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ACADEMY OF MOTION PICTURE ARTS AND SCIENCES ANNOUNCES NEW ACQUISITIONS TO THE ACADEMY COLLECTION,NOW COMPRISING MORE THAN 52 MILLION ITEMS

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New acquisitions to the largest film-related collection in the world include the Studio Ghibli animation collection, featuring drawings by Hayao Miyazaki; Quentin Tarantino’s original handwritten script draft for Pulp Fiction (1994); objects from Guillermo del Toro’s Pinocchio(2022); costumes worn by Jamie Lee Curtis, Kurt Russell, Meryl Streep, and Joanne Woodward; personal collections of Curtis Hanson, Barbara Kopple, Ve Neill, Oliver Stone, and Paul Verhoeven; and more..

Los Angeles, CA, October 31, 2024—The Academy of Motion Picture Arts and Sciences announced today the newest acquisitions to its expansive Academy Collection—the largest film-related collection in the world, comprising more than 52 million items. The Academy, through its Academy Foundation, is a global leader in the conservation, preservation, and exhibition of film-related objects and materials.

Recent acquisitions in the Academy Collection include the Studio Ghibli animation collection, featuring more than 80 pieces of original animation art by Hayao Miyazaki and Noboru Yoshida for Ponyo (2008), the studio’s Japanese movie posters, and animator’s desk; Quentin Tarantino’s original handwritten script draft for Pulp Fiction (1994); a screen-used guitar played by Lou Diamond Phillips as Ritchie Valens in La Bamba (1987); sets and puppets from Guillermo del Toro’s Pinocchio (2022); a selection of animator’s maquettes from Pinocchio(1940), Fantasia (1940), and The Lion King (1994); glasses worn by Mink Stole as Connie Marble in Pink Flamingos (1972); additional costumes from films including True Lies (1994), The Three Faces of Eve(1957), The House of the Spirits (1993); and more.

Personal collections of Richard Amsel, Curtis Hanson, Nicole Holofcener, Barbara Kopple, Ve Neill, Tom Sternberg, Marlene Stewart, Oliver Stone, and Paul Verhoeven have also been added to the Academy Collection. The Academy’s 70mm film collection, one of the largest in the world and screened exclusively at the Academy Museum, continues to expand with new prints, including Lawrence of Arabia (1962), Ryan’s Daughter (1970), and Oppenheimer (2023).

“We are thrilled to welcome these iconic pieces into our collection. Overseen by our skilled team of researchers, preservationists, and curators, the Academy Collection plays a pivotal role in shaping the future of moviemaking,” said Matt Severson, Executive Vice President, Academy Collection and Preservation. “We are grateful to our donors for their remarkable gifts to the Academy and commitment to preserving our film history.”

The Academy of Motion Picture Arts and Sciences has been collecting and preserving film and film-related material since 1927, and its unparalleled collection contains items reflecting all components of the moviemaking process—costumes, photographs, scripts, posters, production art, sound recordings, books, film and video assets, props, cameras, projectors, clippings, make-up and hairstyling tools, visual effects technologies, promotional materials, and more.

Components of the Academy’s collection can be accessed by the public through:

  • Exhibitions, public programming, and film screenings at the Academy Museum of Motion Pictures;
  • The Academy’s Margaret Herrick Library reference and research collection;
  • The Academy Film Archive access center;
  • Online at Oscars.org

A detailed list of new collection items follows.

COSTUMES

  • Collection of hair pins and combs from The Age of Innocence (1993), hair designed by Alan D’Angerio; Gift of Alan D’Angerio
  • Glasses worn by Mink Stole as Connie Marble in Pink Flamingos (1972); Gift of Mink Stole
  • Two ensembles worn by Bette Midler as Rose in The Rose (1979), costume design by Theoni V. Aldredge; Gift of Bette Midler
  • Tearaway dress worn by Jamie Lee Curtis as Helen Tasker in True Lies (1994), costume design by Marlene Stewart; Gift of Jamie Lee Curtis
  • Costume worn by Alan Rickman as Judge Turpin in Sweeney Todd The Demon Barber of Fleet Street (2007), costume design by Colleen Atwood.
  • Pair of gloves worn by Joanne Woodward to the 30th Academy Awards® in 1958
    Dress worn by Joanne Woodward as Eve Black in The Three Faces of Eve (1957), costume design by Renie 
    Two dresses worn by Meryl Streep as Clara in The House of the Spirits (1993), costume design by Barbara Baum
    Costume worn by Kurt Russell as Snake Plissken in John Carpenter’s Escape from L.A.(1996), costume design by Robin Michel Bush.

