Tag Archives: Women

Mark Wahlberg and Partriots Day Wrap Up 2016 AFI FEST

Closing down this year’s American Film Institutes Film Festival (AFI FEST) presented by Audi on Thursday, November 17th, it’s not so difficult to imagine what might have been had it not been for extraordinary efforts of first-responders, law enforcement and investigators alike in Boston, Mass. Patriots Day, the closing night film, brought to the big screen the story of the 2013 Boston Marathon bombings from several different angles and drew an at-capacity crowd at the TCL Chinese Theatre.

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Patriots Day star actor Mark Wahlberg, left, along with the film’s director, Peter Berg, right, posing on the red carpet at the TCL Chinese Theatre before the screening of Patriots Day as the AFI FEST 2016’s Closing Night film. (Photo credit: The Hollywood Reporter)

Afterwards, Director Peter Berg and star actor Mark Wahlberg called several of the film’s real life heroes down on stage for a rousing standing ovation. They included one of the civilian victims of the bombings, Patrick  Downes;  Dun Meng, the young Chinese man who escaped his captors and alerted police to the whereabouts of the bombers; Boston Police Department Commissioner Ed Davis (played in the film by John Goodman); FBI Special Agent In Charge Richard DesLauriers (played by Kevin Bacon); and Watertown Police Sgt. Jeffrey Puglisese (played by J.K. Simmons).

The night before lead actress Annette Bening sat with director Lisa Cholodenko on the TCL Chinese Theater for a warm and heartfelt conversation before the screening of Writer/Director Mike Mills’ dramedy, 20th Century Women, a story of three women and a make-shift extended family in Santa Barbara during the late 1970’s.

I can honestly say I didn’t see a bad film at AFI FEST 2016 presented by Audi.

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Oulaya Amamra as Dounia (pictured above) in Houda Benyamina’s Divines picked up this year’s New Auteurs Special Jury Mention for Acting. (Photo via geekgirlauthority.com)

Divines , from Houda Benyamina, carted off several winner awards, including the Breakthrough Audience Award, New Auteurs Audience Award, and New Auteurs Special Jury Mention for Acting, Oulaya Amamra. Other favorite films reviewed by HollywoodGlee included Fraud, Jackie, Mifune: The Last Samurai, and Citizen Kane.

Interestingly, this year’s festival opened wide the gates for virtual reality (VR) filmmaking. In addition to several presentations and an extended display of short films complete with VR technology, Anthony Blatt, Co-Founder of Wevr, kicked off the State of the Art Technology Showcase Presented by Google Spotlight Stories as the Keynote Speaker with his enthusiastic remarks on the world of virtual reality in present time.

All in all, this 30th edition of the AFI Film Festival – Hollywood program included a whopping 118 films (79 features, 39 shorts) representing 46 countries, including 33 films directed/co-directed by women, 11 documentaries and 12 animated short films.

Until next year, I’ll see you at the movies!

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(Photo courtesy of Larry Gleeson/HollywoodGlee)

Michelle Yeoh graces red carpet event at opening of Singapore International Film Festival

Posted by Larry Gleeson

By Genevieve Sarah Loh

SINGAPORE: Malaysian superstar Michelle Yeoh was one of the biggest names gracing the red carpet at the opening of this year’s Singapore International Film Festival (SGIFF) on Wednesday (Nov 23). The event flags off the 27th edition of Southeast Asia’s longest-running international film platform.

The recipient of SGIFF’s first-ever Cinema Legend Award last year, Yeoh is the guest-of-honour and will be joined by the likes of homegrown filmmakers Royston Tan and Eric Khoo, as well as local celebrities Felicia Chin, Ian Fang, Suhaimi Yusof, Lim Yu-Beng and Adele Wong.

While Yeoh has reportedly joined the cast of the upcoming Star Trek: Discovery series, she kept mum about details when asked on Wednesday night. “We all grew up (in) the Star Trek generation, so of course I am a big fan,” she said.

