Tag Archives: Filmmaking

LA LA LAND to Screen at AFI FEST 2016

LA LA LAND will screen as a Centerpiece Gala at AFI FEST 2016 presented by Audi. The film — from Lionsgate’s Summit Entertainment label — is directed by Academy Award® nominee Damien Chazelle and stars Academy Award® nominees Emma Stone and Ryan Gosling. It will screen on Tuesday, November 15, at the TCL Chinese Theatre.

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LA LA LAND tells the story of Mia (Stone), an aspiring actress, and Sebastian (Gosling), a dedicated jazz musician, who are struggling to make ends meet in a city known for crushing hopes and breaking hearts. Set in modern-day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams.

(Source:www.blog.afi.com)

AFI FEST 2016 Unveils New Auteurs, Shorts, American Independents and Midnight Sections

AFI has announced the films that will be featured in the New Auteurs, Shorts, American Independents and Midnight sections at AFI FEST 2016 presented by Audi. Films in the New Auteurs and Shorts sections are eligible for Grand Jury Awards. The full program information is below.

AFI FEST takes place November 10–17, 2016, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and The Hollywood Roosevelt. The full festival lineup and schedule will be unveiled in October. Go to AFI.com now to purchase Patron Packages, which can include access to Galas and other high-demand films and events.  Individual tickets will be available on AFI.com beginning November 1.

NEW AUTEURS 

Highlighting first- and second-time feature film directors, New Auteurs is the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section is comprised of 10 films, seven of which come from female directors.

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ALWAYS SHINE – When two actress friends get together for a weekend in Big Sur, their hopes for reconnection spiral into jealousy, tension and fragmented identities. DIR Sophia Takal. SCR Lawerence Michael Levine. CAST Mackenzie Davis, Caitlin FitzGerald, Lawrence Michael Levine, Alexander Koch, Jane Adams. USA

BUSTER’S MAL HEART – Rami Malek plays a man split in two by grief in AFI FEST alum Sarah Adina Smith’s visceral, mind-bending mystery. DIR Sarah Adina Smith. SCR Sarah Adina Smith. CAST Rami Malek, Kate Lyn Sheil, DJ Qualls, Mark Kelly, Sukha Belle Potter, Lin Shaye, Toby Huss. USA

DIVINES – A fearless and ferocious teenager and her charismatic best friend strive for money, power and respect by following in the footsteps of a ruthless female drug dealer. DIR Houda Benyamina. SCRS Romain Compingt, Houda Benyamina, Malik Rumeau. CAST Oulaya Amamra, Jisca Kalvanda, Kévin Mischel, Déborah Lukumuena, Yasin Houicha, Majdouline Idrissi. France | Qatar

THE FUTURE PERFECT (EL FUTURO PERFECTO) – In this whimsical debut, a young Chinese immigrant is determined to assimilate into her new home of Buenos Aires, but her traditional Chinese family and Indian beau complicate things. DIR Nele Wohlatz. SCR Nele Wohlatz. CAST Xiaobin Zhang, Saroj Kumar Malik, Mian Jiang, Dong Xi Wang, Nahuel Pérez Biscayart. Argentina

GODLESS – A nurse running scams on her elderly patients calls her hardened life into question when she strikes up a friendship with a retired choirmaster. DIR Ralitza Petrova. SCR Ralitza Petrova. CAST Irena Ivanova, Ivan Nalbantov, Ventzislav Konstantinov, Alexandr Triffonov, Dimitar Petkov. Bulgaria

KATI KATI – In this beautiful, dreamlike depiction of the afterlife, an African woman finds herself in a resort where every soul has their wishes granted — except escape. DIR Mbithi Masya. SCRS Mbithi Masya, Mugambi Nthiga. CAST Nyokabi Gethaiga, Elsaphan Njora, Paul Ogola, Peter King Mwania. Kenya | Germany

KILL ME PLEASE – In this giallo-tinged meditation on puberty, a 15-year-old girl living in Rio de Janeiro must navigate a wave of murders in her neighborhood. DIR Anita Rocha da Silveira. SCR Anita Rocha da Silveira. CAST Valentina Herszage, Dora Freind, Julia Roliz, Mari Oliveira, Bernardo Marinho. Brazil

ONE WEEK AND A DAY (SHAVUA VE YOM) – A man, grieving the death of his son, befriends his stoner neighbor in this wry and moving dramedy. DIR Asaph Polonsky. SCR Asaph Polonsky. CAST Shai Avivi, Evgenia Dodina, Tomer Kapon, Sharon Alexander, Uri Gvariel, Carmit Mesilati-Kaplan, Alona Shauloff. Israel

OSCURO ANIMAL – This gorgeously shot debut follows three Colombian women who are all brutally affected by the country’s armed conflict. DIR Felipe Guerrero. SCR Felipe Guerrero. CAST Marleyda Soto, Jocelyn Meneses, Luisa Vides, Verónica Carvajal, Josué Quiñones, Pedro Suárez, Lorena Vides. Colombia 

STILL LIFE – This simultaneously beautiful and disturbing portrait follows a young nameless worker earning a temporary living in a livestock slaughterhouse. DIR Maud Alpi. SCRS Maud Alpi, Baptiste Boulba. CAST Virgile Hanrot, Dimitri Buchenet, Boston. France

SHORTS

The Shorts selections represent distinct, often far-flung international viewpoints, with 39 films including nine animated films. Shorts filmmakers come from 17 countries, with 12 films from directors who are returning to AFI FEST this year.

