Category Archives: Venice International Film Festival

Venice International Film Festival

La Biennale di Venezia to pay a Special Tribute to U.S. producer Chris Meledandri

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September 5th at 2:30 pm, at the Sala Giardino in the Lido

Screen Shot 2016-07-31 at 5.30.20 PMLa Biennale di Venezia will pay a Special Tribute to U.S. producer Chris Meledandri, the Academy Award®-nominated founder and CEO of Illumination Entertainment, in recognition of his outstanding contribution to the development of the field of animated films.
Meledandri will be honored on Monday, September 5th 2016, at 2:30 pm, at the Sala Giardino in the Lido, during the 73rd Venice International Film Festival. In addition to receiving this prestigious tribute, Meledandri will participate in an exclusive festival “In Conversation” event, culminating in a presentation of footage from the forthcoming Illumination Entertainment movie SING (2017).
The tribute will begin with the Italian Public Premiere of Illumination Entertainment’s THE SECRET LIFE OF PETS (2016) at the Sala Giardino on September 4th at 9:00 pm. THE SECRET LIFE OF PETS opens in theaters in Italy on October 6, 2016.
Festival Director Alberto Barbera comments: “Chris Meledandri has revolutionized our way of understanding and making animated film with his more than excellent achievements, both in terms of quality and box office, thanks to careful and skilfully-targeted investments. Under his leadership, Illumination Entertainment has grown into one of the most dynamic and innovative creative hubs in the world of animation in a matter of years. This tribute from the Festival wishes to spotlight the artist’s extraordinary contribution, leading to worldwide hits such as Despicable Me and Minions, both of which changed our relationship with cartoons forever”.
Chris Meledandri, the Academy Award®-nominated founder and CEO of Illumination Entertainment, is responsible for the hugely successful Despicable Me, Ice Age and animated Dr. Seuss franchises, which have collectively grossed close to $6 billion worldwide. Meledandri has built Illumination Entertainment into one of the entertainment industry’s leading producers of all-audience event films.
 
Illumination Entertainment, which has an exclusive financing and distribution partnership with Universal Pictures, is the creator of the hugely successful Despicable Me franchise, which includes Minions, the second-highest-grossing animated film of all time, as well as the Academy Award®-nominated film for Best Animated Feature Film Despicable Me 2. In all, Illumination Entertainment’s films, which also include Hop (2011) and Dr. Seuss’ The Lorax (2012), have grossed more than $3.5 billion in worldwide box-office revenues and feature some of the world’s most renowned talent.
 
Upcoming Illumination Entertainment films include Sing (2016), Despicable Me 3 (2017) and Dr. Seuss’ How the Grinch Stole Christmas (2018).
Meledandri also oversees Illumination Entertainment’s creation of content for marketing campaigns, mobile platforms, consumer goods, social media and theme parks such as Despicable Me: Minion Mayhem in 3D at Universal Orlando Resort and Universal Studios Hollywood, ensuring the same high level of quality he brings to his feature productions. The company’s first mobile game, “Despicable Me: Minion Rush,” has been downloaded more than 750 million times.
 
Prior to Illumination Entertainment, Meledandri was a senior executive at 20th Century Fox. He became the founding president of 20th Century Fox Animation, where he created original material with the birth of the Ice Age franchise and also shepherded existing brands into the feature space, including The Simpsons and the Dr. Seuss library (Dr. Seuss’ Horton Hears a Who!).
 
Meledandri has received numerous awards for his work with Illumination Entertainment including the Producers Guild of America’s 2014 Visionary Award as well as being named to Vanity Fair’s “New Establishment” list and by The Hollywood Reporter as one of the “most powerful people in entertainment” on The THR 100 list.
 
THE SECRET LIFE OF PETS – For their fifth fully-animated feature-film collaboration, Illumination Entertainment and Universal Pictures present The Secret Life of Pets, a comedy about the lives our pets lead after we leave for work or school each day. The Secret Life of Pets opens in theaters October 6th 2016.
SING – Set in a world like ours but entirely inhabited by animals, a dapper Koala who presides over a once-grand theater that has fallen on hard times. Buster is an eternal optimist—okay, maybe a bit of a scoundrel—who loves his theater above all and will do anything to preserve it. Now facing the crumbling of his life’s ambition, he has one final chance to restore his fading jewel to its former glory by producing the world’s greatest singing competition. In theaters January 26th 2017.
Venice International Film Festival

Biennale College – Cinema: Selection announced for the 12 projects of the 5th edition 2016/17

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Screen Shot 2016-09-05 at 1.28.19 AMThe first 12 projects have been selected for the fifth edition of Biennale College – Cinema 2016/17, submitted by teams composed of directors and producers who will take part in the first 10-day workshop to be held in Venice from October 5th to 14th 2016. The international Call was launched on May 6th 2016.
Biennale College is an innovative and complex experience that engages every sector of the Biennale di Venezia.
Biennale College – Cinema is the project that promotes new talents in cinema by offering them the opportunity to work closely with master filmmakers in the production of micro-budget films. 3 of these 12 projects will receive support in the amount of 150,000 Euro to produce a maximum of 3 feature-length films (debut or second film), one of which must be Italian, to be presented at the 74th Venice International Film Festival in 2016.
 
