Category Archives: Sundance Film Festival

Premieres, Midnight, Kids, And More: Latest Additions To 2017 Sundance Film Festival Lineup

Posted by Larry Gleeson

Park City, UT — The final pieces of the 2017 Sundance Film Festival feature film program fall into place today, as Sundance Institute announces the lineup for Premieres, Documentary Premieres, Midnight, Spotlight, Kids and Special Events. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort January 19-29. Three projects announced today are part of The New Climate, the Festival’s new environmental program: Rancher, Farmer, Fisherman (Documentary Premieres), Look & See: A Portrait of Wendell Berry (Spotlight) and RISE (Special Events).

screen-shot-2016-12-12-at-2-28-59-pmJohn Cooper, Director of the Sundance Film Festival, said, “Some of the most pressing themes that we can trace through the Festival lineup — the environment, political upheaval, social change — are distilled to their very human essences in both comic and dramatic stories. These stories, and the conversations they spark, start here and will extend well beyond the mountain and the Festival in the months ahead.”

 

Trevor Groth, Director of Programming for the Sundance Film Festival, said, “Powerful screen-shot-2016-12-16-at-7-20-51-amvisions of our times — past, present and future — resound throughout these sections. Inspired storytellers are shining a light on urgent issues or providing an exhilarating escape from them. From citizen journalists to robust and powerful roles for women — in front of and behind the camera — these projects are a testament to the force and value of the individual.”

 

Among the films that have premiered in these sections in recent years are Boyhood, Under The Shadow, Twenty Feet from Stardom, Captain Fantastic, The Lobster, Mistress America, Manchester By The Sea, Mapplethorpe: Look at the Pictures, Shaun the Sheep, O.J.: Made in America and The Jinx: The Life and Deaths of Robert Durst.

For a full list of films announced to date, including selections for the U.S. and World Competitions, NEXT and New Frontier, visit sundance.org/festival. The Short Film program announcement will be forthcoming.

PREMIERES
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year.

Beatriz at Dinner / U.S.A. (Director: Miguel Arteta, Screenwriter: Mike White) — Beatriz, an immigrant from a poor town in Mexico, has drawn on her innate kindness to build a career as a health practitioner. Doug Strutt is a cutthroat, self-satisfied billionaire. When these two opposites meet at a dinner party, their worlds collide and neither will ever be the same. Cast: Salma Hayek, John Lithgow. World Premiere

Before I Fall / U.S.A. (Director: Ry Russo-Young, Screenwriter: Maria Maggenti) — Samantha Kingston has everything. Then, everything changes. After one fateful night, she wakes up with no future at all. Trapped into reliving the same day over and over, she begins to question just how perfect her life really was. Cast: Zoey Deutch, Halston Sage, Logan Miller, Kian Lawley, Elena Kampouris, Diego Boneta. World Premiere

The Big Sick / U.S.A. (Director: Michael Showalter, Screenwriters: Emily V. Gordon, Kumail Nanjiani) — Based on the real-life courtship: Pakistan-born comedian Kumail and grad student Emily fall in love, but they struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail must navigate the crisis with her parents and the emotional tug-of-war between his family and his heart. Cast: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. World Premiere

Call Me by Your Name / Italy, France (Director: Luca Guadagnino, Screenwriters: James Ivory, Luca Guadagnino) — The sensitive and cultivated Elio, only child of the American-Italian-French Perlman family, is facing another lazy summer at his parents’ villa in the beautiful and languid Italian countryside when Oliver, an academic who has come to help with Elio’s father’s research, arrives. Cast: Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar, Esther Garrel, Victoire Du Bois. World Premiere

The Discovery / U.S.A. (Director: Charlie McDowell, Screenwriters: Charlie McDowell, Justin Lader) — In a world where the afterlife has just been scientifically proven—resulting in millions of people taking their own lives to get there—comes this love story. Cast: Jason Segel, Rooney Mara, Robert Redford, Jesse Plemons, Riley Keough, Ron Canada. World Premiere

Fun Mom Dinner / U.S.A. (Director: Alethea Jones, Screenwriter: Julie Rudd) — Four women, whose kids attend the same preschool class, get together for a “fun mom dinner.” When the night takes an unexpected turn, these unlikely new friends realize they have more in common than just marriage and motherhood. Together, they reclaim a piece of the women they used to be. Cast: Katie Aselton, Toni Collette, Bridget Everett, Molly Shannon, Adam Scott, Adam Levine. World Premiere

The Incredible Jessica James / U.S.A. (Director and screenwriter: Jim Strouse) — Jessica James, an aspiring NYC playwright, is struggling to get over a recent breakup. She sees a light at the end of the tunnel when she meets the recently divorced Boone. Together, they discover how to make it through the tough times while realizing they like each other—a lot. Cast: Jessica Williams, Chris O’Dowd, Lakeith Stanfield, Noël Wells. World Premiere. CLOSING NIGHT FILM

The Last Word / U.S.A. (Director: Mark Pellington, Screenwriter: Stuart Ross Fink) — Harriett is a retired businesswoman who tries to control everything around her. When she decides to write her own obituary, a young journalist takes up the task of finding out the truth, resulting in a life-altering friendship. Cast: Shirley MacLaine, Amanda Seyfried, Anne Heche, Thomas Sadoski, Philip Baker Hall. World Premiere

Manifesto / Germany (Director and screenwriter: Julian Rosefeldt) — Can history’s art manifestos apply to contemporary society? An homage to the twentieth century’s most impassioned artistic statements and innovators, from Futurists and Dadaists to Pop Art, Fluxus, Lars von Trier and Jim Jarmusch, this series of reenactments performed by Cate Blanchett explores these declarations’ performative components and political significance. Cast: Cate Blanchett. World Premiere

Marjorie Prime / U.S.A. (Director and screenwriter: Michael Almereyda) — In the near future—a time of artificial intelligence—86-year-old Marjorie has a handsome new companion who looks like her deceased husband and is programmed to feed the story of her life back to her. What would we remember, and what would we forget, if given the chance? Cast: Jon Hamm, Geena Davis, Lois Smith, Tim Robbins. World Premiere

Mudbound / U.S.A. (Director: Dee Rees, Screenwriters: Virgil Williams, Dee Rees) — In the post–World War II South, two families are pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad. This epic pioneer story is about friendship, heritage and the unending struggle for and against the land. Cast: Carey Mulligan, Jason Clarke, Mary J. Blige, Rob Morgan, Jason Mitchell, Garrett Hedlund. World Premiere

The Polka King / U.S.A. (Director: Maya Forbes, Screenwriters: Maya Forbes, Wally Wolodarsky) — Based on the remarkable true story of the world’s only known Polka Ponzi scheme, this mix of comedy and tragedy is about Jan Lewan, a polish immigrant who believed in the American Dream. But with big dreams came big mistakes for the man who became the “King of Pennsylvania Polka.” Cast: Jack Black, Jenny Slate, Jason Schwartzman, Jacki Weaver, J.B. Smoove. World Premiere

Rebel in the Rye / U.S.A. (Director and screenwriter: Danny Strong) — This portrait of the life and mind of reclusive author J.D. Salinger goes from the bloody front lines of World War II to his early rejections and the PTSD-fueled writer’s block that led to his iconic novel, The Catcher in the Rye. Cast: Nicholas Hoult, Kevin Spacey, Sarah Paulson, Zoey Deutch, Hope Davis, Victor Garber. World Premiere

Rememory / U.S.A., Canada (Director: Mark Palansky, Screenwriters: Michael Vukadinovich, Mark Palansky) — A visionary inventor found dead. A machine that can record people’s memories. A man haunted by the past. This noir mystery explores the ways in which memory defines the present. Cast: Peter Dinklage, Julia Ormond, Martin Donovan, Anton Yelchin, Henry Ian Cusick, Evelyne Brochu. World Premiere

Sidney Hall / U.S.A. (Director: Shawn Christensen, Screenwriters: Shawn Christensen, Jason Dolan) — Over the course of 12 years, and three stages of life, Sidney Hall falls in love, writes the book of a generation and then disappears without a trace. Cast: Logan Lerman, Elle Fanning, Kyle Chandler, Michelle Monaghan, Nathan Lane, Margaret Qualley. World Premiere

Where is Kyra? / U.S.A. (Director: Andrew Dosunmu, Screenwriter: Darci Picoult) — Pushed to the brink after losing her job, a woman struggles to survive. As the months pass and her troubles deepen, she embarks on a perilous and mysterious journey that threatens to usurp her life. Cast: Michelle Pfeiffer, Kiefer Sutherland. World Premiere

Wilson / U.S.A. (Director: Craig Johnson, Screenwriter: Daniel Clowes) — Wilson, a lonely, neurotic and hilariously honest middle-aged misanthrope, reunites with his estranged wife and gets a shot at happiness when he learns he has a teenage daughter he has never met. In his uniquely outrageous and slightly twisted way, he sets out to connect with her. Cast: Woody Harrelson, Laura Dern, Judy Greer. World Premiere

Wind River / U.S.A. (Director and screenwriter: Taylor Sheridan) — An FBI agent teams with the town’s veteran game tracker to investigate a murder that ocurred on a Native American reservation. Cast: Jeremy Renner, Elizabeth Olsen, Jon Bernthal. World Premiere

DOCUMENTARY PREMIERES
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries.

500 YEARS / U.S.A. (Director: Pamela Yates) — From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society. World Premiere

Cries from Syria / U.S.A., Syria, Czech Republic (Director: Evgeny Afineevsky) — This documentary attempts to recontextualize the European migrant crisis and ongoing hostilities in Syria, through eyewitness and participant testimony. Children and parents recount the revolution, civil war, air strikes, atrocities and ongoing humanitarian aid crises, in a portrait of recent history and the consequences of violence. World Premiere

Give Me Future: Major Lazer in Cuba / U.S.A., Cuba (Director: Austin Peters) — In the spring of 2016, global music sensation Major Lazer performed a free concert in Havana, Cuba—an unprecedented show that drew an audience of almost half a million. This concert documentary evolves into an exploration of youth culture in a country on the precipice of change. World Premiere

Legion of Brothers / U.S.A. (Director: Greg Barker) — Afghanistan, immediately post-9/11: Small teams of Green Berets arrive on a series of secret missions to overthrow the Taliban. What happens next is equal parts war origin story and cautionary tale, illuminating the nature and impact of 15 years of constant combat, with unprecedented access to U.S. Special Forces. World Premiere

Oklahoma City / U.S.A. (Director: Barak Goodman) — The bombing of the Alfred P. Murrah Federal Building in Oklahoma City in April 1995 is the worst act of domestic terrorism in American history; this documentary explores how a series of deadly encounters between American citizens and federal law enforcement—including the standoffs at Ruby Ridge and Waco—led to it. World Premiere

Rancher, Farmer, Fisherman / U.S.A. (Directors: Susan Froemke, John Hoffman, Beth Aala) — From the Montana Rockies to the wheat fields of Kansas and the Gulf of Mexico, families who work the land and sea are crossing political divides to find unexpected ways to protect the natural resources vital to their livelihoods. These are the new heroes of conservation, deep in America’s heartland. World Premiere. THE NEW CLIMATE

TAKE EVERY WAVE: The Life of Laird Hamilton / U.S.A. (Director: Rory Kennedy) — This is the remarkable story of an American icon who changed the sport of big wave surfing forever. Transcending the surf genre, this in-depth portrait of a hard-charging athlete explores the fear, courage and ambition that push a man to greatness—and the cost that comes with it. World Premiere

Tell Them We Are Rising: The Story of Black Colleges and Universities / U.S.A. (Director: Stanley Nelson) — A haven for Black intellectuals, artists and revolutionaries—and path of promise toward the American dream—Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for 150 years. For the first time ever, their story is told. World Premiere

This Is Everything: Gigi Gorgeous / U.S.A. (Director: Barbara Kopple) — A groundbreaking film that portrays the journey of Gigi Lazzarato, a fearless woman who began life as Gregory, posting fashion videos to YouTube from his bedroom, only to later come out as a transgender female. With never-before-seen personal footage, the film spotlights a family’s unwavering love for a child. World Premiere

Untitled Lucy Walker / Buena Vista Social Club Documentary / U.S.A., United Kingdom, Cuba (Director: Lucy Walker) — The musicians of the Buena Vista Social Club exposed the world to Cuba’s vibrant culture with their landmark 1997 album. Now, against the backdrop of Cuba’s captivating musical history, hear the band’s story as they reflect on their remarkable careers and the extraordinary circumstances that brought them together. World Premiere

MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour.

78/52 / U.S.A. (Director: Alexandre Philippe) — This is an unprecedented look at the iconic shower scene in Alfred Hitchcock’s Psycho, the “man behind the curtain,” and the screen murder that profoundly changed the course of world cinema. World Premiere

Bad Day for the Cut / Northern Ireland (Director: Chris Baugh, Screenwriters: Chris Baugh, Brendan Mullin) — A middle-aged Irish farmer, who still lives at home with his mother, sets off on a mission of revenge when the old lady is murdered. Cast: Nigel O’Neill, Susan Lynch, Józef Pawłowski, Stuart Graham, Anna Próchniak, Ian McElhinney. World Premiere

Bitch / U.S.A. (Director and screenwriter: Marianna Palka) — A woman snaps under crushing life pressures and assumes the psyche of a vicious dog. Her philandering, absentee husband is forced to become reacquainted with his four children and sister-in-law as they attempt to keep the family together during this bizarre crisis. Cast: Jason Ritter, Jaime King, Marianna Palka, Brighton Sharbino, Rio Mangini, Kingston Foster. World Premiere

Bushwick / U.S.A. (Directors: Cary Murnion, Jonathan Milott, Screenwriters: Nick Damici, Graham Reznick) — Lucy emerges from a Brooklyn subway to find that her neighborhood is under attack by black-clad military soldiers. An ex-Marine corpsman, Stupe, reluctantly helps her fight for survival through a civil war, as Texas attempts to secede from the United States of America. Cast: Dave Bautista, Brittany Snow, Angelic Zambrana, Jeremie Harris, Myra Lucretia Taylor, Arturo Castro. World Premiere

Killing Ground / Australia (Director and screenwriter: Damien Power) — Ian and Samantha arrive at an isolated campsite to find an SUV and a tent—with no sign of the occupants. The discovery of a distressed child wandering in the woods unleashes a terrifying chain of events that will test the young couple’s breaking point. Cast: Aaron Pedersen, Ian Meadows, Harriet Dyer, Aaron Glenane. International Premiere

Kuso / U.S.A. (Director: Steven Ellison, Screenwriters: Steven Ellison, David Firth, Zach Fox) — Broadcasting through a makeshift network of discarded televisions, this story is tangled up in the aftermath of Los Angeles’s worst earthquake nightmare. Travel between screens and aftershocks into the twisted lives of the survived. Cast: Iesha Coston, Zack Fox, Hannibal Buress, The Buttress, Tim Heidecker, Mali Matsuda. World Premiere

The Little Hours / U.S.A. (Director and screenwriter: Jeff Baena) — A young servant fleeing from his master takes refuge at a dysfunctional convent in medieval Tuscany. Cast: Alison Brie, Dave Franco, Kate Micucci, Aubrey Plaza, John C. Reilly, Molly Shannon. World Premiere. DAY ONE

XX / U.S.A. (Directors and screenwriters: Annie Clark, Karyn Kusama, Roxanne Benjamin, Jovanka Vuckovic) — This all-female horror anthology features four dark tales from four fiercely talented women. Cast: Natalie Brown, Melanie Lynskey, Breeda Wool, Christina Kirk. World Premiere

SPOTLIGHT
The Spotlight program is a tribute to the cinema we love from throughout the past year.

Colossal / U.S.A. (Director and screenwriter: Nacho Vigalondo) — An unapologetic party girl dreams of a fresh start only to discover a mysterious and fantastical connection between herself and a city-wrecking monster on the other side of the globe. Cast: Anne Hathaway, Dan Stevens, Jason Sudeikis, Tim Blake Nelson, Austin Stowell.

Frantz / France, Germany (Director: François Ozon, Screenwriters: François Ozon, Philippe Piazzo) — In a small German town after World War I, Anna mourns daily at the grave of her fiancé, Frantz, killed in battle in France. One day a young Frenchman, Adrien, also lays flowers at the grave. His presence, so soon after the German defeat, ignites passions. Cast: Pierre Niney, Paula Beer, Ernst Stötzner, Marie Gruber, Johann von Bülow, Anton von Lucke.

