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Film Festival, television, Venice International Film Festival

NO PLACE LIKE ROME Two-time winner at Kineo Awards during the Venice Film Festival

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Posted by Larry Gleeson

Cecilia Miniucchi’s romantic comedy NO PLACE LIKE ROME receives two special Kinéo Awards at the Venice Film Festival

 

Cristiana Capotondi received the award for Best Italian Actress in an International Film, and Miniucchi received a special award for being the first female Italian director to begin and continue her career in the U.S.

NO PLACE LIKE ROME

 

The renowned Kinéo Awards presented two special prizes to writer/director Cecilia Miniucchi’s latest film, No Place Like Rome on August 30 at the 82nd Venice Film Festival (August 27-September 6). Italian actress Cristiana Capotondi received the Kinéo Award for Best Italian Actress in an International Film, while Miniuccchi received a special Kinéo Award for being the first and only female Italian director to begin and continue her career in the U.S. The awards highlight the anticipation for the love story, which is set to make it’s festival debut later this Fall.

 

Capotondi received the honor for her first international role in English for No Place Like Rome in which she stars with Stephen Dorff, Radha Mitchell, and Sebastiano Pigazzi. Miniucchi’s previous work includes Life Upside Down, which starred Bob Odenkirk, Mitchell and Danny Huston, which launched from the 2022 Venice Film Festival, and was released by IFC in the U.S. Miniucchi’s first feature film, Expired, starred Samantha Morton, Jason Patric and Teri Garr, and debuted at the Sundance Film Festival, and earned her a Cannes Camera d’Or nomination.\

 

No Place Like Rome’s Cristiana Capotondi and Cecilia Miniucchi with their Kineo Awards

 

Filmed in Rome, No Place Like Rome is a tribute to the city’s magical beauty especially around the Christmas holidays. The film follows a well-known photographer (Stephen Dorff), working for a New York based high-end magazine on an assignment in Rome, Italy. As the Christmas holidays approach, Connor, still broken from a nasty divorce from his ex-wife, prepares for his teenage son to join him. However, when he learns that his son will no longer come to Rome, he decides to stay through the holidays, alone, and accepts a new assignment that requires for him to photograph the parts and events of the city that are not commonly thought of during the festivities. With the help of his local assistant (Cristiana Capotondi) an attractive, extroverted museum curator, and a psychic’s unsolicited predictions, Connor starts his venture discovering many hidden gems of the Eternal City, while learning, with Scintilla, that maybe love can be found again.

 

Additional Kinéo Award winners included:

Best Italian Film

The Boy With the Pink Trousers Story and screenplay – Roberto Proia

Best Actor
Massimiliano Gallo (These Ghosts)

Best Actress
Ginervra Francesconi (Una Figlia)

Best Supporting Actor
Corrado Fortuna (Fuori)

Best International Film
Conclave Director – Edward Berger

Best International Actress
Karla Sofia Gascon (Emilia Perez)

Best First Film
Incanto  Director – Pier Paolo Paganelli

Young Revelations Award
Andrea Arru (The Boy With the Pink Trousers)
Clotilde Esposito (Mare Fuori)

Best Italian Series
I Delitti del Bar Lume
Creator – Lucia Mascino

Best International Series Actor
Aras Aydin (Betrayal, The Night in the Heart, Perfect Strangers)

Best Italian Series Actress
Monica Guerritore (Inganno)

Kineo & GCHR (Global Campus of Human Rights) Award
Monica Guerritore

Revelation Award
Tatiana Luter

Kineo 2025 Honoree
Morena Gentile (The Protagonist)

For more information please contact:

John Wildman
Wildworks PR
FilmsGoneWild.com
323.600.3165
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ACADEMY OF MOTION PICTURE ARTS AND SCIENCES ANNOUNCES NEW ACQUISITIONS TO THE ACADEMY COLLECTION,NOW COMPRISING MORE THAN 52 MILLION ITEMS

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New acquisitions to the largest film-related collection in the world include the Studio Ghibli animation collection, featuring drawings by Hayao Miyazaki; Quentin Tarantino’s original handwritten script draft for Pulp Fiction (1994); objects from Guillermo del Toro’s Pinocchio(2022); costumes worn by Jamie Lee Curtis, Kurt Russell, Meryl Streep, and Joanne Woodward; personal collections of Curtis Hanson, Barbara Kopple, Ve Neill, Oliver Stone, and Paul Verhoeven; and more..

Los Angeles, CA, October 31, 2024—The Academy of Motion Picture Arts and Sciences announced today the newest acquisitions to its expansive Academy Collection—the largest film-related collection in the world, comprising more than 52 million items. The Academy, through its Academy Foundation, is a global leader in the conservation, preservation, and exhibition of film-related objects and materials.

Recent acquisitions in the Academy Collection include the Studio Ghibli animation collection, featuring more than 80 pieces of original animation art by Hayao Miyazaki and Noboru Yoshida for Ponyo (2008), the studio’s Japanese movie posters, and animator’s desk; Quentin Tarantino’s original handwritten script draft for Pulp Fiction (1994); a screen-used guitar played by Lou Diamond Phillips as Ritchie Valens in La Bamba (1987); sets and puppets from Guillermo del Toro’s Pinocchio (2022); a selection of animator’s maquettes from Pinocchio(1940), Fantasia (1940), and The Lion King (1994); glasses worn by Mink Stole as Connie Marble in Pink Flamingos (1972); additional costumes from films including True Lies (1994), The Three Faces of Eve(1957), The House of the Spirits (1993); and more.

Personal collections of Richard Amsel, Curtis Hanson, Nicole Holofcener, Barbara Kopple, Ve Neill, Tom Sternberg, Marlene Stewart, Oliver Stone, and Paul Verhoeven have also been added to the Academy Collection. The Academy’s 70mm film collection, one of the largest in the world and screened exclusively at the Academy Museum, continues to expand with new prints, including Lawrence of Arabia (1962), Ryan’s Daughter (1970), and Oppenheimer (2023).

“We are thrilled to welcome these iconic pieces into our collection. Overseen by our skilled team of researchers, preservationists, and curators, the Academy Collection plays a pivotal role in shaping the future of moviemaking,” said Matt Severson, Executive Vice President, Academy Collection and Preservation. “We are grateful to our donors for their remarkable gifts to the Academy and commitment to preserving our film history.”

The Academy of Motion Picture Arts and Sciences has been collecting and preserving film and film-related material since 1927, and its unparalleled collection contains items reflecting all components of the moviemaking process—costumes, photographs, scripts, posters, production art, sound recordings, books, film and video assets, props, cameras, projectors, clippings, make-up and hairstyling tools, visual effects technologies, promotional materials, and more.