PRODUCTION OBJECTS

  • Animator’s desk used at Studio Ghibli; Gift of Studio Ghibli Inc.
  • Carved mermaid figurine from The Lighthouse(2019), production design by Craig Lathrop; Gift of Cameo Wood
  • Green Harmony Stratotone guitar from La Bamba (1987); Gift of Lou Diamond Phillips
  • Gentle Jungle Wild Animal Rentals sign; Gift of Ralph D. Helfer and Tana Helfer Herbert
  • Two sets and six puppets from Guillermo del Toro’s Pinocchio (2022), production design by Curt Enderle and Guy Davis, character design by Guy Davis; Gift of Netflix
  • Character reference maquettes from Ghostbusters II (1989): Slimer, Nunzio Scoleri, and Tony Scoleri
  • A selection of animator’s maquettes from Pinocchio (1940): Figaro, Gideon, Geppetto, Lampwick, and Coachman; character design by Walt Disney Animation Studios Artist 
  • Head of Pinocchio maquette from Pinocchio (1940), character design by Milt Kahl; Gift of Bryan Jossart
  • A selection of animator’s maquettes from Fantasia (1940): Madame Upanova, Bacchus and Jacchus; character design by Walt Disney Animation Studios Artist 
  • Animator’s maquette from The Lion King(1994): Scar; character design by Andreas Deja.

TECHNOLOGY

ARRI IIC 35mm camera owned by Murray Lerner, used to film Oscar®-nominated film Festival (1967)

AWARDS

PATSY (Picture Animal Top Star of the Year) award for Zamba in The Lion (1962); Gift of Ralph D. Helfer and Tana Helfer Herbert.

GRAPHIC

  • Studio Ghibli animation collection: More than 80 pieces of original animation art, including drawings rendered by Hayao Miyazaki and conceptual drawings by Noboru Yoshida for Ponyo (2008) and the studio’s Japanese movie posters; Gift of Studio Ghibli Inc.
  • Kalina Ivanov papers: Six storyboards by Academy Production Design Branch governor Kalina Ivanov for Best Picture Oscar winner The Silence of the Lambs (1991); Gift of Kalina Ivanov
  • Richard Amsel papers: Drawings, paintings, and posters documenting the work of commercial illustrator Richard Amsel, including his preliminary artwork for the 1981 release of Raiders of the Lost Ark as well as a variation for the film’s 1982 re-release; Gift of Dorian Hannaway 
  • Marlene Stewart papers: Costume design drawings, production records, and photographs from costume designer Marlene Stewart, including materials from To Wong Foo, Thanks for Everything, Julie Newmar (1995), The Saint(1997), Ali (2001), The Holiday (2006), and Night at the Museum films; Gift of Marlene Stewart
  • Production artwork from storyboard artist John Coven, including a mix of analog drawings and digital files for X-Men (2000), The Muppets(2011), Captain America: Civil War (2016), and The Lion King (2019); Gift of John Coven
  • Four dozen production design drawings for titles including The Phantom of the Opera(1925), The Circus (1928), City Lights (1931), The Invisible Man (1933), and The Lady from Shanghai (1947)
  • Twelve original James Bond comic strip art boards by John McLusky, originally published in the Daily Express newspaper between 1958 and 1968; Gift of Sean and Graham McLusky
  • Mike and Jeanne Glad animation collection: Poster for The Mad Doctor (1933), one of three known copies for this title, added to the collection; Gift of Mike and Jeanne Glad
  • Edward Mapp Collection: Poster for Paul Robeson (1959) added to the collection; Gift of the estate of Edward Mapp

SPECIAL COLLECTIONS

  • Original handwritten script draft for Pulp Fiction(1994) from filmmaker Quentin Tarantino
  • Barbara Kopple papers: Photographs, historical film posters, press reviews, archival documents and production files from documentarian Barbara Kopple’s nearly 50-year career, which began with her Oscar-winning documentary feature Harlan County U.S.A. (1976). Kopple also received an Oscar for American Dream(1990); Gift of Barbara Kopple
  • Oliver Stone papers: Production records, scripts, correspondence, and photographs from filmmaker Oliver Stone, including materials from Platoon (1986), The Doors (1991), Natural Born Killers (1994), and Nixon (1995); Gift of Oliver Stone
  • Paul Verhoeven papers: Production records, scripts, storyboards, and photographs from filmmaker Paul Verhoeven, including materials from Showgirls (1995), Starship Troopers(1997), and Hollow Man (2000); Gift of Paul Verhoeven
  • Nicole Holofcener papers: Production records and scripts from filmmaker Nicole Holofcener, including materials from Enough Said (2013) and You Hurt My Feelings (2023); Gift of Nicole Holofcener
  • Curtis Hanson papers: Production records, scripts, and photographs from filmmaker Curtis Hanson, including materials from L.A. Confidential (1997), Wonder Boys (2000), and 8 Mile (2002); Gift of Deuce Three Productions
  • Ve Neill papers: Production records, scripts, and photographs from make-up artist Ve Neill, including materials from The Amazing Spider-Man films, The Hunger Games films, and the Pirates of the Caribbean films; Gift of Ve Neill
  • Tom Sternberg papers: Production records, scripts, and correspondence from producer Tom Sternberg, including materials from The Talented Mr. Ripley (1999), Under the Tuscan Sun (2003), and Sleuth (2007), as well as material related to Zoetrope Studios and the release of Apocalypse Now Redux (2001); Gift of Violetta Sternberg