Local celebrities Felicia Chin and Ian Fang at the opening of the Singapore International Film Festival. (Photo: Shawn Lim)

Homegrown filmmaker Royston Tan at the opening of this year’s Singapore International Film Festival. (Photo: Shawn Lim)

The region’s film glitterati have also descended on Singapore shores for SGIFF. Indonesian star Nicolas Saputra will be gracing the carpet alongside his Malaysian director Dain Iskandar Said and castmates Nandita Solomon, Iedil Putra, Prisia Nasution, Nadiya Nisaa, Alvin Wong and Chew Kin-wah. Their film Interchange, a fantasy noir supernatural thriller, is the opening film of this year’s SGIFF.

SGIFF 2015 Best Singapore Short Film recipient Gladys Ng. (Photo: Shawn Lim)

Vietnamese-born French filmmaker Tran Anh Hung will also be on the carpet. Renowned for breaking through with his first film The Scent of Green Papaya, his second film Cyclo won him the Golden Lion at the Venice Film Festival in 1995, making him one of the youngest filmmakers to be honoured at the festival at the age of 33.

Several international stars will also be gracing various SGIFF red carpets this year, including Oscar-nominated director Darren Aronofsky and Hollywood star James Marsden who are walking the red carpet on Saturday for the SGIFF benefit dinner.

(Source: http://www.channelnewsasia.com)

SBIFF Announces 2017 Maltin Modern Master Award

Denzel Washington is set to receive the Maltin Modern Master Award at the 32nd annual Santa Barbara International Film Festival. Washington will be honored for his longstanding contributions to the film industry culminating with Paramount’s upcoming Fences, a story adapted from August Wilson’s Pulitzer Prize-winning play of the same name. Washington directs, produces and stars in the saga about a 1950s Pittsburgh sanitation worker and former Negro League baseball player, Troy Maxson (Washington), as he deals with racism while struggling to provide for his family.

Fences hits theatres on Christmas Day.

 

Leonard Maltin, for whom the award was recently renamed after, will return for his 26th year to moderate the evening. The award will be presented on Thursday, February 2, 2017 at Santa Barbara’s historic Arlington Theatre.

11162014-Roger-Durling_t479SBIFF Executive Director Roger Durling stated, “Denzel Washington directing, producing and acting in Fences defines the Modern Master for the 21st Century.”

Click here for more information on attending the event.

The Modern Master Award was established in 1995 and is the highest accolade presented by SBIFF. Created to honor an individual who has enriched our culture through accomplishments in the motion picture industry, it was re-named the Maltin Modern Master Award in 2015 in honor of long-time SBIFF moderator and renowned film critic Leonard Maltin. Past recipients include Michael Keaton, Bruce Dern, Ben Affleck, Christopher Plummer, Christopher Nolan, James Cameron, Clint Eastwood, Cate Blanchett, Will Smith, George Clooney and Peter Jackson.

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(Source: http://www.sbiff.org)

Nicole Kidman to Receive the Palm Springs International Star Award

Palm Springs, CA (November 28, 2016) – The 28th annual Palm Springs International Film Festival (PSIFF) will present Academy Award® winning actress Nicole Kidman with Nicole Kidmanthe International Star Award for her performance in Lion at its annual Film Awards Gala.  The Film Awards Gala, hosted by Mary Hart, will be held Monday, January 2 at the PalmSprings Convention Center. The Festival runs January 2-16.

“One of the world’s most luminous and versatile actresses, Nicole Kidman has filled so many unforgettable roles including her performances in The Hours, Moulin Rouge!, Cold Mountain, Rabbit Hole and dozens more,” said Festival Chairman Harold Matzner. “In her latest film, Lion, she gives yet another award-worthy performance as Sue Brierley, an Australian woman who adopts two young boys from India. The Palm Springs International Film Festival is honored to present the International Star Award to Nicole Kidman.”

Kidman received the Festival’s Chairman’s Award in 2005. Past International Star Award honorees include BAFTA and Academy Award winning actors Javier Bardem, Helen Mirren and BAFTA and Academy Award nominated actress Saoirse Ronan.

