Tag Archives: Program

#SBIFF ANNOUNCES NEW HOME

The Santa Barbara International Film Festival has found a new home: the historic Riviera Theatre. The Riviera Theatre will allow SBIFF to expand their current slate of education programs, preserve an important historic landmark, and create a cultural hub for all things film.

The decision to make the Riviera the new home was unanimously approved by SBIFF’s Board of Directors in March 2016. The lease was negotiated by SBIFF Board president Mark Scher and board members Bob Brada and Eric Phillips, Jeff Barbakow with Michael Towbes and the Towbes Group, coinciding with the Group’s 60th anniversary.

“As we enter our 32nd year, the Santa Barbara International Film Festival has cemented itself as a part of our great city’s history” stated Mark Scher, President of SBIFF and owner of the Scher Investment Group. “We believe a long-term home at the Riviera Theatre is a pivotal point in the evolution of SBIFF and will allow us the opportunity to greatly expand our programming and bring a real cultural center for film to the Santa Barbara Community.  I couldn’t be more thrilled for SBIFF and the City of Santa Barbara.”

At the heart of SBIFF’s mission is education, and through its programs its staff is able to seek to engage, enrich, and inspire people through film. The Riviera as the new home will allow for expansion in the current programs and the ability to implement new ones, and to ultimately better serve the Santa Barbara community on a year-round basis.

The new theater allows service to more underserved youth and families through programs such as AppleBox Family Films and Mike’s Field Trip to the Movies. Other programs will continue at the Riviera Theatre, including three year-round programs: Cinema Society (an exclusive membership program), the Rosebud Program for Film Students (a program for local college students), and the Wave Film Festival (the mini film festival which will be increased to three times per year). The Showcase, which features innovative independent films, will move to the Riviera from its current location Plaza de Oro.

Renovations will transform the Riviera into a state of the art movie theater, and a cultural hub for all things film. The renovations will include new seats, acoustical upgrades, improved ventilation, structural fixes, enhanced lighting, a new screen and projection system, and a state of the art sound system.

“We are very excited to provide this new home for the Santa Barbara International Film Festival at the Riviera Theatre”, stated Michael Towbes, Chairman of The Towbes Group. “Over the years we have brought the Riviera campus to an entirely new quality level.  The historic significance of the campus, dating back to its locating on the Riviera in 1913, makes it a very special place for me and the Santa Barbara community.  The upgrades which SBIFF plans to make to the theatre will complete the campus improvements which we began some 40 years ago.  They will greatly enhance the audience experience and honor the legacy of the building.”

SBIFF will continue to provide quality, year-round arts education, provide access to independent and international cinema, and celebrate, nurture, and promote the art of storytelling, as well as the storytellers themselves. Its programs will continue to evoke inspiration and creativity, and will stimulate civic discourse, engagement and exploration.

For more information, and to purchase tickets, festival passes and packages, please visit www.sbiff.org.

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. SBIFF offers 11 days of 200+ films, tributes and symposiums that transforms beautiful downtown Santa Barbara, CA into a rich destination for film lovers which attract more than 90,000 attendees.

SBIFF continues its commitment to education and the community through free programs like its 10-10-10 Student Filmmaking and Screenwriting Competitions, Mike’s Field Trip to the Movies, National Film Studies Program, AppleBox Family Films, 3rd Weekend and educational seminars. In recent years SBIFF has expanded its year round presence with regular screenings and Q&As with programs like Cinema Society, The Showcase and its Wave Film Festivals.

(Source: Press Release provided by Jackson Gibbon, Sunshine Sachs)

The 29th #TIFF will join the Cannes Film Festival 2016

Tokyo International Film Festival (TIFF) and its affiliated business market TIFFCOM will participate in the 69th Cannes Film Festival to promote the TIFF to industry people from around the world.
The 29th TIFF will be held from October 25 to November 3, 2016 for 10 days in Tokyo, Japan.

Contact:
For meeting request in Cannes or any inquiries about the 29th TIFF, please contact Ms.Azusa KENJO at azusa.kenjo@tiff-jp.net

■ Japan Booth (Organized by UNIJAPAN/JETRO)
Opening date & time; May 11th – 20th, 9:00am-6:00pm
Venue; Palais Stand number; Palais 01 –Booth 23.01
-Participants from UNIJAPAN
Yuko YAMADA (Ms.), Kenta FUDESAKA (Mr.) E-mail: inquiry@tiffcom.jp

■ 4 Japanese films are invited to the 69th Cannes  Film Festival!
– Un Certain Regard

After The Storm by KORE-EDA Hirokazu


©2016 FUJI TELEVISION NETWORK/ BANDAI VISUAL/ AOI Pro. Inc./ GAGA CORPORATION All rights reserved.

