Tag Archives: Logan

Berlinale FILM CAPSULE: Logan (Mangold, 2017): USA

Posted by Larry Gleeson.

Writer/Director James Mangold’s Logan is hot out of the box! Making its World Premiere last night, February 17th, at the 67th Berlin International Film Festival, Logan brings back Hugh Jackman as the Wolverine and has blockbuster written all over it!

Set in 2029, the film opens in low-key lighting as a band of Latino roughians are in the process of stripping tires from Logan’s (Wolverine) small limousine. Unfortunately for the desperadoes, the vehicle has chrome plated lug nuts and even more so, the Wolverine is coming to after having tied one on.

This scene sets the tone for the film as the Wolverine winds up taking a beating but still manages to fend off the aggressors. Logan looks haggard and worn. This scenario is carried out repeatedly in several action sequences Logan without it getting old.

Patrick Stewart returns as an ailing Professor X with his now mind control registered as a weapon of mass destruction. The albino, Caliban, played again by Stephen Merchant, reprises his mutant tracker role. Newbie Dafne Keen plays young mutant, Laura Kinney/X-23, to great affect. Laura appears as a fugitive pursued by dark forces led by Boyd Holbrook. She’s a showstopper with plenty of moxie!

Logan is the tenth installment in the X-men series of film and the third and final installment of the Wolverine franchise following the successes of The Wolverine (2013) and X-Men Origins: Wolverine (2009). Both films grossed in excess of $130,000,000 at the box office. Logan is sure to match and/or surpass this figure. All three films are big-budget film. While budget numbers for Logan are not made readily available, the film boasted it created 15,000 jobs in its production.

In addition to the hand-to-hand combat fighting scenes with the Wolverine’s wielding his bristling, shimmering trademark claws, the narrative in Logan has a slightly familiar feel as the mutants are portrayed as very open and loving towards one another. And, again, they are portrayed primarily social outcasts pursued by predators for diabolical purposes. There’s also a new twist added to the story.

Nevertheless, Mangold manages to keep it fresh. Just when situations seem to be hopeless or on the verge of becoming mundane, Mangold injects a new catalyst propelling the film forward in dramatic fashion. Costumer Daniel Orlandi does excellent work keeping characters believable while imbuing them with just enough complementary edginess to enhance the narrative. Director of Photography of John Mathieson teams up with Editors Michael McCusker and Dirk Westervelt to unveil some wickedly fun action sequences.

Unfortunately, Jackman has said this is his final go with the Wolverine character. Quite frankly, it’s a shame. But, to have had one of the world’s great, great actors – onstage or on the big screen – portray a comic book action/adventure character for the films spanning just over a decade has been an unexpected delight.

While Jackman tends to carry most scenes, young Dafne Keen gave the audience quite a thrill with her own acting chops and sharp-witted quips. Hats off to screenwriters Mangold, Michael Green and Scott Frank for keeping any semblance of staleness at bay. Newly added character, Donald Pierce, played by Narcos star Boyd Holbrook, brings an energetic, counterbalancing dynamic to offset the mind-boggling powers of the mutants consistent with the previous Wolverine films.

Granted, Logan has the look and feel of the previous two Wolverine films. For fans of the previous Wolverine prequels, Logan is a must-see. For anyone not seeing the prequels, Logan stands on it’s own merits and is sure to make a believer out of the uninitiated . Highly recommended!

The film is scheduled to open in US theaters this Friday, March 3rd, 2017.

Logan was produced by Marvel Entertainment, TSG Entertainment and Twentieth Century Fox Film Corporation and employed over 15,000 personnel in its production.

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Hugh Jackman’s Logan claws out world premiere in Berlin film festival

Posted by Larry Gleeson

By Andrew Pulver

Logan, the third and final standalone Wolverine film to star Hugh Jackman as the adamantine-clawed mutant, is to receive its world premiere at the Berlin film festival in February.

Logan, which follows X-Men Origins: Wolverine (2009) and The Wolverine (2013) in featuring the character as its main protagonist, revolves around an ageing Wolverine whose powers are failing. Directed by James Mangold, and co-starring Patrick Stewart and Dafne Keen, Logan will screen an as out-of-competition film, ahead of its cinematic release in early March.

Also receiving its world premiere at the festival will be Viceroy’s House, the Gurinder Chadha-directed historical drama about the end of the Raj and the partition of India, featuring Hugh Bonneville as Lord Mountbatten, the last viceroy of India, and Gillian Anderson as Lady Edwina Mountbatten.

Like Logan, Viceroy’s House will screen in an out-of-competition slot; as will T2 Trainspotting, the long-awaited sequel to the 1996 Irvine Welsh adaptation. Although T2 Trainspotting will have been released in the UK before the festival begins, its screening at the festival is billed as an “international premiere”.

These films join the already announced lineup, which includes the Richard Gere thriller The Dinner, Penélope Cruz in The Queen of Spain and Aki Kaurismäki’s latest, The Other Side of Hope. The festival also revealed recently that this year’s opening film would be Django, a biopic of the jazz guitarist Django Reinhardt directed by Étienne Comar.

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The Berlin international film festival runs from 9-18 February.

(Source: theguardian.com)