Tag Archives: Tribute

Jaeger-LeCoultre Unveils Scuola Grande di San Rocco Reverso Enamel Watch at Venice Film Festival

Posted by Larry Gleeson

By Roberts Naas

This weekend marked the close of the 73rd edition of   the Venice International Film Festival. Swiss watch brand Jaeger-LeCoultre has been a partner of the cinema event for a dozen years and is firmly entrenched in honoring film and the ancient city of Venice. In fact, for the past three yeas, the brand has been an active supporter of Venice restoration, assisting with restoring the Scuola Grande di San Rocco, which houses numerous paintings by 16th-century artist, Tintoretto. This year, to honor the restoration effort, as well as to celebrate the brand’s 85th anniversary of the famed Reverso, Jaeger-LeCoultre presented multiple new Reverso timepieces – including a unique hand-painted watch that depicts the restoration inside the Scuola Grande di San Rocco.

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The one-of-a-kind Reverso Grande Taille watch features a miniature enamel rendition of the main marble staircase inside the Scuola Grande di San Rocco. The hand painting of the Reverse side of the case – done completely iin-housein the brand’s rare handcrafts division – took three weeks to complete. The dial required multiple layers of paintings, 32 drying processes and 15 firings of the kiln at 800°C. The watch is so beautiful and unique that it will not be sold at this point in time. Instead, it will be housed in the brand’s heritage museum in Switzerland.

To further support the restoration cause, Jaeger-LeCoultre has also implemented several initiatives. Until September 15, for every visitor to the brand’s facebook page who likes the post about the hand-painted watch, a donation will be made by the brand to the restoration program.

 

There was also a signing in Venice during the film festival, wherein anyone who signed the guest book with a heart drawing included, the brand would also donate to the cause. To kick off that initiative, Jaeger-LeCoultre’s brand ambassador Carmen Chaplin (of Charlie Chaplin descent) drew a heart that was engraved on the back of a Reverso watch.

Also during the festival, Jaeger-LeCoultre unveiled a host of new Reverso watches, including a high-jeweled piece, as well as several incredible haute Joaillerie watches that underscore the brand’s prowess not only in watchmaking but also in the arts of gem setting, enameling, engraving and more.

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15 Facts About Orson Welles’ CITIZEN KANE: America’s Greatest Film Turns 75

Three quarters of a century after its release in 1941, Orson Welles’ towering achievement CITIZEN KANE is still a triumph of style, an endlessly fascinating mystery, a masterpiece to be marveled at for all time. It continually places atop lists of the greatest films of all time, including AFI’s 100 Years… 100 Movies lists, both in 1998 and in 2007.Welles said, in an undated statement now included in the AFI Catalog entry on CITIZEN KANE, “I wished to make a motion picture which was not a narrative of action so much as an examination of character…There have been many motion pictures and novels rigorously obeying the formula of the ‘success story,’” he continued. “I wished to do something quite different. I wished to make a picture which might be called a ‘failure story.’”While that can certainly be said of the title character — whose rise and fall pivot around that infamous last dying word “rosebud” — the story of CITIZEN KANE is anything but.

In celebration of CITIZEN KANE’s 75th birthday (it was released in theaters on September 5, 1941), here are 15 facts about the groundbreaking film that can perhaps only begin to explain its historic, enduring impact.

1. The initial working draft screenplay of CITIZEN KANE, dated April 16, 1940, was titled “American.”

2. Orson Welles was just 25 years old when he directed, co-wrote, starred in and produced the film, his very first feature.

3. CITIZEN KANE was the feature film debut of Ray Collins, Joseph Cotten, Agnes Moorehead and Everett Sloane — all of whom had worked with Welles on his theater productions or radio broadcasts as members of his Mercury Theatre. It was also the screen debut of Welles himself.

4. Co-screenwriter Herman J. Mankiewicz dictated a majority of the CITIZEN KANE script while bedridden and being cared for by his nurse after shattering his leg in a car crash.

5.  Newspaper publisher William Randolph Hearst is the primary inspiration for CITIZEN KANE’s protagonist, Charles Foster Kane. Mankiewicz created Kane’s dialogue using — almost verbatim —lines from Hearst’s own writings and speeches.