Lady Macbeth / United Kingdom (Director: William Oldroyd, Screenwriter: Alice Birch) — Rural England, 1865: Katherine is stifled by her loveless marriage to a bitter man and his unforgiving family. When she embarks on a passionate affair with a stableman from the estate, the force unleashed inside her is so powerful that she will stop at nothing to get what she wants. Cast: Florence Pugh, Cosmo Jarvis, Paul Hilton, Naomi Ackie, Christopher Fairbank. U.S. Premiere

Look and See: A Portrait of Wendell Berry / U.S.A. (Directors: Laura Dunn, Jef Sewell) — This cinematic portrait of the changing landscapes and shifting values of rural America in the era of industrial agriculture is seen through the mind’s eye of farmer and writer Wendell Berry. THE NEW CLIMATE

Raw / France (Director and screenwriter: Julia Ducournau) — When a young vegetarian undergoes a carnivorous hazing ritual at vet school, she develops an unbidden taste for meat, with unexpected consequences. Cast: Garance Marillier, Ella Rumpf, Rabah Nait Oufella, Laurent Lucas, Joana Preiss.

Sami Blood / Sweden (Director and screenwriter: Amanda Kernell) — Elle Marja, 14, is a reindeer-breeding Sámi girl. Exposed to race biology examinations at her boarding school and the racism of the 1930s, she starts dreaming of another life—one that demands she become someone else and break all ties with her family and culture. Cast: Lene Cecilia Sparrok, Mia Sparrok, Maj-Doris Rimpi, Olle Sarri, Hanna Alström, Malin Crépin. U.S. Premiere

Their Finest / United Kingdom (Director: Lone Scherfig, Screenwriter: Gaby Chiappe) — During the 1940 London Blitz, untried screenwriter Catrin struggles to find her voice amidst war, as she and a makeshift cast work under fire to create a film to lift the nation’s spirits—and inspire America to join the war. Cast: Gemma Arterton, Sam Claflin, Bill Nighy, Jack Huston, Jake Lacy, Jeremy Irons. U.S. Premiere

KIDS
This section of the Festival is especially for our youngest independent film fans. Programmed in cooperation with Utah Film Center, which presents the annual Tumbleweeds Film Festival, Utah’s premiere film festival for children and youth.

The Mars Generation / U.S.A. (Director: Michael Barnett) — Aspiring teenage astronauts reveal that a journey to Mars is closer than you think. World Premiere. SALT LAKE CITY OPENING NIGHT FILM

My Life as a Zucchini / Switzerland, France (Director: Claude Barras, Screenwriter: Céline Sciamma) — After his mother’s death, Zucchini is befriended by a police officer, Raymond, who accompanies him to a foster home filled with other orphans his age. There, with the help of his newfound friends, Zucchini eventually learns to trust and love as he searches for a new family of his own. World Premiere (English Version)

RED DOG: True Blue / Australia (Director: Kriv Stenders, Screenwriter: Daniel Taplitz) — When 11-year-old Mick is shipped off to his grandfather’s cattle station in Australia’s remote Pilbara, he prepares himself for a life of dull hardship but instead finds myth, adventure and a friendship with a scrappy, one-of-a-kind pup that will change his life forever. Cast: Levi Miller, Bryan Brown, Hanna Mangan-Lawrence, Thomas Cocquerel, Jason Isaacs. North American Premiere

SPECIAL EVENTS
One-of-a-kind moments highlighting new independent works that add to the unique Festival experience. An evolving section, this year includes episodic work, short films and live post-screening discussions.

Downward Dog / U.S.A. (Showrunners: Kat Likkel, John Hoberg, Creators: Michael Killen, Samm Hodges) — The story of a struggling millennial, Nan, as observed from the point of view of her lonely and philosophical dog, Martin. The Festival will premiere the first four episodes of the series, followed by an extended Q&A with the cast, creators and showrunners. Cast: Allison Tolman, Samm Hodges, Lucas Neff, Kirby Howell-Baptiste, Barry Rothbart. World Premiere

The History of Comedy / U.S.A. (Executive Producers: Sean Hayes, Todd Milliner, Mark Herzog, Christopher G. Cowen, Co-Executive Producer: Stephen J. Morrison) — Utilizing archival footage punctuated by contemporary interviews with comedy legends and scholars, this is the history of not only what makes us laugh, but how comedy has affected the social and political landscape throughout history. The Festival will premiere two episodes of this docuseries, Spark of Madness and Going Blue, followed by an extended Q&A. World Premiere

I Love Dick / U.S.A. (Directors: Jill Soloway, Andrea Arnold, Kimberly Peirce, Executive Producers: Jill Soloway, Sarah Gubbins, Andrea Sperling, Victor Hsu) — Chris and Sylvere, a married couple in the intellectual community of Marfa, Texas, become obsessed with a charismatic artist named Dick. What follows is the unraveling of a marriage, the deification of a reluctant messiah and the awakening of the female gaze. The Festival will present the first three episodes of this Amazon original series, followed by an extended Q&A. Cast: Kevin Bacon, Kathryn Hahn, Griffin Dunne, Roberta Colindrez, India Menuez, Phoebe Robinson. World Premiere

RISE / Canada (Director and screenwriter: Michelle Latimer) — This vibrant and immersive documentary series explores the front lines of indigenous resistance. Episodes Apache Stronghold, Sacred Water and Red Power examine factors that threaten indigenous liberation in the 21st century. A series of contrasts, this series is both a condemnation of colonialism and a celebration of indigenous peoples. Continuing Sundance Institute’s ongoing commitment to presenting bold stories from within the Native American and Indigenous communities, we are proud to debut three episodes: Apache Stronghold, Sacred Water and Red Power, followed by an extended Q&A. World Premiere. THE NEW CLIMATE

Shots Fired / U.S.A. (Executive Producers: Gina Prince-Bythewood, Reggie Rock Bythewood, Brian Grazer, Francie Calfo) — After racially-charged shootings in a North Carolina town, an investigator digs into the cases alongside a special prosecutor. Together they seek justice while navigating the ensuing media attention and public unrest threatening the divided town. The Festival will premiere two episodes of this 10-hour series, followed by an extended Q&A. Cast: Sanaa Lathan, Stephan James, Helen Hunt, Richard Dreyfuss, Stephen Moyer, Mack Wilds. World Premiere

TIME: The Kalief Browder Story / U.S.A. (Director: Jenner Furst, Executive Producers: Jenner Furst, Shawn “Jay Z” Carter, Harvey Weinstein, David C. Glasser, Nick Sandow, Julia Willoughby Nason, Michael Gasparro) — After his arrest at age 16, Kalief Browder fought the system and prevailed, despite unthinkable circumstances. He became an American hero. The Festival will debut the first two episodes of this in-depth, humanizing look at a broken justice system, followed by an extended Q&A. World Premiere

Docuseries Showcase — The Festival is proud to debut individual episodes from two exciting new Netflix docuseries, featuring an extended Q&A with directors Morgan Neville and Rashida Jones.

  • Abstract: The Art of Design / U.S.A. (Director: Morgan Neville, Executive Producers: Morgan Neville, Scott Dadich, Dave O’Connor, Justin Wilkes, Jon Kamen) — A look beyond blueprints and computers into the art and science of design, showcasing great designers from every discipline whose work shapes our world. The Festival will debut one episode of the series, followed by an extended Q&A with Director and Executive Producer Morgan Neville. Cast: Christoph Niemann. World Premiere
  • Hot Girls Wanted: Turned On / U.S.A. (Director: Rashida Jones, “Women on Top,” Executive Producers: Rashida Jones, Ronna Gradus, Jill Bauer, Peter LoGreco) — This documentary series tells personal stories about people affected by the explosion of the internet, where pornography, dating apps, and virtual relationships are just a click away. Exploring the intersection of sex and technology, it tells stories of intimacy, connection, disconnection, self-promotion, race, and gender politics. The Festival will debut one episode of the series, followed by an extended Q&A with Director and Executive Producer Rashida Jones. World Premiere

Independent Pilot Showcase — We are proud to present the world premieres of these outstanding pilot presentations, highlighting the best in episodic series work from the independent community.

  • Playdates / U.S.A. (Writers: Giles Andrew, Dan Marshall, Creators: Giles Andrew, Dan Marshall, Alex Bourne) — Uprooted from their Midwestern life, Bennett, a new stay-at-home dad, and Julie, a working mom, are forced to take their kids on playdates inside the elitist parenting culture of Silicon Beach. Cast: Paul Scheer, Carla Gallo, Miles Fisher, Craig Frank, Gemma Brooke Allen, Landon Gordon. World Premiere
  • Shit Kids / U.S.A. (Director and creator: Kyle Dunnigan) — The daughter of an earth-shatteringly boring couple, along with the son of an equally humdrum set of parents, have decided to plot their parents’ murders. Cast: Kyle Dunnigan, Kevin Berntson, Candace Brown, Margee Magee, Grace van Dien, Doug Noble. World Premiere
  • When The Street Lights Go On / U.S.A. (Director: Brett Morgen, Screenwriters: Eddie O’Keefe, Chris Hutton) — The residents of a small town grapple with the ruthless killing of a young girl and a teacher. Cast: Max Burkholder, Odessa Young, Adam Long, Ben Winchell, Kelli Mayo, Graham Beckel. World Premiere

Made in Cuba — We are proud to present these three cinematic and affecting Cuban short documentaries, reflecting Sundance Institute’s longstanding commitment to international artists. These films were guided by the Institute’s Documentary Film Program in collaboration with La Escuela Internacional de Cine y TV (EICTV) and Guardian documentaries.

  • Connection (Conectifai) / Cuba (Director: Horizoe Garcia Miranda) — ETECSA—Cuba’s only telephone company—installed Wi-Fi routers in 18 public parks in 2016. For many Cubans, this meant being able to go online for the first time. This film shows us how Cubans of all ages initially explore social media, online dating and more. U.S. Premiere
  • Great Muy Bien / Cuba (Director: Sheyla Pool Pástor) — The United States restored diplomatic relations with Cuba in 2015, making it no longer unrealistic for Cubans to dream of one day living and working abroad. Cubans of all ages and diverse aspirations enroll at the makeshift Big Ben English school in Havana. U.S. Premiere
  • House for Sale (Casa en Venta) / Cuba (Director: Emanuel Giraldo Betancur) — After more than 50 years, the ban on individuals in Cuba selling their houses was lifted in 2011. Three Cubans invite us into their homes—full of memories, souvenirs and family members—to hear their “sales pitch.” U.S. Premiere

Midnight Episodic Showcase — For the after-dark crowd, we present the world premieres of two thrilling new episodic additions to our Midnight lineup: Pineapple, from Adaptive Studios, and Snatchers, from Stage 13, followed by an extended Q&A with the creators of both series.

  • Pineapple / U.S.A. (Director and writer: Arkasha Stevenson) — When a miner’s daughter is assaulted in the local coal mine, she utters only one word, leaving the town’s sheriff baffled. The event quickly spirals out of control, impacting the entire town. The Festival will premiere three short-form episodes of this uniquely cinematic drama series. Cast: Tyler Vickers, Kel Owens, Ron Gilbert, Gloria Vonn, Lucille Sharp, Brooklyn Robinson. World Premiere
  • Snatchers / U.S.A. (Directors: Stephen Cedars, Benji Kleiman, Screenwriters: Scott Yacyshyn, Benji Kleiman, Stephen Cedars) — After status-obsessed teen Sara has sex for the first time, she wakes up the next day nine months pregnant—with an alien. Turning to her nerdy ex-bestie, Hayley (the only person she can trust without ruining her reputation), they strive to put an end to all the carnage. The Festival will premiere eight short-form episodes of this otherworldly horror-comedy series. Cast: Mary Nepi, Gabrielle Elyse, Austin Fryberger, J.J. Nolan, Nick Gomez, Rich Fulcher. World Premiere

Short-Form Episodic Showcase — A celebration of the evolving landscape of content consumption, we present these short-form episodic series as new voices in the medium, defying broadcast boilerplates with a redefinition of traditional episodic conventions.

  • The Chances / U.S.A. (Director: Anna Kerrigan, Creators: Josh Feldman, Shoshannah Stern) — Best friends Kate and Michael, who are deaf, try their best to see their friendship through new changes in their lives, as Kate adjusts to being newly married and Michael attempts to get over his ex-boyfriend. The Festival will debut five episodes of this short-form episodic series. Cast: Josh Feldman, Shoshannah Stern, Aaron Costa Ganis, Lucas Near-Verbrugghe, Darryl Stephens, Wilson Cruz. World Premiere
  • Gente-fied / U.S.A. (Creator: Marvin Lemus, Executive Producers: Charles D. King, Aaliyah Williams, America Ferrera) — Seven characters deal with the effects of change in LA’s Boyle Heights. Bicultural millennials and old-school business owners hustle to create spaces that celebrate their Latino identities—even while faced with rent hikes, a housing crisis, and a steady stream of outsiders threatening to gentrify their barrio. The Festival will debut three episodes of this short- form episodic series. Cast: Edsson Morales, Alicia Sixtos, Victoria Ortiz, Yareli Arizmendi, Salvador Velez Jr, Rafael Sigler. World Premiere
  • Strangers / U.S.A. (Directors: Mia Lidofsky, Celia Rowlson-Hall, Executive Producers: Michael B. Clark, Alex Turtletaub, Jesse Peretz, Mia Lidofsky) — Newly single and bisexual Isobel rents out her spare room in a last ditch effort to keep the home she loves. Along with her lesbian best friend, she navigates the most complicated time in her life—emotionally, sexually, and professionally—while sharing her home with a new stranger each episode. The Festival will debut the first three episodes of this short- form episodic series. Cast: Zoë Chao, Meredith Hagner, Jemaine Clement, Breeda Wool, Matthew Oberg, Shiri Appleby. World Premiere

 

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

sundance_logo

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

# # #

(Source: sundance.org)

Advertisements

BUT WAIT, THERE’S MORE! Sundance adds four more films

Posted by Larry Gleeson

Park City, UT — Rounding out an already robust slate of new independent work, Sundance Institute adds two Documentary Premieres and two archive From The Collection films to the 2017 Sundance Film Festival. Screenings take place in Park City, Salt Lake City and at Sundance Mountain Resort.

screen-shot-2016-12-14-at-4-40-57-pm

Bending the Arc and Long Strange Trip join archive films Desert Hearts and Reservoir Dogs, which premiered at the Sundance Film Festival in 1986 and 1992, respectively. The archive films are selections from the Sundance Institute Collection at UCLA, a joint venture between UCLA Film & Television Archive and Sundance Institute. The Collection, established in 1997, has grown to over 4,000 holdings representing nearly 2,300 titles, and is specifically devoted to the preservation of independent documentaries, narratives and short films supported by Sundance Institute, including Paris is Burning, El Mariachi, Winter’s Bone, Johnny Suede, Working Girls, Crumb, Groove, Better This World, The Oath and Paris, Texas. Titles are generously donated by individual filmmakers, distributors and studios.

With these additions, the 2017 Festival will present 118 feature-length films, representing 32 countries and 37 first-time filmmakers, including 20 in competition. These films were selected from 13,782 submissions including 4,068 feature-length films and 8,985 short films. Of the feature film submissions, 2,005 were from the U.S. and  2,063 were international. 101 feature films at the Festival will be world premieres.

DOCUMENTARY PREMIERES

Bending the Arc / U.S.A. (Directors: Kief Davidson, Pedro Kos, Screenwriter: Cori Shepherd Stern) — This powerful epic is about the extraordinary doctors and activists—including Paul Farmer, Jim Yong Kim, and Ophelia Dahl—whose work 30 years ago to save lives in a rural Haitian village grew into a global battle in the halls of power for the right to health for all. World Premiere

Long Strange Trip / U.S.A. (Director: Amir Bar-Lev) — The tale of The Grateful Dead is inspiring, complicated and downright messy. A tribe of contrarians, they made art out of open-ended chaos and inadvertently achieved success on their own terms. Never-before-seen footage and interviews offer this unprecedented and unvarnished look at the life of the Dead. World Premiere

FROM THE COLLECTION

Desert Hearts / U.S.A. (Director: Donna Deitch, Screenwriter: Natalie Cooper) — Nevada, 1959: Vivian Bell arrives to get a divorce and finds herself increasingly drawn to Cay Rivvers, a self-assured lesbian. The emotions released by their developing intimacy combined with Vivian’s insecurities are played out against a backdrop of rocky landscapes and country and western songs. The Festival will screen a new digitally restored version by the Criterion Collection and UCLA Film & Television Archive in conjunction with Sundance Institute and Outfest UCLA Legacy Project. Cast: Andra Akers, Dean Butler, Patricia Charbonneau, Audra Lindley, Helen Shaver, Glen Welles.

Reservoir Dogs / U.S.A. (Director and screenwriter: Quentin Tarantino) — They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush and the ruthless killers realize one of them is a police informant. But which one? Miramax provided a brand-new 35mm print for this special 25th anniversary screening, which will be followed by an extended Q&A with Tarantino and producer Lawrence Bender. Cast: Harvey Keitel, Tim Roth, Chris Penn, Steve Buscemi, Lawrence Tierney, Michael Madsen.