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ALL THESE VOICES – A Nazi soldier in disguise encounters a survivors’ avant-garde theater troupe celebrating the end of the war. DIR David Henry Gerson. SCRS David Henry Gerson, Martin Horvat, Brennan Elizabeth Peters. CAST Harrison Thomas, Beata Poźniak, Kristof Konrad, Kinga Philipps, Kasia Kowalczyk, Anthony Nikolchev. USA

BLOODY BARBARA – Barbara roams the streets covered in blood, reenacting the scenes from some of her favorite films. DIR Shawn Bannon. SCR Shawn Bannon. CAST Atheena Frizzell. USA

THE BLOOP – In 1997 an unusual sound was recorded. It lasted one minute and was never heard again. DIR Cara Cusumano. USA

A BRIEF HISTORY OF PRINCESS X – A supercharged history of sculptor Constantin Brancusi’s infamous “Princess X.” DIR Gabriel Abrantes. SCR Gabriel Abrantes. CAST Filipe Vargas, Francisco Cipriano, Joana Barrios. Portugal | France | UK 

A COAT MADE DARK – Two burglars strike it rich after stealing a mysterious coat. DIR Jack O’Shea. SCR Jack O’Shea. CAST Hugh O’Conor, Declan Conlon, Antonia Campbell Hughes. Ireland

CRYSTAL LAKE – A group of girls takes over the half pipe. There on the ramp, with no boys around, they are thriving and visible. DIR Jennifer Reeder. SCR Jennifer Reeder. CAST Marcela Okeke, Shea Glover, Sebastian Summers, Kristyn Zoe Wilkerson, Ron Stevens. USA

DEER FLOWER – A family visit to a deer farm results in a peculiar experience. DIR Kangmin Kim. SCR Kangmin Kim. CAST Kangmin Kim. USA

DIRT – Some things must die to live. DIR Darius Clark Monroe. SCR Darius Clark Monroe. CAST Segun Akande. USA

THE DISAPPOINTMENT TOUR – Three generations of women, crammed into a car along with their emotional baggage, experience an unexpected moment of connection on the side of the road.. DIR Erica Liu. SCR Erica Liu. CAST Michelle Farrah Huang, Grace Shen, Cindera Che, Gaby Santinelli. USA

DRAMATIC RELATIONSHIPS – The male gaze inspected through the relationship between a director and his female actors. DIR Dustin Guy Defa. SCR Dustin Guy Defa. CAST Lindsay Burdge, Elisa Lasowski, Hannah Gross, Keith Poulson, Stephen Gurewitz, Agostina Galvez. USA

DREAMING OF BALTIMORE – Freedom means only one thing: riding your dirt bike in the street, front wheel aimed at the sky. DIR Lola Quivoron. SCRS Lola Quivoron, Pauline Rambeau de Baralon. CAST Clark Gernet, Owen Kanga, Jean-Marie Narainen, Sébastien Lecouvreur, Benjamin Fortin. France

E.W.A – Ewa can’t stop bleeding. DIR Gigi Ben Artzi. SCRS Gigi Ben Artzi, Roy Ben Artzi, Adam Horowitz. CAST Alihah Galyautdinova, Gil Abramov. Ukraine

EARS, NOSE AND THROAT – A woman’s testimonial faculties are confirmed through medical examinations before she recites a tragic story, whose horrors we don’t see, hear or smell, but can imagine far too easily. DIR Kevin Jerome Everson. CAST Shadeena Brooks, Dr. Eric Mansfield, Dr. Heather Honeycutt. USA

FATA MORGANA – A grieving couple is forced to examine their marriage when they journey from China to the United States for the funeral for their only child. DIR Amelie Wen. SCRS Amelie Wen, Jon Keng. CAST Mardy Ma, Liu Peiqi, Anita Liao, Anna Pan, Laurie Faso, Dave Bean, Briana McLean, April Moreau. USA

GLOVE – The true story of a glove that’s been floating in space forever since 1968. DIRS Alexa Lim Haas, Bernardo Britto. CAST Henry Parker. USA

HAM HEADS – Larry and Barry are the world’s oldest living conjoined twins. They live in their brother’s basement. DIR Efren Hernandez. SCR Efren Hernandez. CAST Olan Montgomery, Thomas Montgomery, Mike Montgomery, Madeleine Russell, Robert “Lil’ Bob” McCall, Todd Lewis, Corey Pelizzi. USA

HIDDEN – Possessed by sibling rivalry, Parham must face his role in a series of events that have incapacitated his half-brother. DIR Farzad Ostovarzadeh. SCR Farzad Ostovarzadeh. CAST Daniel Zolghadri, Shary Nassimi, Bardia Seiri, Niousha Jafarian. Iran | USA

HOUNDS – On the day of a would-be promotion, a museum worker must deal with an accident involving a prized sculpture. DIR Omer Tobi. SCR Omer Tobi. CAST Orna Banai, Ilanit Ben Yaacov, Eti Levi, Hila Shalev, Dalia Beger, Anat Vaksman. Israel

ICEBOX – A young boy from Honduras finds himself in a difficult situation when he is arrested at the U.S. border. DIR Daniel Sawka. SCR Daniel Sawka. CAST Anthony Gonzales, Lane Garrison, José Alvarez, Jonathan Castellanos, Jeff Houkal, Sisa Grey, Steven Stapenhorst, Tonja Kahlens. USA

THE ITCHING – In this parable, a shy wolf tries to connect with a group of hip, party-loving bunnies, but finds her body is in revolt. DIR Dianne Bellino. SCR Dianne Bellino. USA

JÁAJI APPROX. – The distance between a father and son is narrowed when locations and language meet. DIR Sky Hopinka. SCR Sky Hopinka. CAST Sky Hopinka, Michael Hopinka. USA

KITTY – A young girl finds herself transformed. DIR Chloë Sevigny. SCR Chloë Sevigny. CAST Edie Yvonne, Ione Skye, Lee Meriwether, Jesse Pearson, Luke Adler, M Blash, Andrew Mixon. USA

LIMBO – The leopard shall lie down with the goat. The wolves shall live with the lambs. And the young boy will lead them. Thirteen kids and the carcass of a whale washed ashore. DIR Konstantina Kotzamani. SCR Konstantina Kotzamani. CAST Felix Margenfeld, Aggelos Ntanos, Lucjano Cani, Haris Fountas, Hristos Psihramis, David Szymczak. Greece