6. Hearst was so angered by the film — and in order to keep it from being released — he accused Orson Welles of being a Communist, an accusation that, at the time, had the potential to destroy Hollywood reputations and garner government investigations.

7. The design of Kane’s estate, Xanadu, was inspired by Hearst Castle, Hearst’s extravagant mansion in San Simeon, California. In 2015 – 74 years after its release – CITIZEN KANE screened at Heart Castle for the very first time. Tickets for this benefit screening, which consisted of 60 attendees, cost $1,000 each.

8. CITIZEN KANE was nominated for nine Academy Awards®, but won only one: Best Screenplay. Co-writers Welles and Mankiewicz shared the award.

9. Welles viewed John Ford’s film STAGECOACH about 40 times over the course of one month while making the film, modeling shots from the director’s techniques. Nominated for CITIZEN KANE, Welles would end up losing out on the Best Picture Oscar® to Ford’s HOW GREEN WAS MY VALLEY held in 1942.

10. While filming a scene in which his character violently trashes a room, Welles was so immersed in his character that he cut both of his hands, causing them to bleed. Commenting on his dramatic commitment afterward, he said, “I really felt it.”

11. Welles, along with cinematographer Gregg Toland, popularized and perfected the technique of “deep focus,” keeping every object in the foreground, center and background in simultaneous focus. One example of this is during the scene inside Mrs. Kane’s house, where young Kane can clearly be scene throwing snowballs at the house in the distance while the audience is privy to the mother’s conversation inside.

12. On the ninth take of the sled-burning scene, the furnace had grown so hot, the flue caught fire, which caused the Culver City Fire Department to respond to the location. Welles was noted to be delighted with the commotion.

13. While filming a dramatic sequence in which Kane chases his rival down a flight of stairs, Welles tripped and fell about 10 feet, suffering a chipped ankle. The injury forced him to direct from a wheelchair for two weeks.

14. The opening scene, in which a dying Kane whispers the pivotal line of “Rosebud,” was shot in one take. It was the final scene shot during production. “Rosebud” ranks at #17 on AFI’s 100 top film quotes of all time.

15. In 1975, 34 years after the release of CITIZEN KANE, Welles was honored with the 3rd AFI Life Achievement Award. He was the first actor/director to receive the award. Watch his full acceptance speech below.

(Source:www.blog.afi.com/

Mel Gibson at Venice Film Festival’s ‘Hacksaw Ridge’: ‘Maybe I’m a Megalomanic’

Posted by Larry Gleeson

By Jamie Manelis

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(Photo credit: Jamie Manelis)
Mel Gibson makes a triumphant directorial return at the Venice Film Festival with Hacksaw Ridge, starring Andrew Garfield, Vince Vaughn, and Teresa Palmer. This World War II film is not your average glamorized bloodbath. Unlike other war movies where combat and incessant violence may seem gratuitous, Gibson directs like a master composer, creating a visual symphony of war and relationships.

Fans swarmed the premiere of Hacksaw Ridge like starstruck bees to an illustrious honeyhive. Extra security flooded the theatre, escorting fans straight to their seats to protect some of Hollywood’s most revered stars. The film itself is an overwhelming masterpiece. Intentionally and with much success, Gibson juxtaposes the horrific scenes of war with the innocent protagonist, played by Andrew Garfield. Based on a true story, Hacksaw Ridge is about the first Seventh-Day conscientious objector, Desmond Doss, who declined to bear arms. A belief that almost sent him to military prison, but he not only persevered with his faith, he proved the military wrong and single-handedly saved 75 lives in one night. Regardless of any religious affiliation the audience may identify with, the real astonishment is Doss’s naive optimism and selflessness. Gibson is like a seasoned puppeteer, pulling each tiny string with precision and purpose, manipulating any audience into trusting humanity.

“I enjoy directing more…maybe I’m a megalomanic, I just love telling the story and I love to see the story the way I see it.” – Mel Gibson

Although Gibson’s name in the news has sparked controversy in the last ten years, journalists at the press conference neglected to ask him about his personal afflictions and only focused on questions of the film and his future. However, when Gibson was asked if he preferred acting or directing, he responded, “I enjoy directing more…maybe I’m a megalomanic, I just love telling the story and I love to see the story the way I see it.” Although the stories he chooses are directly linked to religion as Gibson is a devout Catholic, he explained that this story isn’t completely about faith. “He (Doss) didn’t regard his life to be any more valuable than his brothers…that’s the greatest expression of love.”

