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FILM REVIEW: Mifune: The Last Samurai (Okazaki, 2015): Japan

Reviewed by Larry Gleeson

Viewed during AFIFEST 2016 presented by Audi, Mifune: The Last Samurai, directed by Steven Okazaki, is a feature-length documentary about the life and films of legendary Japanese actor Toshiro Mifune. Okazaki utilizes archival clips, photographic stills and interviews with those who worked with Mifune. The film is narrated by Keanu Reeves.

Interestingly, the film is more of a creative interpretation of specific formative elements, both personal and cultural, that led to Mifune’s distinct personality. Okazaki presents Mifune is a non-linear fashion. He opens the film with the infamous rape scene from Rashomon. From there he discusses Mifune’s approach to some of his Rashomon scenes. Apparently, to embody the untamed animal instinct of his character, Mifune studied the movements and behavior of a lion. To add substance to such a claim, Okazaki shows, much to the audience’s delight, Mifune closing in on his samurai opponent in a lion-like fashion.

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Iconic Japanese Director Akira Kurasaw, left, and legendary Japanese Actor Toshiro Mifune, during a set break.

The 1950’s and 60’s were a Golden Age for Japanese Film. Iconic Japanese Director Akira Kurasawa had won the Golden Lion at Venice with Rashomon in 1951 putting Japanese films on the world scene. Kurasawa and Mifune would go on to collaborate on 16 films over an eighteen year period including renowned, classic films such of Rashomon (1950), Seven Samurai (1954), Throne of Blood (1957) and Yojimbo (1961). 

Telling interviews from Kyoko Kagawa, Takeshi Kato, Haruo Nakajima, Yosuke Natsoki and Sadao Nakajima reveal Mifune’s ardent preparation for roles, painstakingly researching and laborious rehearsal processes. Kurasawa rarely, if ever, gave Mifune specific direction on creating characters. Other interviews came from American directors Martin Scorcese and Steven Spielberg revealing the admiration and respect Mifune garnered not only in Japan but in Hollywood as well.

With the advent of war in 1931 and Japan invading Manchuria every able-bodied Japanese male was conscripted into service including Mifune. Mifune and his parents were Japanese Nationalists living in China at the time. Mifune’s early experiences in the war consisted of a lot of beatings as his superior officers found his tone of voice off-putting and insubordination charges followed. By war’s end males as young as eleven years old were brought into the army and referred to as Little Citizens and Children of the Emperor. Mifune’s role became training the young men as Kamakazi’s. Both of Mifune’s parents were casualties of the war.

After the war, time were tough for the Japanese. Men sold their suits and women sold their socks just to have enough to eat. Mifune made himself a pair of trousers and a matching coat from his army blanket. Such a look, coupled with his strong voice, gave Mifune a big presence. He applied for a camera assistant position with a film studio and got the position. However, in 1947, Mifune made his entrance as an actor in Kurasawa’s Snow Trail. Kurasawa was impressed with Mifune’s work and began writing bigger and better roles for Mifune. Mifune would not go back to being a camera assistant.

Kurasawa was a well-known director in Japan before the war and continued filmmaking during the war years with propaganda films. The US banned swordplay films after the war for seven years. When the ban was lifted Kurasawa was ready with one of the great films in cinematic history, Seven Samurai, with Mifune playing a often humorous, wanna-be Samurai. Mifune’s father had been a photographer and young Toshiro often posed as a Samurai for photos.

Mifune became an inspiration for young actors who found his minimalist approach accessible. Often referred to as the John Wayne of Japan, Toshiro Mifune is The Last Samurai. Warmly recommended…a cinephile’s dream!

SBIFF Showcase – The Handmaiden

From Chan-wook Park, the celebrated director of OLDBOY, LADY VENGEANCE and STOKER, comes a ravishing new crime drama. PARK presents a gripping and sensual tale of two women – a young Japanese Lady living on a secluded estate, and a Korean woman who is hired to serve as her new handmaiden, but is secretly plotting with a conman to defraud her of a large inheritance. Inspired by the novel Fingersmith by British author Sarah Waters, THE HANDMAIDEN borrows the most dynamic elements of its source material and combines it with PARK Chan-wook’s singular vision to create an unforgettable viewing experience.