LOVE – Affection is described in three different chapters, through an impact on a distant solar system. DIR Réka Bucsi. SCR Réka Bucsi. France | Hungary

MADE. NOT BORN! – A home movie from 1981 turns out far more hypnotic than originally planned. DIR Mike Plante. USA

MOTHER (MADRE) – Sixteen-year-old Andrea travels downtown from her poor neighborhood to audition for a porno film. DIR Simón Mesa Soto. SCR Simón Mesa Soto. CAST Yurani Anduquia Cortés, María Camila Maldonado, Paulo de Jesús Barros Sousa. Sweden | Colombia

A NIGHT IN TOKORIKI (O NOAPTE ÎN TOKORIKI) – On Geanina’s 18th birthday, her boyfriend and Alin will give her a most surprising gift. DIR Roxana Stroe. SCRS Ana-Maria Gheorghe, Roxana Stroe. CAST Cristian Priboi, Cristian Bota, Iulia Ciochină, Sorin Cociş, Daniela Elena Preda, Cristian Toma, Costi Apostol, Andrei Ciopec, Tudor Morar, Adrian Loghin. Romania

PEDRO – Pedro gets home at dawn. Before he falls asleep, his lonely mother drags him to the beach. DIRS André Santos, Marco Leão. SCRS André Santos, Marco Leão. CAST Filipe Abreu, Rita Durão, João Villas-Boas, Marcello Urgeghe. Portugal

PUSSY (CIPKA) – A young girl decides to have a pleasurable evening at home, but not everything goes according to plan. DIR Renata Gasiorowska. SCR Renata Gasiorowska. Poland

SCENERY (DECORADO) – The world is a wonderful stage, but its characters are disgraceful. DIR Alberto Vázquez. SCR Alberto Vázquez. CAST Josep Ramos, Mireia Fuara, Angel Gómez, Kepa Cueto. France | Spain

THE SEND-OFF – Emboldened by a giant block party on the evening of their high school prom, a group of students enter the night with the hope of transcending their rural town and the industrial landscape that surround them. DIRS Ivete Lucas, Patrick Bresnan. CAST Tiana Crawford, Chris Burgess, Jr., Jamila Smith-Boyce, Ta’Questa Browning. USA

SPEAKING IS DIFFICULT – Beginning in the present day, a scene of tragedy unfolds, telling a cumulative history that is both unbearable and inevitable. DIR AJ Schnack. USA

A STROLL DOWN SUNFLOWER LANE (ذاكرة عبّاد الشمس) – An old grandfather, a little granddaughter, an old house and some glimpses of memory. She was growing up building hers. He was getting old losing his. DIR Mayye Zayed. SCR Mayye Zayed. CAST Ahmed Khalil, Jana Abdel Aziz. Egypt

SUMMER CAMP ISLAND – Oscar has to accept that his totally normal sleepover with Hedgehog isn’t going to be totally normal. DIR Julia Pott. SCR Julia Pott. CAST Ashley Boettcher, Thomas Vaethroeder, Anna Strupinsky, Kathleen Wilhoite, Judd Hirsch. USA

SUPERBIA – In the land of Superbia, strict rules divide the societies of women and men. DIR Luca Tóth. SCR Luca Tóth. Hungary | Czech Republic | Slovakia

TARGETING THE WORLD – In Fayetteville, NC, surveillance technologies are tested. DIR Jesse Moss. USA

A THOUSAND MIDNIGHTS – A lyrical documentary following the social histories of black Americans. DIR Carlos Javier Ortiz. SCR Carlos Javier Ortiz. USA

THUNDER ROAD – Officer Arnaud loved his mom. DIR Jim Cummings. SCR Jim Cummings. CAST Jim Cummings, Melissa Papel, Kitty Barshay, Francesca Biasiolo. USA

UNIVITELLIN – A classic story in a far-from-classic reworking. DIR Terence Nance. SCR Terence Nance. CAST Aminata M’Bathie, Naky Sy Savané, Badara N’Gom, Maman Faso, Igor Tranchot, Raoul Tranchot, Tony Cortes, Florent Toudard, Jonathan Ynsa, Moustapha Sarr, Yanice Haboussa, Anderson Da Cruz Lima. USA

AMERICAN INDEPENDENTS

The American Independents section represents the best of independent filmmaking this year. Pushing boundaries of form and content across narrative and documentary cinema, this section includes eight films from both new voices and filmmakers coming back to AFI FEST.  

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ACTOR MARTINEZ – AFI FEST alums Mike Ott and Nathan Silver play themselves in this enjoyable experiment that blurs the lines between documentary and narrative. DIRS Nathan Silver, Mike Ott. SCRS Mike Ott, Nathan Silver. CAST Arthur Martinez, Lindsay Burdge, Mike Ott, Nathan Silver, Kenneth Berba, Rae Radke. USA

DARK NIGHT – A quiet meditation on the planning and impact of a Cineplex massacre in a suburban town, taking place over one day, from sunrise to midnight. DIR Tim Sutton. SCR Tim Sutton. CAST Robert Jumper, Anna Rose Hopkins, Rosie Rodriguez, Karina Macias, Aaron Purvis, Marilyn Purvis, Ciara Hampton, Andres Vega, Bryce Hampton, Eddie Cacciola. USA

DONALD CRIED – This darkly funny character study centers on former childhood best friends who reconnect decades later in their working-class Rhode Island neighborhood. DIR Kris Avedisian. SCR Kris Avedisian. CAST Kristopher Avedisian, Jesse Wakeman, Louisa Krause, Ted Arcidi, Robby Morse Levy, Kate Fitzgerald, William Billington, Sr. USA

THE EYES OF MY MOTHER – In this enthralling horror debut, a young woman perpetuates the chilling cycle of violence that began with a traumatic event in her childhood. DIR Nicolas Pesce. SCR Nicolas Pesce. CAST Kika Magalhaes, Will Brill, Flora Diaz, Paul Nazak, Clara Wong, Diana Agostini, Olivia Bond. USA