FILM AND VIDEO ELEMENTS

  • Barbara Kopple Collection: Film elements, videotapes, and digital files from Barbara Kopple’s films, including Harlan County U.S.A. (1976) and American Dream (1990); Gift of Barbara Kopple
  • Prints of Lawrence of Arabia (1962), Ryan’s Daughter (1970), and Oppenheimer (2023) were added to the Academy Film Archive’s 70mm film collection, one of the largest in the world and screened exclusively at the Academy Museum
  • Rodgers and Hammerstein Collection: Original camera negatives and audio elements of Rodgers and Hammerstein 70mm classics Oklahoma! (1955) and South Pacific (1958)
  • Digital scan of the original 35mm negative of James Moll’s Oscar-winning documentary feature The Last Days (1998); Gift of James Moll, Allentown Productions
  • Paul Verhoeven Collection: Production video, including casting, rehearsal, and choreography tapes, for several of Paul Verhoeven’s films, including Basic Instinct (1992), Showgirls (1995), and Starship Troopers (1998); Gift of Paul Verhoeven
  • A reel of Super 8mm film shot in the early 1970s, featuring footage of the MGM backlot before it was torn down; Gift of Mike Malone, a former park ranger at Paramount Ranch
  • DVD-Rs featuring footage of Jurassic Park(1993) senior animator Randal Dutra and colleagues performing the groundbreaking computer animation capture done with the electronic dinosaur armatures for the film; Gift of Randal Dutra
  • Several reels of home movies related to the career of producer Adolph Zukor; Gift of Jim Zukor

PHOTO CREDITS:

Studio Ghibli animation collection – Drawing by Noboru Yoshida for Ponyo (2008): Image courtesy of the Margaret Herrick Library
Puppets from Guillermo del Toro’s Pinocchio (2022): ©Academy Museum Foundation, Photo by: Owen Kolasinski
Green Harmony Stratotone guitar from La Bamba (1987): ©Academy Museum Foundation, Photo by: Randy Shropshire
Marlene Stewart papers – Costume design collage by Marlene Stewart for To Wong Foo, Thanks for Everything, Julie Newmar (1995): Image courtesy of the Margaret Herrick Library
Quentin Tarantino and original handwritten script draft for Pulp Fiction (1994): Photo by: Emma McIntyre/Getty for Academy Museum of Motion Pictures

MABOUT THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES
The Academy of Motion Picture Arts and Sciences is home to a global membership of more than 10,500 of the most accomplished film industry artists and leaders. The Academy recognizes and celebrates all aspects of the arts and sciences of moviemaking through renowned awards for cinematic achievement, including the Oscars®. With the largest film-related collection in the world, the Academy is a leader in the fields of conservation, preservation and exhibition of film-related objects and materials. Through its Academy Museum of Motion Pictures, the Academy presents powerful exhibitions, screenings and programs about cinema’s past, present, and future. The Academy also inspires young artists and creates opportunities for underrepresented communities to engage with the film world. Across all initiatives, the Academy connects global audiences – its members, the film industry, and film fans – through their shared passion for making and watching films.

ABOUT THE ACADEMY MUSEUM OF MOTION PICTURES
The Academy Museum is the largest museum in the world devoted to the arts, sciences, and artists of moviemaking. The museum advances the understanding, celebration, and preservation of cinema through inclusive and accessible exhibitions, screenings, programs, initiatives, and collections. Designed by Pritzker Prize–winning architect Renzo Piano, the museum’s campus contains the restored and revitalized historic Saban Building—formerly known as the May Company building (1939)—and a soaring spherical addition. Together, these buildings contain 50,000 square feet of exhibition spaces, two state-of-the-art theaters, the Shirley Temple Education Studio, and beautiful public spaces that are free and open to the public. These include: The Walt Disney Company Piazza and the Sidney Poitier Grand Lobby, which houses the Spielberg Family Gallery, Academy Museum Store, and Fanny’s restaurant and café. The Academy Museum is open six days a week from 10am to 6pm.

ABOUT THE MARGARET HERRICK LIBRARY
The Margaret Herrick Library collection contains a vast range of motion picture production and history-related materials, including works on paper and still images covering the history of motion pictures in the United States and worldwide, encompassing photographs, scripts, posters, production art, and books. The library contains special collections of film icons such as Kathryn Bigelow, Anne V. Coates, William Friedkin, Katharine Hepburn, Alfred Hitchcock, Eiko Ishioka, Hattie McDaniel, Gregory Nava, Gregory Peck and Vilmos Zsigmond. These special collections contain production files, personal correspondence, clippings, contracts, manuscripts, scrapbooks, storyboards and more. The library’s collecting divisions work collaboratively to acquire, preserve, digitize and exhibit the broad range of materials entrusted to their care by generations of filmmakers and collectors.

