Category Archives: #AFIFEST

Review: Zemeckis’ Bound by Flesh

Bound by Flesh, directed by the affable Leslie Zemeckis, tells the story of conjoined twins who were fused at the hips and buttocks, shared circulation but shared no major organs yet, shared almost every conceivable aspect of their lives together from birth to marriage and finally even death.

The girls, often referred to as the “Hilton twins” were sold by their mother/guardian into the entertainment industry and thus began a long eventful and full life as the girls were hugely successful in vaudeville, somewhat successful in burlesque and not quite so successful in film. The girls were quite attractive and had stage presence and attracted large audiences with a minimal of talent. The girls knew how to entertain. Yet, despite their huge success as performers the girls wound up pretty much penniless and at the kindness of church members at the end of their lives due to managers taking advantage and exploiting the girls for financial gain. The girls fought back as girls will do and won an emancipation lawsuit and were awarded $100,000 in their attempt to have normal lives. They were successful in court and began to manage their own affairs. Unfortunately, while the girls knew how to entertain, they didn’t understand the business of entertainment and fell into several business deals that bore no fruit. Despite themselves, the girls continued to entertain and began performing at supermarket openings and at community events. While, their earnings fell off markedly, the girls ineffable spirit of being together always shone forth much like the spotlight from their younger years performing together in vaudeville.

Zemeckis tells the Hilton twins story in a mostly compelling manner. During the conversation following the viewing during he AFI Film Festival, Zemeckis revealed her three state, fifteen day whirlwind shooting schedule. Her flawless use of present day interviews revealed as much about the characters being interviewed  as it did about the girls and the time period in which they performed. With her exquisite use of the interview of primary sources I felt as though I had taken a step back in time as I watched  playwright, John Bramhall of “Daisy and Violet,” provide a testimony of the girls’ dynamic stage presence with his long mutton chops and an Old West medallion placed on his breast giving a spit n’image of lawman Wyatt Earp. In addition to the primary interviews, Zemeckis added recorded sound bites of the girls in their youth, a multitude of black and white photographs, and eye pleasing modern day graphics. I thoroughly enjoyed the Zemeckis documentary, Bound by Flesh and recommend the film to any film buff and to anyone interested in the history of vaudeville and burlesque. Zemeckis knows how to tell a story and not just on the screen.

Highly recommended!

World Premiere of Warren Beatty’s RULES DON’T APPLY Will Open AFI FEST 2016

The world premiere of 20th Century Fox’s RULES DON’T APPLY — written, directed, produced by and starring AFI Life Achievement Award recipient and Academy Award® winner Warren Beatty — will be the Opening Night Gala of AFI FEST 2016 presented by Audi on Thursday, November 10, at the historic TCL Chinese Theatre in Hollywood, CA.

The cast also includes Academy Award® nominees Alec Baldwin, Annette Bening, Candice Bergen, Steve Coogan and Ed Harris, as well as Haley Bennett, Matthew Broderick, Dabney Coleman, Lily Collins, Alden Ehrenreich, Taissa Farmiga, Megan Hilty, Oliver Platt and Martin Sheen. In the film, an aspiring young actress (Lily Collins) and her ambitious young driver (Alden Ehrenreich) struggle hopefully with the absurd eccentricities of the wildly unpredictable billionaire (Warren Beatty) for whom they work. (See trailer below)

Screen Shot 2016-09-04 at 9.25.00 PM

The 30th edition of AFI FEST takes place November 10–17, 2016, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and the Hollywood Roosevelt Hotel. The full festival lineup and schedule will be unveiled in October.

Head here to purchase festival passes and packages to ensure reserved seats for Opening Night. Passes and packages can include access to sold-out Galas and other high-demand films and events.

As part of their membership benefits, AFI members will receive a complimentary AFI FEST Cinepass, which allows access to all regular screenings and special offers at this year’s festival. AFI members at the Two-Star level and above level receive a 10% discount on all AFI FEST Patron Packages and Express Passes. Information about AFI membership is available at AFI.com/Membership.

Free tickets to AFI FEST will be available to the general public online at AFI.com beginning November 1.

(Source:http://blog.afi.com/)

Behind The Scenes: “The Big Short”

Here’s a peek behind the scenes of the major collaborators from “The Big Short”:

The film, directed by Adam McKay, is based on the book, “The Big Short: Inside The Doomsday Machine,” by Michael Lewis, and was adapted by McKay and Charles Randolph.

The film’s narrative is driven by four cynical, fringe Wall Street entities disgusted with the large banking institutions’ overriding greed for profits. They make the decision to capitalize on the ensuing housing market calamity and the financial meltdown of 2008 upon discovering the market frenzy is being driven by worthless “dog shit” collateral debt obligations.  viewed the film at the TCL Chinese Theater in Hollywood, California as the closing night film of the 2105 AFIFEST. It was also the film’s world premiere.