“One of the year’s sliest, sexiest thrillers. The first section is only part of the story. The rest is so suspenseful, sexy and surprising that it would be a shame to say any more.” – Entertainment Weekly

“A feast for all the senses.” – Rolling Stone

“A hugely entertaining thriller. Simmering with genuine sexual tension.” – The Guardian

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Screening:
Sunday, November 27 @ 2:00pm
Monday, November 28 @ 7:30pm
Tuesday, November 29 @ 5:00pm
Wednesday, November 30 @ 7:30pm
Sunday, December 4 @ 2:00pm
Monday, December 5 @ 7:30pm
Tuesday, December 6 @ 5:00pm
Wednesday, December 7 @ 7:30pm
at the Riviera Theatre – 2044 Alameda Padre Serra

THE HANDMAIDEN
Directed by Chan-wook Park
Written by Seo-Kyung Chung, Chan-wook Park
Inspired by the novel “Fingersmith” by Sarah Waters
Starring Min-hee Kim, Kim Tae-ri, Jung-woo Ha,
Jin-woong Cho, Hae-suk Kim, So-ri Moon
Country of Origin: South Korea
Running Time: 144 min
Subtitled

To purchase tickets click here.

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(Source:sbiff.org)

FILM REVIEW: Divines (Benyamina, 2016): France

Viewed by Larry Gleeson as part of AFIFEST 2016 presented by Audi.

screen-shot-2016-11-18-at-11-01-54-amDivines is the first feature length film by self-taught director Houda Benyamina. Benyamina, Actress Oulaya Amamra, and Divines were AFIFEST 2016 winners of the New Auteurs Audience Award, the Breakthrough Audience Award and a Special Jury Mention for Acting.

The film opens in surreal fashion with an out of focus frame containing a smoke and fog-like effect reminiscent of a meditation and indicative of the filmmaker’s use of dream logic.

Quickly, homage is made to Martin Scorcese’s Taxi Driver, with lead character, Dounia, played exquisitely by Oulaya Amamra, standing in front of a mirror pretending to fire a pistol while asking, “You looking at me?” Later in the film another homage to Scorcese is made from his early work,  Mean Streets, with Dounia on her knees  in the middle of the street pleading with God.

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And, without too much adieu, Benyamina quickly takes us into the inner world of her lead character, Dounia. In a sacred space Dounia sneaks voyeuristically in a low-key lit, high-angle omniscient shot looking down on a theater stage during an audition. She likes what she sees in the form of Djigui, a dancer with moves and passion, played by Kevin Mishel.

A transition is made to a rambunctious classroom. Soon, Dounia is arguing with hyper intensity as Dounia questions her teacher’s values and choice of vocation. The moment culminates with Dounia quitting school vowing to “show them.” Her vocation is to make money.

Another transition is made to a slow motion sequence in a darkly lit dance club playing diagetic music from a singing disc jockey. Here we see Dounia’s troubled mother inebriated and looking for love in all the wrong places – a common scenario throughout Divines for Dounia’s mother.

screen-shot-2016-11-18-at-11-08-25-amBefore long, Dounia witnesses a drug stash in the back of the theater. Dounia seizes the moment and takes the stash to a local dealer with her best friend, Maimouna, an Iman’s daughter, played by Deborah Lukumuena. The circle is complete as the drug dealer, Rebecca, played handsomely by Jisca Kalvanda, rounds out a strong cast of mostly female characters.

Throughout Divines, Dounia is searching for dignity. She lives in a Roma (gypsy) camp on the outskits of Paris and is frequently called Bastard. She discovers drug dealing as a way to gain respect and power. Before long, however, Dounia finds out the price she must pay for her vocation might be too high.

In Divines, Benyamina illuminates an emerging Parisian subculture made up of colorful, fringe characters steeped in Islam highlighting their highly creative, unique, and authentic stories. In furthering her artistic vision to democratize cinema, Benyamina formed a mutual assistance cinematic trade association, 1000 Visages (Faces).