 

HARMONIUM by FUKADA Koji


©2016 FUCHI NI TATSU FLIM PARTNERS & COMME DES CINEMAS

– Cannes Classics
Momotarô, Umi no shinpei (Momotaro, Sacred Sailors) by SEO Mitsuyo
Ugetsu monogatari (Ugetsu) by MIZOGUCHI Kenji


Submit Your Film to the 29th TIFF!

We are now accepting entries to the 29th TIFF Competition. Applications for submitting films are now being accepted on the official TIFF website (Deadline: July 8, 2016). For a summary of the regulations for the Competition 2016, please visit the TIFF website; www.tiff-jp.net, or contact us by e-mail at competition2016@tiff-jp.net. TIFF looks forward to a larger number of submissions from around the world.

(Source: TIFF Public Relations Division)

 

 

2 More Films Added To #SBIFF The Wave Film Festival ~ Pan-Asia

Two more films have been announced for the Santa Barbara International Film Festival’s The Wave ~ Pan-Asia Film Festival opening May 11, 2016 at the Riviera Theater located in the scenic hills of the Santa Barbara, California Riviera. The festival now has nine of the eleven new and exciting films lined up. Tickets are available HERE!

Check out the newest films to be added:

THE LAUNDRYMAN

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Directed by Chung Lee
Written by Chung Lee, Yu-Hsun Chen
Starring CHANG Hsiao-Chuan, WAN Qian, SUI Tang, YEO Yann Yann
Country: Taiwan
Runtime: 112 min

The film is an audacious combination of black comedy and action, telling the story of a laundry shop that secretly provides a service other than doing laundry. The beautiful shop owner A-Gu enlists a group of contract killers for hire in the disguise of laundry service. One of these professionals, “No.1, Chingtian Street”, is haunted by the ghosts of his victims. He seeks the help from Lin Hsiang, a medium introduced by A-Gu. It turns out Lin Hsiang is the only one that can also see the ghosts troubling “No.1, Chingtian Street.” She tries to help him get rid of the ghosts, but the laundry shop hides more secrets than she bargains for. And what “No.1, Chingtian Street” runs from is not the ghosts of others but the ghosts from his past.

ZINNIA FLOWER

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Directed by Tom Shu-Yu LIN
Written by Tom Shu-Yu LIN,Wei-Jan Liu
Starring Karena LAM, SHIH Chin-Hang “Stone”
Country: Taiwan
Runtime: 96 min

Wei and his wife, a piano teacher, are expecting a baby in three months. In three months, Ming with be married to Yuo, a cook and the love of her life. Yet all of this ends in a horrible car crash leaving Wei and Ming alone to face the world in emptiness.

Everything that was left behind seems unchanged, but is forever different. They choose different paths, different ways of mourning. Like two mice lost in a labyrinth, Wei runs around in circles, hitting walls, and still ends up where he began. Ming calmly and slowly creeps down a determined path, seemingly moving forward, but towards a fatal dead end. Days go on not feeling like days and the only thing that lets them know that time is still moving forward is the weekly seven-seventh ritual that they both go to up in a mountain temple. It is only there that their paths cross. In a crowd of hundreds of mourners, Wei and Mind notice each other and recognize that pain within the other.

Embarking on separate journeys, Wei decides to visit the homes of all his wife’s piano students, returning their tuition fees for the lessons that will never be taught. Ming decides to go to Okinawa, the honeymoon she and her fiancée will never go to together. In the end, they discover that the only end to their journey is the end of the journey itself, nothing more.

On the 100th day, they travel up to the mountain again for the final ritual. After the last prayer, they meet again, finding both pain and comfort in the other person, a total stranger, but the only stranger who knows what the other has been through. Sunset, on the bus down the mountain, sitting side by side, they weep in silence.

Looking forward to seeing you there!

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(Source: News release sbiff.org)

3 More Films Announced for the #SBIFF The Wave Film Festival ~ Pan-Asia

Take a five day trip to Asia by seeing eleven brand new Asian films including the recently announced Collective Invention, The Chronicles of Evil, and The Accidental Detective!