ABOUT THE ACADEMY FILM ARCHIVE
Established in 1991 and dedicated to the preservation, restoration, documentation, exhibition and study of motion pictures, the Academy Film Archive is home to one of the most diverse and extensive motion picture collections in the world, including the personal collections of such filmmakers as Tacita Dean, Cecil B. DeMille, Jesse B’Franklin and Carl Franklin, Barbara Hammer, Alfred Hitchcock, James Wong Howe, Jim Jarmusch, Ellen Kuras, Nina Menkes, Gregory Nava, Satyajit Ray, Penelope Spheeris, George Stevens, Gus Van Sant and Fred Zinnemann. The Academy Film Archive holds all the Academy Award-winning films in the Best Picture category, all the Oscar-winning documentaries, many Oscar-nominated films in other categories, and more.

MEDIA CONTACT 

Academy Publicity
publicity@oscars.org

Academy Museum Press
museumpress@oscars.org

#AFI, #AFIDOCS, AFIDocs, Documentary, Film Festival, Meet The Press, television

THE AMERICAN FILM INSTITUTE ANNOUNCES SPONSORS FOR AFI DOCS 2021

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THE AMERICAN FILM INSTITUTE ANNOUNCES
SPONSORS FOR AFI DOCS 2021

Support Comes From Wide Range of Art and Cultural Institutions, Media Partners and Corporations

Apple Original Films Joins AFI DOCS as a Premium Sponsor

FOR IMMEDIATE RELEASE, June 18, 2021, WASHINGTON, DC — The American Film Institute (AFI) has announced the sponsors for AFI DOCS 2021. Support for the festival comes from both local organizations based in the DC-metro area and major corporations across the nation. The 19th edition of AFI DOCS will run June 22–27, with films available to view on DOCS.AFI.com as well as in-person screenings at the AFI Silver Theatre and Cultural Center in Silver Spring, MD.

“AFI DOCS reaches a nationwide audience with the support of our sponsors,” said Sarah Harris, AFI Festivals Director of Programming. “It is their generosity that amplifies the voices of today’s most vital storytellers, and we thank them on behalf of all who find inspiration in the arts.” 

In addition to supporting AFI DOCS film programming and events, sponsors provide services and exclusive experiences to filmmakers and audiences throughout the festival. Sponsor participation includes sponsoring specific film screenings, panels and events as well as national and local promotion of the festival.  

This year, AFI is proud to have Apple Original Films support AFI DOCS for the first time as a Premium Sponsor. Top festival sponsors will give audiences sneak peeks at exclusive upcoming trailers and content on the festival’s streaming platform and in the AFI DOCS Festival Hub. Media partners will also provide DOCS audiences with access to their digital issues during the week of the festival via a virtual newsstand.

The Corporation for Public Broadcasting (CPB) returns as Official Sponsor of the festival. CPB is Official Sponsor of the AFI DOCS Industry Forum and the Spotlight on the Hindsight Project, a special selection of short filmsthat chronicle the experiences of BIPOC communities in the American South and U.S. Territories during the unprecedented events of 2020.  

NBC News’ Meet the Press with Chuck Todd and The Washington Post return this year as Primary Media Partners. Meet the Press and The Washington Post, in conjunction with the Washington Post Press Freedom Partnership, will provide moderators for a number of films in this year’s festival. Highlights include Meet the Press Moderator and NBC Political Director Chuck Todd moderating LFG and NBC News Correspondent Morgan Radford moderating the discussion following the Opening Night World Premiere of NAOMI OSAKA. In addition to supporting post-screening discussions, Washington Post Live, The Post’s live journalism platform, will host a conversation with ROADRUNNER: A FILM ABOUT ANTHONY BOURDAIN filmmaker Morgan Neville. Post Managing Editor for Diversity and Inclusion Krissah Thompson will also moderate the World Premiere of WE THE PEOPLE in the inaugural DOCS Talks program.

Variety and The Hollywood Reporter are this year’s Official Media Partners. This year, Variety sponsors the Charles Guggenheim Symposium, which will feature a conversation between the 2021 Guggenheim honoree Dawn Porter and Variety’s Clayton Davis, and The Hollywood Reporter will be a media partner for the screening of SUMMER OF SOUL (…OR WHEN THE REVOLUTION COULD NOT BE TELEVISED). 

The Wrap joins AFI DOCS as an Affiliate Media Partner this year and is a media partner for the screening of TOM PETTY: SOMEWHERE YOU FEEL FREE.

Screen Sponsors are SHOWTIME® Documentary Films, Netflix, WarnerMedia and HBO Documentary Films. SHOWTIME® Documentary Films will once again host a networking event for filmmakers and industry, adjusted to be virtual instead of the in-person event they have hosted in the past. SHOWTIME® willalso send a special, customized gift to the festival filmmakers as they celebrate AFI DOCS from home.

Participant returns as a Major Sponsor, along with new sponsors National Geographic and Eventive. 

This year’s Contributing Sponsors are ESPN, the National Endowment for the Arts and the DC Office of Cable Television, Film, Music, and Entertainment (OCTFME). 

Supporting Sponsors include the Maryland Film Office, Greater Silver Spring Chamber of Commerce and Rev. 