The 12 projects were announced during the press conference held on 4 September on the Lido di Venezia (Palazzo del Casinò), at the 73rd Venice International Film Festival (31 August – 10 September 2016), directed by Alberto Barbera and organized by the Biennale di Venezia, chaired by Paolo Baratta.
The 12 projects selected for the first phase of Biennale College – Cinema are:
•  The Anthill –Hanna van Niekerk (director, The Netherlands) – Maarten Kuit (producer, The Netherlands)
•  Clementine – Lara Jean Gallagher (director, USA), Karina Ripper (producer, USA)
•  Film di Confine – Giorgio Ferrero (director, Italy), Federico Biasin (producer, Italy)
•  Inaccessible – Loran Bonnardot (director, France), Jean des Forêts (producer, France)
•  In the Making – Kristoffer Borgli (director, Norway), Riina Zachariassen (producer, Denmark)
•  Killer? – David White (director, New Zealand), James Ashcroft (producer, New Zealand)
•  Lala – Ludovica Fales (director, Italy), Igor Princic (producer, Italy)
•  Lightning Ride – Alena Lodkina (director, Australia), Kate Laurie (producer, Australia)
•  Martyr – Mazen Khaled (director, Lebanon), Diala Kachmar (producer, Lebanon)
•  Mirny Mining Town – Saverio Pesapane (director, Italy), Costanza Julia Bani (producer, Italy), Fabian Martin Diering (Germany)
•  Night/Vision – Eva Weber (director, Germany), Nicole Stott (producer, United Kingdom)
•  Voice of Silence – EuiJeong Hong (director, South Korea), Afolabi Kuti (producer, United Kingdom)
The 12 projects were selected by the Director of the Venice Film Festival Alberto Barbera, with the help of the Biennale College – Cinema team, and will be documented on the website http://www.labiennale.org/en/cinema/collegecinema/.
At the close of the first workshop, which will be held in Venice from October 5th to 14th 2016, 3 teams will be invited to participate in two successive workshops, to be held in Venice from December 2nd to 5th 2016 and January 9th to 13th 2017, after which production will begin on 3 feature-length films (debut or second films), one of which must be Italian, which must be low-cost, will be funded in the amount of 150,000 Euro, and will be presented at the 74th Venice International Film Festival in 2016.
Biennale College – Cinema, organized by the Biennale di Venezia, is supported by the Ministry for the Cultural Heritage and Activities – General Direction Cinema. Biennale College – Cinema relies on the academic collaboration of the IFP in New York and of the TorinoFilmLab, and continues its collaboration with the Busan International Film Festival. The Director is Alberto Barbera, the Head of Programme Savina Neirotti.
• Biennale College – Hybrid
Also, the Biennale di Venezia will further integrate the activities of the Biennale College and the Venice Production Bridge with the launch of the new BIENNALE COLLEGE – HYBRID, a program developed to explore today’s most innovative technology: Virtual Reality. This supports the aim of the Biennale to investigate various facets of the audiovisual creative industries, proposing works of virtual reality and TV series, and presenting projects in the development stage in search of financing.
The Biennale College Hybrid explores the esthetics and the narrative opportunities offered by Virtual Reality, providing filmmakers and creatives all over the world with the proper knowledge for making the most of Virtual Reality. Biennale College – Hybrid, in partnership with Nederlands Filmfonds, will prepare nine teams of directors and producers who will work with Virtual Reality projects in their initial phase, helping them to advance under every aspect: creative, production, audience and the market, and financial.
All projects will be presented as a part of the industry office of the Venice Production Bridge, which this year includes feature films, documentaries, virtual reality projects, TV and web series.
Biennale College Cinema and Biennale College Hybrid 2017/2018
MEDIA – Creative Europe Programme

The 2017 edition of the Biennale College – Cinema  project, which will include Virtual Reality, will receive essential financing from the European Commission – Connect Directorate General’s Media – Creative Europe Programme.  The educational activities of the 2017-2018 edition will thus be funded by a MEDIA grant. This grant is in addition to the funding which the MEDIA Programme has given to the development of the Market and Venice Production Bridge.