In The Weinstein Company film, Lion, five-year-old Saroo (Sunny Pawar) gets lost on a train traveling away from his home and family. Frightened and bewildered, he ends up thousands of miles away, in chaotic Kolkata. Somehow he survives living on the streets, screen-shot-2016-11-28-at-4-07-50-pmescaping all sorts of terrors and close calls in the process, before ending up in an orphanage that is itself not exactly a safe haven. Eventually Saroo is adopted by an Australian couple (Nicole Kidman and David Wenham), and finds love and security as he grows up in Hobart. As an adult, not wanting to hurt his adoptive parents’ feelings, Saroo (Dev Patel) suppresses his past, his emotional need for reunification and his hope of ever finding his lost mother and brother. But a chance meeting with some fellow Indians reawakens his buried yearning. Armed with only a handful of memories, his unwavering determination, and a revolutionary technology known as Google Earth, Saroo sets out to find his lost family and finally return to his first home. Based on the true story, A Long Way Home, Lion is directed by Garth Davis and written by Luke Davies with performances from Dev Patel, Nicole Kidman, Rooney Mara, David Wenham, and Sunny Pawar.

Nicole Kidman is an internationally-recognized, award-winning actress and producer known for her range and versatility. Her extensive film work includes To Die For (Golden Globe for Best Actress), Moulin Rouge! (Academy Award® nomination, Golden Globe for Best Actress in a Musical), The Others (Golden Globe nomination, Saturn Award), The Hours (Academy Award®, BAFTA, Golden Globe for Best Actress and Berlin Silver Bear), Rabbit Hole (Golden Globe for Best Actress, Academy Award® nomination) and The Paperboy (Golden Globe nomination, SAG Award nomination).

Previously announced honorees attending the 2017 Film Awards Gala are Casey Affleck, Tom Hanks, Ruth Negga, the cast of La La Land, including Emma Stone, Ryan Gosling, and director Damien Chazelle.

 

About The Palm Springs International Film Festival
The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees last year for its lineup of new and celebrated international features and documentaries. The Festival is also known for its annual Film Awards Gala, an upscale black-tie event attended by 2,500, honoring the best achievements of the film year by a celebrated list of talents who, in recent years, have included Ben Affleck, Javier Bardem, Cate Blanchett, Sandra Bullock, Bradley Cooper, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Tom Hanks, Matthew McConaughey, Julianne Moore, Brad Pitt, Eddie Redmayne, Julia Roberts, David O. Russell, Meryl Streep, and Reese Witherspoon.

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For more information, call 760-322-2930 or 800-898-7256 or visit www.psfilmfest.org.

MEDIA CONTACTS:
Steven Wilson / Lauren Peteroy
B|W|R Public Relations
212-901-3920
steven.wilson@bwr-pr.com / lauren.peteroy@bwr-pr.com

David Lee
Palm Springs International Film Society
760-322-2930
david@psfilmfest.org

(Source: http://www.psfilmfest.org)

‘Unlike anything I’ve ever seen’: Filmmakers create documentary of a documentary

Posted by Larry Gleeson

By Jon Hernandez, CBB News

A new film explores the trials, hardships and endless problem solving required in documentary filmmaking — by putting the entire process itself under the lens.

Academy Award-winning Vancouver-based documentary filmmaker John Zaritsky is in front of the camera for the first time in John Zaritsky on TV, a film that follows him as he takes on his latest project, chronicling survivors of the controversial pharmaceutical thalidomide.

The film, co-directed and co-produced by Michael Savoie and Jennifer diCresce, candidly follows Vancouver’s Zaritsky as he embarks on what he believes is his tour de force. It is an official selection for the 2016 Whistler Film Festival.

“I was uncertain about it,” Savoie told host Sheryl MacKay on CBC’s North by Northwest. “But the film is unlike anything I’ve ever seen about the filmmaking process. It’s not the kind of film that gets tacked onto the end of a DVD … this is really getting into the head of a fellow on the top of his game.”