The Embassy of Denmark in Washington, DC, and the Farhang Foundation are this year’s Cultural Sponsors. 

Generous individual support comes from Stephanie and Hunter Hunt.

About AFI DOCS 

AFI DOCS is the American Film Institute’s annual documentary festival historically held in Washington, DC.  Presenting the year’s best documentaries, AFI DOCS is the only festival in the U.S. dedicated to screenings and events that connect audiences, filmmakers and policy leaders in the heart of our nation’s government. The AFI DOCS advisory board includes Ken Burns, Davis Guggenheim, Chris Hegedus, Werner Herzog, Rory Kennedy, Barbara Kopple, Spike Lee, Errol Morris, Stanley Nelson and Frederick Wiseman. Now in its 19th year, the festival will be held June 22-27, 2021. Visit DOCS.AFI.comand connect on Twitter.com/AFIDOCS,Facebook.com/AFIDOCS, YouTube.com/AFI andInstagram.com/AmericanFilmInstitute. 

About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s nonprofit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media atFacebook.com/AmericanFilmInstitute,YouTube.com/AFI, Twitter.com/AmericanFilm andInstagram.com/AmericanFilmInstitute.

About the Corporation for Public Broadcasting  

The Corporation for Public Broadcasting (CPB), a private, nonprofit corporation created by Congress in 1967, is the steward of the federal government’s investment in public broadcasting. It helps support the operations of more than 1,500 locally managed and operated public television and radio stations nationwide. CPB is also the largest single source of funding for research, technology and program development for public radio, television and related online services. For more information, visit www.cpb.org and follow us on Twitter @CPBmedia,Facebook and LinkedIn, and subscribe for email updates. 

About The Washington Post and Washington Post Press Freedom Partnership  

The Washington Post is an award-winning news leader whose mission is to connect, inform and enlighten local, national and global readers with trustworthy reporting, in-depth analysis and engaging opinions. It combines world-class journalism with the latest technology and tools so readers can interact with The Post anytime, anywhere.  

The Press Freedom Partnership is a public service initiative from The Washington Post to promote press freedom and raise awareness of the rights of journalists who are in pursuit of the truth. Learn more at www.wapo.st/pressfreedom

About Meet the Press with Chuck Todd 

Meet the Press with Chuck Todd is where newsmakers come to make news — setting the political agenda and spotlighting the impact Washington decision-making has on Americans across the country. It is the #1 most-watched Sunday public affairs show for the 2019-2020 season, reaching more than three million viewers every Sunday and millions more through social, digital and on-demand platforms. Meet the Press brings its authority and influencer interviews to MSNBC with MTP Daily weekdays at 1 p.m. ET, to the ongoing weekly podcast, The Chuck ToddCast, and to Meet the Press Reports, a 30-minute program on NBC News NOW and Peacock, focusing on a single topic explored through the Meet the Press lens. It’s the longest-running show in television history, recently expanding its brand to also include a political short-documentary film festival in collaboration with the American Film Institute. Chuck Todd is the political director of NBC News and the moderator of Meet the Press; John Reiss is the executive producer. 

CONTACT: 

Elizabeth Ward, AFI DOCS PR,elizabeth@prcollaborative.com 

American Film Institute: Stacy Adamski, 323.856.7759,SAdamski@AFI.com

Tokyo International Film Festival

Tokyo film festival lineup to include 12 Indonesian films

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Twelve Indonesian films will be screened at the Tokyo International Film Festival (TIFF) slated to run from Oct. 25 to Nov. 3.

Athirah, a film inspired by Vice President Jusuf Kalla’s mother and directed by Riri Riza, is set to be featured in the Crosscut Asia section alongside 10 other Indonesian movies. This particular section is dedicated to Asian films with a focus on a country, a director, an actor or a certain theme. For this year, the TIFF has decided to feature movies from Indonesia dubbed Colorful Indonesia.

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Athirah,  a film inspired by Vice President Jusuf Kalla’s mother and directed by Riri Riza, is set to be featured in the Crosscut Asia section of the Tokyo International Film Festival alongside 10 other Indonesian movies. (Photo credit: Shuttercock/-)

Athirah, a film inspired by Vice President Jusuf Kalla’s mother directed by Riri Riza, is set to be featured in the Crosscut Asia section of the Tokyo International Film Festival alongside 10 other Indonesian movies. (Shutterstock/-)

In addition to Athirah, other Indonesian movies scheduled in the section are Catatan Dodol Calon Dokter (Stupid Notes of Doctor Candidate) by Ifa Isfansyah that is slated to premiere in Indonesia on Oct. 27, musical film Ini Kisah Tiga Dara (The Story of Three Girls) by Nia Dinata, which is inspired by the 1956 movie Tiga Dara by Usmar Ismail, Filosofi Kopi (Coffee Philosophy) ( 2015 ) by Angga Dwimas Sasongko, Sendiri Diana Sendiri (Lonely Diana Alone) ( 2015 ) by Kamila Andini, Fiksi (Fiction) ( 2013 ) by Mouly Surya, Someone’s Wife in the Boat of Someone’s Husband ( 2013 ) by Edwin, and Lewat Djam Malam (Past the Curfew) ( 1954 ) by Usmar Ismail. It will also screen three films by Teddy Soeriaatmadja, namely About a Woman ( 2014 ), Something in the Way ( 2013 ), and Lovely Man ( 2011 ).

