Tag Archives: 73rd Venice International Film Festival

Venice Golden Lion winner “The Woman Who Left” finds distributor

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(Photo courtesy of ASAC Images/Biennale Cinema/Hazel Orencio)

PanARMENIAN.Net – Despite skepticism that it would ever make it into cinemas, Filipino auteur Lav Diaz’s nearly four-hour-long opus “The Woman Who Left”, which won the Venice Film Festival’s Golden Lion, is set for theatrical release in Italy by local niche distributor Microcinema, Variety said.

Microcinema has acquired Italian rights to the revenge drama from Berlin-based Films Boutique and plans to distribute it theatrically in coming months, in spite of comments in the press and on social media that the movie’s 228-minute running time made it too hard a sell.

Sam Mendes, who presided over this year’s Venice jury, said during the awards ceremony that one of the jury’s jobs is “to encourage people to come to the cinema and see original films,” while also noting that the jurors in discussions “talked about all movies the same way.”

“Mendes and the jury chose to give the Golden Lion to a film that thinks outside the box,” said Microcinema managing director Roberto Bassano. “And we are also planning to think a bit different.”

Bassano acknowledged that releasing “The Woman Who Left,” which stars Charo Santos-Cancio as a wrongly convicted schoolteacher facing the outside world after 30 years behind bars, would be “a business challenge” both in terms of finding ticket buyers and exhibitors unfazed by the “double screen time” taken up by the movie.

But he said that several art-house exhibitors, and also some Italian multiplexes in metropolitan areas, have already expressed interest. “It’s a slow burner, the kind of film you open small and expect to have legs on a few screens,” Bassano said.

An Italian release of “The Woman Who Left” would mark the first time a movie directed by Diaz made it into Italian cinemas, and also a rare release of one of his films in Europe.

Upcoming Italian releases by Microcinema, which uses a satellite transmission system to beam movies into movie theaters, include Argentinian romcom “No Kids,” directed by Ariel Winograd.

“The Woman Who Left,” shot in black-and-white with long fixed-camera takes, is considered one of Diaz’s more accessible works, with a “restrained run-time by the Filipino director’s standards,” as Variety critic Guy Lodge put it.

Earlier this year, the prolific Diaz won the Berlin Film Festival’s Silver Bear for his eight-hour historical epic, “A Lullaby to the Sorrowful Mystery.” That film was released theatrically in the Philippines by Star Cinema and elsewhere only screened in festivals.

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Ang Babaeng Humayo (The Woman Who Left) director/filmmaker, Lav Diz. (Photo courtesy of ASAC Images/Biennale Cinema/Hazel Orencio)

(Source: http://www.panarmenian.net)

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Statistics of the first Venice Production Bridge

screen-shot-2016-09-19-at-2-03-24-pmThe first Venice Production Bridge – the Festival film market’s evolution into a specialized meeting point for completing projects – was held from September 1-5, 2016 at the 73rd Venice International Film Festival. The VPB re-proposed and expanded on the Venice Gap-Financing Market and Final Cut in Venice programs, making the most of the experience of the Biennale College – Cinema.
This first edition of the Venice Production Bridge registered 1,767 accreditations, including 758 Industry Gold accreditations (a 35% increase in this latter figure, compared to 2015).
Here are the final figures of the 2016 VENICE PRODUCTION BRIDGE:
 
·  GAP FINANCING MARKET (2-4 September): 448 pre-organized meetings were held for the 25 Fiction and Documentary projects, and 158 meetings for the 15 Virtual Reality/TV series/Web series. Fifty meetings were added directly on-site for all 40 projects.  Thus, a total of 606 encounters were re-organized, for a grand total of 656 meetings for the 40 projects over the two and a half days.
·  BOOK ADAPTATION RIGHTS AREA (2-3 September): over 250 meetings were organized over the two days for the 15 editors.
·  FINAL CUT IN VENICE (3-5 September): of the 6 projects presented in the selection, 4 films won the Final Cut prizes (***)
 
·  EUROPEAN FILM FORUM OF THE EUROPEAN COMMISSION
The European Film Forum was held on September 3-4, with the participation of the European Commissioner for the Digital Single Market, Günther Oettinger, and the Director-General of DG Connect, Roberto Viola. The European Film Forum organized two workshops, on access to financing for the creative industries and on the future of cinemas.
 