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Possibly quite coincidentally, American mythologist, Joseph Campbell’s tome, “The Hero with a Thousand Faces,” a seminal work on archetypal heroes and myths shared by world religions and traditions, contains the association’s name in the book’s title. However, I believe Benyamina has dissected the work drawing extensively from its teachings as we witness the transformation of Dounia.

For a first feature, Benyamina’s Divines is polished. Costuming is realistic. The camera work and editing augment the film’s reality well. The musical score sets the mood and aids in pacing. And the acting is quite good. Highly recommended.

Casey Affleck to Receive the Desert Palm Achievement Award

Palm Springs, CA (November 11, 2016) – The 28th annual Palm Springs International Film Festival (PSIFF) will present Casey Affleck with the Desert Palm Achievement Award, Actor at its annual Film Awards Gala for his performance in Manchester By the Sea. Each year the festival selects an actor and actress to receive this award. The Film Awards Gala, hosted by Mary Hart, will be held Monday, January 2 at the Palm Springs Convention Center. The Festival runs January 2-16.

“Casey Affleck delivers his finest performance in Manchester By the Sea, playing a Boston screen-shot-2016-11-24-at-4-21-37-pmjanitor living a lonely and isolated existence,” said Festival Chairman Harold Matzner. “He has earned rave reviews from critics and is sure to garner awards attention. It is our honor to present the Desert Palm Achievement Award, Actor, to Casey Affleck.”

Past actor recipients of the Desert Palm Achievement Award include Jeff Bridges, Bradley Cooper, Johnny Depp, Daniel Day-Lewis, Colin Firth, Matthew McConaughey, Sean Penn, Brad Pitt and Eddie Redmayne. In the years they were honored, Bridges, Day-Lewis, McConaughey, Penn and Redmayne went on to win the Academy Award® for Best Actor, while Cooper, Firth and Pitt received Oscar® nominations.

Affleck stars in Manchester by the Sea, the latest film from award-winning writer and director Kenneth Lonergan, about the life of a solitary Boston janitor who is haunted by his past when he returns to his hometown to take care of his teenage nephew. The story of the Chandlers, a working-class family living in a Massachusetts fishing village for generations, Manchester by the Sea is a deeply poignant, exploration of the power of familial love, community, sacrifice and hope.  The film also stars Michelle Williams, Kyle Chandler, Lucas Hedges, Gretchen Mol and C.J. Wilson.

Casey Affleck was nominated for an Academy Award®, a Golden Globe Award® and a Screen Actors Guild Award for his performance in the character drama The Assassination of Jesse James by the Coward Robert Ford. His film credits include Gone Baby Gone, Gerry, Good Will Hunting, To Die For, Interstellar, Out of the Furnace, Ain’t Them Bodies Saints, Steven Soderbergh’s Oceans trilogy, Triple 9, and The Finest Hours.

About The Palm Springs International Film Festival
The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees last year for its lineup of new and celebrated international features and documentaries. The Festival is also known for its annual Film Awards Gala, an upscale black-tie event attended by 2,500, honoring the best achievements of the filmic year by a celebrated list of talents who, in recent years, have included Ben Affleck, Javier Bardem, Cate Blanchett, Sandra Bullock, Bradley Cooper, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Tom Hanks, Matthew McConaughey, Julianne Moore, Brad Pitt, Eddie Redmayne, Julia Roberts, David O. Russell, Meryl Streep, and Reese Witherspoon.

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For more information, call 760-322-2930 or 800-898-7256 or visit www.psfilmfest.org.

MEDIA CONTACTS:
Steven Wilson / Lauren Peteroy
B|W|R Public Relations
212-901-3920
steven.wilson@bwr-pr.com / lauren.peteroy@bwr-pr.com

David Lee
Palm Springs International Film Society
760-322-2930
david@psfilmfest.org

(Source:www.psfilmfest.org)

Nowhere to Hide wins IDFA Award for Best Feature-Length Documentary

Nowhere to Hide by Zaradasht Ahmed won the IDFA Award for Best Feature-Length Documentary and Still Tomorrow by Jian Fan won the IDFA Special Jury Award for Feature-Length Documentary.


The award for best Dutch documentary went to Reber Dosky for Radio Kobanî. Guido Hendrikx’s Stranger in Paradise, which opened the festival, received the IDFA Special Jury Award for Dutch Documentary.