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(Photo credit: Jamie Manelis)
Gibson wanted to honor Doss as well as creating awareness of the unspeakable horrors soldiers deal with during and after war. “A lot of attention needs to be paid to our warriors when they come back. They need some love, they need some understanding.” Gibson says with a stern, concerned look. After a brief pause he continues, “I hope that this film departs that message and if it does nothing but that – that’s great.”

(Source: Excerpt from http://www.observer.com)

*Featured photo courtesy of ASAC Images/Biennale Cinema

Wrap Up: 73rd Venice International Film Festival Continues to Mesmerize

 

I attended my first Venice International Film Festival at the Cinema del Palazzo complex in Lido this year from the Pre-Opening Night event August 30th through Closing Night September 10th, 2016 as an accredited media entity.

 

The Venice Film Festival is the oldest film festival in the world with a history dating to 1932. This year was the 73rd edition showing little signs of its age. Steeped in glamor and tradition, the festival remains a testament to the cinematic arts with its viewing venues and its programming.

 

 

Set in Lido with a plethora of screens each only a score or two steps away, these hallowed cinema grounds created a magical setting  adorned with cafes, raised walkways, and abundance of shade trees.

 

 

 

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Last night and final view of the 73rd Venice International Film Festival. (Photo credit: Larry Gleeson/HollywoodGlee)

 

The real magic, however, took place inside the cinema!

Leading the way were the spell-binding performances of Lily-Rose Depp and Natalie Portman in Planetarium from Director Rebecca Zlotowski.

 

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Planetarium Director, Rebecca Zlotowski. (Photo courtesy of ASAC Images/Biennale Cinema)

 

Award-winning, Tom Ford’s Nocturnal Animals, took home the Silver Lion Grand Jury Prize  for Best Film.  Nocturnal Animals captured my eye and imagination with it’s captivating story lines, exceptionally rich, mise-en-scene and wildly, powerful acting. Damien Chazelle and crew mesmerized audiences with their dazzling La La Land.  The lovely Emma Stone received the Best Actress Silver Lion Volpi Cup for her heartful, soul-revealing performance as Mia.

 

 

 

 

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Director Lav Diaz, left, with Ang Babaeng Humayo film delegation at the 73rd Venice International Film Festival. (Photo courtesy of ASAC Images/Biennale Cinema)

 

This year’s Golden Lion for Best Film went to Lav Diaz for his painstaking drama, Ang Babaeng Humayo (The Woman Who Left), an epic story with a runtime of 226 minutes. The film follows one woman rediscovering her homeland after a 30 year stay in a correctional facility.

For a complete list of winners click here.

 

Other noteworthy films, not already mentioned, included: Paradise, a Russian Federation film, set amidst the Nazi WWII reign of terror (Director Andrei Konchalovsky garnered Silver Lion for Best Director for his Paradise efforts); Terrence Malick’s Voyage of Time: Life’s Journey, winner of the 5th Green Drop Award awarded by Green Cross Italy to films that bring attention to the values of ecology and sustainable development; Jackie, Pablo Larrain’s portrait of the iconic First Lady, Jacqueline Bouvier Kennedy (Noah Oppenheim won Best Screenplay for Jackie); and Orecchie, a Biennale College – Cinema Production, directed by Alessandro Aronadio and produced by Costanza Coldagelli.

 

 

A special note of thanks to this year’s ushers for their efforts in ensuring my safety and well-being at the 73rd Venice International Film Festival. Until next year, Ciao’!

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Ushers at the 73rd Venice International Film Festival. (Photo credit: Larry Gleeson/HollywoodGlee)

 

 

*Featured photo courtesy of Larry Gleeson/HollywoodGlee

Screening today 8 September at the 73rd Venice Film Festival

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Natalie Portman and Lily Depp keep everyone on their toes in ‘Planetarium.’ (Photo Courtesy of ASAC/LaBiennale Cinema)

It’s a hot day at the Venice International Film Festival! Screening in competition in the Sala Grande theatre today: Paradise by Andrei Konchalovsky (5:00 pm) and Questi giorni by Giuseppe Piccioni (7:45 pm). Out of Competition, Gantz:O by Yasushi Kawamura (10:30 pm).