Meanwhile, Salawuku by Pritagita Arianegara, which follows a journey of two people in Seram Island in Maluku, will represent the archipelago in the Asian Future section.

(Source: http://www.thejakartapost.com)

#tiffjp, Tokyo International Film Festival

French director Jean-Jacques Beineix to head jury for 29th Tokyo International Film Festival

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More than 200 films will be screened, with 16 taking part in the competition section, at this year’s Tokyo International Film Festival (TIFF) running from Oct. 25 to Nov. 3.

The 29th TIFF will take place at Roppongi Hills in Minato Ward.

Jean-Jacques Beineix, director of “Diva” and the Oscar-nominated “Betty Blue,” is heading the jury, which includes Japanese director Hideyuki Hirayama, Hong Kong director Mabel Cheung, Spotlight producer Nicole Rocklin and Italian actor Valerio Mastandrea.

The 16 films in the competition section were selected from among 1,502 titles from 98 countries and regions.

During the 10-day affair, there will also be unique film-related events at the festival’s venues, including stage appearances, Q&A sessions and symposia featuring celebrated guests.

Among the guests will be Mamoru Hosoda, who is being honored this year with his own section in the Animation Focus category called “The World of Mamoru Hosoda.”

He was also at Monday’s news conference in the Toranomon Hills complex announcing the festival lineup.

(Source: Staff Report http://www.japantimes.co.jp)

#SBIFF

SBIFF Riviera Project Capital Campaign

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The Santa Barbara International Film Festival (SBIFF) launched its Riviera Project Capital Campaign in Santa Barbara, California on September 22, 2016. The goal is to raise $5,000,000 by March 31, 2017.

The Riviera Capital Campaign comes on the heels of SBIFF’s recent announcement of its acquisition of Santa Barbara’s Riviera Theater with a new 30-year lease.

With unique timing and its dedication to bringing the finest selection of independent and international cinema to its audiences, SBIFF has positioned itself as one of the leading film festivals in the United States over the last 30 years. During this time SBIFF has expanded its operation to include a wide range of educational programming to fulfill its mission “to engage, enrich and inspire the Santa Barbara community through film.”

The Riviera Project is SBIFF’s capital campaign with the mission to create a cultural hub of all things film in Santa Barbara, for Santa Barbara.

Donations to The Riviera Project will help transform the Riviera Theatre into a state-of-the-art multi-purpose venue offering year-round programming. Renovations include:

  • Comfortable Seating
  • World-Class Sound System
  • World-Class Projection System
  • Loop System for Hearing Impaired
  • Heating and Air Conditioning
  • Improvements for Panels, Workshops, Q&As
  • Balcony Lounge with New Elevator

For more information on being a part of the SBIFF’s continuing commitment to the transformative power of quality films, click here.

SBIFF is a 501(c)(3) non profit organization. Your donation to support The Riviera Project is 100% tax deductible.

Check out The Riviera Brochure HERE .

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Student Academy Awards

Top Student Academy Awards Go to AFI, USC, Berkeley, Columbia

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All winners, including foreign films from Germany and Israel, are now eligible for the Oscars shorts categories

Posted by Larry Gleeson

By Steve Pond

Films from the American Film Institute, USC, the University of California, Berkeley and Columbia University were the gold-medal winners at the Student Academy Awards, which were handed out on Thursday night at the Samuel Goldwyn Theater in Beverly Hills.

The 17 winning films were revealed in August, but the Academy does not announce whether each film has won the gold, silver or bronze medal until the awards ceremony, which caps a week-long series of industry events for the student filmmakers.

David Henry Gerson won the gold medal in the alternative category for “All These Voices,” a short about an SS officer encountering an acting troupe, which he made at AFI. Silver and bronze awards went to Yvonne Ng for “Cloud Kumo” and Johnny Coffeen for “The Swan Girl,” respectively.

Alicja Jacina from USC won the animation gold for “Once Upon a Line” — which, as the title suggests, consists of simple line drawings. Echo Wu won the animation silver for “The Wishgranter,” while Carter Boyce took bronze for “Die Flucht.”

The narrative gold medal went to “Nocturne in Black,” a film about a musician in a Middle Eastern conflict zone by Jimmy Keyrouz from Columbia University. “Art is a mighty tool that helps us fight extremism and terrorism,” said Keyroux in his acceptance speech. Silver and bronze in the category went to two films from Chapman University, Brian Robau’s “It’s Just a Gun” and Brenna Malloy’s “Rocket.”

In the documentary category, the top prize was won by Berkeley student Daphne Matziaraki for a film about refugees in the Mediterranean, “4.1 Miles.” Rongfei Guo won silver for “Fairy Tales” and Elise Conklin won bronze for “From Flint: Voices of a Poisoned City.”