At the beginning of the evening, Heddy Honigmann presented the Prins Bernhard Cultuurfonds Documentary Award (€ 50,000) to filmmaker Ester Gould.
A total of 16 awards were presented, following last night’s presentation of the IDFA Alliance of Women Film Journalists’ EDA Award for Best Female-Directed Documentary to Maite Alberdi for The Grown-Ups.
The festival continues through Sunday, when the winner of the VPRO IDFA Audience Award will be announced.

Zaradasht Ahmed won the IDFA Award for Best Feature-Length Documentary (€ 12,500) for Nowhere to Hide (Norway/Sweden). The film is an eyewitness report by an Iraqi nurse forced to flee when his home falls into the hands of IS.
From the jury report: There are those films which are wonderful to see and there are films that the world needs to see. The film we choose is both of these things. The experience was immersive and left us deeply touched. The director respected the unique perspective that only the subject could have and in doing so he gave us an unprecedented window into the real life lasting consequences of war.

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In addition, the jury presented the IDFA Special Jury Award for Feature-Length Documentary (€ 2,500) to Still Tomorrow (China) by Jian Fan. The documentary is a portrait of Chinese poet Xiuhua Yu, who blossoms from a disabled farmer caught in a loveless marriage into an internet sensation and Chinese media darling.

The jury of the IDFA Competition for Feature-Length Documentary consisted of chair Tom Paul (USA), Yuri Ancarini (Italy), Jordana Berg (Brazil), Ingrid van Tol (the Netherlands) and Debra Zimmerman (USA).
Jury report VPRO IDFA Award for Best Feature-Length Documentary

  • The IDFA DocLab Award for Digital Storytelling (€ 5,000) went to DeathTolls Experience (Iran) by Ali Eslami.
    Mia Donovan received the Scenic IDFA DocLab Immersive Non-Fiction Award (€ 2,500) for Deprogrammed (Canada).

    The jury of the IDFA DocLab Competition for Digital Storytelling consisted of Brett Gaylor (Canada), Anna Higgs (UK) and Jan Rothuizen (the Netherlands).
    Jury report IDFA DocLab Award for Digital Storytelling

  • The IDFA Award for First Appearance (€ 7,500) was presented to Sine Skibsholt for Who We Were (Denmark).
    The Special Jury Award for First Appearance (€ 2,500), dedicated to the memory of Peter Wintonick, was presented to Plastic China (China) by Jiu-liang Wang. Plastic China was made with financial support from the IDFA Bertha Fund.

    The jury of the IDFA Competition for First Appearance was made up of Marjoleine Boonstra (the Netherlands), Uldis Cekulis (Latvia), Kahane Cooperman (USA), Samir Mehanovic (Scotland) and Bob Moore (Canada).
    Jury report IDFA Award for First Appearance

  • Tali Shemesh and Asaf Sudry won the IDFA Award for Best Mid-Length Documentary (€ 10,000) for Death in the Terminal (Israel).
    Ksenia Okhapkina won de IDFA Special Jury Award for Mid-Length Documentary (€ 2,500) for Come Back Free (Estonia).

    The jury of the IDFA Competition for Mid-Length Documentary consisted of Ryan Harrington (USA), Noe Mendelle (Scotland), Jake Perlin (USA), Andrea Prenghyová (Czech Republic) and Digna Sinke (the Netherlands).
    Jury report IDFA Award for Best Mid-Length Documentary

  • The Beeld en Geluid IDFA Award for Dutch Documentary (€ 7,500) went to Radio Kobanî by Reber Dosky.
    Guido Hendrikx received the IDFA Special Jury Award for Dutch Documentary (€ 2,500) for Stranger in Paradise.

    The jury of the IDFA Competition for Dutch Documentary was made up of Tine Fischer (Denmark), Maureen Gosling (USA), Ester Gould (the Netherlands), Nilotpal Majumdar (India) and Qi Zhao (China).
    Jury report Beeld en Geluid IDFA Award for Dutch Documentary

  • The ARRI IDFA Award for Best Student Documentary (€ 5,000) was awarded to When Will This Wind Stop (Poland) by Aniela Astrid Gabryel.
    Close Ties (Poland) by Zofia Kowalewska won the IDFA Special Jury Award for Student Documentary (€ 2,500). Alongside the cash prize, both winners were given an Amira camera, made available by ARRI for the makers’ next productions.