Components of the Academy’s collection can be accessed by the public through:

  • Exhibitions, public programming, and film screenings at the Academy Museum of Motion Pictures;
  • The Academy’s Margaret Herrick Library reference and research collection;
  • The Academy Film Archive access center;
  • Online at Oscars.org

A detailed list of new collection items follows.

COSTUMES

  • Collection of hair pins and combs from The Age of Innocence (1993), hair designed by Alan D’Angerio; Gift of Alan D’Angerio
  • Glasses worn by Mink Stole as Connie Marble in Pink Flamingos (1972); Gift of Mink Stole
  • Two ensembles worn by Bette Midler as Rose in The Rose (1979), costume design by Theoni V. Aldredge; Gift of Bette Midler
  • Tearaway dress worn by Jamie Lee Curtis as Helen Tasker in True Lies (1994), costume design by Marlene Stewart; Gift of Jamie Lee Curtis
  • Costume worn by Alan Rickman as Judge Turpin in Sweeney Todd The Demon Barber of Fleet Street (2007), costume design by Colleen Atwood.
  • Pair of gloves worn by Joanne Woodward to the 30th Academy Awards® in 1958
    Dress worn by Joanne Woodward as Eve Black in The Three Faces of Eve (1957), costume design by Renie 
    Two dresses worn by Meryl Streep as Clara in The House of the Spirits (1993), costume design by Barbara Baum
    Costume worn by Kurt Russell as Snake Plissken in John Carpenter’s Escape from L.A.(1996), costume design by Robin Michel Bush.

PRODUCTION OBJECTS

  • Animator’s desk used at Studio Ghibli; Gift of Studio Ghibli Inc.
  • Carved mermaid figurine from The Lighthouse(2019), production design by Craig Lathrop; Gift of Cameo Wood
  • Green Harmony Stratotone guitar from La Bamba (1987); Gift of Lou Diamond Phillips
  • Gentle Jungle Wild Animal Rentals sign; Gift of Ralph D. Helfer and Tana Helfer Herbert
  • Two sets and six puppets from Guillermo del Toro’s Pinocchio (2022), production design by Curt Enderle and Guy Davis, character design by Guy Davis; Gift of Netflix
  • Character reference maquettes from Ghostbusters II (1989): Slimer, Nunzio Scoleri, and Tony Scoleri
  • A selection of animator’s maquettes from Pinocchio (1940): Figaro, Gideon, Geppetto, Lampwick, and Coachman; character design by Walt Disney Animation Studios Artist 
  • Head of Pinocchio maquette from Pinocchio (1940), character design by Milt Kahl; Gift of Bryan Jossart
  • A selection of animator’s maquettes from Fantasia (1940): Madame Upanova, Bacchus and Jacchus; character design by Walt Disney Animation Studios Artist 
  • Animator’s maquette from The Lion King(1994): Scar; character design by Andreas Deja.

TECHNOLOGY

ARRI IIC 35mm camera owned by Murray Lerner, used to film Oscar®-nominated film Festival (1967)

AWARDS

PATSY (Picture Animal Top Star of the Year) award for Zamba in The Lion (1962); Gift of Ralph D. Helfer and Tana Helfer Herbert.

GRAPHIC

  • Studio Ghibli animation collection: More than 80 pieces of original animation art, including drawings rendered by Hayao Miyazaki and conceptual drawings by Noboru Yoshida for Ponyo (2008) and the studio’s Japanese movie posters; Gift of Studio Ghibli Inc.
  • Kalina Ivanov papers: Six storyboards by Academy Production Design Branch governor Kalina Ivanov for Best Picture Oscar winner The Silence of the Lambs (1991); Gift of Kalina Ivanov
  • Richard Amsel papers: Drawings, paintings, and posters documenting the work of commercial illustrator Richard Amsel, including his preliminary artwork for the 1981 release of Raiders of the Lost Ark as well as a variation for the film’s 1982 re-release; Gift of Dorian Hannaway 
  • Marlene Stewart papers: Costume design drawings, production records, and photographs from costume designer Marlene Stewart, including materials from To Wong Foo, Thanks for Everything, Julie Newmar (1995), The Saint(1997), Ali (2001), The Holiday (2006), and Night at the Museum films; Gift of Marlene Stewart
  • Production artwork from storyboard artist John Coven, including a mix of analog drawings and digital files for X-Men (2000), The Muppets(2011), Captain America: Civil War (2016), and The Lion King (2019); Gift of John Coven
  • Four dozen production design drawings for titles including The Phantom of the Opera(1925), The Circus (1928), City Lights (1931), The Invisible Man (1933), and The Lady from Shanghai (1947)
  • Twelve original James Bond comic strip art boards by John McLusky, originally published in the Daily Express newspaper between 1958 and 1968; Gift of Sean and Graham McLusky
  • Mike and Jeanne Glad animation collection: Poster for The Mad Doctor (1933), one of three known copies for this title, added to the collection; Gift of Mike and Jeanne Glad
  • Edward Mapp Collection: Poster for Paul Robeson (1959) added to the collection; Gift of the estate of Edward Mapp

SPECIAL COLLECTIONS

  • Original handwritten script draft for Pulp Fiction(1994) from filmmaker Quentin Tarantino
  • Barbara Kopple papers: Photographs, historical film posters, press reviews, archival documents and production files from documentarian Barbara Kopple’s nearly 50-year career, which began with her Oscar-winning documentary feature Harlan County U.S.A. (1976). Kopple also received an Oscar for American Dream(1990); Gift of Barbara Kopple
  • Oliver Stone papers: Production records, scripts, correspondence, and photographs from filmmaker Oliver Stone, including materials from Platoon (1986), The Doors (1991), Natural Born Killers (1994), and Nixon (1995); Gift of Oliver Stone
  • Paul Verhoeven papers: Production records, scripts, storyboards, and photographs from filmmaker Paul Verhoeven, including materials from Showgirls (1995), Starship Troopers(1997), and Hollow Man (2000); Gift of Paul Verhoeven
  • Nicole Holofcener papers: Production records and scripts from filmmaker Nicole Holofcener, including materials from Enough Said (2013) and You Hurt My Feelings (2023); Gift of Nicole Holofcener
  • Curtis Hanson papers: Production records, scripts, and photographs from filmmaker Curtis Hanson, including materials from L.A. Confidential (1997), Wonder Boys (2000), and 8 Mile (2002); Gift of Deuce Three Productions
  • Ve Neill papers: Production records, scripts, and photographs from make-up artist Ve Neill, including materials from The Amazing Spider-Man films, The Hunger Games films, and the Pirates of the Caribbean films; Gift of Ve Neill
  • Tom Sternberg papers: Production records, scripts, and correspondence from producer Tom Sternberg, including materials from The Talented Mr. Ripley (1999), Under the Tuscan Sun (2003), and Sleuth (2007), as well as material related to Zoetrope Studios and the release of Apocalypse Now Redux (2001); Gift of Violetta Sternberg

