Two of Spanish-speaking cinema’s finest stars, Ricardo Darin and Javier Cámara, play lifelong friends reconnecting for a short visit under the shadow of terminal cancer in this wide and tender (and surprisingly funny) movie from Cesc Gay. Goya Winner: Best Film, Director, Actor, Supporting Actor, Screenplay, Goya Awards.
A German woman is told her unborn baby will probably have Down syndrome and must decide whether to abort the pregnancy in this moving drama. “A wrenchingly affecting picture.. an incredible, revealing performance from Jentsch (Sophie Scholl).” – Screen
A stand-alone Film Festival Store for the Palm Springs International Film Festival is featuring a complete collection of Film Festival Merchandise at Destination PSP. The Festival Store is now open and will be open every day through January 16.
The Festival Store is located in the Regal Cinema Courtyard Plaza, unit 16,
just down from the Regal Cinemas and across the courtyard from the
Festival Ticket and Information Center.
You can also shop online at Destination PSP by clicking HERE.
DREAM VACATION PALM SPRINGS
VACATION PALM SPRINGS “DREAM VACATION” WINNER WILL RECEIVE:
* A Four (4) night stay for up to 4 people in a luxury 3-bedroom Palm Springs vacation rental home during the 2018 Palm Springs International Film Festival. Winner will also receive the following:
* Opening -or- Closing Night Screening and Gala Reception – 4 Tickets
* Festival Screening Passes – 4 non-transferable passes, good for all regular screenings
When We Rise and Take Me HomeHuey Receives Mercedes-Benz Audience Awards;
Toni Erdmann Receives FIPRESCI Prize;
Gael García Bernal and Isabelle HuppertReceive Acting Prizes;
White Sun Receives New Voices/New Visions Award;
No Dress Code Required Receives The John Schlesinger Award;
Neruda Receives Cine Latino Award; Mercenary Receives The HP Bridging The Borders Awards
Palm Springs, CA (January 15, 2017) – The 28th Annual Palm Springs International Film Festival (PSIFF) announced this year’s juried award winners at a luncheon at the Hilton Palm Springs on Saturday, January 14, 2017. The Mercedes-Benz Audience Awards for Best Narrative Feature and Best Documentary Feature were announced on Sunday, January 15, 2017 during the closing night screening of “The Comedian.” The Festival, held from January 2-16, 2017, screened 190 films from 72 countries.
AUDIENCE AWARDS
Mercedes-Benz Audience Award for Best Narrative Feature:
When We Rise (U.S.), directed by Gus Van Sant. From Gus van Sant and Dustin Lance Black, the festival screened the first episode of this stirring seven-part docudrama that charts the progress of Gay Liberation from its early days in San Francisco in the 1960s to its 21st-century triumphs. When We Rise will air on ABC starting February 27. The screening was a North American premiere at the Festival.
Mercedes-Benz Audience Award for Best Documentary Feature:
Take Me Home Huey (U.S.), directed by Alicia Brauns and Christine Steele. This moving documentary traces the evolution of Steve Maloney’s eponymous mixed-media sculpture, in which he took a wrecked Huey helicopter and transformed it into a memorial to the men who served and lost their lives in Vietnam. It’s a salutary reminder of the healing power of art. The film was a World Premiere at the Festival.
FIPRESCI PRIZE
A special jury of international film critics reviewed 43 of the 85 official submissions for the Academy Awards(R) Best Foreign Language Film category screened at this year’s Festival. Awards are presented to the Best Foreign Language Film and Best Actor and Actress in a Foreign Language Film.
FIPRESCI Prize for Best Foreign Language Film of the Year:
Toni Erdmann (Germany), directed by Maren Ade. In this unforgettable comedy, a prankster father puts on a wig and false teeth and invades the life of his rigid, ambitious corporate consultant daughter, whose life is upended in profound and often hilarious ways.The jury presented the award to the film, “for its originality, human complexity and unique tonal orchestration that seems natural and uncalculated. It is also an observant look at corporate culture carried by two wonderful performances.”