    The jury of the IDFA Competition for Student Documentary was made up of Judy Kibinge (Kenya), Salome Machaidze (Georgia) and Daan Veldhuizen (the Netherlands).
    Jury report IDFA Award for Student Competition

  • The IDFA Award for Best Children’s Documentary (€ 2,500) was awarded to Rocknrollers (the Netherlands) by Daan Bol.
    Saskia Gubbels won the IDFA Special Jury Award for Children’s Documentary (€ 1,000) for Naomi’s Secret (the Netherlands).

    The jury of the IDFA Kids & Docs Competition consisted of Monica Hellström (Denmark), Ollie Huddleston (UK) and Niki Padidar (Nederland).
    Jury report IDFA Award for Best Children’s Documentary

  • Other awards
    At the beginning of the evening, Heddy Honigmann presented the Prins Bernhard Cultuurfonds Documentary Award to filmmaker Ester Gould (A Strange Love Affair with Ego, Strike a Pose). This bursary is made available by an anonymous donor and was set up by the Cultuurfonds. It consists of an amount of € 50,000 for the production of a new documentary.

    On Tuesday evening, the IDFA Alliance of Women Film Journalists’ EDA Award for Best Female-Directed Documentary(€ 2,500) was presented to The Grown-Ups (Chile/the Netherlands/France) by Maite Alberdi.
    The Grown-Ups was made with financial support from the IDFA Bertha Fund.

The festival runs until Sunday, 27 November, when the winner of the VPRO IDFA Audience Award (€ 5,000) will be announced.

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(Source: http://www.idfa.nl)

Ruth Negga to Receive the Rising Star Award at Palm Springs

Palm Springs, CA (November 16, 2016) – The 28th annual Palm Springs International Film Festival (PSIFF) will present Ruth Negga with the Rising Star Award at its annual Ruth NeggaFilm Awards Gala for her performance in Loving. The Film Awards Gala, hosted by Mary Hart, will be held Monday, January 2 at the Palm Springs Convention Center. The Festival runs January 2-16.

“Ruth Negga’s performance as Mildred Loving is one of the year’s most luminous and striking portrayals,” said Festival Chairman Harold Matzner. “This timeless love story about an interracial couple reminds us of the unstoppable power of love in the face of hate and prejudice – a story that could not be more resonant and powerful today. This will certainly be just one of many breathtaking performances in a long career. The Palm Springs International Film Festival is honored to present Ruth Negga with this year’s Rising Star Award.”

Past recipients of the Rising Star Award include Alicia Vikander, Jennifer Lawrence, Scarlett Johansson, Anna Kendrick, Dakota Fanning, and Terrence Howard.

New in theaters this month from Focus Features, Loving is written and directed by Jeff Nichols, and stars Joel Edgerton and Ruth Negga as Richard and Mildred Loving. Loving celebrates the real-life courage and commitment of the interracial couple who fell in love and were married in 1958. The couple had grown up in Central Point, a small town in Virginia that was more integrated than surrounding areas in the American South. Yet it was the state of Virginia, where they were making their home and starting a family, that first jailed and then banished them. Their civil rights case, Loving v. Virginia, went all the way to the Supreme Court, which in 1967 reaffirmed the very foundation of the right to marry. Richard and Mildred returned home and their love story has become an inspiration to couples ever since.

Ruth Negga’s body of work spans award-winning theatre productions, big-screen dramas, independent films, and innovative television series. Her film work includes World War Z, The Samaritan, Breakfast on Pluto, Una Vida (a.k.a. Of Mind and Music), Noble; Jimi: All Is by My Side, Warcraft; and Iona. Negga won the Irish Film & Television Academy (IFTA) Award for Best Actress for her portrayal of legendary singer Shirley Bassey in the telefilm Shirley. Her other TV work includes Misfits, Love/Hate, the miniseries Coup (a.k.a. Secret State), Five Daughters, and Agents of S.H.I.E.L.D., She currently stars on AMC’s series Preacher.

