television.” Netflix does something similar with its own original content, although they generally give more promotional focus to their serialized content as opposed to their standalone films. Streaming is still a relatively recent factor in the state of non-blockbuster film distribution, and it has major implications for film as a whole that are still being worked out. But on a purely business level, it is easy to understand why distribution for smaller films has turned so sharply towards streaming in the past few years. Through streaming, Netflix, Amazon and their peers in distribution are making a move that their predecessors could not.

Many of the biggest independent and semi-independent film distributors from the last century have either folded or been dramatically transformed. Miramax and New Line, arguably the biggest and most powerful of these mini-major studios, are now much smaller companies. The Weinstein brothers left Miramax in the 2000s to form The Weinstein Company, and Disney ultimately chose to sell the company off. Its film library, which includes every one of Quentin Tarantino’s pictures up to Kill Bill, is now distributed by former rival Lionsgate. New Line has similarly lost much of the influence it once had, and it now exists as a subsidiary of Warner Brothers. Warner Independent Pictures (Before Sunset, A Scanner Darkly)and Paramount Vantage (No Country for Old Men, Nebraska) have been completely shut down. These companies and subdivisions lived and died on their ability to sell and spread comparatively small, specific movies as comparatively small, specific movies. New Line made its name with A Nightmare on Elm Street and the Teenage Mutant Ninja Turtles franchises, both of which were huge hits in comparison to their budgets. Miramax sold itself as a haven for filmmakers championed as auteurs – Tarantino, Kevin Smith and their peers. Paramount Vantage distributed the Coens after a string of unsuccessful movies, and Warner Independent Pictures backed Richard Linklater on two of his more ambitious projects (his first return to Jesse and Céline, ten years after Before Sunrise and a cell-shaded adaptation of Phillip K. Dick’s quietly dystopian drug war story, featuring a post-rehab pre-Iron Man Robert Downey, Jr.). While some of these movies have become blockbusters, none of them (Teenage Mutant Ninja Turtles aside, and even with the success of the cartoon, New Line could not put Disney money behind their adaptation) could initially have been sold as such. So they narrowed their focus, and tailored their products to a specific audience that they could reach. When they overplayed their hand, or the audience moved on, they failed.

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Streaming enables the targeting of a more specific audience than ever before, for both good and ill. Amazon can play specifically to folks who want to see Manchester by the Sea or The Neon Demon and guarantee that they will have an audience, but it will be just as easy for a movie to get lost in the endless backrows, particularly if it is only pointed out to a specific audience. It’s why I’m glad Amazon has been making a push to get their movies into theaters, and why simultaneously I want them to push harder. They’ve distributed some really amazing movies, and I want those movies to have a life beyond an ad saying that they are now streaming on Amazon Prime.

(Source: http://www.birthmoviesdeath.com)

Mark Wahlberg and Partriots Day Wrap Up 2016 AFI FEST

Closing down this year’s American Film Institutes Film Festival (AFI FEST) presented by Audi on Thursday, November 17th, it’s not so difficult to imagine what might have been had it not been for extraordinary efforts of first-responders, law enforcement and investigators alike in Boston, Mass. Patriots Day, the closing night film, brought to the big screen the story of the 2013 Boston Marathon bombings from several different angles and drew an at-capacity crowd at the TCL Chinese Theatre.

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Patriots Day star actor Mark Wahlberg, left, along with the film’s director, Peter Berg, right, posing on the red carpet at the TCL Chinese Theatre before the screening of Patriots Day as the AFI FEST 2016’s Closing Night film. (Photo credit: The Hollywood Reporter)

Afterwards, Director Peter Berg and star actor Mark Wahlberg called several of the film’s real life heroes down on stage for a rousing standing ovation. They included one of the civilian victims of the bombings, Patrick  Downes;  Dun Meng, the young Chinese man who escaped his captors and alerted police to the whereabouts of the bombers; Boston Police Department Commissioner Ed Davis (played in the film by John Goodman); FBI Special Agent In Charge Richard DesLauriers (played by Kevin Bacon); and Watertown Police Sgt. Jeffrey Puglisese (played by J.K. Simmons).