FILM AND VIDEO ELEMENTS

  • Barbara Kopple Collection: Film elements, videotapes, and digital files from Barbara Kopple’s films, including Harlan County U.S.A. (1976) and American Dream (1990); Gift of Barbara Kopple
  • Prints of Lawrence of Arabia (1962), Ryan’s Daughter (1970), and Oppenheimer (2023) were added to the Academy Film Archive’s 70mm film collection, one of the largest in the world and screened exclusively at the Academy Museum
  • Rodgers and Hammerstein Collection: Original camera negatives and audio elements of Rodgers and Hammerstein 70mm classics Oklahoma! (1955) and South Pacific (1958)
  • Digital scan of the original 35mm negative of James Moll’s Oscar-winning documentary feature The Last Days (1998); Gift of James Moll, Allentown Productions
  • Paul Verhoeven Collection: Production video, including casting, rehearsal, and choreography tapes, for several of Paul Verhoeven’s films, including Basic Instinct (1992), Showgirls (1995), and Starship Troopers (1998); Gift of Paul Verhoeven
  • A reel of Super 8mm film shot in the early 1970s, featuring footage of the MGM backlot before it was torn down; Gift of Mike Malone, a former park ranger at Paramount Ranch
  • DVD-Rs featuring footage of Jurassic Park(1993) senior animator Randal Dutra and colleagues performing the groundbreaking computer animation capture done with the electronic dinosaur armatures for the film; Gift of Randal Dutra
  • Several reels of home movies related to the career of producer Adolph Zukor; Gift of Jim Zukor

PHOTO CREDITS:

Studio Ghibli animation collection – Drawing by Noboru Yoshida for Ponyo (2008): Image courtesy of the Margaret Herrick Library
Puppets from Guillermo del Toro’s Pinocchio (2022): ©Academy Museum Foundation, Photo by: Owen Kolasinski
Green Harmony Stratotone guitar from La Bamba (1987): ©Academy Museum Foundation, Photo by: Randy Shropshire
Marlene Stewart papers – Costume design collage by Marlene Stewart for To Wong Foo, Thanks for Everything, Julie Newmar (1995): Image courtesy of the Margaret Herrick Library
Quentin Tarantino and original handwritten script draft for Pulp Fiction (1994): Photo by: Emma McIntyre/Getty for Academy Museum of Motion Pictures

MABOUT THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES
The Academy of Motion Picture Arts and Sciences is home to a global membership of more than 10,500 of the most accomplished film industry artists and leaders. The Academy recognizes and celebrates all aspects of the arts and sciences of moviemaking through renowned awards for cinematic achievement, including the Oscars®. With the largest film-related collection in the world, the Academy is a leader in the fields of conservation, preservation and exhibition of film-related objects and materials. Through its Academy Museum of Motion Pictures, the Academy presents powerful exhibitions, screenings and programs about cinema’s past, present, and future. The Academy also inspires young artists and creates opportunities for underrepresented communities to engage with the film world. Across all initiatives, the Academy connects global audiences – its members, the film industry, and film fans – through their shared passion for making and watching films.

ABOUT THE ACADEMY MUSEUM OF MOTION PICTURES
The Academy Museum is the largest museum in the world devoted to the arts, sciences, and artists of moviemaking. The museum advances the understanding, celebration, and preservation of cinema through inclusive and accessible exhibitions, screenings, programs, initiatives, and collections. Designed by Pritzker Prize–winning architect Renzo Piano, the museum’s campus contains the restored and revitalized historic Saban Building—formerly known as the May Company building (1939)—and a soaring spherical addition. Together, these buildings contain 50,000 square feet of exhibition spaces, two state-of-the-art theaters, the Shirley Temple Education Studio, and beautiful public spaces that are free and open to the public. These include: The Walt Disney Company Piazza and the Sidney Poitier Grand Lobby, which houses the Spielberg Family Gallery, Academy Museum Store, and Fanny’s restaurant and café. The Academy Museum is open six days a week from 10am to 6pm.

ABOUT THE MARGARET HERRICK LIBRARY
The Margaret Herrick Library collection contains a vast range of motion picture production and history-related materials, including works on paper and still images covering the history of motion pictures in the United States and worldwide, encompassing photographs, scripts, posters, production art, and books. The library contains special collections of film icons such as Kathryn Bigelow, Anne V. Coates, William Friedkin, Katharine Hepburn, Alfred Hitchcock, Eiko Ishioka, Hattie McDaniel, Gregory Nava, Gregory Peck and Vilmos Zsigmond. These special collections contain production files, personal correspondence, clippings, contracts, manuscripts, scrapbooks, storyboards and more. The library’s collecting divisions work collaboratively to acquire, preserve, digitize and exhibit the broad range of materials entrusted to their care by generations of filmmakers and collectors.

ABOUT THE ACADEMY FILM ARCHIVE
Established in 1991 and dedicated to the preservation, restoration, documentation, exhibition and study of motion pictures, the Academy Film Archive is home to one of the most diverse and extensive motion picture collections in the world, including the personal collections of such filmmakers as Tacita Dean, Cecil B. DeMille, Jesse B’Franklin and Carl Franklin, Barbara Hammer, Alfred Hitchcock, James Wong Howe, Jim Jarmusch, Ellen Kuras, Nina Menkes, Gregory Nava, Satyajit Ray, Penelope Spheeris, George Stevens, Gus Van Sant and Fred Zinnemann. The Academy Film Archive holds all the Academy Award-winning films in the Best Picture category, all the Oscar-winning documentaries, many Oscar-nominated films in other categories, and more.

MEDIA CONTACT 

Academy Publicity
publicity@oscars.org

Academy Museum Press
museumpress@oscars.org

#AFI, AFI Movie Club, American Film Institute, Feature Film, Hollywood, Oscar, Telluride, Telluride Film Festival

Today’s AFI Movie Club Selection

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Posted by Larry Gleeson

Today’s AFI Movie Club selection received a Best Picture Academy-award-winning Oscar and is based on the play In Moonlight Black Boys Look Blue by Tarell Alvin McCraney.

