Tag Archives: After Yang

Alfred P. Sloan Foundation Feature Film Prize Awarded at 2022 Sundance Film Festival, Three New Artist Grant Recipients Revealed

Posted by Larry Gleeson

Alfred P. Sloan Foundation Feature Film Prize Awarded at 2022 Sundance Film Festival, Three New Artist Grant Recipients Revealed

20th Year of Science-In-Film Initiative Celebrated, Feature Film Prize Goes to After Yang

Park City, UT – The Sundance Film Festival has announced the artist grant recipients for the Sundance Institute Science-in-Film initiative at the twentieth annual Alfred P. Sloan Foundation Feature Film Prize Reception, where the previously announced 2022 Feature Film Prize winner (Kogonada, After Yang) was honored. The grantees received a total of $70,000 in funding for their projects in development through the Sloan Episodic Fellowship (Kathryn Lo, Our Dark Lady), Sloan Development Fellowship (Nuhash Humayun, Moving Bangladesh) and Sloan Commissioning Grant (Shawn Snyder and Jason Begue, The Futurist).

“The Science-In-Film Initiative is turning 20 and we are thrilled to gather and celebrate After Yang and our grantees. With the importance of this initiative becoming clearer every year, it’s with gratitude that we mark two decades of the Sloan Foundation providing material support and recognition for filmmakers whose work engages with science and technology in an entertaining, meaningful way” said Festival Director Tabitha Jackson.

“From Primer, Grizzly Man, and Robot & Frank to Searching, Tesla, and After Yang – I was there for every award – it’s been a wonderful, pioneering, two-decade partnership with Sundance,” said Doron Weber, Vice President and Program Director at the Alfred P. Sloan Foundation. “To see extraordinary work move from development to the screen and beyond for 20 years is to witness a line of progress in science and technology representation that has deeply influenced our culture. This year’s Feature Film Prize winner Kogonada and screenwriting recipients – Kathryn Lo, Nuhash Humayun, Shawn Snyder, and Jason Begue – are outstanding additions to the multitalented Sloan family. We’re honored to recognize these gifted artists and look forward to contributing to their future success.”

The twenty-year partnership between the Alfred P. Sloan Foundation and Sundance Institute forms part of the Sloan Foundation’s nationwide Film Program, which includes support for six of the nation’s leading film schools plus six additional public schools and seven screenwriting development partners and has resulted in over 750 film projects and 30 completed feature films. In addition to Hidden Figures, originally supported by a Sloan book grant, the film program has long championed stories about women in science from Bombshell: The Hedy Lamarr Story to stories about Louise Pearce, Rosalind Franklin, Marie Curie, Lise Meitner and Jane Goodall. The program has also supported many works about the role of technology in daily life, including the impact of machine learning, robotics and artificial intelligence. Sloan has supported feature narrative films such as Adventures of a Mathematician, One Man Dies a Million Times, The Sound of Silence, To Dust, The Catcher Was a Spy, The Man Who Knew Infinity, The Imitation Game, Experimenter and Operator, along with documentaries, such as the 2020 Sundance Film Festival selection Coded Bias and several new projects, including episodic television, in development. The program has also given early recognition to stand-out films such as Don’t Look Up, Ammonite, The Aeronauts, The Boy Who Harnessed the Wind, First Man, Searching, The Martian and Son of Monarchs, last year’s recipient of the Feature Film Prize.

AFTER YANG: Winner of the Alfred P. Sloan Feature Film Prize

After Yang has been awarded the 2022 Alfred P. Sloan Feature Film Prize and received a $20,000 cash award from the Alfred P. Sloan Foundation at today’s online reception. The Prize is selected by a jury of film and science professionals and presented to an outstanding feature film focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician as a major character.

The 2022 Alfred P. Sloan Feature Film Prize Jury was previously announced on December 13th.

The jury stated, “For its exquisitely crafted and deep poetic meditation on how technology can help us reflect on our humanity, and the ways our brains navigate memory, loss, and connection — even while it poses new challenges to our privacy, security, and identity — the 2022 Alfred P. Sloan Feature Film Prize at the Sundance Film Festival goes to Kogonada’s After Yang.”

After Yang / U.S.A. (Director and Screenwriter: Kogonada, Producers: Andrew Goldman, Caroline Kaplan, Paul Mezey, Theresa Park)  — In the near future, a father and daughter try to save the life of Yang, their beloved robotic family member. Cast: Colin Farrell, Jodie Turner-Smith. Justin H. Min, Malea Emma Tjandrawidjaja, Haley Lu Richardson. North American Premiere. Fiction.

Koganada’s debut film, Columbus, starring John Cho and Haley Lu Richardson, premiered at the 2017 Sundance Film Festival. He wrote and directed his second feature, After Yang, starring Colin Farrell and Jodie Turner-Smith, for A24.

Sundance Institute / Sloan Episodic Fellowship

Kathryn Lo (writer) will receive a $10,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival for Our Dark Lady. Previous winners include: The Harvard Computers, Higher, and DELTA-V.

