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28th ANNUAL PALM SPRINGS INTERNATIONAL FILM FESTIVAL ANNOUNCES AWARD WINNERS

Posted by Larry Gleeson

FOR IMMEDIATE RELEASE

Toni Erdmann Receives FIPRESCI Prize;
Gael García Bernal and Isabelle HuppertReceive Acting Prizes;
White Sun Receives New Voices/New Visions Award;
No Dress Code Required Receives The John Schlesinger Award;
Neruda Receives Cine Latino Award;
Mercenary Receives The HP Bridging The Borders Awards
 

Palm Springs, CA (January 14, 2017) – The 28th Annual Palm Springs International Film Festival (PSIFF) announced this year’s juried award winners at a luncheon at the Hilton Palm Springs on Saturday, January 14, 2017.  The Festival, held from January 2-16, 2017, screened 190 films from 72 countries. The Mercedes-Benz Audience Awards for Best Narrative Feature and Best Documentary Feature will be announced on Sunday, January 15.

 

FIPRESCI PRIZE

A special jury of international film critics reviewed 43 of the 85 official submissions for the Academy Awards(R) Best Foreign Language Film category screened at this year’s Festival.  Awards are presented to the Best Foreign Language Film and Best Actor and Actress in a Foreign Language Film.

 

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Director Maren Ade’s Toni Erdmann received the 2017 Palm Springs International Film Festival’s (PSIFF) FIPRESCI Prize for Best Foreign Language Film of the Year. (Photo courtesy of PSIFF Press Office)

FIPRESCI Prize for Best Foreign Language Film of the Year: Toni Erdmann(Germany), directed by Maren Ade.  In this unforgettable comedy, a prankster father puts on a wig and false teeth and invades the life of his rigid, ambitious corporate consultant daughter, whose life is upended in profound and often hilarious ways. The jury presented the award to the film, “for its originality, human complexity and unique tonal orchestration that seems natural and uncalculated. It is also an observant look at corporate culture carried by two wonderful performances.”

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Gael Garcia Bernal (left) and Diego Munoz in a scene from Pablo Larrain’s biopic Neruda. (Photo courtesy of PSIFF Press Office)

FIPRESCI Prize for the Best Actor in a Foreign Language Film: Gael García Bernalin Neruda(Chile), directed by Pablo Larraín.  The jury said, “Bernal’s performance is the heart of the film’s tonal shifts, infusing the historical drama with the very poetry of its subject matter.”

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Actress Isabelle Huppert in character from Paul Verhoeven’s Elle. For her performance received the FIPRESCI Prize for Best Actress in a Foreign Language Film. (Photo courtesy of PSIFF Press Office)

FIPRESCI Prize for Best Actress in a Foreign Language Film: Isabelle Huppert in Elle (France), directed by Paul VerhoevenThe jury said, “Isabelle Huppert gives depth and humanity to a complex and conflicted character in a challenging, unorthodox film. Her intelligence, self-assurance, and gift for conveying rich emotional tones have never been more strikingly displayed.”

The FIPRESCI jury members were Kiva Reardon (programming associate, TIFF), Yael Shuv (chief film critic, Time Out Tel Aviv) and David Sterritt (editor-in-chief, Quarterly Review of Film and Video).

 

NEW VOICES/NEW VISIONS AWARD

The New Voices/New Visions competition showcases ten films from emerging international directors bringing their first or second narrative features to the Festival. The winner is selected by a jury of festival programmers and U.S. distributors.

 

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A scene from Deepak Rauniyar’s dark comedy, White Sun, a story about two brothers from each side of the Nepalese civil war reunited after 10 years for their father’s funeral. (Photo courtesy of PSIFF Press Office)

New Voices/New VisionsAward: White Sun(Nepal/U.S./Qatar/Netherlands), directed by Deepak Rauniyar. The film is a dark comedy about two brothers from each side of the Nepalese civil war brought together after 10 years for their father’s funeral. A trenchant, eye-catching parable, this is the best film to come out of Nepal in years.

 

The jury issued the following statement, “White Sun, for its sympathetic but unsentimental portrayals of multiple perspectives, artfully integrating landscape as a participating character in the film. Featuring stunning performances from an ensemble cast, directed with sensitivity, the film’s storytelling leaves space for the audience to experience the tension between tradition and modernity. The film balances personal and political drama with a touch of absurdist humor.”

New Voices/New Visions Special Mentions: Kati Kati (Kenya/Germany), directed by Mbithi Masya and Mellow Mud (Latvia), directed by Renars Vimba.  The jury said, “Both directors create worlds that lead the audience deeply into beautifully-realized worlds.”

The films were juried by Jonathan Howell (founder and director, Big World Pictures), Funa Maduka (Global Content Acquisition group, Netflix), Jane Schoettle (International Programmer, TIFF).

 

THE JOHN SCHLESINGER AWARD

The John Schlesinger Award, named after the director, writer, producer and festival supporter, is presented to the director of either a first or second feature documentary from among those screened at the festival.

 

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Cristina Herrera Borquez’ memorable documentary, No Dress Code Required, follows a same-sex couple, Victor and Fernando, as they fight for the right to be married in their home town of Mexicali, Baja California. No Dress Code Required received this year’s Palm Springs International Film Festival’s (PSIFF) John Schlesinger Award. (Photo courtesy of PSIFF Press Office)

Schlesinger Award: No Dress Code Required (Mexico), directed by Cristina Herrera Bórquez. This memorable doc follows a same-sex couple, Víctor and Fernando, as they fight for the right to be married in their home town of Mexicali, Baja California. A rallying cry for equality and a testament to the power of ordinary people to become agents of change.

 

The jury issued the following statement, “For a film that does not let you look away as ordinary people rise to the challenge of fighting for their legal rights, the John Schlesinger Award goes to No Dress Code Required, a compelling documentary that puts us on the front line of the evolving story of marriage equality.”

 

Schlesinger Special Mention: Beauties of the Night (Mexico), directed by María José Cuevas.  The jury said, “For a beautifully crafted exploration of ageism with a powerful vision, and an empowering take on what it means to grow old in a culture obsessed with youth and beauty, Special Mention goes to Beauties of the Night.”

The films were juried by Daniela Elena Alatorre (head of documentary programming, Morelia International Film Festival), Fenton Bailey (co-founder, World of Wonder Productions), Sudeep Sharma (senior programmer, Indian Film Festival of Los Angeles).

 

CINE LATINO AWARD

The Cine Latino Award is presented to the best Ibero-American film screening at the festival.  The award aims to highlight the creativity seen in modern Spanish, Portuguese and Latin American films.  Cine Latino is supported in part by Acción Cultural Espanola, Spain’s Public Agency for Cultural Action.

 

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Chilean Director Pablo Larrain’s Neruda is the 2017 Palm Springs International Film Festival’s (PSIFF) recipient of the Cino Latino Award for best Ibero -American film screening. (Photo courtesy of PSIFF Press Office)

Cine Latino Award: Neruda (Chile), directed by Pablo Larraín.  The jury said, “Bypassing narrative tropes associated with films about important historical figures and creating a nearly fantastical story that is as visually striking as it is telling about the relationship between an artist and his creation, the Cine Latino Grand Jury Prize goes to Neruda.”

Cine Latino Special Mention: Everything Else (Mexico), directed by Natalia Almada. The jury said, “Coming from a doc background gives this filmmaker a unique perspective and framing that has created a powerful film. Her story often asks more questions than there are answers for but anchored by a strong, yet understated performance this film succeeds.  The film is executed with precise framing and uncanny cinematography.”