FRAUD – One of the most fascinating debuts of the year focuses on one family — via home video footage on YouTube — who get swept up in American consumerism, recklessly spending money that may not be their own. DIR Dean Fleischer-Camp. SCR Dean Fleischer-Camp. USA

HUNTER GATHERER – Two men living in South L.A. – one recently out of prison and the other trying to save the life of his bedridden grandfather – form an unlikely friendship in this feature debut. DIR Josh Locy. SCR Josh Locy. CAST Andre Royo, George Sample III, Kellee Stewart, Ashley Wilkerson, Kevin Jackson, Antonio D. Charity, Celestial, Alexis DeLaRosa, Jeanetta Arnette. USA

LIVE CARGO – A young couple grieving after a terrible loss escape to the Bahamas, where they are confronted with simmering tensions and dark secrets. DIR Logan Sandler. SCRS Logan Sandler, Thymaya Payne. CAST Dree Hemingway, Keith Stanfield, Sam Dillon, Leonard Earl Howze, Robert Wisdom, Ayumi Iizuka, Frantz Lecoeur. USA

MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA – This painterly mixed-media animated film is a surreal cross between teen comedies and THE POSEIDON ADVENTURE. DIR Dash Shaw. SCR Dash Shaw. CAST Jason Schwartzman, Lena Dunham, Reggie Watts, Maya Rudolph, Susan Sarandon, John Cameron Mitchell, Alex Karpovsky, Thomas Jay Ryan, Louisa Krause. USA

MIDNIGHT

The festival’s Midnight section will captivate and terrify audiences with three genre-bending films from around the globe.

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FEAR ITSELF – Film essayist Charlie Lyne uses horror film footage to explore why the world’s most popular film genre burrows so deeply into our psyches. DIR Charlie Lyne. SCR Charlie Lyne. UK

THE LURE – Two man-eating mermaid sisters travel through 1980s Warsaw in human form. But time away from the water intensifies their craving for human flesh. DIR Agnieszka Smoczyńska. SCR Robert Bolesto. CAST Kinga Preis, Michalina Olszańska, Marta Mazurek, Jakub Gierszał, Andrzej Konopka, Zygmunt Malanowicz, Marcin Kowalczyk, Magdelena Cielecka, Katarzyna Herman. Poland

PREVENGE – In this pitch-black comedy, a pregnant woman receives murderous instructions from her misanthropic fetus to kill as many people as she can. DIR Alice Lowe. SCR Alice Lowe. CAST Alice Lowe, Gemma Whelan, Kate Dickie, Jo Hartley, Dan Renton Skinner, Kayvan Novak, Mike Wozniak, Tom Davis, Tom Meeten. UK

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(Source: http://www.blog.afi.com)

 

 

Announcing AFI FEST’s Inaugural Masters in Conversation Section

AFI FEST presented by Audi has a new section this year. The inaugural year of Masters in Conversation features three longtime international filmmakers who continually turn out provocative, challenging works that push the limits of what is possible in cinema. Films screening in this section are I AM NOT YOUR NEGRO, followed by a discussion with director Raoul Peck, and THE WOMAN WHO LEFT, followed by a discussion with director Lav Diaz. Documentarian Gianfranco Rosi also joins this section for a conversation about his lauded documentary on the migrant crisis, FIRE AT SEA.

MASTERS IN CONVERSATION

Lav Diaz works as a director, writer, producer, editor, cinematographer, poet, composer,screen-shot-2016-10-20-at-9-23-59-am production designer and actor. Known for the daring length of his films, some of which run up to 11 hours, Diaz made his feature debut with THE CRIMINAL OF BARRIO CONCEPCION in 1998. His subsequent features include EVOLUTION OF A FILIPINO FAMILY (2004); CENTURY OF BIRTHING (2011); NORTE, THE END OF HISTORY (2013); FROM WHAT IS BEFORE (AFI FEST 2014), winner of the Golden Leopard at the Locarno International Film Festival; and A LULLABY TO THE SORROWFUL MYSTERY (2016). His film THE WOMAN WHO LEFT will screen at AFI FEST.

 

Raoul Peck’s complex body of work includes THE MAN BY THE SHORE (1993), whichscreen-shot-2016-10-20-at-9-23-00-am competed at the Cannes Film Festival; LUMUMBA (2000), SOMETIMES IN APRIL (2005), MOLOCH TROPICAL (2009) and MURDER IN PACOT (2014), all of which premiered at top international festivals. His documentaries include LUMUMBA: DEATH OF A PROPHET (1990), DESOUNEN: DIALOGUE WITH DEATH (1994) and FATAL ASSISTANCE (2013). He served on the Cannes Jury in 2012, and is presently chairman of the French lm school La Fémis. In 2001, the Human Rights Watch Organization awarded him the Irene Diamond Lifetime Achievement Award. His film I AM NOT YOUR NEGRO will screen at AFI FEST.

 

Gianfranco Rosi is the director of the documentary BELOW SEA LEVEL (2008), which wonscreen-shot-2016-10-20-at-9-21-31-am the Orizzonti Award at the Venice Film Festival and was nominated for Best Documentary at the European Film Awards; EL SICARIO, ROOM 164 (2010), which won the FIPRESCI Award at Venice; and SACRO GRA (2013), which won the Golden Lion at Venice. Living for a year on Lampedusa resulted in FIRE AT SEA, the Golden Bear and Ecumenical Prize winner at the Berlinale.

 

Tickets to Masters in Conversations will be available on AFI.com beginning November 1

*Featured photo from THE WOMAN WHO LEFT

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(Source: http://www.blog.afi.com)

 

Movie listed as a must-see at 52nd Chicago Film Festival by Chicago Mag

Posted by Larry Gleeson

By Chidumga Izuzu

screen-shot-2016-10-19-at-3-55-23-pm93 Days, the only Nollywood movie to ever screen at the Chicago International Film Festival, has been listed as one of the must-see movies at festival.