The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern WildFruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshinesex, lies, and videotapeReservoir Dogs, Hedwig and the Angry InchAn Inconvenient TruthPrecious and Napoleon Dynamite.
The Sundance Film Festival®
The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, Omnicom, Stella Artois® and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Creators League Studio, Daydream, Francis Ford Coppola Winery, GEICO, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Oculus and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

sundance_logo

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

# # #
(Source: sundance.org)

New Frontier Showcases Storytelling’s Future at 2017 Sundance Film Festival

Posted by Larry Gleeson

Park City, UT — Now in its second decade of breaking new ground at the forefront of art and technology, Sundance Institute has curated an in-depth vision of storytelling’s future for the 2017 edition of New Frontier at the Sundance Film Festival, January 19-29 in Park City. The full slate — including storyworlds in Augmented Reality headsets, projection-mapped acrobatics, a VR beauty salon producing neuroscience data via the internet of things and a host of socialized, interactive and immersively haptic VR story experiences — stands as a testament to New Frontier’s expertise in identifying, developing and amplifying the most relevant and high-impact modes of tech-enabled narrative.

screen-shot-2016-12-11-at-10-19-58-am

Live performances, a feature film and augmented reality experiences will complement a total of 20 VR experiences and 11 installations, showcased between three venues in Park City. The historic Claim Jumper will host seven immersive installations focused on cross-disciplinary story construction and and two video works; the VR Palace will feature 15 VR experiences alongside additional installations; and the VR Bar will offer a lineup of mobile VR. Three projects are part of the Festival’s The New Climate program, which highlights the environment and climate change. More New Frontier projects will be announced in the coming weeks.

Robert Redford, President and Founder of Sundance Institute, said, “Every year, more artists are drawn to the vanguard of art and technology: independent, creative storytellers have more tools to break the mold than ever before. For the last decade-plus, New Frontier’s vision has evolved and grown with this expanding palette, to curate and showcase the most exciting new work made with the latest advances.”

Shari Frilot, Sundance Film Festival Senior Programmer and Chief Curator, New Frontier, said, “In an era that has recalibrated economies, redefined social realms and rewired the connection between the individual and the world, we must also reimagine what it is to be human. Through Virtual Reality, Augmented Reality and various crafted immersive experiences, New Frontier this year challenges the very nature of perception and what we consider to be ‘reality.’”

Through New Frontier’s history, Sundance Institute has been at the forefront of new media storytelling, recognized as a pioneer of story-based, tech-enabled experiences; New Frontier alumni include Doug Aitken, James Franco, Joseph Gordon-Levitt, Chris Milk, Nonny de la Peña, Pipilotti Rist and Jennifer Steinkamp. The Institute’s support extends well beyond its curated slate of Festival projects, and includes the annual New Frontier Story Lab, which offers mentorship and development opportunities for new media storytellers, New Frontier Day Labs in cities nationwide and the New Frontier Residency Program, which combines the might of partners such as MIT Media Lab’s Social Computing Group and Jaunt Studios to drive groundbreaking data-visualization and VR storytelling tools, training and resources to independent artists.

2016 marked New Frontier’s 10th Anniversary, with celebrations at MoMA in New York City, and the Walker Art Center in Minneapolis.

In addition to the New Frontier program announced today, films in U.S. and World Competitions and NEXT have been announced and are listed at sundance.org/festival.

FILMS AND PERFORMANCE

18 Black Girls / Boys Ages 1-18 Who Have Arrived at the Singularity and Are Thus Spiritual Machines: $X in an Edition of $97 Quadrillion / U.S.A. (Director and writer: Terence Nance) — In this pair of performances, the artist Googles the phrase “one-year-old black boy” and “one-year-old black girl,” ascending in age to 18, allowing Google’s “popular searches” algorithm to populate what words will follow.

Did You Wonder Who Fired the Gun? / U.S.A. (Director: Travis Wilkerson) — This documentary murder mystery about the artist’s own family is a Southern Gothic torn apart and reassembled. Journeying straight into the black heart of a family and country, this multimedia performance explores a forgotten killing by the artist’s great-grandfather—a white Southern racist—of a black man in lower Alabama.

World Without End (No Reported Incidents) / U.S.A., United Kingdom (Director: Jem Cohen) — Close observations around Southend-on-Sea, a small English town along the Thames estuary, reveal not only everyday streets, everyday birds, unflagging tides, mud and sky, but also prize-winning Indian curries, an encyclopedic universe of hats and a nearly lost world of proto-punk music.

INSTALLATIONS

A selection of single-channel works by the collective A Normal Working Day / Switzerland — A Normal Working Day is an artist collective consisting of the installation artist Zimoun and the choreographers and dancers Delgado Fuchs (Marco Delgado, Nadine Fuchs). Formed from the bodies of the two performers, these splendidly hypnotic projections are visual rabbit holes that shimmer with a presence that is larger than the sum of their parts.

Full Turn / Switzerland (Lead Artist: Benjamin Muzzin) — This installation explores the notion of the third dimension with the desire to get out of the usual frame of a flat screen. The rotation of two tablets creates a three-dimensional, animated sequence that can be seen at 360 degrees, unlike any other type of display.

Heartcorps: Riders of the Storyboard / U.S.A. (Lead Artist: dandypunk, Key Collaborators: Darin Basile, Jo Cattell) — Follow the story of Particle, a two-dimensional light being, as you walk through the pages of a giant, immersive comic book. Hand-drawn illustrations come to life around you using projection-mapping technology, while high-level Cirque du Soleil performers interact with animated characters in this “digital light poem.” Cast: Ekenah Claudin, Elon Höglund, Youssef El Toufali, Jenni Gamas.

Heroes / U.S.A. (Lead Artist: Melissa Painter, Key Collaborators: Tim Dillon, Thomas Wester, Jason Schugardt, Laura Gorenstein Miller) — The setting: An extravagant movie palace where silent films were shown. One dance—fiercely athletic and romantic—invites you inside. Through both Virtual Reality and Augmented Reality headsets, the story comes off the screen, challenging you to move, navigate heroic shifts in perspective and scale and reach out to touch the experience. Cast: Helios Dance Theater, Stephanie Maxim, Chris Stanley, Melissa Sandvig.

Journey to the Center of the Natural Machine / U.S.A. (Lead Artists: Daniella Segal, Daniel Lazo, Eran May-Raz, Charles Niu) — From stone axe to super-computer, our brain’s evolution has been guided by our tools, evolving it into the most complicated object in the known universe. Explore a holographic brain with a friend on the Meta 2 Augmented Reality Headset, and rebuild your relationship to the Natural Machine.

NeuroSpeculative AfroFeminism / U.S.A. (Lead Artists: Ashley Baccus-Clark, Carmen Aguilar y Wedge, Ece Tankal, Nitzan Bartov) — A three-part exploration of black women and the roles they play in technology, society and culture—including speculative products, immersive experiences and neurocognitive impact research. Using fashion, cosmetics and the economy of beauty as entry points, the project illuminates issues of privacy, transparency, identity and perception.

Pleasant Places / United Kingdom (Lead Artist: Quayola) — A return to, and a modern elaboration upon, Vincent Van Gogh’s Provence landscapes, this series of digital paintings interrogates and reframes concepts of representation and perception through image manipulation and augmented reality. Using bucolic and contemplative images, juxtaposed with raw data visualization, this project suggests alternate modes of visual synthesis.

Synesthesia Suit: Rez Infinite and Crystal Vibes / Japan (Lead Artists: Tetsuya Mizuguchi, Ayahiko Sato, Kouta Minamizawa) — A full-body 26-sensor suit combines audiovisual and vibrotactile textures to push technology-mediated sensory frontiers. Experience a multisensory climax with pounding beats and stringed instruments in acclaimed PlayStation 4/PS VR game Rez Infinite, or feel vibrations of candy-colored psychedelic sound rippling through the Crystal Vibes universe.

VIRTUAL REALITY

ASTEROIDS! / U.S.A. (Lead Artist: Eric Darnell) — From the director of Madagascar comes Baobab’s VR animation. Journey the cosmos aboard the spaceship of Mac and Cheez, an alien duo so mission-focused they forget what’s important in life. It’s up to you to show them what really matters. Cast: Eric Darnell.

Chasing Coral: The VR Experience / U.S.A. (Lead Artist: Jeff Orlowski) — Zackary Rago, a passionate scuba diver and researcher, documented the unprecedented 2016 coral bleaching event at Lizard Island on the Great Barrier Reef with this exclusive underwater VR experience. THE NEW CLIMATE

Chocolate / U.S.A. (Lead Artist: Tyler Hurd) — This VR experience for the song “Chocolate” by Giraffage sets you in a cat-centric world of sparkling, colorful chrome with a tribe of people doing a ritualistic dance just for you, their robot god, to provide them with their precious resource, cute lil’ chrome kitties.

Dear Angelica / U.S.A. (Lead Artist: Saschka Unseld, Key Collaborators: Angela Petrella, Wesley Allsbrook, Maxwell Planck, Ryan Thomas) — This project is a journey through the magical and dreamlike ways we remember lost ones and, even though they are gone, what remains of the ones we loved. Cast: Geena Davis, Mae Whitman.

Hue / U.S.A. (Lead Artist: Nicole McDonald, Key Collaborators: KC Austin) — This is an immersive and visually driven interactive film about a man who has lost the ability to see color. Participants reawaken the protagonist’s sense of wonder and imagination through empathetic action as color and connection return to his world view. Cast: David Strathairn, Benedikt Negro.

If Not Love / U.S.A. (Lead Artist: Rosemarie Troche, Key Collaborator: Bruce Allan) — A conflicted Christian man carries out a mass shooting. In his past: a same-sex hookup and self-loathing. What if events had unfolded differently? What if his partner had convinced him to face himself? Could that simple act change the course of history? Cast: Zachary Booth, Mitchell Winter.

Life of Us / U.S.A. (Lead Artists: Chris Milk, Aaron Koblin, Pharrell Williams, Key Collaborators: Megan Ellison, McKenzie Stubbert, Jona Dinges) — This shared VR journey tells the complete story of the evolution of life on Earth.

Melting Ice / U.S.A. (Lead Artist: Danfung Dennis) — We take viewers on a transcendent exploration into the devastating consequences of climate change on Greenland’s ice sheet. Stand under collapsing glaciers, next to raging rivers of ice melt and witness rising sea levels—all visceral warnings of our planet’s future. THE NEW CLIMATE

Mindshow / U.S.A.(Lead Artists: Gil Baron, Jonnie Ross, Adam Levin, Key Collaborators: Jonnie Ross, Gil Baron) — Make VR cartoons with your body and voice. Teleport into different characters and act out all the parts. Create with your friends by passing scenes back and forth, then share your shows in VR and on social media. Cast: Dana Gould.

Miyubi / Canada (Lead Artists: Félix Lajeunesse, Paul Raphaël, Key Collaborator: Owen Burke) — Experience love and obsolescence as a Japanese toy robot, gifted to a child in the home of a fractured family in 1982 suburban America. Cast: Jeff Goldblum, P.J. Byrne, Emily Bergl, Owen Vaccaro, Richard Riehle, Ted Sutherland, Tatum Kensington Bailey.

Orbital Vanitas / Australia (Lead Artist: Shaun Gladwell, Key Collaborator: Leo Faber, ) — This virtual reality experience presents a surreal sci-fi mystery and meditation on death. Initially placed in Earth’s orbit, participants soon notice an enigmatic form floating toward them. What takes place next makes perfect use of the VR format.

Out of Exile: Daniel’s Story / U.S.A. (Lead Artist: Nonny de la Peña) — In August 2014, Daniel Ashley Pierce’s family verbally and physically accosted him before kicking him out of the house because they disapproved of his sexuality. Built directly around audio Daniel recorded from that encounter, this project includes thoughts of hope and triumph from Daniel and three other LGBTQ youth. Cast: Daniel Ashley Pierce, Kyle Wills, Julene Renee, Cyntia Domenzain, Angel VanStark, Phoebe VanCleefe.

The Sky is a Gap / U.S.A. (Lead Artist: Rachel Rossin) — The viewer is allowed to precisely move time with space by the use of a positionally tracked headset. Existing in the physical and virtual realms, the installation depicts a pyroclastic explosion inspired by Zabriskie Point, where the scene’s progress is physically mapped to the participant’s forward and backward movement.

Through You / U.S.A. (Lead Artists: Saschka Unseld, Lily Baldwin) — Dance is used to inhabit a common mortal story of love born, lived, lost, burned and seemingly gone forever—only to be found again. Cast: Joanna Kotze, Amari Cheatom, Marni Thomas Wood.

Tree / U.S.A. (Lead Artists: Milica Zec, Winslow Porter, Key Collaborators: Aleksandar Protic, Jacob Kudsk Steensen) — This virtual experience transforms you into a rainforest tree. With your arms as the branches and body as the trunk, you experience the tree’s growth from a seedling to its fullest form and witness its fate firsthand. THE NEW CLIMATE

Zero Days VR / U.S.A. (Lead Artists: Scatter, Yasmin Elayat, Elie Zananiri, Key Collaborators: Mei-Ling Wong, Alexander Porter, James George) — The story of a clandestine mission hatched by the U.S. and Israel to sabotage an underground Iranian nuclear facility told from the perspective of Stuxnet, a sophisticated cyber weapon, and a key NSA informant. Audiences experience the high stakes of cyber warfare placed inside the invisible world of computer viruses. Cast: Joanne Tucker, Eric Chien, Liam O’Murchu, Ralph Langner, Olli Heinonen, David Sanger.

The Sundance Institute New Frontier program is supported by Cindy Harrell Horn and Alan Horn, Lyn and Norman Lear, the John D. and Catherine T. MacArthur Foundation, the Doris Duke Foundation for Islamic Art, Time Warner Foundation, the John S. and James L. Knight Foundation, Oculus Story Studio, Nokia OZO, Comcast Ventures, The Fledgling Fund, and David E. Quinney III.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

sundance_logo

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

# # #

*Featured photo courtesy of Sundance.org

(Source:http://www.sundance.org)

Through You – How A New VR Project Dances with Intimacy

Posted by Larry Gleeson

By Lily Baldwin

I didn’t do film school. I was a dancer and started making raw stop-motion shorts when touring with David Byrne. After 150 shows, I came to realize that dance enabled people to understand the music. Unsure what the “strange moves” meant, dance gave them permission to feel something they couldn’t necessarily fit into words. Then is when I first felt the compulsion to turn the electricity of a live performance into an object that could transcend borders, language, and endure time. I turned my hard knock dancer-work-ethic into teaching myself how to edit with stills I’d shot (after a year I realized using a mouse made all the difference). ’Twas pure play – I wasn’t even sure what the “it” of it was supposed to be.

I’ve built this manifesto of sorts that guides my work: Everyone speaks body, it’s a universal alphabet. I define this “visceral cinema” with articulate bodies in space in relationship to a lens. Dance isn’t always a virtuosic “pow”; it’s about bodies that are aware of their edges and use their range. Bodies can’t lie. They are the subtext of us – it’s a subterranean language usually too shy to come out. Bodies speak nuance and contradiction that get lost when spoken. The clincher is fitting a body inside a lens – a practice that is significantly more crafted than grabbing footage of a crazy-cool body. I think it’s a balance of these: Proximity to lens, distinct performance focus, a breathing handheld camera, knowing when/not to crop a body and lock frame, editing as a rhythm tool (cutting on action, thank you Maya Deren), and sound/music as sub-protagonist and dialogue. The final convergence shouldn’t be possible in real life. “Gesamtkunstwerk,“ meaning “total work of art,“ is my favorite word, and a wink to The Ballet Russe.

Co-Directing: Where Differences Unite

A couple years ago my friend Saschka Unseld (Oculus Story Studio) asked me to make something with dance. I was trying to turn the “flattie” into a kinetic playground, so the prospect of having 360 degrees to mess around with was enticing. I could use my years of performing in unconventional spaces and get rid of the proscenium box that now seemed stuck on a wall. We’ve both always edited our own work and agree that nothing is ever completed. He’s a renowned director, cinematographer, and tech maven (the latter not being my forte). We embraced our differences, jumped off our respective cliffs, and trusted that our mutual rigor would spit us out somewhere. We applied and were accepted into the Sundance Institute Jaunt VR Residency.

Lily directing Joanna Kotze and Amari Cheatom with Saschka and DP Dagmar Weaver-Madsen. Photo by Cameron Berton.

This collaboration has been striking. It has enabled me to indulge in imagination without needing to know how to practically realize the fantasy. I play with the parameters of performance and narrative expectation. Saschka is a poet with technology and uses it to capture a distinct human tenderness. He moves like a dancer, engaging his tools like I’ve trained my skeleton. We began collaborating by dancing together – him, as his camera, with me. It’s a unique banter, our unique perfectionisms moving through space. We cantilever off our perspectives, pick up where the other drops off, and take different paths to arrive at the same place. It’s an intuitive collision.