The Thalidomide Saga

The film follows Zaritsky as he shoots No Limits: The Thalidomide Saga — a documentary that explores the after-effects of the controversial drug.

Thalidomide was first synthesized in the former West Germany and marketed worldwide as a “wonder drug” that provided “safe and sound sleep,” according to the Association of Canadian Victims of Thalidomide.

However, when the drug was taken during pregnancy, it led to serious birth defects and many infant deaths. The drug was available in Canada for three years before being pulled off the shelves in 1962.

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John Zaritsky talks to a subject and thalidomide survivor, explaining that he is also the subject of a documentary. (Michael Savoie and Jennifer diCresce/John Zaritsky on TV)

Zaritsky decided to catch up with some of the survivors to showcase how the after-effects of the drug linger, and that it is allegedly being re-branded in Germany. The timing of the project aligned with Savoie’s desire to create a documentary that turned the genre on its head by shining a light on the filmmaking process.

“It seemed to me to be the perfect time to do this,” he said. “But what we didn’t expect was that eight weeks before [production], John wanted me to shoot his film.”

A character in his own film

Savoie, who had worked with Zaritsky in the past as well, accepted the role of cameraman, and in so doing, ended up becoming the subject of his own film. He says at first, being one of the characters was strange — until the harsh reality of documentary filmmaking set it in.

“We just got so tired. Over the course of 25 days we traveled 25,000 kilometers. And eventually, you’re just surviving out there. You’re eating when you can, sleeping when you can, so the crew that was [filming us] really disappeared.”

Michael Savoie

Michael Savoie is both filmmaker and subject as he tiredly looks at his watch after little sleep and many days of shooting for John Zaritsky’s No Limits: The Thalidomide Saga. (Michael Savoie and Jennifer diCresce/John Zaritsky on TV)

“It’s such a difficult way to live your life. Making a documentary is hard. And the whole process of raising funds and bank accounts and tax credits is a really hard thing to do with your life. And when you finally do get to do the fun part and start filming it, you don’t want to make any mistakes.”

And he says once a filmmaker is out on the field, things always fall apart.

For example, at one point, one of Zaritsky’s essential characters drops out of the film. The camera catches the moment as it happens, lingering on the filmmaker as he takes it in and begins to work around it.

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Savoie (left) tells Zaritsky (right) a key character has dropped out of the film while they’re in the middle of a shoot.

“A major building block of his film just disappeared, and he had to think fast and get back on his feet … that’s one of my favorite sequences of the film. That’s real cinéma vérité.”

The film premiers at the Whistler Film Festival on Dec. 1.

(Source: http://www.cbc.ca)

SBIFF Showcase – The Handmaiden

From Chan-wook Park, the celebrated director of OLDBOY, LADY VENGEANCE and STOKER, comes a ravishing new crime drama. PARK presents a gripping and sensual tale of two women – a young Japanese Lady living on a secluded estate, and a Korean woman who is hired to serve as her new handmaiden, but is secretly plotting with a conman to defraud her of a large inheritance. Inspired by the novel Fingersmith by British author Sarah Waters, THE HANDMAIDEN borrows the most dynamic elements of its source material and combines it with PARK Chan-wook’s singular vision to create an unforgettable viewing experience.

“One of the year’s sliest, sexiest thrillers. The first section is only part of the story. The rest is so suspenseful, sexy and surprising that it would be a shame to say any more.” – Entertainment Weekly

“A feast for all the senses.” – Rolling Stone

“A hugely entertaining thriller. Simmering with genuine sexual tension.” – The Guardian

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Screening:
Sunday, November 27 @ 2:00pm
Monday, November 28 @ 7:30pm
Tuesday, November 29 @ 5:00pm
Wednesday, November 30 @ 7:30pm
Sunday, December 4 @ 2:00pm
Monday, December 5 @ 7:30pm
Tuesday, December 6 @ 5:00pm
Wednesday, December 7 @ 7:30pm
at the Riviera Theatre – 2044 Alameda Padre Serra

THE HANDMAIDEN
Directed by Chan-wook Park
Written by Seo-Kyung Chung, Chan-wook Park
Inspired by the novel “Fingersmith” by Sarah Waters
Starring Min-hee Kim, Kim Tae-ri, Jung-woo Ha,
Jin-woong Cho, Hae-suk Kim, So-ri Moon
Country of Origin: South Korea
Running Time: 144 min
Subtitled

To purchase tickets click here.