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About The Palm Springs International Film Festival
The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees last year for its lineup of new and celebrated international features and documentaries. The Festival is also known for its annual Film Awards Gala, an upscale black-tie event attended by 2,500, honoring the best achievements of the filmic year by a celebrated list of talents who, in recent years, have included Ben Affleck, Javier Bardem, Cate Blanchett, Sandra Bullock, Bradley Cooper, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Tom Hanks, Matthew McConaughey, Julianne Moore, Brad Pitt, Eddie Redmayne, Julia Roberts, David O. Russell, Meryl Streep, and Reese Witherspoon.

For more information, call 760-322-2930 or 800-898-7256 or visit www.psfilmfest.org.

MEDIA CONTACTS:
Steven Wilson / Lauren Peteroy
B|W|R Public Relations
212-901-3920
steven.wilson@bwr-pr.com / lauren.peteroy@bwr-pr.com

David Lee
Palm Springs International Film Society
760-322-2930
david@psfilmfest.org

(Source: http://www.psfilmfest.org)

Note from Roger – Notes on Blindness

11162014-Roger-Durling_t479Dear Cinephiles,

Notes on Blindness is like no other film you’re likely to see this year.   It traces one man’s difficult journey and emerges with a reflection on the human condition that’s as uplifting and edifying as it is simply moving.

Below find the New York Times Review which named it Critic’s Pick. It plays throughout the week; tonight at 5:00pm, tomorrow at 7:30pm, and Thursday/Friday/Saturday at 11:00am at the Riviera Theatre.

See you at the movies!
Roger Durling

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‘Notes on Blindness’ Is John Hull’s Trip From Darkness to Light
By Stephen Holden – The New York Times

In 1983, John M. Hull, a professor of religion at the University of Birmingham in England, lost his eyesight and began the agonizing personal journey to hell and back that he describes in the magnificent documentary “Notes on Blindness.”

Adapted from Professor Hull’s memoir, “On Sight and Insight: A Journey Into the World of Blindness,” the film, using mostly his words, describes with extraordinary eloquence, precision and poetic sensitivity his physical and psychological metamorphosis as he felt the world retreat until it seemed mostly out of reach.

Not only his vision faded, but his visual memory to the extent that he felt his past disappearing as well as his future. At his lowest point, he was overwhelmed by a profound loneliness and isolation, a sense of being forever cut off and trapped in darkness.

The spine of the film — the first feature directed by Peter Middleton and James Spinney — is an audiocassette diary that Professor Hull kept for three years and published in 1990 as “Touching the Rock.” A decade earlier, while awaiting the birth of his first son, Professor Hull became alarmed by black discs interfering with his vision and underwent a series of unsuccessful operations to correct the condition. In 1983, he went completely blind and by September of that year, he began forgetting what his wife and children looked like, except their images in still photos. “I knew that if I didn’t understand blindness, it would destroy me,” he says.

One of his first responses was to amass a collection of recorded books related mostly to his academic career. But behind his determination lurked fearful dreams and fantasies. In the most vivid nightmare, restaged in the film, he is in a supermarket aisle as a torrential wave rounds a corner and rushes toward him. A low point came at Christmastime 1983 when he suffered panic attacks and decided he could never accept blindness. He describes a desperate sense of being enclosed and “entirely alone.”

But he was not alone. By his side until his death in 2015, at the age of 80, was his wife, Marilyn. The couple are portrayed by Dan Skinner and Simone Kirby, who lip-sync his words with such impeccable precision and delicacy you quickly forget they’re actors. The intensity of their bond is evoked in a scene of the pair slow dancing to the Mamas and the Papas’ recording of “Dedicated to the One I Love.”

Shortly after this nadir, Professor Hull was roused from his despair by the sound of rainfall, which gave a shape and texture to his environment, and he began using the tape recorder to document his interactions with his wife and children, as well as his inner thoughts.

Because he was born in Australia, he decided that reconnecting with his roots might provide solace. But the trip was a disaster when he discovered that his homeland had changed so much that the comforting sense of familiarity he expected was not to be had. He struggled to communicate with his aging parents, and to rediscover a landscape that he thought he remembered but didn’t.