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– The first edition of the 2012/13 Biennale College – Cinema closed at the 70th Venice Film Festival in 2013 with the screening of the three films: Mary is Happy, Mary is Happy, Nawapol Thamrongrattanarit (director, Thailand) and Aditya Assarat (producer, Thailand); Memphis – Tim Sutton (director, USA) and John Baker (producer, USA); Yuri Esposito – Alessio Fava (director, Italy) and Max Chicco (producer, Italy).
– The second edition of Biennale College – Cinema 2013/14 closed at the 71st Venice Film Festival in 2014 with the screening of the three films: Blood Cells by Joseph Bull (director, Great Britain), Luke Seomore (director, Great Britain), Samm Haillay (producer, Great Britain), Ben Young (producer, Great Britain); H. by Rania Attieh (director, Lebanon), Daniel Garcia (director, USA), Shruti Rya Ganguly (producer, India), Pierce Varous (producer, USA); Short Skin by Duccio Chiarini (director, Italy), Babak Jalali (producer, Iran/Great Britain).
– The third edition of Biennale College – Cinema 2014/15 closed at the 72nd Venice Film Festival in 2015 with the screening of the three films: Baby Bump by Kuba Czekaj (director, Poland), Madgadalena Kaminska (producer, Poland); Blanka by Kohki Hasei (director, Japan), Flaminio Zandra (producer, Italy); The Fits by Anna Rose Holmer (director, USA), Lisa Kjerulff (producer, USA).
– The fourth edition of Biennale College – Cinema 2015/16 closed at the 73rd Venice Film Festival in 2016 with the screening of the four films: Mukti Bhawan – Hotel Salvation by Shubhashish Bhutiani (director, India) e Sanjay Bhutiani (producer, India); Orecchie – Ears by Alessandro Aronadio (director, Italy) and Costanza Coldagelli (producer, Italy); La Soledad by Jorge Thielen Armand (director, Venezuela), Adriana Herrera (producer, Venezuela), Rodrigo Michelangeli (producer, Venezuela) and Manon Ardisson (producer, Venezuela); Una Hermana – One Sister di Verena Kuri (director and producer, Argentina) and Sofía Brockenshire (director and producer, Argentina).
(Source:www.labiennale.org)
Venice International Film Festival

Screening today 4 September at the 73rd Venice Film Festival

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Screen Shot 2016-09-04 at 12.11.54 PMScreening in competition in the Sala Grande theatre today: Spira mirabilis by Massimo D’Anolfi and Martina Parenti (2 pm) and El ciudadano ilustre by Mariano Cohn and Gastón Duprat (4:30 pm). Out of Competition, Hacksaw Ridge by Mel Gibson (7:15 pm).

In competition in the Orizzonti section, Réparer les vivants by Katell Quillévéré (2:30 pm) and Il più grande sogno by Michele Vannucci (5 pm), both in the Sala Darsena theatre.

Among other screenings today, Una hermana by Verena Kuri and Sofía Brockenshire (11:15 am and 6:15 pm) and The Secret Life of Pets by Chris Renaud and Yarrow Cheney (9 pm and 10:45 pm) in the new Sala Giardino theatre.

The PalaBiennale theatre features screenings for the public from 1:15 pm until the double screening starting at 8:15 pm.

See you at the cinema!

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For ticket information click here.

 

(Source:www.labiennale.org)

Venice International Film Festival

Amir Naderi to receive the 2016 Jaeger-LeCoultre Glory to the Filmmaker award at Venice Film Festival

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Award ceremony on Sept. 5th at 2:00 pm at the Palazzo del Cinema