· 6 STANDS OPERATED IN THE VPB EXHIBIT AREAS:  
INCAA
EURIMAGES
REGIONE UMBRIA
REGIONE FRIULI VENEZIA GIULIA
CHINA FILM PROMOTION
SHANGAI FIL FESTIVAL
 
· PANELS AND EVENTS ORGANIZED AT THE MEETING SPACE  
A total of 22, including 17 international panels and events
 
· VPB MARKET SCREENINGS ORGANIZED
A total of 35, including 13 Private Screenings
· DIGITAL VIDEO LIBRARY:
51 films were available for viewing at the Digital Video Library, including:
6 films from Out of Competition, 18 from Orizzonti, 7 from Venice Classics, 4 from Biennale College Cinema, 2 from Cinema nel Giardino, 5 from SIC, 6 from Venice Days, 1 from Final Cut
 
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(***) FINAL CUT Awards:
 
FELICITY / FÉLICITÉ  by Alain Gomis (France/Senegal/Belgium) Producer: Arnaud Dommerc received the following prizes:
–  Sub-Ti Ltd. (London) will offer up to € 7,000 to make a DCP master and Italian or English subtitles;
–  Sub-Ti Access Srl (Turin) will offer up to € 7,000 for a version accessible to people with sensorial disabilities;
–  Rai Cinema will offer € 5,000 to purchase the broadcasting rights for two years;
–  Organisation Internationale de la Francophonie (OIF) will offer € 5,000 to reimburse costs incurred during post-production.
 
THE WOUND / ISIKO by John Trengove (South Africa/Germany/France/Holland) Producer: Elias Ribeiro received the following prizes:
–  Mactari Mixing Auditorium (Paris) will offer up to € 15,000 to make the sound mix;
–  Titra Film (Paris) will offer up to € 10,000 for digital color correction, and to make a DCP master and French or English subtitles.
GHOST HUNTING / ISTIYAD ASHBA by Raed Andoni (Palestine/France/Switzerland) Producer: Palmyre Badinie received the following prizes:
–  Laser Film (Rome) will offer € 15,000 for the color correction of a feature film, totaling up to 50 work hours (including technician);
–  The Festival International du Film d’Amiens will participate in the cost of making a DCP.
OBSCURE / OTMAH by Soudade Kaadan (Syria/Lebanon) Producer: Salma Kaf received the following prizes:
–  MAD Solutions will offer marketing, advertising and distribution in the Arab world;
–  The Festival International de Films de Fribourg will participate in the cost of making a DCP.
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(Source:www.labiennale.org)

Ancaster’s André van Heerden pens script for virtual reality film

Jesus VR screens at Venice International Film Festival

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Venice Film Festival attendees are donning thew virtual reality goggles for the advent of Jesus VR presentation. (Photo credit: Larry Gleeson/HollywoodGlee)

 

Posted by Larry Gleeson

By Debra Downey, Ancaster News

Script-writer André van Heerden admits even he “got lost” in the experience of viewing the first feature-length virtual reality film.

A 40-minute preview of Jesus VR – The Story of Christ screened last month at the 73rd Venice International Film Festival, and the Ancaster resident and his wife, Carolyn, had front-row seats.

“Because it’s shown in virtual reality, it’s not really a big screen but more of an actual world that you’re suddenly immersed in. It was surreal,” said van Heerden. “…When you’re within that world and you’re able to turn and look wherever you want, you feel like you’re actually there.”

Virtual reality is a relatively new technology for film. The Venice theatre in which it was screened was equipped with 50 virtual reality headsets and individual seats that pivoted 360 degrees.