Gold medals in the foreign-film categories went to the University of Television and Film Munich (Alex Schaad’s “Invention of Trust”), the Academy of Media Arts Cologne (Ahmad Saleh’s “Ayny”) and Tel Aviv University (Maya Sarfaty’s “The Most Beautiful Woman”).

The 17 winners consisted of nine women and eight men and made up a distinctly international group: Many of the students from U.S. film schools came from other countries.

Joel Edgerton, Lucy Liu, Daisy Ridley and Parker Sawyers served as presenters at the ceremony. Academy President Cheryl Boone Isaacs began the program by pointing out that a record 385 Academy members served as judges for the competition, while Student Academy Awards Chairman Gregg Helvey, a past winner himself, said that the Academy received a record 1,749 entries from 381 different film schools.

Winners received cash awards of $5,000 for gold, $3,000 for silver and $2,000 for bronze. In addition, all winners qualified for the 2016 Academy Award in either the live-action short, animated short or documentary short category.

In recent years, a number of Student Oscar winners have gone on to receive Oscar nominations, including Luke Matheny’s “God of Love” and Tanel Toom’s “The Confession” in 2010, Max Zahle’s “Raju” in 2011, Talkhon Hamzavi’s “Parvaneh” in 2013 and Patrick Vollrath’s “Everything Will Be Okay” last year.

Past Student Academy Award winners include Spike Lee, John Lasseter, Pete Doctor, Robert Zemeckis, Trey Parker, Bob Saget.

For the first time, the foreign area also included separate awards for foreign animated and documentary films, with only gold medals handed out in those two categories.

The winners and medal placement:

Alternative
Gold: “All These Voices,” David Henry Gerson, American Film Institute
Silver: “Cloud Kumo,” Yvonne Ng, City College of New York
Bronze: “The Swan Girl,” Johnny Coffeen, Maharishi University of Management

Animation
Gold: “Once Upon a Line,” Alicja Jasina, USC
Silver: “The Wishgranter,” Echo Wu, Ringling College of Art and Design
Bronze: “Die Flucht,” Carter Boyce, DePaul University

Documentary
Gold: “4.1 Miles,” Daphne Matziaraki, University of California, Berkeley
Silver: “Fairy Tales,” Rongfei Guo, New York University
Bronze: “From Flint: Voices of a Poisoned City,” Elise Conklin, Michigan State University

Narrative
Gold: “Nocturne in Black,” Jimmy Keyrouz, Columbia University
Silver: “It’s Just a Gun,” Brian Robau, Chapman University
Bronze: “Rocket,” Brenna Malloy, Chapman University

Foreign Narrative
Gold: “Invention of Trust,” Alex Schaad, University of Television and Film Munich (Germany)
Silver: “Where the Woods End,” Felix Ahrens, Film University Babelsberg KONRAD WOLF (Germany)
Bronze: “Tenants,” Klara Kochanska, The Polish National Film, Television and Theatre School (Poland)

Foreign Documentary
Gold: “The Most Beautiful Woman,” Maya Sarfaty, Tel Aviv University (Israel)

(Source: http://www.thewrap.com)

 

Toronto International Film Festival

Filmmaker from Ferozepur gets slice of glory at Toronto fest with ‘India in a Day’

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Posted by Larry Gleeso

By Gaurav Sagar Bhaskar,

A filmmaker from Ferozepur, one of Punjab’s hinterland towns on the border with Pakistan, has brought a slice of glory as video footage submitted by him is part of a feature screened at the Toronto International Film Festival earlier this month.

“The one-and-a-half-hour Google documentary film titled ‘India in a Day’ was made with about 16,000 clips of 370 hours, and some footage submitted by me is part of the final film,” explained Sunil Kataria, a resident of a locality in Ferozepur cantonment area who works in Chandigarh.

“The film tries to capture the essence of India through footage shot on a single day. It is co-produced by filmmakers Ridley Scott and Anurag Kashyap while Richie Mehta directed it. It will be theatrically released too in some main towns on Friday,” he added.

What’s the footage? He shot it last October when he was otherwise working in a news channel at Hyderabad. “I recorded the newsroom culture besides some shots from the life of a common man, within 10 minutes,” said Kataria.

“It’s been a wonderful experience watching the film in an online live-stream special screening on Wednesday before its official release. Also, I had a live discussion with director Mehta with other co-directors.”

Two years ago, Kataria’s 41-second micro-film titled ‘Honesty is the Best Policy’ was screened at the Third International Film Festival of South Asia and the Punjabi International Film Festival in Toronto too.

Kataria says he has recently joined a media firm in the state capital but at his heart he remains equally committed to his passion, filmmaking.

(Source: http://www.hindustantimes.com)

*Featured photo – Sunil Kataria, a resident of a locality in Ferozepur cantonment area who works in Chandigarh. (HT Photo)

 

#tiffjp, Tokyo International Film Festival

ANIME NEWS: One-day anime event a feature of the Tokyo film festival this year

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The Boy and the Beast (Photo credit: The Boy and the Beast Film Partners)

The 29th Tokyo International Film Festival (TIFF) will open with the British film “Florence Foster Jenkins” and close with one about shogi titled “Satoshi: A Move for Tomorrow.”