Our Dark Lady: After James Watson trashes scientist Rosalind Franklin in his memoir on the discovery of DNA’s double helix, a friend seeks to uncover the theft of her data by investigating two labs in 1950s England — where Rosalind emerges as the centerpiece of the most important scientific breakthrough of the modern era.

Working in print, radio, television and online, Kathryn Lo relishes storytelling of all forms.  She spent 10 years curating the Emmy-winning documentary series Independent Lens, and oversaw a 450-hour program pipeline at PBS.  After a career of championing others’ work, Kathryn is excited to pursue her own curiosity and projects.

Sundance Institute / Sloan Development Fellowship

Nuhash Humayun (writer and director) will receive a $15,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival for Moving Bangladesh. Previous winners include: Chariot, Tidal Disruption, and Goliath.

Moving Bangladesh: Stuck in traffic and in life – a struggling Bangladeshi entrepreneur creates an app that may change transport in developing countries forever, but must first overcome his skeptical family.

Nuhash Humayun is a Bangladesh-based writer/director with a focus on the intersection of genre and Asian identity. His credits include Sincerely Yours, Dhaka (world premiere at Busan 2018, acquired by Netflix). Nuhash’s upcoming feature Moving Bangladesh has  received support from Film Independent, Cannes Marche du Film, Locarno Open Doors and Film Bazaar.

Sundance Institute / Sloan Commissioning Grant

Shawn Snyder (co-writer and director) and Jason Begue (co-writer)  will receive a $25,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival for The Futurist. Previous winners include: Pharmacopeia, The Plutonians and Challenger.

The Futurist: When the scientific community abandons him, a renowned neuroscientist attempts to rectify his complicated past and to author a more auspicious future by using his own brain for cyborgian experimentation. The Futurist takes place inside that brain. Inspired by true events.

Shawn Snyder’s first feature, the Sloan/Sundance supported To Dust, won the Best New Director Award and Audience Award at Tribeca 2018 and was nominated for Best Screenplay at the 2020 Independent Spirit Awards. Having studied Religion at Harvard and Filmmaking at NYU, Shawn never imagined making movies about science. He stands corrected.

Jason Begue is a Latinx filmmaker known for To Dust, which he co-wrote with Shawn Snyder and co-produced alongside Alessandro Nivola, Emily Mortimer and Ron Perlman. He is currently completing studies at NYU Grad Film, while the writing duo continues to develop a larger slate of projects – including Baby-Face, Jason’s first feature.

About the Alfred P. Sloan Foundation:
The Alfred P. Sloan Foundation is a New York-based, philanthropic, not-for-profit institution that makes grants in three areas: research in science, technology, and economics; quality and diversity of scientific institutions; and public engagement with science. Sloan’s program in Public Understanding of Science and Technology, directed by Doron Weber, supports books, radio, film, television, theater, and new media to reach a wide, non-specialized audience and to bridge the two cultures of science and the humanities.

Sloan’s Film Program encourages filmmakers to create more realistic and compelling stories about science and technology and to challenge existing stereotypes about scientists and engineers in the popular imagination. Over the past two decades, Sloan has partnered with top film schools in the country – including AFI, Carnegie Mellon, Columbia, NYU, UCLA, and USC, plus six public film schools – and established annual awards in screenwriting and film production, along with an annual best-of-the-best Student Grand Jury Prize. The Foundation also supports screenplay development programs with the Sundance Institute, Tribeca Film Institute, Film Independent, SFFILM, the Black List, the Athena Film Festival, and  the North Fork TV Festival. The Foundation has helped develop over 30 feature films including Michael Almereyda’s Tesla, Lydia Dean Pilcher and Ginny Mohler’s Radium Girls, Thor Klein’s Adventures of a Mathematician, Jessica Oreck’s One Man Dies a Million Times, Michael Tyburski’s The Sound of Silence, Shawn Snyder’s To Dust,  Logan Kibens and Sharon Greene’s Operator, Morten Tyldum’s The Imitation Game, and Matthew Brown’s The Man Who Knew Infinity. The Foundation has supported feature documentaries such as Picture a Scientist, Coded Bias, In Silico, Oliver Sacks: His Own Life, The Bit Player, Bombshell: The Hedy Lamarr Story, Particle Fever, and Oceans.

The Foundation has an active theater program and commissions about 20 science plays each year from the Ensemble Studio Theatre, Manhattan Theatre Club, and the National Theatre, as well as supporting select productions across the country and abroad. Recent grants have supported Bess Wohl’s Continuity, Charly Evon Simpson’s New York Times Critic’s Pick Behind the Sheet, Chiara Atik’s Bump, Leigh Fondakowski’s Spill, Lucy Kirkwood’s Mosquitoes, Nick Payne’s Constellations, Lucas Hnath’s Isaac’s Eye, and Anna Ziegler’s Photograph 51. The Foundation’s book program includes support for Margot Lee Shetterly’s Hidden Figures, which became the highest-grossing Oscar-nominated film of 2017 and a social and cultural milestone.

For more information about the Alfred P. Sloan Foundation, please visit www.sloan.org or follow the Foundation at @SloanPublic on Twitter and Facebook.

The Sundance Film Festival
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Flee, CODA, Passing, Summer Of Soul (…or, When the Revolution Could Not Be Televised), Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape.