 

The films were judged by Carlos Aguilar (film journalist), Lane Kneedler (Director of Programming, AFI Fest) and Andrea Roa (producer)

 

THE HP BRIDGING THE BORDERS AWARD

The HP Bridging the Borders Award is presented by Cinema Without Borders and Hewlett Packard, which honors the film that is most successful in exemplifying art that promotes bringing the people of our world closer together. The prize includes an HP ZBook 17 Mobile Workstation, valued at $4,000.

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Director Sacha Wolff’s Mercenary is the 2017 Palm Springs International Film Festival’s (PSIFF) recipient of the HP Bridging the Borders Award. (Photo courtesy of PSIFF Press Office)

HP Bridging the Borders Award: Mercenary (France), directed by Sacha Wolff.  The film is a fierce, moving thriller about a massive Polynesian rugby player recruited to play in France. This stunning debut film shows us a violent, unfamiliar world through the eyes of an unforgettable outsider.

 

The jury said, “The winner of HP Bridging The Border Award is the story of a tattooed, colossal 19 year-old recruited from his island shack in Wallis, New Caledonia , to the brutal world of a rugby team in France. Wolff, paints the contrasting societies with authenticity and elicits from his non-professional actor, Toki Pilioki a performance of quiet dignity that scorches your memory. The winning film is Mercenary by Sasha Wolff.”

 

Audience Award winners will be announced on Sunday, January 15.  The Best of the Fest screenings will take place on Monday, January 16.  For a complete list of screenings visit www.psfilmfest.org

The complete list of award winners are:

 

Mercedes-Benz Audience Award for Best Narrative Feature

TBA on Sunday, January 15

 

Mercedes-Benz Audience Award for Best Documentary Feature

TBA on Sunday, January 15

 

FIPRESCI Prize for Best Foreign Language Film of the Year

Toni Erdmann (Germany), directed by Maren Ade

 

FIPRESCI Prize for the Best Actor in a Foreign Language Film

Gael García Bernal in Neruda (Chile)

 

FIPRESCI Prize for Best Actress in a Foreign Language Film

Isabelle Huppert in Elle(France)

 

New Voices/New Visions Award

Winner:White Sun (Nepal/U.S./Qatar/Netherlands), directed by Deepak Runiyar

Special Mentions: Kati Kati (Kenya/Germany), directed by Mbithi Masya and Mellow Mud (Latvia), directed by Renars Vimba

 

The John Schlesinger Award

Winner: No Dress Code Required (Mexico), directed by Cristina Herrera Bórquez

Special Mention: Beauties of the Night (Mexico), directed by Maria José Cuevas

 

Cine Latino Award

Winner: Neruda (Chile), directed by Pablo Larraín

Special Mention: Everything Else (Mexico), directed by Natalia Alamda

 

HP Bridging the Borders Award

Winner: Mercenary (France), directed by Sacha Wolff

About The Palm Springs International Film Festival

The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees last year for its lineup of new and celebrated international features and documentaries. The Festival is also known for its annual Film Awards Gala, a glamorous, black-tie event, presented by Chopard and sponsored by Mercedes Benz and Entertainment Tonight, and attended by 2,500.  The Film Awards Gala honors the year’s best achievements in cinema in front of and behind the camera.  The celebrated list of talents who have been honored in recent years includes Ben Affleck, Javier Bardem, Cate Blanchett, Sandra Bullock, Bradley Cooper, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Tom Hanks, Matthew McConaughey, Julianne Moore, Brad Pitt, Eddie Redmayne, Julia Roberts, David O. Russell, Meryl Streep, and Reese Witherspoon.  PSIFF is organized by The Palm Springs International Film Society, a 501(c)(3) charitable non-profit organization with a mission to cultivate and promote the art and science of film through education and cross-cultural awareness

For more information, call 760-778-8979 or 800-898-7256 or visit www.psfilmfest.org.
Contacts:
Steven Wilson/Ashley Patterson                                                                     David Lee
B|W|R Public Relations                                                                                 PSIFF
212.901.3920/310.550.7776                                                                          760.322.2930
(Source: PSIFF Press Office)

 

 

Palm Springs International Film Festival – January 15

Posted by Larry Gleeson

The 2017 Palm Springs International Film Festival Jury Award Winners were announced on Saturday, January 14 at the annual Awards Luncheon.

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The winners are:

FIPRESCI Prize for Best Foreign Language Film of the Year
Toni Erdmann (Germany), directed by Maren Ade
FIPRESCI Prize for the Best Actor in a Foreign Language Film
Gael García Bernal in Neruda (Chile)
 
FIPRESCI Prize for Best Actress in a Foreign Language Film
Isabelle Huppert in Elle (France)
 
New Voices/New Visions Award
Winner: White Sun (Nepal/U.S./Qatar/Netherlands), directed by Deepak Runiyar
Special Mentions: Kati Kati (Kenya/Germany), directed by Mbithi Masya and
Mellow Mud (Latvia), directed by Renārs Vimba
 
The John Schlesinger Award
Winner: No Dress Code Required (Mexico), directed by Cristina Herrera Bórquez
Special Mention: Beauties of the Night (Mexico), directed by Maria José Cuevas
 
Cine Latino Award
Winner: Neruda (Chile), directed by Pablo Larraín
Special Mention: Everything Else (Mexico), directed by Natalia Alamda
 
HP Bridging the Borders Award
Winner: Mercenary (France), directed by Sacha Wolff
 
The Mercedes-Benz Audience Award for Best Narrative Feature and the
Mercedes-Benz Audience Award for Best Documentary Feature will be announced at the Closing Night Screening of THE COMEDIAN on Sunday, January 15.

THERE’S STILL TIME LEFT – GREAT FILMS ON SUNDAY, JANUARY 15

 

 

THE WINTER

Argentina/France – 2016 – 95 minutes
Director: Emiliano Torres
NEW VOICES/NEW VISIONS
North American Premiere
winter_psiff
Forced from his longtime job as ranch foreman by a sincere young upstart, a weary caretaker prepares to take advantage as the younger man shows himself ill-prepared for an unforgiving Patagonian winter. A lean, stark tale of survival against the unforgiving forces of both nature and man himself. Winner: Best Actor, Biarritz; Special Jury Award, San Sebastian.
Sun, Jan 15 – 9:30 AM – Regal
Director, Emiliano Torres to attend.
Purchase tickets HERE.

GRADUATION

Romania/France/Belgium – 2016 – 128 minutes
Director: Cristian Mungiu
WORLD CINEMA NOW

graduation_psiff

 A doctor abandons his principles to ensure his daughter passes her crucial exams in this tense and complex moral thriller from the director of
4 Months, 3 Weeks and 2 Days, which explores the endemic corruption in post-Communist Romania. Winner: Best Director, Cannes; Best Actor, Screenplay, Chicago.
Sun, Jan 15 – 1:30 PM – Annenberg
Purchase tickets HERE
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NAGASAKI: MEMORIES OF MY SON

Japan – 2015 – 130 minutes
Director: Yôji Yamada
AWARDS BUZZ-BEST FOREIGN LANGUAGE FILM

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Three years after the Nagasaki atomic bomb killed her son, the widowed Nobuko starts being visited by his ghost. Octogenarian filmmaker Yoji Yamada (Twilight Samurai) has crafted a delicate, affecting, magical realist chamber piece, with a haunting score by Ryuichi Sakamoto. Winner: Best Actor, Japanese Academy Awards.
Sun, Jan 15 – 3:30 PM – Regal
Purchase tickets HERE.

DARK SKULL

Bolivia/Qatar – 2016 – 80 minutes
Director: Kiro Russo
WORLD CINEMA NOW
North America Premiere
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Broken by the recent death of his father, a troubled young man tears through a small, indigenous town until his godfather gets him a job in the mines. With jaw-dropping, dreamlike visuals, Russo’s debut offers a darkly beautiful subterranean study in atmosphere and mourning. A new landmark in Bolivian cinema.
Sun, Jan 15 – 8:00 PM – Mary Pickford
Purchase tickets HERE.