McKay chooses to inject a significant dose of humor in the early scenes to condition the audience receptors for what they are about to experience. Utilizing the Martin Scorsese docu-drama style in a similar setting with “Wolf of Wall Street,” a strong narrative voice dominates particular moments. Several of these deliberately break the ‘Fourth Wall” in the style of “Wolfie,” Jordan Belfort,  as the characters, including a hilarious cameo by Selena Gomez, speak directly into the camera to explain the complexities of Wall Street financials. The overall effect adds additional humor and adds another layer in creating a sense of authenticity and truth about the film’s subject matter.

After a rather lengthy dizzying, yet delightful, character introduction, the film picks up pace as the drama begins to unfold. Dr. Michael Burry, an eccentric financial analyst, with complete autonomy of an investment fund, uncovers variables in his economic forecast indicating a massive housing market collapse.  He informs his higher up, Lawrence Fields, played convincingly by Tracy Letts, of his discovery and creates a financial prospectus. In essence, he creates a commodity of selling short on bundled mortgages.

The bankers laugh as they willingly sell Burry all the “insurance” he wants. Word quickly spreads of Burry’s perceived madness in a after-work cocktail scene. With interest piqued upon overhearing the Wall Street gossip of the day, Jarred Bennett, portrayed by Ryan Gosling, scoops up the essence of Burry’s move. Soon, he sells a group led by Steve Carell’s all-too-human, Mark Baum to buy in.

As the debacle is in full free-fall, Baum struggles with disbelief as he and his group have bet against their own umbrella entity, Morgan Stanley. The final team that has uncovered the impending financial crisis, made up of two Wall Street neophytes and veteran Ben Rickert, played by one of the film’s producers, Brad Pitt, also struggles with the imploding financial system caused by corporate greed and indifference.

With a mammoth cast, McKay draws on a plethora of talent in the likes of Hollywood A-listers including Brad Pitt, Ryan Gosling, Selena Gomez, Christian Bale, Karen Gillan Steve Carell, Marisa Tomei, Melissa Leo and Finn Wittrock. McKay and Randolph create characters with witty dialogue coupled with complementary cinematography provided by Barry Ackroyd. The soundtrack carries a similar tone of “Wolf of Wall Street,” with a compilation of classic rock anthems. Nicholas Britell widely recognized for his work on Steve McQueen’s “12 Years a Slave,” where Britell composed on set the on-screen violin performances, work songs, dances and spiritual songs rarely misses a beat this time out. Much like another AFI FEST 2015 film, “The Clan,” Argentina’s official entry to the Academy of Motion Pictures Arts and Sciences Best Foreign Language Category for Oscar, “The Big Short,” musical score is often in juxtaposition to the the narrative and mise-en-scen adding a deeper visceral quality to the viewing experience.

In its most basic essence, “The Big Short,” builds on the visceral truth of Scorsese’s “Wolf of Wall Street.” It depicts a not-so-long-ago present where a noble ideal, making home ownership a reality for Americans, is bastardized by the indifferent market forces of capitalism. Probably not what Adam Smith had in mind when he penned his treatise, “The Wealth of Nations.” Warmly Recommended.

New Trailer: THE BIG SHORT

Paramount Pictures and Regency Enterprises Present a Plan B Production: THE BIG SHORT

I viewed the film’s world premiere as the Closing Night Film for AFI FEST 2015 Hollywood and reviewed it here: http://bit.ly/1LwETJJ

Paramount Pictures has just released this new trailer:

THE BIG SHORT

Check it out!


TBS_1-Sht_Rated Teaser_2_e

The BIG SHORT is scheduled for a wide theater release beginning December 23, 2015 with a limited theater release beginning December 11, 2015.

The Big Short

Reviewed by Larry Gleeson. Viewed during the AFI Filmfest 2015.

“The Big Short,”  directed by Adam McKay, based on the book by Michael Lewis, was adapted by McKay and Charles Randolph  and made its world premiere Thursday, November 12, 2015 at the historic TCL Grauman’s Chinese Theater as the closing night film for the latest edition of the American Film Institute’s AFI FEST film festival.

The film’s narrative is driven by four cynical, fringe Wall Street entities disgusted with the large banking institutions’ overriding greed for profits. They make the decision to capitalize on the ensuing housing market calamity and the financial meltdown of 2008 upon discovering the market frenzy is being driven by worthless “dog shit” collateral debt obligations.