Carob is Not Chocolate and VR is Not Film

What’s disarming (and therefore exciting) about VR, is that we’re asking the viewer to silently enter and intimately witness a world they don’t have much control over (yet). This medium’s power is not about titillating the viewer with a rush of endorphins — we all know adapting film to VR is a mistake. The potency of VR is combining the intensity of immersion with all the tech limitations, and then using these as tools to articulate something that couldn’t exist in any other medium — and should absolutely not be possible in real life.

What is Story in VR?

We both wrestle with linearity. Real life happens in simultaneous layers, which is how we experience time and therefore story. Creating in 360 degrees space was a relief, and has left us thinking of story in terms of “slices of life”. Saschka strongly felt we should remove all filmmaking protocol from our process. He slowed down our script into a series of “peak moments of being” that were strung in a bold tableau. I think of it as walking through a museum and stepping inside a series of paintings (each one a complete world) on the wall. VR demands that users feel culpable, feel responsible, feel powerful, feel alone, and feel close. What is a story that uses this alphabet? These tenets dictate our story experience. Time plays differently because there’s so much to see! Because you’re intimate with the environment, little things become epic. Directing in VR is its own muscle, one we’re exploring and training.

Limitations Are Portals For Discovery

My uncle is hard of hearing and he has the most amazing sense of smell. There’s something about having less of one thing, that mandates solving in unexpected ways. I’m a sucker for detail and frustrated by the “fuzzy” picture in VR. After a test shoot, we decided we couldn’t lose the subtle intimacy of our breathing dancers, Joanna Kotze, Amari Cheatom, and Marni Wood, as they moved from the ‘70s through 2046. So we decided dance had to express emotion graphically. Specified fingers in space made all the difference. Colored light would imbue the emotional details lost in their faces. Inside the crafted costume and production design, reflective fabrics with bold patterns would define the character of a body, bold architectural shapes in the room and strong color shifts would best show time passing.

Amari Cheatom and Marni Wood in Through You. Photo by Cameron Berton.

Rigorous Mistakes Are Innovations

Authentic creativity and innovation come from not having rules and not knowing what things are called. Too much identification keeps us confined to knowing what things should be. When I fall onstage and fuck up, it presents a new choice. (First thing is to keep a straight face and never look like you didn’t mean it.) This impromptu problem-solving and rigorous commitment to follow-through is my background, and we’re finding it’s perfect for VR. On set my freshness to the space had me proposing wild “What if?” and “Can we…?!” questions. Saschka adamantly protected our creative discovery saying that anything that “wasn’t supposed to work,” we’d ignore. “There are no rules, anyone who says differently is jumping the gun,” he said. As our previous experiments had proved, we could move the camera and not make the viewer nauseous. It was more complex than tracking a “fixed focal point” — we found the key is creating a physical connection between the camera/viewer and the subject. I danced with Saschka, and there happened to be a camera between us. Fast cuts? Jump cuts? Frantic changes in pace? It’s all possible, it’s just a force that needs to be properly wielded. The conversation is too often between technology and art. We’re talking about technology and body. We want to use technology to move into uncharted areas that make us reckon with our mortality. Our motto: If we fail, if this ends up a disaster, let’s at least fail upwards.

We’ve thrown caution to the wind, and there’s nothing shy about Through You. We dive head on into a never-ending love story that will play cyclically, hitting the peak moments of intimacy, betrayal, loss, aging, the passing of time — only to be engulfed in flames and then reborn again under water. It’s a racy, bold, and undeniably human experience that pushes the power of immersion and dares us to have a body that loves, feels pleasure, and feels loss. We worked intensely with our DP and longtime collaborator Dagmar Weaver-Madsen – a fierce maker in her own right – and she held us to task, grounded our ideas in practicality, and proposed bold DIY ideas to solve curveballs. She pushed us hard and kept the production glued together with the expertise of Brooke Chapman, our camera supervisor who wielded Jaunt’s incredible camera. It was a dream team. None of Through You would exist without our team’s incredibly hard work.

It’s a hot moment, this VR thing. As a dancer first, it’s a space where I thrive and where I don’t have to be an expert – I just get to be rigorously curious. I feel like I’m a detective and we’re all on a wicked-good scavenger hunt.

Final Thoughts

With such polarizing fear shaping our climate, we’ve called our choices into question. It’s a privilege to do what we do. (“Artist” makes us cringe – we think of ourselves as “lookers,” “finders” and “makers.”) What can we do about what’s happening in our world now? We’ve landed here – how can 360 immersive degrees wake up a body? When we literally feel ourselves and all that VR can do (way more than we think), we remember our impact: we are responsible, we make a difference.

sundance_logo

(Source: www.sundance.org)

Sundance Institute Announces Shorts For 2017 Sundance Film Festival

Park City, UT — Sixty-eight short films, announced today, will complement the lineup of longer fare at the 2017 Sundance Film Festival. The short film slate aligns thematically with other Festival categories, including Midnight and The New Climate, the Festival’s new programming strand highlighting climate change and the environment. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort January 19-29.

 

The Institute’s support for short films extends internationally and year-round. Select Festival short films are presented as a traveling program at over 50 theaters in the U.S. and Canada each year, and short films and filmmakers take part in regional Master Classes geared towards supporting emerging shorts-makers in several cities. Sundance Institute’s Documentary Film Program, supported by the John D. and Catherine T. MacArthur Foundation and in partnership with The Guardian and The New York Times’ Op-Docs, provides grants to makers of documentary shorts around the world, including new filmmakers in Cuba featured in a Special Event program at this year’s Festival.

Mike Plante, Senior Programmer for the Sundance Film Festival, said, “Each year we see more short films from around the country and from more regions around the world, which is exciting as we want to discover new voices to support. This year’s crop captures the full spectrum of what short films can be: emotional, hilarious, horrifying and touching — sometimes all at once.”

Among the shorts the Festival has shown in recent years are World of Tomorrow, Thunder Road, Whiplash, The Tsunami and the Cherry Blossom, Gregory Go Boom and Edmond.

The Short Film program is presented by YouTube.

U.S. NARRATIVE SHORT FILMS

American Paradise / U.S.A. (Director and screenwriter: Joe Talbot) — A desperate man in Trump’s America tries to shift his luck with the perfect crime in this story inspired by true events.

Cecile on the Phone / U.S.A. (Director: Annabelle Dexter-Jones, Screenwriters: Annabelle Dexter-Jones, Ellen Greenberg) — Overwhelmed by doubt and confusion after her ex-boyfriend’s return to New York, Cecile embarks on a series of telephone conversations that serve only to distract her from the one conversation she really needs to have.

Come Swim / U.S.A. (Director and screenwriter: Kristen Stewart) — This is a diptych of one man’s day, half impressionist and half realist portraits.

GOOD CRAZY / U.S.A. (Director and screenwriter: Rosa Salazar) — A complex chick deals with a vanilla beau, a shitty brunch and a dead coyote all in a Los Angeles day. There’s batshit crazy and then there’s good crazy—she fits somewhere in between.

Hardware / U.S.A. (Director: Stephen Jacobson, Screenwriters: Ellen Stringer, Stephen Jacobson) — An amateur electronic-drum enthusiast travels to a housewares trade show looking to strike up the perfect business partnership. When things don’t go as planned, he finds himself at the mercy of the electronic drumbeat playing in his head.

Hold On / U.S.A. (Director and screenwriter: Christine Turner) — Family bonds are tested when a young man is left to care for his grandmother one morning.

Hot Seat / U.S.A. (Director and screenwriter: Anna Kerrigan) — Teenaged Andrea uses a male stripper to gain the respect and admiration of cool girl Daphne in this exploration of coming-of-age sexuality and teen girls’ complex relationships, based on a true story.

I Know You from Somewhere / U.S.A. (Director and screenwriter: Andrew Fitzgerald) — A young woman incurs the wrath of the internet after she inadvertently becomes a viral sensation.

Kaiju Bunraku / U.S.A. (Directors: Lucas Leyva, Jillian Mayer, Screenwriter: Lucas Leyva) — Here’s a day in the life of a husband and wife living in a world of giant monsters.

Laps / U.S.A. (Director and screenwriter: Charlotte Wells) — On a routine morning, a woman on a crowded New York City subway is sexually assaulted in plain sight.

LostFound / U.S.A. (Director: Shakti Bhagchandani, Screenwriters: Shakti Bhagchandani, Emre Gulcan) — This story portrays a day in the life of a woman in the Nation of Islam.

Lucia, Before and After / U.S.A. (Director and screenwriter: Anu Valia) — After traveling 200 miles, a young woman waits out Texas’s state-mandated 24-hour waiting period before her abortion can proceed.

New Neighbors / U.S.A. (Director and screenwriter: E.G. Bailey) — How far will a mother go to protect her children?

Night Shift / U.S.A. (Director and screenwriter: Marshall Tyler) — Get a glimpse into a day in the life of a bathroom attendant in a Los Angeles nightclub.

Rubber Heart / U.S.A. (Director: Lizzy Sanford, Screenwriters: Lizzy Sanford, Anna Cordell) — After a painful dry spell, a woman attempts to have a one-night stand.

Shinaab / U.S.A. (Director and screenwriter: Lyle Mitchell Corbine Jr.) — A young Anishinaabe man struggles with his place in the inner city of Minneapolis.

Toru / U.S.A. (Directors and screenwriters: Jonathan Minard, Scott Rashap) — An infant’s life is transformed by a new technology.

INTERNATIONAL NARRATIVE SHORT FILMS

5 Films About Technology / Canada (Director and screenwriter: Peter Huang) — Take a satirical look at the dumber side of technology.

And so we put goldfish in the pool. / Japan (Director and screenwriter: Makoto Nagahisa) — One summer day, 400 goldfish were found in the swimming pool of a secondary school. This is a story about the four 15-year-old girls who put them there.

And The Whole Sky Fit In The Dead Cow’s Eye / Chile, U.S.A. (Director and screenwriter: Francisca Alegría) — Emeteria is visited by the ghost of her patrón, Teodoro. She believes he has come to take her to the afterlife—but he has more devastating news.

Dadyaa — The Woodpeckers of Rotha / Nepal, France (Directors and screenwriters: Pooja Gurung, Bibhusan Basnet) — Atimaley and Devi’s village is haunted by memories. When a dear friend leaves the village without saying goodbye, the old couple faces a dilemma: keep living with the memories or leave the village for good?

Dawn of the Deaf / United Kingdom (Director and screenwriter: Rob Savage) — When a strange sound wipes out the hearing population, a small group of deaf people must band together to survive.

Dear Mr. Shakespeare / United Kingdom (Director: Shola Amoo, Screenwriter: Phoebe Boswell) — An exploration of Shakespeare’s intentions when writing Othello explores the play’s racial themes in historical and contemporary settings, and draws wider parallels between immigration and blackness in the UK today.

The Geneva Convention / France (Director and screenwriter: Benoit Martin) — As Hakim is waiting for the bus after class, he is caught in a vendetta between teenagers. He’s not exactly keen to be involved, but can he avoid it?

HEAT / Poland (Directors and screenwriters: Agata Trzebuchowska, Mateusz Pacewicz) — A young boy does an unusual favor for a friend, assuming his identity to visit his senile grandmother. The woman takes him for a walk, and tells him about the biggest mystery of her life.

Kao Shi (A Test) / China (Director and screenwriter: Zuxiang Zhao) — In a small-town high school, days before the college entrance exam, teacher Chen Jun finds out that the father of his most promising student has died in a mining accident. Telling him—or not—bears heavy consequences.

MappaMundi / Luxembourg, Austria (Director and screenwriter: Bady Minck) — Through the eyes of cosmic cartographers, the viewer takes a voyage through 950 million years of Earth history and 15,000 years of cartography. This accelerated journey visualizes the change in our world—a change unnoticeable in a single lifetime.

Mare Nostrum / France, Syrian Arab Republic (Directors: Rana Kazkaz, Anas Khalaf, Screenwriter: Rana Kazkaz) — On a Mediterranean shore, a Syrian father makes a decision that puts his daughter’s life at risk.

Pedro / Portugal (Directors and screenwriters: André Santos, Marco Leão) — Pedro gets home at dawn. Before the young boy falls asleep, his lonely mother drags him to the beach.

Slapper / Australia (Director: Luci Schroder, Screenwriters: Luci Schroder, Sam West) — A broke and rebellious teen navigates a suburban wasteland, hustling money for the morning-after pill—before it’s too late.

What Tears Us Apart / France (Director and screenwriter: Wei Hu) — A Chinese couple visits the daughter they gave up for adoption 30 years ago. While meeting the French adoptive parents, language barriers become apparent and the birth mother’s hidden emotions rise to the surface.

DOCUMENTARY SHORT FILMS

Alone / U.S.A. (Director: Garrett Bradley) — This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.

Bayard & Me / U.S.A. (Director: Matt Wolf) — Walter Naegle’s boyfriend, Bayard Rustin, was a famous civil rights activist 30 years Walter’s senior. In the 1980s, Bayard decided to adopt Walter for legal protection. This love story is about a time when gay marriage was inconceivable.

Close Ties / Poland (Director: Zofia Kowalewska) — Barbara and Zdzislaw will soon celebrate their 45th anniversary—despite their constant bickering, and the fact that Zdzislaw spent eight of those years living with another woman. This is a portrait of a relationship that, somewhat inexplicably, perseveres.

Deer Squad: The Movie / U.S.A. (Directors: Pipus Larsen, Kenneth Gug, Scott J. Ross) — Kelvin Peña, a charismatic 17-year-old from rural Pennsylvania, shares his story of going viral after befriending a group of wild deer in his backyard.

The Diver / Mexico (Director: Esteban Arrangoiz) — Julio César Cu Cámara is the chief diver in the Mexico City sewer system. His job is to repair pumps and dislodge garbage that flows into the gutters to maintain the circulation of sewage waters. THE NEW CLIMATE

Fish Story / United Kingdom (Director: Charlie Lyne) — Behind a fishy tale lies this search for the truth.

Hairat / Ethiopia (Director: Jessica Beshir) — One man’s nightly ritual brings solace to the lovelorn of Harar.

Legal Smuggling with Christine Choy / U.S.A. (Director: Lewie Kloster) — Academy Award–nominated documentary filmmaker Christine Choy undergoes an adventure of wild proportions when she accidentally smuggles cigarettes.

My Father’s Tools / Canada (Director: Heather Condo) — Stephen continues producing traditional baskets to honor his father and thus finds peace in his studio as he connects with the man who taught him the craft.

Project X / U.S.A. (Directors: Laura Poitras, Henrik Moltke) — A top secret handbook takes viewers on an undercover journey to the site of a hidden partnership. Based on NSA documents, this film reveals the inner workings of a windowless skyscraper in Manhattan.

The Rabbit Hunt / U.S.A. (Director: Patrick Bresnan) — On the weekends during the harvest season, 17-year-old Chris and his family hunt rabbits in the sugarcane fields of the Florida Everglades.

Ten Meter Tower / Sweden (Directors: Maximilien Van Aertryck, Axel Danielson) — People who have never been up a 10-meter diving tower must choose whether to jump or climb down in this entertaining study of people in a vulnerable position.

Tough / United Kingdom (Director: Jennifer Zheng) — New light is shed on childhood cultural misunderstandings when a Chinese mother and her British-born daughter speak as adults for the first time. Some things can only be understood with maturity.

Visions of an Island / U.S.A. (Director: Sky Hopinka) — Indigenous and foreign presences coexist on an Alaskan island in the center of the Bering Sea. THE NEW CLIMATE

Waiting for Hassana / Nigeria (Director: Ifunanya Maduka) — In 2014, 276 teenage girls came together for exams in Chibok, Nigeria—by dawn, nearly all had disappeared, and their school was burned to the ground. Jessica, an escapee, shares her haunting account of a friendship violently interrupted by Boko Haram.

White Riot: London / United Kingdom (Director: Rubika Shah) — In 1977, immigration divides Britain. What happens when a punk fanzine challenges the status quo?

MIDNIGHT SHORT FILMS

Do No Harm / New Zealand (Director and screenwriter: Roseanne Liang) — 3:00 a.m., 1980s Hongjing: In an aging private hospital, a single-minded surgeon is forced to break her physician’s oath when violent gangsters storm in to stop a crucial operation.

Fucking Bunnies / Finland (Director: Teemu Niukkanen, Screenwriters: Antti Toivonen, Teemu Niukkanen) — Raimo’s comfortable, middle-class bubble is burst when a Satan-worshipping sex cult moves in next door.