According to the show-business magazine Variety, if Jesus VR — The Story of Christ is a success, it could help shape the way virtual reality stories are produced and distributed. The film was shot entirely in Matera, Italy, and employed over a hundred crew members and hundreds of extras. It tells the story of Jesus Christ from his birth to his resurrection.

Van Heerden, who has worked in various aspects of film and video production for the past 15 years, said it took about a month to develop the script’s original draft, followed by another six weeks accommodating requests for extra scenes or additional parts to scenes.

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Andre Van Heerden at the 73rd International Venice Film Festival. (Photo credit: Ancaster News)

“Because the producers were looking for a faithful and accurate telling of Jesus’ story, a lot of my writing was research based,” said van Heerden. “I wanted to make sure that I picked the most significant parts but also the moments that could be strung together to tell a complete story. Everything came back to Biblical scriptures and making sure that it lined up with them.”

Van Heerden also worked with technical advisor Father William Fulco to ensure the script was scripturally and theologically sound. Fulco was the technical advisor on the highly acclaimed movie The Passion of the Christ.

Jesus VR — The Story of Christ is slated to be released around Christmas on all major virtual reality platforms, including Google Cardboard, Samsung Gear, Oculus Rift, PlayStation VR and the HTC Vive.

(Source: http://www.hamiltonnews.com)

Seto Surya wins INTERFILM Award at Venice

Nepali film Seto Surya (White Sun) directed by Deepak Rauniyar was premiered in the Orizzonti section — an international competition — at the 73rd Venice International Film Festival to much appreciation on September 6.

 

*Video and photos are courtesy of ASAC Images/Biennale Cinema

 

It has also won 6th INTERFILM Award for Promoting Interreligious Dialogue under Collateral Awards of the 73rd Venice Film Festival.

“From a shortlist of finally three films the INTERFILM Jury at the 73rd International Film Festival Venice has chosen the winner of the 6th INTERFILM Award for Promoting Interreligious Dialogue.

The jury decided for the Nepalisian film Seta Surya (White Sun) by Deepak Rauniyar which was screened in the Orizzonti section of the festival,” the website of the Award writes.

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Seta Surya Director, Deepak Rauniyar. (Photo courtesy of ASAC Images/Biennale Cinema)

“It is obviously a moment of joy to be receiving an award at one of the world’s oldest and biggest film festivals of the world. We all are happy,” director Rauniyar expressed to The Himalayan Times via a Facebook interview. Sadly, he wasn’t there to receive the award.

Highway was his first feature film and it also became “the first feature of Nepal to premiere in a major international film festival. Now, White Sun has taken us to another level”.

He has had a deep belief that “Nepali films like other films can be distributed and screened across the audience of the world.

I would be jubilant that day when our films will be distributed easily like other films reach us. My belief has been firm after White Sun was screened at two big film festivals in a gap of four days and the response we got.”

After Venice Film Festival, White Sun had a North American premiere at Toronto International Film Festival on September 10. The 87-minute-film is a story after the country’s civil war.

It features Dayahang Rai, Asha Magrati, Rabindra Singh Baniya, Sumi Malla and Amrit Pariyar among others.

With the win, lead actor Rai feels that “the country and Nepali films have garnered respect”. When the film was well received at the premiere at Venice with a long applause in a hall of more than 1,200 audience, he is on cloud nine.

He shared, “I felt that this is the success for what I have worked till now!” He had also not expected that people would be interested in a Nepali film.

The Festival ran from August 31 to September 10. INTERFILM is the international network for dialogue between church and film promoting the appreciation of cinema’s artistic, spiritual and social significance in the church and calls attention to the relevance of church, theology and religion for cinema.

As festivals are critical for the activities of INTERFILM, it participates in festivals like Venice and award prizes to outstanding films.

