ACADEMY OF MOTION PICTURE ARTS AND SCIENCES ANNOUNCES NEW ACQUISITIONS TO THE ACADEMY COLLECTION,NOW COMPRISING MORE THAN 52 MILLION ITEMS

New acquisitions to the largest film-related collection in the world include the Studio Ghibli animation collection, featuring drawings by Hayao Miyazaki; Quentin Tarantino’s original handwritten script draft for Pulp Fiction (1994); objects from Guillermo del Toro’s Pinocchio(2022); costumes worn by Jamie Lee Curtis, Kurt Russell, Meryl Streep, and Joanne Woodward; personal collections of Curtis Hanson, Barbara Kopple, Ve Neill, Oliver Stone, and Paul Verhoeven; and more..

Los Angeles, CA, October 31, 2024—The Academy of Motion Picture Arts and Sciences announced today the newest acquisitions to its expansive Academy Collection—the largest film-related collection in the world, comprising more than 52 million items. The Academy, through its Academy Foundation, is a global leader in the conservation, preservation, and exhibition of film-related objects and materials.

Recent acquisitions in the Academy Collection include the Studio Ghibli animation collection, featuring more than 80 pieces of original animation art by Hayao Miyazaki and Noboru Yoshida for Ponyo (2008), the studio’s Japanese movie posters, and animator’s desk; Quentin Tarantino’s original handwritten script draft for Pulp Fiction (1994); a screen-used guitar played by Lou Diamond Phillips as Ritchie Valens in La Bamba (1987); sets and puppets from Guillermo del Toro’s Pinocchio (2022); a selection of animator’s maquettes from Pinocchio(1940), Fantasia (1940), and The Lion King (1994); glasses worn by Mink Stole as Connie Marble in Pink Flamingos (1972); additional costumes from films including True Lies (1994), The Three Faces of Eve(1957), The House of the Spirits (1993); and more.

Personal collections of Richard Amsel, Curtis Hanson, Nicole Holofcener, Barbara Kopple, Ve Neill, Tom Sternberg, Marlene Stewart, Oliver Stone, and Paul Verhoeven have also been added to the Academy Collection. The Academy’s 70mm film collection, one of the largest in the world and screened exclusively at the Academy Museum, continues to expand with new prints, including Lawrence of Arabia (1962), Ryan’s Daughter (1970), and Oppenheimer (2023).

“We are thrilled to welcome these iconic pieces into our collection. Overseen by our skilled team of researchers, preservationists, and curators, the Academy Collection plays a pivotal role in shaping the future of moviemaking,” said Matt Severson, Executive Vice President, Academy Collection and Preservation. “We are grateful to our donors for their remarkable gifts to the Academy and commitment to preserving our film history.”

The Academy of Motion Picture Arts and Sciences has been collecting and preserving film and film-related material since 1927, and its unparalleled collection contains items reflecting all components of the moviemaking process—costumes, photographs, scripts, posters, production art, sound recordings, books, film and video assets, props, cameras, projectors, clippings, make-up and hairstyling tools, visual effects technologies, promotional materials, and more.

Components of the Academy’s collection can be accessed by the public through:

  • Exhibitions, public programming, and film screenings at the Academy Museum of Motion Pictures;
  • The Academy’s Margaret Herrick Library reference and research collection;
  • The Academy Film Archive access center;
  • Online at Oscars.org

A detailed list of new collection items follows.

COSTUMES

  • Collection of hair pins and combs from The Age of Innocence (1993), hair designed by Alan D’Angerio; Gift of Alan D’Angerio
  • Glasses worn by Mink Stole as Connie Marble in Pink Flamingos (1972); Gift of Mink Stole
  • Two ensembles worn by Bette Midler as Rose in The Rose (1979), costume design by Theoni V. Aldredge; Gift of Bette Midler
  • Tearaway dress worn by Jamie Lee Curtis as Helen Tasker in True Lies (1994), costume design by Marlene Stewart; Gift of Jamie Lee Curtis
  • Costume worn by Alan Rickman as Judge Turpin in Sweeney Todd The Demon Barber of Fleet Street (2007), costume design by Colleen Atwood.
  • Pair of gloves worn by Joanne Woodward to the 30th Academy Awards® in 1958
    Dress worn by Joanne Woodward as Eve Black in The Three Faces of Eve (1957), costume design by Renie 
    Two dresses worn by Meryl Streep as Clara in The House of the Spirits (1993), costume design by Barbara Baum
    Costume worn by Kurt Russell as Snake Plissken in John Carpenter’s Escape from L.A.(1996), costume design by Robin Michel Bush.

PRODUCTION OBJECTS

  • Animator’s desk used at Studio Ghibli; Gift of Studio Ghibli Inc.
  • Carved mermaid figurine from The Lighthouse(2019), production design by Craig Lathrop; Gift of Cameo Wood
  • Green Harmony Stratotone guitar from La Bamba (1987); Gift of Lou Diamond Phillips
  • Gentle Jungle Wild Animal Rentals sign; Gift of Ralph D. Helfer and Tana Helfer Herbert
  • Two sets and six puppets from Guillermo del Toro’s Pinocchio (2022), production design by Curt Enderle and Guy Davis, character design by Guy Davis; Gift of Netflix
  • Character reference maquettes from Ghostbusters II (1989): Slimer, Nunzio Scoleri, and Tony Scoleri
  • A selection of animator’s maquettes from Pinocchio (1940): Figaro, Gideon, Geppetto, Lampwick, and Coachman; character design by Walt Disney Animation Studios Artist 
  • Head of Pinocchio maquette from Pinocchio (1940), character design by Milt Kahl; Gift of Bryan Jossart
  • A selection of animator’s maquettes from Fantasia (1940): Madame Upanova, Bacchus and Jacchus; character design by Walt Disney Animation Studios Artist 
  • Animator’s maquette from The Lion King(1994): Scar; character design by Andreas Deja.

TECHNOLOGY

ARRI IIC 35mm camera owned by Murray Lerner, used to film Oscar®-nominated film Festival (1967)

AWARDS

PATSY (Picture Animal Top Star of the Year) award for Zamba in The Lion (1962); Gift of Ralph D. Helfer and Tana Helfer Herbert.

GRAPHIC

  • Studio Ghibli animation collection: More than 80 pieces of original animation art, including drawings rendered by Hayao Miyazaki and conceptual drawings by Noboru Yoshida for Ponyo (2008) and the studio’s Japanese movie posters; Gift of Studio Ghibli Inc.
  • Kalina Ivanov papers: Six storyboards by Academy Production Design Branch governor Kalina Ivanov for Best Picture Oscar winner The Silence of the Lambs (1991); Gift of Kalina Ivanov
  • Richard Amsel papers: Drawings, paintings, and posters documenting the work of commercial illustrator Richard Amsel, including his preliminary artwork for the 1981 release of Raiders of the Lost Ark as well as a variation for the film’s 1982 re-release; Gift of Dorian Hannaway 
  • Marlene Stewart papers: Costume design drawings, production records, and photographs from costume designer Marlene Stewart, including materials from To Wong Foo, Thanks for Everything, Julie Newmar (1995), The Saint(1997), Ali (2001), The Holiday (2006), and Night at the Museum films; Gift of Marlene Stewart
  • Production artwork from storyboard artist John Coven, including a mix of analog drawings and digital files for X-Men (2000), The Muppets(2011), Captain America: Civil War (2016), and The Lion King (2019); Gift of John Coven
  • Four dozen production design drawings for titles including The Phantom of the Opera(1925), The Circus (1928), City Lights (1931), The Invisible Man (1933), and The Lady from Shanghai (1947)
  • Twelve original James Bond comic strip art boards by John McLusky, originally published in the Daily Express newspaper between 1958 and 1968; Gift of Sean and Graham McLusky
  • Mike and Jeanne Glad animation collection: Poster for The Mad Doctor (1933), one of three known copies for this title, added to the collection; Gift of Mike and Jeanne Glad
  • Edward Mapp Collection: Poster for Paul Robeson (1959) added to the collection; Gift of the estate of Edward Mapp

SPECIAL COLLECTIONS

  • Original handwritten script draft for Pulp Fiction(1994) from filmmaker Quentin Tarantino
  • Barbara Kopple papers: Photographs, historical film posters, press reviews, archival documents and production files from documentarian Barbara Kopple’s nearly 50-year career, which began with her Oscar-winning documentary feature Harlan County U.S.A. (1976). Kopple also received an Oscar for American Dream(1990); Gift of Barbara Kopple
  • Oliver Stone papers: Production records, scripts, correspondence, and photographs from filmmaker Oliver Stone, including materials from Platoon (1986), The Doors (1991), Natural Born Killers (1994), and Nixon (1995); Gift of Oliver Stone
  • Paul Verhoeven papers: Production records, scripts, storyboards, and photographs from filmmaker Paul Verhoeven, including materials from Showgirls (1995), Starship Troopers(1997), and Hollow Man (2000); Gift of Paul Verhoeven
  • Nicole Holofcener papers: Production records and scripts from filmmaker Nicole Holofcener, including materials from Enough Said (2013) and You Hurt My Feelings (2023); Gift of Nicole Holofcener
  • Curtis Hanson papers: Production records, scripts, and photographs from filmmaker Curtis Hanson, including materials from L.A. Confidential (1997), Wonder Boys (2000), and 8 Mile (2002); Gift of Deuce Three Productions
  • Ve Neill papers: Production records, scripts, and photographs from make-up artist Ve Neill, including materials from The Amazing Spider-Man films, The Hunger Games films, and the Pirates of the Caribbean films; Gift of Ve Neill
  • Tom Sternberg papers: Production records, scripts, and correspondence from producer Tom Sternberg, including materials from The Talented Mr. Ripley (1999), Under the Tuscan Sun (2003), and Sleuth (2007), as well as material related to Zoetrope Studios and the release of Apocalypse Now Redux (2001); Gift of Violetta Sternberg

FILM AND VIDEO ELEMENTS

  • Barbara Kopple Collection: Film elements, videotapes, and digital files from Barbara Kopple’s films, including Harlan County U.S.A. (1976) and American Dream (1990); Gift of Barbara Kopple
  • Prints of Lawrence of Arabia (1962), Ryan’s Daughter (1970), and Oppenheimer (2023) were added to the Academy Film Archive’s 70mm film collection, one of the largest in the world and screened exclusively at the Academy Museum
  • Rodgers and Hammerstein Collection: Original camera negatives and audio elements of Rodgers and Hammerstein 70mm classics Oklahoma! (1955) and South Pacific (1958)
  • Digital scan of the original 35mm negative of James Moll’s Oscar-winning documentary feature The Last Days (1998); Gift of James Moll, Allentown Productions
  • Paul Verhoeven Collection: Production video, including casting, rehearsal, and choreography tapes, for several of Paul Verhoeven’s films, including Basic Instinct (1992), Showgirls (1995), and Starship Troopers (1998); Gift of Paul Verhoeven
  • A reel of Super 8mm film shot in the early 1970s, featuring footage of the MGM backlot before it was torn down; Gift of Mike Malone, a former park ranger at Paramount Ranch
  • DVD-Rs featuring footage of Jurassic Park(1993) senior animator Randal Dutra and colleagues performing the groundbreaking computer animation capture done with the electronic dinosaur armatures for the film; Gift of Randal Dutra
  • Several reels of home movies related to the career of producer Adolph Zukor; Gift of Jim Zukor

PHOTO CREDITS:

Studio Ghibli animation collection – Drawing by Noboru Yoshida for Ponyo (2008): Image courtesy of the Margaret Herrick Library
Puppets from Guillermo del Toro’s Pinocchio (2022): ©Academy Museum Foundation, Photo by: Owen Kolasinski
Green Harmony Stratotone guitar from La Bamba (1987): ©Academy Museum Foundation, Photo by: Randy Shropshire
Marlene Stewart papers – Costume design collage by Marlene Stewart for To Wong Foo, Thanks for Everything, Julie Newmar (1995): Image courtesy of the Margaret Herrick Library
Quentin Tarantino and original handwritten script draft for Pulp Fiction (1994): Photo by: Emma McIntyre/Getty for Academy Museum of Motion Pictures

MABOUT THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES
The Academy of Motion Picture Arts and Sciences is home to a global membership of more than 10,500 of the most accomplished film industry artists and leaders. The Academy recognizes and celebrates all aspects of the arts and sciences of moviemaking through renowned awards for cinematic achievement, including the Oscars®. With the largest film-related collection in the world, the Academy is a leader in the fields of conservation, preservation and exhibition of film-related objects and materials. Through its Academy Museum of Motion Pictures, the Academy presents powerful exhibitions, screenings and programs about cinema’s past, present, and future. The Academy also inspires young artists and creates opportunities for underrepresented communities to engage with the film world. Across all initiatives, the Academy connects global audiences – its members, the film industry, and film fans – through their shared passion for making and watching films.

ABOUT THE ACADEMY MUSEUM OF MOTION PICTURES
The Academy Museum is the largest museum in the world devoted to the arts, sciences, and artists of moviemaking. The museum advances the understanding, celebration, and preservation of cinema through inclusive and accessible exhibitions, screenings, programs, initiatives, and collections. Designed by Pritzker Prize–winning architect Renzo Piano, the museum’s campus contains the restored and revitalized historic Saban Building—formerly known as the May Company building (1939)—and a soaring spherical addition. Together, these buildings contain 50,000 square feet of exhibition spaces, two state-of-the-art theaters, the Shirley Temple Education Studio, and beautiful public spaces that are free and open to the public. These include: The Walt Disney Company Piazza and the Sidney Poitier Grand Lobby, which houses the Spielberg Family Gallery, Academy Museum Store, and Fanny’s restaurant and café. The Academy Museum is open six days a week from 10am to 6pm.

ABOUT THE MARGARET HERRICK LIBRARY
The Margaret Herrick Library collection contains a vast range of motion picture production and history-related materials, including works on paper and still images covering the history of motion pictures in the United States and worldwide, encompassing photographs, scripts, posters, production art, and books. The library contains special collections of film icons such as Kathryn Bigelow, Anne V. Coates, William Friedkin, Katharine Hepburn, Alfred Hitchcock, Eiko Ishioka, Hattie McDaniel, Gregory Nava, Gregory Peck and Vilmos Zsigmond. These special collections contain production files, personal correspondence, clippings, contracts, manuscripts, scrapbooks, storyboards and more. The library’s collecting divisions work collaboratively to acquire, preserve, digitize and exhibit the broad range of materials entrusted to their care by generations of filmmakers and collectors.

ABOUT THE ACADEMY FILM ARCHIVE
Established in 1991 and dedicated to the preservation, restoration, documentation, exhibition and study of motion pictures, the Academy Film Archive is home to one of the most diverse and extensive motion picture collections in the world, including the personal collections of such filmmakers as Tacita Dean, Cecil B. DeMille, Jesse B’Franklin and Carl Franklin, Barbara Hammer, Alfred Hitchcock, James Wong Howe, Jim Jarmusch, Ellen Kuras, Nina Menkes, Gregory Nava, Satyajit Ray, Penelope Spheeris, George Stevens, Gus Van Sant and Fred Zinnemann. The Academy Film Archive holds all the Academy Award-winning films in the Best Picture category, all the Oscar-winning documentaries, many Oscar-nominated films in other categories, and more.

MEDIA CONTACT 

Academy Publicity
publicity@oscars.org

Academy Museum Press
museumpress@oscars.org

2025 SBIFF Performer of the Year Award announced! Ralph Fiennes to be Honored

Posted by Larry Gleeson

RALPH FIENNES TO RECEIVE THE

OUTSTANDING PERFORMER OF THE YEAR AWARD

AT 40TH ANNUAL SANTA BARBARA INTERNATIONAL FILM FESTIVAL

FEBRUARY 6, 2025

[October 30, 2024] SANTA BARBARA, CA – Ralph Fiennes will receive the Outstanding Performer of the Year Award at the 40th annual Santa Barbara International Film Festival. Fiennes will be honored on Thursday, February 6, 2025 for his acclaimed performance as Cardinal Lawrence in Focus Features’ Conclave. Ralph Fiennes delivers a captivating and nuanced performance in Conclave, bringing a depth to his role and expertly conveying the intricate complexities of his character. After winning audience and jury awards throughout the film’s fall festival run, the film had a strong opening in U.S. theaters this past weekend and continued to win over movie-goers.

“Ralph Fiennes is one of the most gifted actors working in both cinema and theatre and has bequeathed us with so many memorable and extraordinary performances. He outdoes himself in “Conclave” – bestowing us with what may be the best work in his already legendary career” noted SBIFF’s Executive Director Roger Durling.

Ralph Fiennes made his feature film debut as Heathcliff in Wuthering Heights in 1992. His film credits include Schindler’s List, The English Patient, The Constant Gardener, The End of the Affair, The Reader, Oscar and Lucinda, Sunshine, Strange Days, The Hurt Locker, and The Grand Budapest Hotel. He played Lord Voldemort in the Harry Potter series and the role of ‘M’ in Skyfall, Spectre and No Time To Die.