Hot Winter: A film by Dick Pierre / U.S.A. (Director: Jack Henry Robbins, Screenwriters: Jack Henry Robbins, Nunzio Randazzo) — One of the first films in American cinema to address climate change, Hot Winter: A film by Dick Pierre, was also a hardcore porno. All sex scenes have been removed as to not distract from the conscious message. THE NEW CLIMATE

A Nearly Perfect Blue Sky (Un ciel bleu presque parfait) / France (Director and screenwriter: Quarxx) — You might think that Simon lives a monotonous life, but you would be wrong—contrary to appearances, he doesn’t live alone among the ruins of an old farm. Between kidnapper and guardian angel, he never takes his eyes off his roommate.

Pussy / Poland (Director and screenwriter: Renata Gasiorowska) — Alone at home one evening, a young girl decides to have a solo pleasure session—but not everything goes according to plan.

The Robbery / U.S.A. (Director: Jim Cummings, Screenwriters: Jim Cummings, Dustin Hahn) — Crystal robs a liquor store—it goes pretty OK.

Summer’s Puke Is Winter’s Delight / Japan (Director and screenwriter: Sawako Kabuki) — Painful events become memories over time. Still, we vomit and eat again. Life is eco.

ANIMATED SHORT FILMS

The Bald Future / France (Director and screenwriter: Paul Cabon) — Being a bald man sucks. Knowing you’ll become one is worse.

Black Holes / U.S.A., France (Directors and screenwriters: David Nicolas, Laurent Nicolas) — Dave is about to lead the first mission to Mars when he’s teamed up with a sentient melon, who claims to be the reincarnation of a fashion designer, upstaging his big moment and driving him to the brink of madness.

Broken – The Women’s Prison at Hoheneck / Germany (Directors: Volker Schlecht, Alexander Lahl, Screenwriters: Alexander Lahl, Max Mönch) — This animated documentary about Hoheneck, the main women’s prison in former East Germany, is based on original interviews with former inmates. It’s a film about political imprisonment, forced labor and enormous profits on both sides of the Iron Curtain.

Drawn & Recorded: Teen Spirit / U.S.A. (Director: Drew Christie, Screenwriters: Drew Christie, Bill Flanagan) — This is the story behind one of the most iconic songs ever written, animated in the style of a pop-up book.

How’s your prostate? / France (Directors: Jeanne Paturle, Cécile Rousset, Screenwriters: Jeanne Paturle, Cécile Rousset, Cécile Mille) — One friend tells the other about the very strange time when, beside a swimming pool, she learned about her father’s prostate, his erectile function and his nighttime fantasies.

It’s a Date / U.S.A. (Director and screenwriter: Zachary Zezima) — This film explores miscommunication, perceptions and vulnerability in the modern world. Everyone is an alien at first.

Jonas and the Sea / Netherlands (Director: Marlies Van der Wel, Screenwriters: Ruben Picavet, Marlies Van der Wel) — Jonas has dreamed of living in the sea all his life, but it’s impossible. Or is it?

The Laughing Spider / Japan (Director: Keiichi Tanaami) — The early childhood memory of aerial attacks leaves a lasting impression, with strong stimulus and disquiet.

LOVE / France, Hungary (Director and screenwriter: Réka Bucsi)— Abstract haiku-like situations reveal the changing atmosphere on one planet caused by a meteoric impact in a distant solar system. Inhabitants on this pulsing planet become one with each other, in various ways, in this three-chapter exploration of affection.

Nighthawk / Slovenia, Croatia (Director: Špela Čadež, Screenwriters: Gregor Zorc, Špela Čadež) — Attempting to remove an unresponsive badger from a dark road, a police patrol soon realizes that the animal is not dead but rather dead drunk. Things take an even stranger turn when the creature wakes up.

Nutag — Homeland / Canada (Director and screenwriter: Alisi Telengut) — This hand-painted visual poem explores the ideas of diaspora, homeland and the mass deportations of the Kalmyk people during World War II.

Summer Camp Island / U.S.A., South Korea (Director and screenwriter: Julia Pott) — Oscar and his best friend, Hedgehog, just got dropped off at summer camp. Once the parents leave the island, the strangeness lurking beneath the surface is revealed—aliens exist, horses become unicorns and there are monsters under the bed.

Trumpet Man / Hong Kong (Director and screenwriter: Emily Wong) — A turntable springs out a woman named Avocado; her instinct creates a man called Soul. Passion swings both, and an uncertain madness strikes Soul heavily. Seeds of passion breed conflict among five men, eventually leading Soul to a deeper understanding of life.

Victor & Isolina / U.S.A. (Director: William Caballero) — Creatively visualized through 3D printing, two elderly Latinos embark on a resonating he said/she said account of the events that led them to live separately after more than 50 quirky and stressful years together.

One film announced today was funded through a Kickstarter campaign: Black Holes.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

sundance_logoSundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home.

Followup to An Inconvenient Truth to World Premiere at 2017 Sundance Film Festival as Day One Screening

FOR IMMEDIATE RELEASE

Documentary Caps Festival’s First Slate of ‘The New Climate’ Films and Work About Environment and Conservation

The Honorable Al Gore, 45th Vice President of the United States, former Maldivian President Mohamed Nasheed, Social Entrepreneur Jeff Skoll & Others Join ‘Power of Story’ Panel on January 22; Live Streamed at sundance.org

Park City, UT — The followup to watershed environmental documentary An Inconvenient Truth will make its world premiere at the 2017 Sundance Film Festival as a Day One screening, part of The New Climate, a program dedicated to conversations and films about environmental change and conservation.

A decade after An Inconvenient Truth brought climate change into the heart of popular culture comes the riveting follow up that shows both the escalation of the crisis and how close we are to a real solution. Directed by Sundance Film Festival alumni Bonni Cohen and Jon Shenk.

sundance-film-festival

he Honorable Al Gore, 45th Vice President of the United States, will also join the Festival’s Power of Story panel, a collaboration between Sundance Institute and The Redford Center, with former President Mohamed Nasheed of the Maldives, producer Heather Rae (Frozen River, RISE), social entrepreneur and philanthropist Jeff Skoll and environmentalist and scientist Dr. David Suzuki. A conversation between these prominent figures, who bring decades of direct experience with climate change and its effects, will be moderated by Democracy Now! journalist and broadcaster Amy Goodman on January 22, 2017, and livestreamed from Park City’s Egyptian Theatre at sundance.org.

The New Climate includes 14 documentaries, short films and virtual reality experiences across the Festival’s categories, and marks the first time that Festival programmers have focused efforts to highlight a specific cause.

Robert Redford, President and Founder of Sundance Institute, said, “I believe that storytelling is the greatest platform for getting people to care and take action on some of the most pressing issues of our time. Amid escalating threats to our environment, independent perspectives are adding the depth and dimension needed for us to find common ground and real solutions.”

John Cooper, Director of the Sundance Film Festival, said, “This film and the 13 other films and projects that are part of The New Climate slate this year add a new chapter to our legacy of showcasing stories on the environment and climate change. When my team and I first watched this film, we were taken by its complete, sensitive and cinematic presentation of the issues. It was emotional to see the scope of our world’s problems — and heartening to see the potential for progress.”

2017’s other projects for The New Climate appear below. Environmental films and projects showcased at the Festival in recent years include The Cove, Gasland, Chasing Ice, Racing Extinction and Collisions. The New Climate is a partnership of Sundance Institute and The Redford Center.

Chasing Coral / U.S.A. (Director: Jeff Orlowski) — Coral reefs around the world are vanishing at an unprecedented rate. A team of divers, photographers and scientists set out on a thrilling ocean adventure to discover why and to reveal the underwater mystery to the world. World Premiere. (U.S. Documentary)

Chasing Coral: The VR Experience / U.S.A. (Lead Artist: Jeff Orlowski) — Zackary Rago, a passionate scuba diver and researcher, documented the unprecedented 2016 coral bleaching event at Lizard Island on the Great Barrier Reef with this exclusive underwater VR experience. (New Frontier: Virtual Reality)

The Diver / Mexico (Director: Esteban Arrangoiz) — Julio César Cu Cámara is the chief diver in the Mexico City sewer system. His job is to repair pumps and dislodge garbage that flows into the gutters to maintain the circulation of sewage waters. (Short Films)

Hot Winter: A film by Dick Pierre / U.S.A. (Director: Jack Henry Robbins, Screenwriters: Jack Henry Robbins, Nunzio Randazzo) — One of the first films in American cinema to address climate change, Hot Winter: A film by Dick Pierre, was also a hardcore porno. All sex scenes have been removed as to not distract from the conscious message. (Short Films)

Look and See: A Portrait of Wendell Berry / U.S.A. (Directors: Laura Dunn, Jef Sewell) — This cinematic portrait of the changing landscapes and shifting values of rural America in the era of industrial agriculture is seen through the mind’s eye of farmer and writer Wendell Berry. (Spotlight)

Melting Ice / U.S.A. (Lead Artist: Danfung Dennis) — We take viewers on a transcendent exploration into the devastating consequences of climate change on Greenland’s ice sheet. Stand under collapsing glaciers, next to raging rivers of ice melt and witness rising sea levels—all visceral warnings of our planet’s future. (New Frontier: Virtual Reality)

Plastic China / China (Director: Jiu-liang Wang) — Yi-Jie, an 11-year-old girl, works alongside her parents in a recycling facility while dreaming of attending school. Kun, the facility’s ambitious foreman, dreams of a better life. Through the eyes and hands of those who handle its refuse, comes an examination of global consumption and culture. International Premiere. (World Documentary)

Rancher, Farmer, Fisherman / U.S.A. (Directors: Susan Froemke, John Hoffman, Beth Aala) — From the Montana Rockies to the wheat fields of Kansas and the Gulf of Mexico, families who work the land and sea are crossing political divides to find unexpected ways to protect the natural resources vital to their livelihoods. These are the new heroes of conservation, deep in America’s heartland. World Premiere. (Documentary Premieres)

RISE / Canada (Director and screenwriter: Michelle Latimer) — This vibrant and immersive documentary series explores the front lines of indigenous resistance. Episodes Apache Stronghold, Sacred Water and Red Power examine factors that threaten indigenous liberation in the 21st century. A series of contrasts, this series is both a condemnation of colonialism and a celebration of indigenous peoples. Continuing Sundance Institute’s ongoing commitment to presenting bold stories from within the Native American and Indigenous communities, we are proud to debut three episodes: Apache Stronghold, Sacred Water and Red Power, followed by an extended Q&A. World Premiere. (Special Events)

Tree / U.S.A. (Lead Artists: Milica Zec, Winslow Porter, Key Collaborators: Aleksandar Protic, Jacob Kudsk Steensen) — This virtual experience transforms you into a rainforest tree. With your arms as the branches and body as the trunk, you experience the tree’s growth from a seedling to its fullest form and witness its fate firsthand. (New Frontier: Virtual Reality)

Trophy / U.S.A. (Director: Shaul Schwarz, Co-Director: Christina Clusiau) — This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities. World Premiere. (U.S. Documentary)

Visions of an Island / U.S.A. (Director: Sky Hopinka) — Indigenous and foreign presences coexist on an Alaskan island in the center of the Bering Sea. (Short Films)

Water & Power: A California Heist / U.S.A. (Director: Marina Zenovich) — In California’s convoluted water system, notorious water barons find ways to structure a state-engineered system to their own advantage. This examination into their centers of power shows small farmers and everyday citizens facing drought and a new, debilitating groundwater crisis. World Premiere. (U.S. Documentary)

The New Climate is Sundance Institute’s year-round environmental initiative, supported by the Robert Rauschenberg Foundation, The Rockefeller Foundation, the Kendeda Fund, Discovery Channel, Vulcan Productions, Code Blue Foundation, FOND Group, EarthX Film, and the Joy Family Foundation.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR,The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

 

 

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

# # #

Media Contact:
Spencer Alcorn
310.360.1981
spencer_alcorn@sundance.org

(Source: www.sundance.org)

New Frontier Showcases Storytelling’s Future at 2017 Sundance Film Festival

Park City, UT — Now in its second decade of breaking new ground at the forefront of art and technology, Sundance Institute has curated an in-depth vision of storytelling’s future for the 2017 edition of New Frontier at the Sundance Film Festival, January 19-29 in Park City. The full slate — including storyworlds in Augmented Reality headsets, projection-mapped acrobatics, a VR beauty salon producing neuroscience data via the internet of things and a host of socialized, interactive and immersively haptic VR story experiences — stands as a testament to New Frontier’s expertise in identifying, developing and amplifying the most relevant and high-impact modes of tech-enabled narrative.

screen-shot-2016-12-08-at-4-58-45-pm

Live performances, a feature film and augmented reality experiences will complement a total of 20 VR experiences and 11 installations, showcased between three venues in Park City. The historic Claim Jumper will host seven immersive installations focused on cross-disciplinary story construction and and two video works; the VR Palace will feature 15 VR experiences alongside additional installations; and the VR Bar will offer a lineup of mobile VR. Three projects are part of the Festival’s The New Climate program, which highlights the environment and climate change. More New Frontier projects will be announced in the coming weeks.

Robert Redford, President and Founder of Sundance Institute, said, “Every year, more artists are drawn to the vanguard of art and technology: independent, creative storytellers have more tools to break the mold than ever before. For the last decade-plus, New Frontier’s vision has evolved and grown with this expanding palette, to curate and showcase the most exciting new work made with the latest advances.”

Shari Frilot, Sundance Film Festival Senior Programmer and Chief Curator, New Frontier, said, “In an era that has recalibrated economies, redefined social realms and rewired the connection between the individual and the world, we must also reimagine what it is to be human. Through Virtual Reality, Augmented Reality and various crafted immersive experiences, New Frontier this year challenges the very nature of perception and what we consider to be ‘reality.’”

Through New Frontier’s history, Sundance Institute has been at the forefront of new media storytelling, recognized as a pioneer of story-based, tech-enabled experiences; New Frontier alumni include Doug Aitken, James Franco, Joseph Gordon-Levitt, Chris Milk, Nonny de la Peña, Pipilotti Rist and Jennifer Steinkamp. The Institute’s support extends well beyond its curated slate of Festival projects, and includes the annual New Frontier Story Lab, which offers mentorship and development opportunities for new media storytellers, New Frontier Day Labs in cities nationwide and the New Frontier Residency Program, which combines the might of partners such as MIT Media Lab’s Social Computing Group and Jaunt Studios to drive groundbreaking data-visualization and VR storytelling tools, training and resources to independent artists.

2016 marked New Frontier’s 10th Anniversary, with celebrations at MoMA in New York City, and the Walker Art Center in Minneapolis.

In addition to the New Frontier program announced today, films in U.S. and World Competitions and NEXT have been announced and are listed at sundance.org/festival.

FILMS AND PERFORMANCE

18 Black Girls / Boys Ages 1-18 Who Have Arrived at the Singularity and Are Thus Spiritual Machines: $X in an Edition of $97 Quadrillion / U.S.A. (Director and writer: Terence Nance) — In this pair of performances, the artist Googles the phrase “one-year-old black boy” and “one-year-old black girl,” ascending in age to 18, allowing Google’s “popular searches” algorithm to populate what words will follow.

Did You Wonder Who Fired the Gun? / U.S.A. (Director: Travis Wilkerson) — This documentary murder mystery about the artist’s own family is a Southern Gothic torn apart and reassembled. Journeying straight into the black heart of a family and country, this multimedia performance explores a forgotten killing by the artist’s great-grandfather—a white Southern racist—of a black man in lower Alabama.

World Without End (No Reported Incidents) / U.S.A., United Kingdom (Director: Jem Cohen) — Close observations around Southend-on-Sea, a small English town along the Thames estuary, reveal not only everyday streets, everyday birds, unflagging tides, mud and sky, but also prize-winning Indian curries, an encyclopedic universe of hats and a nearly lost world of proto-punk music.

INSTALLATIONS

A selection of single-channel works by the collective A Normal Working Day / Switzerland — A Normal Working Day is an artist collective consisting of the installation artist Zimoun and the choreographers and dancers Delgado Fuchs (Marco Delgado, Nadine Fuchs). Formed from the bodies of the two performers, these splendidly hypnotic projections are visual rabbit holes that shimmer with a presence that is larger than the sum of their parts.

Full Turn / Switzerland (Lead Artist: Benjamin Muzzin) — This installation explores the notion of the third dimension with the desire to get out of the usual frame of a flat screen. The rotation of two tablets creates a three-dimensional, animated sequence that can be seen at 360 degrees, unlike any other type of display.

Heartcorps: Riders of the Storyboard / U.S.A. (Lead Artist: dandypunk, Key Collaborators: Darin Basile, Jo Cattell) — Follow the story of Particle, a two-dimensional light being, as you walk through the pages of a giant, immersive comic book. Hand-drawn illustrations come to life around you using projection-mapping technology, while high-level Cirque du Soleil performers interact with animated characters in this “digital light poem.” Cast: Ekenah Claudin, Elon Höglund, Youssef El Toufali, Jenni Gamas.