Collective Invention

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Written & Directed by Oh-Kwang Kwon, Starring: Cheon-hee Lee, Kwang Soo Lee, Bo-yeong Park, from South Korea with a running time of 92 minutes.

 

“It all starts when idealistic aspiring journalist Sang-won (Lee Chun-hee) accepts an on-spec assignment to investigate what is surely an urban legend: the rumour of a man who turned into a fish after participating in clinical trials for a major pharmaceutical company. It’s only upon interviewing the irreverent Ju-jin (Park Bo-young) that Sang-won discovers the legend is all too real: Ju-jin’s boyfriend Gu (Lee Kwang-soo) is a bona fide fish-man, complete with webbed fingers and a giant fish head. Gu rapidly becomes a media sensation, and an enterprising young human-rights lawyer endeavours to nail the scientists who rendered him a monster — though there are others who feel they deserve the Nobel Prize. It’s only upon reaching the height of his fame that Gu is caught doing something that reminds his fans that, for all his outward weirdness, he is all too human and perhaps not as perfect a role model as the world wants him to be.

Hero or con man? Victim or poseur? The more his renown grows, the more Gu comes to represent whatever is projected upon him.

Riddled with witty twists and goofy detours, Collective Invention examines how popular culture operates by its own capricious logic, and proposes that our best option is to flee the hype and simply get on with life — no matter how wacky that life becomes. – Giovanna Fulvi, tiff

 

The Chronicles of Evil

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Written & Directed by Baek Woon-hak
Starring: Son Hayun-Joo, Daniel Choi, Park Seo-Joon, Ma Dong-Seok
Country: South Korea
Runtime: 102 min

Highly decorated homicide detective Choi Chang-sik has an enviable record and the respect of his peers. Days before a promotion, he dozes off on his way home after a celebratory drink with his colleagues. He wakes up to find that his taxi driver has taken him to a remote mountain trail and has pulled a knife on him. The two struggle, and Choi manages to kill the taxi driver in self-defense. Afraid that the incident would negatively impact his career, he covers up the crime scene and flees. The next day, the taxi driver’s dead body has been strung up on a crane in front of the police station, and Choi is assigned to the case amidst widespread media attention. Realizing that he is caught in a trap, he must now untangle past mistakes to figure out why he was targeted in the first place.

The Accidental Detective

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Written & Directed by Kim Jung-Hoon
Starring: Kwon Sang-Woo, Sung Dong-Il, Seo Young-Hee, Park Hae-Joon
Country: South Korea
Runtime: 120 min

Kang Dae-man is a popular blogger who writes about cold cases, and head of a profiling online forum. But in real life, he runs a comic book shop, is always scolded by his wife and assumes the role of a glorified babysitter. His Sherlock Holmes-level deduction skills are of no use in his daily life. His only joy is hanging around at a local police station and interfering with ongoing police investigations. Nicknamed ‘the White Shark’, homicide veteran detective Noh Tae-su was a legend in his heyday but was demoted many years ago and is now forced to work under his junior. One day, a horrific murder takes place and Dae-man’s friend and Det. Noh’s partner, Joon-su, is framed for the murder. Time of death is clearly given away by the broken wristwatch of the victim, and the murder weapon was discovered wrapped in Joon-su’s clothing. Not wanting to see Joon-su rot in prison for 30 years, Dae-man and Det. Noh have no choice but to partner up and uncover the plot behind the murder. As more bodies surface without any solid connection between them, the two men know that they are running out of time…

Stay tuned for more film announcements!

Patron Pass ~ $250
• Reserved Seating
• Access to ALL Film Screenings
• Access to the Passholder Reception
– Engel & Völkers – 1323 State Street
Tuesday May 105:30pm7:30pm
• Access to daily Patron Pass Happy Hours from 6:30pm – 7:30pm
• Pass is non-transferable

Cinephile Pass ~ $80
• Access to Eleven (11) Film Screenings (one screening of each film)
• Access to the Passholder Reception
– Engel & Völkers – 1323 State Street
Tuesday May 105:30pm7:30pm

Individual Tickets
• Not available for purchase until film schedule is released in early May
• General Admission $10
• Senior/Student $8

Passes to The Wave Film Festival ~ Pan-Asia are available: Click here!