(Source:www.thehimalayantimes.com)

Jaeger-LeCoultre Unveils Scuola Grande di San Rocco Reverso Enamel Watch at Venice Film Festival

Posted by Larry Gleeson

By Roberts Naas

This weekend marked the close of the 73rd edition of   the Venice International Film Festival. Swiss watch brand Jaeger-LeCoultre has been a partner of the cinema event for a dozen years and is firmly entrenched in honoring film and the ancient city of Venice. In fact, for the past three yeas, the brand has been an active supporter of Venice restoration, assisting with restoring the Scuola Grande di San Rocco, which houses numerous paintings by 16th-century artist, Tintoretto. This year, to honor the restoration effort, as well as to celebrate the brand’s 85th anniversary of the famed Reverso, Jaeger-LeCoultre presented multiple new Reverso timepieces – including a unique hand-painted watch that depicts the restoration inside the Scuola Grande di San Rocco.

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The one-of-a-kind Reverso Grande Taille watch features a miniature enamel rendition of the main marble staircase inside the Scuola Grande di San Rocco. The hand painting of the Reverse side of the case – done completely iin-housein the brand’s rare handcrafts division – took three weeks to complete. The dial required multiple layers of paintings, 32 drying processes and 15 firings of the kiln at 800°C. The watch is so beautiful and unique that it will not be sold at this point in time. Instead, it will be housed in the brand’s heritage museum in Switzerland.

To further support the restoration cause, Jaeger-LeCoultre has also implemented several initiatives. Until September 15, for every visitor to the brand’s facebook page who likes the post about the hand-painted watch, a donation will be made by the brand to the restoration program.

 

There was also a signing in Venice during the film festival, wherein anyone who signed the guest book with a heart drawing included, the brand would also donate to the cause. To kick off that initiative, Jaeger-LeCoultre’s brand ambassador Carmen Chaplin (of Charlie Chaplin descent) drew a heart that was engraved on the back of a Reverso watch.

Also during the festival, Jaeger-LeCoultre unveiled a host of new Reverso watches, including a high-jeweled piece, as well as several incredible haute Joaillerie watches that underscore the brand’s prowess not only in watchmaking but also in the arts of gem setting, enameling, engraving and more.

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Mel Gibson at Venice Film Festival’s ‘Hacksaw Ridge’: ‘Maybe I’m a Megalomanic’

Posted by Larry Gleeson

By Jamie Manelis

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(Photo credit: Jamie Manelis)
Mel Gibson makes a triumphant directorial return at the Venice Film Festival with Hacksaw Ridge, starring Andrew Garfield, Vince Vaughn, and Teresa Palmer. This World War II film is not your average glamorized bloodbath. Unlike other war movies where combat and incessant violence may seem gratuitous, Gibson directs like a master composer, creating a visual symphony of war and relationships.

Fans swarmed the premiere of Hacksaw Ridge like starstruck bees to an illustrious honeyhive. Extra security flooded the theatre, escorting fans straight to their seats to protect some of Hollywood’s most revered stars. The film itself is an overwhelming masterpiece. Intentionally and with much success, Gibson juxtaposes the horrific scenes of war with the innocent protagonist, played by Andrew Garfield. Based on a true story, Hacksaw Ridge is about the first Seventh-Day conscientious objector, Desmond Doss, who declined to bear arms. A belief that almost sent him to military prison, but he not only persevered with his faith, he proved the military wrong and single-handedly saved 75 lives in one night. Regardless of any religious affiliation the audience may identify with, the real astonishment is Doss’s naive optimism and selflessness. Gibson is like a seasoned puppeteer, pulling each tiny string with precision and purpose, manipulating any audience into trusting humanity.

“I enjoy directing more…maybe I’m a megalomanic, I just love telling the story and I love to see the story the way I see it.” – Mel Gibson

Although Gibson’s name in the news has sparked controversy in the last ten years, journalists at the press conference neglected to ask him about his personal afflictions and only focused on questions of the film and his future. However, when Gibson was asked if he preferred acting or directing, he responded, “I enjoy directing more…maybe I’m a megalomanic, I just love telling the story and I love to see the story the way I see it.” Although the stories he chooses are directly linked to religion as Gibson is a devout Catholic, he explained that this story isn’t completely about faith. “He (Doss) didn’t regard his life to be any more valuable than his brothers…that’s the greatest expression of love.”