Screen Shot 2016-08-18 at 8.32.46 AMLa Biennale di Venezia and Jaeger-LeCoultre are pleased to announce that the great Iranian director Amir Naderi (Vegas, Manhattan by Numbers, Davandeh-The Runner) will receive the Jaeger-LeCoultre Glory to the Filmmaker award of the 73rd Venice International Film Festival (August 31st – September 10th 2016), dedicated to a personality who has made an original contribution to innovation in contemporary cinema.
Amin Naderi will be awarded the prize in a ceremony to be held Monday September 5th at 2:00 pm in the Sala Grande (Palazzo del Cinema), before the Out of Competition screening of his new film Monte, in its world premiere showing in Venice. The film (shot on location in Italy in the mountains of the Alto Adige and Friuli regions) is set in the year 1350 and tells the dramatic story of a man who makes every attempt to bring the sunlight into his village, where his family is barely able to survive because of the prevailing darkness. In 2014 Monte has been one of the projects selected for the Venice Gap-Financing Market, a programme launched by the Venice Production Bridge.
alberto-barbera-594x350The Director of the Venice Film Festival, Alberto Barbera, made the following statement about the award: “Amir Naderi gave fundamental impetus to the birth of the New Iranian Cinema during the 1970s and ‘80s with a number of masterpieces destined to leave their mark on the history of cinema, such as Davandeh (The Runner, 1985) and Ab, bâd, khâk (Water, Wind, Dust, 1988). But even after moving to New York in 1988, Naderi remained stubbornly true to himself and to a type of cinema dedicated to research and experimentation, which refuses to bow to trends and easy shortcuts. Every film he has made clearly displays the nucleus of an identical obsession which transcends the principle of reality in order to force individuals beyond their own limits. The last half hour of Monte is a sort of synthesis of his entire opus, a larger-than-life metaphor of a struggle for survival prevailing over the dividing lines, intimidations and insults which can sometimes make human existence miserable. The breathtaking epilogue transforms the ideas, emotions and visions at the basis of all his films into powerfully expressive images. The Jaeger-LeCoultre Award is a well-deserved recognition, a tribute to the originality and greatness of a filmmaker who stands out from the crowd, the talent of a passionate director, and the generosity of a man who seems to know no limits.”
Since the 1970s, Amir Naderi (Abadan, 1945) has been among the most influential figures of New Iranian Cinema. He entered the international spotlight with cinema classics such as Tangsir (1974), Entezar (1974), awarded the Jury Prize at the Cannes children’s film festival, The Runner (1985) and Ab, Bad, Khak  (1989), which both won the Golden Montgolfiere at Three Continents Festival in Nantes. The first prominent Iranian director to move abroad in the mid ’80s, Naderi’s American films have uniquely captured the vanishing texture of New York. Sound Barrier (2005) won the Roberto Rossellini Critics’ Prize at the Rome Film Festival. Vegas: Based on a True Story, premiered In Competition at Venice in 2008. Cut was shot in Japan and premiered as the Opening Film of the Orizzonti section at Venice in 2011, later winning the 21st Japan Professional Film Awards for Best Director and Best Actor. Naderi’s work has been the subject of retrospectives at museums and film festivals around the world. He has served on international juries such as Jury President for the Competition section of Tokyo FILMeX in 2011 and the Orizzonti section of Venice in 2012. His new film Monte, starring Andrea Sartoretti and Claudia Potenza, and premiering at this year’s Venice Film Festival, is the first film by Naderi to be set and directed in Italy. Monte is an Italian/American/French co-production, by Citrullo International, Zivago Media, Cineric, Ciné-sud Promotion and KNM, in collaboration with Rai Cinema and with the support of the Ministry for the Cultural Heritage and Activities and Tourism – General Direction for Cinema.
The film was shot almost entirely on location in the mountains of the Alto Adige region, at an altitude of over 2500 metres on the Latemar mountain chain, and in the Friuli-Venezia Giulia region in the towns of Erto, Casso and Sott’Anzas, with the support of the Alto Adige IDM-Film Commission and the Friuli-Venezia Giulia Film Commission. The shooting lasted 6 weeks.
Jaeger-LeCoultre is a sponsor of the Venice International Film Festival for the twelfth year in a row, and of the Glory to the Filmmaker prize for the tenth. The prize has been awarded in past years to Takeshi Kitano (2007), Abbas Kiarostami (2008), Agnès Varda (2008), Sylvester Stallone (2009), Mani Ratnam (2010), Al Pacino (2011), Spike Lee (2012), Ettore Scola (2013), James Franco (2014), and Brian De Palma (2015).
(Source:www.labiennale.org)
Venice International Film Festival

Screening today at the 73rd Venice Film Festival – September 3

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Screen Shot 2016-09-03 at 7.37.29 PMScreening in competition in the Sala Grande theatre today: Frantz by François Ozon (4:15 pm) and Brimstone by Martin Koolhoven (9:45 pm). Out of Competition, The Young Pope by Paolo Sorrentino (7:00 pm).

In competition in the Orizzonti section, Home by Fien Troch (2:30 pm) and King of the Belgians by Peter Brosens and Jessica Woodworth (5:00 pm), both in the Sala Darsena theatre.

Among other screenings today, La Soledad by Jorge Thielen Armand (11:30 am and 5:30 pm) and In Dubious Battle by James Franco (9:00 pm) in the new Sala Giardino theatre.

The PalaBiennale theatre features screenings for the public from 1:15 pm until the double screening starting at 8:00 pm.

(Source: http://www.labiennale.org)

Venice International Film Festival

Paolo Sorrentino pulls out all the stops with ‘The Young Pope’

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Writer/director Paolo Sorrentino has unleashed the first two episodes of a new ten-part series titled, “The Young Pope,” at the 73rd Venice International Film Festival today,  September 3rd.

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On set of “The young Pope” by Paolo Sorrentino. In the picture Jude Law. Photo by Gianni Fiorito

Jude Law plays the central character, Lenny Belardo, aka Pius XIII, the first American Pope in history. Young and charming, his election seems to be the result of a simple yet effective media strategy on the part of the College of Cardinals. But appearances can be deceptive. Above all, in the place and among the people who have chosen the great mystery of God as the compass guiding their existence. That place is the Vatican and those people are the leaders of the Church. And Pius XIII proves to be the most mysterious and contradictory of them all. Shrewd and naïve, ironical and pedantic, primeval and cutting-edge, doubting and resolute, melancholy and ruthless, Pius XIII tries to cross the endless river of human solitude to find a God he can give to mankind. And to himself.