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(Source:sbiff.org)

FILM REVIEW: Divines (Benyamina, 2016): France

Viewed by Larry Gleeson as part of AFIFEST 2016 presented by Audi.

screen-shot-2016-11-18-at-11-01-54-amDivines is the first feature length film by self-taught director Houda Benyamina. Benyamina, Actress Oulaya Amamra, and Divines were AFIFEST 2016 winners of the New Auteurs Audience Award, the Breakthrough Audience Award and a Special Jury Mention for Acting.

The film opens in surreal fashion with an out of focus frame containing a smoke and fog-like effect reminiscent of a meditation and indicative of the filmmaker’s use of dream logic.

Quickly, homage is made to Martin Scorcese’s Taxi Driver, with lead character, Dounia, played exquisitely by Oulaya Amamra, standing in front of a mirror pretending to fire a pistol while asking, “You looking at me?” Later in the film another homage to Scorcese is made from his early work,  Mean Streets, with Dounia on her knees  in the middle of the street pleading with God.

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And, without too much adieu, Benyamina quickly takes us into the inner world of her lead character, Dounia. In a sacred space Dounia sneaks voyeuristically in a low-key lit, high-angle omniscient shot looking down on a theater stage during an audition. She likes what she sees in the form of Djigui, a dancer with moves and passion, played by Kevin Mishel.

A transition is made to a rambunctious classroom. Soon, Dounia is arguing with hyper intensity as Dounia questions her teacher’s values and choice of vocation. The moment culminates with Dounia quitting school vowing to “show them.” Her vocation is to make money.

Another transition is made to a slow motion sequence in a darkly lit dance club playing diagetic music from a singing disc jockey. Here we see Dounia’s troubled mother inebriated and looking for love in all the wrong places – a common scenario throughout Divines for Dounia’s mother.

screen-shot-2016-11-18-at-11-08-25-amBefore long, Dounia witnesses a drug stash in the back of the theater. Dounia seizes the moment and takes the stash to a local dealer with her best friend, Maimouna, an Iman’s daughter, played by Deborah Lukumuena. The circle is complete as the drug dealer, Rebecca, played handsomely by Jisca Kalvanda, rounds out a strong cast of mostly female characters.

Throughout Divines, Dounia is searching for dignity. She lives in a Roma (gypsy) camp on the outskits of Paris and is frequently called Bastard. She discovers drug dealing as a way to gain respect and power. Before long, however, Dounia finds out the price she must pay for her vocation might be too high.

In Divines, Benyamina illuminates an emerging Parisian subculture made up of colorful, fringe characters steeped in Islam highlighting their highly creative, unique, and authentic stories. In furthering her artistic vision to democratize cinema, Benyamina formed a mutual assistance cinematic trade association, 1000 Visages (Faces).

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Possibly quite coincidentally, American mythologist, Joseph Campbell’s tome, “The Hero with a Thousand Faces,” a seminal work on archetypal heroes and myths shared by world religions and traditions, contains the association’s name in the book’s title. However, I believe Benyamina has dissected the work drawing extensively from its teachings as we witness the transformation of Dounia.

For a first feature, Benyamina’s Divines is polished. Costuming is realistic. The camera work and editing augment the film’s reality well. The musical score sets the mood and aids in pacing. And the acting is quite good. Highly recommended.