From writer/director Barry Jenkins, MOONLIGHT was also honored in 2016 with an AFI AWARD, recognizing it as one of the year’s most outstanding achievements in the art of the moving image – with the official rationale stating that, “MOONLIGHT illuminates the peerless power of cinema to inspire empathy for others and embrace a greater understanding of ourselves. Barry Jenkins’ poetic tour de force presents a deeply emotional triptych — the journey of boy to man searching for connection amidst the labyrinth of societal boundaries. An extraordinary ensemble lights the way in this sublime realization of a world where the question ‘Who is you?’ echoes in the pain of dreams deferred and the strength of an inner truth.”

Available to watch on Kanopy, Hoopla, Fubu Tv, and Showtime. Highly recommended viewing!

Until next time, I’ll see you at the movies!

#AFI, #AFIFEST, American Film Institute, Feature Film, Film Festival, Hollywood, TCL Chinese Theatre, television

The Power of a Dog Left Audience Members Howling for More @AFIFEST 2021

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Posted by Larry Gleeson

Jane Campion’s latest film, The Power of the Dog, with Campion, Benedict Cumberbatch, Kirsten Dunst, Kodi Smit-McPhee present, lit up the Chinese Theatre on Hollywood Boulevard last night with an AFI FEST 2021 Red Carpet Premiere.

Once inside the hallowed Hollywood landmark, AFI President Bob Gazzale welcomed the audience before eloquently introducing the film and Director Jane Campion to loud cheers and hearty rounds of applause. Following the film’s screening a conversation moderated by Hollywood’s delightful Kathryn Hahn entertained the house.

The Power of the Dog, a semi-dark psychological drama, is a magnificent and majestic work tantalizing and titillating – a bonafied Oscar contender in multiple categories.

The evening embodied a new peak for film festival entertainment as post-screening actors, editor, cinematographer, and director sparred, cajoled and informed under the watchful eye of moderator Hahn as she effectively marshaled the energies of The Power of the Dog conversation.

Kirsten Dunst, Red Carpet Premiere Screening of ‘The Power of the Dog’, Intro and Q and A, AFI FEST, TCL Chinese Theatre, Los Angeles, California, USA – 11 Nov 2021
Kodi Smit-McPhee, Jane Campion, Kirsten Dunst and Benedict Cumberbatch – AFI FEST 2021 Red Carpet Premiere Screening of THE POWER OF THE DOG, TCL Chinese Theatre, Los Angeles, California, Nov. 11, 2021

The AFI FEST continues through November 14th, offering the best in global cinema.

Tickets Are Still Available for Select In-person Screenings Tomorrow! Check out these selections for your viewing.

BUY TICKETS

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BUY TICKETS

Until next time, I’ll see you at the movies!

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FELIX & PAUL STUDIOS AND TIME STUDIOS FILM FIRST-EVER 3D, 360o SCENES OUTSIDE THE INTERNATIONAL SPACE STATION FOR EMMY-NOMINATED SERIES, SPACE EXPLORERS: THE ISS EXPERIENCE

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Millions of Viewers Will Soon Experience the Wonder of Floating in Space Outside the International Space Station

(NEW YORK, NY) August 27, 2021—Felix & Paul Studios, the EMMY-award winning creator of immersive entertainment experiences and the leading Space Media company, in partnership with NASA and TIME Studios, the EMMY-award winning television, film and immersive division of TIME, today announced the filming of the first-ever scenes in outer space captured in immersive 3D, 360°virtual reality format. Audiences will soon be able to experience what it is truly like to float in outer space by seeing everything completely around them, as if they were there in real life. The captured scenes have been made possible by Felix & Paul Studios’ customized virtual reality “Outer Space Camera”, attached to the Canadarm2 robotic arm which functioned as a “Space Crane” on the world’s first zero-gravity movie set.


These incredible, highly-immersive scenes will be included in episodes three and four of Space Explorers: The ISS Experience, an immersive series being produced by Felix & Paul Studios in association with TIME Studios. These forthcoming episodes will be available in 360° mobile format on 5G-enabled tablets and smartphones through leading telcos – including LGU+ (South Korea), KDDI (Japan), AIS (Taiwan), Orange (France) and Deutsche Telekom (Germany); at leading Big Screen venues, domes, planetariums, space visitor centers and science centers; in fully-immersive virtual reality on the Oculus Store for RIFT, Quest and Quest 2 devices; and as a main feature of the major, touring lifescale interactive exhibit, THE INFINITE, produced in partnership with PHI Studio.


“Today’s immersive cinematic capture of scenes in outer space is the culmination of close to three years of preparation. We are excited, honoured and truly humbled to have the opportunity to film in the most challenging environment known to humankind,” said Félix Lajeunesse, co-founder of Felix & Paul Studios and Director of Space Explorers: The ISS Experience. “Our mission since day one was to enable billions of people to experience what it is like to float in space and witness Planet Earth from above and we are pleased that this one-time dream will soon become reality in the final two episodes of our ISS Experience series.”


Less than 250 astronauts have ever conducted an extravehicular activity (EVA) – known as a “spacewalk” – and never before have audiences been able to experience what it is like to float in space as if they were astronauts themselves. The outer space scenes being captured in 3D will bring viewers “into the action” like never before and are being directed remotely by veteran directors Félix Lajeunesse and Paul Raphaël in both the Felix & Paul Studios facilities in Montreal and in the Canadian Space Agency facilities.


“Capturing the Earth in stereoscopic 3D, 360-degree format from space, outside the space station, has never been attempted until now,” said Jonathan Woods, Executive Producer of Space Explorers: The ISS Experience at TIME Studios and Emmy-winning producer of A Year in Space. “It’s beyond exciting and surreal to see this happening, knowing that the dream for this ambitious project started over five years ago in 2015.”


Felix & Paul Studios’ state-of-the-art Outer Space Camera is a customized Z-Cam V1 Pro camera consisting of nine 4K sensors allowing for a 3D, a 360-degree image at 8K resolution, and has been specially hardened by Nanoracks to withstand the harsh conditions of low atmosphere orbit, including vacuum, solar ultraviolet (UV) radiation, charged particle (ionizing) radiation, plasma, surface charging and arcing, temperature extremes, thermal cycling, and impacts from micrometeoroids and orbital debris (MMOD), and environment‐induced contamination from micrometeoroids and orbital debris (MMOD), and environment‐induced contamination.