McKay chooses to inject a significant dose of humor in the early scenes to condition the audience receptors for what they are about to experience. Utilizing the Martin Scorsese docu-drama style in a similar setting with “Wolf of Wall Street,” a strong narrative voice dominates particular moments. Several of these deliberately break the ‘Fourth Wall” in the style of “Wolfie,” Jordan Belfort,  as the characters, including a hilarious cameo by Selena Gomez, speak directly into the camera to explain the complexities of Wall Street financials. The overall effect adds additional humor and adds another layer in creating a sense of authenticity and truth about the film’s subject matter.

After a rather lengthy dizzying, yet delightful, character introduction, the film picks up pace as the drama begins to unfold. Christian Bale plays Dr. Michael Burry, an eccentric financial analyst, with complete autonomy of an investment fund, uncovers variables in his economic forecast indicating a massive housing market collapse.  He informs his higher up, Lawrence Fields, played convincingly by Tracy Letts, of his discovery and creates a financial prospectus. In essence, he creates a commodity of selling short on bundled mortgages.

The bankers laugh as they willingly sell Burry all the “insurance” he wants. Word quickly spreads of Burry’s perceived madness in a after-work cocktail scene. With interest piqued upon overhearing the Wall Street gossip of the day, Jarred Bennett, portrayed by Ryan Gosling, scoops up the essence of Burry’s move. Soon, he sells a group led by Steve Carell’s all-too-human, Mark Baum to buy in.

As the debacle is in full free-fall, Baum struggles with disbelief as he and his group have bet against their own umbrella entity, Morgan Stanley. The final team that has uncovered the impending financial crisis, made up of two Wall Street neophytes and veteran Ben Rickert, played by one of the film’s producers, Brad Pitt, also struggles with the imploding financial system caused by corporate greed and indifference.

With a mammoth cast, McKay draws on a plethora of talent in the likes of Hollywood A-listers including Brad Pitt, Ryan Gosling, Selena Gomez, Christian Bale, Karen Gillan Steve Carell, Marisa Tomei, Melissa Leo and Finn Wittrock. McKay and Randolph create characters with witty dialogue coupled with complementary cinematography provided by Barry Ackroyd. The soundtrack carries a similar tone of “Wolf of Wall Street,” with a compilation of classic rock anthems. Nicholas Britell widely recognized for his work on Steve McQueen’s “12 Years a Slave,” where Britell composed on set the on-screen violin performances, work songs, dances and spiritual songs rarely misses a beat this time out. Much like another AFI FEST 2015 film, “The Clan,” Argentina’s official entry to the Academy of Motion Pictures Arts and Sciences Best Foreign Language Category for Oscar, “The Big Short,” musical score is often in juxtaposition to the the narrative and mise-en-scen adding a deeper visceral quality to the viewing experience.

In its most basic essence, “The Big Short,” builds on the visceral truth of Scorsese’s “Wolf of Wall Street.” It depicts a not-so-long-ago present where a noble ideal, making home ownership a reality for Americans, is bastardized by the indifferent market forces of capitalism. Probably not what Adam Smith had in mind when he penned his treatise, “The Wealth of Nations.” Warmly Recommended.

The Big Short

Reviewed by Larry Gleeson. Viewed during the AFI Filmfest 2015.

“The Big Short,”  directed by Adam McKay, based on the book by Michael Lewis, was adapted by McKay and Charles Randolph  and made its world premiere Thursday, November 12, 2015 at the historic TCL Grauman’s Chinese Theater as the closing night film for the latest edition of the American Film Institute’s AFI FEST film festival.

The film’s narrative is driven by four cynical, fringe Wall Street entities disgusted with the large banking institutions’ overriding greed for profits. They make the decision to capitalize on the ensuing housing market calamity and the financial meltdown of 2008 upon discovering the market frenzy is being driven by worthless “dog shit” collateral debt obligations.

McKay chooses to inject a significant dose of humor in the early scenes to condition the audience receptors for what they are about to experience. Utilizing the Martin Scorsese docu-drama style in a similar setting with “Wolf of Wall Street,” a strong narrative voice dominates particular moments. Several of these deliberately break the ‘Fourth Wall” in the style of “Wolfie,” Jordan Belfort,  as the characters, including a hilarious cameo by Selena Gomez, speak directly into the camera to explain the complexities of Wall Street financials. The overall effect adds additional humor and adds another layer in creating a sense of authenticity and truth about the film’s subject matter.

After a rather lengthy dizzying, yet delightful, character introduction, the film picks up pace as the drama begins to unfold. Dr. Michael Burry, an eccentric financial analyst, with complete autonomy of an investment fund, uncovers variables in his economic forecast indicating a massive housing market collapse.  He informs his higher up, Lawrence Fields, played convincingly by Tracy Letts, of his discovery and creates a financial prospectus. In essence, he creates a commodity of selling short on bundled mortgages.