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(Photo credit: Jamie Manelis)
Gibson wanted to honor Doss as well as creating awareness of the unspeakable horrors soldiers deal with during and after war. “A lot of attention needs to be paid to our warriors when they come back. They need some love, they need some understanding.” Gibson says with a stern, concerned look. After a brief pause he continues, “I hope that this film departs that message and if it does nothing but that – that’s great.”

(Source: Excerpt from http://www.observer.com)

*Featured photo courtesy of ASAC Images/Biennale Cinema

Russia’s Konchalovsky Wins Silver Lion For Best Direction At Venice Film Festival

Russian film director Andrei Konchalovsky has been awarded the Silver Lion — the Leone d’Argento — award for best direction at the 73rd Venice Film Festival.

An international panel led by British director Sam Mendes said on September 10 that Konchalovsky won the award for his film Paradise.

Paradise reveals entangled human life stories during World War II.

Konchalovsky’s wife, actress Yulia Vysotskaya, played the leading role in the film of a Russian emigre named Olga who is sent to a Nazi concentration camp after giving shelter to Jewish children in Paris.

It was the second Silver Lion from the Venice festival for Konchalovsky. He received the award in 2014 for his film The Postman’s White Nights.

The top prize at the Venice festival, the Golden Lion for best film, went to The Woman Who Left by director Lav Diaz.

Based on reporting by AFP and TASS

(Source: http://www.rferl.org)

*Featured photo courtesy of ASAC Images/Biennale Cinema

Wrap Up: 73rd Venice International Film Festival Continues to Mesmerize

 

I attended my first Venice International Film Festival at the Cinema del Palazzo complex in Lido this year from the Pre-Opening Night event August 30th through Closing Night September 10th, 2016 as an accredited media entity.

 

The Venice Film Festival is the oldest film festival in the world with a history dating to 1932. This year was the 73rd edition showing little signs of its age. Steeped in glamor and tradition, the festival remains a testament to the cinematic arts with its viewing venues and its programming.

 

 

Set in Lido with a plethora of screens each only a score or two steps away, these hallowed cinema grounds created a magical setting  adorned with cafes, raised walkways, and abundance of shade trees.

 

 

 

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Last night and final view of the 73rd Venice International Film Festival. (Photo credit: Larry Gleeson/HollywoodGlee)

 

The real magic, however, took place inside the cinema!

 

Leading the way were the spell-binding performances of Lily-Rose Depp and Natalie Portman in Planetarium from Director Rebecca Zlotowski.

 

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Planetarium Director, Rebecca Zlotowski. (Photo courtesy of ASAC Images/Biennale Cinema)

 

Award-winning, Tom Ford’s Nocturnal Animals, took home the Silver Lion Grand Jury Prize  for Best Film.  Nocturnal Animals captured my eye and imagination with it’s captivating story lines, exceptionally rich, mise-en-scen and wildly, powerful acting. Damien Chazelle and crew mesmerized audiences with their dazzling La La Land.  The lovely Emma Stone received the Best Actress Silver Lion Volpi Cup for her heartful, soul-revealing performance as Mia.

 

 

 

 

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Director Lav Diaz, left, with Ang Babaeng Humayo film delegation at the 73rd Venice International Film Festival. (Photo courtesy of ASAC Images/Biennale Cinema)

 

This year’s Golden Lion for Best Film went to Lav Diaz for his painstaking drama, Ang Babaeng Humayo (The Woman Who Left), an epic story with a runtime of 226 minutes. The film follows one woman rediscovering her homeland after a 30 year stay in a correctional facility.

For a complete list of winners click here.