Heroes / U.S.A. (Lead Artist: Melissa Painter, Key Collaborators: Tim Dillon, Thomas Wester, Jason Schugardt, Laura Gorenstein Miller) — The setting: An extravagant movie palace where silent films were shown. One dance—fiercely athletic and romantic—invites you inside. Through both Virtual Reality and Augmented Reality headsets, the story comes off the screen, challenging you to move, navigate heroic shifts in perspective and scale and reach out to touch the experience. Cast: Helios Dance Theater, Stephanie Maxim, Chris Stanley, Melissa Sandvig.

Journey to the Center of the Natural Machine / U.S.A. (Lead Artists: Daniella Segal, Daniel Lazo, Eran May-Raz, Charles Niu) — From stone axe to super-computer, our brain’s evolution has been guided by our tools, evolving it into the most complicated object in the known universe. Explore a holographic brain with a friend on the Meta 2 Augmented Reality Headset, and rebuild your relationship to the Natural Machine.

NeuroSpeculative AfroFeminism / U.S.A. (Lead Artists: Ashley Baccus-Clark, Carmen Aguilar y Wedge, Ece Tankal, Nitzan Bartov) — A three-part exploration of black women and the roles they play in technology, society and culture—including speculative products, immersive experiences and neurocognitive impact research. Using fashion, cosmetics and the economy of beauty as entry points, the project illuminates issues of privacy, transparency, identity and perception.

Pleasant Places / United Kingdom (Lead Artist: Quayola) — A return to, and a modern elaboration upon, Vincent Van Gogh’s Provence landscapes, this series of digital paintings interrogates and reframes concepts of representation and perception through image manipulation and augmented reality. Using bucolic and contemplative images, juxtaposed with raw data visualization, this project suggests alternate modes of visual synthesis.

Synesthesia Suit: Rez Infinite and Crystal Vibes / Japan (Lead Artists: Tetsuya Mizuguchi, Ayahiko Sato, Kouta Minamizawa) — A full-body 26-sensor suit combines audiovisual and vibrotactile textures to push technology-mediated sensory frontiers. Experience a multisensory climax with pounding beats and stringed instruments in acclaimed PlayStation 4/PS VR game Rez Infinite, or feel vibrations of candy-colored psychedelic sound rippling through the Crystal Vibes universe.

VIRTUAL REALITY

ASTEROIDS! / U.S.A. (Lead Artist: Eric Darnell) — From the director of Madagascar comes Baobab’s VR animation. Journey the cosmos aboard the spaceship of Mac and Cheez, an alien duo so mission-focused they forget what’s important in life. It’s up to you to show them what really matters. Cast: Eric Darnell.

Chasing Coral: The VR Experience / U.S.A. (Lead Artist: Jeff Orlowski) — Zackary Rago, a passionate scuba diver and researcher, documented the unprecedented 2016 coral bleaching event at Lizard Island on the Great Barrier Reef with this exclusive underwater VR experience. THE NEW CLIMATE

Chocolate / U.S.A. (Lead Artist: Tyler Hurd) — This VR experience for the song “Chocolate” by Giraffage sets you in a cat-centric world of sparkling, colorful chrome with a tribe of people doing a ritualistic dance just for you, their robot god, to provide them with their precious resource, cute lil’ chrome kitties.

Dear Angelica / U.S.A. (Lead Artist: Saschka Unseld, Key Collaborators: Angela Petrella, Wesley Allsbrook, Maxwell Planck, Ryan Thomas) — This project is a journey through the magical and dreamlike ways we remember lost ones and, even though they are gone, what remains of the ones we loved. Cast: Geena Davis, Mae Whitman.

Hue / U.S.A. (Lead Artist: Nicole McDonald, Key Collaborators: KC Austin) — This is an immersive and visually driven interactive film about a man who has lost the ability to see color. Participants reawaken the protagonist’s sense of wonder and imagination through empathetic action as color and connection return to his world view. Cast: David Strathairn, Benedikt Negro.

If Not Love / U.S.A. (Lead Artist: Rosemarie Troche, Key Collaborator: Bruce Allan) — A conflicted Christian man carries out a mass shooting. In his past: a same-sex hookup and self-loathing. What if events had unfolded differently? What if his partner had convinced him to face himself? Could that simple act change the course of history? Cast: Zachary Booth, Mitchell Winter.

Life of Us / U.S.A. (Lead Artists: Chris Milk, Aaron Koblin, Pharrell Williams, Key Collaborators: Megan Ellison, McKenzie Stubbert, Jona Dinges) — This shared VR journey tells the complete story of the evolution of life on Earth.

Melting Ice / U.S.A. (Lead Artist: Danfung Dennis) — We take viewers on a transcendent exploration into the devastating consequences of climate change on Greenland’s ice sheet. Stand under collapsing glaciers, next to raging rivers of ice melt and witness rising sea levels—all visceral warnings of our planet’s future. THE NEW CLIMATE

Mindshow / U.S.A.(Lead Artists: Gil Baron, Jonnie Ross, Adam Levin, Key Collaborators: Jonnie Ross, Gil Baron) — Make VR cartoons with your body and voice. Teleport into different characters and act out all the parts. Create with your friends by passing scenes back and forth, then share your shows in VR and on social media. Cast: Dana Gould.

Miyubi / Canada (Lead Artists: Félix Lajeunesse, Paul Raphaël, Key Collaborator: Owen Burke) — Experience love and obsolescence as a Japanese toy robot, gifted to a child in the home of a fractured family in 1982 suburban America. Cast: Jeff Goldblum, P.J. Byrne, Emily Bergl, Owen Vaccaro, Richard Riehle, Ted Sutherland, Tatum Kensington Bailey.

Orbital Vanitas / Australia (Lead Artist: Shaun Gladwell, Key Collaborator: Leo Faber, ) — This virtual reality experience presents a surreal sci-fi mystery and meditation on death. Initially placed in Earth’s orbit, participants soon notice an enigmatic form floating toward them. What takes place next makes perfect use of the VR format.

Out of Exile: Daniel’s Story / U.S.A. (Lead Artist: Nonny de la Peña) — In August 2014, Daniel Ashley Pierce’s family verbally and physically accosted him before kicking him out of the house because they disapproved of his sexuality. Built directly around audio Daniel recorded from that encounter, this project includes thoughts of hope and triumph from Daniel and three other LGBTQ youth. Cast: Daniel Ashley Pierce, Kyle Wills, Julene Renee, Cyntia Domenzain, Angel VanStark, Phoebe VanCleefe.

The Sky is a Gap / U.S.A. (Lead Artist: Rachel Rossin) — The viewer is allowed to precisely move time with space by the use of a positionally tracked headset. Existing in the physical and virtual realms, the installation depicts a pyroclastic explosion inspired by Zabriskie Point, where the scene’s progress is physically mapped to the participant’s forward and backward movement.

Through You / U.S.A. (Lead Artists: Saschka Unseld, Lily Baldwin) — Dance is used to inhabit a common mortal story of love born, lived, lost, burned and seemingly gone forever—only to be found again. Cast: Joanna Kotze, Amari Cheatom, Marni Thomas Wood.

Tree / U.S.A. (Lead Artists: Milica Zec, Winslow Porter, Key Collaborators: Aleksandar Protic, Jacob Kudsk Steensen) — This virtual experience transforms you into a rainforest tree. With your arms as the branches and body as the trunk, you experience the tree’s growth from a seedling to its fullest form and witness its fate firsthand. THE NEW CLIMATE

Zero Days VR / U.S.A. (Lead Artists: Scatter, Yasmin Elayat, Elie Zananiri, Key Collaborators: Mei-Ling Wong, Alexander Porter, James George) — The story of a clandestine mission hatched by the U.S. and Israel to sabotage an underground Iranian nuclear facility told from the perspective of Stuxnet, a sophisticated cyber weapon, and a key NSA informant. Audiences experience the high stakes of cyber warfare placed inside the invisible world of computer viruses. Cast: Joanne Tucker, Eric Chien, Liam O’Murchu, Ralph Langner, Olli Heinonen, David Sanger.

The Sundance Institute New Frontier program is supported by Cindy Harrell Horn and Alan Horn, Lyn and Norman Lear, the John D. and Catherine T. MacArthur Foundation, the Doris Duke Foundation for Islamic Art, Time Warner Foundation, the John S. and James L. Knight Foundation, Oculus Story Studio, Nokia OZO, Comcast Ventures, The Fledgling Fund, and David E. Quinney III.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

sundance_logo

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

# # #

(Source: http://www.sundance.org)

 

2017 Sundance Film Festival: Competition And Next Lineup Announced

Park City, UT — Sundance Institute convenes a full slate of provocative and agenda-setting independent films at the 2017 Sundance Film Festival, beginning with today’s announcement of the 66 films selected for U.S. Competition, World Competition and NEXT, as well as a slate of environmentally focused programming under the Festival’s The New Climate program. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort January 19-29.

The Festival celebrates creativity and independence at the summit of the Institute’s year-round public programming, which also includes festivals in London, Hong Kong and Los Angeles. Sundance Institute programs support artists year-round, with more than $2.5 million in grants and 25 global residency Labs across theatre, film, New Frontier and episodic content.

Robert Redford, President and Founder of Sundance Institute, said, “From the passion and chaos of creativity, independent filmmakers make decisions to harness that energy, break new ground and tell their stories. This year’s Festival reflects every step of that journey, and shows how art can engage, provoke and connect people all over the world.”

Keri Putnam, Executive Director of Sundance Institute, said, “It’s more crucial now than ever to have storytellers illuminating the world around us. Artists help us better understand one another and recognize what we have in common. We are proud to champion and amplify original independent work through the Festival and our year-round programs.”

John Cooper, Director of the Sundance Film Festival, said, “The films in this year’s Festival show the human sides of issues, people and places we don’t often see. Independent filmmakers, with their fearless, bold perspectives, are challenging us to witness our world’s whole story. These artists, armed with their films, will lead us into the future.”

For the first time, the Festival is focusing its programming efforts to drive attention and action around a specific theme: climate change and environmental preservation. The New Climate program builds on the Institute’s longstanding commitment to showcasing environmental films and projects, including An Inconvenient Truth, Blackfish, The Cove, Gasland, Chasing Ice, Racing Extinction and Collisions. The program includes Chasing Coral, which follows a team of divers, photographers and scientists documenting the world’s changing coral reefs; Trophy, an in-depth look at the controversial, multi-billion-dollar big-game hunting industry; Water & Power: A California Heist, an investigation of California’s convoluted water system; and Plastic China, an examination of employee life at a Chinese recycling plant.

About The New Climate, Redford said, “My own engagement on climate change began more than 40 years ago, and the urgency I felt then has only grown stronger given its very real and increasingly severe consequences. If we’re going to avoid the worst-case scenario, then we must act boldly and immediately, even in the face of indifference, apathy and opposition.”

For the 2017 Festival, 113 feature-length films were selected, representing 32 countries and 37 first-time filmmakers, including 20 in competition. These films were selected from 13,782 submissions including 4,068 feature-length films and 8,985 short films. Of the feature film submissions, 2,005 were from the U.S. and 2,063 were international. Ninety-eight feature films at the Festival will be world premieres. In 2016, the Festival drew 46,600 attendees, generated $143.3 million in economic activity for the state of Utah and supported 1,400 local jobs.

Recent films that have premiered in the sections announced today include Morris From America, Beasts of the Southern Wild, Swiss Army Man, City of Gold, Fruitvale Station, The Diary of A Teenage Girl, Whiplash, Blackfish, Life, Animated, All These Sleepless Nights, Weiner and First Girl I Loved.

More films, including additional New Climate programming, will be announced soon; watch sundance.org/festival. Other films, including Premieres, Midnight and Kids were recently announced; click here PREMIERES, MIDNIGHT, KIDS, AND MORE

U.S. DRAMATIC COMPETITION
Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film.

Band Aid / U.S.A. (Director and screenwriter: Zoe Lister-Jones) — A couple who can’t stop fighting embark on a last-ditch effort to save their marriage: turning their fights into songs and starting a band. Cast: Zoe Lister-Jones, Adam Pally, Fred Armisen, Susie Essman, Hannah Simone, Ravi Patel. World Premiere

Beach Rats / U.S.A. (Director and screenwriter: Eliza Hittman) — An aimless teenager on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online.Cast: Harris Dickinson, Madeline Weinstein, Kate Hodge, Neal Huff. World Premiere

Brigsby Bear / U.S.A. (Director: Dave McCary, Screenwriters: Kevin Costello, Kyle Mooney) — Brigsby Bear Adventures is a children’s TV show produced for an audience of one: James. When the show abruptly ends, James’s life changes forever, and he sets out to finish the story himself. Cast: Kyle Mooney, Claire Danes, Mark Hamill, Greg Kinnear, Matt Walsh, Michaela Watkins. World Premiere

Burning Sands / U.S.A. (Director: Gerard McMurray, Screenwriters: Christine Berg, Gerard McMurray) — Deep into a fraternity’s Hell Week, a favored pledge is torn between honoring a code of silence or standing up against the intensifying violence of underground hazing. Cast: Trevor Jackson, Alfre Woodard, Steve Harris, Tosin Cole, DeRon Horton, Trevante Rhodes. World Premiere

Crown Heights / U.S.A. (Director and screenwriter: Matt Ruskin) — When Colin Warner is wrongfully convicted of murder, his best friend, Carl King, devotes his life to proving Colin’s innocence. Adapted from This American Life, this is the incredible true story of their harrowing quest for justice. Cast: Lakeith Stanfield, Nnamdi Asomugha, Natalie Paul, Bill Camp, Nestor Carbonell, Amari Cheatom. World Premiere

Golden Exits / U.S.A. (Director and screenwriter: Alex Ross Perry) — The arrival of a young foreign girl disrupts the lives and emotional balances of two Brooklyn families. Cast: Emily Browning, Adam Horovitz, Mary-Louise Parker, Lily Rabe, Jason Schwartzman, Chloë Sevigny. World Premiere

The Hero / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch) — Lee, a former Western film icon, is living a comfortable existence lending his golden voice to advertisements and smoking weed. After receiving a lifetime achievement award and unexpected news, Lee reexamines his past, while a chance meeting with a sardonic comic has him looking to the future. Cast: Sam Elliott, Laura Prepon, Krysten Ritter, Nick Offerman, Katharine Ross. World Premiere

i-dont-feel-at-home-in-this-world-anymore.jpgI Don’t Feel at Home in This World Anymore / U.S.A. (Director and screenwriter: Macon Blair) — When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves, alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals. Cast: Melanie Lynskey, Elijah Wood, David Yow, Jane Levy, Devon Graye. World Premiere. DAY ONE

Ingrid Goes West / U.S.A. (Director: Matt Spicer, Screenwriters: Matt Spicer, David Branson Smith) — A young woman becomes obsessed with an Instagram lifestyle blogger and moves to Los Angeles to try and befriend her in real life. Cast: Aubrey Plaza, Elizabeth Olsen, O’Shea Jackson Jr., Wyatt Russell, Billy Magnussen. World Premiere

Landline / U.S.A. (Director: Gillian Robespierre, Screenwriters: Elisabeth Holm, Gillian Robespierre) — Two sisters come of age in ’90s New York when they discover their dad’s affair—and it turns out he’s not the only cheater in the family. Everyone still smokes inside, no one has a cell phone and the Jacobs finally connect through lying, cheating and hibachi. Cast: Jenny Slate, John Turturro, Edie Falco, Abby Quinn, Jay Duplass, Finn Wittrock. World Premiere

Novitiate / U.S.A. (Director and screenwriter: Maggie Betts) — In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church. Cast: Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron, Morgan Saylor. World Premiere

Patti Cake$ / U.S.A. (Director and screenwriter: Geremy Jasper) — Straight out of Jersey comes Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$, an aspiring rapper fighting through a world of strip malls and strip clubs on an unlikely quest for glory. Cast: Danielle Macdonald, Bridget Everett, Siddharth Dhananjay, Mamoudou Athie, Cathy Moriarty. World Premiere

Roxanne Roxanne / U.S.A. (Director and screenwriter: Michael Larnell) — The most feared battle MC in early-’80s NYC was a fierce teenager from the Queensbridge projects with the weight of the world on her shoulders. At age 14, hustling the streets to provide for her family, Roxanne Shanté was well on her way to becoming a hip-hop legend. Cast: Chanté Adams, Mahershala Ali, Nia Long, Elvis Nolasco, Kevin Phillips, Shenell Edmonds. World Premiere

To the Bone / U.S.A. (Director and screenwriter: Marti Noxon) — In a last-ditch effort to battle her severe anorexia, 20-year-old Ellen enters a group recovery home. With the help of an unconventional doctor, Ellen and the other residents go on a sometimes-funny, sometimes-harrowing journey that leads to the ultimate question—is life worth living? Cast: Lily Collins, Keanu Reeves, Carrie Preston, Lili Taylor, Alex Sharp, Liana Liberato. World Premiere

Walking Out / U.S.A. (Directors and screenwriters: Alex Smith, Andrew Smith) — A father and son struggle to connect on any level until a brutal encounter with a predator in the heart of the wilderness leaves them both seriously injured. If they are to survive, the boy must carry his father to safety. Cast: Matt Bomer, Josh Wiggins, Bill Pullman, Alex Neustaedter, Lily Gladstone. World Premiere

The Yellow Birds / U.S.A. (Director: Alexandre Moors, Screenwriters: David Lowery, R.F.I. Porto) — Two young men enlist in the army and are deployed to fight in the Iraq War. After an unthinkable tragedy, the returning soldier struggles to balance his promise of silence with the truth and a mourning mother’s search for peace. Cast: Tye Sheridan, Jack Huston, Alden Ehrenreich, Jason Patric, Toni Collette, Jennifer Aniston. World Premiere

U.S. DOCUMENTARY COMPETITION
Sixteen world-premiere American documentaries that illuminate the ideas, people and events that shape the present day.