FIPRESCI Prize for the Best Actor in a Foreign Language Film:
Gael García Bernalin Neruda(Chile), directed by Pablo Larraín. The jury said, “Bernal’s performance is the heart of the film’s tonal shifts, infusing the historical drama with the very poetry of its subject matter.”
FIPRESCI Prize for Best Actress in a Foreign Language Film:
Isabelle Huppert in Elle (France), directed by Paul Verhoeven. The jury said, “Isabelle Huppert gives depth and humanity to a complex and conflicted character in a challenging, unorthodox film. Her intelligence, self-assurance, and gift for conveying rich emotional tones have never been more strikingly displayed.”
The FIPRESCI jury members were Kiva Reardon (programming associate, TIFF), Yael Shuv (chief film critic, Time Out Tel Aviv) and David Sterritt (editor-in-chief, Quarterly Review of Film and Video).
NEW VOICES/NEW VISIONS AWARD
The New Voices/New Visionscompetitionshowcases ten films from emerging international directors bringing their first or second narrative features to the Festival. The winner is selected by a jury of festival programmers and U.S. distributors.
New Voices/New VisionsAward:
White Sun (Nepal/U.S./Qatar/Netherlands), directed by Deepak Rauniyar. The film is a dark comedy about two brothers from each side of the Nepalese civil war brought together after 10 years for their father’s funeral. A trenchant, eye-catching parable, this is the best film to come out of Nepal in years.
The jury issued the following statement, “White Sun, for its sympathetic but unsentimental portrayals of multiple perspectives, artfully integrating landscape as a participating character in the film. Featuring stunning performances from an ensemble cast, directed with sensitivity, the film’s storytelling leaves space for the audience to experience the tension between tradition and modernity. The film balances personal and political drama with a touch of absurdist humor.”
New Voices/New Visions Special Mentions:
Kati Kati (Kenya/Germany), directed by Mbithi Masya and Mellow Mud (Latvia), directed by Ren?rs Vimba. The jury said, “Both directors create worlds that lead the audience deeply into beautifully-realized worlds.”
The films were juried byJonathan Howell (founder and director, Big World Pictures), Funa Maduka (Global Content Acquisition group, Netflix), Jane Schoettle (International Programmer, TIFF).
THE JOHN SCHLESINGER AWARD
The John Schlesinger Award, named after the director, writer, producer and festival supporter,ispresented to the director of either a first or second feature documentary from among those screened at the festival.
Schlesinger Award:
No Dress Code Required (Mexico), directed by Cristina Herrera Bórquez. This memorable doc follows a same-sex couple, Víctor and Fernando, as they fight for the right to be married in their home town of Mexicali, Baja California. A rallying cry for equality and a testament to the power of ordinary people to become agents of change.
The jury issued the following statement, “For a film that does not let you look away as ordinary people rise to the challenge of fighting for their legal rights, the John Schlesinger Award goes to No Dress Code Required, a compelling documentary that puts us on the front line of the evolving story of marriage equality.”
Schlesinger Special Mention:
Beauties of the Night (Mexico), directed by María José Cuevas. The jury said, “For a beautifully crafted exploration of ageism with a powerful vision, and an empowering take on what it means to grow old in a culture obsessed with youth and beauty, Special Mention goes to Beauties of the Night.”
The films were juried by Daniela Elena Alatorre (head of documentary programming, Morelia International Film Festival), Fenton Bailey (co-founder, World of Wonder Productions), Sudeep Sharma (senior programmer, Indian Film Festival of Los Angeles).
CINE LATINO AWARD
The Cine Latino Award is presented to the best Ibero-American film screening at the festival. The award aims to highlight the creativity seen in modern Spanish, Portuguese and Latin American films. Cine Latino is supported in part by Acción Cultural Espanola, Spain’s Public Agency for Cultural Action.
Cine Latino Award:
Neruda (Chile), directed by Pablo Larraín. The jury said, “Bypassing narrative tropes associated with films about important historical figures and creating a nearly fantastical story that is as visually striking as it is telling about the relationship between an artist and his creation, the Cine Latino Grand Jury Prize goes to Neruda.”