Ruth Negga to Receive the Rising Star Award at Palm Springs

Palm Springs, CA (November 16, 2016) – The 28th annual Palm Springs International Film Festival (PSIFF) will present Ruth Negga with the Rising Star Award at its annual Ruth NeggaFilm Awards Gala for her performance in Loving. The Film Awards Gala, hosted by Mary Hart, will be held Monday, January 2 at the Palm Springs Convention Center. The Festival runs January 2-16.

“Ruth Negga’s performance as Mildred Loving is one of the year’s most luminous and striking portrayals,” said Festival Chairman Harold Matzner. “This timeless love story about an interracial couple reminds us of the unstoppable power of love in the face of hate and prejudice – a story that could not be more resonant and powerful today. This will certainly be just one of many breathtaking performances in a long career. The Palm Springs International Film Festival is honored to present Ruth Negga with this year’s Rising Star Award.”

Past recipients of the Rising Star Award include Alicia Vikander, Jennifer Lawrence, Scarlett Johansson, Anna Kendrick, Dakota Fanning, and Terrence Howard.

New in theaters this month from Focus Features, Loving is written and directed by Jeff Nichols, and stars Joel Edgerton and Ruth Negga as Richard and Mildred Loving. Loving celebrates the real-life courage and commitment of the interracial couple who fell in love and were married in 1958. The couple had grown up in Central Point, a small town in Virginia that was more integrated than surrounding areas in the American South. Yet it was the state of Virginia, where they were making their home and starting a family, that first jailed and then banished them. Their civil rights case, Loving v. Virginia, went all the way to the Supreme Court, which in 1967 reaffirmed the very foundation of the right to marry. Richard and Mildred returned home and their love story has become an inspiration to couples ever since.

Ruth Negga’s body of work spans award-winning theatre productions, big-screen dramas, independent films, and innovative television series. Her film work includes World War Z, The Samaritan, Breakfast on Pluto, Una Vida (a.k.a. Of Mind and Music), Noble; Jimi: All Is by My Side, Warcraft; and Iona. Negga won the Irish Film & Television Academy (IFTA) Award for Best Actress for her portrayal of legendary singer Shirley Bassey in the telefilm Shirley. Her other TV work includes Misfits, Love/Hate, the miniseries Coup (a.k.a. Secret State), Five Daughters, and Agents of S.H.I.E.L.D., She currently stars on AMC’s series Preacher.

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About The Palm Springs International Film Festival
The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees last year for its lineup of new and celebrated international features and documentaries. The Festival is also known for its annual Film Awards Gala, an upscale black-tie event attended by 2,500, honoring the best achievements of the filmic year by a celebrated list of talents who, in recent years, have included Ben Affleck, Javier Bardem, Cate Blanchett, Sandra Bullock, Bradley Cooper, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Tom Hanks, Matthew McConaughey, Julianne Moore, Brad Pitt, Eddie Redmayne, Julia Roberts, David O. Russell, Meryl Streep, and Reese Witherspoon.

For more information, call 760-322-2930 or 800-898-7256 or visit www.psfilmfest.org.

MEDIA CONTACTS:
Steven Wilson / Lauren Peteroy
B|W|R Public Relations
212-901-3920
steven.wilson@bwr-pr.com / lauren.peteroy@bwr-pr.com

David Lee
Palm Springs International Film Society
760-322-2930
david@psfilmfest.org

(Source: http://www.psfilmfest.org)

Film Capsule: The Art of Conflict (Vaughn, 2012): USA

The Art of Conflict, reviewed by Larry Gleeson during the Santa Barbara International Film Festival, is a well-researched documentary directed by Valeri Vaughn and narrated by younger brother, comedic actor, Vince Vaughn. The Art of Conflict tells the acrimonious story of the conflict in Northern Ireland with large wall-sized building murals scattered throughout the various neighborhoods in Northern Ireland. The conflict originated from the territory’s religious, social and economic struggles of the mid to late nineteenth century. Vaughn focuses her storytelling on the period known as “The Troubles” (the early 1970’s) and thereafter brings the conflict into present day.