Sorrentino is bound to shock the sensibilities of some of his Catholic viewers with the imagery in the opening sequence. He opens with a baby in a dimly lit St. Peter’s Square crawling over a sea of other babies until we see a man emerge from beneath the pile. A cut is made to Lenny awakening from a sleep and donning the attire of a Catholic Pope. As Lenny leaves his dressing area Sorrentino makes effective use of slow motion as he shows Lenny gracing the Vatican personnel with his presence. He glides across screen from left to right with non-diagetic music to the admiration and respect of the on-lookers until sitting upon his papal chair. He embodies a pious pose while envisioning a lovely topless blonde sitting in a green pasture as he presumably, as a young boy, looks on. He comes to and makes his way to the Papal Balcony where a deafening roar is heard from a rain-soaked crowd waiting to hear his Holiness. The rain stops, the clouds clear and the sun shines forth and again the crowd roars. Lenny as Pius XIII begins a most dynamic and appropriate speech on how he serves God and how he serves the audience before switching it up telling the audience to indulge in forbidden pleasures and desires including masturbation, gay marriage and a free and liberated lifestyle. At this point, his Secretary of State tells Pius he is not the Pope, that the Secretary of State is Pope and that Pius XIII is excommunicated. A cut is made to Lenny awakening from a sleep. From here Sorrentino takes the viewer on a wild ride as he delves into the psychological state of the young pope through moments of Belardo’s introspection and through his interactions with his subordinates.

Cinematographer Luca Bigazzi creates a plethora of luscious visuals throughout the first two episodes seamlessly shown. Laura Rosenthal and Annamaria Sambucco have complied a stellar cast. The cast does look the parts thanks to the work of Carlo Poggioli and Luca Canfora. The musical score by Lele Marchitelli keeps pace with the action. The production design is exquisite and is handled by Ludovica Ferrario. The editing is seamless. Cristiano Travaglioli is credited with editing.

set of “The young Pope” by Paolo Sorrentino.09/11/2015 sc.219 – ep 2 in the picture Silvio Orlando.Photo by Gianni Fiorito
set of “The young Pope” by Paolo Sorrentino.10/22/2015 sc. 264 ep. 2In the picture Dyane Keaton.Photo by Gianni Fiorito
set of “The young Pope” by Paolo Sorrentino. 10/22/2015 sc. 264 ep. 2 In the picture Cécile De France. Photo by Gianni Fiorito

All in all, the Young Pope proved to be highly entertaining. Law brings style and swagger to the role of Lenny. Silvio Orlando brings to life the machinations and cajoling of Secretary of State, Cardinal Voiello and Cecele De France adds nicely to the film’s rich cinematography in close ups as the Vatican Marketer Sofia Dubois. Last and certainly not least, Diane Keaton solidly depicts Sister Mary adding a much needed grounding presence as Sorrentino is not pulling any punches with his attempts for humor. Nevertheless, it is a delightful production with interesting dialogue and a dark, ominous and foreboding first Papal Speech.

My recommendation is don’t miss a chance to see ‘The Young Pope.’ Go for it! God willing…

The Young Pope is a joint Sky, HBO, CANAL+ production and will be broadcast on Sky Atlantic in 5 countries: in Italy from October 21st, in UK, Germany, Ireland and Austria from late October, and in France on CANAL+ from late October.

Director’s Note

“The clear signs of God’s existence. The clear signs of God’s absence. How faith can be searched for and lost. The greatness of holiness, so great as to be unbearable when you are fighting temptations and when all you can do is to yield to them. The inner struggle between the huge responsibility of the Head of the Catholic Church and the miseries of the simple man that fate (or the Holy Spirit) chose as Pontiff. Finally, how to handle and manipulate power in a State whose dogma and moral imperative is the renunciation of power and selfless love towards one’s neighbour. That is what The Young Pope is about”.