Organizers also announced that a one-day special anime event TIFF Ani!! will be offered for anime fans on Halloween on Oct. 31.

The 10-day festival will be held from Oct. 25 to Nov. 3 at the Roppongi Hills complex, EX Theater Roppongi and other venues in the capital.

The TIFF was started in 1985. In recent years, it has shone the spotlight on anime films. Last year, it screened “Garakowa: Restore the World,” “Miss Hokusai,” “Ajin: Demi-Human” and other works, in addition to covering the “Mobile Suit Gundam” robot anime franchise.

Meryl Streep and Hugh Grant, who starred in Stephen Frears’ “Florence Foster Jenkins,” will visit Japan for the occasion.

“Satoshi: A Move for Tomorrow” starring Kenichi Matsuyama is about Satoshi Murayama, a shogi Japanese chess master who died at a young age.

In addition to a special evening event at Kabukiza theater, the festival will host the TIFF Ani!! event at the Tokyo International Forum.

Little advance information has been disclosed, but it will focus on anime songs.

This year, the TIFF will also feature Mamoru Hosoda in a special program titled “The World of Mamoru Hosoda.”

Hosoda is a leading anime director whose latest work is “The Boy and the Beast,” which opened in 2015. More details about the program will be unveiled in late September.

Visit the festival’s official website at (http://2016.tiff-jp.net/en/).

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(Source: http://www.asahi.com)

#tiffjp, Tokyo International Film Festival

29th Tokyo International Film Festival Announces Lineup for CROSSCUT ASIA #03: Colorful Indonesia

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The 29th Tokyo International Film Festival (TIFF) is just around the corner!

We are pleased to announce the lineup for CROSSCUT ASIA #03: Colorful Indonesia. The third chapter of the CROSSCUT ASIA series, launched by the Japan Foundation Asia Center and TIFF in 2014 to showcase Asian films, now turns its attention to recent cinema from Indonesia.

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Known as a nation of “tolerant Islam,” Indonesia is made up of more than 10,000 islands and has regional cultural differences that make it the ultimate land of diversity. TIFF has been presenting outstanding Indonesian films, reflecting the nation’s diverse culture, since the 80’s. In this year’s focus, we will showcase 11 films, from the latest works by veterans to the unique, ambitious work of up-and-coming directors.

In the showcase, we will highlight three films by Teddy Soeriaatmadja, whose provocative and powerful work is internationally acclaimed. Along with Soeriaatmadja’s so-called Trilogy About Intimacy, the lineup also includes such rising female directors as Nia Dinata, a pioneer in LGBT films, and Kamila Andini of the Mirror Never Lies.
During the festival, guests from the films will attend the Q&A sessions and symposium.
The 29th TIFF will take place October 25 – November 3, 2016 at Roppongi Hills, EX Theater Roppongi and other venues in Tokyo.

(Source: www.tiff-jp.net )

#SBIFF, Santa Barbara International Film Festival

Warren Beatty to Receive SBIFF’s Kirk Douglas Award for Excellence in Film

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Academy Award® winner Warren Beatty will be honored with the eleventh annual Kirk Douglas Award for Excellence in Film. Known for his iconic roles in BONNIE AND CLYDE, REDS, and DICK TRACY, Beatty will next be seen as Howard Hughes in 20th Century Fox’s RULES DON’T APPLY, which he also wrote and directed. The award will be presented at Bacara Resort & Spa in Santa Barbara on December 1, 2016 with all funds raised supporting SBIFF’s free year round educational programs.

Since 2006, the annual Kirk Douglas Award for Excellence in Film, which this year coincides with Douglas’s 100th birthday, has been awarded to a lifelong contributor to cinema through their work in front of the camera, behind, or both. Past honorees include Jane Fonda, Jessica Lange, Forest Whitaker, Robert DeNiro, Michael Douglas, Harrison Ford, Quentin Tarantino, Ed Harris, and John Travolta.

“Warren Beatty upholds the highest artistic standards of the film industry,” says Kirk Douglas, original award recipient. “His choice of material has entertained us as well as made us think more deeply about the world we live in. I’m delighted he is accepting this recognition of his extraordinary talent.”

The event starts off with an outdoor cocktail reception where attendees mingle with each other and watch the honoree and other special guests walk the red carpet. Following the reception, attendees are seated for an extravagant dinner and tribute in an intimate setting. Following the three-course meal, special guests will take the stage to recognize the honoree’s complete body of work with various montages and clips. The evening culminates with the honoree being presented with the award and addressing the attendees. These events are truly a once in a lifetime experience and will be remembered by its attendees for many years to come.

Tickets are available here.

The 32nd Santa Barbara International Film Festival s scheduled to run February 1-11, 2017.

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(Source: http://www.sbiff.org)