Fiennes has been the recipient of many significant awards and nominations for his work on film and in the theatre. He was nominated for Academy Awards, Golden Globes and BAFTAs for his roles in both The English Patient and Schindler’s List, winning the BAFTA for Best Actor in a Supporting Role for the latter. He was also nominated for BAFTAs for The End of the Affair and The Constant Gardener. He was nominated for the BAFTA for Outstanding Debut by a British Writer, Director or Producer for Coriolanus. He was also nominated for a Golden Globe and a BAFTA for his leading role in The Grand Budapest Hotel. Fiennes has also been honored with the Variety Award for Film Achievement, The Richard Harris Award by the British Independent Film Awards and The Empire Film Legend Award.

“Conclave” follows one of the world’s most secretive and ancient events – selecting the new Pope. Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church’s most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence uncovers a trail of deep secrets left in the dead Pope’s wake, secrets which could shake the foundations of the Church.

The Outstanding Performer of the Year Award recognizes select individuals who have distinguished themselves with exceptional performances in film. Past recipients of the award include Bradley Cooper, Cate Blanchett, Will Smith, Aunjanue Ellis, Sacha Baron Cohen, Adam Driver, Rami Malek, Margot Robbie and Allison Janney, Ryan Gosling and Emma Stone, Brie Larson and Saoirse Ronan, Steve Carell, Cate Blanchett, Jennifer Lawrence, Viola Davis, James Franco, Colin Firth, Penelope Cruz, Angelina Jolie, Helen Mirren, Heath Ledger, Kate Winslet and Charlize Theron.

The 40th Santa Barbara International Film Festival will take place LIVE February 4 – February 15, 2025. Official events including screenings, filmmaker Q&As, industry panels, and celebrity tributes, will be held throughout the city, including at the historic Arlington Theatre. Passes for the 2025 Festival are on sale now at sbiff.org.

Last year, the festival had a program of 200+ films from over 48 countries with honorary awards feted on Robert Downey Jr., Mark Ruffalo, Paul Giamatti, Jeffrey Wright, America Ferrera, Lily Gladstone, Greta Lee, Charles Melton, Da’Vine Joy Randolph, Andrew Scott, Martin Scorsese, Justine Triet, Billie Eilish, and Ludwig Göransson.

A-list and industry guests will once again ascend to Santa Barbara, making it a must-stop location on the awards circuit, and delivering a record number of films with many World and U.S. premieres. The film lineup and schedule will be announced January 2025.

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 39 years, SBIFF has become one of the top 10 film festivals in the United States – attracting 100,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

SBIFF continues its commitment to education and the community throughout many free educational programs and events. SBIFF’s programs support over 18,000 kids, students and families in our local community by introducing film as an art form to young children with programs like AppleBox and Mike’s FieldTrip to the Movies; teaching film analysis to highschool and college students with programs like Rosebud and the Film Studies Program; and teaching the craft of screenwriting and filmmaking with Film Camp and 10-10-10 Mentorship programs. Most importantly SBIFF’s programs are always directed towards the under-represented and under-served communities within Santa Barbara County.

In 2016, SBIFF acquired the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s state-of-the-art, year-round home, showing new international and independent films every day. In 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.

AFM Sells Out Exhibition Space: AGC’s Stuart Ford & Anton’s Sébastien Raybaud to Take Stage, Conference Lineup Announced

Posted by Larry Gleeson

AMERICAN FILM MARKET® EXHIBITION SPACE SELLS OUT FOR INAUGURAL 2024 LAS VEGAS EVENT NOV 5 – 10  AT PALMS CASINO RESORT

WORLD’S LEADING INDEPENDENT PRODUCTION, SALES, DISTRIBUTION & BUYING COMPANIES CONFIRMED
The AFM® Sessions to Present 30 Panels & Presentations with Leading Industry Experts, Producers & Financiers
One-on-One Conversations with Innovators Stuart Ford (AGC Studios) and Sébastien Raybaud (Anton) Take Center Stage on Thursday, Nov. 7
Los Angeles, CA – October 30, 2024 – The American Film Market® (AFM®) is set to raise the curtain on its 45th edition and first-ever show in Las Vegas next week with Exhibition space sold out and Buyer and Attendee registrations running strong with participants confirmed from 80 countries. AFM24 will run over six days, Nov. 5 – 10, 2024 at Palms Casino Resort in Las Vegas. The move to Las Vegas was announced by the Independent Film & Television Alliance® (IFTA®) and its Board of Directors in March 2024. This year, AFM will host Market activities in a single location at Palms, including Exhibit Space, 200+ AFM Screenings at the Palms’ Brenden Theatres, and The AFM Sessions.
Physical Exhibition space for Market sold out last month and AFM will open with 286 sales, production, and distribution companies, along with international trade organizations, film commissions, and national umbrella stands from 34 countries. Exhibitors include A24, AGC Studios, Altitude Film Sales, Anton, Arclight Films, Bankside Films, Beta Cinema, Black Bear Pictures, Blue Fox Entertainment, Capstone Global, Charades, CJ ENM, Cornerstone, Embankment Films Limited, FILMAX, Film Mode Entertainment, FilmNation, Gaumont, GOODFELLAS/Wild Bunch International, Gravitas Ventures, HanWay Films, Lakeshore, Lionsgate, Mister Smith, NEON, Odin’s Eye Entertainment, Pathé Films, STUDIOCANAL, , Toei Company, Trust Nordisk, The Veterans, Voltage Pictures, WME Independent, and XYZ Films, among many others.
Countries, including China, France, Germany, Italy, Romania and Thailand, will host dedicated Umbrella Stands showcasing national companies and producers. Exhibitor Offices and Meeting tables will be located in AFM’s designated hub, Palms’ Fantasy Tower floors 8-17, 25, and 26 as well as in Nove. In addition, LocationEXPO at AFM will welcome Film Commissions, Government Agencies and Production Service Companies from the U.S. and as far as Barbados, Italy, Japan, the Philippines, Saudi Arabia and Thailand.  LocationEXPO will be located in the Palms Ballroom on the 2nd Floor. View the full Exhibitor List.
Alongside the sales and licensing activity, LocationExpo and Screenings, The AFM Sessions presented by Wrapbook & Film Hawaii, will present 100 leaders, experts and influencers on 30 panels and presentations across two stages. A key attraction of this year’s Sessions, “The Innovators” will welcome two of the independent industry’s most prominent figures, Stuart Ford, Chairman & CEO, AGC Studios, and Sébastien Raybaud, Founder & CEO, Anton, to the stage Thursday morning, November 7 for engaging, one-on-one interviews with Jeremy Kay of Screen International and Scott Roxborough of The Hollywood Reporter, respectively.
Other Session highlights Include: (See the full schedule of AFM Sessions).
  
November 6:
 
From Local to Global: Developing Stories & Content for Worldwide Appeal – Main Stage
  • Matt Brodlie, Upgrade Productions
  • Katie Irwin, WME Independent
  • Matt Mueller, Screen International
  • Peter Van Steemburg, XYZ Films
Finding Gold: Discovering Captivating Narratives and Essential Story Ideas for Your Next Project – Main Stage
  • Miranda Bailey, Cold Iron Pictures
  • Karin Chien, dGenerate Films, Art & Action Productions
  • Phil Goldfine, Producer
  • Michele Kanan, Producer, Writer and Director
  • Michael Musante, Cherokee Film
Producing and Financing Films for Social Impact – Main Stage
  • Mary Aloe, Aloe Entertainment / Partners in Kind
  • Josh Harris, Peachtree Media
  • Jonathon Glucksman, Wondermind
  • Robert Rippberger, SIE Society
  • Jarnell Stokes, Stoked Bros. Media
Working with SAG-AFTRA as an Independent – View Stage
  • Olga Rodriguez-Aguirre, SAG-AFTRA

November 7
 
Finance I – Independent Film Financing in Today’s Financial Landscape – Main Stage
  • Jill Goldsmith, Deadline
  • Jon Gosier, Film Hedge
  • George Hamilton, Protagonist Pictures
  • Paula Paizes, Pressman Films
  • Miguel Palos, AGC Studio
Confronting Fear – Transcending, Challenging & Elevating the Horror Genre – Main Stage
  • Gregory Chambet, WTFILMS
  • Emily Gotto, Shudder
  • Tom Malloy, Glass House Distribution
  • Bob Portal, AMP
  • Priscilla Ross Smith, The Coven
November 8
Finance II: How to Choose a Location to Maximize Your Budget – Main Stage
  • Ryan Broussard, Wrapbook
  • Jeffery Greenstein, A Higher Standard
  • Andi Isaacs, University of Nevada-Las Vegas, Formerly Summit Entertainment
  • Simon Williams, Palisades Park Pictures
 
Black Culture at the Epicenter of Hollywood – View Stage
  • Kyle Bowser, NAACP Hollywood Bureau
Casting for Low-Budget Films – View Stage
  • Monica Kelly, CSA, Treadwell / Kelly Casting
  • Jennifer K.M. Treadwell, CSA, Treadwell / Kelly Casting
The Untold Realities of Global Film Sales: What’s Really Shaping Today’s Market?
  • Clay Epstein, Film Mode Entertainment
  • Tiffany Boyle, Ramo Law PC
  • Mimi Steinbauer, Radiant Films International
  • Brian O’Shea, The Exchange
November 9
AFM Pitch Conference: Mastering the Art of Pitching & Live Pitches – Main Stage
  • Cassian Elwes, Elevated
  • Lee Jessup, leejessup.com
  • Lorelle Lynch, AGC Studios
Killing It at the Box Office: How Cineverse’s Horror Sensation Won Opening Weekend – Main Stage
  • Chris McGurk, Cineverse
  • Lauren McCarthy, Cineverse
  • Thomas K Arnold, Media Play News
Maximizing Impact: Crafting Powerful Films with Limited Budgets – Main Stage
  • Paul Bales, The Asylum
  • Jeff Deverett, Producer
  • Efuru Flowers, Flourishing Films
  • Chris Gore, Film Threat
  • Max Woertendyke, Noble Gas Media
For More Information on AFM and to Register, visit: americanfilmmarket.com.
About the American Film Market® (AFM®)
The AFM is where the global film and television business comes to life every November. The only independently produced international sales market, hundreds of finance, production, sales and distribution companies and thousands of professionals from every segment of the industry, convene at AFM for six days of discovery, development, deal making, networking, marketplace discussions and world-class conferences. The AFM is produced by the Independent Film & Television Alliance® (IFTA®) and serves as the annual fundraiser for the association.
About the Independent Film & Television Alliance® (IFTA®)
IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to independent companies around the world.
 
About Palms Casino Resort
Palms Casino Resort is a trailblazer as the first Las Vegas resort fully owned and operated by a Native American tribe, the San Manuel Band of Mission Indians. With 766 hotel rooms and suites across two towers, Palms offers a dynamic mix of bars and restaurants including the acclaimed steakhouse Scotch 80 Prime, the popular A.Y.C.E Buffet, and celebrity chef-driven eateries including Mabel’s BBQ by Chef Michael Symon and sky-high dining at Vetri Cucina from Chef Marc Vetri. Home to live entertainment venues, and unique lifestyle experiences within a redesigned 95,000-square-foot casino, amenities include free valet and self-parking, The Pearl (a 2,500-seat concert theater), Ghostbar Rooftop Lounge, The Spa & Salon, the Brenden Theatre 14-screen cinema, over 190,000 square feet of meeting space, and nearly 600 units at Palms Place condominiums. Sammy’s Island at Palms Pool, named after rock legend Sammy Hagar, offers island fun and laid-back vibes. Palms features innovative suites like the Hardwood Suite for basketball fans, the Kingpin Suite for bowling enthusiasts, and many more theme suites. The Sky Villa suites, with masterful artwork and private pools & terraces, with breathtaking views of the Strip provide unmatched luxury for unforgettable experiences. Located just west of the Las Vegas Strip off I-15 on Flamingo Road, Palms Casino Resort is owned by The San Manuel Gaming and Hospitality Authority (SMGHA), an affiliate of the San Manuel Band of Mission Indians. For more details, visit palms.com or the Palms Press Room.
Media Contact:
Jennifer Garnick | VP, Communications
jgarnick@ifta-online.org | 1+310.446.1006

FRANCIS FORD COPPOLA TO RECEIVE 50TH AFI LIFE ACHIEVEMENT AWARD

Posted by Larry Gleeson

FRANCIS FORD COPPOLA TO RECEIVE 50TH AFI LIFE ACHIEVEMENT AWARD

America’s Highest Honor For A Career In Film

To Be Presented

On April 26, 2025, At Gala Tribute

To Benefit AFI’s Education And Arts Initiatives

OR IMMEDIATE RELEASE, Los Angeles, CA, October 29, 2024 – The American Film Institute (AFI) Board of Trustees announced today that Francis Ford Coppola will be the 50th recipient of the AFI Life Achievement Award, America’s highest honor for a career in film. The award will be presented to Coppola at a Gala Tribute at the Dolby Theatre in Los Angeles on April 26, 2025.

Francis Ford Coppola will be the 50th recipient of the AFI Life Achievement Award.

“Francis Ford Coppola is a peerless artist – one who has created seminal works in the canon of American film, and has also inspired generations of filmmakers who now embody his artistry and his independent spirit,” said Kathleen Kennedy, Chair of the AFI Board of Trustees. “AFI is honored to present him with the 50th AFI Life Achievement Award.”

Coppola’s THE GODFATHER, THE GODFATHER PART II and APOCALYPSE NOW are ranked among history’s greatest films in AFI’s 100 Years…100 Movies list. He is one of the most acclaimed filmmakers of our time; a six-time Academy Award®-winning (including the Board of Governors’ Irving G. Thalberg Memorial Award) director, writer and producer of such films as PATTON, THE GODFATHER TRILOGY, AMERICAN GRAFFITI, THE CONVERSATION, APOCALYPSE NOW, THE OUTSIDERS, BRAM STOKER’S DRACULA and his latest epic, MEGALOPOLIS.

As the co-founder of American Zoetrope with George Lucas, Coppola initiated and nourished the careers of talents such as Carroll Ballard, John Milius, Sofia Coppola, and actors Al Pacino, Robert De Niro, James Caan, Harrison Ford, Richard Dreyfus, Diane Keaton, Robert Duvall, Matt Dillon and Diane Lane. As a writer, director, producer and technological pioneer, he created a body of work that has helped shape contemporary American cinema. Coppola’s latest film MEGALOPOLIS is a Roman epic set in modern times with an all-star cast including Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Jon Voight, Laurence Fishburne and Aubrey Plaza. This year, the film made its world premiere to a 10-minute standing ovation at the Cannes Film Festival, and was released theatrically and in IMAX globally earlier this fall.

The AFI Life Achievement Award Tribute special will return for its 10th year with Turner Broadcasting to air on TNT, followed by encore presentations on Turner Classic Movies (TCM).

The American Film Institute is a nonprofit organization with a mandate to champion the moving image as an art form. All proceeds from the 50th AFI Life Achievement Award Tribute Gala support AFI’s education and arts initiatives. Learn more about AFI at AFI.com.

AFI Life Achievement Award Recipients

The 50th AFI Life Achievement Award Honoree joins an esteemed group of individuals who have been chosen for this distinguished honor since its inception.

1973   John Ford

1974   James Cagney

1975   Orson Welles

1976   William Wyler

1977   Bette Davis

1978   Henry Fonda

1979   Alfred Hitchcock

1980   James Stewart

1981   Fred Astaire

1982   Frank Capra

1983   John Huston

1984   Lillian Gish

1985   Gene Kelly

1986   Billy Wilder

1987   Barbara Stanwyck

1988   Jack Lemmon

1989   Gregory Peck

1990   David Lean

1991   Kirk Douglas

1992   Sidney Poitier

1993   Elizabeth Taylor

1994   Jack Nicholson

1995   Steven Spielberg

1996   Clint Eastwood

1997   Martin Scorsese

1998   Robert Wise

1999   Dustin Hoffman

2000   Harrison Ford

2001   Barbra Streisand

2002   Tom Hanks

2003   Robert De Niro

2004   Meryl Streep

2005   George Lucas

2006   Sean Connery

2007   Al Pacino

2008   Warren Beatty

2009   Michael Douglas

2010   Mike Nichols

2011   Morgan Freeman

2012   Shirley MacLaine

2013   Mel Brooks

2014   Jane Fonda

2015   Steve Martin

2016   John Williams

2017   Diane Keaton

2018   George Clooney

2019   Denzel Washington

2022   Julie Andrews

2024   Nicole Kidman

About the AFI Life Achievement Award

The highest honor given for a career in film, the AFI Board of Trustees established the AFI Life Achievement Award in 1973. It is presented to a single honoree each year based on the following criteria as mandated through a resolution passed by the AFI Board of Trustees: “The recipient should be one whose talent has in a fundamental way advanced the film art; whose accomplishment has been acknowledged by scholars, critics, professional peers and the general public; and whose work has stood the test of time.”

Most recently, AFI presented the 49th AFI Life Achievement Award to Nicole Kidman on Saturday, April 27, at a Gala Tribute in Hollywood. Lee Daniels, Ava DuVernay, Zac Efron, Cynthia Erivo, Morgan Freeman, Barry Jenkins, David E. Kelley, Joey King, Mimi Leder, Mike Myers, Edward James Olmos, Michelle Pfeiffer, Jane Seymour, Meryl Streep, Brian Tee, Miles Teller, Lulu Wang, Naomi Watts and more filled the Dolby Theatre to celebrate Kidman’s award-winning career and her indelible impact on the moving arts. The event also featured tributes honoring Kidman, including speeches from Zoe Saldaña, Aaron Sorkin, Keith Urban, Reese Witherspoon, among others and taped messages from Hugh Jackman, Jane Campion, Jimmy Fallon, Cate Blanchett, George Miller, Baz Luhrmann and Russell Crowe.

 

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at increasing diversity in the storytelling community, including AFI DWW+ and the AFI Cinematography Intensive for Women. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, Twitter.com/AmericanFilm and Instagram.com/AmericanFilmInstitute.

 

About TNT

TNT, a Warner Bros. Discovery brand, is watched by more people than any other cable network and known for big, lean-forward television that takes viewers on a thrill ride of electrifying stories, dynamic characters and premium events. TNT is home to some of television’s most popular sports franchises and unscripted and scripted originals including “AEW: Rampage,” “Rich & Shameless,” and “The Lazarus Project”. TNT also presents primetime specials and sports coverage, including the NHL, NBA and NCAA Division I Men’s Basketball Championships. Website: www.tntdrama.com

 

About Turner Classic Movies (TCM)

Turner Classic Movies (TCM) is a two-time Peabody Award-winning network that presents classic films, uncut and commercial-free, from the largest film libraries in the world highlighting “where then meets now.” TCM features the insights from Primetime host Ben Mankiewicz along with hosts Alicia Malone, Dave Karger, Jacqueline Stewart and Eddie Muller, plus interviews with a wide range of special guests and serves as the ultimate movie lover destination. With more than two decades as a leading authority in classic film, TCM offers annual programming events like 31 Days of Oscar® and Summer Under the Stars. TCM also directly connects with movie fans through popular events such as the annual TCM Classic Film Festival in Hollywood and the TCM Classic Cruise. In addition, TCM produces the wildly successful podcast “The Plot Thickens,” which has had more than 9 million downloads to date. TCM hosts a wealth of material online at tcm.com and through the Watch TCM mobile app. Fans can also enjoy a classic movie experience on the TCM hub on Max.

 

Press contact:

American Film Institute

Shari Mesulam, Shari@themesulamgroup.com

AFI FEST 2024 PRESENTED BY CANVA ANNOUNCES GRAND JURY AWARD WINNERS

Posted by Larry Gleeson

AFI FEST 2024 PRESENTED BY CANVA ANNOUNCES

GRAND JURY AWARD WINNERS

Winners for Live Action Short, Documentary Short and Animated Short

Qualify for Academy Award® Consideration

Festival Confirms Record High Attendance with

Over 30% Increase in Ticket and Pass Sales

FOR IMMEDIATE RELEASE – Los Angeles, CA, October 28, 2024 — The American Film Institute (AFI) announced today the Grand Jury Award winners and Special Mentions for AFI FEST 2024 presented by Canva. The Grand Jury Award winners for Live Action Short, Documentary Short and Animated Short will be eligible for the 2024 Best Live Action Short, Best Documentary Short and Best Animated Short Academy Awards®. This year’s jury was comprised of Academy Award®-nominated filmmaker Sophia Nahli Allison, film programmer Nora Bernard and comedian, actor, filmmaker, podcaster and author Paul Scheer.

Grand Jury Prize – Live Action Short

TWO PEOPLE EXCHANGING SALIVA (DEUX PERSONNES ÉCHANGEANT DE LA SALIVE) (DIR Natalie Musteata and Alexandre Singh)

Jury Statement: “At a commendable 36 minutes, this film illustrates how desire and yearning can clash in a capitalistic society while showcasing queerness as commonplace.”

Grand Jury Prize – Documentary Short

LAND OF LOST TOYS (DIR Nicholas Stachurski)

Jury Statement: “This revealing documentary challenges our conceptions and explores the humanity of a group of people in Detroit who fight not only for their survival but also for companions who can’t on their own.”

Grand Jury Prize – Animated Short

HUMANTIS (DIR Paris Baillie)

Jury Statement: “HUMANTIS is a stunning work of art that delves into the complexities and challenges of change and the unexpected beauty that emerges from self-transformation and acceptance. The stop motion breathes new life into an otherworldly visual narrative, showcasing the depths of a vibrant imagination and skillful craftsmanship.”

Special Jury Mentions

Special Jury Mention for Freedom and Expression – Live Action Short

A SHORT FILM ABOUT KIDS (DIR Ibrahim Handal)

Jury Statement: “Through a breezy style and cinematic language, we were drawn into a world where, with a little ingenuity, burdened youth can experience joy and self-determination.”

Special Jury Mention for New Voice – Documentary Short

YOU’RE TOO SENSITIVE (DIR Dan Chen)

Jury Statement: “YOU’RE TOO SENSITIVE receives a special mention for its unique approach to reimagining home movies, not only as documentation of what we wish to be seen and remembered but also reveals the private moments that speak to the complexities of family dynamics. “

Special Jury Mention for Craft – Animated Short

SILENT PANORAMA (DIR Nicolas Piret)

Jury Statement: “The jury would like to acknowledge SILENT PANORAMA with a special mention for artistic craftsmanship as this subtle and immersive story comes to life beautifully and meticulously on a single sheet of paper.”

This year’s festival welcomed a record number of attendees with ticket and pass sales reaching 30% higher than the previous year.

The festival lineup included 6 Red Carpet Premieres, 13 Special Screenings, 13 Luminaries selections, 15 Discovery films, 12 World Cinema selections, 14 Documentaries, 4 After Dark titles, 54 films in the Short Film Competition, and 28 films from the AFI Conservatory Showcase presented by AMC Networks. Of the official selections 48% were directed by women and non-binary filmmakers and 26% were directed by BIPOC filmmakers. There were 4 World Premieres, 6 North American Premieres and 7 U.S. Premieres. The program represented 44 countries and included 9 Best International Feature Oscar® submissions, including DAHOMEY (Senegal), GRAND TOUR (Portugal), I’M STILL HERE (Brazil), SANTOSH (UK), THE SEED OF THE SACRED FIG (Germany), SUJO (Mexico), UNDER THE VOLCANO (Poland), UNIVERSAL LANGUAGE (Canada) and VERMIGLIO (Italy). The festival also presented two special events: Directors Spotlight: Robert Zemeckis in Conversation with Tom Hanks and Pitch Perfect: Crafting Impactful Visual Decks from a Storyteller’s Perspective

AFI Conservatory Alumni with films at AFI FEST included Andrea Arnold, Carolina Costa, Amanda Freedman, Affonso Gonçalves, Heidi Levitt, Charlie McDowell, Rachel Morrison, Samir Oliveros and Paul Schrader.

Returning filmmakers included Andrea Arnold, Maura Delpero, Mati Diop, Jeanne Drouet, Miguel Gomes, Alain Guiraudie, Damian Kocur, Philippe Lesage, Rungano Nyoni, Jeanne Paturle, Alex Ross Perry, Mohammad Rasoulof, Cecile Rousset, Hong Sang-soo, Paul Schrader, Chris Smith, Faye Tsakas and Jia Zhang-Ke.

Guests at the festival included Pam Abdy, JJ Abrams, Amy Adams, Sophia Nahli Allison, Fred Armisen, Glen Ballard, Lance Bangs, Scott Beck, Alan Bergman, Nora Bernard, Paul Bettany, Leslie Bibb, Jacqueline Bisset, Laurent Bouzereau, Gerald Casale, Samantha Casiano, Ben Chaplin, Tommy Chong, Glenn Close, Toni Collette, Jennifer Connelly, Ryan Coogler, Merlin Crossingham, Maisie Crow, Ted Danson, Dr. Austin Dennard, Julie Delpy, Zoey Deutch, Michelle Dockery, Molly Duane, Gustavo Dudamel, Chloe East, Francesca Eastwood, Jean Picker Firstenberg, William Goldenberg, Hugh Grant, Tom Hanks, John Hillcoat, Nicholas Hoult, Thomas Hooten, Bryce Dallas Howard, Ron Howard, Jon Huertas, Marianne Jean-Baptiste, Barry Jenkins, Jharrel Jerome, Angelina Jolie, Caleb Landry Jones, Spike Jonze, Kathleen Kennedy, Kristie Macosko Krieger, Ed Lachman, Jennifer Lawrence, Pablo Larraín, Philippe Lesage, Jennifer Lopez, Leonard Maltin, Cheech Marin, Frank Marshall, Charlie McDowell, Malcolm McDowell, Selton Mello, Logan Miller, Rachel Morrison, Mark Mothersbaugh, Robert Mothersbaugh, Oscar Nuñez, Elizabeth Olsen, Nick Park, Noah Parker, Dylan Penn, Abbie Perault, Andrea Riseborough, Anthony Robles, Judy Robles, Sam Rockwell, RaMell Ross, Eric Roth, Tom Rothman, Santigold, Peter Sarsgaard, Paul Scheer, Paul Schrader, Alan Silvestri, Lawrence Sher, Stacey Sher, Jurnee Smollett, Steven Spielberg, Mary Steenburgen, George Stevens, Jr., Sharon Stone, Sophie Thatcher, Fernanda Torres, John Turturro, Milo Ventimiglia, Lulu Wang, Diane Warren, Matthew Weiner, Nat Wolff, Bryan Woods, Robin Wright, Cedric Yarbrough, Robert Zemeckis, Amy Ziering, Amanda Zurawski, and Wallace & Gromit.

Canva was the exclusive Presenting Sponsor of AFI FEST. FIJI Water was the festival’s Official Water Sponsor. Corporate Partners for AFI FEST 2024 included Premium Sponsor Apple Original Films, AMC Networks, First Entertainment Credit Union, Amazon MGM Studios and Netflix. The Envelope by The Los Angeles Times was the festival’s Primary Media Partner. Official Media Partners are The Wall Street Journal, Variety, The Hollywood Reporter and ABC7 On the Red Carpet. Affiliate Media Partners include TheWrap, IndieWire, Screen International and KCRW.

To learn more about AFI FEST, visit FEST.AFI.com

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to exclusive one-of-a-kind opportunities at AFI events. To learn more, email Advancement@AFI.com.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at increasing diversity in the storytelling community, including AFI DWW+ and the AFI Cinematography Intensive for Women. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

 

About AFI FEST presented by Canva
Now in its 38th year, AFI FEST presented by Canva is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 23-27, 2024. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST presented by Canva includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, Twitter.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

 

About Canva

Launched in 2013, Canva is a free online visual communications and collaboration platform with a mission to empower everyone in the world to design. Featuring a simple drag-and-drop user interface and a vast range of templates ranging from presentations, documents, websites, social media graphics, posters, apparel to videos, plus a huge library of fonts, stock photography, illustrations, video footage, and audio clips, anyone can take an idea and create something beautiful. Entertainment professionals can access resources to help them express their ideas, pitch film and TV projects, plan shoots and beyond at canva.com/entertainment.

Until next time….I’ll see you at the movies!

 

HollywoodGlee celebrating the start of the 2019 AFI FEST. (Photo credit: Larry Gleeson)

 

Press contact:

American Film Institute: Shari Mesulam, shari@themesulamgroup.com

 

FILM REVIEW: The Shrouds (David Cronenberg): 2024

Posted by Larry Gleeson

David Cronenberg

Canadian Auteur Director David Cronenberg’s latest fare, The Shrouds, debuted in competition at Cannes, made its LA Premiere during the American Film Institute’s 2024 AFI FEST in Hollywood, Calif., Thursday, October 24, 2024, at the TCL Chinese Theatres. AFI FEST Programmer Malkin Kahn thanked the AFI FEST sponsors, community partners, the audience, festival volunteers, and “Elma” before introducing the film. Kahn eloquently delivered a few intimate details of the film such as Cronenberg’s impetus was John Donne’s poem, “A Valediction: of Weeping.”

According to the Poetry Foundation) “…Donne’s predilection for intricate rhetorical figures, paradoxes, surprising swerves in tone, associative leaps, and ingenious conceits can make them feel artificial, or made of artifice.” Cronenberg’s The Shrouds, follows a similar arc vacillating between the real and the surreal, swerving in tone with associative leaps and his use of ingenious conceits, that not only makes it feel artificial (futuristic) but deeply visceral.

Cronenberg opens the film with an ethereal prologue of an image of some sort of protoplasm floating in the ether. From a brilliantly executed match cut leads the viewer into the real world of Karsh (Vincent Cassel), the film’s protagonist, and his mouth. Karsh is in the dental chair. His dentist has diagnosed Karsh with tooth decay caused by grief. The empathic dentist fixes Karsh up on a blind date with an attractive woman who closely resembles his deceased wife. His date is mortified when Karsh meets his date at a restaurant in the cemetery next to the Grave Tech burial plots. Karsh feels the need to take his date outside for a private viewing of his Grave Tech creation. These early events set the tone of the film and the audience reaction almost overwhelmingly energetic.

Vincent Cassel and Diane Kruger

The film’s plot revolves around Karsh – a likely stand-in for Cronenberg himself. Karsh is a prominent businessman, inconsolable since the death of his loving wife (Diane Kruger). Karsh’s invention of Grave Tech, a revolutionary and controversial technology enables the living to monitor their dear departed on a live-stream feed via a radioactive shroud that could have been designed by YSL. One-night, multiple graves at the Grave Tech burial grounds, including that of Karsh’s wife (Diane Kruger), are desecrated.

The grave crime sets in motion the theoretical details present In “The becoming-body of David Cronenberg’s characters,” published by Editor da PUCRS, Rosangela Fachel de Medeiros, describes “the extreme and visceral way…David Cronenberg, a Canadian filmmaker,  presents and investigates, in his films, the human body and the sexuality, and what social, cultural and artistic issues involved in this representation as evidence of the potential transformation of the body resulting from biotech advents and interaction with other bodies through violence or sex.”

Vincent Cassel and Sandrine Holt

Naturally, any thriller needs conspiracies, and The Shrouds has several involving the Russians, the Chinese, Karsh’s techie brother-in-law (played by Guy Pearce), the environmental movement based out of Iceland, his wife’s physician who also was his wife’s ex-beau, and the role of an angel Hungarian investor and his incredibly seductive wife (portrayed by Sandrine Holt. However, one conspiracy involving Maury and his wife leads to a desperate and wanton coupling between Karsh and Maury’s wife who is also Karsh’s dead wife’s sister (also portrayed by Kruger). This is where the plot really heats up, literally and figuratively, and begins reconciling the film’s various themes of grief, religion, technology, espionage, capitalism, and environmentalism.

Vincent Cassel and Diane Kruger

With an enthralling runtime of one hour and fifty-six minutes, The Shrouds is a wild ride steeped in absurdist, wet-dream-like surrealism. The film boasts a formidable and talented cast with Vincent Cassel, Diane Kruger, Guy Pearce and Sandrine Holt, reinforcing Cronenberg’s cinematic vision. Howard Shore’s musical score brings the film home.

Fans of Cronenberg’s work will know how fortunate they all are to have the 81-year-old filmmaker making a second film after his “retirement” announcement at Cannes in 2014. Saint Laurent, the production arm of Yves Saint Laurent, financed and co-produced this riveting flick with SBS Productions, and Prospero Pictures. Other notable Cronenberg films include, The Fly (1986), Crash (1996), A History of Violence (2005), Eastern Promises (2007), Maps to the Stars (2014), and Crimes of the Future (2022).

Highly recommended viewing. The Shrouds is slated for a Spring 2025 theatrical release – no pun intended.

 

HollywoodGlee celebrating the start of the 2019 AFI FEST presented by Audi. (Photo credit: Larry Gleeson)

ZOE SALDAÑA TO BE HONORED WITH AMERICAN RIVIERA AWARD

Posted by Larry Gleeson

ZOE SALDAÑA TO BE HONORED WITH

AMERICAN RIVIERA AWARD

AT 40TH ANNUAL SANTA BARBARA INTERNATIONAL FILM FESTIVAL

FRIDAY, FEBRUARY 7, 2025

(October 22, 2024] SANTA BARBARA, CAZoe Saldaña will be honored with the American Riviera Award at the 40th annual Santa Barbara International Film Festival. Saldaña will receive the award on Friday, February 7, 2025 at an in-person conversation about her career, leading up to her acclaimed performance this year as Rita Moro Castro in Netflix’s EMILIA PÉREZ. Zoe Saldaña’s performance in EMILIA PÉREZ is one of her most transformative roles to date, and adds another unique facet to her already impressive career.

“Zoe Saldaña has a fantastic filmography worth celebrating any year, but her commanding and stouthearted performance in EMILIA PÉREZ makes our tribute to her imperative” remarked SBIFF’s Executive Director Roger Durling.

Zoe Saldaña has steadily earned a reputation as one of the most versatile and respected powerhouses in the industry with a remarkable career spanning more than 20 years as an actor and producer. As the only actor in history to have starred in four films that have grossed over 2 billion dollars and the top three highest grossing films of all time, AVATAR, AVATAR: THE WAY OF WATER and Marvel Studios’ AVENGERS: ENDGAME, Saldaña’s passionate commitment to seeking compelling, indelible roles has remained constant.

Most recently, Saldaña lead and executive produced the independent film THE ABSENCE OF EDEN, directed by Marco Perego in his feature film debut, and currently stars in Taylor Sheridan’s undercover CIA drama series “Lioness” for Paramount+, which she also executive produces with her production company Cinestar Pictures. Saldaña can next be seen starring in the Spanish-language musical crime comedy from Jacques Audiard, EMILIA PÉREZ, which premiered at the 2024 Cannes Film Festival and took home the Jury Prize. Saldaña received the festival’s prestigious Best Actress Award alongside the female ensemble and Netflix will release the film in theaters this Fall.

From renegade auteur Jacques Audiard comes EMILIA PÉREZ, an audacious fever dream that defies genres and expectations. Through liberating song and dance and bold visuals, this odyssey follows the journey of four remarkable women in Mexico, each pursuing their own happiness. The fearsome cartel leader Emilia (Karla Sofía Gascón) enlists Rita (Zoe Saldaña), an unappreciated lawyer stuck in a dead-end job, to help fake her death so that Emilia can finally live authentically as her true self. Written and directed by Audiard (Rust and Bone, A Prophet), the double Cannes-winning film also stars Selena Gomez, Adriana Paz, and Édgar Ramírez.

The American Riviera Award was established to recognize actors who have made a significant contribution to American Cinema. Previous recipients include Mark Ruffalo, Brendan Fraser, Kristen Stewart, Delroy Lindo, Renée Zellweger, Viggo Mortenson, Sam Rockwell, Jeff Bridges, Michael Keaton, Rachel McAdams, Patricia Arquette, Ethan Hawke, Robert Redford, Quentin Tarantino, Martin Scorsese, Annette Bening, Sandra Bullock, Mickey Rourke, Tommy Lee Jones, Forrest Whitaker, Philip Seymour Hoffman, Kevin Bacon and Diane Lane.

The 40th Santa Barbara International Film Festival will take place LIVE February 4 – February 15, 2025. Official events including screenings, filmmaker Q&As, industry panels, and celebrity tributes, will be held throughout the city, including at the historic Arlington Theatre. Passes for the 2025 Festival are on sale now at sbiff.org.

Last year, the festival had a program of 200+ films from over 48 countries with honorary awards feted on Robert Downey Jr., Bradley Cooper, Paul Giamatti, Jeffrey Wright, America Ferrera, Lily Gladstone, Greta Lee, Charles Melton, Da’Vine Joy Randolph, Andrew Scott, Martin Scorsese, Justine Triet, Billie Eilish, and Ludwig Göransson.

A-list and industry guests will once again ascend to Santa Barbara, making it a must-stop location on the awards circuit, and delivering a record number of films with many World and U.S. premieres. The film lineup and schedule will be announced January 2025.

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 39 years, SBIFF has become one of the top 10 film festivals in the United States – attracting 100,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

SBIFF continues its commitment to education and the community throughout many free educational programs and events. SBIFF’s programs support over 18,000 kids, students and families in our local community by introducing film as an art form to young children with programs like AppleBox and Mike’s FieldTrip to the Movies; teaching film analysis to highschool and college students with programs like Rosebud and the Film Studies Program; and teaching the craft of screenwriting and filmmaking with Film Camp and 10-10-10 Mentorship programs. Most importantly SBIFF’s programs are always directed towards the under-represented and under-served communities within Santa Barbara County.

In 2016, SBIFF acquired the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s state-of-the-art, year-round home, showing new international and independent films every day. In 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.

An Analysis of The BlacKkKlansman and its Ramifications for the 2024 Presidential Election

Posted by Larry Gleeson

Director Spike Lee, known for his race films, through the New Black Realism film BlacKkKlansman creates a space for “Black voices, Black history, and Black culture.” (Diawara). Lee is challenging the relationship of Blackness and Americanness through white supremacists and mainstream characters who empathizes, support, and espouse their whiteness ideology. I will closely analyze the opening scene and decode moments in BlacKkKlansman to support my dominant reading argument. BlacKkKlansman, a social problem film of non-assimilation and an inversion of the classical Hollywood black and white buddy film narrative of the early 1990’s, is a 2018 American biographical crime dramedy based loosely on the 2014 memoir, Black Klansman by Ron Stallworth. Spike Lee won an Academy Award for his BlacKkKlansman screenplay adaptation of Stallworth’s memoir. Stallworth was a Colorado Springs police officer in the 1970’s who successfully broke the color barrier of the Colorado Springs police department. The film is set during the Civil Right Movement of the early 1970’s. Lee uses Stallworth, a magical negro of sorts, passing for a white supremacist to integrate the “Organization,” of the Ku Klux Klan, as the film’s main character.  According to Delphine Letort, in her paper, Introduction: BlacKkKlansman, “On the Right Side of History”? argues “Director Spike Lee uses the autobiographical narrative as a source text to trace the roots of the Trumpian rhetoric in a history of nativist activism, embedded in the history and the images of Hollywood.” (Letort).

Lee uses classical Hollywood nostalgic cinema to frame the film’s subtext. In the opening scene, the first thing the viewer sees is a scene of a large outdoor infirmary in Gone with the Wind. A crane tracking shot leads the viewer while nostalgic non-diegetic music shows hundreds of wounded soldiers. A Southern Belle is heard calling out for Dr. Meade. The final image slowly comes into frame. It is a panning shot that reveals a Confederate flag. A cut is made to a black and white frame, of a distinguished man in a suit and tie moving left in front of a Confederate flag. A red text overlay informs the person as Dr. Kennebrew Beauregard. Dr. Beauregard, an extreme ethnocentric xenophobe, addresses the camera, breaking the fourth wall inviting the viewer into the scene. Dr. Beauregard. begins, “My fellow Americans they say we may have lost the battle, but we didn’t lose the war. Yes, my friends we are under attack…The camera pushes in very fast and frames Dr. Beauregard.  in a Hollywood close-up. Lee uses pointed white supremacist dialogue, “We are under attack …we are living in an era marked by the spreads of integration and miscegenation.” A cut is made to two film reels starting. then cuts to a projector. A loud diegetic “Ha!” comes from off-screen as a cut is made to another Hollywood Closeup of Dr. Beauregard.  standing in a darkened room in front of a projection screen with 1950’s black and white archival footage covering Beauregard. Lee uses these images as throwback to the time of the Trump slogan Make America Great Again. Dr. Beauregard speaks referencing the Brown decision. U.S. Supreme Court Justice Earl Warren delivered the unanimous ruling in the landmark civil rights case Brown v. Board of Education of Topeka, Kansas, on May 17, 1954, that State-sanctioned segregation of public schools was a violation of the 14th amendment and was therefore unconstitutional.  “The Brown decision…from within…The Brown decision forced upon us by the Jewish-controlled puppets on the US Supreme Court compelling white children to go to school with an inferior race.”

The camera pulls out. With Dr. Beauregard in a medium shot with black and white archival footage showing a soldier watching as the Arkansas Nine walk toward a school. Dr. Beauregard continues speaking with “It’s the final Nail…” clears his throat and the camera pushes in for a Hollywood close-up. Dr. Beauregard resume speaking with “The final nail,” and inserts the word “black” before finishing with coffin. “Towards America becoming a mongrel nation.” A transition is made to an extreme closeup of Dr. Beauregard with low angle front lighting that cast a black shadow towering over Dr. Beauregard from the screen. Dr. Beauregard begins with “We had a great way of life.” Then begins repeating the phrase but extorts in rapid fire with vocal exercise “Ma ma ma ma.” Footage from D.W. Griffith’s 1915 race film, Birth of a Nation, starts. A transition revealing the camera has pulled out revealing Dr. Beauregard in a medium shot and in full color with a blue-gray suit, a white shirt, and a red polka dot tie.  Dr. Beauregard resume with “We had a great way of life,” three times in succession modulating each phrase differently.

Moreover, as the footage is rolling black images dance across Dr. Beauregard face. As Dr. Beauregard finishes his last iteration of, “We had a great way of life.” A transition is made revealing a still image of blacks and whites seated as someone off frame is speaking. The image is black and white. A large black text box with white text that reads MARTIN LUTHER KING at COMMUNIST TRAINING SCHOOL is pasted across the top of the image. Off-center in the lower half of the photo a large black arrow-shaped text box houses red capital letters, KING – identifying Martin Luther King, Jr. Dr. Beauregard continues with “until the Martin Luther Coons of this world and their army of commies….”  A cut is made pushing in on Killebrew with an extreme close-up in red low angle direct light with Birth of a Nation rolling on the projection screen and dark images dance on Killebrew’s face. “Started their civil rights assault against on holy white Protestant values. Do you really want…” A transition reveals a text card from Griffith’s film reading “Historic incidents from the first legislative session under Reconstruction. Dr. Beauregard continues with, “your precious white child going to school with Nigro’s.” A transition to the Birth of a Nation’s legislative session footage as Dr. Beauregard continues with, “they’re lying, dirty monkeys. Stopping at nothing to gain their equality with white men.” A transition is made back to Birth of a Nation with a frightened white woman hiding in the brush, uttering “oh, my god” The film cuts to a black-faced man bursting through a thicket reaching out with a crazed, lascivious look on his face.

Another transition is made back to Dr. Beauregard standing in front of the screen with Birth of a Nation being projected onto Dr. Beauregard and the screen. Dr. Beauregard is in a medium shot with full-color in a blue suit, white shirt, and red-polka dot tie speaking to the camera, “Craving the virgin white… Dr. Beauregard calls off-screen for a note, “Is it virgin pure?” An off-screen female answers succinctly, “Yes.” Dr. Beauregard continues with “rapists, murders…” as the film transitions back to Griffith’s black and white, Birth of a Nation, revealing a crazed looking man close to the ground in a simian pose, “craving the virgin, white, pure flesh of white women…” as footage reveals a woman jumping off a cliff with a diegetic scream to escape her black pursuer. A loud Dr. Beauregard belts out with a term used to describe black youths in the 1990’s, “They’re super predators!” as his figure is animated dark black with a few white spots on an otherwise dark black figure as the Birth of a Nation footage continues to project onto the screen behind Dr. Beauregard with the word race projected onto Dr. Beauregard face approximately where his lips and mouth are. The blackness of his figure and the accompanying shadow cover approximately ninety percent of the screen.

A cut is made to Dr. Beauregard in full color with a low angle lighting configuration. As he continues his assault on blacks, “and the Negros insidious tactics under the tutelage of high-ranking, blood-sucking Jews…” A cut is made to Dr. Beauregard in an extreme closeup with red lighting as he ramps up his rhetoric with, “Using an army of outside Northern black beasts…what is it black beasts? Agitators?” an off-screen voice interjects, “Agitators.” Dr. Beauregard in a high-tempered manner delivers, “God! God watch this! A cut is made as Dr. Beauregard reiterates, ““Using an army of outside Northern black beast agitators determined to overthrow the God-commanded and Biblically inspired rule of the white race.” The film transitions to a black screen with white letters from a Birth of a Nation cue card. Dr. Beauregard eyes and glasses can be seen briefly. A cut returns to a medium shot of Dr. Beauregard in color with blue suit, white shirt and red polka dotted tie, as he continues his tirade with, “It’s an international conspiracy.”

The film cuts to Dr. Beauregard in an extreme closeup with red lighting and Birth of a Nation projected onto the screen behind Dr. Beauregard “May God bless us all.” Somber music plays as the off-screen female voice calls out, “May God bless you, too, sir.” A cut is made to a black and white frame. A push in towards a projector beaming grainy white light ends the scene as a transition is made to colorized frame of a rock face like the rock formation of the woman jumping to her death to escape her predator. “These historical allusions rely on Baldwin’s exaggerated SNL-like persona to handhold audiences across time: echoes of Baldwin’s performances as President Donald Trump flit through Beauregard’s repeating “integration, miscegenation” as the faux white supremacist revolts at the prospect of improved citizenship status for Black people. American greatness would be at risk should Black and white children learn together: Beauregard’s hostilities fire and misfire directly into the camera lens as dress rehearsals of Lee’s 1950s PSA upholding the principles of segregation.” (Baker)

Through the dialogue, camerawork, lighting, setting, costumes, editing, and sound, Lee gives a white supremacist meaning to the scene in relation to the representation of race and African American stereotypes. In the opening scene race is represented with the notion that white people have the Biblically decreed right top rule over all the other races. Blacks are represented as dirty, filthy monkeys, as Northern black beast agitators, and as civil rights communists, trying to prove their equal worth to the white man.  Whites through Dr. Beauregard’s clothing, posture, as astute and knowledgeable. Yet, at the same time Dr. Beauregard appears ridiculous with his coughing, clearing of his throat, the editing showing black and white imagery, red lighting, and film projection covering Dr. Beauregard in humorous ways. Lee uses the opening scene to provide an historical record of racism through the 100 years between the Civil War and the present time, while mocking the white supremacist, Dr. Beauregard.  The scene is about racism and how it is spread through public personas and through the state ideological apparatus media. This scene is relevant as it allows this type of rhetoric to be normalized. The scene sets the groundwork for the rest of the film to build its case that racism has continued to exist and is ongoing in present time.

In the film’s final scene Patrice and Ron make their way down the hallway, a burning cross is visible in the distance. Lee cuts to the cross-burning event at the Black Lives Matter protest in Charlottsville, Virginia, with a formation of torch-bearing white men converging and chanting, “We will not let Jews replace us.” Racism and prejudices against blacks and Jews are normalized in BlacKkKlansman. As the film ends an homage is made to Heather Heyer, a twenty-year-old woman hit and killed by a white nationalist driver. An upside-down flag (a country in dire distress) covers the screen. Lee’s cinematic representation of the black civil rights is stylish with his implementation of floating glamor headshots.

In my opinion, the ideological meaning of BlacKkKlansman is that racism, antisemitism, and white supremacy are as valid today as they have ever been. And the stakes are as high as they have ever been. Former President Donald Trump is running for a second non-consecutive term as President of the United States. Trump was indicted on August 1, 2020, for crimes against the American people and “schemes by Trump and his allies to subvert the peaceful transfer of power and keep him in office despite a decisive loss,” (PBS) Trump called out the Proud Boys during the first Presidential debate. The Proud Boys consider themselves “Western chauvinists” who romanticize a traditional, male-dominated version of Western culture. While the Proud Boys vehemently deny adhering to a racist ideology, the organization is deeply rooted in white nationalism and misogyny. (Jensen,Yates, and Kane) According to a New York Times article Published Sept. 29, 2020Updated Jan. 20, 2021, by Sheera Frenkel and Annie Karni. When asked whether he condemned white supremacists and military groups, Mr. Trump demurred and then said, “Proud Boys — stand back and stand by.” Former President Donald Trump is running for a second non-consecutive term as President of the United States. Trump was indicted on August 1, 2020, for crimes against the American people and “schemes by Trump and his allies to subvert the peaceful transfer of power and keep him in office despite a decisive loss,” (PBS) Trump called out the Proud Boys during the first Presidential debate. According to a New York Times article Published Sept. 29, 2020Updated Jan. 20, 2021, by Sheera Frenkel and Annie Karni, when asked whether he condemned white supremacists and military groups, Mr. Trump demurred and then said, “Proud Boys — stand back and stand by.”

And finally, Jayson Baker’s article considers Lee’s film as illustrative of “Blacklash cinema,” which he defines as a wave of films using “sheets of the past” to comment on the present. The author thus demonstrates how white supremacy has coded itself into Hollywood cinema-including plantation films such as Gone with the Wind and The Birth of a Nation- while there is no cinematic convention for denouncing racial injustice. BlacKkKlansman therefore invents a new time-space temporality for the adaptation of Stallworth’s story, showing how cultural images of the past continue to bear on the present. (Baker) This “blacklash” entangles thought and action making explicable the Barack Obama presidency…. A Black president symbolically eclipses centuries of structural racisms securing white privileges that find their basis in white supremacy. Some whites feel their status has been downgraded by the perceived upward mobility of Black Americans signaled in no small part by the Obama administration. (Baker)

People need to understand the concept of being on the right side of history and the possibility of a white nationalist character unleashing pain and suffering on Other groups in a lawful society through the bully pulpit and by advancing a white supremacist ideology. BlacKkKlansman is generally regarded as Lee’s strongest film in recent years and stands as a testament to the ongoing racism in America. and the distinct possibility of America going further into hegemonic mainstream politics. In my opinion, the ideological meaning of BlacKkKlansman is that racism and white supremacy are as valid today as they have ever been. And the stakes are as high as they have ever been. Ron is told in BlacKkKlansman that he is naïve if he doesn’t think the mainstreaming of KKK rhetoric might someday lead to someone with those views occupying the White House. (Benshoff) I believe the continued existence and the potentiality for a resurgence of the KKK and the ascendance of white supremacists into critical and key positions within a second Trump Presidential Administration would not only be possible but probable and problematic.

 

Works Cited

Baker, Jason. BlacKkKlansman and the ‘Sheets of the Past’: Toward a Theory of Blacklash Cinema.https://www.proquest.com/docview/2647740944/abstract/E78C75DBB3624B29PQ/1?accountid=28576&sourcetype=Scholarly%20Journals Black Camera: Bloomington. Vol. 13, Iss. 2 (Spring 2022): 282-294. Accessed 20 October 2024

Benshoff, Harry M.; Griffin, Sean. America on film: representing race, class, gender, and sexuality at the movies https://cacclsbarbara.primo.exlibrisgroup.com/discovery/delivery/01CACCL_SBARBARA:SBARBARA/1241872840005285  3rd Edition. Wiley Blackwell, April 20, 2021

Diawara, Manthia. “Black American Cinema: The New Realism.” FS 109, Prof Maestu. Accessed 20 Oct. 2024

Jensen, Michael, Elizabeth Yates, and Sheehan Kane. 2022. “Proud Boys Crimes and Characteristics.” College Park, MD: START. https://www.start.umd.edu/sites/default/files/publications/local_attachments/Proud Boy Crimes and Characteristics January 2022 FINAL.pdf University of Maryland, January 2022 Accessed 20 Oct. 2024.

Letort, Delphine. “Introduction: BlacKkKlansman, “On the Right Side of History”?”sbcc.idm.oclc.org/login?url=www.proquest.com/scholarly-journals/introduction-blackkklansman-on-right-side-history/docview/2647740450/se-2?accountid=28576.Black Camera; Bloomington Vol. 13, Iss. 2, (Spring 2022): 203-206. Accessed 20 Oct. 2024

https://www.archives.gov/mil (https://www.archives.gov/milestone-documents/brown-v-board-of-education)estone-documents/brown-v-board-of-education Accessed 20 Oct. 2024.

https://www.nbc (Bogert)news.com/news/us-news/analysis-how-media-created-superpredator-myth-harmed-generation-black-youth-n1248101 Accessed 20 Oct. 2024.

https://www.nytimes.com/2020/09 (Frenkel)/29/us/trump-proud-boys-biden.html  Accessed 20 Oct. 2024.

https://www.pbs.org/newshour/politics/watch-live-trump-indicted-on-federal-charges-in-jan-6-case-special-counsel-jack-smith-announces  Accessed 20 Oct. 2024

AFI FEST 2024 PRESENTED BY CANVA ANNOUNCES SPONSORS AND PARTNERS

Posted by Larry Gleeson

AFI FEST 2024 PRESENTED BY CANVA

ANNOUNCES SPONSORS AND PARTNERS

FESTIVAL TO PRESENT OVER 150 FILMS
OPENS ON WEDNESDAY, OCTOBER 23

Tickets and Passes Available Online and at AFI FEST Box Office During Festival

FOR IMMEDIATE RELEASE – Los Angeles, CA, October 21, 2024 — The American Film Institute (AFI) announced today the sponsors and partners for AFI FEST 2024 presented by Canva. This year’s festival runs from October 23 through October 27 in Hollywood and the festival lineup includes 6 Red Carpet Premieres, 12 Special Screenings, 13 Luminaries selections, 15 Discovery films, 12 World Cinema selections, 14 Documentaries, 4 After Dark titles, 54 films in the Short Film Competition, and 28 films from the AFI Conservatory Showcase. There are 4 World Premieres, 6 North American Premieres and 7 U.S. Premieres.

Passes and tickets are available at FEST.AFI.com and at the AFI FEST Box Office located inside the TCL Chinese 6 Theatres Lobby during the festival. Sold-out screenings, including Red Carpet Premieres, will have a rush line.

Canva is this year’s Presenting Sponsor and additional Corporate Partners for AFI FEST 2024 presented by Canva are Official Water Partner FIJI Water, Premium Sponsor Apple Original Films, AMC Networks, First Entertainment Credit Union, Amazon MGM Studios and Netflix. AMC Networks is presenting this year’s AFI Conservatory Showcase scheduled for October 25.

This year’s In-Kind Sponsors include Panavision, Illuminar, Eventive, Ovation Hollywood, TCL Chinese Theatres, US Blanks, Cinegear and SirReel.

The Envelope by The Los Angeles Times is back as the festival’s Primary Media Partner and the Red Carpet Premieres Media Partner.

The Wall Street Journal, Variety, The Hollywood Reporter and ABC7 On the Red Carpet are Official Media Partners.

Affiliate Media Partners include TheWrap, IndieWire, Screen International and KCRW.

The Official Media Partners and Affiliate Media Partners will each be presenting a dedicated Special Screening. The Wall Street Journal will present THE ORDER, Variety will present THE ROOM NEXT DOOR, The Hollywood Reporter will present SEPTEMBER 5, ABC7 On the Red Carpet will present NIGHTBITCH, TheWrap will present THE FIRE INSIDE, IndieWire will present I’M STILL HERE, Screen International will present BIRD and KCRW will present NICKEL BOYS.

This year’s Cultural Supporters include the European Languages and Movies in America (ELMA), SAGindie, Farhang Foundation, Japan House LA, Quebec Government Office, Spain Arts Villa Albertine, Consulate General of France in Los Angeles, Istituto Luce Cinecittà, Instituto Italiano de Cultura LA, Consulate General of Italy, Italian Trade Agency and Embassy of Spain.

This year’s Community Partners are African American Film Critics Association, Amoeba Music, Armenian Film Society, Asian American Media Alliance, Asian Pacific Filmmakers Experience, Black Film Space, CAPE (Coalition of Asian Pacifics in Entertainment), Canadians Abroad, Cervantes of Los Angeles, Embassy of Spain, Film Fatales, Ghetto Film School, Goethe-Institut Los Angeles Association, Gold House, Greek LA Film Festival, Hollywood Brazilian Film Festival, Indian Film Festival of Los Angeles, International Documentary Association, Japan Consulate, LA Filmforum, Lobos Boxing Club, Los Angeles Greek Film Festival, Los Angeles Latino International Film Festival, MENA Arts Advocacy Coalition, NALIP (National Association of Latino Producers), New Filmmakers of LA, Queer Film LA, Rumble Boxing Gym West Hollywood, Science & Entertainment Exchange, South East European Film Festival, Trans Film Center, USC Center for Enthographic Media Arts, USC Women of Cinematic Arts, Visual Communications Media (VC Media) and Women in Film.

As previously announced, the festival will open with the World Premiere of MUSIC BY JOHN WILLIAMS and close with the World Premiere of Clint Eastwood’s JUROR #2. Other Red Carpet Premieres section highlights include HERETIC starring Hugh Grant, the World Premiere of Robert Zemeckis’ HERE as the Centerpiece Screening, MARIA starring Angelina Jolie and the World Premiere of WALLACE & GROMIT: VENGEANCE MOST FOWL. On Thursday, October 24, AFI will honor Robert Zemeckis with a Directors Spotlight, featuring an in-depth conversation between Zemeckis and Tom Hanks about his illustrious career. This event is free and open to the public subject to availability. Tickets must be reserved in advance and seating is not guaranteed.

To learn more about AFI FEST and to view the full festival lineup visit FEST.AFI.com

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to FEST passes and exclusive one-of-a-kind opportunities at AFI FEST. To learn more, email Advancement@AFI.com.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film school in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at increasing diversity in the storytelling community, including AFI DWW+ and the AFI Cinematography Intensive for Women. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstituteYouTube.com/AFIX.com/AmericanFilmTikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

About AFI FEST presented by Canva
Now in its 38th year, AFI FEST presented by Canva is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 23-27, 2024. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST presented by Canva includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFESTTwitter.com/AFIFESTInstagram/AmericanFilmInstituteTikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva 

Launched in 2013, Canva is a free online visual communications and collaboration platform with a mission to empower everyone in the world to design. Featuring a simple drag-and-drop user interface and a vast range of templates ranging from presentations, documents, websites, social media graphics, posters, apparel to videos, plus a huge library of fonts, stock photography, illustrations, video footage, and audio clips, anyone can take an idea and create something beautiful. Entertainment professionals can access resources to help them express their ideas, pitch film and TV projects, plan shoots and beyond at canva.com/entertainment.

 

Press contact: American Film Institute

Shari Mesulam: shari@themesulamgroup.com

AFI FEST 2024 PRESENTED BY CANVA ANNOUNCES FULL FESTIVAL LINEUP

Posted by Larry Gleeson

AFI FEST 2024 PRESENTED BY CANVA

ANNOUNCES FULL FESTIVAL LINEUP 

Newly Announced Titles Include:

SEPTEMBER 5,

ALL WE IMAGINE AS LIGHT, THE LUCKIEST MAN IN AMERICA,

ZURAWSKI V TEXAS, OH, CANADA and More

Official Selections Represent 44 Countries and Include 9 Best International Feature Oscar® Submissions

Passes Available Now and Tickets on Sale October 7

FOR IMMEDIATE RELEASE, Los Angeles, CA, October 1, 2024 — The American Film Institute (AFI) announced today the full lineup for this year’s AFI FEST presented by Canva, taking place in Los Angeles from October 23 to October 27. Rounding out the impressive slate of already announced titles are such highlights as SEPTEMBER 5 directed by Tim Fehlbaum, ALL WE IMAGINE AS LIGHT directed by Payal Kapadia, THE LUCKIEST MAN IN AMERICA directed by Samir Oliveros (AFI Class of 2019), ZURAWSKI V TEXAS from executive producers Hillary Clinton, Chelsea Clinton and Jennifer Lawrence and directors Maisie Crow and Abbie Perrault, and OH, CANADA directed by Paul Schrader (AFI Class of 1969) among a full lineup of 158 films set to screen at the 38th edition of AFI FEST. Passes are now available at FEST.AFI.com. AFI FEST 8-Ticket Bundles will be available starting October 4, and individual tickets for all screenings will be available starting October 7.

Of the official selections, 48% are directed by women and non-binary filmmakers and 26% are directed by BIPOC filmmakers.

Additional festival highlights include documentaries ARCHITECTON directed by Victor Kossakovsky; CHEECH & CHONG’S LAST MOVIE directed by David Bushell; DEVO directed by Chris Smith about the legendary new wave provocateurs; GAUCHO GAUCHO directed by Michael Dweck and Gregory Kershaw; GROUP THERAPY directed by Neil Berkeley with Emmy® winner Neil Patrick Harris and Tig Notaro; NO OTHER LAND directed by a Palestinian-Israeli team comprised of Basel Adra, Yuval Abraham, Rachel Szor and Hamdan Ballal; PAVEMENTS directed by Alex Ross Perry; and SEPARATED directed by Errol Morris.

Notable narrative titles include BLACK DOG (GOU ZHEN) directed by Guan Hu; BONJOUR TRISTESSE directed by Durga Chew-Bose with Academy Award® nominee Chloë Sevigny; CAUGHT BY THE TIDES directed by Jia Zhangke; HARD TRUTHS directed by Mike Leigh with Academy Award® nominee Marianne Jean-Baptiste; LA COCINA directed by Alonso Ruizpalacios with Academy Award® nominee Rooney Mara; ON BECOMING A GUINEA FOWL directed by Rungano Nyoni; PARTHENOPE directed by Paolo Sorrentino; THE SHROUDS directed by David Cronenberg; and TO A LAND UNKNOWN directed by Mahdi Fleifel.

This year’s festival lineup includes 6 Red Carpet Premieres, 12 Special Screenings, 13 Luminaries selections, 15 Discovery films, 12 World Cinema selections, 14 Documentaries, 4 After Dark titles, 54 films in the Short Film Competition, and 28 films from the AFI Conservatory Showcase presented by AMC Networks. There are 4 World Premieres, 6 North American Premieres and 7 U.S. Premieres. This year’s program represents 44 countries and includes 9 Best International Feature Oscar® submissions, including DAHOMEY (Senegal), GRAND TOUR (Portugal), I’M STILL HERE (Brazil), SANTOSH (UK), THE SEED OF THE SACRED FIG (Germany), SUJO (Mexico), UNDER THE VOLCANO (Poland), UNIVERSAL LANGUAGE (Canada) and VERMIGLIO (Italy).

“We are proud to bring the best in film from around the world to the city of Los Angeles. It’s a celebration of storytelling in all its forms, where diverse voices and unique perspectives promise to inspire audiences of all ages,” said Todd Hitchcock, Director of AFI FEST and the AFI Silver Theatre and Cultural Center.

As previously announced, the festival will open with the World Premiere of MUSIC BY JOHN WILLIAMS and close with the World Premiere of Clint Eastwood’s JUROR #2.

Other Red Carpet Premieres section highlights include HERETIC starring Hugh Grant, the World Premiere of Robert Zemeckis’ HERE as the Centerpiece Screening, MARIA starring Angelina Jolie and the World Premiere of WALLACE & GROMIT: VENGEANCE MOST FOWL. Titles in the Special Screenings section include BIRD, THE FIRE INSIDE, I’M STILL HERE, NIGHTBITCH, THE ORDER, A REAL PAIN, THE ROOM NEXT DOOR, THE SUMMER BOOK and UNSTOPPABLE. On Thursday, October 24, AFI will honor Robert Zemeckis with a Directors Spotlight, featuring an in-depth conversation between Zemeckis and Tom Hanks about his illustrious career. This event is free and open to the public subject to availability. Tickets must be reserved in advance and seating is not guaranteed.

Passes are available at FEST.AFI.com. A pass alone does not grant entry to a screening, and passholders must reserve tickets in advance of the festival. Patron passholders will have priority access to screening selection on October 2 beginning at 11:00 a.m. PT. Star passholders will have early access to screening selection on October 3 beginning at 11:00 a.m. PT. AFI FEST 8-Ticket Bundles will be available starting October 4, and individual tickets will be available on October 7. AFI members receive discounts on tickets and other exclusive benefits. Learn more at FEST.AFI.com.

 

Red Carpet Premieres

AFI rolls out the red carpet for some of the biggest films of the festival. Sure to be an exciting celebration of the best in film, the section delivers world-class filmmakers and artisans, and a dose of Hollywood magic that can only be found at the iconic TCL Chinese Theatre.

HERE
Robert Zemeckis’ HERE, starring Tom Hanks and Robin Wright, from a screenplay co-written with Eric Roth, reunites the director, stars and writer of FORREST GUMP in a tale of love, loss, laughter and life. DIR Robert Zemeckis. SCR Eric Roth, Robert Zemeckis. CAST Tom Hanks, Robin Wright, Paul Bettany, Kelly Reilly. USA

HERETIC
Starring Hugh Grant, HERETIC follows two young missionaries who are forced to prove their faith when they knock on the wrong door and are greeted by a diabolical Mr. Reed, becoming ensnared in his deadly game of cat-and-mouse. DIR Scott Beck, Bryan Woods. SCR Scott Beck, Bryan Woods. CAST Hugh Grant, Sophie Thatcher, Chloe East. USA

JUROR #2
The film follows family man Justin Kemp who, while serving as a juror in a high profile murder trial, finds himself struggling with a serious moral dilemma…one he could use to sway the jury verdict and potentially convict – or free – the accused killer. DIR Clint Eastwood. SCR Jonathan A. Abrams. CAST Nicholas Hoult, Toni Collette, J.K. Simmons, Chris Messina, Gabriel Basso, Zoey Deutch, Cedric Yarbrough, Leslie Bibb, Kiefer Sutherland. USA

MARIA
Directed by Pablo Larraín and starring Academy Award® winner Angelina Jolie as Maria Callas, MARIA presents a tumultuous and beautiful depiction of one of the world’s most renowned artists and reimagines the legendary soprano in her final days in Paris. DIR Pablo Larraín. SCR Steven Knight. CAST Angelina Jolie, Pierfrancesco Favino, Alba Rohrwacher, Haluk Bilginer, Kodi Smit-Mcphee. Italy, Germany, USA

MUSIC BY JOHN WILLIAMS
MUSIC BY JOHN WILLIAMS is a comprehensive look at the prolific life and career of legendary Oscar®-winning composer John Williams and his indelible impact on popular culture. DIR Laurent Bouzereau. CAST John Williams. USA

WALLACE AND GROMIT: VENGEANCE MOST FOWL
Wallace and Gromit return in a brand new epic adventure! Gromit’s concern that Wallace is becoming too dependent on his inventions proves justified, when Wallace invents a “smart gnome” that seems to develop a mind of its own. DIR Merlin Crossingham, Nick Park. SCR Nick Park, Mark Burton. CAST Ben Whitehead,Peter Kay,Lauren Patel, Reece Shearsmith, Reece Shearsmith, Diane Morgan, Adjoa Andoh, Lenny Henry. UK
Special Screenings

Highlighting the most acclaimed films of the season from both master filmmakers and emerging talents, these films stand apart for their artistry and unforgettable stories, characters and performances.

BIRD
Andrea Arnold (AFI Class of 1991) returns with a dreamy social-realist drama that soars into the surreal. Featuring buzzworthy performances from Barry Keoghan, Franz Rogowski and newcomer Nykiya Adams. DIR Andrea Arnold. SCR Andrea Arnold. CAST Barry Keoghan, Franz Rogowski, Nykiya Adams, Jason Buda, Jasmine Jobson. UK, France, USA, Germany

DEVO
Chris Smith’s fascinating documentary about legendary new wave provocateurs Devo will delight not only longtime “spuds” – the band’s endearing moniker for Devo-tees – but those too young to have experienced the heyday of the band’s singularly strange career. DIR Chris Smith. CAST Mark Mothersbaugh, Jerry Casale, Bob Mothersbaugh. UK, USA

THE FIRE INSIDE
Acclaimed cinematographer Rachel Morrison (AFI Class of 2006) makes her directorial debut with this engrossing drama about professional boxer Claressa Shields’ meteoric journey from Michigan to London for the 2012 Olympics. DIR Rachel Morrison. SCR Barry Jenkins. CAST Ryan Destiny, Brian Tyree Henry. USA

I’M STILL HERE
Walter Salles’ first feature film in more than a decade returns to the Brazil of the early 1970s, where the military dictatorship is tightening its grip on civil society. Fernanda Torres stars in this based-on-true-events story. DIR Walter Salles. SCR Murilo Hauser, Heitor Lorega. CAST Fernanda Torres, Selton Mello, Fernanda Montenegro. Brazil, France

THE LUCKIEST MAN IN AMERICA
In 1984, a contestant on the popular gameshow PRESS YOUR LUCK – an unemployed ice cream truck driver (Paul Walter Hauser) – pulled off the longest win streak in the show’s history. Was he just lucky, or had he hacked the game? DIR Samir Oliveros (AFI Class of 2019). SCR Maggie Briggs, Samir Oliveros. CAST Paul Walter Hauser, Walton Goggins, Shamier Anderson, David Strathairn, Maisie Williams. USA

NIGHTBITCH
Motherhood is a (night) bitch in Marielle Heller’s (THE DIARY OF A TEENAGE GIRL, CAN YOU EVER FORGIVE ME?) frank, perceptive and fur-ociously funny adaptation of Rachel Yoder’s bestselling 2021 novel. DIR Marielle Heller. SCR Marielle Heller. CAST Amy Adams, Scoot McNairy, Arleigh Snowden, Emmett Snowden, Zoë Chao, Mary Holland, Archana Rajan, Jessica Harper. USA

THE ORDER
An FBI agent investigates a string of bank robberies across the Pacific Northwest, perpetrated by a white supremacist group in Justin Kurzel’s riveting historical thriller, starring Jude Law, Nicholas Hoult, Tye Sheridan and Jurnee Smollett. DIR Justin Kurzel. SCR Zach Baylin. CAST Jude Law, Nicholas Hoult, Tye Sheridan, Jurnee Smollett, Alison Oliver, Marc Maron. USA, UK, Canada

A REAL PAIN
Jesse Eisenberg crafts an odd-couple road movie for the ages about a pair of semi-estranged cousins reconnecting on a tour through Poland to visit their late grandmother’s homeland. DIR Jesse Eisenberg. SCR Jesse Eisenberg. CAST Jesse Eisenberg, Kieran Culkin, Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, Daniel Oreskes. USA

THE ROOM NEXT DOOR
In his first English language feature film, Spanish iconoclast Pedro Almodóvar brings his trademark flair to this elegant mortality tale, which stars Oscar®-winning actresses Julianne Moore and Tilda Swinton and won the Golden Lion for Best Film at the Venice Film Festival. DIR Pedro Almodóvar. SCR Pedro Almodóvar. CAST Julianne Moore, Tilda Swinton, John Turturro, Alessandro Nivola. Spain

SEPTEMBER 5
At the 1972 Munich Olympics, the ABC Sports broadcasting crew led by Roone Arledge (Peter Sarsgaard) must suddenly pivot to covering hard news when the Israeli Olympic team is taken hostage by terrorists. DIR Tim Fehlbaum. SCR Moritz Binder. CAST Peter Sarsgaard, John Magaro, Ben Chaplin, Leonie Benesch, Zinedine Soualem. Germany

THE SUMMER BOOK
After the death of her mother, Sophia and her father (Anders Danielsen Lie) take refuge for the summer at the home of her grandmother (Glenn Close), nestled on the shores of a remote Finnish island. DIR Charlie McDowell (AFI Class of 2006). SCR Robert Jones. CAST Glenn Close, Anders Danielsen Lie, Emily Matthews. USA, Finland

UNSTOPPABLE
Starring Jharrel Jerome, UNSTOPPABLE tells the incredible real-life story of wrestler Anthony Robles, born without a leg, who became a high school and collegiate champion. The winning cast includes Jennifer Lopez, Don Cheadle, Michael Peña and Bobby Cannavale. DIR William Goldenberg. SCR Eric Champnella, Alex Harris, John Hindman. CAST Jharrel Jerome, Bobby Cannavale, Michael Peña, Anthony Robles, Don Cheadle, Jennifer Lopez. USA
Luminaries

The latest films from world-renowned filmmakers whose work continues to challenge and inspire.

AFTERNOONS OF SOLITUDE
Albert Serra enters the bullfighting arena with torero Andrés Roca Rey, to document the primitive, brutal and highly ritualized custom, in a thrilling and unforgettable examination of human skill against animal nature. DIR Albert Serra. SCR Albert Serra. CAST Andrés Roca Rey, Antonio Gutiérrez, Francisco Durán, Francisco Gómez, Manuel Lara. Spain

CAUGHT BY THE TIDES (FENG LIU YI DAI)
Filmmaker Jia Zhangke traverses contemporary China and his own filmography in this masterful compilation of footage taken over the last several decades, guided by wife and frequent collaborator, Zhao Tao. DIR Jia Zhang-Ke. SCR Jia Zhang-Ke, Wan Jiahuan. CAST Zhao Tao, Li Zhubin, Pan Jianlin, Lan Zhou. China

GRAND TOUR
Portuguese filmmaker Miguel Gomes won the Best Director award at this year’s Cannes Film Festival for this spellbinding travelogue, where time, place, language and culture collide into an intoxicating masterwork. DIR Miguel Gomes. SCR Telmo Churro, Maureen Fazendeiro, Mariana Ricardo, Miguel Gomes. CAST Gonçalo Waddington, Crista Alfaiate, Cláudio da Silva, Lang Khê Tran. Portugal

HARD TRUTHS
Marianne Jean-Baptiste (SECRETS & LIES) reunites with British filmmaker Mike Leigh in this nuanced and compassionate look at the devastating impact of sadness and loneliness on a middle-class Black family. DIR Mike Leigh. SCR Mike Leigh. CAST Marianne Jean-Baptiste, Michele Austin, David Webber, Tuwaine Barrett, Ani Nelson. UK, Spain

HARVEST
Acclaimed filmmaker Athina Rachel Tsangari returns with this darkly funny and intoxicating period piece following a community of medieval farmers who face the destruction of their simplistic way of life. DIR Athina Rachel Tsangari. SCR Joslyn Barnes, Athina Rachel Tsangari. CAST Caleb Landry Jones, Harry Melling, Rosy Mcewen, Arinzé Kene, Thalissa Teixeira. UK, USA, Germany, France, Greece

IT’S NOT ME (C’EST PAS MOI)
Leos Carax, the visionary auteur of ANNETTE, HOLY MOTORS and THE LOVERS ON THE BRIDGE, playfully and provocatively revisits his own oeuvre and the history of cinema itself, interrogating its imagery and its power. DIR Leos Carax. SCR Leos Carax. CAST Denis Lavant, Nastya Golubeva Carax, Kateryna Yuspina, Loreta Juodkaite, Anna-Isabel Siefkin. France

MEET THE BARBARIANS
Julie Delpy expertly walks the line between crowd-pleasing comedy and serious-minded drama with this satirical look at a French village preparing to welcome a Ukrainian refugee family and surprised when a Syrian family shows up instead. DIR Julie Delpy. SCR Julie Delpy, Matthieu Rumani, Nicolas Slomka. CAST Julie Delpy, Sandrine Kiberlain, Laurent Lafitte, Ziad Bakri India Hair. France

OH, CANADA
Paul Schrader’s (AFI Class of 1969) new film, which premiered at Cannes, follows political documentarian Leonard Fife — portrayed by Richard Gere and Jacob Elordi — who, after a long and successful career, is set for his final interview, moderated by his wife Emma (Uma Thurman). DIR Paul Schrader. SCR Paul Schrader. CAST Richard Gere, Jacob Elordi, Uma Thurman, Michael Imperioli. USA

PARTHENOPE
Filmmaker Paolo Sorrentino gorgeously depicts the tale of Parthenope, a young woman possessed of near supernatural beauty befitting her mythic namesake – who embarks on a sentimental education in her life and academic career in Naples. DIR Paolo Sorrentino. SCR Paolo Sorrentino. CAST Celeste Dalla Porta, Stefania Sandrelli, Gary Oldman, Silvio Orlando, Luisa Ranieri. Italy, France

THE SEED OF THE SACRED FIG
Mohammad Rasoulof’s daring drama about two daughters defying their conservative father courted controversy in Iran for both its allegorical, regime-critical implications, and for its depiction of real-life street protests and women without headscarves in defiance of local censors. DIR Mohammad Rasoulof. SCR Mohammad Rasoulof. CAST Misagh Zare, Soheila Golestani, Mahsa Rostami, Setareh Maleki, Niousha Akhshi. Iran, France, Germany

SEPARATED
Errol Morris takes an incisive look at the Trump administration’s child separation policy, from its conception to a disorganized dismantling that has, to this day, left thousands of families still separated. DIR Errol Morris. CAST Jonathan White, Gabriela Cartol, Diego Armando Lara Lagunes, Lee Gelernt, Jacob Soboroff. USA, Mexico

THE SHROUDS
In David Cronenberg’s latest, businessman Karsh conceives of a technology that permits video access to monitor the decomposition of loved ones from inside the grave. DIR David Cronenberg. SCR David Cronenberg. CAST Vincent Cassel, Diane Kruger, Guy Pearce, Sandrine Holt. Canada, France

A TRAVELER’S NEEDS
Reuniting with Hong Sang-soo for the third time, Isabelle Huppert stars as Iris, an eccentric French teacher making her way in Seoul in this elusive, fish-out-of-water comedy that was awarded the Grand Jury Prize at this year’s Berlin Film Festival. DIR Hong Sang-soo. SCR Hong Sang-soo. CAST Isabelle Huppert, Lee Hye-young, Kwon Hae-hyo, Ha Seong-guk, Kim Seung-yun. South Korea

Discovery

A showcase for exciting new voices that push the boundaries of contemporary cinema with cutting-edge themes and profoundly original visions.

BONJOUR TRISTESSE
Cécile (Lily McInerny) is having a blissful summer with her widowed father (Claes Bang) and his latest fling until Anne (Chloë Sevigny), an old friend of her parents, drops in for a visit. DIR Durga Chew-Bose. SCR Durga Chew-Bose. CAST Lily McInerny, Chloë Sevigny, Claes Bang, Nailia Harzoune, Aliocha Schneider. Canada

COLOR BOOK
Recently widowed Lucky is adjusting to life as the now-primary caretaker of his son Mason who has Down syndrome. On their way to his first baseball game, they experience obstacles at every turn. DIR David Fortune. SCR David Fortune. CAST Will Catlett, Jeremiah Daniels, Brandee Evans, Terri J. Vaughn. USA

EEPHUS
Set in the crisp New England fall, EEPHUS observes a single ball game – the last to be played by longtime local rivals at the soon-to-be demolished Soldiers Field. DIR Carson Lund. SCR Michael Basta, Nate Fisher, Carson Lund. CAST Keith William Richards, Cliff Blake, Ray Hryb, Bill “Spaceman” Lee, Frederick Wiseman. USA

FAMILIAR TOUCH
Ruth (Kathleen Chalfant), an aging woman with dementia, transitions to life in assisted living, grappling with her shifting relationships with caregivers, her son (H. Jon Benjamin) and her memory loss in this poignant feature debut. DIR Sarah Friedland. SCR Sarah Friedland. CAST Kathleen Chalfant, Carolyn Michelle Smith, Andy Mcqueen, H. Jon Benjamin. USA

GLORIA!
Tradition and the nouveau clash in this poppy feminist romp, set in the late 18th century in a deteriorating Catholic music institute for girls, about a quartet of renegade musicians. DIR Margherita Vicario. SCR Margherita Vicario, Anita Rivaroli. CAST Galatea Bellugi, Carlotta Gamba, Veronica Lucchesi, Maria Vittoria Dallasta, Sara Mafodda. Italy

HANAMI
Dreams and reality are seamlessly interwoven to create a lyrical rumination on familial, geographical longing and belonging in Denise Fernandes’ coming-of-age tale set on the volcanic island of Fogo, Cape Verde. DIR Denise Fernandes. SCR Denise Fernandes, Telmo Churro. CAST Sanaya Andrade, Daílma Mendes, Alice Da Luz, Nha Nha Rodrigues, Yuta Nakano. Switzerland, Portugal, Cape Verde

THE HUMAN HIBERNATION
With stunning imagery and a profound visual language that offers equal attention to flora, fauna and humans alike, Spanish filmmaker Anna Cornudella Castro has crafted an utterly enthralling debut. DIR Anna Cornudella. SCR Anna Cornudella, Lluís Sellarès. CAST Clara Muck Dietrich, Valentine, Demetrius Hollimon, Jane Hubbell, Brian Stevens. Spain

THE KINGDOM (LE ROYAUME)
Coming-of-age meets organized crime in Julien Colonna’s spellbinding feature debut, which premiered at Cannes. This gritty father-daughter tale unfolds against the backdrop of the criminal and political violence that gripped Corsica during the 1990s. DIR Julien Colonna. SCR Julien Colonna, Jeanne Herry. CAST Ghjuvanna Benedetti, Saveriu Santucci, Anthony Morganti, Andrea Cossu. France

MY FAVOURITE CAKE
70-year-old lonely widow Mahin ventures outdoors to find love in Maryam Moghaddam and Behtash Sanaeeha’s tender embrace of freedom and pleasure within the repressive Iranian regime. DIR Behtash Sanaeeha, Maryam Moghaddam. SCR Behtash Sanaeeha, Maryam Moghaddam. CAST Lily Farhadpour, Esmail Mehrabi. Iran, France, Sweden, Germany

SANTOSH
A little-known policy in India could mean salvation for Santosh, whose police constable husband has been killed in the line of duty, as it entitles her to his job as his widow. DIR Sandhya Suri. SCR Sandhya Suri. CAST Shahana Goswami, Sunita Rajwar. India, France, UK

SECOND CHANCE
Nia retreats to her family’s vacation home in the Himalayan mountains to discreetly heal from an at-home abortion. There she encounters old friends and unexpectedly makes some new ones. DIR Subhadra Mahajan. SCR Subhadra Mahajan. CAST Dheera Johnson, Thakri Devi, Kanav Thakur. India

THANK YOU FOR BANKING WITH US!
Palestinian filmmaker Laila Abbas’ stellar narrative feature debut is a riveting tale of two sisters unexpectedly reunited in a race against the clock to secure their inheritance under Islamic law. DIR Laila Abbas. SCR Laila Abbas. CAST Yasmine Al Massri, Clara Khoury, Kamel El Basha, Ashraf Barhoum. Palestine, Germany, Saudi Arabia, Qatar, Egypt

TO A LAND UNKNOWN
One of the year’s must-see narrative debuts, Palestinian filmmaker Mahdi Fleifel’s visceral and timely thriller, which premiered at Cannes, is set among a group of Palestinian refugees in Greece. DIR Mahdi Fleifel. SCR Mahdi Fleifel, Fyzal Boulifa, Jason McColgan. CAST Mahmood Bakri, Aram Sabbagh, Angeliki Papoulia, Mohammad Alsurafa, Mouataz Alshalton. UK, Palestine, France, Greece, Netherlands, Germany, Qatar, Saudi Arabia

UNDER THE VOLCANO
While vacationing abroad in the Canary Islands, a Ukrainian family suddenly transforms from tourists to overnight refugees when war breaks out in Polish filmmaker Damian Kocur’s sophomore feature. DIR Damian Kocur. SCR Damian Kocur, Marta Konarzewska. CAST Sofiia Berezovska, Roman Lutskyi, Anastasiia Karpienko, Fedir Pugachov. Poland

VIET AND NAM
In the depths of a coal mine, Nam and Viet find a boundless love. Trương Minh Quý’s languid romance mines Vietnam’s past and present to craft a boldly erotic vision. DIR Trương Minh Quý. SCR Trương Minh Quý. CAST Thanh Hai Pham, Duy Bao Dinh Dao, Thi Nga Nguyen, Viet Tung Le. Vietnam
World Cinema

The best in global cinema comes to the movie capital of the world, celebrating the diversity of world culture through the shared language of cinema.

ALL WE IMAGINE AS LIGHT
Awarded the Grand Prix at Cannes, this feminist reflection of contemporary Mumbai centers on the sisterhood of three nurses attempting to carve out a modest living amid the hustle and bustle of this metropolitan congestion. DIR Payal Kapadia. SCR Payal Kapadia. CAST Kani Kusruti, Divya Prabha, Chhaya Kadam, Hridhu Haroon, Azees Nedumangad. France, India, Netherlands, Luxembourg

APRIL
BEGINNING filmmaker Déa Kulumbegashvili reteams with lead actress Ia Sukhitashvili for this visceral, uncompromising manifestation of womanhood that follows an OB-GYN moonlighting as a clandestine abortionist in rural Georgia. DIR Dea Kulumbegashvili. SCR Dea Kulumbegashvili. CAST Ia Sukhitashvili, Kakha Kintsurashvili, Merab Ninidze. Italy, France, Georgia

BLACK DOG (GOU ZHEN)
Hardened ex-con Lang takes in a rabid dog and turns him into a faithful companion in Guan Hu’s bristling neo-noir filled with gorgeous widescreen cinematography and dazzling action. Winner of the Prix Un Certain Regard at this year’s Cannes Film Festival. DIR Guan Hu. SCR Guan Hu, Ge Rui, Wu Bing. CAST Eddie Peng, Tong Liya, Jia Zhangke, Zhang Yi, Zhou You. China

CHRISTMAS EVE IN MILLER’S POINT
An Italian American family returns to their suburban Long Island hometown on Christmas Eve where personalities converge, tensions arise and rules are broken. DIR Tyler Taormina. SCR Tyler Taormina, Eric Berger. CAST Michael Cera, Francesca Scorsese, Maria Dizzia, Ben Shenkman, Elsie Fisher, Gregg Turkington, Sawyer Spielberg. USA

LA COCINA
Mexican auteur Alonso Ruizpalacios crafts a tragicomic tribute to life behind the scenes of a busy Times Square restaurant with this high-wire drama starring Rooney Mara and Raúl Briones. DIR Alonso Ruizpalacios. SCR Alonso Ruizpalacios. CAST Raúl Briones, Rooney Mara, Anna Diaz. Mexico, USA

LANGUE ÉTRANGÈRE
Cultural borders and language barriers meld together in Claire Burger’s third feature, a contemporary Franco-German coming-of-age story between pen pals Fanny and Lena on a student exchange program. DIR Claire Burger. SCR Claire Burger, Léa Mysius. CAST Lilith Grasmug, Josefa Heinsius, Nina Hoss, Chiara Mastroianni, Jalal Altawil. France, Germany, Belgium

MISERICORDIA
Death and desire make a potent cocktail in Alain Guiraudie’s (STRANGER BY THE LAKE, AFI FEST 2013) delicious Hitchcockian thriller that premiered at this year’s Cannes Film Festival. DIR Alain Guiraudie. SCR Alain Guiraudie. CAST Félix Kysyl, Catherine Frot, Jean-Baptiste Durand, Jacques Develay, David Ayala. France, Spain, Portugal

ON BECOMING A GUINEA FOWL
After her uncle’s unexpected death, Shula and the younger women in her family share memories long dismissed and confront their conflicted relationships. Winner of Best Director, Un Certain Regard at Cannes. DIR Rungano Nyoni. SCR Rungano Nyoni. CAST Susan Chardy, Elizabeth Chisela, Henry B.J. Phiri. UK, Zambia, Ireland

SUJO
Rebellious urges lead Sujo to join the very cartel that murdered his father years ago, but opportunities arise to break the cycle of violence – if he chooses wisely. Winner of the World Cinema Dramatic Grand Jury Prize at Sundance. DIR Astrid Rondero, Fernanda Valadez. SCR Astrid Rondero, Fernanda Valadez. CAST Juan Jesús Varela, Yadira Pérez, Alexis Varela, Sandra Lorenzano, Jairo Hernández, Kevin Aguilar. Mexico, USA, France

SUPER HAPPY FOREVER
Kohei Igarashi’s Venice Days opener is a gentle, unassuming love story told in retrospect, where recently widowed Sano and best friend Miyata return to Atami, Japan, to reminisce on a fateful vacation five years prior. DIR Kohei Igarashi. SCR Kohei Igarashi, Koichi Kubodera. CAST Hiroki Sano, Yoshinori Miyata, Nairu Yamamoto, Hoang Nh Quynh. Japan, France

VERMIGLIO
In VERMIGLIO, which won the Silver Lion Grand Jury Award at the Venice Film Festival, family secrets and lies are unearthed amongst a family living under a strict patriarch in the remote alpine village of Vermiglio, Italy, during World War II. DIR Maura Delpero. SCR Maura Delpero. CAST Tommaso Ragno, Giuseppe De Domenico, Roberta Rovelli, Martina Scrinzi, Orietta Notari. Italy, France, Belgium

WHO BY FIRE (COMME LE FEU)
Canadian auteur Philippe Lesage’s absorbing new feature observes the boiling tension between lifelong friends and former creative partners that spirals into catastrophe while secluded in the woods. Winner of a Grand Prix at Berlin. DIR Philippe Lesage. SCR Philippe Lesage. CAST Noah Parker, Aurelia Arandi-Longpre, Antoine Marchand-Gagnon, Arieh Worthalter, Paul Ahmarani. Canada, France

After Dark

Take a walk on the wild side and tune in to the late night vibes of these provocative selections, celebrating the pleasures of genre cinema and uncategorizable originality.

THE BALCONETTES (LES FEMMES AU BALCON)
During a blistering heat wave in a Marseille apartment block, a vibrant trio of best friends people-watch on their balcony in Noémie Merlant’s boldly feminist, genre-defying horror comedy. DIR Noémie Merlant. SCR Noémie Merlant. CAST Souheila Yacoub, Sanda Codreanu, Noémie Merlant, Lucas Bravo, Nadège Beausson-Diagne. France

DE-EVOLUTION IS REAL: THE RESTORED FILMS OF DEVO
To mark the 50th anniversary of DEVO, a deep restoration and remastering project of the band’s film, video and audio archives has been undertaken, with a selection presented in celebration of the documentary DEVO, also featured at AFI FEST. DIR Gerald Casale, DEVO. SCR Gerald Casale, DEVO. CAST DEVO, Rod Rooter, Donut Rooter, General Boy, Dr. Byrthfood. USA

SISTER MIDNIGHT
Karan Kandhari’s audacious horror-comedy boasts an impressive performance from lead Radhika Apte, who dazzles and delights with deadpan affect, dexterous physical comedy and a blue streak of creative cursing. DIR Karan Kandhari. SCR Karan Kandhari. CAST Radhika Apte, Ashok Pathak, Chhaya Kadam, Smita Tambe, Navya Sawant. UK, India, Sweden

UNIVERSAL LANGUAGE (UNE LANGUE UNIVERSELLE)
Matthew Rankin’s Cannes Directors’ Fortnight award-winning tribute to Iranian cinema imagines a parallel universe somewhere between Winnipeg, Montreal and Tehran, where a prize turkey has run off with Omid’s glasses. DIR Matthew Rankin. SCR Matthew Rankin, Pirouz Nemati, Ila Firouzabadi. CAST Rojina Esmaeili, Saba Vahedyousefi, Sobhan Javadi, Pirouz Nemati, Matthew Rankin. Canada

Documentary

Powerful real-life stories, bravely told: the subjects and themes explored in documentary filmmaking are profound, and these insightful works are sure to enlighten, educate and entertain.

ARCHITECTON
Documentarian Victor Kossakovsky explores humanity’s destructive relationship with nature through mesmerizing footage of concrete, rocks and stones backed by a captivating score. DIR Victor Kossakovsky. SCR Victor Kossakovsky. CAST Michele De Lucchi, Mauro Mella, Davide Aliol, Nick Steur, Abdul Nabi al-Afi. Germany, France, USA

CHEECH & CHONG’S LAST MOVIE
The stoner comedy duo Cheech & Chong enjoyed enormous success in the ‘70s and ‘80s, playing sports arenas, winning a Grammy® for best comedy album and starring in hit movies. David Bushell’s documentary tells their mind-blowing, strange-but-true story. DIR David Bushell. CAST Cheech Marin, Tommy Chong. USA

DAHOMEY
Mati Diop (ATLANTICS, AFI FEST 2019) returns with a dreamlike exploration of complex questions surrounding the repatriation of cultural artifacts. Winner of the Golden Bear award for the best film at the Berlin Film Festival. DIR Mati Diop. SCR Mati Diop. CAST Gildas Adannou, Habib Ahandessi, Joséa Guedje. France, Senegal, Benin

GAUCHO GAUCHO
The traditional way of life of rural Argentinian cowboys called gauchos is captured in this impeccably composed documentary featuring sumptuous black-and-white photography and an eclectic soundtrack of South American folk classics. DIR Michael Dweck, Gregory Kershaw. Argentina, USA

GROUP THERAPY
Led by Emmy Award® winner Neil Patrick Harris, GROUP THERAPY features a stacked cast of comedians, including Mike Birbiglia, Nicole Byer, Atsuko Okatsuka and Tig Notaro, candidly discussing mental health in comedy. DIR Neil Berkeley. SCR Graham Willoughby. CAST Neil Patrick Harris, Mike Birbiglia, Nicole Byer, Gary Gulman, London Hughes, Tig Notaro, Atsuko Okatsuka. USA

INTERCEPTED
Documentarian Oksana Karpovych presents a raw, unfiltered look at the war ravaging Ukraine by juxtaposing haunting shots of besieged villages and towns with hideous phone calls made by Russian soldiers back home intercepted by Ukrainian special forces. DIR Oksana Karpovych. SCR Oksana Karpovych. Canada, France, Ukraine

NO OTHER LAND
This sobering act of witnessing from a Palestinian-Israeli collective chronicles the gradual destruction of the West Bank region of Masafer Yatta and the forced eviction of its Palestinian residents. DIR Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor. Palestine, Norway
 
PAVEMENTS
Alex Ross Perry’s celebration of the ‘90s-era indie rock band Pavement tells the band’s story through their 2022 reunion tour, and beyond – weaving in an imagined history befitting the legend of their cult following. DIR Alex Ross Perry. SCR Alex Ross Perry, Stephen Malkmus. CAST Joe Keery, Jason Schwartzman, Nat Wolff, Fred Hechinger, Tim Heidecker, Zoe Lister-Jones. USA

REAS
In this hybrid musical from Argentinian filmmaker Lola Arias (THEATRE OF WAR), a vibrant group of former Buenos Aires inmates sing, dance and reconstruct shared memories of being imprisoned. DIR Lola Arias. SCR Lola Arias. CAST Yoseli Arias, Ignacio Amador Rodriguez, Estefy Harcastle, Carla Canteros, Noelia Perez. Argentina, Germany, Switzerland

SONGS FROM THE HOLE
Winner of the SXSW Visions Audience Award, this singular blend of documentary and visual album soulfully brings to life songs written by James “JJ‘88” Jacobs while in California State Prison’s solitary confinement. DIR Contessa Gayles. CAST James “JJ’88” Jacobs, Victor Benjamin, William Jacobs Jr., Janine Jacobs, Reneasha Jacobs. USA

SOUNDTRACK TO A COUP D’ETAT
Jazz and colonial politics collide in a forgotten chapter of Cold War history in Johan Grimonprez’s electrifying essay film, featuring the music of Louis Armstrong, Dizzy Gillespie and Nina Simone. Special Jury Award Winner at Sundance. DIR Johan Grimonprez. SCR Johan Grimonprez. CAST Louis Armstrong, Fidel Castro, Miles Davis, Nina Simone, Malcolm X, Dwight D. Eisenhower, Duke Ellington. Belgium, France, Netherlands

TEACHES OF PEACHES
Winner of the Teddy Award for Best Documentary at this year’s Berlin Film Festival, this rousing and rollicking portrait celebrates iconic Canadian musician Peaches’ 30-plus years as a fearless cultural disruptor. DIR Philipp Fussenegger, Judy Landkammer. SCR Cordula Kablitz-Post, Schyda Vasseghi. CAST Peaches, Leslie Feist, Chilly Gonzales, Shirley Manson, Charlie Le Mindu. Germany

WALK WITH ME
Heidi Levitt’s (AFI Class of 1987) poignant documentary chronicles her and her husband Charlie Hess’ experience with Alzheimer’s disease, following his early onset diagnosis at age 57. DIR Heidi Levitt. SCR Heidi Levitt. CAST Charlie Hess, Heidi Levitt. USA

ZURAWSKI V TEXAS
Following the overturning of Roe v. Wade, Amanda Zurawski’s impassioned plea to the Texas Supreme Court becomes a rallying cry for others with similar horror stories. DIR Maisie Crow, Abbie Perrault. CAST Amanda Zurawski, Samantha Casiano, Dr. Austin Dennard, Molly Duane. USA

Short Film Competition

The short film program highlights unique voices from around the world, from both emerging and established filmmakers. These short films push the form of storytelling in inventive, challenging and sometimes hilarious ways – all in 40 minutes or less.

SHORTS PROGRAM: AFTER DARK

RAT!
When a disgruntled music journalist accuses a global pop star of queerbaiting, the singer’s devoted fans descend on his remote cabin to wreak havoc and seek retribution. DIR Neal Suresh Mulani. USA

THE SHADOW WRANGLER
An audiobook narrator’s attempts to finish recording a western erotica novel in her closet are foiled by disturbances. DIR Grace Rex. USA

YUMMY
Julia works as a dog food taste tester. After a brutal break up, dog food will never taste the same. DIR Martinus Klemet. Estonia

DOG
Nineteen-year-old Summer takes Lex, her blind younger sister, to a rave. When a grungy boy becomes infatuated with Lex, the night quickly spirals out of control. DIR Ben Tan. USA

RECURRENCE (QUTAR)
Cows flee from a cottage as a planet approaches Earth. Fearfully, the cottage owner runs away, leaving his crippled son. As the cows return, they’re plunged into a monstrous, eerie nightmare. DIR Ali Alizadeh. Iran

TWO PEOPLE EXCHANGING SALIVA (DEUX PERSONNES ÉCHANGEANT DE LA SALIVE)
In this absurdist tragedy set in a repressive society where kissing is punishable by death, an unhappy woman shops compulsively in a department store, fascinated by an ingenuous salesgirl. DIR Alexandre Singh, Natalie Musteata. France

SHORTS PROGRAM: ANIMATION 1 

PERCEBES
Set in the sea and the urban Algarve, we follow the complete life cycle of a special shellfish, percebes, from their formation to the dish. DIR Alexandra Ramires, Laura Gonçalves. France

FLOWER SHOW
Three females in different phases of life, confronted with various social expectations, address how society has cultivated women like flowers for generations. DIR Elli Vuorinen. Finland

HUMANTIS
When one “Humantis” unexpectedly goes through a physical transformation, it struggles to adapt and grow into its new self. DIR Paris Baillie. USA

NEXT?
Half-animal, half-human creatures meet at a speed-dating dance where they explore their differences and difficulties communicating. When a lovestruck man-cum-anteater falls for a woman-cum-shrew, he gets caught up in their courtship ballet. DIR Christel Guibert. France

AND GRANNY WOULD DANCE
In Iran, Marmar listens to the stories told by her grandmother’s friends as they play an illicit game of cards. Based on memories and shared stories of love, grief and resilience, this is a tribute to the solidarity of Iranian women. DIR Maryam Mohajer. UK

SILENT PANORAMA
Two campers cross a deserted landscape, intrigued by the cracking, trickling and other sounds that give life to this place. Originally drawn and animated on a single sheet of paper as a performance. DIRNicolas Piret. Belgium

SHEEP OUT
A story about an animator living a routine life, moving only between home and work. Slowly sinking into apathy, she begins separating herself from the outside world. DIR Zofia Klamka. Poland

GIGI
From the tormented little mermaid to the fulfilled woman she is today, Gigi tells us about her gender transition with humor and sensitivity. DIR Cynthia Calvi. France

SHORTS PROGRAM: ANIMATION 2 

BIRD DRONE
A lonely seagull looking for love struggles to accept that his newfound object of affection is a human-operated drone with a limited battery life. DIR Radheya Jang Jegatheva. Australia

MARVELOUS GIFT
Humanity has gained the marvelous gift of eternal life and aging never ceases. Now that “the end” is off the table, this mystifying film explores the raw reality of life and the paradox of immortality. DIR Danna Galeano, German Acuña. Colombia

A BLUE SUMMER (UN ÉTÉ BLEU)
It’s the summer holidays at the local swimming pool and it’s hot. Louane is lying by the pool, enjoying a moment of peace and quiet, when she is approached by Aïssa. DIR Juliette Ragot. France

BUDŌ
Just outside of Tokyo lives Miho, a lonely widow. One day, she meets a stray cat that follows her home and makes himself more than comfortable in her tiny apartment in this stop-motion animated film about isolation, adventure and connection. DIR Alexander Toma, Amanda Aagard. Sweden

OCTOPUS BANANA HOTCHPOTCH (HOBOTNICA BANANA MISMAS)
A lively and dynamic journey through the lives of best friends and soulmates, Mila and Mara. Their life paths join in an adventure over many decades, enriched and driven by sisterly love. DIR Milanka Fabjancic. Slovenia

GIRLS ARE MADE TO MAKE LOVE (LES FILLES C’EST FAIT POUR FAIRE L’AMOUR)
Following women aged 25 through 45, this sociological investigation into couples’ sexuality tackles experiences of desire and love, norms in heterosexual relationships and paths to emancipation. DIR Jeanne Paturle, Cécile Rousset, Jeanne Drouet. France

THE CREATORS
In another dimension, the Creators are working on a project. Gradually, they come closer to a result, but creating a world that mirrors their imagination is no easy task. DIR Madeleine Homan. UK

BUTTERFLY KISS
Carol panics when her girlfriend Ray unexpectedly proposes. The situation gets worse when she wakes up in a new apocalyptic reality and discovers that Ray has transformed into a butterfly. DIR Zohar Dvir. Germany

TENNIS, ORANGES
A robotic vacuum suffering from burnout quits its job and sets out to find community and purpose on a quiet street where two lonely rabbits are stuck in perpetual loops. DIR Sean Pecknold. USA

SHORTS PROGRAM: DOCUMENTARY 1 

STUD COUNTRY
In 2023, Stud Country, the largest weekly queer line dancing event in America, which has preserved the little-known LA tradition for over 50 years, is confronted with losing its beloved venue. DIR Alexandra Kern, Lina Abascal. USA

TAKE CARE (CALANTABA)
Jose, a Mexican in his mid-50’s, dedicates his life to taking care of his 90-year-old mother with late-stage Alzheimer’s. DIR Brenton Oechsle. USA

SANDCASTLES
SANDCASTLES parallels two Singapores – one in Southeast Asia and one on the western coast of Michigan – depicting the temporal nature of human edifices built on and destroyed by sand. DIR Carin Leong. USA

A BRAVE NEW WORLD
Reimagined scenes of everyday life set in the 2020s in Hong Kong. With a twist of absurdity, director Arnold Tam explores the socio-cultural landscape of his homeland as the city heads towards a new era. DIR Arnold Tam. Hong Kong

YOU’RE TOO SENSITIVE
After a decade apart, a filmmaker records his immigrant family reuniting for the youngest son’s graduation, documenting their quirks, affections and lifelong resentments. DIR Dan Chen. USA

SHOTPLAYER
A notorious NYC pickpocket returns to the scene of his crimes, the subway, and through memories begins to dissect the act that has ruled his life for over 40 years. DIR Sam Shainberg. USA

IRANIAN YELLOW PAGES
Trying to make his new life in London a success, Reza places an advert in an eccentric newspaper and discovers the Iranian community hidden in plain sight. DIR Anna Snowball. UK

SHORTS PROGRAM: DOCUMENTARY 2

KOWLOON!
As the biggest Chinese restaurant in the U.S., Kowloon represents the Wong family’s American dream come true. As the third-generation owners approach their 70s, they consider the weight of this family legacy. DIR Mona Xia, Erin Ramirez. USA

CHRISTMAS, EVERY DAY
CHRISTMAS, EVERY DAY examines cultural practices under late-stage capitalism, juxtaposing rural life with the virtual world through preteen influencers, Payton and Lyla. DIR Faye Tsakas. USA

THE PUZZLE PALACE
In a Boca suburb, a couple retire to a second marriage of freedom, play and the world’s largest puzzle collection. DIR Jenny Schweitzer Bell, Brian Bell. USA

THE MEDALLION
Ruth was barely a teenager when her mother passed down her medallion, etched with a golden portrait of Nefertiti, a symbol of beauty and strength, captured by the communist military regime. DIR Ruth Hunduma. UK

BLACK HERCULES
A soulfully candid pilgrimage into the life and times of street bodybuilder, Craig Monson, and the social dichotomy of Black LA that made him a legend. DIR Rodney Lucas. USA

LAND OF LOST TOYS
In the heart of Detroit, a city with a rich history of diverse communities, residents are brought together by a shared passion to combat the city’s vast stray dog epidemic. DIR Nicholas Stachurski. USA

SHORTS PROGRAM: FAMILY FRIENDLY 

THE CONSTRUCTOR
Elizabeth, an impossibly precocious seven-year-old Lego constructor, struggles with “imagination blur” as her three-year-old sister attempts to free her from her rigid thinking. DIR Scott Morris. USA

MEET MR. MEAT
Mr. Meat is a 150 lb. pig who lives in the middle of Los Angeles, alongside 12 million humans. This is the story of him and his adoptive family. DIR David Walsh Heinz. USA

MAGIC CANDIES
Other kids at the park never ask Dong-Dong to play, but he’s fine playing alone. When he accidentally buys a bag of colorful, marble-shaped candies, he gains the ability to hear voices. DIR Daisuke Nishio. Japan

DRAGFOX
Sam’s search for identity gets interrupted by a mysterious neighborhood fox. Together they embark on a magical journey to discover the surprising things they have in common. DIR Lisa Ott. UK

MAYBE ELEPHANTS
Three rebellious teenage daughters, a restless mother, a father struggling with potatoes and maybe some elephants, find themselves in Nairobi. What could possibly go wrong? DIR Torill Kove. Canada

A SHORT FILM ABOUT KIDS
Four kids from a refugee camp in Bethlehem decide to visit the sea for the first time in their life. DIR Ibrahim Handal.  Palestine

SHORTS PROGRAM: LIVE ACTION 1

THE DISTANCE BETWEEN US (QU’IMPORTE LA DISTANCE)
2024 France 18 MIN
DIRECTOR Léo Fontaine
Yalla leaves her night shift without her boss’ permission and boards a bus, carrying a single bag filled with clothes. The city is still asleep; her son is waiting for her.

MARION
Marion, the only female bull-jumper in France, prepares for her performance in a packed arena. DIR Joe Weiland, Finn Constantine. UK

CLODAGH
A lonely priest’s housekeeper encounters a young Irish girl of exceptional promise. DIR Portia A. Buckley. Ireland

RIPE!
Nothing says “it’s complicated” like breaking your crush’s arm. DIR Tusk. USA

SHEEP AND WOLVES (OVEJAS Y LOBOS)
Set in the height of the Peruvian armed conflict, a mother’s world is shattered when her son vanishes. She searches for him across a perilous, vast and unforgiving landscape. DIR Alex Fischman Cárdenas. Peru

MY MOTHER IS A COW
Left in her aunt’s care at the edge of a burning wetland, Mia is desperate for her mother’s touch – but in this volatile, threatening world, love comes in an unexpected form. DIR Moara Passoni. Brazil

SHORTS PROGRAM: LIVE ACTION 2 

MR. FLOOF
With her trusty stuffed bunny sidekick, Mr. Floof, young Elsie embarks on a journey to get rid of her mother’s new boyfriend once and for all, using her father’s special “candy.” DIR Claire Taback Sliney. USA

FAVOURS
On a packed train platform, Sonja struggles to comfort a wailing baby. But the baby isn’t hers: Sonja has agreed to watch a stranger’s child, and now, the mother is gone. DIR Agnes Skonare. Sweden

MUNA
British-Somali teen Muna is desperate to go on a school trip to escape the monotony of her household, but when tragedy strikes, she must instead navigate a mourning period for someone she never really knew. DIR Warda Mohamed. UK

DUCK
The touching tale of an immigrant father’s hard work and the fragility of being in a new country, told over the course of a single day. DIR Paola Contreras. Canada

HUSH, MY DEAR (拥抱)
In the midst of divorce and a custody battle, Xu Rui attends a kindergarten event, witnessing her son being bullied. Her impulsive reaction ripples throughout her life, forcing her to face repercussions. DIR Xiaoman Yang. China

ONE DAY THIS KID
An exploration of silent struggle and unspoken tension as Hamed, a first-generation Afghan Canadian man, navigates an undefined future with his father. Inspired by David Wojnarowicz’s renowned text. DIR Alexander Farah. Canada

AFI Conservatory Showcase

A collection of short narrative films from the most recent graduates of the world-renowned AFI Conservatory.

CONSERVATORY SHOWCASE 1

BEHOLD A LADY
When a studious tomboy’s boyfriend dumps her on the eve of her Latin Quiz Bowl tryout, she struggles to balance her heartbreak and studies as she transforms her appearance to win him back. DIR Britt Williams, SCR Britt Williams, PRODUCER Austin Chen, Chris Crema, DIRECTOR OF PHOTOGRAPHY Jenise Whitehead, EDITOR Yichen Shen, and PRODUCTION DESIGNER Ekaterina Moysov. USA

LOLA
A 13-year-old science prodigy is on a mission to cure her grandmother’s dementia. She creates a machine that allows her to travel inside her grandmother’s mind to save one precious memory they have together. DIR Grace Hanna, SCR Duke Yang, Grace Hanna, PRODUCER Uloaku Anyiam-Osigwe, DIRECTOR OF PHOTOGRAPHY Sarah Megyesy, EDITOR Jenna Schaelling, and PRODUCTION DESIGNER Jisoo Jeong. USA

RE-ENTRY
In 1988, Maya, a trans NASA engineer, launched a satellite that was lost in space. When she re-discovers the satellite, Maya is haunted by memories of her past. DIR Ariel Mahler, SCR Kunal Sengupta, Ariel Mahler, Nicky Schmid, PRODUCER Ilayda Cetinkaya, DIRECTOR OF PHOTOGRAPHY Maryn McGaw, EDITOR Victoria Villig, and PRODUCTION DESIGNER Sarah Dawn Hamlin. USA

WHEN THE FOREST BURNS
When an obsessive biologist steals a rare flower and plants it in her home, boundaries between plant and human begin to dissolve, challenging her relationship with the living world. DIR Jamie Fehrnstrom, SCR Peter McCollough, PRODUCER Siyuan Che, DIRECTOR OF PHOTOGRAPHY Peter McCollough, EDITOR Ji Ye Won and PRODUCTION DESIGNER Emily Li. USA

LOVE CYCLE
When a Chicano punk rock teen risks an epic ride across Los Angeles to prove his love, he discovers love is even more terrifying than the dangers on the road. DIR Sarah Hanks, SCR Ari B Lopez, PRODUCER Raven Robinson, DIRECTOR OF PHOTOGRAPHY Shi-Hyoung Jeon, EDITOR Dzi-Yang Abraham Chen, and PRODUCTION DESIGNER Diego Freels-Gudiel. USA

BAJO LA TIERRA
After tragically losing her mother while busy at work, an obsessed pottery maker goes to unhealthy measures to bury her grief with more work, a task that becomes difficult when her own home becomes mysteriously consumed by dirt. DIR Pablo Guillen, SCR Pablo Guillen
PRODUCER Daniel Radzinsky, Mon Castro, DIRECTOR OF PHOTOGRAPHY Peter McCollough, EDITOR Alejandra Armijo and PRODUCTION DESIGNER Andres Domit Del Valle. USA

CONSERVATORY SHOWCASE 2

SHANGRI-LA
When Joe discovers his high school crush has moved into his nursing home, he asks his best friend Alma for help, but little does he know, she has a crush of her own. DIR Rhys Raiskin, SCR Rhys Raiskin, Hannah Rice, PRODUCER Jeffrey Ramos, DIRECTOR OF PHOTOGRAPHY Kevin Shanmugam, EDITOR Manny Rothman and PRODUCTION DESIGNER Skye Li. USA

A LIGHT THAT DOESN’T DIM
Sister Jones is facing a life-changing decision: return home and disappoint her family or continue her Mormon mission in Mexico, risking her own happiness amid intense familial and cultural pressures. DIR Colby Barrios, SCR Colby Barrios, PRODUCER Sylvia Simiao Sun, DIRECTOR OF PHOTOGRAPHY Quinn Thomashow, EDITOR Sydney Fix, and PRODUCTION DESIGNER Reena Kim. USA

WASHED UP
Mike, an expectant father, has decided to leave behind his life of crime but is convinced by his best friend and partner, Aaron, to join him for one last job. DIR Thomas Bayne, SCR Thomas Bayne, Connor Savage, PRODUCER Rebecca Lafon, DIRECTOR OF PHOTOGRAPHY Leo Behrens, EDITOR Zekuan Wang, and PRODUCTION DESIGNER Rachel Miu. USA

DO US PART
Tyler starts to spiral further into his eating disorder when Patrick, the first guy he’s been in treatment with, makes him work for his approval. DIR Ryan Beene, SCRRyan Beene
PRODUCER Mekdese Haile, DIRECTOR OF PHOTOGRAPHY Donijah Collier, EDITOR Ivan Alvaro, and PRODUCTION DESIGNER Patricia Peter. USA

DEAD GIRL
After her untimely death, Dani comes back from the dead on Halloween night and goes on a quest to win her fiancée back. DIR Kenz Benmosbah, SCR Jose Lopez, PRODUCER Hyun woo Shawn Lee, DIRECTOR OF PHOTOGRAPHY Eli Cooper, EDITOR Travis Maxwell, and PRODUCTION DESIGNER Riya Vaidya. USA

FCBK
An abortion clinic medical assistant, Tati, must train the naive new hire, Kucera. As the two butt heads, Tati must keep her from quitting before the end of the day. DIR Kanani Koster, SCR Shuchi Dwivedi, PRODUCER Yasuko Yui, DIRECTOR OF PHOTOGRAPHY Jordan Biagomala, EDITOR Lauren Skelton, and PRODUCTION DESIGNER Arushi Mathur. USA

CONSERVATORY SHOWCASE 3

JAMILA
The morning of a wedding, a Palestinian American teenager begrudgingly accompanies her aunts to a salon. She is overwhelmed by her eclectic family who challenge her assumptions about culture and femininity. DIR Julia Freij, SCR Julia Freij, Meg Dudley, PRODUCER Peri Michael, DIRECTOR OF PHOTOGRAPHY Pascale Williams, EDITOR Ivanka Lawrence, and PRODUCTION DESIGNER Camila Rodriguez. USA

THE LAST BUTTERFLY
Novelist Xiaodie returns to the home where she lost her mother years ago. As her sister lays dying, she comforts Lei, her niece, with stories of the Hmong deity “Mother Butterfly.” DIR Sizhuo Suzy Li, SCR Seamus Bearhart, Sizhuo Suzy Li, PRODUCER Zhuoran Rita Xiao, DIRECTOR OF PHOTOGRAPHY Daniel Miramontes, EDITOR Abraham Chen, and PRODUCTION DESIGNER Yingjie Jin. USA

THE ONLY SON
John gets a call from the principal – his only son is suspected of doing drugs on school property. John will have to decide between his values or his son’s future. DIR Piotr Matyja
SCR Piotr Matyja, PRODUCER Zofia Sablinska, DIRECTOR OF PHOTOGRAPHY Sika Stanton, EDITOR Xin Sui, and PRODUCTION DESIGNER Jose Herrera. USA

LITTLE BIRD
Linh, a disillusioned Vietnamese woman carrying out evictions for a landlord, is instructed to evict Vietnamese refugees. She must decide whether to follow through with their eviction or reject it in solidarity. DIR Oanh-Nhi Nguyen, SCROanh-Nhi Nguyen, Ysabeaux Ng, PRODUCER Eva Zheng, DIRECTOR OF PHOTOGRAPHY Timothy Shin, EDITOR Adhyaksh Amarnath, and PRODUCTION DESIGNER Bala Kumar. USA

FRANCIS
In the aftermath of their father’s death, the youngest of three siblings fights to prevent her older siblings from selling the family’s legacy—a once-thriving but now-failing movie theater. DIR Kim Caicedo, SCR Kim Caicedo, Raquel Trujillo, PRODUCER Kerisa Lin, DIRECTOR OF PHOTOGRAPHY Jessica Arzate, EDITOR Xueer Cai, and PRODUCTION DESIGNER Camila Pons Del Toro. USA

IN FOREIGN
In 1962 California, a pregnant Jamaican psychic realizes she’s being forcibly admitted to a psychiatric ward by her husband. Seeing the future won’t help her here…but looking to the past might. DIR Didi Beck, SCR Didi Beck, PRODUCER Deonta Moss, DIRECTOR OF PHOTOGRAPHY Allysa Lisbon, EDITOR Sophie Becker and PRODUCTION DESIGNER Mikaela Mosley. USA

CONSERVATORY SHOWCASE 4

FOWL PLAY
Julia, a strong-willed single mother, is determined to provide Thanksgiving dinner for her children at all costs. However, the pursuit quickly spirals into a chaotic fiasco. DIR Anabelle LeMieux, SCR Anabelle LeMieux, PRODUCER Shams ur Rehman Pasha, DIRECTOR OF PHOTOGRAPHY Nevo Shirazi, EDITOR Tianxiao Christine Chen, and PRODUCTION DESIGNER Mo Xiaoyu Jiang. USA

DEEP INTO THE FOREST
Zijian, an orienteering athlete from a small city in southern China, bears the physical pain of a recent injury as well as the weight of hope from everyone in the town. DIR Xinhao Violet Lu, SCR Xinhao Violet Lu, April Yixiao Peng, PRODUCER Zhuoran Rita Xiao, Zitian Zora Zhang, DIRECTOR OF PHOTOGRAPHY Shi-Hyoung Jeon, EDITOR

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film school in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at increasing diversity in the storytelling community, including AFI DWW+ and the AFI Cinematography Intensive for Women. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstituteYouTube.com/AFIX.com/AmericanFilmTikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

 

About AFI FEST presented by Canva
Now in its 38th year, AFI FEST presented by Canva is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 23-27, 2024. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST presented by Canva includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFESTTwitter.com/AFIFESTInstagram/AmericanFilmInstituteTikTok/@AmericanFilmInstitute and YouTube.com/AFI.

Canva is the exclusive Presenting Sponsor of AFI FEST. FIJI Water is the festival’s Official Water Sponsor. AMC Networks is the Presenting Sponsor for the AFI Conservatory Showcase. The Envelope by The Los Angeles Times is the festival’s Primary Media Partner. Official Media Partners are The Wall Street Journal, Variety, The Hollywood Reporter and ABC7 On the Red Carpet. Affiliate Media Partners include TheWrap, IndieWire, Screen International and KCRW.

About Canva 

Launched in 2013, Canva is a free online visual communications and collaboration platform with a mission to empower everyone in the world to design. Featuring a simple drag-and-drop user interface and a vast range of templates ranging from presentations, documents, websites, social media graphics, posters, apparel to videos, plus a huge library of fonts, stock photography, illustrations, video footage, and audio clips, anyone can take an idea and create something beautiful. Entertainment professionals can access resources to help them express their ideas, pitch film and TV projects, plan shoots and beyond at canva.com/entertainment.

Press contact:

American Film Institute: Shari Mesulam, shari@themesulamgroup.com