 

Other noteworthy films, not already mentioned, included: Paradise, a Russian Federation film, set amidst the Nazi WWII reign of terror (Director Andrei Konchalovsky garnered Silver Lion for Best Director for his Paradise efforts); Terrence Malick’s Voyage of Time: Life’s Journey, winner of the 5th Green Drop Award awarded by Green Cross Italy to films that bring attention to the values of ecology and sustainable development; Jackie, Pablo Larrain’s portrait of the iconic First Lady, Jacqueline Bouvier Kennedy (Noah Oppenheim won Best Screenplay for Jackie); and Orecchie, a Biennale College – Cinema Production, directed by Alessandro Aronadio and produced by Costanza Coldagelli.

 

 

A special note of thanks to this year’s ushers for their efforts in ensuring my safety and well-being at the 73rd Venice International Film Festival. Until next year, Ciao’!

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Ushers at the 73rd Venice International Film Festival. (Photo credit: Larry Gleeson/HollywoodGlee)

 

 

*Featured photo courtesy of Larry Gleeson/HollywoodGlee

Official Awards of the 73rd Venice Film Festival

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Director Lav Diaz receives Golden Lion for Best Film for Ang Babaeng Humayo. (Photo courtesy of ASAC Images/Biennale Cinema)

VENEZIA 73

The Venezia 73 Jury, chaired by Sam Mendes and comprised of Laurie Anderson, Gemma Arterton, Giancarlo De Cataldo, Nina Hoss, Chiara Mastroianni, Joshua Oppenheimer, Lorenzo Vigas and Zhao Wei having viewed all 20 films in competition, has decided as follows:
GOLDEN LION for Best Film to:
ANG BABAENG HUMAYO (THE WOMAN WHO LEFT)
by Lav Diaz  (Philippines) with a run time of 226m.
 
SILVER LION – GRAND JURY PRIZE to:
NOCTURNAL ANIMALS
by Tom Ford (USA)
 
SILVER LION – AWARD FOR BEST DIRECTOR ex-aequo to:
Andrei Konchalovsky
for the film PARADISE (Russian Federation, Germany)
Amat Escalante
for the film LA REGIÓN SALVAJE (THE UNTAMED)
(Mexico, Denmark, France, Germany, Norway, Switzerland)
COPPA VOLPI
for Best Actress:
Emma Stone
in the film LA LA LAND by Damien Chazelle (USA)
 
COPPA VOLPI
for Best Actor:
Oscar Martínez
in the film EL CIUDADANO ILUSTRE by Mariano Cohn and Gastón Duprat
(Argentina, Spain)
 
AWARD FOR BEST SCREENPLAY to:
Noah Oppenheim
for the film JACKIE by Pablo Larraín (UK)
 
SPECIAL JURY PRIZE to:
THE BAD BATCH by Ana Lily Amirpour (USA)
 
MARCELLO MASTROIANNI AWARD
for Best Young Actress to:
Paula Beer
in the film FRANTZ by François Ozon (France, Germany)
LION OF THE FUTURE
“LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM
Lion of the Future – “Luigi De Laurentiis” Venice Award for a Debut Film Jury at the 73rd Venice Film Festival, chaired by Kim Rossi Stuart  and comprised of Rosa Bosch, Brady Corbet, Pilar López de Ayala and Serge Toubiana, has decided to award:
LION OF THE FUTURE
“LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM to:
Akher Wahed Fina (The Last of Us) by Ala Eddine Slim
(Tunisia, Qatar, U.A.E., Lebanon)
VENICE INTERNATIONAL FILM CRITICS WEEK
as well as a prize of 100,000 USD, donated by Filmauro of Aurelio and Luigi De Laurentiis to be divided equally between director and producer.
 