(Source: Press release courtesy of sbiff.org)

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More Highlights from #TCM Classic Film Festival (#TCMFF)

Posted by Larry Gleeson.

Enjoy these pictures courtesy of Turner Classic Movies!

Please click images for captions.

Director John Singleton attends the 25th anniversary screening of Boyz N the Hood at the 2016 TCM Classic Film Festival. Checkout the behind-the-scenes clip from the groundbreaking film!

 

 

Iconic director Francis Ford Coppola is honored at the 2016 TCM Classic Film Festival Handprint/Footprint Ceremony and introduces a screening his film The Conversation.

 

Adam West and Lee Meriwether made a special appearance at the 2016 TCM Classic Film Festival screening of Batman.

 

 

The 2016 TCM Classic Film Festival showcases canine performers in their Dogs in Movies Panel featuring Lassie, Bridget and Clyde along with their trainers.

 

 

Stay tuned for more updates including Illeanna Douglas with Carl Reiner during An Afternoon With Carl Reiner/Dead Men Don’t Wear Plaid! 

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#TCM Classic Film Festival 2016 Day 2 Update

Turner Classic Movies continues its 7th annual TCM Classic Film Festival in Hollywood on Friday, April 29 with the special screenings and appearances by Francis Ford Coppola, John Singleton and Angela Lansbury to name a few.  Please enjoy highlights of Day #2 at the 2016 TCM Classic Film Festival.

(Source: TCM Press Room

Turner Classic Movies (TCM) Launches #TCM Backlot

April 27, 2016

Turner Classic Movies (TCM) today announced the launch of its first ever-official fan club, TCM Backlot, which will serve as the ultimate destination for enthusiasts of TCM. TCM Backlot will give fans unprecedented access to all things TCM including exclusive content, never-before-seen talent interviews, archival videos from the TCM vault, an exclusive TCM podcast, as well as opportunities to win visits to the TCM set, attend meet and greets with TCM hosts and the opportunity to influence programming through online votes. TCM Backlot can be accessed at tcmbacklot.com for an $87 annual fee and will be available for fans to join on April 27, as a kick-off to the 7th annual TCM Classic Film Festival which begins the next day in Hollywood. The fan club was created in partnership with fullcube, a platform integrating and automating subscription-based businesses.

 

“Creating a fan club allows us to super-serve and further engage with our most passionate and devoted fans,” said Jennifer Dorian, general manager of TCM. “We are always looking for exciting and immersive brand extension opportunities and TCM Backlot offers just that – allowing fans the ability to go behind-the-scenes and dive deeper into the world of TCM, providing a consistently updated fan experience filled with entertaining content and engaging opportunities.”

 

“The creation of TCM Backlot shines a spotlight on the tremendous opportunities for media companies, like TCM, to transform their relationship with consumers,” said David Hickson, co-founder and CEO of fullcube. “Fullcube’s capabilities help create a brand extension for TCM by bundling a wide variety of engaging assets such as digital content, e-commerce, event and experiential assets, into a premium subscription offering delivering exclusive benefits to classic movie lovers.”

TCM Backlot will provide members with robust access to TCM content, talent, programming and events. Membership highlights include:

 

  • Programming Influence – receive an advance look at TCM programming and have the opportunity to influence the schedule of movies through contests and voting.
  • Guest Programmer – enter to win an opportunity to co-host a night of movies with a TCM host.
  • On-set Tours – win the opportunity to tour the TCM set and watch a TCM production being shot as well as interact with TCM hosts and crew.
  • VIP Event Access & Members-Only Events – enjoy exclusive access to special events during the annual TCM Classic Film Festival and the TCM Cruise, as well as exclusive events at historical Hollywood sites and members-only TCM Bus Tour events
  • Giveaways and Discounts – receive discounts to TCM related events, tours and merchandise as well as contest givaways of TCM merchandise.

 

For more information on TCM Backlot, please click here or visit tcmbacklot.com.