Cine Latino Special Mention:
Everything Else (Mexico), directed by Natalia Almada. The jury said, “Coming from a doc background gives this filmmaker a unique perspective and framing that has created a powerful film. Her story often asks more questions than there are answers for but anchored by a strong, yet understated performance this film succeeds. The film is executed with precise framing and uncanny cinematography.”
The films were judged by Carlos Aguilar (film journalist), Lane Kneedler (Director of Programming, AFI Fest) and Andrea Roa (producer)
THE HP BRIDGING THE BORDERS AWARD
The HP Bridging the Borders Award is presented by Cinema Without Borders and Hewlett Packard, which honors the film that is most successful in exemplifying art that promotes bringing the people of our world closer together. The prize includes an HP ZBook 17 Mobile Workstation, valued at $4,000.
HP Bridging the Borders Award:
Mercenary (France), directed by Sacha Wolff. The film is a fierce, moving thriller about a massive Polynesian rugby player recruited to play in France. This stunning debut film shows us a violent, unfamiliar world through the eyes of an unforgettable outsider.
The jury said, “The winner of HP Bridging The Border Award is the story of a tattooed, colossal 19 year-old recruited from his island shack in Wallis, New Caledonia , to the brutal world of a rugby team in France. Wolff, paints the contrasting societies with authenticity and elicits from his non-professional actor, Toki Pilioki a performance of quiet dignity that scorches your memory. The winning film is Mercenary by Sasha Wolff.”
The Best of the Fest screenings will take place on Monday, January 16. For a complete list of screenings visit www.psfilmfest.org.
The complete list of award winners are:
Mercedes-Benz Audience Award for Best Narrative Feature
When We Rise (U.S.), directed by Gus Van Sant
Mercedes-Benz Audience Award for Best Documentary Feature
Take Me Home Huey (U.S.), directed by Alicia Brauns and Christine Steele
FIPRESCI Prize for Best Foreign Language Film of the Year
Toni Erdmann (Germany), directed by Maren Ade
FIPRESCI Prize for the Best Actor in a Foreign Language Film
Gael García Bernal in Neruda (Chile)
FIPRESCI Prize for Best Actress in a Foreign Language Film
Isabelle Huppert in Elle(France)
New Voices/New Visions Award
Winner:White Sun (Nepal/U.S./Qatar/Netherlands), directed by Deepak Runiyar
Special Mentions: Kati Kati (Kenya/Germany), directed by Mbithi Masya and Mellow Mud (Latvia), directed by Ren?rs Vimba
The John Schlesinger Award
Winner: No Dress Code Required (Mexico), directed by Cristina Herrera Bórquez
Special Mention: Beauties of the Night (Mexico), directed by Maria José Cuevas
Cine Latino Award
Winner: Neruda (Chile), directed by Pablo Larraín
Special Mention: Everything Else (Mexico), directed by Natalia Alamda
HP Bridging the Borders Award
Winner: Mercenary (France), directed by Sacha Wolff
About The Palm Springs International Film Festival
The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees last year for its lineup of new and celebrated international features and documentaries. The Festival is also known for its annual Film Awards Gala, a glamorous, black-tie event, presented by Chopard and sponsored by Mercedes Benz and Entertainment Tonight, and attended by 2,500. The Film Awards Gala honors the year’s best achievements in cinema in front of and behind the camera. The celebrated list of talents who have been honored in recent years includes Ben Affleck, Javier Bardem, Cate Blanchett, Sandra Bullock, Bradley Cooper, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Tom Hanks, Matthew McConaughey, Julianne Moore, Brad Pitt, Eddie Redmayne, Julia Roberts, David O. Russell, Meryl Streep, and Reese Witherspoon. PSIFF is organized by The Palm Springs International Film Society, a 501(c)(3) charitable non-profit organization with a mission to cultivate and promote the art and science of film through education and cross-cultural awareness.