Paolo Sorrentino Biography

Paolo Sorrentino, director and screenwriter, was born in Naples in 1970. In 2001, he made his first feature-length film, One Man Up (L’uomo in più), starring Toni Servillo and Andrea Renzi. The movie, selected for the Orizzonti section at the Venice Film Festival, was nominated for three David di Donatello Awards, won a Silver Ribbon for best new director, and two Golden Goblet Awards. In 2004, he directed his second movie, The Consequences of Love (Le conseguenze dell’amore). An in-competition selection at the Cannes Film Festival, the movie received many awards, including five David di Donatello Awards, four Silver Ribbons and five Golden Ciak Awards. In 2006, he made his third feature, The Family Friend (L’amico di famiglia), which was presented in competition at the Cannes Film Festival and later participated at numerous international festivals.
In 2008, Paolo Sorrentino returned for the third time to the Cannes Film Festival in competition with his movie Il Divo, starring Toni Servillo, and was awarded the Prix du Jury. The movie later received seven David di Donatello Awards, five Golden Ciak Awards, five Silver Ribbons, and an Oscar® nomination for Best Achievement in Makeup. In 2010, Feltrinelli published Sorrentino’s first novel, Hanno tutti ragione. The book was a popular and critical success and was a finalist for the Strega Prize. In 2011, This Must be the Place marked Sorrentino’s directing debut in English. Starring Sean Penn and Frances McDormand, the movie was presented in competition at the 64th Cannes Film Festival and received numerous awards, including six David di Donatello Awards, three Silver Ribbons and four Golden Ciak Awards. In 2012, Feltrinelli published Sorrentino’s second book, Tony Pagoda e i suoi amici.

In 2013, The Great Beauty (La grande bellezza), starring Toni Servillo, Carlo Verdone and Sabrina Ferilli, brought Paolo Sorrentino for the fifth time to the Cannes Film Festival in competition. The movie won many awards, including an Oscar® and a Golden Globe® for Best Foreign Language film, a BAFTA for Best Film Not in the English Language, and five important EFA awards, including Best European Film, Best European Director and Best European Actor. The movie was sold to over fifty countries and was in the Top Ten of the best movies of the year, according to the prestigious English magazine “Sight & Sound.” In 2015, Youth (Youth-La giovinezza), Paolo Sorrentino’s second movie in English, starring Michael Caine, Harvey Keitel, Rachel Weisz, Paul Dano and Jane Fonda, was presented in competition at the Cannes Film Festival. It earned three European Film Awards: Best European Film, Best European Director and Best European Actor. The movie also received an Academy Award nomination for Best Original Song and two Golden Globe nominations for Best Supporting Actress and best Original Song, as well as two David di Donatello
Awards and three Silver Ribbons.

(Excerpts from The Young Pope Pressbook)

 

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*Featured image  – The Young Pope director Paolo Sorrentino (Courtesy of ASAC/ Gianni Fiorito)

Venice International Film Festival

Tom Ford’s Nocturnal Animals

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From writer/director Tom Ford comes a haunting romantic thriller of shocking intimacy and gripping tension that explores the thin lines between love and cruelty, and revenge and redemption. Academy Award nominees Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves in Nocturnal Animals.

Susan Morrow (portrayed by Ms. Adams) lives an incredibly privileged yet unfulfilled life with her husband Hutton Morrow (Armie Hammer). One weekend, as Hutton departs on one of his too-frequent business trips, Susan receives an unsolicited package that has been left in her mailbox. It is a novel, “Nocturnal Animals,” written by her ex-husband Edward Sheffield (Mr. Gyllenhaal), with whom she has had no contact for years. Edward’s note accompanying the manuscript encourages Susan to read the work and then to contact him during his visit to the city. Alone at night, in bed, Susan begins reading. The novel is dedicated to her…

…but its content is violent and devastating, as Edward tells the tale of Tony Hastings (also portrayed by Mr. Gyllenhaal). Driving across a lonely stretch of Texas one night, Tony and his family are harassed by a trio of joyriders, and forced off the road into a confrontation initiated by the gang’s ringleader, the disturbingly insinuating Ray Marcus (Aaron Taylor-Johnson). Tony is all but powerless to act as his family is kidnapped and he is left stranded. When day breaks, Tony manages to reach the police for help, and laconic Lieutenant Bobby Andes (Academy Award nominee Michael Shannon) takes on the case. Andes forges a strong connection with the distraught Tony, and dedicates himself to pursuing the suspects once Tony’s worst fears are realized…

Moved by Edward’s writing, Susan cannot help but reminisce over the most private moments from her own love story with the author. Trying to look within herself and beyond the glossy surface of the life and career that she has made, Susan increasingly interprets the book as a tale of revenge, a tale that forces her to re-evaluate the choices that she has made, and re-awakens a love that she feared was lost – as the story builds to a reckoning that will define both the novel’s hero and her own.