 

About Turner Classic Movies (TCM)

Turner Classic Movies (TCM) is a two-time Peabody Award-winning network that presents great films, uncut and commercial-free, from the largest film libraries in the world highlighting the entire spectrum of film history. TCM, which is available in more than 85 million homes, features the insights of hosts Robert Osborne and Ben Mankiewicz, plus interviews with a wide range of special guests and serves as the ultimate movie lover destination. Currently in its 22nd year as a leading authority in classic film, TCM offers critically acclaimed series like The Essentials, hosted by Robert Osborne and Sally Field, along with annual programming events like 31 Days of Oscar® in February and Summer Under the Stars in August. TCM also directly connects with movie fans through events as the annual TCM Classic Film Festival in Hollywood and the TCM Classic Cruise, as well as through the TCM Classic Film Tour in New York City and Los Angeles. In addition, TCM produces a wide range of media about classic film, including books and DVDs, and hosts a wealth of material online at tcm.com and through the Watch TCM mobile app.

 

TCM is part of Turner, a Time Warner company. Turner creates and programs branded news; entertainment; animation and young adult; and sports media environments on television and other platforms for consumers around the world.

 

About fullcube

 

fullcube is a platform integrating and automating subscription-based businesses. Developed after more than a decade of experience designing, launching and managing premium subscription programs for enthusiast brands, the fullcube platform simplifies the consumer experience and maximizes revenue for subscription offerings from publishers, media, entertainment and sports companies, and membership organizations. fullcube’s platform provides an infrastructure that creates a premium subscription product and integrates multiple subscription offerings into a single hierarchy through the bundling of digital content, commerce, event and experiential assets designed to engage subscribers spanning the spectrum from fanatical to brand-new. For more information, visit: www.fullcu.be.

(Source: Press Release TCM Press Room)

#TCMFF Opening Night Screening

Turner Classic Movies kicks off its 7th annual TCM Classic Film Festival in Hollywood on Thursday, April 28 with the opening night screening of All The President’s Men at the TCL Chinese Theatre IMAX. Carl Bernstein, investigative journalist and author of the book “All The President’s Men,” joined Spotlight director Tom McCarthy and Spotlight screenwriter Josh Singer for a conversation with TCM host Ben Mankiewicz highlighting journalism in film. Actor Alec Baldwin joined Ben Mankiewicz to open the evening’s events.

TCM Classic Film Festival 2016 - Opening Night
LOS ANGELES, CA – APRIL 28: (L-R) Head of Turner Network Sales Coleman Breland, General Manager at TCM Jennifer Dorian, Managing Director at TCM Genevieve McGillicuddy attends ‘All The President’s Premiere’ during the TCM Classic Film Festival 2016 Opening Night on April 28, 2016 in Los Angeles, California.  (Photo by Stefanie Keenan/Getty Images for Turner)

 

TCM Classic Film Festival 2016 - Opening Night
LOS ANGELES, CA – APRIL 28: (L-R) Head of Turner Network Sales Coleman Breland, Managing Director at TCM Genevieve McGillicuddy, General Manager at TCM Jennifer Dorian, and actor attends ‘All The President’s Premiere’ during the TCM Classic Film Festival 2016 Opening Night on April 28, 2016 in Los Angeles, California.  (Photo by Stefanie Keenan/Getty Images for Turner)

(Press release provided by TCM Press Room)

LA FILM FESTIVAL UNVEILS 2016 COMPETITION LINEUP‏

LOS ANGELES (April 26, 2016)— Today the LA Film Festival, produced by Film Independent, the non-profit arts organization that also produces the Film Independent Spirit Awards, unveiled the official U.S. Fiction, Documentary, World Fiction, Nightfall and LA Muse sections. The 2016 LA Film Festival will screen a diverse slate of feature films, shorts and web series, along with programs such as the Filmmaker Retreat, Coffee Talks and Master Classes. The Festival runs June 1-9, 2016 at the ArcLight Cinemas.

“Our Programming team, led by Roya Rastegar and Jennifer Cochis, killed it,” said Festival Director, Stephanie Allain. “The competition lineup of 42 world premieres echoes Film Independent’s mission to celebrate diversity and showcases a multitude of innovative, fresh voices. We can’t wait to share these films with audiences and industry alike, and, following years which saw films like Meet the Patels, Code Black, Nightingale, The Drew, Out of My Hand and French Dirty acquired out of the Festival, are confident that 2016 will mark our best Festival yet.”

“Discovering storytellers is our raison d’être,” said Roya Rastegar, Director of Programming. “We invest a great deal to learn about filmmaking communities across the globe. We look for films with conviction in perspective, style and voice.”