The Outer Space Camera can store approximately 15 hours of 3D, 360-degree footage with custom lenses made to withstand extreme light and heat to minimize flare when directly exposed to the Sun (external temperatures ranging from -250° F to +250° F). About Space Explorers: The ISS Experience Space Explorers.

The ISS Experience is a four-part immersive series created in collaboration with the ISS U.S. National Laboratory, NASA, the Canadian Space Agency and other space agencies involved with the International Space Station and is filmed entirely on board and outside of the ISS using Felix & Paul Studios’ specialized 3D, 360-degree virtual reality ISS Camera and customized Outer Space Camera. Astronauts including Anne McClain, David Saint-Jacques, Christina Koch, Nick Hague, Jessica Meir, Andrew Morgan, Luca Parmitano and Victor Glover star as cast, film crew and narrators in this four-part immersive series, the largest production ever filmed in space.

The trailer for The ISS Experience is available here and stills are available here. Stills of the scenes filmed outside the International Space Station are available here. Behind the scenes footage is available at Time.com/Space.

About Felix & Paul Studios

Felix & Paul Studios is an EMMY® Award-winning creator of immersive entertainment experiences, creating unparalleled, highly engaging, presence-based experiences for the next generation of technology-enabled devices and venues. The studio’s catalogue of over thirty 3D, 360-degree experiences exhibits the “industry’s best” in the new medium of immersive storytelling, including:

  • Originals: The Space Explorers series, Traveling While Black, MIYUBI, the Nomads series, Strangerswith Patrick Watson.
  • Productions with notable franchises: Jurassic World, Cirque du Soleil, Fox Searchlight’s Wild and Isle of Dogs, and The Confessionals series with Just for Laughs starring Howie Mandel, Lilly Singh, Jud Apatow and Trevor Noah.
  • Collaborations with world-renowned leaders and performers: President Barack Obama and Michelle Obama, LeBron James, President Bill Clinton, Eminem, Wes Anderson, Brie Larson, Jeff Goldblum, Bill Murray and many others.

The studio’s content is available for distribution in a range of immersive formats including 360-degree mobile on 5G-enabled smartphones, tablets and headsets; 360-degree fulldome projection in domes and planetariums; fully-immersive VR on Facebook’s Oculus and other high-end virtual reality platforms; Giant Screen projection for science centers, space welcome centers and large-format cinemas; and the touring life-scale interactive exhibit, THE INFINITE, produced in partnership with PHI Studio. Felix & Paul Studios is the leading Space Media Company and the only media company recognized as an “Official Implementation Partner” by the ISS U.S. National Laboratory.


About TIME

StudiosFrom one of the most globally iconic brands, TIME Studios is an Emmy Award®-winning television, film and immersive studio focusing on the development, production and distribution of truth-based premium unscripted and scripted premium storytelling that moves the world. With technical innovation and a brand defining visual language that dates back 98 years, TIME Studios aims to impact communities and the world at large with ideas that forge true progress. Combining the industry’s leading creators with TIME, one of the most trusted brands that reaches an audience of over 100 million people globally, TIME Studios is uniquely positioned to bring massive audiences to the world’s most impactful stories. Recent projects include, Black Gold (Paramount+), Big Vape (Netflix), John Lewis: Good Trouble (CNN Films), Amazing Grace (Neon), Right to Offend (A&E), Ricky Powell: The Individualist (Showtime), Mass Effect: The Story of YouTube, Kid of the Year (Nickelodeon/CBS), TIME 100 (ABC) and the first scripted project for TIME Studios, Women of the Year (Amazon).

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AMERICAN FILM MARKET® PIVOTS TO ONLINE EVENT FOR 2021

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Los Angeles, CA – August 26, 2021 – The American Film Market® (AFM®) will move its 2021 edition entirely online, the Independent Film & Television Alliance® (IFTA®) announced today. AFM 2021 Online will be held Monday, November 1 to Friday, November 5 – shifting one day earlier than its original dates. Registration for the five-day online event is now open.

AFM 2021 Online will feature Industry Offices, Screenings, Conferences, Panels and Workshops, the Networking Pavilion, LocationEXPO, and more. Event updates will be announced regularly via email, social media, and the AFM Website.


“We wish we could welcome the global industry back to Santa Monica but travel regulations, increased concerns about coronavirus variants around the world, and government restrictions on the ground prevent us from moving forward,” said Michael Ryan, Chairperson, IFTA and Partner, GFM Films. “However, IFTA is thrilled to host the market the industry expects – where no one will be excluded and all of our stakeholders can immerse themselves for five days dedicated to deal making, discovery, education, and reconnecting.”

About the American Film Market®(AFM®)

The AFM is the most efficient film acquisition, development and networking event in the world. More than US$1 billion in production and distribution deals are closed every year — on both completed films and those in every stage of development and production. Over five days in November, 7,000+ professionals from 70+ countries access the entire global catalogue of available films and projects, attend world class conferences, and connect with decision makers. The AFM is produced by the Independent Film & Television Alliance®.

About the Independent Film & Television Alliance® (IFTA®)

IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to independent companies from 22 countries.

*Sourced from AFM Press release

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AFI DOCS 2021 Award Winners

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Posted by Larry Gleeson

Audience Award for Best Feature Goes to

STORM LAKE

Audience Award for Best Short Goes to SHELTER

Short Film Grand Jury Prize Goes to RED TAXI

Among the Participants in 19th Annual Festival of Documentary Film:

Senator Amy Klobuchar, Morgan Neville, Garrett Bradley, Dawn Porter

FOR IMMEDIATE RELEASE

JUNE 28, 2021, WASHINGTON, DC — The American Film Institute (AFI) has announced the AFI DOCS 2021 Award Winners, concluding the six-day festival, with screenings presented online and in-person at the AFI Silver Theatre and Cultural Center. The festival’s Audience Award for Best Feature went to STORM LAKE, directed by Jerry Risius and Beth Levison. The Audience Award for Best Short went toSHELTER, directed by Smriti Mundhra.

This year’s voting jury for the competitive Short Films slate was comprised of Mike Attie, award-winning filmmaker and professor of film at the University of the Arts in Philadelphia; Greta Hagen-Richardson, Director of Programming at the Hot Springs Documentary Film Festival and Lead Features Programmer at the New Orleans Film Festival; and Yvonne Ashley Kouadjo, Associate Producer for The New York Times’ award-winning short documentary series Op-Docs.