DREAM VACATION PALM SPRINGS

VACATION PALM SPRINGS “DREAM VACATION” WINNER WILL RECEIVE:
* A Four (4) night stay for up to 4 people in a luxury 3-bedroom Palm Springs vacation rental home during the 2018 Palm Springs International Film Festival. Winner will also receive the following:dream_vacation_psiff
* Opening -or- Closing Night Screening and Gala Reception – 4 Tickets
* Festival Screening Passes – 4 non-transferable passes, good for all regular screenings
Enter NOW through January 16, 2017
Must be at least 25 years of age to enter this contest.
No purchase necessary.
One entry per person; employees of PSIFF are not eligible.

A JEW MUST DIE

Switzerland – 2016 – 73 minutes
Director: Jacob Berger
WORLD CINEMA NOW
North America Premiere
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In a small Swiss village in 1942, a cabal of Nazi sympathizers select a Jewish scapegoat (played by Bruno Ganz) to kill, and an 8-year-old witness grows into a 70-year-old writer whose life was changed forever by what he saw.

Sun, Jan 15 – 8:00 PM – Regal

Purchase tickets HERE

best_psiff

(Source: psiff.org)

Palm Springs International Film Festival – January 14

Posted by Larry Gleeson

awards_buzz_psiff

 

IT’S NOT OVER YET, CHECK OUT THESE FILMS ON SUNDAY, JANUARY 15

 

TRUMAN

Spain/Argentina – 2015 – 108 minutes
Director: Cesc Guy
WORLD CINEMA NOW
truman_psiff
Two of Spanish-speaking cinema’s finest stars, Ricardo Darin and Javier Cámara, play lifelong friends reconnecting for a short visit under the shadow of terminal cancer in this wide and tender (and surprisingly funny) movie from Cesc Gay. Goya Winner: Best Film, Director, Actor, Supporting Actor, Screenplay, Goya Awards.
Sun, Jan 1510:00 AM – Mary Pickford
Purchase tickets HERE.

THE HIPPOPOTAMUS

UK – 2015 – 90 minutes
Director: John Jencks
SPECIAL PRESENTATION
North American Premiere
hippopotamus_psiff
A country manor mystery that’s actually a deliciously wicked comedy of manners, adapted from Stephen Fry’s best-seller. A disgraced poet and all-round drunken sot, Ted is invited to his friend Lord Logan’s estate, and investigates a spate of “miracle” healings attributed to Logan’s teenage son.

Sun, Jan 1510:00 AM – PSHS

Director, John Jencks; Actor, Matthew Modine to attend.

Purchase tickets HERE.

FRANCA: CHAOS AND CREATION

Italy/U.S. – 2016 – 80 minutes
Director: Francesco Carrozzini
TRUE STORIES
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The brilliant and controversial editor-in-chief of Italian Vogue, Franca Sozzani, is given the documentary treatment by the one man who can get her to drop her guard -her son-in this insightful portrait of one of fashion’s most original icons.
Sun, Jan 1510:30 AM – Regal
Purchase tickets HERE.

EVERYTHING ELSE

Mexico/U.S./France – 2016 – 98 minutes
Director: Natalia Almada
WORLD CINEMA NOW
everything_psiff
In the first scripted film from acclaimed non-fiction filmmaker Natalia Almada (El velador), her austere gaze is trained on a lonely, aging government bureaucrat, Doña Flor. Patience is demanded, and rewarded. “A heartfelt argument for empathy.” Indiewire. Winner: Best Actress, Morelia.
Sun, Jan 152:00 PM – Regal
Purchase tickets HERE.

DREAM VACATION PALM SPRINGS

VACATION PALM SPRINGS “DREAM VACATION” WINNER WILL RECEIVE:
* A Four (4) night stay for up to 4 people in a luxury 3-bedroom Palm Springs vacation rental home during the 2018 Palm Springs International Film Festival. Winner will also receive the following:dream_vacation_psiff
* Opening -or- Closing Night Screening and Gala Reception – 4 Tickets
* Festival Screening Passes – 4 non-transferable passes, good for all regular screenings
Enter NOW through January 16, 2017
Must be at least 25 years of age to enter this contest.
No purchase necessary.
One entry per person; employees of PSIFF are not eligible.

 

 

THE DAY WILL COME

Denmark – 2016 – 119 minutes
Director: Jesper W. Nielsen
WORLD CINEMA NOW
North American Premiere
the_export
Inspired by recent revelations about abuse in Danish orphanages dating back to the 1960s, this hard-hitting but inspiring drama focuses on two (fictional) brothers, aged 10 and 13, resisting the brutal regime of Headmaster Heck, armed with nothing but their imagination. It reunites the writer and two stars from TV’s The Killing. Winner: Audience Award, Hamburg.
Sun, Jan 154:30 PM – Regal
Purchase tickets HERE.

THE SPY AND THE POET

Estonia – 2016 – 95 minutes
Director: Toomas Hussar
WORLD CINEMA NOW
North American Premiere
spy_psiff
A socially awkward secret service agent makes the acquaintance of both a beautiful Russian spy and a barely tolerable Estonian modern poet in the absurdly comic new film from the producer of Tangerines. It provides a sarcastic reflection on the identity and concerns of contemporary Estonia.
Sun, Jan 157:00 PM – Mary Pickford
Purchase tickets HERE.
best_psiff
(Source: psiff.org)

 

European Film Market & Co-Production Market

Posted by Larry Gleeson

36 Attractive Feature Film Projects Searching for International Partners at the Berlinale Co-Production Market

At the 14th edition of the Berlinale Co-Production Market (February 12 to 15, 2017) a selection of 36 promising feature-film projects from 29 countries will come together with a wide range of potential co-production and funding partners from around the world. In addition, the market will be presenting several respected production companies in the scope of their exclusive “Company Matching Programme”.

To aid the producers of the selected projects and companies, the Berlinale Co-Production Market team is organizing a total of approximately 1,200 one-on-one meetings with interested potential partners from a participant pool made up of 550 producers, world sales agents, broadcasters, distributors, film funds and financiers from all across the world.

For the official project selection, 20 promising feature-film projects with budgets ranging from 750,000 euros to eleven million euros were chosen from a total of 323 submissions. They will be presented by internationally experienced producers and have all either already secured production funding from their native countries or have at least been able to cover 30% of their projected financing needs to date.

In the scope of the “Rotterdam Berlinale Express”, three additional film projects will take part both in the CineMart Rotterdam and the Berlinale Co-Production Market.

Ten newcomers to the world of international film production will also be presenting their projects at the “Talent Project Market”, which is organized in co-operation with Berlinale Talents. These attendees were chosen from an additional 178 submitted projects.

Among the directors of the selected projects are familiar names such as Hans Petter Moland (In Order of Disappearance, A Somewhat Gentle Man, The Beautiful Country), whose films have already been featured three times in the official Berlinale programme, Agnieszka Holland, whose most recent film Spoor is celebrating its premiere at this year’s Berlinale, as well as further directors of Competition films from the past years, including for instance Lou Ye (Blind Massage), Celina Murga (The Third Side of the River), Anne Zohra Berrached (24 Weeks) and Laura Bispuri (Sworn Virgin).

In the category “Berlinale Directors”, three projects from directors whose previous films were shown at the Berlinale will be presented; though these productions are still in a very early stage of development from a financing perspective, they are considered so promising that they can already benefit from finding co-operation partners in order to ease their way to the big screen.

In addition to the meetings with potential partners, which are arranged individually to satisfy the concrete needs of each project, there are also three awards available: the Eurimages Co-Production Development Award, worth 20,000 euros, the VFF Talent Highlight Award, worth 10,000 euros, and the ARTE International Prize, worth 6,000 euros, will all be given away at the Berlinale Co-Production Market.