The movie which will premiere in Chicago at the Chicago International Film Festival on Tuesday, October 20, 2016, has been listed as one of the must- see movies at the 52nd Chicago Film Festival by Chicago Magazine.

With close to 200 films and countless screenings spread across two weeks, Chicago International Film Festival programming director Mimi Plauché, made a list of the top five features from this year’s slate of films.

93 Days has been listed alongside Catholics vs. Convicts, Jackie, Christine,”and That Day We Sang.

A compelling human story of dedication, sacrifice, resilience and survival, 93 Days is directed by Steve Gukas, and produced  by Bolanle Austen-Peters, Dotun Olakunri and Steve Gukas.

The movie demonstrates the bravery of the late Dr. Ameyo Stella Adadevoh and her colleagues. From their encounter with the late American-Liberian, Patrick Sawyer, who was the index case of the Ebola Virus Disease, to ensuring that the right medical procedures were in place to stop the spread of the disease in the country.

Starring Keppy Ekpeyong Bassey as Patrick Sawyer, the movie also stars Bimbo Akintola as Nigerian hero, Dr Stella AdadevohGideon Okeke, Somkhele Idhalama, Bimbo Manuel and veteran Hollywood actor, Danny Glover.

After its successful screening at The U.S Department of Health and Human Services (HHS), the world premiere of 93 Days took place on Friday, September 9, 2016, at The Toronto International Film Festival (TIFF).

Following its Toronto premiere, the movie made its debut in Nigeria at House on the Rock Cathedral, on Tuesday, September 13, 2016.

93 Days will premiere in Chicago at the Chicago International Film Festival on Thursday, October 20, 2016, at the AMC River East 21, E. Illinois Street Chicago.

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(Source: http://pulse.ng)

TOM FORD, MARC PLATT AND KENNETH LONERGAN TO BE HONORED AT THE 20th ANNUAL HOLLYWOOD FILM AWARDS®

Ford to Receive the “Hollywood Breakthrough Director Award” 

Platt to Be Awarded the “Hollywood Producer Award”

Lonergan will Accept the “Hollywood Screenwriter Award”

*James Corden Will Host Special Anniversary Ceremony on Sunday, November 6, 2016 at the Beverly Hilton Hotel

Hollywood, CA (October 19, 2016) – dick clark productions announced today that acclaimed new director and established fashion designer Tom Ford will receive this year’s “Hollywood Breakthrough Director Award” for “Nocturnal Animals,” Academy Award-nominated producer Marc Platt will receive the “Hollywood Producer Award” for his numerous films this year including “La La Land,” “Billy Lynn’s Long Halftime Walk,” and “The Girl on the Train,” and two-time Academy Award-nominated screenwriter Kenneth Lonergan will receive the “Hollywood Screenwriter Award” for his screenplay “Manchester by the Sea” at the 20th Annual Hollywood Film Awards.

The awards ceremony, celebrating its 20th anniversary as the official launch of the awards season®, will be hosted by actor and comedian James Corden, and will take place at the Beverly Hilton Hotel in Beverly Hills, on November 6, 2016. The Hollywood Film Awards honors some of the most acclaimed films and actors, as well as artists in Cinematography, Visual Effects, Film Composing, Costume Design, Editing, Production Design, Sound and Makeup & Hairstyling. Its honorees over the past 20 years have included the world’s biggest stars and more than 110 have gone on to garner Oscar nominations and/or wins.

Mr. Ford’s second film “Nocturnal Animals,” the hauntingly romantic thriller that explores the thin lines between love and cruelty stars Amy Adams and Jake Gyllenhaal as a divorced couple discovering dark truths about each other and themselves. The film premiered at the 73rd annual Venice Film Festival in 2016, where it won the Grand Jury Prize. Focus Features will release “Nocturnal Animals” in select cities beginning November 18th and nationwide on December 9th.

Tom Ford is a highly respected and successful fashion designer and film director. One of the most esteemed and prolific designers of his generation, Mr. Ford has won numerous awards for his distinguished work at Gucci, Yves Saint Laurent and his eponymous luxury brand TOM FORD, which launched in 2005. That same year, he formed his Los Angeles-based film production company Fade To Black through which he directed, produced and co-wrote his first feature film “A Single Man,” starring Colin Firth and Julianne Moore.  The film premiered at the 66th annual Venice Film Festival in 2009, where Mr. Firth was awarded Best Actor for his performance.  The critically acclaimed film went on to receive multiple awards and nominations including the Academy Award nomination for Best Actor.

Marc Platt’s producing career spans film, theatre and television with his projects garnering a combined 17 Oscar nominations, 18 Tony nominations, 17 Golden Globe nominations and 29 Emmy nominations. His films this year are “Billy Lynn’s Long Halftime Walk,” “The Girl on the Train,” and “La La Land.” Last year, Platt received a “Best Picture” Oscar nomination for “Bridge of Spies,” which was among the six earned for the film overall. Other credits include “Into the Woods,” “Drive,” “Rachel Getting Married,” “Scott Pilgrim vs. The World,” “Wanted,” “Nine,” “2 Guns,” “Cop Out,” “Ricki and the Flash,” “Legally Blonde,” “Legally Blonde 2,” “Honey,” “Josie and the Pussycats” and Disney’s upcoming “Mary Poppins Returns.”  He produced Broadway’s blockbuster musical, “Wicked,” and for television he earned an Emmy Award for executive producing “Grease Live!” and an Emmy and Golden Globe awards for HBO’s “Empire Falls.”  Prior to becoming an independent producer, Platt served as president of production for three movie studios — Orion, TriStar and Universal.