The Grand Jury Prize for Short Films went to RED TAXI, directed byAnonymous. The jury said of RED TAXI: “For its creative and accessible approach to telling a story from the perspective of those living and working in a moment of political upheaval, we award the Shorts Grand Jury Prize to RED TAXI. The courage of the anonymous filmmaker struck us for their commitment to depicting the nuances of reality on the ground.” The Shorts Grand Jury Prize at AFI DOCS is a qualifying award for Academy Award® eligibility.

The jury also awarded the Special Jury Prize to two films: THE COMMUNION OF MY COUSIN ANDREA, directed by BrandánCerviño Abeledo, saying,

“For its ability to tell a reflexive story with levity and tenderness, we award a Special Jury Prize to THE COMMUNION OF MY COUSIN ANDREA”; and S P A C E S (M E Z E R Y), directed by Nora Štrbová, saying, “For its intelligent use of multi-dimensional media in telling a fraught, emotional story, we award a Special Jury Prize to S P A C E S (M E Z E R Y).”

The 19th edition of AFI DOCS presented a diverse slate of 78 films from 23 countries, shedding light on overlooked stories from the past, honoring champions of change and giving us glimpses into the everyday lives of subjects close to home and around the world. This year, 52% of AFI DOCS films were directed by women, 40% by BIPOC directors and 18% by LGBTQ directors.

Among the festival participants were filmmakers and notables including Minnesota Senator Amy Klobuchar; Academy Award®winners Morgan Neville, Sean Fine, Andrea Nix Fine and Mark Ronson; Academy Award®-nominated filmmakers Julie Cohen, Betsy West and Steve James; Pulitzer Prize-winning journalist Art Cullen; award-winning filmmaker Dawn Porter; Emmy® Award winner Chris Nee; CNN political contributor and host Van Jones; author and The New Yorker contributor Jelani Cobb; filmmaker and actor Sonja Sohn; musician and filmmaker Ahmir “Questlove” Thompson; Smithsonian National Museum of African American History and Culture Curator Dwandalyn Reece; President of the African American Film Critics Association Gil Robertson; Georgetown University Professor Dr. Janet Mann; rapper KYLE; and son of late comedian and activist Dick Gregory Christian Gregory.

The festival’s panels and discussions provided filmmakers, film subjects and audiences the opportunity to delve deeper into the films with conversations led by some of the nation’s top journalists, including: NBC News Correspondent Morgan Radford; NBC News’ Meet the Press Moderator and NBC News Political Director Chuck Todd; NBC News Correspondent Anne Thompson; MSNBC Correspondent Trymaine Lee; Variety’s Film Awards Editor Clayton Davis; Axios Justice and Race Reporter Russell Contreras; Senior Segment Producer of WGN Morning News and WGN’s Entertainment Producer Tyra Martin; entertainment journalist & TV producer KJ Matthews; CQ Roll Call Deputy Editor Jason Dick andHealth Care Editor Rebecca Adams; and The Washington Post’s Managing Editor for Diversity and Inclusion Krissah Thompson, Chief Film Critic Ann Hornaday, Global Opinions writer Jason Rezaian, National Security Editor Peter Finn, Religion Reporter Michelle Boorstein, and Host and Editor of Food Video Mary Beth Albright.

This year’s inaugural DOCS Talks programming included the World Premiere of Netflix’s and Higher Ground’s WE THE PEOPLE, as well as “History Is Out of the Closet: Excavating Queer Stories for the Screen,” a live stream conversation celebrating LGBTQ+ pride. The AFI DOCS Industry Forum explored building accessibility practices into all steps of the production process, demystifying investigative documentaries, the making of the hit series PHILLY D.A., how documentaries shape conversations on racial violence, a behind-the-scenes look at the Hindsight Project films and new collaborations between public media and indie filmmakers. This year’s Industry Forum programming also included closed captioning and American Sign Language (ASL) interpretation. The AFI DOCS Industry Forum is supported by the Corporation for Public Broadcasting and the National Endowment for the Arts.

RED TAXI

DIR: Anonymous. As protests in Hong Kong escalate, taxi drivers experience a city in upheaval driving the streets day and night. Anonymously filmed by locals.

SHORT FILM SPECIAL JURY PRIZE

THE COMMUNION OF MY COUSIN ANDREA

DIR: Brandán Cerviño Abeledo. Andrea’s First Communion ceremony lacks glamour. For Andrea, things without sparkles are meaningless.

SHORT FILM SPECIAL JURY PRIZE

S P A C E S (M E Z E R Y)

DIR: Nora Štrbová. A multi-textured animated exploration of memory as a container of identity, based on the personal story of the filmmaker and her brother who was diagnosed with a brain tumor.

This year’s Premium Sponsor is Apple Original Films. The Corporation for Public Broadcasting (CPB) returns as Official Sponsor of the festival. NBC News’ Meet the Press with Chuck Todd and The Washington Post return this year as Primary Media Partners. Variety and The Hollywood Reporter are this year’s Official Media Partners. The Wrap is an Affiliate Media Partner.Screen Sponsors include SHOWTIME® Documentary Films, Netflix, WarnerMedia and HBO Documentary Films. Participant, National Geographic, and Eventive serve as Major Sponsors. This year’s Contributing Sponsors are ESPN, the National Endowment for the Arts and the DC Office of Cable Television, Film, Music, and Entertainment (OCTFME). Supporting Sponsors include the Maryland Film Office, Greater Silver Spring Chamber of Commerce and Rev. The Embassy of Denmark in Washington, DC, and the Farhang Foundation are this year’s Cultural Sponsors. Generous individual support comes from Stephanie and Hunter Hunt.

 

About AFI DOCS

AFI DOCS is the American Film Institute’s annual documentary festival historically held in Washington, DC.  Presenting the year’s best documentaries, AFI DOCS is the only festival in the U.S. dedicated to screenings and events that connect audiences, filmmakers and policy leaders in the heart of our nation’s government. The AFI DOCS advisory board includes Ken Burns, Davis Guggenheim, Chris Hegedus, Werner Herzog, Rory Kennedy, Barbara Kopple, Spike Lee, Errol Morris, Stanley Nelson and Frederick Wiseman. Now in its 19th year, the festival will be held June 22-27, 2021. Visit DOCS.AFI.com and connect onTwitter.com/AFIDOCS, Facebook.com/AFIDOCS, YouTube.com/AFIand Instagram.com/AmericanFilmInstitute.

 

About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s nonprofit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, Twitter.com/AmericanFilmand Instagram.com/AmericanFilmInstitute.