 

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(l-r.) Academy Award nominees Jake Gyllenhaal and Michael Shannon star as Tony Hastings and Bobby Andes in writer/director Tom Ford’s romantic thriller NOCTURNAL ANIMALS, a Universal Pictures International release. Credit: Merrick Morton/Universal Pictures International

 

This is a beautifully shot film. With credits being overlaid, the spectacular opening sequence, complete with confetti special effects, not only sets the tone for a splendid cinematic experience, it also provides psychological value into Amy Adams’ character, Susan while illuminating the film’s contextual structure and framework. Furthermore, I can’t say, I’ve seen a better cast film. Jake Gyllenhaal continues to expand his acting repertoire as Edward. Michael Shannon turns in a powerful, tour de force performance as a cancer-striken Texas lawman. Laura Linney nails the role of aristocratic mother to Adam’s Susan – delivering a few of the film’s most memorable lines. But the actor that caught my attention above and beyond was Aaron Taylor-Johnson as a wild, log-haired, maniaical, hellion leading the vicious roadside assault inside Edward’s novel. In addition, Armie Hammer, Isla Fisher, Michael Sheen, Andrea Riseborough, and Karl Glusman all give compelling performances. My hat off to Francine Maisler for her casting.

For a second directorial effort, Ford makes a phenomenal leap. His first effort, A Single Man, starring Colin Firth, is an exceptionally solid film. Most enjoyable with considerable depth. Notwithstanding, Nocturnal Animals is a whole other beast – it’s powerful storytelling with strong production values encapsulated in a style that spans genres utilizing techniques in the form of cross-cutting, parallel story lines, flashbacks and real-time moments without confusion. Brilliant work!

A must see film…

 

A Focus Features presentation of a Fade To Black production. A Tom Ford Film. Amy Adams, Jake Gyllenhaal. Michael Shannon, Aaron Taylor-Johnson, Isla Fisher, Karl Glusman, Armie Hammer, Laura Linney, Andrea Riseborough, Michael Sheen. Casting by Francine Maisler, CSA. Costume Designer, Arianne Phillips. Music, Abel Korzeniowski. Film Editor, Joan Sobel, ACE. Production Designer, Shane Valentino. Director of Photography, Seamus McGarvey, ASC, BSC. Co-Producer, Diane L. Sabatini. Based upon the novel Tony and Susan by Austin Wright. Produced by Tom Ford, p.g.a., Robert Salerno, p.g.a. Screenplay by Tom Ford. Directed by Tom Ford. A Focus Features Release.

(Excerpt from Nocturnal Animals Press Notes)

 

Venice International Film Festival

‘La La Land’ musical masterpiece dazzles Venice film fest

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Posted by Larry Gleeson

By AFP

VENICE – A bewitching musical starring Ryan Gosling and Emma Stone whipped up a frenzy on the opening day of the Venice film festival Wednesday as it kicked off the race for the Golden Lion.

Damien Chazelle’s “La La Land”, a tribute to the Golden Age of American musicals, reunites the stars, who appeared together in the 2011 romcom “Crazy, Stupid, Love” — but with oodles of singing this time.

The world’s top film critics, gathered on the glamorous Lido di Venezia for the 10-day fest, cheered loudly as Chazelle and Stone met the press following the screening of the joyful, quirky film which won hearts from the opening shot.

This world premier of the tale of a struggling jazz pianist and his actress girlfriend in Los Angeles is the first of 20 films in competition at the 73rd edition of the world’s oldest film festival.

 

 

 

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Director Damien Chazelle at the 73rd Venice International Film Festival, on why he decided to make La La Land now. (Photo credit: ASAC)

“Now more than ever we need hope and romance on the big screen,” said the American director, 31, a former jazz musician whose second feature film “Whiplash” (2014) received five Academy Award nominations.

“There’s something about musicals, they are movies as a dreamland, expressing a world in which you break into song, in which you can violate the rules of reality,” he said.

 

– ‘Brand new start’ –

The film pays homage to classic musicals, with nods to scenes from “Singing in the Rain” (1952) and “Grease” (1978) as well as old-timers “Bringing Up Baby” (1938) and “Top Hat” (1935).

Stone plays Mia, a wide-eyed romantic who goes from audition to failed audition in her quest to make it big, while Gosling is Sebastian, a jazz pianist with a mission to save the medium, but who struggles to pay his bills.

The pair meet — in one of L.A’s famous traffic jams and then at a bawdy celebrity party — before wooing each other in tap- and ballroom-dancing sequences reminiscent of American icons Fred Astaire and Ginger Rogers.

“We talked a lot about how to justify doing a musical today. We went back to the old traditions and tried to make it as simple as that. No-one breaks into song unless it’s emotionally justified,” Chazelle said.

In an auspicious start for the Golden Lion bid, the festival’s artistic director Alberto Barbera described “La La Land” as a movie “that does not merely reinvent the musical genre, it gives it a brand new start”.

The picture bursts with enthusiasm and happiness from the opening scene: a big dance number on a freeway with men and women dressed in sun-kissed yellows and rich reds and blues dancing on their cars.

Chazelle said he had brought the love story into the modern day by setting it in L.A., a metropolis he has lived in for almost a decade and which called “a city of loneliness when you first live there, not a city that offers itself up”.