At 2:00 pm, Award Ceremony: Golden Lion for Lifetime Achievement to Jean-Paul Belmondo.

 

In competition in the Orizzonti section, Koca Dünya by Reha Erdem (2:45 pm). Out of Competition, Planetarium by Rebecca Zlotowski (5:15 pm), both in the Sala Darsena theatre.

 

Among other screenings today, Orizzonti Short Films (11:00 am and 5:00 pm) and El vendedor de orquídedas by Lorenzo Vigas (3:00 pm) in the new Sala Giardino theatre.

 

The PalaBiennale theatre features screenings for the public from 1:30 pm until the double screening starting at 8:00 pm.

 

All the screenings on Thursday 8 September
Line-up of the 73rd Venice Film Festival

 

See you at the cinema!

 

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All the screenings on Thursday 8 September
Line-up of the 73rd Venice Film Festival

 

la Biennale

(Source: http://www.labiennale.org)

Jackie

 

Chilean director, Pablo Larrain is presenting his latest film, Jackie, in Competition for the Golden Lion, at the 73rd Venice International Film Festival.

 

Larrain has chosen to explore the complex emotions in the immediate aftermath of the assassination of the 35th President of the United States of America through the known actions and behaviors of the country’s First Lady at the time, Jacqueline Bouvier Kennedy, known throughout the world simply as Jackie. Stylish, sophisticated and desirable, Jackie was one of the 2oth century’s most photographed and documented women.

 

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Jackie Director Pablo Larrain (Photo courtesy of ASAC/la_Bienalle Cinema)

 

After the death of the President, Jackie became known as and often referred to as the queen without a crown who lost her throne and her husband.

 

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Natalie Portman portrays Jacqueline Kennedy in Pablo Larrain’s, Jackie. (Photo courtesy of ASAC/la_Biennale Cinema/Stephanie Branchu)

 

I imagine Jackie experienced a complex web of emotions – sadness, anger – and wanted the world to see what was done to the distinguished leader of the free world, her husband.

 

 

Larrain is fully aware his work is not the definitive work on Jackie because in reality Jackie was a private person who valued her space as sacred. She shared moments willingly and others not so much so. Her children were of paramount importance to her and their safety and well-being came first. So Larrain gathered what he could from archives and copious research and molded what he found into a testimony of love – Jackie.

 

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A mourning First Lady, Jacqueline Kennedy, in Jackie, a new film making its world premiere at the 73rd Venice International Film Festival. The film was directed by Chilean director Pablo Larrain. (Photo courtesy of ASAC/la_Biennale Cinema/William Gray)

 

The film is screening today in the Sala Grande Theater at 7:15 PM.

 

(Source: Jackie Pressbook)

Screening today 5 September at the 73rd Venice Film Festival

Screen Shot 2016-09-05 at 11.28.59 AMScreening in competition in the Sala Grande theatre today: La región salvaje by Amat Escalante (4:45 pm) and Piuma by Roan Johnson (7:30 pm). At 2:00 pm, Jaeger-leCoultre Glory to the Filmmaker Award to Amir Naderi; followed by Monte, screening Out of Competition.

In competition in the Orizzonti section, Maudite poutine by Karl Lemieux (3:00 pm) and Dawson City: Frozen Time by Bill Morrison (5:00 pm), both in the Sala Darsena theatre.

At 2:30 pm in the new Sala Giardino theatre, Special Tribute to Chris Meledandri, followed by a conversation with Chris Meledandri.

The PalaBiennale theatre features screenings for the public from 1:15 pm until the double screening starting at 8:15 pm.