The four already confirmed companies featured in the “Company Matching Programme” come from Germany, France, Israel and Norway. The 550 other participants can also request one-on-one meetings with them in order to exchange information on a structural level or on the basis of project slates and move towards exploring the possibility of long-term co-operation.

There are at least two films screening in the festival programme of the upcoming Berlinale which were presented at the Berlinale Co-Production Market as projects in previous years and met partners: Una mujer fantástica (A fantastic woman) by Sebastián Lelio, which is part of the Competition, and Mulher do pai (Nalu on the Border) by Cristiane Oliveira, which is being shown in Generation 14plus.

The primary partners of the Berlinale Co-Production Market are the MDM – Mitteldeutsche Medienförderung and Creative Europe MEDIA, a programme of the European Union.

The Berlinale Co-Production Market is a part of the European Film Market.
The Berlin House of Representatives, which is located right across from the European Film Market in the Martin-Gropius-Bau, will once again serve as a co-operation partner and main venue for the event.

Official project selection for Berlinale Co-Production Market 2017
(in alphabetical order by production company):

Where the Summer Went (D: Beatriz Sanchis), Animal de Luz Films, Mexico
Psychobitch (D: Martin Lund), Ape&Bjørn, Norway
7500 (D: Patrick Vollrath), Augenschein Filmproduktion, Germany
Irene (D: Celina Murga), Cepa Audiovisual & Tresmilmundos Cine, Argentina
The Ski Jumper Who Didn’t Want to Land (D: Hans Petter Moland), Chezville & Storyline Studios, Norway
Overgod (D: Gabriel Mascaro), Desvia Produções, Brazil
Clear Blue (D: Lindsay MacKay), Devonshire Productions, Canada
Man’s Fate (D: Lou Ye), Dream Factory, China & Chinese Shadows, Hong Kong, China
The Deer (D: Bogdan George Apetri), Fantascope, Romania
The Monster Within (D: Rodrigo Susarte), Forastero, Chile
Lost Country (D: Vladimir Perisic), KinoElektron, France, Trilema, Serbia & MPM Film, France
Benigno Cruz (D: Jorge Hernandez Aldana), La Pandilla Producciones, Venezuela & Lucía Films & Paloma Negra Films, Mexico
Eloe (D: Piotr Złotorowicz), Lava Films, Poland
Charlatan (D: Agnieszka Holland), Marlene Film Production, Czech Republic
A Film by Verner Holm (D: Jannik Johansen), Profile Pictures, Denmark
Blanquita (D: Fernando Guzzoni), QuijoteRampante, Chile
Paloma’s Wedding (D: Marcelo Gomes), Rec Produtores, Brazil
Waiting for an Angel (D: Akin Omotoso), Rififi Pictures, South Africa & Triptych Media, Canada
Dead Noon (D: Jeff Desom), Samsa Film, Luxembourg
Daughter of Mine (D: Laura Bispuri), Vivo Film, Italy

“Berlinale Directors” projects:
Ten Thousand Happiness (D: Johnny Ma), Image X Productions, China
Colour of the Skull (D: Sibs Shongwe-La Mer), Mille et Une Productions, France
Zorro (D: Ronny Trocker), Zischlermann Filmproduktion, Germany

“Rotterdam Berlinale Express”:
Girls of the Sun (D: Eva Husson), Maneki Films, France
Jumpman (D: Ivan I. Tverdovsky), New People Film Company, Russia
The Wife of the Pilot (D: Anne Zohra Berrached), Razor Film Produktion, Germany

“Talent Project Market” – projects and selected production talents (in alphabetical order by production company):
The Deposit (P: Eva Sigurdardottir), Askja Films, Iceland
MNK Boy (P: Aydin Dehzad), Kaliber Film, Netherlands / Turkey
Shock Labor (P: Maria Carla del Rio), Marinca Filmes, Cuba
The Bus to Amerika (P: Nefes Polat), Mars Production, Turkey
The Space Between (P: Angela Lee), Nifty Pictures, USA
Memoryland (P/D: Quy Bui), Pixelholic Media, Vietnam
Tomorrow is a Long Time (P: Jeremy Chua), Potocol, Singapore
Never the Bright Lights (P: Tonee Acejo), Quiapost Productions, Philippines
You Will Die at Twenty (P: Hossam Elouan), Transit Films, Egypt / Sudan
Breaking Surface (P: Julia Gebauer), Way Creative Films, Sweden

Company Matching (in alphabetical order by company):
Black Sheep Film Productions, Israel
Haut et Court, France
Mer Film, Norway
Weydemann Bros., Germany

Logo-Berlinale-Facebook

(Source: Berlinale Press Office)

32nd #SBIFF Film Program

Posted by Larry Gleeson

The Santa Barbara International Film Festival (SBIFF), presented by UGG®, will offer a vast array of films representing 50+ countries, 51 world premieres and 64 US premieres, along with tributes with the year’s top talent, panel discussions, and free community education and outreach programs.

OPENING NIGHT

SBIFF 2017 will kick off the festival on Wednesday, February 1st, at the historic Arlington Theatre with the World Premiere of CHARGED. The Opening Night Film is sponsored by UGG®.

charged_sbiff

Directed by Phillip Baribeau, CHARGED chronicles the journey of chef and outdoorsman, Eduardo Garcia and his recovery after being electrocuted by 2400 volts of electricity miles from help in the Montana backcountry.  Garcia had his hand amputated, lost ribs, muscle mass and nearly his life, but more important than what he lost is what he found. CHARGED tells Eduardo’s remarkable journey from getting up off the forest floor to becoming the man he is today.

The documentary is produced by Dennis Aig and Phillip Baribeau along with executive producers Teri Weinberg, Scott Ballew, Doug Ellin, Peter Hochfelder, Constance Schwartz–Morini and Michael Strahan.

INTERNATIONAL GALA

For the International Gala, the festival will feature the US Premiere of HEAL THE LIVING (Réparer les vivants) a French–Belgian drama directed by Katell Quillévéré and written by Quillévéré and Gilles Taurand. HEAL THE LIVING stars Tahar Rahim (A Prophet, The Past, Grand Central, The Informant), Emmanuelle Seigner (Venus in Fur, The Diving Bell and the Butterfly) and Anne Dorval (Mommy, Heartbeats). Three seemingly unrelated stories are masterfully woven together in this family medical drama. A French teenager takes a road trip to the sea with friends to go surfing; a woman learns her heart is failing; and the staff at a regional hospital struggles through another day of saving lives. Cohen Media Group plans for a Spring 2017 release.

CLOSING NIGHT

The Festival will close with the Lone Scherfig’s period comedy–drama THEIR FINEST at the Arlington Theatre on Saturday, February 11 in advance of the film’s March 24 stateside release. The Closing Night Film is sponsored by Winchester Mystery House.

Their Finest Hour and A HalfDirected by Lone Sherfig
Their Finest directed by Lone Sherfig stars Gemma Arteton, left, as a scriptwriter in charge of writing female dialogue, and Bill Nighy as pretentious, fading movie star Ambrose Hilliard in this 1940’s British period comedy-drama.

The year is 1940, Britain. With the nation devastated by the war, the British ministry turns to propaganda films to boost morale at home. Realizing their films could use “a woman’s touch,” the ministry hires Catrin Cole (Gemma Arterton) as a scriptwriter in charge of writing the female dialogue. Although her artist husband looks down on her job, Catrin’s natural flair quickly gets her noticed by charming lead scriptwriter Buckley (Sam Claflin). Catrin and Buckley set out to make an epic feature film based on the Battle of Dunkirk starring pretentious fading movie star Ambrose Hilliard (Bill Nighy). As bombs are dropping all around them, Catrin, Buckley and their colorful cast and crew work furiously to make a film that will warm the hearts of the nation.