 

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Damien Chazelle explaining his concept for the musical La La Land during the 73rd Venice International Film Festival. (Photo credit: ASAC)

“The idea was to build from all the cliches we make fun of; the traffic, the terrible parties, the celebrity culture, the shallowness. But then see what was beautiful beneath the surface, and reconcile the two,” he said.

“It had to feel like a dream, but one that took place in a real place,” he added, explaining that to get the light right, filming only took place between 6pm and 7pm each day, “much to the frustration of the producers”.

 

 

– ‘Absolutely loved it’ –

Stone said she “absolutely loved” the experience.

 

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Actress Emma Stone addressing her role as Mia in the latest work, La La Land, from Director Damien Chazelle at the 73rd Venice International Film Festival. (Photo credit: ASAC)

“I went to see Les Miserables when I was eight. Bursting into song has always been a dream of mine,” she said.

Although the actress from “The Amazing Spider-Man” and “Birdman” recognized her own early experiences in some of Mia’s disastrous auditions, she said “I don’t feel like I was ever quite as brave as she is”.

 

 

(Excerpt from: http://www.bangkokpost.com)

 

La La Land proved to be a tantalizing film on many levels beginning with the opening musical number on the bridge to the mesmerizing closing scene. Along the way the costuming, props and camera work add a distinct flavor setting La La Land apart from its predecessors. If there’s one film to see this year, La La Land is it!

Highly recommended.

 

Venice International Film Festival

2 September: screening today at the 73rd Venice Film Festival

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Amy Adams in Tom Ford’s Nocturnal Animals. (Photo Credit: Merrick Morton Universal Pictures International)

Nocturnal Animals 2 © Merrick Morton Universal Pictures International

Absolutely the most excellent cinema! Screening in competition today in the Sala Grande theatre: El Cristo ciego by Christopher Murray (4:45 pm) and Nocturnal Animals by Tom Ford (6:45 pm). At 9:45 pm Persol Tribute to Visionary Talent Award to Liev Schreiber.

In competition in the Orizzonti section: Tarde para la ira by Raúl Arévalo (2:45 pm) and Die Einsiedler by Ronny Trocker (5:00 pm), both in the Sala Darsena theatre.

Among other screenings today, Mukti Bhawan (Hotel Salvation) by Shubhashish Bhutiani (11:15 am and 5:00 pm) and Dawn of the Dead by George Romero, presented by Dario Argento and Nicolas Winding Refn (at midnight) in the new Sala Giardino theatre.
The PalaBiennale theatre features screenings for the public from 1:15 pm until the double screening starting at 8:15 pm.

See you at the cinema!

 

(Source:www.labiennale.com)

Venice International Film Festival

Orecchie

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Orecchie is a story about a man who wakes up one morning with an irritating ringing in his ears. The note on the fridge reads “Luigi has died. P.S. I took the car”. This one day journey through a circus of absurd characters will end up with him giving a funeral speech to the recently deceased Luigi. By the way, who the hell is Luigi?

Highly recommended. This is one fun film! Shot in B & W with a look and feel of a Jim Jarmush film, the viewer sees compelling people, places and things on this road less traveled.

Orecchie is directed by Alessandro Aronadio and produced by Costanza Coldagelli.

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Aronadio is no stranger to the film as he tells us, “I collaborate (for lectures and courses, 2012-2013) with the Scuola Holden in Turin, LUISS University in Rome, and several American Universities in Italy: Washington University, NYU, Cornell University, California State University, De Paul University, Monash University, Rhode Island School of Design. I write articles for the Psychology Journal Gruppi and for the magazine of Cinema critics CloseUp.


In 2011 I founded the KiNO, a cineclub in Rome which screens international films (in original language) and hosts Q&As with famous actors or directors (recently, the Academy Award winner writer and director Paul Haggis). I’m one of the programmers.


In 2010 I wrote Lo strano caso del dr. David e di mr. Cronenberg – saggio sul Doppio nel cinema, published by Bietti ed. (Milan), on the Double in the cinema of the Canadian filmmaker David Cronenberg. Between 2004 and 2006 I’m the artistic director of the Kals’Art Festival (cinema section) in Palermo, Sicily.


In 2005, my script “La neve, piano” wins the 2nd award at the Autori da scoprire National contest. In 2004, with my short story Dove Sei , I was selected to represent Italy at the “Klandestini” literature festival, organized by the British Council in Malta. As a photographer, in 2001 I won the International contest of the Association Europenne des Cheminots, followed by two exhibitions in Palermo, Sicily. In 2000, my short story Billie Holiday, won the National literature contest Trasgressori, and was published by Malatempora ed., Rome.”

Likewise, Producer Costanza Coldagelli has numerous production credits to date and her biography is under development. Rest assured there is no shortage of talent in Coldagelli!

(Excerpt from http://www.labiennale.com)

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