(Source:www.labiennale.org)

Amir Naderi to receive the 2016 Jaeger-LeCoultre Glory to the Filmmaker award at Venice Film Festival

Award ceremony on Sept. 5th at 2:00 pm at the Palazzo del Cinema

Screen Shot 2016-08-18 at 8.32.46 AMLa Biennale di Venezia and Jaeger-LeCoultre are pleased to announce that the great Iranian director Amir Naderi (Vegas, Manhattan by Numbers, Davandeh-The Runner) will receive the Jaeger-LeCoultre Glory to the Filmmaker award of the 73rd Venice International Film Festival (August 31st – September 10th 2016), dedicated to a personality who has made an original contribution to innovation in contemporary cinema.
Amin Naderi will be awarded the prize in a ceremony to be held Monday September 5th at 2:00 pm in the Sala Grande (Palazzo del Cinema), before the Out of Competition screening of his new film Monte, in its world premiere showing in Venice. The film (shot on location in Italy in the mountains of the Alto Adige and Friuli regions) is set in the year 1350 and tells the dramatic story of a man who makes every attempt to bring the sunlight into his village, where his family is barely able to survive because of the prevailing darkness. In 2014 Monte has been one of the projects selected for the Venice Gap-Financing Market, a programme launched by the Venice Production Bridge.
alberto-barbera-594x350The Director of the Venice Film Festival, Alberto Barbera, made the following statement about the award: “Amir Naderi gave fundamental impetus to the birth of the New Iranian Cinema during the 1970s and ‘80s with a number of masterpieces destined to leave their mark on the history of cinema, such as Davandeh (The Runner, 1985) and Ab, bâd, khâk (Water, Wind, Dust, 1988). But even after moving to New York in 1988, Naderi remained stubbornly true to himself and to a type of cinema dedicated to research and experimentation, which refuses to bow to trends and easy shortcuts. Every film he has made clearly displays the nucleus of an identical obsession which transcends the principle of reality in order to force individuals beyond their own limits. The last half hour of Monte is a sort of synthesis of his entire opus, a larger-than-life metaphor of a struggle for survival prevailing over the dividing lines, intimidations and insults which can sometimes make human existence miserable. The breathtaking epilogue transforms the ideas, emotions and visions at the basis of all his films into powerfully expressive images. The Jaeger-LeCoultre Award is a well-deserved recognition, a tribute to the originality and greatness of a filmmaker who stands out from the crowd, the talent of a passionate director, and the generosity of a man who seems to know no limits.”
Since the 1970s, Amir Naderi (Abadan, 1945) has been among the most influential figures of New Iranian Cinema. He entered the international spotlight with cinema classics such as Tangsir (1974), Entezar (1974), awarded the Jury Prize at the Cannes children’s film festival, The Runner (1985) and Ab, Bad, Khak  (1989), which both won the Golden Montgolfiere at Three Continents Festival in Nantes. The first prominent Iranian director to move abroad in the mid ’80s, Naderi’s American films have uniquely captured the vanishing texture of New York. Sound Barrier (2005) won the Roberto Rossellini Critics’ Prize at the Rome Film Festival. Vegas: Based on a True Story, premiered In Competition at Venice in 2008. Cut was shot in Japan and premiered as the Opening Film of the Orizzonti section at Venice in 2011, later winning the 21st Japan Professional Film Awards for Best Director and Best Actor. Naderi’s work has been the subject of retrospectives at museums and film festivals around the world. He has served on international juries such as Jury President for the Competition section of Tokyo FILMeX in 2011 and the Orizzonti section of Venice in 2012. His new film Monte, starring Andrea Sartoretti and Claudia Potenza, and premiering at this year’s Venice Film Festival, is the first film by Naderi to be set and directed in Italy. Monte is an Italian/American/French co-production, by Citrullo International, Zivago Media, Cineric, Ciné-sud Promotion and KNM, in collaboration with Rai Cinema and with the support of the Ministry for the Cultural Heritage and Activities and Tourism – General Direction for Cinema.
The film was shot almost entirely on location in the mountains of the Alto Adige region, at an altitude of over 2500 metres on the Latemar mountain chain, and in the Friuli-Venezia Giulia region in the towns of Erto, Casso and Sott’Anzas, with the support of the Alto Adige IDM-Film Commission and the Friuli-Venezia Giulia Film Commission. The shooting lasted 6 weeks.
Jaeger-LeCoultre is a sponsor of the Venice International Film Festival for the twelfth year in a row, and of the Glory to the Filmmaker prize for the tenth. The prize has been awarded in past years to Takeshi Kitano (2007), Abbas Kiarostami (2008), Agnès Varda (2008), Sylvester Stallone (2009), Mani Ratnam (2010), Al Pacino (2011), Spike Lee (2012), Ettore Scola (2013), James Franco (2014), and Brian De Palma (2015).
(Source:www.labiennale.org)