Kenneth Lonergan wrote and directed “You Can Count On Me” (2000 Academy Award® and Golden Globe® Nominee for Best Screenplay), “Margaret” (2011), and “Margaret” – Extended Edition (2012). He also co-wrote the screenplays for “Analyze This” (1999) and “Gangs Of New York” (2002 WGA® and Academy Award® nomination for Best Original Screenplay). Lonergan’s plays include Tony nominated “This Is Our Youth” (1996), Pulitzer Prize finalist “The Waverly Gallery” (2000), and Olivier Award nominated “Lobby Hero” (2001). He recently completed the television adaptation of E.M. Forster’s novel, “Howards End,” for the BBC. His upcoming film, “Manchester by the Sea,” which he both wrote and directed, stars Casey Affleck, Michelle Williams, Lucas Hedges and Kyle Chandler.  The film premiered to great acclaim at the 2016 Sundance, Telluride, Toronto, and New York Film Festivals, and will be released by Amazon Studios and Roadside Attractions on November 18, 2016.

Previously announced honorees for this year’s show include: “Hollywood Career Achievement Award,” Eddie Murphy; “Hollywood Actor Award,” Tom Hanks; “Hollywood Blockbuster Award,” “The Jungle Book”; “Hollywood Animation Award,” “Zootopia”; “Hollywood Cinematography Award,” Linus Sandgren; “Hollywood Film Composer Award,” Mychael Danna; “Hollywood Editor Award,” John Gilbert; “Hollywood Visual Effects Award,” Stephane Ceretti and Richard Bluff; “Hollywood Sound Award,” Christopher Boyes and Frank Eulner; “Hollywood Costume Design Award,” Albert Wolsky; “Hollywood Make Up & Hair Styling Award,” Shane Thomas, Angela Conte, Bec Taylor and Noriko Waztanabe; and “Hollywood Production Design Award,” Wynn Thomas.

(Source: Hollywood Awards Press Release)

Michael Douglas, Alec Baldwin, Politicos Jump-Start Oscar Race For Anti-NRA Documentary ‘Making A Killing’

Posted by Larry Gleeson

By Anita Busch

EXCLUSIVE: Hollywood has begun lining up to help get the word out on Robert Greenwald’s documentary feature Oscar contender Making A Killing:Guns, Greed And The NRA. Michael Douglas, Alec Baldwin and Tony Goldwyn are lending their names and voices and have done videos to help promote the film, which was executive produced by Beasts Of No Nation exec prod Bill Benenson and his wife Laurie. But so has California Lt. Gov. Gavin Newsom. And, Hillary Clinton’s running mate Sen. Tim Kaine — after seeing the film and meeting with the director — is also standing behind the film.

Newsom, who has been leading the charge in California for sensible gun legislation, has also advocated for the film on video as well. You can see all of the videos here.

The documentary about America’s gun issues comes after the fallout of Katie Couric’s editing debacle on Under The Gun. She and director Stephanie Soechtig are being sued for defamation to the tune of $12M after leaving out responses to questions from interviewees in the documentary.

Now that Under The Gun is unlikely to receive attention, Hollywood and political activists are putting their weight behind Making A Killing. The film got its Oscar-qualifying run courtesy of indie distributor Gravitas Ventures in August when it bowed in New York and Los Angeles. Last month, House Minority Leader Nancy Pelosi (D-Calif) scheduled a congressional screening for House members in D.C.

Even Kaine is getting into the act, offering up this promotional quote for the film: “Makingscreen-shot-2016-10-19-at-10-20-57-am a Killing shines a light on the inordinate power that gun manufacturers and the NRA exert on our political system and the countless tragedies that occur because of politicians’ unwillingness to stand up to that power. The stories of the victims of firearm loopholes are instrumental in exposing what’s wrong with our gun laws. I hope my colleagues in Congress will hear the voices in this film and find the courage to side with citizens over the gun lobby.”

screen-shot-2016-10-19-at-10-21-55-amThe documentary focuses on victims of gun violence while interspersing video and documents showing the amount of money that the NRA and gun manufacturers are amassing. Douglas, Baldwin, Goldwyn and Newsom are encouraging people to view the film and host screenings at their homes and churches.

Greenwald is a well-known documentary filmmaker that previously took on the Koch brothers (Koch Brothers Exposed), Walmart (The High Cost Of Low Price), the lead-up to the Iraq War (through several documentaries), the use of drones (Unmanned: America’s Drone Wars), the price of whistleblowing (War On Whistleblowers: Free Press And The National Security State) and Fox News (Outfoxed) through his Brave New Films moniker.

The filmmaker, who for decades has exposed the dark side of power via film, has yet to be nominated for an Oscar. However, his films have won other awards including a Peabody. Greenwald has also been honored with a DGA Award for his contribution to diversity, two NAACP Awards, and a TV Producer of the Year award from the American Film Institute for his body of work.

(Source: http://deadline.com)

5 women directors who made it big in Kollywood

Posted by Larry Gleeson

By Srivatsan

Lately, women directors in Kollywood are making it big. In a male-chauvinistic industry such as Kollywood, women directors have never ceased to amaze the audience with a solid content. While filmmakers like Reema Kagti, Zoya Akhtar, Gauri Shinde and Kiran Rao have carved a niche for themselves in Bollywood, women taking over the reins of direction is still a norm in Tamil cinema. However, we too have some maverick female filmmakers who left an imperishable mark among the audience.

Despite being a terrific actor, Suhasini Mani Ratnam is a great screenwriter. Suhasini made her directorial debut with Indira, which is probably the most underrated film and was a box-office disaster upon release. However, it received a cult status for its modern theme. The protagonist of the film is a woman who single-handedly strives to overcome the caste system in her village, and one has to give it to Suhasini Maniratnam for having carved an innocent but an impactful character in Indira. Apart from Indira, Suhasini has worked in Mani Ratnam’s Raavanan/ Raavan (2010). According to Mani Ratnam, it was Suhasini who wrote half of the former’s anthology political drama Aayutha Ezhuthu/ Yuva (2004).