“Curating films for LA audiences is so special because Angelenos have a uniquely homegrown love of cinema,” added Creative Director, Jennifer Cochis. “It’s with true film lovers in mind that we program: from political theater to musical theater, we’re highlighting storytelling in all its forms.”

la-film-festival-logo-2016The 2016 LA Film Festival, which will have its headquarters at the ArcLight Culver City, announces a diverse slate of 56 feature films, 58 short films and 13 short episodic works representing 28 countries. Previously announced, the Opening Night Film is the World Premiere of Ricardo De Montreuil’s Lowriders, sponsored by Jaeger-LeCoultre. This year’s Guest Director is Ryan Coogler (Fruitvale Station, Creed) and Ava DuVernay (Selma, Middle of Nowhere) and Array Releasing will receive the Spirit of Independence Award. More special screenings and programs will be announced in the coming weeks.

The Festival’s five competitions feature 42 World Premieres. Across the five feature competition categories, 43% of the films are directed by women and 38% of the films are directed by people of color.

This year, LA Film Festival Director Stephanie Allain is joined by Creative Director Jennifer Cochis, Director of Programming Roya Rastegar and Managing Director Ralph Rivera. Film Independent Curator Elvis Mitchell continues to oversee signature programs and LACMA events.

Passes are currently on sale to Film Independent Members and the general public. In addition to access to screenings and events (even after they sell out), Festival passes provide access to networking receptions and the Festival Lounge, where pass holders interact with Festival filmmakers and professionals in the film community. General admission tickets to individual films go on sale to Film Independent Members beginning Thursday, May 5 and to the general public beginning Tuesday, May 10. Contact the Ticket Office for passes, tickets and event information by calling 866.FILM.FEST (866.345.6337) or visit lafilmfestival.com.

US Fiction Competition (12)

Original voices with distinct visions from emerging and established American independent filmmakers.

11:55, dir. Ari Issler, Ben Snyder, USA, World Premiere

72 Hours, dir. Raafi Rivero, USA, World Premiere

Blood Stripe, dir. Remy Auberjonois, USA, World Premiere

Chee and T, dir. Tanuj Chopra, USA, World Premiere

Destined, dir. Qasim Basir, USA, World Premiere

Dreamstates, dir. Anisia Uzeyman, USA, World Premiere

GREEN / is / GOLD, dir. Ryon Baxter, USA, World Premiere

My First Kiss and the People Involved, dir. Luigi Campi, USA, World Premiere

Paint it Black, dir. Amber Tamblyn, USA, World Premiere

Tracktown, dir. Jeremy Teicher, Alexi Pappas, USA, World Premiere

The View from Tall, dir. Erica Weiss, Caitlin Parrish, USA, World Premiere

Woven, dir. Salome Mulugeta, Nagwa Ibrahim, USA, World Premiere

Documentary Competition (12) Sponsored by Loyola Marymount University School of Film and Television.

Compelling, character-driven non-fiction films from the U.S. and around the world.

 

Company Town, dir. Natalie Kottke, Erica Sardarian, USA, World Premiere

Denial, dir. Derek Hallquist, USA, World Premiere

Dr. Feelgood, dir. Eve Marson, USA, World Premiere

Dying Laughing, dir. Lloyd Stanton, Paul Toogood, USA/UK, World Premiere

The House on Coco Road, dir. Damani Baker, Grenada/USA, World Premiere

Jackson, dir. Maisie Crow, USA, World Premiere

The Last Gold, dir. Brian T. Brown, Germany/USA, World Premiere

Looking at the Stars, dir. Alexandre Peralta, Brazil/Nicaragua/USA, World Premiere

Olympic Pride, American Prejudice, dir. Deborah Riley Draper, USA, World Premiere

Out of Iraq, dir.  Eva Orner, Chris McKim, Canada/Iraq/Lebanon/USA, World Premiere

Political Animals, dir. Jonah Markowitz, Tracy Wares, USA, World Premiere

They Call us Monsters, dir. Ben Lear, USA, World Premiere

 

World Fiction Competition (6)

Unique fiction films from around the world from emerging and established filmmakers, especially curated for LA audiences.