Casting JonBenet / U.S.A., Australia (Director: Kitty Green) — The unsolved death of six-year-old American beauty queen JonBenet Ramsey remains the world’s most sensational child murder case. Over 15 months, responses, reflections and performances were elicited from the Ramsey’s Colorado hometown community, creating a bold work of art from the collective memories and mythologies the crime inspired. World Premiere

Chasing Coral / U.S.A. (Director: Jeff Orlowski) — Coral reefs around the world are vanishing at an unprecedented rate. A team of divers, photographers and scientists set out on a thrilling ocean adventure to discover why and to reveal the underwater mystery to the world. World Premiere. THE NEW CLIMATE

City of Ghosts / U.S.A. (Director: Matthew Heineman) — With unprecedented access, this documentary follows the extraordinary journey of “Raqqa is Being Slaughtered Silently”—a group of anonymous citizen journalists who banded together after their homeland was overtaken by ISIS—as they risk their lives to stand up against one of the greatest evils in the world today. World Premiere

Dina / U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story. World Premiere

Dolores / U.S.A. (Director: Peter Bratt) — Dolores Huerta bucks 1950s gender conventions by co-founding the country’s first farmworkers’ union. Wrestling with raising 11 children, gender bias, union defeat and victory, and nearly dying after a San Francisco Police beating, Dolores emerges with a vision that connects her newfound feminism with racial and class justice. World Premiere

The Force / U.S.A. (Director: Pete Nicks) — This cinema verité look at the long-troubled Oakland Police Department goes deep inside their struggles to confront federal demands for reform, a popular uprising following events in Ferguson and an explosive scandal. World Premiere

ICARUS / U.S.A. (Director: Bryan Fogel) — When Bryan Fogel sets out to uncover the truth about doping in sports, a chance meeting with a Russian scientist transforms his story from a personal experiment into a geopolitical thriller involving dirty urine, unexplained death and Olympic Gold—exposing the biggest scandal in sports history. World Premiere

The New Radical / U.S.A. (Director: Adam Bhala Lough) — Uncompromising millennial radicals from the United States and the United Kingdom attack the system through dangerous technological means, which evolves into a high-stakes game with world authorities in the midst of a dramatically changing political landscape. World Premiere

NOBODY SPEAK: Hulk Hogan, Gawker and Trials of a Free Press / U.S.A. (Director: Brian Knappenberger) — The trial between Hulk Hogan and Gawker Media pitted privacy rights against freedom of the press, and raised important questions about how big money can silence media. This film is an examination of the perils and duties of the free press in an age of inequality. World Premiere

Quest / U.S.A. (Director: Jonathan Olshefski) — For over a decade, this portrait of a North Philadelphia family and the creative sanctuary offered by their home music studio was filmed with vérité intimacy. The family’s 10-year journey is an illumination of race and class in America, and it’s a testament to love, healing and hope. World Premiere

STEP / U.S.A. (Director: Amanda Lipitz) — The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city. World Premiere

Strong Island / U.S.A., Denmark (Director: Yance Ford) — Examining the violent death of the filmmaker’s brother and the judicial system that allowed his killer to go free, this documentary interrogates murderous fear and racialized perception, and re-imagines the wreckage in catastrophe’s wake, challenging us to change. World Premiere

Trophy / U.S.A. (Director: Shaul Schwarz, Co-Director: Christina Clusiau) — This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities. World Premiere. THE NEW CLIMATE

Unrest / U.S.A. (Director: Jennifer Brea) — When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she sets out on a virtual journey to document her story—and four other families’ stories—fighting a disease medicine forgot. World Premiere

Water & Power: A California Heist / U.S.A. (Director: Marina Zenovich) — In California’s convoluted water system, notorious water barons find ways to structure a state-engineered system to their own advantage. This examination into their centers of power shows small farmers and everyday citizens facing drought and a new, debilitating groundwater crisis. World Premiere. THE NEW CLIMATE

whose-streets.jpgWhose Streets? / U.S.A. (Director: Sabaah Folayan, Co-Director: Damon Davis) — A nonfiction account of the Ferguson uprising told by the people who lived it, this is an unflinching look at how the killing of 18-year-old Michael Brown inspired a community to fight back—and sparked a global movement. World Premiere. DAY ONE

WORLD CINEMA DRAMATIC COMPETITION
Twelve films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles.

Axolotl Overkill / Germany (Director and screenwriter: Helene Hegemann) — Mifti, age 16, lives in Berlin with a cast of characters including her half-siblings; their rich, self-involved father; and her junkie friend Ophelia. As she mourns her recently deceased mother, she begins to develop an obsession with Alice, an enigmatic, and much older, white-collar criminal. Cast: Jasna Fritzi Bauer, Arly Jover, Mavie Hörbiger, Laura Tonke, Hans Löw, Bernhard Schütz. World Premiere

Berlin Syndrome / Australia (Director: Cate Shortland, Screenwriter: Shaun Grant) — A passionate holiday romance takes an unexpected and sinister turn when an Australian photographer wakes one morning in a Berlin apartment and is unable to leave. Cast: Teresa Palmer, Max Riemelt. World Premiere

Carpinteros (Woodpeckers) / Dominican Republic (Director and screenwriter: José María Cabral) — Julián finds love and a reason for living in the last place imaginable: the Dominican Republic’s Najayo Prison. His romance with fellow prisoner Yanelly must develop through sign language and without the knowledge of dozens of guards. Cast: Jean Jean, Judith Rodriguez Perez, Ramón Emilio Candelario. World Premiere

Don’t Swallow My Heart, Alligator Girl! / Brazil, Netherlands, France, Paraguay (Director and screenwriter: Felipe Bragança) — In this fable about love and memories, Joca is a 13-year-old Brazilian boy in love with an indigenous Paraguayan girl. To conquer her love, he must face the violent region’s war-torn past and the secrets of his elder brother, Fernando, a motorcycle cowboy. Cast: Cauã Reymond, Eduardo Macedo, Adeli Gonzales, Zahy Guajajara, Claudia Assunção, Ney Matogrosso. World Premiere

Family Life / Chile (Directors: Alicia Scherson, Cristián Jiménez, Screenwriter: Alejandro Zambra) — While house-sitting for a distant cousin, a lonely man fabricates the existence of a vindictive ex-wife withholding his daughter, in order to gain the sympathy of the single mother he has just met. Cast: Jorge Becker, Gabriela Arancibia, Blanca Lewin, Cristián Carvajal. World Premiere

Free and Easy / Hong Kong (Director: Jun Geng, Screenwriters: Jun Geng, Yuhua Feng, Bing Liu) — When a traveling soap salesman arrives in a desolate Chinese town, a crime occurs, and sets the strange residents against each other with tragicomic results. Cast: Gang Xu, Zhiyong Zhang, Baohe Xue, Benshan Gu, Xun Zhang. World Premiere

God’s Own Country / United Kingdom (Director and screenwriter: Francis Lee) — Springtime in Yorkshire: isolated young sheep farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker, employed for the lambing season, ignites an intense relationship that sets Johnny on a new path. Cast: Josh O’Connor, Alec Secareanu, Ian Hart, Gemma Jones. World Premiere

My Happy Family / Germany, Georgia, France (Directors: Nana & Simon, Screenwriter: Nana Ekvtimishvili) — Tbilisi, Georgia, 2016: In a patriarchal society, an ordinary Georgian family lives with three generations under one roof. All are shocked when 52-year-old Manana decides to move out from her parents’ home and live alone. Without her family and her husband, a journey into the unknown begins. Cast: Ia Shugliashvili, Merab Ninidze, Berta Khapava, Tsisia Qumsishvili, Giorgi Tabidze, Dimitri Oragvelidze. World Premiere

The Nile Hilton Incident / Sweden (Director and screenwriter: Tarik Saleh) — In Cairo, weeks before the 2011 revolution, Police Detective Noredin is working in the infamous Kasr el-Nil Police Station when he is handed the case of a murdered singer. He soon realizes that the investigation concerns the power elite, close to the President’s inner circle. Cast: Fares Fares, Mari Malek, Mohamed Yousry, Yasser Ali Maher, Ahmed Selim, Hania Amar. World Premiere

pop-aye.jpgPop Aye / Singapore, Thailand (Director and screenwriter: Kirsten Tan) — On a chance encounter, a disenchanted architect bumps into his long-lost elephant on the streets of Bangkok. Excited, he takes his elephant on a journey across Thailand in search of the farm where they grew up together. Cast: Thaneth Warakulnukroh, Penpak Sirikul, Bong. World Premiere. DAY ONE

Sueño en otro idioma (I Dream in Another Language) / Mexico, Netherlands (Director: Ernesto Contreras, Screenwriter: Carlos Contreras) — The last two speakers of a millennia-old language haven’t spoken in 50 years, when a young linguist tries to bring them together. Yet hidden in the past, in the heart of the jungle, lies a secret concerning the fate of the Zikril language. Cast: Fernando Álvarez Rebeil, Eligio Meléndez, Manuel Poncelis, Fátima Molina, Juan Pablo de Santiago, Hoze Meléndez. World Premiere

The Wound / South Africa (Director: John Trengove, Screenwriters: John Trengove, Thando Mgqolozana, Malusi Bengu) — Xolani, a lonely factory worker, joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. When a defiant initiate from the city discovers his best kept secret, Xolani’s entire existence begins to unravel. Cast: Nakhane Touré, Bongile Mantsai, Niza Jay Ncoyini. World Premiere

WORLD CINEMA DOCUMENTARY COMPETITION
Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today.

The Good Postman / Finland, Bulgaria (Director: Tonislav Hristov) — In a small Bulgarian village troubled by the ongoing refugee crisis, a local postman runs for mayor—and learns that even minor deeds can outweigh good intentions. North American Premiere

In Loco Parentis / Ireland, Spain (Directors: Neasa Ní Chianáin, David Rane) — John and Amanda teach Latin, English and guitar at a fantastical, stately home-turned-school. Nearly 50-year careers are drawing to a close for the pair who have become legends with the mantra: “Reading! ’Rithmetic! Rock ’n’ roll!” But for pupil and teacher alike, leaving is the hardest lesson. North American Premiere

It’s Not Yet Dark / Ireland (Director: Frankie Fenton) — This is the incredible story of Simon Fitzmaurice, a young filmmaker who becomes completely paralyzed from motor neurone disease but goes on to direct an award-winning feature film through the use of his eyes. International Premiere

Joshua: Teenager vs. Superpower / U.S.A. (Director: Joe Piscatella) — When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents. World Premiere

Last Men in Aleppo / Denmark, Syria (Directors: Feras Fayyad, Steen Johannessen) — After five years of war in Syria, Aleppo’s remaining residents prepare themselves for a siege. Khalid, Subhi and Mahmoud, founding members of The White Helmets, have remained in the city to help their fellow citizens—and experience daily life, death, struggle and triumph in a city under fire. World Premiere

Machines / India, Germany, Finland (Director: Rahul Jain) — This intimate, observant portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship. North American Premiere.

Motherland / U.S.A., Philippines (Director: Ramona Diaz) — The planet’s busiest maternity hospital is located in one of its poorest and most populous countries: the Philippines. There, poor women face devastating consequences as their country struggles with reproductive health policy and the politics of conservative Catholic ideologies. World Premiere

Plastic China / China (Director: Jiu-liang Wang) — Yi-Jie, an 11-year-old girl, works alongside her parents in a recycling facility while dreaming of attending school. Kun, the facility’s ambitious foreman, dreams of a better life. Through the eyes and hands of those who handle its refuse, comes an examination of global consumption and culture. International Premiere. THE NEW CLIMATE

RUMBLE: The Indians Who Rocked The World / Canada (Directors: Catherine Bainbridge, Alfonso Maiorana) — This powerful documentary about the role of Native Americans in contemporary music history—featuring some of the greatest music stars of our time—exposes a critical missing chapter, revealing how indigenous musicians helped shape the soundtracks of our lives and, through their contributions, influenced popular culture. World Premiere

Tokyo Idols / United Kingdom, Canada (Director: Kyoko Miyake) — This exploration of Japan’s fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies. World Premiere

WINNIE / France (Director: Pascale Lamche) — While her husband served a life sentence, paradoxically kept safe and morally uncontaminated, Winnie Mandela rode the raw violence of apartheid, fighting on the front line and underground. This is the untold story of the mysterious forces that combined to take her down, labeling him a saint, her, a sinner. World Premiere

the-workers-cup.jpgThe Workers Cup / United Kingdom (Director: Adam Sobel) — Inside Qatar’s labor camps, African and Asian migrant workers building the facilities of the 2022 World Cup compete in a football tournament of their own. World Premiere. DAY ONE

NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Digital technology paired with unfettered creativity promises that the films in this section will shape a “greater” next wave in American cinema. Presented by Adobe.

Columbus / U.S.A. (Director and screenwriter: Kogonada) — Casey lives with her mother in a little-known Midwestern town haunted by the promise of modernism. Jin, a visitor from the other side of the world, attends to his dying father. Burdened by the future, they find respite in one another and the architecture that surrounds them. Cast: John Cho, Haley Lu Richardson, Parker Posey, Rory Culkin, Michelle Forbes. World Premiere

dayveon.jpgDayveon / U.S.A. (Director: Amman Abbasi, Screenwriters: Amman Abbasi, Steven Reneau) — In the wake of his older brother’s death, 13-year-old Dayveon spends the sweltering summer days roaming his rural Arkansas town. When he falls in with a local gang, he becomes drawn to the camaraderie and violence of their world. Cast: Devin Blackmon, Kordell “KD” Johnson, Dontrell Bright, Chasity Moore, Lachion Buckingham, Marquell Manning. World Premiere. DAY ONE

Deidra & Laney Rob a Train / U.S.A. (Director: Sydney Freeland, Screenwriter: Shelby Farrell) — Two teenage sisters start robbing trains to make ends meet after their single mother’s emotional meltdown in an electronics store lands her in jail. Cast: Ashleigh Murray, Rachel Crow, Tim Blake Nelson, David Sullivan, Danielle Nicolet, Sasheer Zamata. World Premiere

A Ghost Story / U.S.A. (Director and screenwriter: David Lowery) — This is the story of a ghost and the house he haunts. Cast: Casey Affleck, Rooney Mara, Will Oldham, Sonia Acevedo, Rob Zabrecky, Liz Franke. World Premiere

Gook / U.S.A. (Director and screenwriter: Justin Chon) — Eli and Daniel, two Korean American brothers who own a struggling women’s shoe store, have an unlikely friendship with 11-year-old Kamilla. On the first day of the 1992 L.A. riots, the trio must defend their store—and contemplate the meaning of family, their personal dreams and the future. Cast: Justin Chon, Simone Baker, David So, Curtiss Cook Jr., Sang Chon, Ben Munoz. World Premiere

L.A. Times / U.S.A. (Director and screenwriter: Michelle Morgan) — In this classically styled comedy of manners set in Los Angeles, sophisticated thirtysomethings try to determine whether ideal happiness exists in coupledom or if the perfectly suited couple is actually just an urban myth. Cast: Michelle Morgan, Dree Hemingway, Jorma Taccone, Kentucker Audley, Margarita Levieva, Adam Shapiro. World Premiere

Lemon / U.S.A. (Director: Janicza Bravo, Screenwriters: Janicza Bravo, Brett Gelman) — A man watches his life unravel after he is left by his blind girlfriend. Cast: Brett Gelman, Judy Greer, Michael Cera, Nia Long, Shiri Appleby, Fred Melamed. World Premiere

Menashe / U.S.A. (Director: Joshua Z Weinstein, Screenwriters: Joshua Z Weinstein, Alex Lipschultz, Musa Syeed) — Within Brooklyn’s ultra-orthodox Jewish community, a widower battles for custody of his son. A tender drama performed entirely in Yiddish, the film intimately explores the nature of faith and the price of parenthood. Cast: Menashe Lustig. World Premiere

Person to Person / U.S.A. (Director and screenwriter: Dustin Guy Defa) — A record collector hustles for a big score while his heartbroken roommate tries to erase a terrible mistake, a teenager bears witness to her best friend’s new relationship and a rookie reporter, alongside her demanding supervisor, chases the clues of a murder case involving a life-weary clock shop owner. Cast: Abbi Jacobson, Michael Cera, Tavi Gevinson, Philip Baker Hall, Bene Coopersmith, George Sample III. World Premiere

Thoroughbred / U.S.A. (Director and screenwriter: Cory Finley) — Two teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. In the process, they learn that neither is what she seems to be—and that a murder might solve both of their problems. Cast: Olivia Cooke, Anya Taylor-Joy, Anton Yelchin, Paul Sparks, Francie Swift, Kaili Vernoff. World Premiere

Three films announced today were funded in part through Kickstarter campaigns: Dayveon, Gook and Unrest.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR,The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

sundance_logo

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home.