Coming off her recent win at the Golden Globes, Actress Emma Stone and “La La Land” co-star Ryan Gosling are riding the wave into the upcoming Santa Barbara International Film Festival!
Forty years ago, the Berlinale launched the festival programme for the young cineastes. From the beginning the concept was embraced and celebrated by its target audiences and consequently expanded through the establishment of a further competition programme catering to adolescents. Since 2007, the Generation section has united the Kplus and 14plus competitions together under one roof and provided an opportunity not only for young people to participate in the greater conversation on cinema and culture that the festival represents.
In 2017, a grand total of 62 short and feature-length films hailing from 41 countries of production will take part in the Generation Kplus and Generation 14plus competitions. Both programmes feature a wide range of thematic concerns and aesthetic approaches. Animated productions rich in contrast, quiet observations, iconoclastic collages and sensitive dramas signalise the programme. Drawn from life, the films demonstrate the experiential horizons of young people – their desires and dreams, those things they wish to leave behind, those things that bind them and of their sense of longing to explore other realms.
Maryanne Redpath, head of the Generations section of the Berlin International Film Festival (Photo via berlinale.de)
“Our world is not in great shape. Often this means children and adolescents are left on their own and have to search for solutions and ways out of their predicaments. Generation shows young people on the move, crossing boundaries and tearing down walls, erecting barricades and overcoming them. Everything is in motion,” comments section head Maryanne Redpath in regard to this year’s programme.
Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau (Those Who Make Revolution Halfway Only Dig Their Own Graves) by Mathieu Denis and Simon Lavoie
Documentary Forms
The programme is enriched by a great variety of approaches to documentary filmmaking. Diverse methods of presentation are utilised by filmmakers in the observation of their subjects. Ever vigilant but never intrusive, they reflect upon the wider topics of our times by capturing intimate portraits. They provide privileged insight into closed-off spaces and direct our attention to the all too easily overlooked. They are always on the move, in search of images of the world and opportunities to render the invisible visible for all to see.
Short Films at Generation
In the short film competitions, Generation is presenting productions from a total of 28 countries. The three Kplus short film programmes are colourful, sensitive and serious; the young protagonists face the challenges life has set before them with great bravery, staking out new spaces for themselves with growing self-confidence. With strong contrasts and brisk pacing, explosive and soothing moments and no lack of twists and turns, the two 14plus short film programmes also pay tribute to the contradictory nature of our world.
Kplus Opening Film
The Generation Kplus competition will open at the Haus der Kulturen der Welt with a screening of Red Dog: True Blue by Kriv Stenders. Generation looks forward to starting the section’s 40th anniversary edition with a bang in the presence of the Australian director and his cast.
Generation 14plus
In addition to the previously announced selections, including the opening film for 14plus, Michael Winterbottom’s On the Road, the following productions have also been invited to screen at Generation 14plus.
Ben Niao (The Foolish Bird)
The People’s Republic of China
By Huang Ji, Ryuji Otsuka
World premiere
For the sake of her mother, who lives far away, withdrawn Lynn searches for a way to be accepted into the local police academy. At the same time, the 16-year-old gets caught up in a criminal mess involving stolen cell phones. Huang Ji and Ryuji Otsuka (The Warmth of Orange Peel, Generation 2010) employ precise imagery to tell a story of isolation and lack of perspective in a small Chinese city marked by corruption, sexual violence and the all-permeating presence of new media.
Freak Show
USA
By Trudie Styler
World premiere
Somewhere between David Bowie, Lady Gaga, Freddy Mercury and Oscar Wilde, Billy has carved out his own spot in the sparkling firmament of pop culture. Though the denizens of his conservative surroundings find all this markedly less fabulous, Billy has no intention of deviating from his plan to campaign for the role of Homecoming Queen at his school. What at first seems a high school caper transforms into a bombastic yet nuanced drama, one which earns the attribution that Billy himself has also claimed as his own: trans-visionary. Aside from Alex Lawther’s brilliant performance, Bette Midler, Laverne Cox, Larry Pine and Ian Nelson also shine in this one-of-a-kind film.