The film is produced by Stephen Woolley, Amanda Posey, Finola Dwyer and Elizabeth Karlsen. Christine Langan, Ed Wethered, Robert Norris, Ivan Dunleavy, Peter Watson, Zygi Kamasa and Thorsten Schumacher serve as executive producers. The film is produced by Number 9 Films and Wildgaze Films.

THE TRIBUTES

SBIFF has become an important showcase for Academy–Award® frontrunners, many of whom have arrived as nominees and gone on to win the Oscar. The 32nd Santa Barbara International Film Festival proudly celebrates some of the year’s finest work in film.  The complete list of 2017 Honorees (in date order) is as follows:

All tributes take place at the historic Arlington Theatre except the Variety Artisans Award, which will be at the Lobero Theatre.

THE PANELS

SBIFF has become renowned for creating smart, insightful panels that feature a who’s who in the world of filmmaking, including many Oscar® contenders.

The panel series begins on Saturday, February 4th with the “Movers and Shakers,” (Producers Panel), bringing together the industry’s most prolific producers to talk about current projects, hopes for the future of filmmaking, and insight into the creative process. Moderated by Glenn Whipp.

That same day proceeds with “It Starts With the Script” (Screenwriters Panel), bringing together top writers to discuss their craft. The panel will be moderated by Anne Thompson.

On Saturday, February 11th, Creative Forces: Women in the Business (Women’s Panel), will be moderated by Madelyn Hammond.

All panels take place at the Lobero Theatre.

PROGRAM HIGHLIGHTS

The 2017 Film Program addresses timely themes including a focus on environmental activism, feminism in the Middle East, efforts to thwart ISIS around the world including, Mali and Kurdistan, the fight for democracy in Ukraine and the global refugee crisis. In addition, some of the new highlights in the program include the following sections:

  • Nordic Cinema Competition: A diverse showcase of contemporary cinema From Denmark, Finland, Iceland, Norway, and Sweden.
  • Crime Scenes: An international selection of crime thrillers and neo-noirs filled with gritty underworlds and moral nihilists.
  • Documentary Shorts: Refugees: A program of short documentaries featuring compelling stories from refugees living in Malawi, Syria, West Africa, Greece, Sweden and the United States.

The Jury – Films in several of the Festival’s film categories are in competition. These categories are viewed by a hand selected group of industry professionals including: Richard Raymond, Joanna Kerns, Jesus Lloveras, Tamara Asseyev, Martin Gooch, Anthony & Arnette Zerbe, Alan Marshall, Artie Schmidt, Janet Walker, Phyllis de Picciotto, Perry Lang and Mimi deGruy. On the last day of the Festival, the award winning films will be announced at the annual SBIFF awards breakfast.

ABOUT SBIFF

The Santa Barbara International Film Festival is a 501(c)(3) non–profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 30 years, SBIFF has become one of the leading film festivals in the United States – attracting 90,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

Sponsors of the 32nd Santa Barbara International Film Festival include: UGG®, Belvedere Vodka, Dom Pérignon, Anti–Defamation League, Montecito Bank & Trust, Visit The Santa Ynez Valley, IMDB, Santa Barbara Foundation, Union Bank, Winchester Mystery House, Wells Fargo, Westerly Wines, The Bentson Foundation and many more supporting through trade.

SBIFF continues its commitment to education and the community through free programs like its 10–10–10 Student Filmmaking and Screenwriting Competitions, Mike’s Field Trip to the Movies, National Film Studies Program, AppleBox Family Films, 3rd Weekend and educational seminars. This past June, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. The theatre is SBIFF’s new home and is the catalyst for program expansion and marks the first time that Santa Barbara has had a 24/7 community center to expand their mission of educational outreach.

(Source: sbiff.org)

Oscar races from Palm Springs to Santa Barbara

Posted by Larry Gleeson

It’s that time of year again. The first film festival bookend of the Oscar race, The Palm Springs International Film Festival (PSIFF), is wrapping up its two-week long run including its first-ever, pre-event Film Awards Gala, while the other bookend, the Santa Barbara International Film Festival (SBIFF), is ramping up for its 32nd edition.

In comparison, PSIFF has maintained a decided edge on glamour with its Film Awards Gala and film viewing with its Regal Cinemas, The Mary Pickford and the Camelot Theaters. Not to be outdone, SBIFF is in the process of updating its newly acquired and not-so-distant future home, the Santa Barbara Riviera Theater, and its use of the Sate Street Metropolitan Theater venues on the stunning shop lined, downtown State Street segment keeps the screens within a reasonable walking distance.

Currently, SBIFF continues its Riviera Project Capital Campaign in support of seat and facility improvements for its Riviera Theater. SBIFF also continues to expand its growing educational programming and remains steadfast in its commitment on community engagement.

Both festivals offer similar, cutting-edge, timely programming with stimulating themes. In addition, SBIFF recently released its 2017 film program.

Here’s the latest information release on the 32nd Santa Barbara International Film Festival:

The Santa Barbara International Film Festival (SBIFF), presented by UGG®, will offer a vast array of films representing 50+ countries, 51 world premieres and 64 US premieres, along with tributes with the year’s top talent, panel discussions, and free community education and outreach programs.

OPENING NIGHT

SBIFF 2017 will kick off the festival on Wednesday, February 1st, at the historic Arlington Theatre with the World Premiere of CHARGED. The Opening Night Film is sponsored by UGG®.

Directed by Phillip Baribeau, CHARGED chronicles the journey of chef and outdoorsman, Eduardo Garcia and his recovery after being electrocuted by 2400 volts of electricity miles from help in the Montana backcountry.  Garcia had his hand amputated, lost ribs, muscle mass and nearly his life, but more important than what he lost is what he found. CHARGED tells Eduardo’s remarkable journey from getting up off the forest floor to becoming the man he is today.

The documentary is produced by Dennis Aig and Phillip Baribeau along with executive producers Teri Weinberg, Scott Ballew, Doug Ellin, Peter Hochfelder, Constance Schwartz–Morini and Michael Strahan.

INTERNATIONAL GALA

For the International Gala, the festival will feature the US Premiere of HEAL THE LIVING (Réparer les vivants) a French–Belgian drama directed by Katell Quillévéré and written by Quillévéré and Gilles Taurand. HEAL THE LIVING stars Tahar Rahim (A Prophet, The Past, Grand Central, The Informant), Emmanuelle Seigner (Venus in Fur, The Diving Bell and the Butterfly) and Anne Dorval (Mommy, Heartbeats). Three seemingly unrelated stories are masterfully woven together in this family medical drama. A French teenager takes a road trip to the sea with friends to go surfing; a woman learns her heart is failing; and the staff at a regional hospital struggles through another day of saving lives. Cohen Media Group plans for a Spring 2017 release.

CLOSING NIGHT

The Festival will close with the Lone Scherfig’s period comedy–drama THEIR FINEST at the Arlington Theatre on Saturday, February 11 in advance of the film’s March 24 stateside release. The Closing Night Film is sponsored by Winchester Mystery House.

The year is 1940, Britain. With the nation devastated by the war, the British ministry turns to propaganda films to boost morale at home. Realizing their films could use “a woman’s touch,” the ministry hires Catrin Cole (Gemma Arterton) as a scriptwriter in charge of writing the female dialogue. Although her artist husband looks down on her job, Catrin’s natural flair quickly gets her noticed by charming lead scriptwriter Buckley (Sam Claflin). Catrin and Buckley set out to make an epic feature film based on the Battle of Dunkirk starring pretentious fading movie star Ambrose Hilliard (Bill Nighy). As bombs are dropping all around them, Catrin, Buckley and their colorful cast and crew work furiously to make a film that will warm the hearts of the nation.