ORIZZONTI AWARDS
The Orizzonti Jury of the 73rd Venice International Film Festival, chaired by Robert Guédiguian and composed of  Jim Hoberman, Nelly Karim, Valentina Lodovini, Moon So-ri, José María (Chema) Prado and Chaitanya Tamhane  after screening the 32 films in competition has decided to award:
the ORIZZONTI AWARD FOR BEST FILM to:
LIBERAMI  by Federica Di Giacomo (Italy, France)
the ORIZZONTI AWARD FOR BEST DIRECTOR to:
Fien Troch
for HOME (Belgium)
the SPECIAL ORIZZONTI JURY PRIZE to:
KOCA DÜNYA (BIG BIG WORLD)
by Reha Erdem (Turkey)
the ORIZZONTI AWARD FOR BEST ACTRESS to:
Ruth Díazin the filmTARDE PARA LA IRA by Raúl Arévalo (Spain)
the ORIZZONTI AWARD FOR BEST ACTOR to:
Nuno Lopes in the film  SÃO JORGE by Marco Martins (Portugal, France)
the ORIZZONTI AWARD FOR BEST SCREENPLAY to:
KU QIAN (BITTER MONEY) by Wang Bing (France, Hong Kong)
the ORIZZONTI AWARD FOR BEST SHORT FILM to:
LA VOZ PERDIDA by Marcelo Martinessi (Paraguay, Venezuela, Cuba)
 
the VENICE SHORT FILM NOMINATION FOR THE
EUROPEAN FILM AWARDS 2016 to:
AMALIMBO by Juan Pablo Libossart (Sweden, Estonia)
VENICE CLASSICS AWARDS
The Venice Classics Jury, chaired by Roberto Andò composed of 25 students of Cinema History, chosen in particular from the professors of 12 Italian Dams university programmes and from the Venice University of Ca’ Foscari, has decided to award:
the VENICE CLASSICS AWARD FOR BEST DOCUMENTARY ON CINEMA to:
LE CONCOURS  by Claire Simon (France)
the VENICE CLASSICS AWARD FOR BEST RESTORED FILM to:
BREAK UP – L’UOMO DEI CINQUE PALLONI by Marco Ferreri
(1963 and 1967, Italy, France)
 
GOLDEN LION FOR LIFETIME ACHIEVEMENT 2016 to:
JEAN-PAUL BELMONDO
JERZY SKOLIMOWSKI
 
JAEGER-LECOULTRE GLORY TO THE FILMMAKER AWARD 2016 to:
Amir Naderi
PERSOL TRIBUTE TO VISIONARY TALENT AWARD 2016 to:
Liev Schreiber
L’ORÉAL PARIS PER IL CINEMA AWARD to:
Matilde Gioli
la Biennale
(Source:www.labiennale.org)

Screening today 8 September at the 73rd Venice Film Festival

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Natalie Portman and Lily Depp keep everyone on their toes in ‘Planetarium.’ (Photo Courtesy of ASAC/LaBiennale Cinema)

It’s a hot day at the Venice International Film Festival! Screening in competition in the Sala Grande theatre today: Paradise by Andrei Konchalovsky (5:00 pm) and Questi giorni by Giuseppe Piccioni (7:45 pm). Out of Competition, Gantz:O by Yasushi Kawamura (10:30 pm).

At 2:00 pm, Award Ceremony: Golden Lion for Lifetime Achievement to Jean-Paul Belmondo.

 

In competition in the Orizzonti section, Koca Dünya by Reha Erdem (2:45 pm). Out of Competition, Planetarium by Rebecca Zlotowski (5:15 pm), both in the Sala Darsena theatre.

 

Among other screenings today, Orizzonti Short Films (11:00 am and 5:00 pm) and El vendedor de orquídedas by Lorenzo Vigas (3:00 pm) in the new Sala Giardino theatre.

 

The PalaBiennale theatre features screenings for the public from 1:30 pm until the double screening starting at 8:00 pm.

 

All the screenings on Thursday 8 September
Line-up of the 73rd Venice Film Festival

 

See you at the cinema!

 

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All the screenings on Thursday 8 September
Line-up of the 73rd Venice Film Festival

 

la Biennale

(Source: http://www.labiennale.org)