The Festival is a program of the non-profit Sundance Institute. 2022 Festival sponsors include: Presenting Sponsors – Acura, AMC+, Chase Sapphire, Adobe; Leadership Sponsors – Amazon Studios, DIRECTV, DoorDash, Dropbox, Netflix, Omnicom Group, WarnerMedia, XRM Media; Sustaining Sponsors – Aflac, Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, IMDbPro, Michelob ULTRA Pure Gold, Rabbit Hole Bourbon & Rye, Unity Technologies, University of Utah Health, White Claw Hard Seltzer; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, NPR, Shadow And Act, Variety, Vulture. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. sundance.org/festival

Sundance Institute
As a champion and curator of independent stories for the stage and screen, Sundance Institute provides and preserves the space for artists in film, theatre, film composing, and digital media to create and thrive.
Founded in 1981 by Robert Redford, the Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Collab, a digital community platform, brings artists together to learn from each other and Sundance advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, City So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. Join the Sundance Institute on Facebook, Instagram, Twitter and YouTube.

(Press release provided by Sundance Institute)

Day 2 Taking Off With Fast Flying Films

Posted by Larry Gleeson

Day 2 at the 2022 Sundance Film Festival started off with Tabitha Jackson’s “How to Fest,” a wonderful way to open the day at Sundance – full of wise words and insight into promising films and filmmakers. Admittedly, I felt my face flush with Jackson’s closing inspirational alliteration, “Put on your intrepid trousers and go forth and discover.”

Taking those words to heart, After Yang presented itself. Stay tuned for more on this Alfred P. Sloan Feature Film Prize winner!

At 1:45, DOWNFALL: The Case Against Boeing from acclaimed director Rory Kennedy, has numerous festivalgoers chomping at the bit with this comprehensive investigation into the crashes of Lion Air Flight 610 and Ethiopian Airlines Flight 302. More to follow on “searing indictment of a once-principled company corrupted by the influence of Wall Street to prioritize profits above all else.”

Here are a few more tips for today:

  • BEYOND FILM:

  • FESTIVAL VILLAGE: Now is the time to dip into Festival Village and add everything of interest to your schedule by “favoriting” – you don’t need reservations, but make a schedule now so that you don’t hear about it after it happens.

  • NEW FRONTIER:

  •  A HIGHLIGHT OF FILM PREMIERES AND POST Q&As:

    • 892 | 3:18 PM ET // 1:18 PM MT // 12:18 PM PT

      • Abi Damaris Corbin (Director, co-writer), Kwame Kwei-Armah (Writer); John Boyega (Actor), Connie Britton (Actor), Olivia Washington (Actor), Nicole Beharie (Actor), and Selenis Leyva (Actor).

    • Living | 3:48 PM ET // 1:48 PM MT // 12:48 PM PT

      • Oliver Hermanus (Director), Bill Nighy (Actor), Aimee Lou Wood (Actor)

    • Call Jane | 9:52 PM ET // 7:52 PM MT //6:52 PM PT

      • Phyllis Nagy (Director), Elizabeth Banks (Actor), Sigourney Weaver (Actor), Wuumi Mosaku (Actor), Robbie Brenner (Producer)

    • Master | 10:06 PM ET // 8:06 PM  MT // 7:06 PM PT

      • Mariama Diallo (Director, Amber Gray (Actor), Zoe Renee (Actor), Regina Hall (Actor)

HOW TO PARTICIPATE

The Festival takes place digitally via our enhanced online platform at Festival.Sundance.org, on the New Frontier Spaceship, a bespoke immersive platform allowing festival-goers to gather virtually, and in-person at seven Satellite Screens venues around the country during the Festival’s second weekend. Additional programming includes a daily talk show (“How to Fest: Daily”), and Satellite Screen conversations as well as partner offerings in the Festival Village. To note, all talks are available online via live stream or posted later on festival.sundance.org to view globally. Sign up for an account at festival.sundance.org to access online. All times are U.S. Mountain Time.  Tickets are on sale.

ABOUT SUNDANCE FILM FESTIVAL

The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Flee, CODA, Passing, Summer Of Soul (…or, When the Revolution Could Not Be Televised), Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape.

The Festival is a program of the non-profit Sundance Institute. 2022 Festival sponsors include: Presenting Sponsors – Acura, AMC+, Chase Sapphire, Adobe; Leadership Sponsors – Amazon Studios, DIRECTV, DoorDash, Dropbox, Netflix, Omnicom Group, WarnerMedia, XRM Media; Sustaining Sponsors – Aflac, Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, IMDbPro, Michelob ULTRA Pure Gold, Rabbit Hole Bourbon & Rye, Unity Technologies, University of Utah Health, White Claw Hard Seltzer; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, NPR, Shadow and Act, Variety, Vulture. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Visit sundance.org/festival for more.

Until next time, I’ll see you at the Cinema House!

HollywoodGlee inside the Sundance Film Festival Headquarters at the Park City Marriott on January 23, 2019, in Park City, Utah, the day before the opening of the 2019 Sundance Film Festival. (Photo credit: Larry Gleeson/HollywoodGlee)