The film is produced by Stephen Woolley, Amanda Posey, Finola Dwyer and Elizabeth Karlsen. Christine Langan, Ed Wethered, Robert Norris, Ivan Dunleavy, Peter Watson, Zygi Kamasa and Thorsten Schumacher serve as executive producers. The film is produced by Number 9 Films and Wildgaze Films.

THE TRIBUTES

SBIFF has become an important showcase for Academy–Award® frontrunners, many of whom have arrived as nominees and gone on to win the Oscar. The 32nd Santa Barbara International Film Festival proudly celebrates some of the year’s finest work in film.  The complete list of 2017 Honorees (in date order) is as follows:

All tributes take place at the historic Arlington Theatre except the Variety Artisans Award, which will be at the Lobero Theatre.

THE PANELS

SBIFF has become renowned for creating smart, insightful panels that feature a who’s who in the world of filmmaking, including many Oscar® contenders.

The panel series begins on Saturday, February 4th with the “Movers and Shakers,” (Producers Panel), bringing together the industry’s most prolific producers to talk about current projects, hopes for the future of filmmaking, and insight into the creative process. Moderated by Glenn Whipp.

That same day proceeds with “It Starts With the Script” (Screenwriters Panel), bringing together top writers to discuss their craft. The panel will be moderated by Anne Thompson.

On Saturday, February 11th, Creative Forces: Women in the Business (Women’s Panel), will be moderated by Madelyn Hammond.

All panels take place at the Lobero Theatre.

PROGRAM HIGHLIGHTS

The 2017 Film Program addresses timely themes including a focus on environmental activism, feminism in the Middle East, efforts to thwart ISIS around the world including, Mali and Kurdistan, the fight for democracy in Ukraine and the global refugee crisis. In addition, some of the new highlights in the program include the following sections:

  • Nordic Cinema Competition: A diverse showcase of contemporary cinema From Denmark, Finland, Iceland, Norway, and Sweden.
  • Crime Scenes: An international selection of crime thrillers and neo-noirs filled with gritty underworlds and moral nihilists.
  • Documentary Shorts: Refugees: A program of short documentaries featuring compelling stories from refugees living in Malawi, Syria, West Africa, Greece, Sweden and the United States.

The Jury – Films in several of the Festival’s film categories are in competition. These categories are viewed by a hand selected group of industry professionals including: Richard Raymond, Joanna Kerns, Jesus Lloveras, Tamara Asseyev, Martin Gooch, Anthony & Arnette Zerbe, Alan Marshall, Artie Schmidt, Janet Walker, Phyllis de Picciotto, Perry Lang and Mimi deGruy. On the last day of the Festival, the award winning films will be announced at the annual SBIFF awards breakfast.

 

ABOUT SBIFF

The Santa Barbara International Film Festival is a 501(c)(3) non–profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 30 years, SBIFF has become one of the leading film festivals in the United States – attracting 90,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

Sponsors of the 32nd Santa Barbara International Film Festival include: UGG®, Belvedere Vodka, Dom Pérignon, Anti–Defamation League, Montecito Bank & Trust, Visit The Santa Ynez Valley, IMDB, Santa Barbara Foundation, Union Bank, Winchester Mystery House, Wells Fargo, Westerly Wines, The Bentson Foundation and many more supporting through trade.

SBIFF continues its commitment to education and the community through free programs like its 10–10–10 Student Filmmaking and Screenwriting Competitions, Mike’s Field Trip to the Movies, National Film Studies Program, AppleBox Family Films, 3rd Weekend and educational seminars. This past June, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. The theatre is SBIFF’s new home and is the catalyst for program expansion and marks the first time that Santa Barbara has had a 24/7 community center to expand their mission of educational outreach.

(Source: sbiff.org)

 

 

WATCH THE AFI AWARDS 2016 VIDEO ALMANAC

Posted by Larry Gleeson

AFI asked Amy Adams, Mel Gibson, Donald Glover, Chris Pine, Martin Scorsese, Denzel Washington and many other artists what they’d like to be remembered for about their movies and TV shows, and why movies and television matter now. This AFI AWARDS 2016 video almanac serves as that part of film history. To see photos click here.

 

screen-shot-2017-01-13-at-5-13-22-pm

 

 

 

 

 

 

 

 

The interviews were filmed at the AFI AWARDS luncheon, where each year the entertainment community celebrates the creative ensembles behind the year’s most outstanding films and television shows.

 

 

In order of appearance:

Martin Scorsese (SILENCE)
Jay Cocks (SILENCE)
Clint Eastwood (SULLY)
Denzel Washington (FENCES)
Amy Adams (ARRIVAL)
Mandy Moore (THIS IS US)
Donald Glover (ATLANTA)
John Lithgow (THE CROWN)
Kenneth Lonergan (MANCHESTER BY THE SEA)
Shawn Levy (ARRIVAL, STRANGER THINGS)
Eric Heisserer (ARRIVAL)
Damien Chazelle (LA LA LAND)
Matt and Ross Duffer (STRANGER THINGS)
Jeff Bridges and Gil Birmingham (HELL OR HIGH WATER)
Dan Cohen (ARRIVAL, STRANGER THINGS)
Saniyya Sidney (FENCES)
Taylor Sheridan (HELL OR HIGH WATER)
Cuba Gooding Jr. (THE PEOPLE V. O.J. SIMPSON: AMERICAN CRIME STORY)
Mahershala Ali (MOONLIGHT)
Andrew Garfield (HACKSAW RIDGE, SILENCE)
Susan Kelechi Watson (THIS IS US)
Mel Gibson (HACKSAW RIDGE)
Vince Gilligan (BETTER CALL SAUL)
Chris Pine (HELL OR HIGH WATER)
Milo Ventimiglia (THIS IS US)
Brian Tyree Henry (ATLANTA)

(Source: afi.com)

Palm Springs International Film Festival – January 13

Posted by Larry Gleeson

OH CANADA!

Telefilm Canada hosted a party at Lulu California Bistro to celebrate the great talent of Canadian filmmakers and their work. Looks like a pretty great party, eh?

telfilm_psiff

 

 

HERE ARE SOME MORE GREAT FILM CHOICES FOR SATURDAY, JANUARY 14

 

MY LIFE AS A ZUCCHINI

Switzerland/France – 2016 – 66 minutes
Director: Claude Barras
AWARDS BUZZ-BEST FOREIGN LANGUAGE FILM
zucchini_psiff
Delightful, brightly-colored stop-motion animation makes this sensitive coming-of-age story about an orphan nicknamed Zucchini all but irresistible. Submitted for the Academy Award® in the Animated Feature category and again as Switzerland’s FLO entry, it will charm children and adults alike. Winner: Best Feature and Audience Award, Annecy
Sat, Jan 1410:00 AM – PSHS
Purchase tickets HERE.

MOUNTAIN CRY

China – 2015 – 107 minutes
Director: Larry Yang
WORLD CINEMA NOW
North American Premiere
mountain_cry_psiff
Set against China’s rugged Taihang Mountains and superbly photographed by Patrick Murgia, Larry Yang’s forceful melodrama tells of the love between a mute widow and the man responsible for the death of her husband. A gorgeous film with the feel of a timeless allegory. Winner: Best Director, Screenplay, Shanghai.
Sat, Jan 1411:30 AM – Regal
Director, Larry Yang to attend.
Purchase tickets HERE.
 

LAYLA M.

Netherlands/Belgium/Germany/Jordan – 2016
– 98 minutes
Director: Mijke de Jong
WORLD CINEMA NOW
layla

This powerful, nuanced and resonant drama follows a teenage girl living in Amsterdam, who becomes disillusioned by daily encounters with racism, and turns to Islam. Her relationship with a Jihadist completes her radicalization, but her journey is far from over… Winner: Outstanding Performance, Philadelphia.