Loving Lorna
Sweden
By Annika Karlsson, Jessica Karlsson
International premiere
In Ballymun, a poor suburb of Dublin, horses have been an integral part of everyday life for generations. 17-year-old Lorna’s family is no exception. Lorna would like to become a farrier after she finishes school, if only she weren’t plagued by a bad back. In this poetic study, the two Swedish directors paint a portrait of a young woman in search of happiness, fulfilled dreams and her own proper place in the world.
Não devore meu coração! (Don’t Swallow My Heart, Alligator Girl!)
Brazil / The Netherlands / France
By Felipe Bragança
European premiere
The Rio Apa, the river marking the border between Paraguay and Brazil, serves as the central setting for this visually stunning, modern and powerful Romeo and Juliet story of the relationship between 13-year-old Joca and the mysterious Guaraní girl, Basano. Bragança tells his tale of an adolescent “amour fou” against the backdrop of contemporary conflicts concerning land theft and cultural identity. His fiction feature debut makes a strong impression on the big screen also through the successful use of both young Brazilian stars and local non actors.
Poi E: The Story of Our Song
New Zealand
By Tearepa Kahi
European premiere
The incredible story of a Maori pop song that took New Zealand’s charts by storm quite unexpectedly in 1984. Back in those days it was a near miracle for a piece of traditionally inspired music to become so popular. That is, until singer Dalvanius Prime, an imposing Maori with a powerfully smooth voice, and the singers of the Patea Maori Club came along. Prime had long been into soul – but now he combined the Maori-language song with modern beats and rap on stage. The media would have preferred to pretend he didn’t exist. Alas, both the song and video managed to become cult hits and helped many Maoris – especially young folks – to gain a new sense of self along the way.
The Inland Road
New Zealand
By Jackie van Beek
World premiere
On a road running through the New Zealand countryside, a fatal accident brings 16-year-old Tia together with expectant dad Will. Along with Will’s pregnant wife Donna and four-year-old Lily, a finely spun and electrifying drama about wounds both visible and invisible unfolds. This beautifully shot, atmospherically dense work is New Zealand native Jackie van Beek’s feature film debut as a director. Berlinale audiences have been able to enjoy her comedic and acting talents previously (What We Do in the Shadows, Generation 2014) as well as her work as a short film director (Go the Dogs, Generation 2011).
Shkola nomer 3 (School Number 3)
Ukraine / Germany
By Yelizaveta Smith, Georg Genoux
World premiere
Thirteen adolescents from a rebuilt school in South Ukrainian Donbass relate their hopes and fears. In rigorously composed shots, the documentary film shows the protagonists in their everyday environment, while they tell of experiences that move them, of nascent new loves and personal loss alike. The war is often only immediately perceptible on the periphery, yet it makes its presence felt as an unavoidable frame of reference. The puristic way in which it is shot renders the overall impression made by Yelizaveta Smith and Georg Genoux’s film all the more haunting.
Soldado (Soldier)
Argentina
By Manuel Abramovich
World premiere
Following orders, rehearsing snappy marches and running through more drills than you can shake a drum stick at. A 19-year-old Argentinian man goes off into the army, where he becomes a drummer in a military band. A measured but poignant study of the collision between young individuality and military uniformity, which expands on the contradictions and uncertainties of entering into adulthood within the constraints of a rigid hierarchy. A coming-of-age story set in a “total institution”.