Returning to England, he felt re-engaged with the world and determined to live not in nostalgia but in reality, and to accept his blindness. After a profound spiritual revelation and sense of renewal, his despair miraculously lifted and he was filled with joy and appreciation of the fullness of life.

“Notes on Blindness” avoids the sentimental pitfalls of a documentary this personal. Its overt religiosity is minimal. The tone of the narration is so wrenchingly honest that the film never lapses into self-pity or relies on mystical platitudes.

(Source: http://www.sbiff.org)

LA LA LAND to Receive the Vanguard Award at Palm Springs

Palm Springs, CA (November 21, 2016) – The 28th annual Palm Springs International Film Festival (PSIFF) will present the film La La Land with the Vanguard Award at its annual Film Awards Gala.  The award is presented to the film’s cast and director recognizing its outstanding creative ensemble. Cast members Ryan Gosling and Emma Stone and director/writer Damien Chazelle are expected to attend. The Film Awards Gala, hosted by Mart Hart, will be held Monday, January 2 at the Palm Springs Convention Center. The Festival runs January 2-16.

“Director and writer Damien Chazelle delivers a resonant cinematic masterpiece with La La Land,” said Festival Chairman Harold Matzner. “This visually stunning film pays tribute to classic Hollywood musicals with a contemporary love story driven by pitch-perfect performances by Ryan Gosling and Emma Stone.  It is our honor to present the Vanguard Award to La La Land.”

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La La Land Director/Writer Damien Chazelle  (Photo courtesy of ASCA Images/Biennale Cinema di Venezia)

Written and directed by Academy Award® nominee Damien Chazelle, La La Land, from Lionsgate’s Summit Entertainment label, tells the story of an aspiring actress, Mia (Emma Stone), and a dedicated jazz musician, Sebastian (Ryan Gosling), both struggling to make ends meet in a city known for crushing hopes and breaking hearts. Set in modern-day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams.

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About The Palm Springs International Film Festival
The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees last year for its lineup of new and celebrated international features and documentaries. The Festival is also known for its annual Film Awards Gala, an upscale black-tie event attended by 2,500, honoring the best achievements of the filmic year by a celebrated list of talents who, in recent years, have included Ben Affleck, Javier Bardem, Cate Blanchett, Sandra Bullock, Bradley Cooper, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Tom Hanks, Matthew McConaughey, Julianne Moore, Brad Pitt, Eddie Redmayne, Julia Roberts, David O. Russell, Meryl Streep, and Reese Witherspoon.

For more information, call 760-322-2930 or 800-898-7256 or visit www.psfilmfest.org.

MEDIA CONTACTS:
Steven Wilson / Lauren Peteroy
B|W|R Public Relations
212-901-3920
steven.wilson@bwr-pr.com / lauren.peteroy@bwr-pr.com

David Lee
Palm Springs International Film Society
760-322-2930
david@psfilmfest.org

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(www.psfilmfest.org)

 

Tom Hanks to Receive Palm Springs Film Festival Icon Award

The 28th annual Palm Springs International Film Festival (PSIFF) will present Tom Hanks with the Icon Award at its annual FilmAwards Gala for his performance in Sully. The Film Awards Gala will be held Monday, January 2 at the Palm Springs Convention Center and hosted by Mary Hart. The Festival runs January 2-16.

“Tom Hanks delivers yet another career-defining performance bringing to life the heroism of airline pilot Captain Chesley ‘Sully’ Sullenberger,” said Festival Chairman Harold Matzner.  “This is sure to be remembered in his long list of iconic character roles, including those in Forrest Gump, Captain Phillips, Castaway, Philadelphia, Saving Private Ryan, the Toy Story films and so many others.  The Palm Springs International Film Festival is honored to present this year’s Icon Award to Tom Hanks.”

Past recipients of the Icon Award include Michael Douglas, Robert Duvall and Meryl Streep. In 2014, Hanks received the Festival’s Chairman’s Award.

The film Sully is from Oscar-winning director Clint Eastwood, starring Oscar winner Tom Hanks as Captain Chesley “Sully” Sullenberger.  On January 15, 2009, the world witnessed the “Miracle on the Hudson” when Sullenberger glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard.  However, even as he was being heralded by the public and the media for his unprecedented feat of aviation skill, an investigation was unfolding that threatened to destroy his reputation and his career. The film also stars Aaron Eckhart and Laura Linney.