 

About the Corporation for Public Broadcasting

The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of more than 1,500 locally managed and operated public television and radio stations nationwide. CPB is also the largest single source of funding for research, technology and program development for public radio, television and related online services. For more information, visit www.cpb.org and follow us on Twitter @CPBmedia, Facebook and LinkedIn, and subscribefor email updates.

About The Washington Post and Washington Post Press Freedom Partnership

The Washington Post is an award-winning news leader whose mission is to connect, inform and enlighten local, national and global readers with trustworthy reporting, in-depth analysis and engaging opinions. It combines world-class journalism with the latest technology and tools so readers can interact with The Post anytime, anywhere.

 

The Press Freedom Partnership is a public service initiative from The Washington Post to promote press freedom and raise awareness of the rights of journalists who are in pursuit of the truth. Learn more at www.wapo.st/pressfreedom

About Meet the Press with Chuck Todd

Meet the Press with Chuck Todd is where newsmakers come to make news — setting the political agenda and spotlighting the impact Washington decision-making has on Americans across the country. It is the #1 most-watched Sunday public affairs show for the 2019-2020 season, reaching more than three million viewers every Sunday and millions more through social, digital and on-demand platforms. Meet the Press brings its authority and influencer interviews to MSNBC with MTP Daily weekdays at 1 p.m. ET, to the ongoing weekly podcast, The Chuck ToddCast, and to Meet the Press Reports, a 30-minute program on NBC News NOW and Peacock, focusing on a single topic explored through the Meet the Press lens. It’s the longest-running show in television history, recently expanding its brand to also include a political short-documentary film festival in collaboration with the American Film Institute. Chuck Todd is the political director of NBC News and the moderator of Meet the Press; John Reiss is the executive producer.

CONTACT:

Elizabeth Ward, AFI DOCS PR, elizabeth@prcollaborative.com

American Film Institute: Stacy Adamski, 323.856.7759,SAdamski@AFI.com

#AFI, #AFIDOCS, AFIDocs, Documentary, Film Festival, Meet The Press, television

THE AMERICAN FILM INSTITUTE ANNOUNCES SPONSORS FOR AFI DOCS 2021

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THE AMERICAN FILM INSTITUTE ANNOUNCES
SPONSORS FOR AFI DOCS 2021

Support Comes From Wide Range of Art and Cultural Institutions, Media Partners and Corporations

Apple Original Films Joins AFI DOCS as a Premium Sponsor

FOR IMMEDIATE RELEASE, June 18, 2021, WASHINGTON, DC — The American Film Institute (AFI) has announced the sponsors for AFI DOCS 2021. Support for the festival comes from both local organizations based in the DC-metro area and major corporations across the nation. The 19th edition of AFI DOCS will run June 22–27, with films available to view on DOCS.AFI.com as well as in-person screenings at the AFI Silver Theatre and Cultural Center in Silver Spring, MD.

“AFI DOCS reaches a nationwide audience with the support of our sponsors,” said Sarah Harris, AFI Festivals Director of Programming. “It is their generosity that amplifies the voices of today’s most vital storytellers, and we thank them on behalf of all who find inspiration in the arts.” 

In addition to supporting AFI DOCS film programming and events, sponsors provide services and exclusive experiences to filmmakers and audiences throughout the festival. Sponsor participation includes sponsoring specific film screenings, panels and events as well as national and local promotion of the festival.  

This year, AFI is proud to have Apple Original Films support AFI DOCS for the first time as a Premium Sponsor. Top festival sponsors will give audiences sneak peeks at exclusive upcoming trailers and content on the festival’s streaming platform and in the AFI DOCS Festival Hub. Media partners will also provide DOCS audiences with access to their digital issues during the week of the festival via a virtual newsstand.

The Corporation for Public Broadcasting (CPB) returns as Official Sponsor of the festival. CPB is Official Sponsor of the AFI DOCS Industry Forum and the Spotlight on the Hindsight Project, a special selection of short filmsthat chronicle the experiences of BIPOC communities in the American South and U.S. Territories during the unprecedented events of 2020.  

NBC News’ Meet the Press with Chuck Todd and The Washington Post return this year as Primary Media Partners. Meet the Press and The Washington Post, in conjunction with the Washington Post Press Freedom Partnership, will provide moderators for a number of films in this year’s festival. Highlights include Meet the Press Moderator and NBC Political Director Chuck Todd moderating LFG and NBC News Correspondent Morgan Radford moderating the discussion following the Opening Night World Premiere of NAOMI OSAKA. In addition to supporting post-screening discussions, Washington Post Live, The Post’s live journalism platform, will host a conversation with ROADRUNNER: A FILM ABOUT ANTHONY BOURDAIN filmmaker Morgan Neville. Post Managing Editor for Diversity and Inclusion Krissah Thompson will also moderate the World Premiere of WE THE PEOPLE in the inaugural DOCS Talks program.

Variety and The Hollywood Reporter are this year’s Official Media Partners. This year, Variety sponsors the Charles Guggenheim Symposium, which will feature a conversation between the 2021 Guggenheim honoree Dawn Porter and Variety’s Clayton Davis, and The Hollywood Reporter will be a media partner for the screening of SUMMER OF SOUL (…OR WHEN THE REVOLUTION COULD NOT BE TELEVISED). 

The Wrap joins AFI DOCS as an Affiliate Media Partner this year and is a media partner for the screening of TOM PETTY: SOMEWHERE YOU FEEL FREE.

Screen Sponsors are SHOWTIME® Documentary Films, Netflix, WarnerMedia and HBO Documentary Films. SHOWTIME® Documentary Films will once again host a networking event for filmmakers and industry, adjusted to be virtual instead of the in-person event they have hosted in the past. SHOWTIME® willalso send a special, customized gift to the festival filmmakers as they celebrate AFI DOCS from home.

Participant returns as a Major Sponsor, along with new sponsors National Geographic and Eventive. 

This year’s Contributing Sponsors are ESPN, the National Endowment for the Arts and the DC Office of Cable Television, Film, Music, and Entertainment (OCTFME). 

Supporting Sponsors include the Maryland Film Office, Greater Silver Spring Chamber of Commerce and Rev. 

The Embassy of Denmark in Washington, DC, and the Farhang Foundation are this year’s Cultural Sponsors. 

Generous individual support comes from Stephanie and Hunter Hunt.