Already announced in the previous press release:
Almost Heaven, United Kingdom, Carol Salter – WP Butterfly Kisses, United Kingdom, Rafael Kapelinski – WP Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau (Those Who Make Revolution Halfway Only Dig Their Own Graves), Canada, Mathieu Denis, Simon Lavoie – EP Emo the Musical, Australia, Neil Triffett – IP Mulher do pai (Nalu on the Border), Brazil / Uruguay, Cristiane Oliveira -IP My Entire High School Sinking into the Sea, USA, Dash Shaw – EP On The Road, United Kingdom, Michael Winterbottom, screening out of competition – IP – opening film for 14plus Krolewicz Olch (The Erlprince), Poland, Kuba Czekaj – EP Weirdos, Canada, Bruce McDonald – EP
Generation Kplus
Amelie rennt (Mountain Miracle – An Unexpected Friendship)
Germany / Italy
By Tobias Wiemann
World premiere
Headstrong Amelie is the queen of cursing – at her parents, her patronising doctors and her damn asthma above all else. During a forced stay in a special clinic in South Tirol she suddenly decides to run away. During the arduous trek up the mountain she not only gains an unsolicited travelling companion, she is also confronted by risky trials of courage and the overwhelming tingle of first love. An emotional roller-coaster ride.
Becoming Who I Was
Republic of Korea
By Moon Chang-Yong, Jeon Jin
International premiere
Angdu is not your average boy, he is Rinpoche. In a past life he was actually a venerable Buddhist master. Together with his carer, he sets out one day on foot from India to distant Tibet, the centre of his faith. Questions about friendship and life in general accompany the duo on their trek through the awe-inspiring landscape of the remote alpine region. With its narrative approach steeped in a serene sense of concentration, this film, composed over a period of eight years, is a fundamental experience in its own right.
Estiu 1993 (Summer 1993)
Spain
By Carla Simón
World premiere
Summer in Catalonia, 1993. For six-year-old Frida, the death of her mother means the beginning of a whole new life. In the loving care of her uncle and his family far away from her home in Barcelona, she first has to get used to her new life in the countryside. Moments of childish mischievousness turn into thoughtful detachment. Despite the summery atmosphere, serious undertones underlie this precocious coming-of-age drama. The inevitable consequences of AIDS, in those days still incalculable, have induced in gentle images Carla Simón’s (Berlinale Talents alumna) stunning debut feature film.
Oskars Amerika (Oskar’s America)
Norway / Sweden
By Torfinn Iversen
World premiere
Torfinn Iversen’s feature debut is based on motifs and characters first explored in his short film Levi’s Horse (Generation, 2012). Now this moving portrait of an unusual friendship can be enjoyed at length on the big screen. Oskar’s deepest wish is to be able to ride on the prairie with his mother over summer break. But alas, everything turns out differently than expected and the 10-year-old is forced to spend his vacation on his grumpy grandfather’s farm. Oskar’s only friend is the outsider Levi, who talks with his pony. Together they hatch a plan to get away from their grim reality: they’ll row across the Atlantic to America in Grandfather’s boat!
Piata Loď (Little Harbour)
Slovak Republic / Czech Republic / Hungary
By Iveta Grófová
World premiere
Crushed by her mother’s lack of affection for her, ten-year-old Jarka stumbles upon two abandoned infants. Together with her neighbour, 8-year-old Kristian, she lovingly cares for the tiny twins in what becomes a welcome escape from her own dysfunctional family situation. The Slovakian director’s film is an adaptation of a novel by Monika Kompaníková, in which children assume the roles of adults. The story, sensitively told from the children’s perspective, employs dynamic imagery to trace the universal desire for family and a sense of emotional security and belonging.
Uilenbal (Owls & Mice)
The Netherlands
By Simone van Dusseldorp
International premiere
Meral is new in town and the first friend she makes is her little grey housemate: the mouse Peepeep. On a school trip both are confronted by the wonder and challenges of life. Meral is forced to watch as her beloved new buddy is swept up by an owl. In spite of this frightening development, through rocking musical numbers, owl pellets and the wonders of life in the woods Meral learns to understand the meaning of true friendship. Dutch director Simone von Dusseldorp will celebrate with this Generation highlight for young audiences.
Upp i det blå (Up in the Sky)
Sweden
By Petter Lennstrand
International premiere
Pottan’s stressed-out parents actually wanted to drop her off at summer camp, but somehow the 8-year-old ends up at a scrapyard inhabited by extremely odd residents instead. Together the gang is hard at work building a homemade spaceship so that they can blast off for the stars. In his feature film debut, complete with a healthy dose of humour and a great appetite for adventure, television producer and puppeteer Petter Lennstrand tells a tale of unexpected friendships and what they can enable us to accomplish.