 

Heis (chronicles), dir. Anaïs Volpé, France, World Premiere

Like Cotton Twines, dir. Leila Djansi, Ghana/USA, World Premiere

London Town, dir. Derrick Borte, UK, World Premiere

Lupe Under the Sun, dir. Rodrigo Reyes, Mexico/USA, World Premiere

A Moving Image, dir. Shola Amoo, UK, World Premiere

Play the Devil, dir. Maria Govan, Trinidad/Bahamas/USA, World Premiere

LA Muse (6)

Fiction and documentary films that capture the spirit of L.A.

Actors of Sound, dir. Lalo Molina, Argentina/Finland/Germany/India/Ireland/USA, World Premiere

Girl Flu., dir. Dorie Barton, USA, World Premiere

Manchild: The Schea Cotton Story, dir. Eric “Ptah” Herbert, USA, World Premiere

Namour, dir. Heidi Saman, USA, World Premiere

No Light and No Land Anywhere, dir. Amber Sealey, USA, World Premiere

Sensitivity Training, dir. Melissa Finell, USA, World Premiere

Nightfall (6)

From the bizarre to the horrifying, these are films to watch after dark.

 

Abattoir, dir. Darren Lynn Bousman, USA, World Premiere

Beyond the Gates, dir. Jackson Stewart, USA, World Premiere

Don’t Hang Up, dir. Alexis Wajsbrot, Damien Macé, UK, World Premiere

Mercy, dir. Chris Sparling, USA, World Premiere

Officer Downe, dir. M. Shawn Crahan, USA, World Premiere

Villisca, dir. Tony Valenzuela, USA, World Premiere

Short Films (58): From over 2,500 submissions, the short films selected represent 15 countries and 64% are directed by women. Short films are shown before features and as part of seven short film programs. Shorts will compete for juried prizes for fiction and documentary shorts, as well as an Audience Award for Best Short Film.

Future Filmmakers Showcase: High School Shorts (33): The LA Film Festival’s Future Filmmaker Showcase brings to the big screen the best films made by budding young filmmakers from across the country and the globe. In this diverse slate of films, incredibly accomplished high school students will present wild comedies, moving dramas, mesmerizing animation, introspective experimental films and everything in between. Program sponsored by Loyola Marymount University School of Film and Television and Time Warner Foundation.

Episodes: Indie Series from the Web (13)

A showcase of independently crafted web series, celebrating rising creators whose work and subjects are innovative and unfiltered.

20 Seconds to Live, dir. Ben Rock, USA

Brothers, dir. Emmett Jack Lundberg, USA

Caring, dir. Maggie Kiley, USA

Fridays, dir. Anna Kerrigan, USA

The Ghost and the Negro, dir. Sylvester Folks, USA

Her Story, dir. Sydney Freeland, USA

Instababy, dir. Rosie Haber, USA

Literally So Busy, dir. Jerad Sloan, USA

Little Things, dir. Lex Halaby, Mila Shah, USA

Outside Comedy: Beth Stelling, dir. Thomas Wood, USA

Quirky Female Protagonist, dir. Yulin Kuang, USA

Shangri-LA, dir. Drew Rosas, USA

Time Out with Yes Please!, dir. Kholi Hicks, USA

(Source: Film Independent press release)

After The Reality Opens 2016 #nbff

The 2016 Newport Beach Film Festival opened for its 17th edition with the quasi-family drama, After The Reality, to a six-screen, sold-out crowd at the Edwards Big Six in Newport Beach California. Movie-goers anxiously waited in a line that extended out onto the sidewalk of Newport Center Drive.

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Stella Artois Official Newport Beach Film Festival Sponsors, Mark and Ann Danner, outside the Regal Entertainment Group’s Edwards Big Six & RPX movie cineplex in Newport Beach, Calif., at the 17th Annual Newport Beach film Festival’s Opening Night, April 21, 2016. (Photo credit: Larry Gleeson/HollywoodGlee)

At approximately 7:47 P.M. the cinephiles in Theater Six were welcomed to the festival by Newport Beach Film Festival Founder and Executive Director Greg Schwenk. Schwenk reminisced about the last seventeen years before giving way to Newport Beach Mayor, Diane Dixon. Dixon, decked out in a striking red outfit stressed the vital role the festival has come to play in the airy Newport Beach community  and predicted it will continue to grow in stature as a major lifestyle film festival with its already present world-class appeal. While not downplaying the opening film, Dixon confessed she was already looking forward to seeing Dirty Old Wedge, a popular Newport surfing area with a storied history.

Without any more adieu, the 17th edition of the Newport Beach Film Festival was underway.

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