Bankrolled by ace-filmmaker Gautham Menon, Veppam narrates a set of events from the slum areas of Chennai, showcasing characters and their struggles. Veppam, on many levels, is an unusual subject which one wouldn’t expect from a woman, especially in this genre (gritty thriller). Veppam had everything to hold the audience’s eyes- romance, drama and violence. However, the film failed to create the impact that of Selvaraghavan’s Pudhupettai (2006) or Thiagarajan Kumararaja’s Aaranya Kaandam (2010). Be it the screenplay or the dialogues, Anjana Ali Khan has to be credited for the amount of detailing that went unnoticed.

Lately, women directors in Kollywood are making it big. In a male-chauvinistic industry such as Kollywood, women directors have never ceased to amaze the audience with a solid content. While filmmakers like Reema Kagti, Zoya Akhtar, Gauri Shinde and Kiran Rao have carved a niche for themselves in Bollywood, women taking over the reins of direction is still a norm in Tamil cinema. However, we too have some maverick female filmmakers who left an imperishable mark among the audience.

Suhasini Mani Ratnam’s Indira (1995)

Despite being a terrific actor, Suhasini Mani Ratnam is a great screenwriter. Suhasini made her directorial debut with Indira, which is probably the most underrated film and was a box-office disaster upon release. However, it received a cult status for its modern theme. The protagonist of the film is a woman who single-handedly strives to overcome the caste system in her village, and one has to give it to Suhasini Maniratnam for having carved an innocent but an impactful character in Indira. Apart from Indira, Suhasini has worked in Mani Ratnam’s Raavanan/ Raavan (2010). According to Mani Ratnam, it was Suhasini who wrote half of the former’s anthology political drama Aayutha Ezhuthu/ Yuva (2004).

Anjana Ali Khan’s Veppam (2011)

Bankrolled by ace-filmmaker Gautham Menon, Veppam narrates a set of events from the slum areas of Chennai, showcasing characters and their struggles. Veppam, on many levels, is an unusual subject which one wouldn’t expect from a woman, especially in this genre (gritty thriller). Veppam had everything to hold the audience’s eyes- romance, drama and violence. However, the film failed to create the impact that of Selvaraghavan’s Pudhupettai (2006) or Thiagarajan Kumararaja’s Aaranya Kaandam (2010). Be it the screenplay or the dialogues, Anjana Ali Khan has to be credited for the amount of detailing that went unnoticed.

Aishwaryaa’s 3 (2011) and Soundarya’s Kochadaiiyaan (2014)

After working as an erstwhile assistant director to Selvaraghavan, Aishwaryaa R ventured into direction. Her first feature film 3, which had her husband Dhanush playing the lead role, opened to mixed reviews from the audience. However, the song ‘Why This Kolaveri Di’ was a rage upon release.

Lately, women directors in Kollywood are making it big. In a male-chauvinistic industry such as Kollywood, women directors have never ceased to amaze the audience with a solid content. While filmmakers like Reema Kagti, Zoya Akhtar, Gauri Shinde and Kiran Rao have carved a niche for themselves in Bollywood, women taking over the reins of direction is still a norm in Tamil cinema. However, we too have some maverick female filmmakers who left an imperishable mark among the audience.

Soundarya too didn’t have a rock solid debut. Despite working with superstar Rajinikanth in Kochadaiiyaan, the film failed to create the Rajini magic at the box office. Now, both Aishwaryaa and Soundarya are working on their respective feature films.

Lakshmy Ramakrishnan’s Aarohanam (2012) and Ammani (2016)

After making her acting debut in the Malayalam industry, Lakshmy Ramakrishnan proved her mettle in director Mysskin’s Yudham Sei (2011). Aarohanam was her first directorial venture which tells the story of Nirmala, the breadwinner of the family who goes missing just two days before her daughter’s wedding. Aarohanam was widely lauded for the director’s treatment of the characters and Viji Chandrasekhar’s performance. Lakshmy Ramakrishnan’s recent film Ammani too opened to rave reviews from the critics.

Sudha Kongara’s Irudhi Suttru/ Saala Khadoos (2016)

Sudha Kongara, who associate director for seven years with Mani Ratnam, made her directorial debut with the Tamil film Drohi (2010). However, it was R Madhavan’s Irudhi Suttru which gave Sudha the much-needed breakthrough in the industry. Irudhi Suttru tells the story of Prabhu Selvaraj (Madhavan), a boxer, is ignored by the boxing association. He tries to accomplish his dream by training Madhi, a fish-seller and an amateur fighter. As the film also marked the return of Madhavan, Irudhi Suttru was an instant hit and the film has now been selected to premiere at the Tokyo International Film Festival.

Also, the list becomes incomplete without Gayathri, whose dark comedy Va Quarter Cutting (2010) has earned a cult among the fans of neo-noir genre.

(Source: http://www.indiatoday.intoday)

Note from Roger – Closet Monster

11162014-Roger-Durling_t479Dear Cinephiles,

It’s rare that I find a film so entrancing and hopeful that makes me feel excited about the future of cinema.  It’s a most auspicious film debut from director Stephen Dunn which won Best Canadian Feature at the Toronto International Film Festival. You’ve seen coming of age stories before, but Dunn has a completely unique and theatrical language.

The film was reviewed by the New York Times and it was a Critic’s Pick. It plays tonight at 5:00pm and tomorrow at 7:30pm at the Riviera Theatre.

See you at the movies!
Roger Durling

Click here for tickets.

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In ‘Closet Monster,’ a Teenager’s Self-Discovery Is Tinged With Danger
By Ken Jaworowski – New York Times

You may find yourself hoping that “Closet Monster” fades to black during one of its few cheerful scenes — that way, the conflicted young man at its center will get a happy ending. This affecting film prompts that kind of concern for its characters. You want them to be safe.

Still, as with all of us, happiness isn’t guaranteed, a fact made clear in Stephen Dunn’s script. Mr. Dunn, who also directed, has created individuals who defy easy branding. Outcomes are far from assured, and there’s a constant sense of danger. That threat, as Saul Bellow said of death, becomes “the dark backing that a mirror needs if we are to see anything.”