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Tom Hanks is an award-winning actor, producer and director.  He won back-to-back Best Actor Academy Awards® for his work in Jonathan Demme’s Philadelphia and the title role in Robert Zemeckis’ Forrest Gump.  He also won Golden Globe Awards for both films, as well as a Screen Actors Guild (SAG) Award® for the latter. His other feature credits include Bridge of Spies, A Hologram for the King, Captain Phillips, Saving Mr. Banks, Cloud Atlas, Extremely Loud & Incredibly Close, Larry Crowne, The Ladykillers, The Terminal, Catch Me If You Can, Saving Private Ryan, Road to Perdition, That Thing You Do, The Green Mile, You’ve Got Mail, Sleepless in Seattle, A League of Their Own, Apollo 13, The Da Vinci Code, Angels & Demons, Inferno, Splash and the animated Toy Story, Toy Story 2, Toy Story 3, Cars and The Polar Express.  His next film will be James Ponsoldt’s The Circle.

About The Palm Springs International Film Festival
The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees last year for its lineup of new and celebrated international features and documentaries. The Festival is also known for its annual Film Awards Gala, an upscale black-tie event attended by 2,500, honoring the best achievements of the filmic year by a celebrated list of talents who, in recent years, have included Ben Affleck, Javier Bardem, Cate Blanchett, Sandra Bullock, Bradley Cooper, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Tom Hanks, Matthew McConaughey, Julianne Moore, Brad Pitt, Eddie Redmayne, Julia Roberts, David O. Russell, Meryl Streep, and Reese Witherspoon.

For more information, call 760-322-2930 or 800-898-7256 or visit www.psfilmfest.org.

MEDIA CONTACTS:
Steven Wilson / Lauren Peteroy
B|W|R Public Relations
212-901-3920
steven.wilson@bwr-pr.com / lauren.peteroy@bwr-pr.com

David Lee
Palm Springs International Film Society
760-322-2930
david@psfilmfest.org

(Source: http://www.psfilmfest.org)

PSIFF Announces 2017 Dates

The Palm Springs International Film Festival (PSIFF) has announced the dates of the 28th edition. The Awards Gala will take place on Monday, January 2, 2017, followed by the screening portion of the festival, which will open on January 5 and run through January 16, 2017.

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The festival’s Awards Gala will be held on Monday, January 2 at the Palm Springs Convention Center. This past year’s star-studded event, hosted by Mary Hart, honored Cate Blanchett, Bryan Cranston, Matt Damon, Johnny Depp, Michael Fassbender, Brie Larson, Rooney Mara, Tom McCarthy, Saoirse Ronan, Alicia Vikander and the cast of The Big Short.

The festival will begin on Thursday, January 5 with an Opening Night screening followed by a reception at the Palm Springs Art Museum. Closing Night will take place on Sunday, January 15 with the Best of the Fest screenings on Monday, January 16.

The festival will begin accepting film submissions on July 1, 2016. Awards gala tickets and screening passes will go on sale August 1, 2016.

For additional information visit http://www.psfilmfest.org.

About The Palm Springs International Film Festival
The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees last year for its lineup of new and celebrated international features and documentaries.  The Festival is also known for its annual Black Tie Awards Gala, honoring the best achievements of the filmic year by a celebrated list of talents who, in recent years, have included Ben Affleck, Javier Bardem, Cate Blanchett, Sandra Bullock, Bradley Cooper, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Tom Hanks, Matthew McConaughey, Julianne Moore, Brad Pitt, Eddie Redmayne, Julia Roberts, David O. Russell, Meryl Streep, and Reese Witherspoon.

For more information, call 760-322-2930 or 800-898-7256 or visit http://www.psfilmfest.org .

MEDIA CONTACT:
Steve Wilson
B|W|R Public Relations
212-901-3954 / 310-248-6126
Steven.Wilson@bwr-pr.com

David Lee
PSIFF
760-322-2930
david@psfilmfest.org

(Source: http://www.psfilmfest.org)