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During the Q & A following the viewing, both Vaughns presented and fielded questions from the audience. Vince tended to dominate the conversation as he began by providing the background to the film’s birth. He happened to be in Ireland and decided to partake in a Black Cab taxi tour. Along the way he began noticing several murals as the cabbie showed him the sights while filling his ears with some local history. As the Vaughns are of Irish heritage Vince became intrigued. This was in 2005.

Without missing a beat, he claims he immediately telephoned Valeri about the possibility of her undertaking the subject matter of the murals as a project knowing Valeri’s early penchant for making documentaries. Valeri acquiesced and agreed to do it.

The Art of Conflict was seven years in the making including several visits to the Emerald Isle. Numerous interviews and many hours of footage later, a very real piece of art began to emerge as the peace process undertaken at the time began showing aspects of progress evidenced by thematic changes in the mural landscape.

Some of the changes were a concerted effort by the two primary opposing groups, the Catholics and the Protestants, as they tried to peacefully co-exist and to allow the peace process to provide some relief from the tensions of an existing war carried out in their respective neighborhoods and business establishments.

It seemed that the Irish Nationalists, predominantly Catholic, wanted peace a bit more. I don’t believe the Vaughn’s depiction of the conflict was tilted towards either side. A point was made during the Q & A that every effort was made to ensure the piece was as balanced as possible.

With the long history of repression, to me it stands to reason, that the Catholic Nationalists would want peace more as they have fought for rights historically back to the Land Use Agreement.

Literally, Vaughn very well could have produced a Burnsian-style documentary detailing the conflict and its origin. On one hand it’s remarkable she didn’t. While on the other hand, it’s remarkable what she did do.

She captured a very unique time in history using wall murals as an impetus for further inquiry. She delved into the major events and characters of the times and bars no holds eschewing historical photographs, archival footage and present day interviews in telling the story of a bloody, soulless conflict pounded home by the murals and their shapelessness and faceless depictions.

It appears Ms. Vaughn has embarked on a journey of storytelling here that is just beginning. Wholeheartedly recommended.

Revolution of new Egyptian cinema at Cairo film fest

Posted by Larry Gleeson

By Cristiana Missori

CAIRO – Eight square meters for 25 prisoners – American journalists, Muslim Brothers, common citizens – who were arrested by Egyptian police during violent demonstrations following the ouster of Brotherhood President Mohamed Morsi in the summer of 2013 star in the opening film of the International film festival in Cairo.

These characters, detained together for a whole day, are featured in Eshtebak (Clash) by Egyptian director Mohamed Diab, that opened the section ‘Un certain regard’ at the latest Cannes Film Festival.

The movie will be presented on Friday night at the Cairo event, which runs until November 24.

It was greenlighted by censors in July and hit movie theaters. However, the film was pulled out a few days later, as denounced by the filmmaker.

And the festival’s artistic director, Youssef Rizkallah, has decided to screen other controversial movies.

Several films focusing on key issues of the 2011 revolution and 2013 protests will be screened in the section dedicated to new Egyptian cinema (eight films have been produced between 2015 and 2016).

They focus on the violence of those terrible days of Raba’a Al Adaweya – when over 600 civilians were killed and thousands wounded – as well as human and sentimental relations during those events with the uprising on the background.

One of them is Sins of the Flesh by Haram El Gasad, which is set in a remote farm in the Egyptian countryside where echoes of the uprising impact the lives of protagonists, and Out of Order by Mahmoud Kamel and Bitter Moon by Hany Khalifa. A box-office hit to be screened is also Hepta: the Last Lecture by Hadi El-Bagoury, a movie based on the best seller by the same name.

There are lighter stories that talk about sex (never explicitly), food and betrayal, like the latest work by Yousry Nasrallah, Books, Meadows and Lovely Faces, presented a few days ago at the Medfilm festival in Rome. Another is the latest movie by Mohamed Khan, Before the Summer Crowds, and Nawara by Hala Khalil focusing on social inequality in the country.

(Source: http://www.ansamed.info)