We first meet Oscar as a boy struggling to comprehend his parents’ breakup. Soon he witnesses a sadistic assault against another boy. Those events echo years later when, in high school, he’s desperate to escape his home and understand his sexuality.

As in “Mysterious Skin” or “Boyhood,” this coming-of-age story can feel entrancing, particularly with its surreal touches. Oscar talks to his hamster, which speaks back (voiced by an actress — no spoilers — who knows something about the surreal). And Oscar’s imagination occasionally takes flight, and we ride along.

Connor Jessup wonderfully inhabits the teenage Oscar, who observes others while trying to find himself. Aaron Abrams, as his father, and Aliocha Schneider and Sofia Banzhaf, as friends, are just as multilayered. Jack Fulton is heartbreaking as the younger Oscar.

Near the end of “Closet Monster,” Oscar’s mother recalls his difficult birth, explaining that he has rarely been fortunate. It’s a tough scene that may portend his future. Of course, we don’t know if Oscar will be safe, and neither does he. In this film, and in life, that uncertainty is both deeply scary and greatly exciting.

Japanese films fail to make mark at ‘Big 3’ festivals

Posted by Larry Gleeson

By Misuzu Sato

Japanese films failed to make the Golden Lion shortlist at the 73rd Venice Film Festival that wrapped up in September. A question was posed at the Venice Film Festival Press Conference on why Japan is missing out on challenging in the top competition for the second consecutive year.

Also in Cannes and Berlin this year, no Japanese films were shown in competition, meaning they were not in the running for the top prizes at the “Big Three” film festivals.

While experts say Asian films have been losing their foothold in the increasingly competitive film festival circuit, they urge Japanese filmmakers to pursue their ingenuity and attempt a more international perspective.

The Venice festival has given the Golden Lion prize to Akira Kurosawa’s Rashomon and Takeshi Kitano’s Hana-bi, and also showcased films by Kitano, Hayao Miyazaki, Shinya Tsukamoto and other Japanese filmmakers in competition for 13 consecutive years until 2014. Although three of the 21 films showcased in competition in 2008 were from Japan, no Japanese movies have made it to the main competition for the past two years.

“With the number of films produced having increased, the margin for not only Japanese films but also for other Asian movies to be featured at international film festivals has shrunk in recent years,” said Tokyo International Film Festival programming director Yoshihiko Yatabe. “As it stands, it is less of the quality of the works than the fact that organizers can’t get around to reviewing Asian films as South American and North European films are also doing great.”

However, Filipino director Lav Diaz won the Golden Lion for Best Film for his The Woman Who Left at Venice this year.

A forum focusing on the rapidly growing Chinese market was also held on the sidelines.

But Venice festival director Alberto Barbera said the festival had picked up a powerful and beautiful Japanese work in the Orizzonti section for cutting-edge films: Kei Ishikawa’s first feature film Gukoroku–Traces of Sin.

While Ishikawa was presented in Orizzonti, Yasushi Kawamura’s full-CG film Gantz: O–also his first full-length feature–was screened out of the competition at Venice.

At Cannes, Koji Fukada’s Harmonium received the Jury Prize in the Un Certain Regard section.

“In Japan, it is difficult for filmmakers to make auteuristic art films, but it shouldn’t be impossible if they are determined,” said film journalist Atsuko Tatsuta, as to how Japanese films could break into the competition lineup. “They need to gain a more international perspective by collaborating with other countries and making other efforts.”

Jean-Michel Frodon, former editorial director of film magazine Cahiers du Cinema, said that although Japanese filmmakers are making good films, they have yet to earn recognition abroad. He also stressed the importance of showing their presence at other film festivals and promoting their works to overseas audiences.

*Featured photo: The red carpet at the Venice Film Festival in Lido Island, Italy, where all the films want to be competing (The Asahi Shimbun)

(Source: http://www.asahi.com)

Santa Barbara Film Festival 2017 to close with Their Finest

The 32nd SBIFF will close with the Lone Scherfig’s romantic comedy THEIR FINEST at the Arlington Theatre on Saturday, February 11 in advance of the film’s March 24 stateside release.

11162014-Roger-Durling_t479SBIFF Executive Director Roger Durling stated, “Lone’s deeply touching film is authentic, funny and depicts the power that cinema has to bring people together and share their stories.  It was the perfect choice to close this year’s festival.”

The year is 1940, Britain. With the nation devastated by the war, the British ministry turns to propaganda films to boost morale at home. Realizing their films could use “a woman’s touch,” the ministry hires Catrin Cole (Gemma Arterton) as a scriptwriter in charge of writing the female dialogue. Although her artist husband looks down on her job, Catrin’s natural flair quickly gets her noticed by charming lead scriptwriter Buckley (Sam Claflin). Catrin and Buckley set out to make an epic feature film based on the Battle of Dunkirk starring pretentious fading movie star Ambrose Hilliard (Bill Nighy). As bombs are dropping all around them, Catrin, Buckley and their colorful cast and crew work furiously to make a film that will warm the hearts of the nation.

The film is produced by Stephen Woolley, Amanda Posey, Finola Dwyer and Elizabeth Karlsen. Christine Langan, Ed Wethered, Robert Norris, Ivan Dunleavy, Peter Watson, Zygi Kamasa and Thorsten Schumacher serve as executive producers. The film is produced by Number 9 Films and Wildgaze Films.

The 32nd Santa Barbara International Film Festival is slated to run February 1st through February 11th, 2017.

For Passes and Packages click here.

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 30 years, SBIFF has become one of the leading film festivals in the United States – attracting 90,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

SBIFF continues its commitment to education and the community through free programs like its 10-10-10 Student Filmmaking and Screenwriting Competitions, Mike’s Field Trip to the Movies, National Film Studies Program, AppleBox Family Films, 3rd Weekend and educational seminars. This past June, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre.  The theatre is SBIFF’s new home and is the catalyst for program expansion and marks the first time that Santa Barbara has had a 24/7 community center to expand their mission of educational outreach.

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(Source: sbiff.org press release)