2 September: screening today at the 73rd Venice Film Festival

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Amy Adams in Tom Ford’s Nocturnal Animals. (Photo Credit: Merrick Morton Universal Pictures International)

Nocturnal Animals 2 © Merrick Morton Universal Pictures International

Absolutely the most excellent cinema! Screening in competition today in the Sala Grande theatre: El Cristo ciego by Christopher Murray (4:45 pm) and Nocturnal Animals by Tom Ford (6:45 pm). At 9:45 pm Persol Tribute to Visionary Talent Award to Liev Schreiber.

In competition in the Orizzonti section: Tarde para la ira by Raúl Arévalo (2:45 pm) and Die Einsiedler by Ronny Trocker (5:00 pm), both in the Sala Darsena theatre.

Among other screenings today, Mukti Bhawan (Hotel Salvation) by Shubhashish Bhutiani (11:15 am and 5:00 pm) and Dawn of the Dead by George Romero, presented by Dario Argento and Nicolas Winding Refn (at midnight) in the new Sala Giardino theatre.
The PalaBiennale theatre features screenings for the public from 1:15 pm until the double screening starting at 8:15 pm.

See you at the cinema!

 

(Source:www.labiennale.com)

Last Day to Save 25% on 2017 #SBIFF Passes

Last Day to Save 25% on 2017 Santa Barbara International Film Festival Passes through August 31, 2016 at http://www.sbiff.org or (805) 963-0023.

 

unnamedHere are the passes:

 

CONCIERGE PASS ~ $5,000 (no discount)

Admits one (1) Passholder with priority admission with RESERVED seating to:
• All Film Screenings
• Opening Night Film & Gala
• Closing Night Film & Party
• All Panel Discussions
• All Tribute Events
• Festival Pavilion (daily Happy Hours and post Tribute Parties)
• Club 85 (pre Tribute Receptions)
• All private VIP after parties
• Personal concierge service
• Private gifting from Festival sponsors
• Easy access parking
• A portion of this purchase may be tax deductible to the extent allowed by law.
PLATINUM PASS ~ $1,700
DISCOUNTED TO $1,275

Admits one (1) Passholder with priority admission to:
• all Film Screenings
• Opening Night Film & Gala
• Closing Night Film & Party
• all Panel Discussions
• all Tribute Events
• Festival Pavilion (daily Happy Hours and post Tribute Parties)

 

CINEMA PASS ~ $650
DISCOUNTED TO $488

Admits one (1) Passholder with priority admission after Platinum Passes to:
• all Film Screenings
• Opening Night Film & Gala
• Closing Night Film (no party)
• Festival Pavilion up to 3:30pm

 

STATE STREET PASS ~ $350
DISCOUNTED TO $263

Admits one (1) Passholder with priority admission after Cinema Passes to:
• all Film Screenings BEFORE 4:01pm and AFTER 7:59pm
• Opening Night Film (no Gala)
• Closing Night Film (no Party)
• Festival Pavilion up to 3:30pm
• NOT VALID for any screening between 4:01pm and 7:59pm

 

TRIBUTE PACKAGE ~ $750
DISCOUNTED TO $563

• 2 tickets to each Celebrity Tribute Event
• 2 tickets to Opening Night Film + Gala
• 2 tickets to Closing Night Film
• 1-10 film MiniPak

 

FILM GEEK PACKAGE ~ $650
DISCOUNTED TO $488

• 2 tickets to each Panel Event
• 2 tickets to Opening Night Film + Gala
• 2 tickets to Closing Night Film
• 1-10 film MiniPak

 

INTRO PACKAGE ~ $300
DISCOUNTED TO $225

• 2 tickets to Opening Night Film + Gala
• 2 tickets to Closing Night Film
• 1-10 film MiniPak

(Source:www.sbiff.org)