Wallay
France / Burkina Faso / Qatar
By Berni Goldblat
World premiere
When his father sends him off to Burkina Faso to visit relatives, 15-year-old Ady is excited at the prospect of being able to enjoy a laid-back vacation in his native land. Alas, on arrival the young man is met with a chilly reception and it soon becomes clear to him that his trip is not going to be the pleasant break from life back home that he expected. Swiss director Berni Goldblat approaches his feature film debut with the sharp eye of a documentary filmmaker in this depiction of everyday life in his adopted West African home of Burkina Faso.
Already announced in the previous press release:
As duas Irenes (Two Irenes), Brazil, Fabio Meira – WP Die Häschenschule – Jagd nach dem Goldenen Ei (Rabbit School – Guardians of the Golden Egg), Germany, Ute von Münchow-Pohl – WP Primero enero (January), Argentina, Darío Mascambroni – EP Red Dog: True Blue, Australia, Kriv Stenders – EP Richard the Stork, Germany / Belgium / Luxembourg / Norway, Toby Genkel, Reza Memari – WP Tesoros, Mexico, María Novaro – WP Shi Tou (Stonehead), People’s Republic of China, Zhao Xiang – WP
Short Films Generation 14plus
After the Smoke, Australia, Nick Waterman – WP In a Nutshell, Switzerland, Fabio Friedli – WP La prima sueca (Swedish Cousin), Argentina, Inés María Barrionuevo, Agustina San Martín – WP Libélula (Firefly), Mexico, José Pablo Escamilla Gonzáles Aragón – IP Milk, Lithuania, Daria Vlasova – WP Morning Cowboy, Spain, Fernando Pomares – WP Sheva Dakot (Seven Minutes), Israel, Assaf Machnes – IP Sirens, Monaco, Emmanuel Trousse, screening out of competition – WP Smashed, Australia, Sean Lahiff – WP SNIP, Canada, Terril Calder – EP The Jungle Knows You Better Than You Do, Columbia / Belgium, Juanita Onzaga – WP U Plavetnilo (Into the Blue), Croatia / Slovenia / Sweden, Antoneta Alamat Kusijanovic – WP White Riot: London, United Kingdom, Rubika Shah – EP Wolfe, Australia, Claire Randall – WP
Short Films Generation Kplus
1Minuutje natuur (1Minute of Nature), Netherlands, Stefanie Visjager, Katinka Baehr – IP Aaba (Grandfather), India, Amar Kaushik – WP Der kleine Vogel und die Raupe (The Little Bird and the Caterpillar), Switzerland, Lena von Döhren – WP Dziedošais Hugo un viņa neticamie piedzīvojumi (Singing Hugo and His Incredible Adventures), Latvia, Reinis Kalnaellis – WP Em busca da terra sem males (In Search of the Land Without Evil), Brazil, Anna Azevedo – WP Engiteng‘ Narok Lukunya (Black Head Cow), USA, Elizabeth Nichols – EP Hedgehog´s Home, Canada / Czech Republic, Eva Cvijanovic – WP Jazzoo, Sweden, Adam Marko-Nord – IP Li.le, Georgia, Natia Nikolashvili – WP Min Homosyster (My Gay Sister), Sweden / Norway, Lia Hietala – IP Odd er et egg (Odd is an Egg), Norway / Portugal, Kristin Ulseth – IP Promise, USA, Xie Tian – IP Sabaku, Netherlands, Marlies van der Wel – IP Terrain de jeux (Playground), France, Maxence Lemonnier – WP The Catch, Canada, Holly Brace-Lavoie – WP The Dress on Her, Taiwan, Wen Chih Yi- WP Vulkánsziget (Volcanoisland), Hungary, Anna Katalin Lovrity – WP Xalé Bu Rérr (Lost Child), Senegal, Abdou Khadir Ndiaye – WP