About AFI DOCS 

AFI DOCS is the American Film Institute’s annual documentary festival historically held in Washington, DC.  Presenting the year’s best documentaries, AFI DOCS is the only festival in the U.S. dedicated to screenings and events that connect audiences, filmmakers and policy leaders in the heart of our nation’s government. The AFI DOCS advisory board includes Ken Burns, Davis Guggenheim, Chris Hegedus, Werner Herzog, Rory Kennedy, Barbara Kopple, Spike Lee, Errol Morris, Stanley Nelson and Frederick Wiseman. Now in its 19th year, the festival will be held June 22-27, 2021. Visit DOCS.AFI.comand connect on Twitter.com/AFIDOCS,Facebook.com/AFIDOCS, YouTube.com/AFI andInstagram.com/AmericanFilmInstitute. 

About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s nonprofit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media atFacebook.com/AmericanFilmInstitute,YouTube.com/AFI, Twitter.com/AmericanFilm andInstagram.com/AmericanFilmInstitute.

About the Corporation for Public Broadcasting  

The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of more than 1,500 locally managed and operated public television and radio stations nationwide. CPB is also the largest single source of funding for research, technology and program development for public radio, television and related online services. For more information, visit www.cpb.org and follow us on Twitter @CPBmedia,Facebook and LinkedIn, and subscribe for email updates. 

About The Washington Post and Washington Post Press Freedom Partnership  

The Washington Post is an award-winning news leader whose mission is to connect, inform and enlighten local, national and global readers with trustworthy reporting, in-depth analysis and engaging opinions. It combines world-class journalism with the latest technology and tools so readers can interact with The Post anytime, anywhere.  

The Press Freedom Partnership is a public service initiative from The Washington Post to promote press freedom and raise awareness of the rights of journalists who are in pursuit of the truth. Learn more at www.wapo.st/pressfreedom

About Meet the Press with Chuck Todd 

Meet the Press with Chuck Todd is where newsmakers come to make news — setting the political agenda and spotlighting the impact Washington decision-making has on Americans across the country. It is the #1 most-watched Sunday public affairs show for the 2019-2020 season, reaching more than three million viewers every Sunday and millions more through social, digital and on-demand platforms. Meet the Press brings its authority and influencer interviews to MSNBC with MTP Daily weekdays at 1 p.m. ET, to the ongoing weekly podcast, The Chuck ToddCast, and to Meet the Press Reports, a 30-minute program on NBC News NOW and Peacock, focusing on a single topic explored through the Meet the Press lens. It’s the longest-running show in television history, recently expanding its brand to also include a political short-documentary film festival in collaboration with the American Film Institute. Chuck Todd is the political director of NBC News and the moderator of Meet the Press; John Reiss is the executive producer. 

CONTACT: 

Elizabeth Ward, AFI DOCS PR,elizabeth@prcollaborative.com 

American Film Institute: Stacy Adamski, 323.856.7759,SAdamski@AFI.com

television

Francois Ozon’s new film FRANTZ debuts in Los Angeles on March 24

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Posted by Larry Gleeson

A haunting tale of love and reconciliation begins in a small town in Germany in the immediate aftermath of World War I when a young woman mourning the death of her fiancé encounters a mysterious Frenchman laying flowers on her beloved’s grave.

Jean-Claude Moireau - Foz/Courtesy of Music Box Films
Paula Beer in Frantz. (Photo Credit: Jean-Claude Moireau – Foz/Courtesy of Music Box Films)

Set in Germany and France in the immediate aftermath of the First World War, (1914-1918), FRANTZ recalls the mourning period that follows great national tragedies as seen through the eyes of the war’s “lost generation”: Anna (21 year-old Paula Beer in a breakthrough performance), a bereft young German woman whose fiancé, Frantz, was killed during trench warfare, and Adrien (Pierre Niney), a French veteran of the war who shows up mysteriously in her town, placing flowers on Frantz’s grave. Adrien’s presence is met with resistance by the small community still reeling from Germany’s defeat, yet Anna gradually gets closer to the handsome and melancholy young man, as she learns of his deep friendship with Frantz, conjured up in evocative flashbacks.

Jean-Claude Moireau - Foz/Courtesy of Music Box Films
Pierre Niney and Paula Beer in Frantz. (Photo credit: Jean-Claude Moireau – Foz/Courtesy of Music Box Films)

What follows is a surprising exploration of how Ozon’s characters’ wrestle with their conflicting feelings – survivor’s guilt, anger at one’s losses, the overriding desire for happiness despite everything that has come before, and the longing for sexual, romantic and familial attachments. Ozon drew his inspiration from Ernst Lubitsch’s 1932 drama Broken Lullaby, with stunning visual references to painter Caspar David Friedrich.

 

FRANTZ_PPOSTER

“Intellectually stimulating and emotionally satisfying.” 

– Jonathan Romney, Screen Daily

“Astonishingly beautiful and inquisitive. it’s impossible to deny the sheer narrative sophistication. Elevated by a quartet of stunning performances ”

– Eric Kohn, IndieWire 

“A richly imagined and superbly assembled period piece.”

– Boyd van Hoeij, The Hollywood Reporter 

Theatres:

 Landmark Nuart Theatre

11272 Santa Monica Blvd.

West Los Angeles, CA 90025

Regal Edwards Westpark 8

3735 Alton Pkwy,

Irvine, CA 92606

Regency Directors Cut Cinema at Rancho Niguel

25471 Rancho Niguel Rd,

Laguna Niguel, CA 92677

 

Hollywood

Bill Paxton: Filmmaking always my dream (2005)

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Posted by Larry Gleeson

Veteran Hollywood Actor Bill Paxton has passed away at the age of 61 following “complications from surgery,” in a statement released by a family representative.

Paxton was nominated four times for the Golden Globe as an actor in 1999, 2007, 2008 and 2010. He was also nominated for a Primetime Emmy in 2012

In 2003, he won The Academy of Science Fiction, Fantasy & Horror Films, USA Filmmaker’s Showcase Award. The award notes are as follows:

“Bill Paxton is one of the most respected actors working today. Following a long string of successful performances, Bill has stepped behind the camera and proven his skill as a director. His directorial debut, Frailty (2001), showed a keen sense of style and a powerful grasp of storytelling which puts him in the ranks of top directors working today. We feel compelled to acknowledge this masterful work.”

Also included is a clip of Mr. Paxton expressing his admiration and respect for master filmmaker and actor icon, Clint Eastwood.

Actor Bill Paxton tells Larry King that being a filmmaker was always his dream.

 

Thank you for some very memorable roles in films such as Nightcrawler, Twister, True Lies, Terminator, Titanic, Aliens, Predator 2 and Weird Science.

Rest in peace Bill Paxton.