The bankers laugh as they willingly sell Burry all the “insurance” he wants. Word quickly spreads of Burry’s perceived madness in a after-work cocktail scene. With interest piqued upon overhearing the Wall Street gossip of the day, Jarred Bennett, portrayed by Ryan Gosling, scoops up the essence of Burry’s move. Soon, he sells a group led by Steve Carell’s all-too-human, Mark Baum to buy in.

As the debacle is in full free-fall, Baum struggles with disbelief as he and his group have bet against their own umbrella entity, Morgan Stanley. The final team that has uncovered the impending financial crisis, made up of two Wall Street neophytes and veteran Ben Rickert, played by one of the film’s producers, Brad Pitt, also struggles with the imploding financial system caused by corporate greed and indifference.

With a mammoth cast, McKay draws on a plethora of talent in the likes of Hollywood A-listers including Brad Pitt, Ryan Gosling, Selena Gomez, Christian Bale, Karen Gillan Steve Carell, Marisa Tomei, Melissa Leo and Finn Wittrock. McKay and Randolph create characters with witty dialogue coupled with complementary cinematography provided by Barry Ackroyd. The soundtrack carries a similar tone of “Wolf of Wall Street,” with a compilation of classic rock anthems. Nicholas Britell widely recognized for his work on Steve McQueen’s “12 Years a Slave,” where Britell composed on set the on-screen violin performances, work songs, dances and spiritual songs rarely misses a beat this time out. Much like another AFI FEST 2015 film, “The Clan,” Argentina’s official entry to the Academy of Motion Pictures Arts and Sciences Best Foreign Language Category for Oscar, “The Big Short,” musical score is often in juxtaposition to the the narrative and mise-en-scen adding a deeper visceral quality to the viewing experience.

In its most basic essence, “The Big Short,” builds on the visceral truth of Scorsese’s “Wolf of Wall Street.” It depicts a not-so-long-ago present where a noble ideal, making home ownership a reality for Americans, is bastardized by the indifferent market forces of capitalism. Probably not what Adam Smith had in mind when he penned his treatise, “The Wealth of Nations.” Warmly Recommended.

That’s A Wrap: AFI FEST 2015

AFI FEST Film Festival 2015 Wrap-up

by Larry Gleeson

Closing down this year’s American Film Institute Festival on Thursday, it’s hard not to imagine what might have been. The closing night film, The Big Short, drew an at-capacity crowd as Director Adam McKey took a few moments to introduce his star-studded cast. True to form, McKay bantered playfully with Ryan Gossling by saying how nice it was to finally meet him. Afterwards the audience was treated to a real big-screen viewing in the historic Hollywood TLC Grauman’s Chinese Theater.

 

The night before The Big Short, gala goers were treated to a Tribute to Brits, Charlotte Rampling and Tom Courtenay: http://bit.ly/1RZTzqd followed by a screening of Andrew Haigh’s “45 Years.”

 

Award winners for this years AFI FEST include:
New Auteurs Grand Jury Award:  LAND AND SHADE (Director César Augusto Acevedo) for its visual eloquence and its observations of environmental degradation and economic exloitation.

Special Jury Mention for Screenplay: DESDE ALLÁ (Director/writer Lorenzo Vigas) for its keen insights into the alienation, social divides and overriding need for control that allows love to flourish and die.

World Cinema Audience Award: LANDFILL HARMONIC (Directors Brad Allgood, Graham Townsley, Juliana Penaranda-Loftus)

New Auteurs Audience Award: MUSTANG (Director Deniz Gamze Ergüven)

American Independents Audience Award: JAMES WHITE (Director Josh Mond)

Screen Shot 2015-11-16 at 10.31.37 PM
(Photo courtesy of AFI FEST 2015)

Other films I found interesting all came from the World Cinema category and included: “Dheepan,” a story of a Sri Lankan man who with an unknown woman and child, flees to France to start a new life. “Dheepan,” was directed by Jacques Audiard, known for his prison drama, “The Prophet,” and “Rust and Bone,” a melodrama; “The Clan,” an Argentinian film based on the real life events of the Puccio family during the early 1980’s is Argentina’s Official entry to The Academy’s Best Foreign Language Film category; and “The Gulls,” a cinematic treat from an otherwise barren region.

Until next time….I’ll see you at the movies!

 

 

Grace Tame with “45 Years” Charlotte Rampling

Grace

Grace Lauren Tame (pictured above) came out Wednesday evening, November 11, 2015 on the Red Carpet at TCL Grauman’s historic Hollywood Chinese Theater. Here is a live clip of Grace with lead actress Charlotte Rampling from the film “45 Years.” (Review) AFI FEST 2015 TRIBUTE: Grace Lauren Tame Live with Charlotte Rampling: