28th ANNUAL PALM SPRINGS INTERNATIONAL FILM FESTIVAL ANNOUNCES AWARD WINNERS

Posted by Larry Gleeson

FOR IMMEDIATE RELEASE

Toni Erdmann Receives FIPRESCI Prize;
Gael García Bernal and Isabelle HuppertReceive Acting Prizes;
White Sun Receives New Voices/New Visions Award;
No Dress Code Required Receives The John Schlesinger Award;
Neruda Receives Cine Latino Award;
Mercenary Receives The HP Bridging The Borders Awards
 

Palm Springs, CA (January 14, 2017) – The 28th Annual Palm Springs International Film Festival (PSIFF) announced this year’s juried award winners at a luncheon at the Hilton Palm Springs on Saturday, January 14, 2017.  The Festival, held from January 2-16, 2017, screened 190 films from 72 countries. The Mercedes-Benz Audience Awards for Best Narrative Feature and Best Documentary Feature will be announced on Sunday, January 15.

 

FIPRESCI PRIZE

A special jury of international film critics reviewed 43 of the 85 official submissions for the Academy Awards(R) Best Foreign Language Film category screened at this year’s Festival.  Awards are presented to the Best Foreign Language Film and Best Actor and Actress in a Foreign Language Film.

 

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Director Maren Ade’s Toni Erdmann received the 2017 Palm Springs International Film Festival’s (PSIFF) FIPRESCI Prize for Best Foreign Language Film of the Year. (Photo courtesy of PSIFF Press Office)

FIPRESCI Prize for Best Foreign Language Film of the Year: Toni Erdmann(Germany), directed by Maren Ade.  In this unforgettable comedy, a prankster father puts on a wig and false teeth and invades the life of his rigid, ambitious corporate consultant daughter, whose life is upended in profound and often hilarious ways. The jury presented the award to the film, “for its originality, human complexity and unique tonal orchestration that seems natural and uncalculated. It is also an observant look at corporate culture carried by two wonderful performances.”

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Gael Garcia Bernal (left) and Diego Munoz in a scene from Pablo Larrain’s biopic Neruda. (Photo courtesy of PSIFF Press Office)

FIPRESCI Prize for the Best Actor in a Foreign Language Film: Gael García Bernalin Neruda(Chile), directed by Pablo Larraín.  The jury said, “Bernal’s performance is the heart of the film’s tonal shifts, infusing the historical drama with the very poetry of its subject matter.”

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Actress Isabelle Huppert in character from Paul Verhoeven’s Elle. For her performance received the FIPRESCI Prize for Best Actress in a Foreign Language Film. (Photo courtesy of PSIFF Press Office)

FIPRESCI Prize for Best Actress in a Foreign Language Film: Isabelle Huppert in Elle (France), directed by Paul VerhoevenThe jury said, “Isabelle Huppert gives depth and humanity to a complex and conflicted character in a challenging, unorthodox film. Her intelligence, self-assurance, and gift for conveying rich emotional tones have never been more strikingly displayed.”

The FIPRESCI jury members were Kiva Reardon (programming associate, TIFF), Yael Shuv (chief film critic, Time Out Tel Aviv) and David Sterritt (editor-in-chief, Quarterly Review of Film and Video).

 

NEW VOICES/NEW VISIONS AWARD

The New Voices/New Visions competition showcases ten films from emerging international directors bringing their first or second narrative features to the Festival. The winner is selected by a jury of festival programmers and U.S. distributors.

 

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A scene from Deepak Rauniyar’s dark comedy, White Sun, a story about two brothers from each side of the Nepalese civil war reunited after 10 years for their father’s funeral. (Photo courtesy of PSIFF Press Office)

New Voices/New VisionsAward: White Sun(Nepal/U.S./Qatar/Netherlands), directed by Deepak Rauniyar. The film is a dark comedy about two brothers from each side of the Nepalese civil war brought together after 10 years for their father’s funeral. A trenchant, eye-catching parable, this is the best film to come out of Nepal in years.

 

The jury issued the following statement, “White Sun, for its sympathetic but unsentimental portrayals of multiple perspectives, artfully integrating landscape as a participating character in the film. Featuring stunning performances from an ensemble cast, directed with sensitivity, the film’s storytelling leaves space for the audience to experience the tension between tradition and modernity. The film balances personal and political drama with a touch of absurdist humor.”

New Voices/New Visions Special Mentions: Kati Kati (Kenya/Germany), directed by Mbithi Masya and Mellow Mud (Latvia), directed by Renars Vimba.  The jury said, “Both directors create worlds that lead the audience deeply into beautifully-realized worlds.”

The films were juried by Jonathan Howell (founder and director, Big World Pictures), Funa Maduka (Global Content Acquisition group, Netflix), Jane Schoettle (International Programmer, TIFF).

 

THE JOHN SCHLESINGER AWARD

The John Schlesinger Award, named after the director, writer, producer and festival supporter, is presented to the director of either a first or second feature documentary from among those screened at the festival.

 

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Cristina Herrera Borquez’ memorable documentary, No Dress Code Required, follows a same-sex couple, Victor and Fernando, as they fight for the right to be married in their home town of Mexicali, Baja California. No Dress Code Required received this year’s Palm Springs International Film Festival’s (PSIFF) John Schlesinger Award. (Photo courtesy of PSIFF Press Office)

Schlesinger Award: No Dress Code Required (Mexico), directed by Cristina Herrera Bórquez. This memorable doc follows a same-sex couple, Víctor and Fernando, as they fight for the right to be married in their home town of Mexicali, Baja California. A rallying cry for equality and a testament to the power of ordinary people to become agents of change.

 

The jury issued the following statement, “For a film that does not let you look away as ordinary people rise to the challenge of fighting for their legal rights, the John Schlesinger Award goes to No Dress Code Required, a compelling documentary that puts us on the front line of the evolving story of marriage equality.”

 

Schlesinger Special Mention: Beauties of the Night (Mexico), directed by María José Cuevas.  The jury said, “For a beautifully crafted exploration of ageism with a powerful vision, and an empowering take on what it means to grow old in a culture obsessed with youth and beauty, Special Mention goes to Beauties of the Night.”

The films were juried by Daniela Elena Alatorre (head of documentary programming, Morelia International Film Festival), Fenton Bailey (co-founder, World of Wonder Productions), Sudeep Sharma (senior programmer, Indian Film Festival of Los Angeles).

 

CINE LATINO AWARD

The Cine Latino Award is presented to the best Ibero-American film screening at the festival.  The award aims to highlight the creativity seen in modern Spanish, Portuguese and Latin American films.  Cine Latino is supported in part by Acción Cultural Espanola, Spain’s Public Agency for Cultural Action.

 

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Chilean Director Pablo Larrain’s Neruda is the 2017 Palm Springs International Film Festival’s (PSIFF) recipient of the Cino Latino Award for best Ibero -American film screening. (Photo courtesy of PSIFF Press Office)

Cine Latino Award: Neruda (Chile), directed by Pablo Larraín.  The jury said, “Bypassing narrative tropes associated with films about important historical figures and creating a nearly fantastical story that is as visually striking as it is telling about the relationship between an artist and his creation, the Cine Latino Grand Jury Prize goes to Neruda.”

Cine Latino Special Mention: Everything Else (Mexico), directed by Natalia Almada. The jury said, “Coming from a doc background gives this filmmaker a unique perspective and framing that has created a powerful film. Her story often asks more questions than there are answers for but anchored by a strong, yet understated performance this film succeeds.  The film is executed with precise framing and uncanny cinematography.”

 

The films were judged by Carlos Aguilar (film journalist), Lane Kneedler (Director of Programming, AFI Fest) and Andrea Roa (producer)

 

THE HP BRIDGING THE BORDERS AWARD

The HP Bridging the Borders Award is presented by Cinema Without Borders and Hewlett Packard, which honors the film that is most successful in exemplifying art that promotes bringing the people of our world closer together. The prize includes an HP ZBook 17 Mobile Workstation, valued at $4,000.

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Director Sacha Wolff’s Mercenary is the 2017 Palm Springs International Film Festival’s (PSIFF) recipient of the HP Bridging the Borders Award. (Photo courtesy of PSIFF Press Office)

HP Bridging the Borders Award: Mercenary (France), directed by Sacha Wolff.  The film is a fierce, moving thriller about a massive Polynesian rugby player recruited to play in France. This stunning debut film shows us a violent, unfamiliar world through the eyes of an unforgettable outsider.

 

The jury said, “The winner of HP Bridging The Border Award is the story of a tattooed, colossal 19 year-old recruited from his island shack in Wallis, New Caledonia , to the brutal world of a rugby team in France. Wolff, paints the contrasting societies with authenticity and elicits from his non-professional actor, Toki Pilioki a performance of quiet dignity that scorches your memory. The winning film is Mercenary by Sasha Wolff.”

 

Audience Award winners will be announced on Sunday, January 15.  The Best of the Fest screenings will take place on Monday, January 16.  For a complete list of screenings visit www.psfilmfest.org

The complete list of award winners are:

 

Mercedes-Benz Audience Award for Best Narrative Feature

TBA on Sunday, January 15

 

Mercedes-Benz Audience Award for Best Documentary Feature

TBA on Sunday, January 15

 

FIPRESCI Prize for Best Foreign Language Film of the Year

Toni Erdmann (Germany), directed by Maren Ade

 

FIPRESCI Prize for the Best Actor in a Foreign Language Film

Gael García Bernal in Neruda (Chile)

 

FIPRESCI Prize for Best Actress in a Foreign Language Film

Isabelle Huppert in Elle(France)

 

New Voices/New Visions Award

Winner:White Sun (Nepal/U.S./Qatar/Netherlands), directed by Deepak Runiyar

Special Mentions: Kati Kati (Kenya/Germany), directed by Mbithi Masya and Mellow Mud (Latvia), directed by Renars Vimba

 

The John Schlesinger Award

Winner: No Dress Code Required (Mexico), directed by Cristina Herrera Bórquez

Special Mention: Beauties of the Night (Mexico), directed by Maria José Cuevas

 

Cine Latino Award

Winner: Neruda (Chile), directed by Pablo Larraín

Special Mention: Everything Else (Mexico), directed by Natalia Alamda

 

HP Bridging the Borders Award

Winner: Mercenary (France), directed by Sacha Wolff

About The Palm Springs International Film Festival

The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees last year for its lineup of new and celebrated international features and documentaries. The Festival is also known for its annual Film Awards Gala, a glamorous, black-tie event, presented by Chopard and sponsored by Mercedes Benz and Entertainment Tonight, and attended by 2,500.  The Film Awards Gala honors the year’s best achievements in cinema in front of and behind the camera.  The celebrated list of talents who have been honored in recent years includes Ben Affleck, Javier Bardem, Cate Blanchett, Sandra Bullock, Bradley Cooper, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Tom Hanks, Matthew McConaughey, Julianne Moore, Brad Pitt, Eddie Redmayne, Julia Roberts, David O. Russell, Meryl Streep, and Reese Witherspoon.  PSIFF is organized by The Palm Springs International Film Society, a 501(c)(3) charitable non-profit organization with a mission to cultivate and promote the art and science of film through education and cross-cultural awareness

For more information, call 760-778-8979 or 800-898-7256 or visit www.psfilmfest.org.
Contacts:
Steven Wilson/Ashley Patterson                                                                     David Lee
B|W|R Public Relations                                                                                 PSIFF
212.901.3920/310.550.7776                                                                          760.322.2930
(Source: PSIFF Press Office)

 

 

BERLIN ANNOUNCES GENERATION 2017: PERIL AND PROMISE – WALKING FINE LINES AND LIFE ON THE ROAD

Source: BERLIN ANNOUNCES GENERATION 2017: PERIL AND PROMISE – WALKING FINE LINES AND LIFE ON THE ROAD

Back for Good – Mia Spengler’s graduation film to Open Perspektive Deutsches Kino 2017

Source: Back for Good – Mia Spengler’s graduation film to Open Perspektive Deutsches Kino 2017

Palm Springs International Film Festival – January 15

Posted by Larry Gleeson

The 2017 Palm Springs International Film Festival Jury Award Winners were announced on Saturday, January 14 at the annual Awards Luncheon.

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The winners are:

FIPRESCI Prize for Best Foreign Language Film of the Year
Toni Erdmann (Germany), directed by Maren Ade
FIPRESCI Prize for the Best Actor in a Foreign Language Film
Gael García Bernal in Neruda (Chile)
 
FIPRESCI Prize for Best Actress in a Foreign Language Film
Isabelle Huppert in Elle (France)
 
New Voices/New Visions Award
Winner: White Sun (Nepal/U.S./Qatar/Netherlands), directed by Deepak Runiyar
Special Mentions: Kati Kati (Kenya/Germany), directed by Mbithi Masya and
Mellow Mud (Latvia), directed by Renārs Vimba
 
The John Schlesinger Award
Winner: No Dress Code Required (Mexico), directed by Cristina Herrera Bórquez
Special Mention: Beauties of the Night (Mexico), directed by Maria José Cuevas
 
Cine Latino Award
Winner: Neruda (Chile), directed by Pablo Larraín
Special Mention: Everything Else (Mexico), directed by Natalia Alamda
 
HP Bridging the Borders Award
Winner: Mercenary (France), directed by Sacha Wolff
 
The Mercedes-Benz Audience Award for Best Narrative Feature and the
Mercedes-Benz Audience Award for Best Documentary Feature will be announced at the Closing Night Screening of THE COMEDIAN on Sunday, January 15.

THERE’S STILL TIME LEFT – GREAT FILMS ON SUNDAY, JANUARY 15

 

 

THE WINTER

Argentina/France – 2016 – 95 minutes
Director: Emiliano Torres
NEW VOICES/NEW VISIONS
North American Premiere
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Forced from his longtime job as ranch foreman by a sincere young upstart, a weary caretaker prepares to take advantage as the younger man shows himself ill-prepared for an unforgiving Patagonian winter. A lean, stark tale of survival against the unforgiving forces of both nature and man himself. Winner: Best Actor, Biarritz; Special Jury Award, San Sebastian.
Sun, Jan 15 – 9:30 AM – Regal
Director, Emiliano Torres to attend.
Purchase tickets HERE.

GRADUATION

Romania/France/Belgium – 2016 – 128 minutes
Director: Cristian Mungiu
WORLD CINEMA NOW

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 A doctor abandons his principles to ensure his daughter passes her crucial exams in this tense and complex moral thriller from the director of
4 Months, 3 Weeks and 2 Days, which explores the endemic corruption in post-Communist Romania. Winner: Best Director, Cannes; Best Actor, Screenplay, Chicago.
Sun, Jan 15 – 1:30 PM – Annenberg
Purchase tickets HERE
when_we_rise_psiff

NAGASAKI: MEMORIES OF MY SON

Japan – 2015 – 130 minutes
Director: Yôji Yamada
AWARDS BUZZ-BEST FOREIGN LANGUAGE FILM

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Three years after the Nagasaki atomic bomb killed her son, the widowed Nobuko starts being visited by his ghost. Octogenarian filmmaker Yoji Yamada (Twilight Samurai) has crafted a delicate, affecting, magical realist chamber piece, with a haunting score by Ryuichi Sakamoto. Winner: Best Actor, Japanese Academy Awards.
Sun, Jan 15 – 3:30 PM – Regal
Purchase tickets HERE.

DARK SKULL

Bolivia/Qatar – 2016 – 80 minutes
Director: Kiro Russo
WORLD CINEMA NOW
North America Premiere
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Broken by the recent death of his father, a troubled young man tears through a small, indigenous town until his godfather gets him a job in the mines. With jaw-dropping, dreamlike visuals, Russo’s debut offers a darkly beautiful subterranean study in atmosphere and mourning. A new landmark in Bolivian cinema.
Sun, Jan 15 – 8:00 PM – Mary Pickford
Purchase tickets HERE.

DREAM VACATION PALM SPRINGS

VACATION PALM SPRINGS “DREAM VACATION” WINNER WILL RECEIVE:
* A Four (4) night stay for up to 4 people in a luxury 3-bedroom Palm Springs vacation rental home during the 2018 Palm Springs International Film Festival. Winner will also receive the following:dream_vacation_psiff
* Opening -or- Closing Night Screening and Gala Reception – 4 Tickets
* Festival Screening Passes – 4 non-transferable passes, good for all regular screenings
Enter NOW through January 16, 2017
Must be at least 25 years of age to enter this contest.
No purchase necessary.
One entry per person; employees of PSIFF are not eligible.

A JEW MUST DIE

Switzerland – 2016 – 73 minutes
Director: Jacob Berger
WORLD CINEMA NOW
North America Premiere
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In a small Swiss village in 1942, a cabal of Nazi sympathizers select a Jewish scapegoat (played by Bruno Ganz) to kill, and an 8-year-old witness grows into a 70-year-old writer whose life was changed forever by what he saw.

Sun, Jan 15 – 8:00 PM – Regal

Purchase tickets HERE

best_psiff

(Source: psiff.org)

Berlinale Panorama 2017: The Wound Selected to Open Panorama’s Main Programme

Source: Berlinale Panorama 2017: The Wound Selected to Open Panorama’s Main Programme

Generation 2017: Celebrating 40 Years of Film Programming for Young Audiences at the Berlinale

Posted by Larry Gleeson

Forty years ago, the Berlinale launched the festival programme for the young cineastes. From the beginning the concept was embraced and celebrated by its target audiences and consequently expanded through the establishment of a further competition programme catering to adolescents. Since 2007, the Generation section has united the Kplus and 14plus competitions together under one roof and provided an opportunity not only for young people to participate in the greater conversation on cinema and culture that the festival represents.

In 2017, a grand total of 62 short and feature-length films hailing from 41 countries of production will take part in the Generation Kplus and Generation 14plus competitions. Both programmes feature a wide range of thematic concerns and aesthetic approaches. Animated productions rich in contrast, quiet observations, iconoclastic collages and sensitive dramas signalise the programme. Drawn from life, the films demonstrate the experiential horizons of young people – their desires and dreams, those things they wish to leave behind, those things that bind them and of their sense of longing to explore other realms.

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Maryanne Redpath, head of the Generations section of the Berlin International Film Festival (Photo via berlinale.de)

“Our world is not in great shape. Often this means children and adolescents are left on their own and have to search for solutions and ways out of their predicaments. Generation shows young people on the move, crossing boundaries and tearing down walls, erecting barricades and overcoming them. Everything is in motion,” comments section head Maryanne Redpath in regard to this year’s programme.

 

Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau (Those Who Make Revolution Halfway Only Dig Their Own Graves) by Mathieu Denis and Simon Lavoie

 

Documentary Forms

The programme is enriched by a great variety of approaches to documentary filmmaking. Diverse methods of presentation are utilised by filmmakers in the observation of their subjects. Ever vigilant but never intrusive, they reflect upon the wider topics of our times by capturing intimate portraits. They provide privileged insight into closed-off spaces and direct our attention to the all too easily overlooked. They are always on the move, in search of images of the world and opportunities to render the invisible visible for all to see.

Short Films at Generation

In the short film competitions, Generation is presenting productions from a total of 28 countries. The three Kplus short film programmes are colourful, sensitive and serious; the young protagonists face the challenges life has set before them with great bravery, staking out new spaces for themselves with growing self-confidence. With strong contrasts and brisk pacing, explosive and soothing moments and no lack of twists and turns, the two 14plus short film programmes also pay tribute to the contradictory nature of our world.

Kplus Opening Film

The Generation Kplus competition will open at the Haus der Kulturen der Welt with a screening of Red Dog: True Blue by Kriv Stenders. Generation looks forward to starting the section’s 40th anniversary edition with a bang in the presence of the Australian director and his cast.

Generation 14plus

In addition to the previously announced selections, including the opening film for 14plus, Michael Winterbottom’s On the Road, the following productions have also been invited to screen at Generation 14plus.

 

Ben Niao (The Foolish Bird)

The People’s Republic of China
By Huang Ji, Ryuji Otsuka
World premiere

For the sake of her mother, who lives far away, withdrawn Lynn searches for a way to be accepted into the local police academy. At the same time, the 16-year-old gets caught up in a criminal mess involving stolen cell phones. Huang Ji and Ryuji Otsuka (The Warmth of Orange Peel, Generation 2010) employ precise imagery to tell a story of isolation and lack of perspective in a small Chinese city marked by corruption, sexual violence and the all-permeating presence of new media.

Freak Show

USA
By Trudie Styler
World premiere

Somewhere between David Bowie, Lady Gaga, Freddy Mercury and Oscar Wilde, Billy has carved out his own spot in the sparkling firmament of pop culture. Though the denizens of his conservative surroundings find all this markedly less fabulous, Billy has no intention of deviating from his plan to campaign for the role of Homecoming Queen at his school. What at first seems a high school caper transforms into a bombastic yet nuanced drama, one which earns the attribution that Billy himself has also claimed as his own: trans-visionary. Aside from Alex Lawther’s brilliant performance, Bette Midler, Laverne Cox, Larry Pine and Ian Nelson also shine in this one-of-a-kind film.

Loving Lorna

Sweden
By Annika Karlsson, Jessica Karlsson
International premiere

In Ballymun, a poor suburb of Dublin, horses have been an integral part of everyday life for generations. 17-year-old Lorna’s family is no exception. Lorna would like to become a farrier after she finishes school, if only she weren’t plagued by a bad back. In this poetic study, the two Swedish directors paint a portrait of a young woman in search of happiness, fulfilled dreams and her own proper place in the world.

Não devore meu coração! (Don’t Swallow My Heart, Alligator Girl!)

Brazil / The Netherlands / France
By Felipe Bragança
European premiere

The Rio Apa, the river marking the border between Paraguay and Brazil, serves as the central setting for this visually stunning, modern and powerful Romeo and Juliet story of the relationship between 13-year-old Joca and the mysterious Guaraní girl, Basano. Bragança tells his tale of an adolescent “amour fou” against the backdrop of contemporary conflicts concerning land theft and cultural identity. His fiction feature debut makes a strong impression on the big screen also through the successful use of both young Brazilian stars and local non actors.

 

Poi E: The Story of Our Song

New Zealand
By Tearepa Kahi
European premiere

The incredible story of a Maori pop song that took New Zealand’s charts by storm quite unexpectedly in 1984. Back in those days it was a near miracle for a piece of traditionally inspired music to become so popular. That is, until singer Dalvanius Prime, an imposing Maori with a powerfully smooth voice, and the singers of the Patea Maori Club came along. Prime had long been into soul – but now he combined the Maori-language song with modern beats and rap on stage. The media would have preferred to pretend he didn’t exist. Alas, both the song and video managed to become cult hits and helped many Maoris – especially young folks – to gain a new sense of self along the way.

 

The Inland Road

New Zealand
By Jackie van Beek
World premiere

On a road running through the New Zealand countryside, a fatal accident brings 16-year-old Tia together with expectant dad Will. Along with Will’s pregnant wife Donna and four-year-old Lily, a finely spun and electrifying drama about wounds both visible and invisible unfolds. This beautifully shot, atmospherically dense work is New Zealand native Jackie van Beek’s feature film debut as a director. Berlinale audiences have been able to enjoy her comedic and acting talents previously (What We Do in the Shadows, Generation 2014) as well as her work as a short film director (Go the Dogs, Generation 2011).

 

Shkola nomer 3 (School Number 3)

Ukraine / Germany
By Yelizaveta Smith, Georg Genoux
World premiere

Thirteen adolescents from a rebuilt school in South Ukrainian Donbass relate their hopes and fears. In rigorously composed shots, the documentary film shows the protagonists in their everyday environment, while they tell of experiences that move them, of nascent new loves and personal loss alike. The war is often only immediately perceptible on the periphery, yet it makes its presence felt as an unavoidable frame of reference. The puristic way in which it is shot renders the overall impression made by Yelizaveta Smith and Georg Genoux’s film all the more haunting.

 

Soldado (Soldier)

Argentina
By Manuel Abramovich
World premiere

Following orders, rehearsing snappy marches and running through more drills than you can shake a drum stick at. A 19-year-old Argentinian man goes off into the army, where he becomes a drummer in a military band. A measured but poignant study of the collision between young individuality and military uniformity, which expands on the contradictions and uncertainties of entering into adulthood within the constraints of a rigid hierarchy. A coming-of-age story set in a “total institution”.

 

Already announced in the previous press release:

Almost Heaven, United Kingdom, Carol Salter – WP
Butterfly Kisses, United Kingdom, Rafael Kapelinski – WP
Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau (Those Who Make Revolution Halfway Only Dig Their Own Graves), Canada, Mathieu Denis, Simon Lavoie – EP
Emo the Musical, Australia, Neil Triffett – IP
Mulher do pai (Nalu on the Border), Brazil / Uruguay, Cristiane Oliveira -IP
My Entire High School Sinking into the Sea, USA, Dash Shaw – EP
On The Road, United Kingdom, Michael Winterbottom, screening out of competition – IP – opening film for 14plus
Krolewicz Olch (The Erlprince), Poland, Kuba Czekaj – EP
Weirdos, Canada, Bruce McDonald – EP

 

Generation Kplus

 

Amelie rennt (Mountain Miracle – An Unexpected Friendship)

Germany / Italy
By Tobias Wiemann
World premiere

Headstrong Amelie is the queen of cursing – at her parents, her patronising doctors and her damn asthma above all else. During a forced stay in a special clinic in South Tirol she suddenly decides to run away. During the arduous trek up the mountain she not only gains an unsolicited travelling companion, she is also confronted by risky trials of courage and the overwhelming tingle of first love. An emotional roller-coaster ride.

 

Becoming Who I Was

Republic of Korea
By Moon Chang-Yong, Jeon Jin
International premiere

Angdu is not your average boy, he is Rinpoche. In a past life he was actually a venerable Buddhist master. Together with his carer, he sets out one day on foot from India to distant Tibet, the centre of his faith. Questions about friendship and life in general accompany the duo on their trek through the awe-inspiring landscape of the remote alpine region. With its narrative approach steeped in a serene sense of concentration, this film, composed over a period of eight years, is a fundamental experience in its own right.

 

Estiu 1993 (Summer 1993)

Spain
By Carla Simón
World premiere

Summer in Catalonia, 1993. For six-year-old Frida, the death of her mother means the beginning of a whole new life. In the loving care of her uncle and his family far away from her home in Barcelona, she first has to get used to her new life in the countryside. Moments of childish mischievousness turn into thoughtful detachment. Despite the summery atmosphere, serious undertones underlie this precocious coming-of-age drama. The inevitable consequences of AIDS, in those days still incalculable, have induced in gentle images Carla Simón’s (Berlinale Talents alumna) stunning debut feature film.

 

Oskars Amerika (Oskar’s America)

Norway / Sweden
By Torfinn Iversen
World premiere

Torfinn Iversen’s feature debut is based on motifs and characters first explored in his short film Levi’s Horse (Generation, 2012). Now this moving portrait of an unusual friendship can be enjoyed at length on the big screen. Oskar’s deepest wish is to be able to ride on the prairie with his mother over summer break. But alas, everything turns out differently than expected and the 10-year-old is forced to spend his vacation on his grumpy grandfather’s farm. Oskar’s only friend is the outsider Levi, who talks with his pony. Together they hatch a plan to get away from their grim reality: they’ll row across the Atlantic to America in Grandfather’s boat!

 

Piata Loď (Little Harbour)

Slovak Republic / Czech Republic / Hungary
By Iveta Grófová
World premiere

Crushed by her mother’s lack of affection for her, ten-year-old Jarka stumbles upon two abandoned infants. Together with her neighbour, 8-year-old Kristian, she lovingly cares for the tiny twins in what becomes a welcome escape from her own dysfunctional family situation. The Slovakian director’s film is an adaptation of a novel by Monika Kompaníková, in which children assume the roles of adults. The story, sensitively told from the children’s perspective, employs dynamic imagery to trace the universal desire for family and a sense of emotional security and belonging.

Uilenbal (Owls & Mice)

The Netherlands
By Simone van Dusseldorp
International premiere

Meral is new in town and the first friend she makes is her little grey housemate: the mouse Peepeep. On a school trip both are confronted by the wonder and challenges of life. Meral is forced to watch as her beloved new buddy is swept up by an owl. In spite of this frightening development, through rocking musical numbers, owl pellets and the wonders of life in the woods Meral learns to understand the meaning of true friendship. Dutch director Simone von Dusseldorp will celebrate with this Generation highlight for young audiences.

 

Upp i det blå (Up in the Sky)

Sweden
By Petter Lennstrand
International premiere

Pottan’s stressed-out parents actually wanted to drop her off at summer camp, but somehow the 8-year-old ends up at a scrapyard inhabited by extremely odd residents instead. Together the gang is hard at work building a homemade spaceship so that they can blast off for the stars. In his feature film debut, complete with a healthy dose of humour and a great appetite for adventure, television producer and puppeteer Petter Lennstrand tells a tale of unexpected friendships and what they can enable us to accomplish.

 

Wallay

France / Burkina Faso / Qatar
By Berni Goldblat
World premiere

When his father sends him off to Burkina Faso to visit relatives, 15-year-old Ady is excited at the prospect of being able to enjoy a laid-back vacation in his native land. Alas, on arrival the young man is met with a chilly reception and it soon becomes clear to him that his trip is not going to be the pleasant break from life back home that he expected. Swiss director Berni Goldblat approaches his feature film debut with the sharp eye of a documentary filmmaker in this depiction of everyday life in his adopted West African home of Burkina Faso.

 

Already announced in the previous press release:

As duas Irenes (Two Irenes), Brazil, Fabio Meira – WP
Die Häschenschule – Jagd nach dem Goldenen Ei (Rabbit School – Guardians of the Golden Egg), Germany, Ute von Münchow-Pohl – WP
Primero enero (January), Argentina, Darío Mascambroni – EP
Red Dog: True Blue, Australia, Kriv Stenders – EP
Richard the Stork, Germany / Belgium / Luxembourg / Norway, Toby Genkel, Reza Memari – WP
Tesoros, Mexico, María Novaro – WP
Shi Tou (Stonehead), People’s Republic of China, Zhao Xiang – WP

Short Films Generation 14plus

After the Smoke, Australia, Nick Waterman – WP
In a Nutshell, Switzerland, Fabio Friedli – WP
La prima sueca (Swedish Cousin), Argentina, Inés María Barrionuevo, Agustina San Martín – WP
Libélula (Firefly), Mexico, José Pablo Escamilla Gonzáles Aragón – IP
Milk, Lithuania, Daria Vlasova – WP
Morning Cowboy, Spain, Fernando Pomares – WP
Sheva Dakot (Seven Minutes), Israel, Assaf Machnes – IP
Sirens, Monaco, Emmanuel Trousse, screening out of competition – WP
Smashed, Australia, Sean Lahiff – WP
SNIP, Canada, Terril Calder – EP
The Jungle Knows You Better Than You Do, Columbia / Belgium, Juanita Onzaga – WP
U Plavetnilo (Into the Blue), Croatia / Slovenia / Sweden, Antoneta Alamat Kusijanovic – WP
White Riot: London, United Kingdom, Rubika Shah – EP
Wolfe, Australia, Claire Randall – WP

Short Films Generation Kplus

1Minuutje natuur (1Minute of Nature), Netherlands, Stefanie Visjager, Katinka Baehr – IP
Aaba (Grandfather), India, Amar Kaushik – WP
Der kleine Vogel und die Raupe (The Little Bird and the Caterpillar), Switzerland, Lena von Döhren – WP
Dziedošais Hugo un viņa neticamie piedzīvojumi (Singing Hugo and His Incredible Adventures), Latvia, Reinis Kalnaellis – WP
Em busca da terra sem males (In Search of the Land Without Evil), Brazil, Anna Azevedo – WP
Engiteng‘ Narok Lukunya (Black Head Cow), USA, Elizabeth Nichols – EP
Hedgehog´s Home, Canada / Czech Republic, Eva Cvijanovic – WP
Jazzoo, Sweden, Adam Marko-Nord – IP
Li.le, Georgia, Natia Nikolashvili – WP
Min Homosyster (My Gay Sister), Sweden / Norway, Lia Hietala – IP
Odd er et egg (Odd is an Egg), Norway / Portugal, Kristin Ulseth – IP
Promise, USA, Xie Tian – IP
Sabaku, Netherlands, Marlies van der Wel – IP
Terrain de jeux (Playground), France, Maxence Lemonnier – WP
The Catch, Canada, Holly Brace-Lavoie – WP
The Dress on Her, Taiwan, Wen Chih Yi- WP
Vulkánsziget (Volcanoisland), Hungary, Anna Katalin Lovrity – WP
Xalé Bu Rérr (Lost Child), Senegal, Abdou Khadir Ndiaye – WP

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(Source: Berlinale Press Office)

Palm Springs International Film Festival – January 14

Posted by Larry Gleeson

awards_buzz_psiff

 

IT’S NOT OVER YET, CHECK OUT THESE FILMS ON SUNDAY, JANUARY 15

 

TRUMAN

Spain/Argentina – 2015 – 108 minutes
Director: Cesc Guy
WORLD CINEMA NOW
truman_psiff
Two of Spanish-speaking cinema’s finest stars, Ricardo Darin and Javier Cámara, play lifelong friends reconnecting for a short visit under the shadow of terminal cancer in this wide and tender (and surprisingly funny) movie from Cesc Gay. Goya Winner: Best Film, Director, Actor, Supporting Actor, Screenplay, Goya Awards.
Sun, Jan 1510:00 AM – Mary Pickford
Purchase tickets HERE.

THE HIPPOPOTAMUS

UK – 2015 – 90 minutes
Director: John Jencks
SPECIAL PRESENTATION
North American Premiere
hippopotamus_psiff
A country manor mystery that’s actually a deliciously wicked comedy of manners, adapted from Stephen Fry’s best-seller. A disgraced poet and all-round drunken sot, Ted is invited to his friend Lord Logan’s estate, and investigates a spate of “miracle” healings attributed to Logan’s teenage son.

Sun, Jan 1510:00 AM – PSHS

Director, John Jencks; Actor, Matthew Modine to attend.

Purchase tickets HERE.

FRANCA: CHAOS AND CREATION

Italy/U.S. – 2016 – 80 minutes
Director: Francesco Carrozzini
TRUE STORIES
franca_psiff
The brilliant and controversial editor-in-chief of Italian Vogue, Franca Sozzani, is given the documentary treatment by the one man who can get her to drop her guard -her son-in this insightful portrait of one of fashion’s most original icons.
Sun, Jan 1510:30 AM – Regal
Purchase tickets HERE.

EVERYTHING ELSE

Mexico/U.S./France – 2016 – 98 minutes
Director: Natalia Almada
WORLD CINEMA NOW
everything_psiff
In the first scripted film from acclaimed non-fiction filmmaker Natalia Almada (El velador), her austere gaze is trained on a lonely, aging government bureaucrat, Doña Flor. Patience is demanded, and rewarded. “A heartfelt argument for empathy.” Indiewire. Winner: Best Actress, Morelia.
Sun, Jan 152:00 PM – Regal
Purchase tickets HERE.

DREAM VACATION PALM SPRINGS

VACATION PALM SPRINGS “DREAM VACATION” WINNER WILL RECEIVE:
* A Four (4) night stay for up to 4 people in a luxury 3-bedroom Palm Springs vacation rental home during the 2018 Palm Springs International Film Festival. Winner will also receive the following:dream_vacation_psiff
* Opening -or- Closing Night Screening and Gala Reception – 4 Tickets
* Festival Screening Passes – 4 non-transferable passes, good for all regular screenings
Enter NOW through January 16, 2017
Must be at least 25 years of age to enter this contest.
No purchase necessary.
One entry per person; employees of PSIFF are not eligible.

 

 

THE DAY WILL COME

Denmark – 2016 – 119 minutes
Director: Jesper W. Nielsen
WORLD CINEMA NOW
North American Premiere
the_export
Inspired by recent revelations about abuse in Danish orphanages dating back to the 1960s, this hard-hitting but inspiring drama focuses on two (fictional) brothers, aged 10 and 13, resisting the brutal regime of Headmaster Heck, armed with nothing but their imagination. It reunites the writer and two stars from TV’s The Killing. Winner: Audience Award, Hamburg.
Sun, Jan 154:30 PM – Regal
Purchase tickets HERE.

THE SPY AND THE POET

Estonia – 2016 – 95 minutes
Director: Toomas Hussar
WORLD CINEMA NOW
North American Premiere
spy_psiff
A socially awkward secret service agent makes the acquaintance of both a beautiful Russian spy and a barely tolerable Estonian modern poet in the absurdly comic new film from the producer of Tangerines. It provides a sarcastic reflection on the identity and concerns of contemporary Estonia.
Sun, Jan 157:00 PM – Mary Pickford
Purchase tickets HERE.
best_psiff
(Source: psiff.org)

 

European Film Market & Co-Production Market

Posted by Larry Gleeson

36 Attractive Feature Film Projects Searching for International Partners at the Berlinale Co-Production Market

At the 14th edition of the Berlinale Co-Production Market (February 12 to 15, 2017) a selection of 36 promising feature-film projects from 29 countries will come together with a wide range of potential co-production and funding partners from around the world. In addition, the market will be presenting several respected production companies in the scope of their exclusive “Company Matching Programme”.

To aid the producers of the selected projects and companies, the Berlinale Co-Production Market team is organizing a total of approximately 1,200 one-on-one meetings with interested potential partners from a participant pool made up of 550 producers, world sales agents, broadcasters, distributors, film funds and financiers from all across the world.

For the official project selection, 20 promising feature-film projects with budgets ranging from 750,000 euros to eleven million euros were chosen from a total of 323 submissions. They will be presented by internationally experienced producers and have all either already secured production funding from their native countries or have at least been able to cover 30% of their projected financing needs to date.

In the scope of the “Rotterdam Berlinale Express”, three additional film projects will take part both in the CineMart Rotterdam and the Berlinale Co-Production Market.

Ten newcomers to the world of international film production will also be presenting their projects at the “Talent Project Market”, which is organized in co-operation with Berlinale Talents. These attendees were chosen from an additional 178 submitted projects.

Among the directors of the selected projects are familiar names such as Hans Petter Moland (In Order of Disappearance, A Somewhat Gentle Man, The Beautiful Country), whose films have already been featured three times in the official Berlinale programme, Agnieszka Holland, whose most recent film Spoor is celebrating its premiere at this year’s Berlinale, as well as further directors of Competition films from the past years, including for instance Lou Ye (Blind Massage), Celina Murga (The Third Side of the River), Anne Zohra Berrached (24 Weeks) and Laura Bispuri (Sworn Virgin).

In the category “Berlinale Directors”, three projects from directors whose previous films were shown at the Berlinale will be presented; though these productions are still in a very early stage of development from a financing perspective, they are considered so promising that they can already benefit from finding co-operation partners in order to ease their way to the big screen.

In addition to the meetings with potential partners, which are arranged individually to satisfy the concrete needs of each project, there are also three awards available: the Eurimages Co-Production Development Award, worth 20,000 euros, the VFF Talent Highlight Award, worth 10,000 euros, and the ARTE International Prize, worth 6,000 euros, will all be given away at the Berlinale Co-Production Market.

The four already confirmed companies featured in the “Company Matching Programme” come from Germany, France, Israel and Norway. The 550 other participants can also request one-on-one meetings with them in order to exchange information on a structural level or on the basis of project slates and move towards exploring the possibility of long-term co-operation.

There are at least two films screening in the festival programme of the upcoming Berlinale which were presented at the Berlinale Co-Production Market as projects in previous years and met partners: Una mujer fantástica (A fantastic woman) by Sebastián Lelio, which is part of the Competition, and Mulher do pai (Nalu on the Border) by Cristiane Oliveira, which is being shown in Generation 14plus.

The primary partners of the Berlinale Co-Production Market are the MDM – Mitteldeutsche Medienförderung and Creative Europe MEDIA, a programme of the European Union.

The Berlinale Co-Production Market is a part of the European Film Market.
The Berlin House of Representatives, which is located right across from the European Film Market in the Martin-Gropius-Bau, will once again serve as a co-operation partner and main venue for the event.

Official project selection for Berlinale Co-Production Market 2017
(in alphabetical order by production company):

Where the Summer Went (D: Beatriz Sanchis), Animal de Luz Films, Mexico
Psychobitch (D: Martin Lund), Ape&Bjørn, Norway
7500 (D: Patrick Vollrath), Augenschein Filmproduktion, Germany
Irene (D: Celina Murga), Cepa Audiovisual & Tresmilmundos Cine, Argentina
The Ski Jumper Who Didn’t Want to Land (D: Hans Petter Moland), Chezville & Storyline Studios, Norway
Overgod (D: Gabriel Mascaro), Desvia Produções, Brazil
Clear Blue (D: Lindsay MacKay), Devonshire Productions, Canada
Man’s Fate (D: Lou Ye), Dream Factory, China & Chinese Shadows, Hong Kong, China
The Deer (D: Bogdan George Apetri), Fantascope, Romania
The Monster Within (D: Rodrigo Susarte), Forastero, Chile
Lost Country (D: Vladimir Perisic), KinoElektron, France, Trilema, Serbia & MPM Film, France
Benigno Cruz (D: Jorge Hernandez Aldana), La Pandilla Producciones, Venezuela & Lucía Films & Paloma Negra Films, Mexico
Eloe (D: Piotr Złotorowicz), Lava Films, Poland
Charlatan (D: Agnieszka Holland), Marlene Film Production, Czech Republic
A Film by Verner Holm (D: Jannik Johansen), Profile Pictures, Denmark
Blanquita (D: Fernando Guzzoni), QuijoteRampante, Chile
Paloma’s Wedding (D: Marcelo Gomes), Rec Produtores, Brazil
Waiting for an Angel (D: Akin Omotoso), Rififi Pictures, South Africa & Triptych Media, Canada
Dead Noon (D: Jeff Desom), Samsa Film, Luxembourg
Daughter of Mine (D: Laura Bispuri), Vivo Film, Italy

“Berlinale Directors” projects:
Ten Thousand Happiness (D: Johnny Ma), Image X Productions, China
Colour of the Skull (D: Sibs Shongwe-La Mer), Mille et Une Productions, France
Zorro (D: Ronny Trocker), Zischlermann Filmproduktion, Germany

“Rotterdam Berlinale Express”:
Girls of the Sun (D: Eva Husson), Maneki Films, France
Jumpman (D: Ivan I. Tverdovsky), New People Film Company, Russia
The Wife of the Pilot (D: Anne Zohra Berrached), Razor Film Produktion, Germany

“Talent Project Market” – projects and selected production talents (in alphabetical order by production company):
The Deposit (P: Eva Sigurdardottir), Askja Films, Iceland
MNK Boy (P: Aydin Dehzad), Kaliber Film, Netherlands / Turkey
Shock Labor (P: Maria Carla del Rio), Marinca Filmes, Cuba
The Bus to Amerika (P: Nefes Polat), Mars Production, Turkey
The Space Between (P: Angela Lee), Nifty Pictures, USA
Memoryland (P/D: Quy Bui), Pixelholic Media, Vietnam
Tomorrow is a Long Time (P: Jeremy Chua), Potocol, Singapore
Never the Bright Lights (P: Tonee Acejo), Quiapost Productions, Philippines
You Will Die at Twenty (P: Hossam Elouan), Transit Films, Egypt / Sudan
Breaking Surface (P: Julia Gebauer), Way Creative Films, Sweden

Company Matching (in alphabetical order by company):
Black Sheep Film Productions, Israel
Haut et Court, France
Mer Film, Norway
Weydemann Bros., Germany

Logo-Berlinale-Facebook

(Source: Berlinale Press Office)

32nd #SBIFF Film Program

Posted by Larry Gleeson

The Santa Barbara International Film Festival (SBIFF), presented by UGG®, will offer a vast array of films representing 50+ countries, 51 world premieres and 64 US premieres, along with tributes with the year’s top talent, panel discussions, and free community education and outreach programs.

OPENING NIGHT

SBIFF 2017 will kick off the festival on Wednesday, February 1st, at the historic Arlington Theatre with the World Premiere of CHARGED. The Opening Night Film is sponsored by UGG®.

charged_sbiff

Directed by Phillip Baribeau, CHARGED chronicles the journey of chef and outdoorsman, Eduardo Garcia and his recovery after being electrocuted by 2400 volts of electricity miles from help in the Montana backcountry.  Garcia had his hand amputated, lost ribs, muscle mass and nearly his life, but more important than what he lost is what he found. CHARGED tells Eduardo’s remarkable journey from getting up off the forest floor to becoming the man he is today.

The documentary is produced by Dennis Aig and Phillip Baribeau along with executive producers Teri Weinberg, Scott Ballew, Doug Ellin, Peter Hochfelder, Constance Schwartz–Morini and Michael Strahan.

INTERNATIONAL GALA

For the International Gala, the festival will feature the US Premiere of HEAL THE LIVING (Réparer les vivants) a French–Belgian drama directed by Katell Quillévéré and written by Quillévéré and Gilles Taurand. HEAL THE LIVING stars Tahar Rahim (A Prophet, The Past, Grand Central, The Informant), Emmanuelle Seigner (Venus in Fur, The Diving Bell and the Butterfly) and Anne Dorval (Mommy, Heartbeats). Three seemingly unrelated stories are masterfully woven together in this family medical drama. A French teenager takes a road trip to the sea with friends to go surfing; a woman learns her heart is failing; and the staff at a regional hospital struggles through another day of saving lives. Cohen Media Group plans for a Spring 2017 release.

CLOSING NIGHT

The Festival will close with the Lone Scherfig’s period comedy–drama THEIR FINEST at the Arlington Theatre on Saturday, February 11 in advance of the film’s March 24 stateside release. The Closing Night Film is sponsored by Winchester Mystery House.

Their Finest Hour and A HalfDirected by Lone Sherfig
Their Finest directed by Lone Sherfig stars Gemma Arteton, left, as a scriptwriter in charge of writing female dialogue, and Bill Nighy as pretentious, fading movie star Ambrose Hilliard in this 1940’s British period comedy-drama.

The year is 1940, Britain. With the nation devastated by the war, the British ministry turns to propaganda films to boost morale at home. Realizing their films could use “a woman’s touch,” the ministry hires Catrin Cole (Gemma Arterton) as a scriptwriter in charge of writing the female dialogue. Although her artist husband looks down on her job, Catrin’s natural flair quickly gets her noticed by charming lead scriptwriter Buckley (Sam Claflin). Catrin and Buckley set out to make an epic feature film based on the Battle of Dunkirk starring pretentious fading movie star Ambrose Hilliard (Bill Nighy). As bombs are dropping all around them, Catrin, Buckley and their colorful cast and crew work furiously to make a film that will warm the hearts of the nation.

The film is produced by Stephen Woolley, Amanda Posey, Finola Dwyer and Elizabeth Karlsen. Christine Langan, Ed Wethered, Robert Norris, Ivan Dunleavy, Peter Watson, Zygi Kamasa and Thorsten Schumacher serve as executive producers. The film is produced by Number 9 Films and Wildgaze Films.

THE TRIBUTES

SBIFF has become an important showcase for Academy–Award® frontrunners, many of whom have arrived as nominees and gone on to win the Oscar. The 32nd Santa Barbara International Film Festival proudly celebrates some of the year’s finest work in film.  The complete list of 2017 Honorees (in date order) is as follows:

All tributes take place at the historic Arlington Theatre except the Variety Artisans Award, which will be at the Lobero Theatre.

THE PANELS

SBIFF has become renowned for creating smart, insightful panels that feature a who’s who in the world of filmmaking, including many Oscar® contenders.

The panel series begins on Saturday, February 4th with the “Movers and Shakers,” (Producers Panel), bringing together the industry’s most prolific producers to talk about current projects, hopes for the future of filmmaking, and insight into the creative process. Moderated by Glenn Whipp.

That same day proceeds with “It Starts With the Script” (Screenwriters Panel), bringing together top writers to discuss their craft. The panel will be moderated by Anne Thompson.

On Saturday, February 11th, Creative Forces: Women in the Business (Women’s Panel), will be moderated by Madelyn Hammond.

All panels take place at the Lobero Theatre.

PROGRAM HIGHLIGHTS

The 2017 Film Program addresses timely themes including a focus on environmental activism, feminism in the Middle East, efforts to thwart ISIS around the world including, Mali and Kurdistan, the fight for democracy in Ukraine and the global refugee crisis. In addition, some of the new highlights in the program include the following sections:

  • Nordic Cinema Competition: A diverse showcase of contemporary cinema From Denmark, Finland, Iceland, Norway, and Sweden.
  • Crime Scenes: An international selection of crime thrillers and neo-noirs filled with gritty underworlds and moral nihilists.
  • Documentary Shorts: Refugees: A program of short documentaries featuring compelling stories from refugees living in Malawi, Syria, West Africa, Greece, Sweden and the United States.

The Jury – Films in several of the Festival’s film categories are in competition. These categories are viewed by a hand selected group of industry professionals including: Richard Raymond, Joanna Kerns, Jesus Lloveras, Tamara Asseyev, Martin Gooch, Anthony & Arnette Zerbe, Alan Marshall, Artie Schmidt, Janet Walker, Phyllis de Picciotto, Perry Lang and Mimi deGruy. On the last day of the Festival, the award winning films will be announced at the annual SBIFF awards breakfast.

ABOUT SBIFF

The Santa Barbara International Film Festival is a 501(c)(3) non–profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 30 years, SBIFF has become one of the leading film festivals in the United States – attracting 90,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

Sponsors of the 32nd Santa Barbara International Film Festival include: UGG®, Belvedere Vodka, Dom Pérignon, Anti–Defamation League, Montecito Bank & Trust, Visit The Santa Ynez Valley, IMDB, Santa Barbara Foundation, Union Bank, Winchester Mystery House, Wells Fargo, Westerly Wines, The Bentson Foundation and many more supporting through trade.

SBIFF continues its commitment to education and the community through free programs like its 10–10–10 Student Filmmaking and Screenwriting Competitions, Mike’s Field Trip to the Movies, National Film Studies Program, AppleBox Family Films, 3rd Weekend and educational seminars. This past June, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. The theatre is SBIFF’s new home and is the catalyst for program expansion and marks the first time that Santa Barbara has had a 24/7 community center to expand their mission of educational outreach.

(Source: sbiff.org)

Oscar races from Palm Springs to Santa Barbara

Posted by Larry Gleeson

It’s that time of year again. The first film festival bookend of the Oscar race, The Palm Springs International Film Festival (PSIFF), is wrapping up its two-week long run including its first-ever, pre-event Film Awards Gala, while the other bookend, the Santa Barbara International Film Festival (SBIFF), is ramping up for its 32nd edition.

In comparison, PSIFF has maintained a decided edge on glamour with its Film Awards Gala and film viewing with its Regal Cinemas, The Mary Pickford and the Camelot Theaters. Not to be outdone, SBIFF is in the process of updating its newly acquired and not-so-distant future home, the Santa Barbara Riviera Theater, and its use of the Sate Street Metropolitan Theater venues on the stunning shop lined, downtown State Street segment keeps the screens within a reasonable walking distance.

Currently, SBIFF continues its Riviera Project Capital Campaign in support of seat and facility improvements for its Riviera Theater. SBIFF also continues to expand its growing educational programming and remains steadfast in its commitment on community engagement.

Both festivals offer similar, cutting-edge, timely programming with stimulating themes. In addition, SBIFF recently released its 2017 film program.

Here’s the latest information release on the 32nd Santa Barbara International Film Festival:

The Santa Barbara International Film Festival (SBIFF), presented by UGG®, will offer a vast array of films representing 50+ countries, 51 world premieres and 64 US premieres, along with tributes with the year’s top talent, panel discussions, and free community education and outreach programs.

OPENING NIGHT

SBIFF 2017 will kick off the festival on Wednesday, February 1st, at the historic Arlington Theatre with the World Premiere of CHARGED. The Opening Night Film is sponsored by UGG®.

Directed by Phillip Baribeau, CHARGED chronicles the journey of chef and outdoorsman, Eduardo Garcia and his recovery after being electrocuted by 2400 volts of electricity miles from help in the Montana backcountry.  Garcia had his hand amputated, lost ribs, muscle mass and nearly his life, but more important than what he lost is what he found. CHARGED tells Eduardo’s remarkable journey from getting up off the forest floor to becoming the man he is today.

The documentary is produced by Dennis Aig and Phillip Baribeau along with executive producers Teri Weinberg, Scott Ballew, Doug Ellin, Peter Hochfelder, Constance Schwartz–Morini and Michael Strahan.

INTERNATIONAL GALA

For the International Gala, the festival will feature the US Premiere of HEAL THE LIVING (Réparer les vivants) a French–Belgian drama directed by Katell Quillévéré and written by Quillévéré and Gilles Taurand. HEAL THE LIVING stars Tahar Rahim (A Prophet, The Past, Grand Central, The Informant), Emmanuelle Seigner (Venus in Fur, The Diving Bell and the Butterfly) and Anne Dorval (Mommy, Heartbeats). Three seemingly unrelated stories are masterfully woven together in this family medical drama. A French teenager takes a road trip to the sea with friends to go surfing; a woman learns her heart is failing; and the staff at a regional hospital struggles through another day of saving lives. Cohen Media Group plans for a Spring 2017 release.

CLOSING NIGHT

The Festival will close with the Lone Scherfig’s period comedy–drama THEIR FINEST at the Arlington Theatre on Saturday, February 11 in advance of the film’s March 24 stateside release. The Closing Night Film is sponsored by Winchester Mystery House.

The year is 1940, Britain. With the nation devastated by the war, the British ministry turns to propaganda films to boost morale at home. Realizing their films could use “a woman’s touch,” the ministry hires Catrin Cole (Gemma Arterton) as a scriptwriter in charge of writing the female dialogue. Although her artist husband looks down on her job, Catrin’s natural flair quickly gets her noticed by charming lead scriptwriter Buckley (Sam Claflin). Catrin and Buckley set out to make an epic feature film based on the Battle of Dunkirk starring pretentious fading movie star Ambrose Hilliard (Bill Nighy). As bombs are dropping all around them, Catrin, Buckley and their colorful cast and crew work furiously to make a film that will warm the hearts of the nation.

The film is produced by Stephen Woolley, Amanda Posey, Finola Dwyer and Elizabeth Karlsen. Christine Langan, Ed Wethered, Robert Norris, Ivan Dunleavy, Peter Watson, Zygi Kamasa and Thorsten Schumacher serve as executive producers. The film is produced by Number 9 Films and Wildgaze Films.

THE TRIBUTES

SBIFF has become an important showcase for Academy–Award® frontrunners, many of whom have arrived as nominees and gone on to win the Oscar. The 32nd Santa Barbara International Film Festival proudly celebrates some of the year’s finest work in film.  The complete list of 2017 Honorees (in date order) is as follows:

All tributes take place at the historic Arlington Theatre except the Variety Artisans Award, which will be at the Lobero Theatre.

THE PANELS

SBIFF has become renowned for creating smart, insightful panels that feature a who’s who in the world of filmmaking, including many Oscar® contenders.

The panel series begins on Saturday, February 4th with the “Movers and Shakers,” (Producers Panel), bringing together the industry’s most prolific producers to talk about current projects, hopes for the future of filmmaking, and insight into the creative process. Moderated by Glenn Whipp.

That same day proceeds with “It Starts With the Script” (Screenwriters Panel), bringing together top writers to discuss their craft. The panel will be moderated by Anne Thompson.

On Saturday, February 11th, Creative Forces: Women in the Business (Women’s Panel), will be moderated by Madelyn Hammond.

All panels take place at the Lobero Theatre.

PROGRAM HIGHLIGHTS

The 2017 Film Program addresses timely themes including a focus on environmental activism, feminism in the Middle East, efforts to thwart ISIS around the world including, Mali and Kurdistan, the fight for democracy in Ukraine and the global refugee crisis. In addition, some of the new highlights in the program include the following sections:

  • Nordic Cinema Competition: A diverse showcase of contemporary cinema From Denmark, Finland, Iceland, Norway, and Sweden.
  • Crime Scenes: An international selection of crime thrillers and neo-noirs filled with gritty underworlds and moral nihilists.
  • Documentary Shorts: Refugees: A program of short documentaries featuring compelling stories from refugees living in Malawi, Syria, West Africa, Greece, Sweden and the United States.

The Jury – Films in several of the Festival’s film categories are in competition. These categories are viewed by a hand selected group of industry professionals including: Richard Raymond, Joanna Kerns, Jesus Lloveras, Tamara Asseyev, Martin Gooch, Anthony & Arnette Zerbe, Alan Marshall, Artie Schmidt, Janet Walker, Phyllis de Picciotto, Perry Lang and Mimi deGruy. On the last day of the Festival, the award winning films will be announced at the annual SBIFF awards breakfast.

 

ABOUT SBIFF

The Santa Barbara International Film Festival is a 501(c)(3) non–profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 30 years, SBIFF has become one of the leading film festivals in the United States – attracting 90,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.

Sponsors of the 32nd Santa Barbara International Film Festival include: UGG®, Belvedere Vodka, Dom Pérignon, Anti–Defamation League, Montecito Bank & Trust, Visit The Santa Ynez Valley, IMDB, Santa Barbara Foundation, Union Bank, Winchester Mystery House, Wells Fargo, Westerly Wines, The Bentson Foundation and many more supporting through trade.

SBIFF continues its commitment to education and the community through free programs like its 10–10–10 Student Filmmaking and Screenwriting Competitions, Mike’s Field Trip to the Movies, National Film Studies Program, AppleBox Family Films, 3rd Weekend and educational seminars. This past June, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. The theatre is SBIFF’s new home and is the catalyst for program expansion and marks the first time that Santa Barbara has had a 24/7 community center to expand their mission of educational outreach.

(Source: sbiff.org)