Sat, Jan 1412:30 PM – PSHS

Purchase tickets HERE.

FESTIVAL MERCHANDISE

merchandise_psiff

A stand-alone Film Festival Store  for the Palm Springs International Film Festival is featuring a complete collection of Film Festival Merchandise at Destination PSP. The Festival Store is now open and will be open every day through January 16.
The Festival Store is located in the Regal Cinema Courtyard Plaza, unit 16,
just down from the Regal Cinemas and across the courtyard from the
Festival Ticket and Information Center.

You can also shop online at Destination PSP by clicking HERE.

IN BETWEEN

Israel/France – 2016 – 96 minutes
Director: Maysaloun Hamoud
NEW VOICES/NEW VISIONS
US Premiere

in_between_psiff

A spiky, compelling dramedy about strong, modern, sexually active Palestinian-Israeli women, living independently in the center of Tel Aviv, far from their families and the weight of tradition. Winner, Best Debut, Haifa; NETPAC Award, Toronto.

Sat, Jan 141:00 PM – Mary Pickford
Sun, Jan 155:30 PM – Regal

Director, Maysaloun Hamoud to attend.

Purchase tickets HERE

EAGLES OF DEATH METAL: NOS AMIS (OUR FRIENDS)

U.S./France – 2017 – 87 minutes
Director: Colin Hanks
TRUE STORIES
World Premiere

eagles_psiff

Sat, Jan 147:00 PM – Annenberg
Sun, Jan 151:00 PM – Mary Pickford

Director, Colin Hanks and Producer, Sean Stuart to attend.

Purchase tickets HERE.

YOU CAN READ THE PSIFF PROGRAM BOOK ONLINE!
did_you_know_psiff
You can read the official 2017 Palm Springs International Film Festival
Souvenir Program Book online.
Just click HERE.

THE UNKNOWN GIRL

Belgium/France – 2016 – 113 minutes
Directors: Jean-Pierre Dardenne, Luc Dardenne
MODERN MASTERS
unknown_girl_psiff
A casual brush-off has profound and terrible consequences in the latest morality tale from the Dardenne brothers (Two Days, One Night; The Kid with a Bike). A young doctor turns detective to investigate the circumstances around a suspicious death in which she feels implicated.

Sat, Jan 148:30 PM – Camelot

Purchase tickets HERE.

(Source: psiff.org)

Making An Effective Brand Film

Posted by Larry Gleeson
By Chris Daniels

Chris Daniels talks to the people behind brand films such as BMW’s The Escape and Samsung’s Fighting Chance and identifies the secret sauce that engaged viewers and persuaded them to watch.

BMW’s 5 Series Sedan looks gleaming and gorgeous in the automaker’s new brand film, The Escape, but by the end of the action-packed 11 minutes the vehicle has been dented, cracked and shot at. As the film’s co-creative director Bruce Bildsten tells PRWeek, “We went out of our way to avoid any shots that looked like a car commercial. We made sure the car got pretty banged up and dirty.”

“In fact, to prepare for the final shot we had a stuntman jump off a ladder onto the hood because it wasn’t dented enough,” Bildsten recalls. “And the client was there saying, ‘Go for it!’”

The Escape arrives 15 years after The Hire, the first BMW film that raced to more than 100 million views back before high-speed Internet was widespread. The success was fueled by a great story, word of mouth, and earned media impressions. Many experts consider the action film (starring movie actor Clive Owen, who reprised his role for the latest iteration) a seminal moment for brand film as a viral content play.

screen-shot-2017-01-12-at-10-41-44-pm

Although it has taken time for more brands to experiment with the media, industry watchers note advertisers of all categories have gotten into the filmmaking business. Some, such as Nike and Chipotle Mexican Grill, have commissioned animated shorts; others, including Prada-owned fashion house Miu Miu and Häagen-Dazs, have done documentaries; and the likes of BMW and H&M have opted for cinematic fiction.

Its growing popularity is also reflected in the hundreds of entries to PRWeek and Campaign’s inaugural Brand Film Festival last year.

Experts attribute its rise to several factors, paramount among them being the democratization of content and the fact consumers are choosing what to watch and how to watch it.

Since its launch in late October last year, The Escape has been watched on YouTube more than 5.1 million times. Bildsten reunited with former Fallon colleagues David Carter and Brian DiLorenzo and created Geisel Productions to produce it. They worked on the first film for BMW USA while they were all at ad agency Fallon and hope to make more brand films under Geisel.

“The lesson we learned from BMW was that we could integrate the car into the story, but it could never be heavy handed,” he explains. “That’s the mistake often made with brand films. They’re selling; they turn the viewer off; and no one seeks it out.”

Experts agree a brand film is no longer a film if it’s selling (that’s just an extended ad), or telling a story strictly about the company (that’s an infomercial). They say it follows a different set of parameters and best practices that seem counter to almost everything else they do in marcomms.

Understand your brand first

Spectrecom Films & Spectrecom Studios in London, with corporate clients including American Express, Skittles, and Guinness, has increasingly been approached by newer brands looking to put themselves on the map, says Christiaan Harden, client services director.

However, he says companies can’t look to a film for helping define their brand; it has to instead evangelize and emote what your brand is about. “You can’t do that if you don’t have a good understanding of your own brand,” says Harden. “We’ve had to say to some clients, in particular for new brands, ‘Don’t even think of allocating a budget until you know who you are yourself.’”

A clear understanding of your brand also keeps you focused on the storytelling that would resonate and engage on an emotional level with your particular target, he adds.

“Sometimes a client already has an idea that may be imaginative and slightly different, but it is not communicated with the brand in mind – it’s just an idea for its own sake,” says Harden. “That’s why the branding stage and understanding your audience is so important.”

Also understand – audiences aren’t clamoring for your film.

“There are very few brands people genuinely care about. You could probably count them on the fingers of one hand,” says Matthew Gidley, SVP, MD, experiential and live events group, Momentum Worldwide and an award-winning writer who has worked on films for brands including Nokia and Meridien Hotels.

“You should assume nobody wants to see your brand film other than the client, a handful of your colleagues, and perhaps some close members of your family,” says Gidley. “It’s the number one golden rule and as an industry it’s the first rule we choose to ignore: Never be boring, and don’t kid yourself you’re being interesting.”

Choose your collaborators

Brands can work with production companies, ad agencies, and PR firms, which have boosted their production capabilities with hires of former executive producers in TV and film.

A field producer for Rachel Ray and The Martha Stewart Show before joining Weber Shandwick in 2011, Ian Cohen is now the firm’s global executive producer and president, content creation and innovation. He oversees over 100 employees globally, from directors and editors to photographers and animators.

Collaborating with a PR agency in helping to identify and craft a story for film offers distinct advantages, Cohen says.

“The advantage of coming at it from the PR angle is we ask ‘what type of film can we create that would get into the news cycle?’, because non-paid media is what we’re really after,” he says. “When we do a film and someone does an online search of the client, we want them to find coverage of the film – because it will be embedded in the coverage.”

“That unpaid media becomes the film’s rocket fuel. It signals this is something you can’t miss,” he adds.

As an example, he points to the 90-second mini-documentary Weber produced for Fisher-Price called “Wishes for baby,” which features new moms in hospitals around the world sharing their wishes for their babies. The footage – shot in the early hours of New Year’s Day 2016 – has been viewed on YouTube more than 1.8 million times and was picked up by the likes of USA Today.

Regardless of your collaborators, remember films are written by writers, not copywriters, says Gidley.

“The most sacred object in this whole enterprise is the script, and you’d better make sure whoever wrote it is a voracious reader of everything from history to politics to fiction to poetry to metaphysics – because they’re going to have to apply the rules of rhetoric to a subject that may not on the face of it be terrifically exciting (a brand),” he points out. “I once won an award for a brand film about a hotel chain, and the spark of inspiration came to me whilst reading a passage in a Jane Austen novel that reminded me of something I had once seen in a PBS documentary about the history of the Spanish guitar.”