The night before lead actress Annette Bening sat with director Lisa Cholodenko on the TCL Chinese Theater for a warm and heartfelt conversation before the screening of Writer/Director Mike Mills’ dramedy, 20th Century Women, a story of three women and a make-shift extended family in Santa Barbara during the late 1970’s.

I can honestly say I didn’t see a bad film at AFI FEST 2016 presented by Audi.

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Oulaya Amamra as Dounia (pictured above) in Houda Benyamina’s Divines picked up this year’s New Auteurs Special Jury Mention for Acting. (Photo via geekgirlauthority.com)

Divines , from Houda Benyamina, carted off several winner awards, including the Breakthrough Audience Award, New Auteurs Audience Award, and New Auteurs Special Jury Mention for Acting, Oulaya Amamra. Other favorite films reviewed by HollywoodGlee included Fraud, Jackie, Mifune: The Last Samurai, and Citizen Kane.

Interestingly, this year’s festival opened wide the gates for virtual reality (VR) filmmaking. In addition to several presentations and an extended display of short films complete with VR technology, Anthony Blatt, Co-Founder of Wevr, kicked off the State of the Art Technology Showcase Presented by Google Spotlight Stories as the Keynote Speaker with his enthusiastic remarks on the world of virtual reality in present time.

All in all, this 30th edition of the AFI Film Festival – Hollywood program included a whopping 118 films (79 features, 39 shorts) representing 46 countries, including 33 films directed/co-directed by women, 11 documentaries and 12 animated short films.

Until next year, I’ll see you at the movies!

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(Photo courtesy of Larry Gleeson/HollywoodGlee)

Michelle Yeoh graces red carpet event at opening of Singapore International Film Festival

Posted by Larry Gleeson

By Genevieve Sarah Loh

SINGAPORE: Malaysian superstar Michelle Yeoh was one of the biggest names gracing the red carpet at the opening of this year’s Singapore International Film Festival (SGIFF) on Wednesday (Nov 23). The event flags off the 27th edition of Southeast Asia’s longest-running international film platform.

The recipient of SGIFF’s first-ever Cinema Legend Award last year, Yeoh is the guest-of-honour and will be joined by the likes of homegrown filmmakers Royston Tan and Eric Khoo, as well as local celebrities Felicia Chin, Ian Fang, Suhaimi Yusof, Lim Yu-Beng and Adele Wong.

While Yeoh has reportedly joined the cast of the upcoming Star Trek: Discovery series, she kept mum about details when asked on Wednesday night. “We all grew up (in) the Star Trek generation, so of course I am a big fan,” she said.

Local celebrities Felicia Chin and Ian Fang at the opening of the Singapore International Film Festival. (Photo: Shawn Lim)

Homegrown filmmaker Royston Tan at the opening of this year’s Singapore International Film Festival. (Photo: Shawn Lim)

The region’s film glitterati have also descended on Singapore shores for SGIFF. Indonesian star Nicolas Saputra will be gracing the carpet alongside his Malaysian director Dain Iskandar Said and castmates Nandita Solomon, Iedil Putra, Prisia Nasution, Nadiya Nisaa, Alvin Wong and Chew Kin-wah. Their film Interchange, a fantasy noir supernatural thriller, is the opening film of this year’s SGIFF.

SGIFF 2015 Best Singapore Short Film recipient Gladys Ng. (Photo: Shawn Lim)

Vietnamese-born French filmmaker Tran Anh Hung will also be on the carpet. Renowned for breaking through with his first film The Scent of Green Papaya, his second film Cyclo won him the Golden Lion at the Venice Film Festival in 1995, making him one of the youngest filmmakers to be honoured at the festival at the age of 33.

Several international stars will also be gracing various SGIFF red carpets this year, including Oscar-nominated director Darren Aronofsky and Hollywood star James Marsden who are walking the red carpet on Saturday for the SGIFF benefit dinner.

(Source: http://www.channelnewsasia.com)