“That’s what writers do. They find connections and turn them into ideas that move people,” Gidley notes.

He also notes that many of his most-awarded films were written while he was a planner at a large events agency. As a result, he advises clients make an effort to know who’s who in their agency roster and actively identify the people they want thinking and writing about their brand. “I have a chip on my shoulder, but I’ll say it anyway – the best people probably aren’t inside the ad agency,” notes Gidley.

Think about distribution upfront

Before joining Ketchum Sports & Entertainment in October, Michelle Carney was at Tribeca Enterprises where she produced films for clients, including a series of small business documentaries for American Express, an Olympics feature for United Airlines, and numerous projects for Dick’s Sporting Goods. Now she leads Ketchum’s branded film, video, and VR/AR offering Ketchum Films.

“A film can live forever and have multiple phases within its distribution window,” Carney points out. “It is imperative to think about distribution as you’re conceiving the idea for the film, whether it’s a documentary, narrative, or short. You want to make sure distribution aligns with those important times in a brand calendar.”

She also says while most brands look to an earned media strategy for their film using owned channels, they should also consider seeking a distribution deal with the likes of Amazon or Netflix. She says having a top-shelf director on a brand film gives it instant credibility.

Carney cites the short documentary Fighting Chance that Ketchum produced for Samsung leading up to the Rio 2016 Olympics, directed by Oscar-winner Morgan Neville (20 Feet from Stardom).

screen-shot-2017-01-12-at-10-47-02-pm

Samsung’s film highlights the reality that of the one million athletes who train for the Olympics, only 1% qualify.

“If you have a great film, a platform is going to want to distribute it. They’re probably not going to pay a premium for it, but you never know when you have people like Morgan and Ron Howard making brand content,” says Carney. “That changes the game. Also, remember the distribution landscape changes every day and is constantly evolving.”

Cohen agrees as much attention should be paid to distribution as creative. “Often a piece of content is made and then handed off to distribution, but that’s the wrong approach,” he says. “The distribution team, whether for paid or earned media, needs to be engaged in the brand story upfront, because I’ve seen where they’ve said, ‘Hey, if we move this soundbite up or engage this particular cast of characters, we’ll get picked up by these different media trades.’”

“That is what you’re after: you’re not paying for 10,000 views and getting 10,000 views. You’re guaranteeing yourself 10,000 views [with paid distribution] and hoping for 100,000 more through earned media,” summarizes Cohen.

Go here to learn more about PRWeek and Campaign’s Brand Film Festival New York, or to submit your film for consideration for their second annual gala screening.

The deadline for submissions, which are open to work from the Americas and Asia-Pacific, is February 6.

(Source: prweek.com)

DGA Announces Nominees for Outstanding Directorial Achievement in Feature Film for 2016

Posted by Larry Gleeson

January 12, 2017

Los Angeles – Directors Guild of America President Paris Barclay today announced the five nominees for the DGA Award for Outstanding Directorial Achievement in Feature Film for 2016.

Nominees for First-Time Feature Film Director Category Also Announced

 

paris-barclay
Directors Guild of America President Paris Barclay (Photo via MadameNoir)

“These phenomenal filmmakers have captured our hearts and minds, breathing life into stories rarely told and revealing worlds rarely seen,” said Barclay. “What makes this recognition truly special is the knowledge that these five directors have made a lasting impression on their peers – directors and members of the director’s team who intimately understand the blood, sweat and tears necessary to create a feature film.”

 

The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Feature Film for 2016 are (in alphabetical order):

Damien Chazelle La La Land (Lionsgate)

screen-shot-2017-01-12-at-12-49-16-pm

Mr. Chazelle’s Directorial Team:

  • Unit Production Manager: Michael Beugg
  • First Assistant Director: Peter Kohn
  • Second Assistant Director: Paula Case
  • Assistant Unit Production Manager: Bart Lipton
  • Second Second Assistant Director: Brett Robinson
  • Additional Second Assistant Director: Dodi Rubenstein

*This is Mr. Chazelle’s first DGA Award nomination.

 

Garth Davis Lion (The Weinstein Company)

screen-shot-2017-01-12-at-12-50-22-pm

Mr. Davis’s Directorial Team:

  • First Assistant Director: Chris Webb
  • First Assistant Director: Ananya Rane (India Unit)
  • Second Assistant Directors: Mark Ingram (Australia Unit), Sunny Tiku (India Unit), KP Singh (India Unit), Shaunak Kapur (India Unit)

*This is one of two DGA Award nominations this year for Mr. Davis. He is also nominated in the First-Time Feature Film category for Lion. He was previously nominated for the DGA Award for Outstanding Directorial Achievement in Commercials in 2009 for “Shadow Puppets,” U.S. Cellular.

 

Barry Jenkins Moonlight (A24)

screen-shot-2017-01-12-at-12-51-59-pm

Mr. Jenkins’s Directorial Team:

  • Unit Production Manager: Jennifer Radzikowski

*This is Mr. Jenkins’s first DGA Feature Film Award nomination.

 

Kenneth Lonergan Manchester by the Sea (Amazon Studios and Roadside Attractions)

screen-shot-2017-01-12-at-12-53-22-pm

Mr. Lonergan’s Directorial Team:

  • Unit Production Manager: Declan Baldwin
  • First Assistant Director: Michael J. Moore
  • Second Assistant Director: David Blazina
  • Second Second Assistant Directors: Tim LaDue, Scooter Perrotta

*This is Mr. Lonergan’s first DGA Award nomination.

Denis Villeneuve Arrival (Paramount Pictures)

screen-shot-2017-01-12-at-12-55-40-pm

Mr. Villeneuve’s Directorial Team:

  • Unit Production Manager: Stan Wlodkowski
  • First Assistant Director: Donald L. Sparks
  • Second Assistant Director: Brigitte Goulet
  • Second Second Assistant Director: Karine P. Labelle

*This is Mr. Villeneuve’s first DGA Award nomination.

First-Time Feature Director Award

In addition, Mr. Barclay announced the five nominees for a new category, which debuted last year, recognizing the achievement of first-time feature film directors. First announced by Steven Spielberg at the 2015 DGA Awards, the Outstanding Directorial Achievement of a First-Time Feature Film Director was created to showcase up-and-coming feature film talent.

paris-barclay“They say that ‘the only thing that stays the same is change,’ and that’s especially true when it comes to the art of filmmaking when driven by fresh viewpoints and new methods,” said Barclay. “The future of film is dependent on newly blazed trails and creative leaps of faith which is what we’re honoring with our first-time feature film director award. Congratulations to these five emerging filmmakers who have created projects that are as bold as they are innovative.”

The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement of a First-Time Feature Film Director for 2016 are (in alphabetical order):

Garth Davis Lion (The Weinstein Company)

Kelly Fremon Craig The Edge of Seventeen (STX Entertainment)

Tim Miller Deadpool (Twentieth Century Fox)

Nate Parker Birth of a Nation (Fox Searchlight Pictures)

Dan Trachtenberg 10 Cloverfield Lane (Paramount Pictures)

*Eligible directors for this award must have released his or her first feature-length film theatrically in Los Angeles or New York in 2016. Foreign films are eligible and the director does not need to be a DGA member.

The nominees in categories honoring outstanding directorial achievement in television, commercials and documentary for 2016 were announced on January 11, 2017. Click here to see that post.

The winners in all categories will be announced at the 69th Annual DGA Awards on Saturday, February 4, 2017 at the Beverly Hilton Hotel.

BMW is the Exclusive Automotive Sponsor of the 69th Annual DGA Awards.

(Source: dga.org)