(Source: http://www.sundance.org)

PREMIERES, MIDNIGHT, KIDS, AND MORE: LATEST ADDITIONS TO 2017 SUNDANCE FILM FESTIVAL LINEUP

FOR IMMEDIATE RELEASE

Park City, UT— The final pieces of the 2017 Sundance Film Festival feature film program fall into place today, as Sundance Institute announces the lineup for Premieres, Documentary Premieres, Midnight, Spotlight, Kids and Special Events. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort January 19-29.

Three projects announced today are part of The New Climate, the Festival’s new environmental program: Rancher, Farmer, Fisherman (Documentary Premieres), Look & See: A Portrait of Wendell Berry (Spotlight) and RISE (Special Events).

screen-shot-2016-12-06-at-4-34-11-pm

John Cooper, Director of the Sundance Film Festival, said, “Some of the most pressing themes that we can trace through the Festival lineup — the environment, political upheaval, social change — are distilled to their very human essences in both comic and dramatic stories. These stories, and the conversations they spark, start here and will extend well beyond the mountain and the Festival in the months ahead.”

Trevor Groth, Director of Programming for the Sundance Film Festival, said, “Powerful visions of our times — past, present and future — resound throughout these sections. Inspired storytellers are shining a light on urgent issues or providing an exhilarating escape from them. From citizen journalists to robust and powerful roles for women — in front of and behind the camera — these projects are a testament to the force and value of the individual.”

Among the films that have premiered in these sections in recent years are Boyhood, Under The Shadow, Twenty Feet from Stardom, Captain Fantastic, The Lobster, Mistress America, Manchester By The Sea, Mapplethorpe: Look at the Pictures, Shaun the Sheep, O.J.: Made in America and The Jinx: The Life and Deaths of Robert Durst.

For a full list of films announced to date, including selections for the U.S. and World Competitions, NEXT and New Frontier, visit sundance.org/festival. The Short Film program announcement will be forthcoming.

PREMIERES
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year.

Beatriz at Dinner / U.S.A. (Director: Miguel Arteta, Screenwriter: Mike White) — Beatriz, an immigrant from a poor town in Mexico, has drawn on her innate kindness to build a career as a health practitioner. Doug Strutt is a cutthroat, self-satisfied billionaire. When these two opposites meet at a dinner party, their worlds collide and neither will ever be the same. Cast: Salma Hayek, John Lithgow. World Premiere

Before I Fall / U.S.A. (Director: Ry Russo-Young, Screenwriter: Maria Maggenti) — Samantha Kingston has everything. Then, everything changes. After one fateful night, she wakes up with no future at all. Trapped into reliving the same day over and over, she begins to question just how perfect her life really was. Cast: Zoey Deutch, Halston Sage, Logan Miller, Kian Lawley, Elena Kampouris, Diego Boneta. World Premiere

The Big Sick / U.S.A. (Director: Michael Showalter, Screenwriters: Emily V. Gordon, Kumail Nanjiani) — Based on the real-life courtship: Pakistan-born comedian Kumail and grad student Emily fall in love, but they struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail must navigate the crisis with her parents and the emotional tug-of-war between his family and his heart. Cast: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. World Premiere

Call Me by Your Name / Italy, France (Director: Luca Guadagnino, Screenwriters: James Ivory, Luca Guadagnino) — The sensitive and cultivated Elio, only child of the American-Italian-French Perlman family, is facing another lazy summer at his parents’ villa in the beautiful and languid Italian countryside when Oliver, an academic who has come to help with Elio’s father’s research, arrives. Cast: Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar, Esther Garrel, Victoire Du Bois. World Premiere

The Discovery / U.S.A. (Director: Charlie McDowell, Screenwriters: Charlie McDowell, Justin Lader) — In a world where the afterlife has just been scientifically proven—resulting in millions of people taking their own lives to get there—comes this love story. Cast: Jason Segel, Rooney Mara, Robert Redford, Jesse Plemons, Riley Keough, Ron Canada. World Premiere

Fun Mom Dinner / U.S.A. (Director: Alethea Jones, Screenwriter: Julie Rudd) — Four women, whose kids attend the same preschool class, get together for a “fun mom dinner.” When the night takes an unexpected turn, these unlikely new friends realize they have more in common than just marriage and motherhood. Together, they reclaim a piece of the women they used to be. Cast: Katie Aselton, Toni Collette, Bridget Everett, Molly Shannon, Adam Scott, Adam Levine. World Premiere

The Incredible Jessica James / U.S.A. (Director and screenwriter: Jim Strouse) — Jessica James, an aspiring NYC playwright, is struggling to get over a recent breakup. She sees a light at the end of the tunnel when she meets the recently divorced Boone. Together, they discover how to make it through the tough times while realizing they like each other—a lot. Cast: Jessica Williams, Chris O’Dowd, Keith Stanfield, Noël Wells. World Premiere. CLOSING NIGHT FILM

The Last Word / U.S.A. (Director: Mark Pellington, Screenwriter: Stuart Ross Fink) — Harriett is a retired businesswoman who tries to control everything around her. When she decides to write her own obituary, a young journalist takes up the task of finding out the truth, resulting in a life-altering friendship. Cast: Shirley MacLaine, Amanda Seyfried, Anne Heche, Thomas Sadoski, Philip Baker Hall. World Premiere

Manifesto / Germany (Director and screenwriter: Julian Rosefeldt) — Can history’s art manifestos apply to contemporary society? An homage to the twentieth century’s most impassioned artistic statements and innovators, from Futurists and Dadaists to Pop Art, Fluxus, Lars von Trier and Jim Jarmusch, this series of reenactments performed by Cate Blanchett explores these declarations’ performative components and political significance. Cast: Cate Blanchett. World Premiere

Marjorie Prime / U.S.A. (Director and screenwriter: Michael Almereyda) — In the near future—a time of artificial intelligence—86-year-old Marjorie has a handsome new companion who looks like her deceased husband and is programmed to feed the story of her life back to her. What would we remember, and what would we forget, if given the chance? Cast: Jon Hamm, Geena Davis, Lois Smith, Tim Robbins. World Premiere

Mudbound / U.S.A. (Director: Dee Rees, Screenwriters: Virgil Williams, Dee Rees) — In the post–World War II South, two families are pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad. This epic pioneer story is about friendship, heritage and the unending struggle for and against the land. Cast: Carey Mulligan, Jason Clarke, Jason Mitchell, Mary J. Blige, Garrett Hedlund, Jonathan Banks. World Premiere

The Polka King / U.S.A. (Director: Maya Forbes, Screenwriters: Maya Forbes, Wally Wolodarsky) — Based on the remarkable true story of the world’s only known Polka Ponzi scheme, this mix of comedy and tragedy is about Jan Lewan, a polish immigrant who believed in the American Dream. But with big dreams came big mistakes for the man who became the “King of Pennsylvania Polka.” Cast: Jack Black, Jenny Slate, Jason Schwartzman, Jacki Weaver, J.B. Smoove. World Premiere

Rebel in the Rye / U.S.A. (Director and screenwriter: Danny Strong) — This portrait of the life and mind of reclusive author J.D. Salinger goes from the bloody front lines of World War II to his early rejections and the PTSD-fueled writer’s block that led to his iconic novel, The Catcher in the Rye. Cast: Nicholas Hoult, Kevin Spacey, Sarah Paulson, Zoey Deutch, Hope Davis, Victor Garber. World Premiere

Rememory / U.S.A., Canada (Director: Mark Palansky, Screenwriters: Michael Vukadinovich, Mark Palansky) — A visionary inventor found dead. A machine that can record people’s memories. A man haunted by the past. This noir mystery explores the ways in which memory defines the present. Cast: Peter Dinklage, Julia Ormond, Martin Donovan, Anton Yelchin, Henry Ian Cusick, Evelyne Brochu. World Premiere

Sidney Hall / U.S.A. (Director: Shawn Christensen, Screenwriters: Shawn Christensen, Jason Dolan) — Over the course of 12 years, and three stages of life, Sidney Hall falls in love, writes the book of a generation and then disappears without a trace. Cast: Logan Lerman, Elle Fanning, Kyle Chandler, Michelle Monaghan, Nathan Lane, Margaret Qualley. World Premiere

Where is Kyra? / U.S.A. (Director: Andrew Dosunmu, Screenwriters: Andrew Dosunmu, Darci Picoult) — Pushed to the brink after losing her job, a woman struggles to survive. As the months pass and her troubles deepen, she embarks on a perilous and mysterious journey that threatens to usurp her life. Cast: Michelle Pfeiffer, Kiefer Sutherland. World Premiere

Wilson / U.S.A. (Director: Craig Johnson, Screenwriter: Daniel Clowes) — Wilson, a lonely, neurotic and hilariously honest middle-aged misanthrope, reunites with his estranged wife and gets a shot at happiness when he learns he has a teenage daughter he has never met. In his uniquely outrageous and slightly twisted way, he sets out to connect with her. Cast: Woody Harrelson, Laura Dern, Judy Greer. World Premiere

Wind River / U.S.A. (Director and screenwriter: Taylor Sheridan) — An FBI agent teams with the town’s veteran game tracker to investigate a murder that ocurred on a Native American reservation. Cast: Jeremy Renner, Elizabeth Olsen, Jon Bernthal. World Premiere

DOCUMENTARY PREMIERES
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries.

500 YEARS / U.S.A. (Director: Pamela Yates) — From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society. World Premiere

Cries from Syria / U.S.A., Syria, Czech Republic (Director: Evgeny Afineevsky) — This documentary attempts to recontextualize the European migrant crisis and ongoing hostilities in Syria, through eyewitness and participant testimony. Children and parents recount the revolution, civil war, air strikes, atrocities and ongoing humanitarian aid crises, in a portrait of recent history and the consequences of violence. World Premiere

Give Me Future: Major Lazer in Cuba / U.S.A., Cuba (Director: Austin Peters) — In the spring of 2016, global music sensation Major Lazer performed a free concert in Havana, Cuba—an unprecedented show that drew an audience of almost half a million. This concert documentary evolves into an exploration of youth culture in a country on the precipice of change. World Premiere

Legion of Brothers / U.S.A. (Director: Greg Barker) — Afghanistan, immediately post-9/11: Small teams of Green Berets arrive on a series of secret missions to overthrow the Taliban. What happens next is equal parts war origin story and cautionary tale, illuminating the nature and impact of 15 years of constant combat, with unprecedented access to U.S. Special Forces. World Premiere

Oklahoma City / U.S.A. (Director: Barak Goodman) — The bombing of the Alfred P. Murrah Federal Building in Oklahoma City in April 1995 is the worst act of domestic terrorism in American history; this documentary explores how a series of deadly encounters between American citizens and federal law enforcement—including the standoffs at Ruby Ridge and Waco—led to it. World Premiere

Rancher, Farmer, Fisherman / U.S.A. (Directors: Susan Froemke, John Hoffman, Beth Aala) — From the Montana Rockies to the wheat fields of Kansas and the Gulf of Mexico, families who work the land and sea are crossing political divides to find unexpected ways to protect the natural resources vital to their livelihoods. These are the new heroes of conservation, deep in America’s heartland. World Premiere. THE NEW CLIMATE

TAKE EVERY WAVE: The Life of Laird Hamilton / U.S.A. (Director: Rory Kennedy) — This is the remarkable story of an American icon who changed the sport of big wave surfing forever. Transcending the surf genre, this in-depth portrait of a hard-charging athlete explores the fear, courage and ambition that push a man to greatness—and the cost that comes with it. World Premiere

Tell Them We Are Rising: The Story of Black Colleges and Universities / U.S.A. (Director: Stanley Nelson) — A haven for Black intellectuals, artists and revolutionaries—and path of promise toward the American dream—Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for 150 years. For the first time ever, their story is told. World Premiere

This Is Everything: Gigi Gorgeous / U.S.A. (Director: Barbara Kopple) — Are there limits to your love for your family? One family’s acceptance is tested when a champion diver, destined for the Olympics, announces he’s transitioning into a woman—and invites his YouTube followers along for every moment. It’s a story about unconditional love and finding the courage to be yourself. World Premiere

Untitled Lucy Walker / Buena Vista Social Club Documentary / U.S.A., United Kingdom, Cuba (Director: Lucy Walker) — The musicians of the Buena Vista Social Club exposed the world to Cuba’s vibrant culture with their landmark 1997 album. Now, against the backdrop of Cuba’s captivating musical history, hear the band’s story as they reflect on their remarkable careers and the extraordinary circumstances that brought them together. World Premiere

MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour.

78/52 / U.S.A. (Director: Alexandre Philippe) — This is an unprecedented look at the iconic shower scene in Alfred Hitchcock’s Psycho, the “man behind the curtain,” and the screen murder that profoundly changed the course of world cinema. World Premiere

Bad Day for the Cut / Northern Ireland (Director: Chris Baugh, Screenwriters: Chris Baugh, Brendan Mullin) — A middle-aged Irish farmer, who still lives at home with his mother, sets off on a mission of revenge when the old lady is murdered. Cast: Nigel O’Neill, Susan Lynch, Józef Pawłowski, Stuart Graham, Anna Próchniak, Ian McElhinney. World Premiere

Bitch / U.S.A. (Director and screenwriter: Marianna Palka) — A woman snaps under crushing life pressures and assumes the psyche of a vicious dog. Her philandering, absentee husband is forced to become reacquainted with his four children and sister-in-law as they attempt to keep the family together during this bizarre crisis. Cast: Jason Ritter, Jaime King, Marianna Palka, Brighton Sharbino, Rio Mangini, Kingston Foster. World Premiere

Bushwick / U.S.A. (Directors: Cary Murnion, Jonathan Milott, Screenwriters: Nick Damici, Graham Reznick) — Lucy emerges from a Brooklyn subway to find that her neighborhood is under attack by black-clad military soldiers. An ex-Marine corpsman, Stupe, reluctantly helps her fight for survival through a civil war, as Texas attempts to secede from the United States of America. Cast: Dave Bautista, Brittany Snow, Angelic Zambrana, Jeremie Harris, Myra Lucretia Taylor, Arturo Castro. World Premiere

Killing Ground / Australia (Director and screenwriter: Damien Power) — Ian and Samantha arrive at an isolated campsite to find an SUV and a tent—with no sign of the occupants. The discovery of a distressed child wandering in the woods unleashes a terrifying chain of events that will test the young couple’s breaking point. Cast: Aaron Pedersen, Ian Meadows, Harriet Dyer, Aaron Glenane. International Premiere

Kuso / U.S.A. (Director: Steven Ellison, Screenwriters: Steven Ellison, David Firth, Zach Fox) — Broadcasting through a makeshift network of discarded televisions, this story is tangled up in the aftermath of Los Angeles’s worst earthquake nightmare. Travel between screens and aftershocks into the twisted lives of the survived. Cast: Iesha Coston, Zack Fox, Hannibal Buress, The Buttress, Tim Heidecker, Mali Matsuda. World Premiere

The Little Hours / U.S.A. (Director and screenwriter: Jeff Baena) — A young servant fleeing from his master takes refuge at a dysfunctional convent in medieval Tuscany. Cast: Alison Brie, Dave Franco, Kate Micucci, Aubrey Plaza, John C. Reilly, Molly Shannon. World Premiere. DAY ONE

XX / U.S.A. (Directors and screenwriters: Annie Clark, Karyn Kusama, Roxanne Benjamin, Jovanka Vuckovic) — This all-female horror anthology features four dark tales from four fiercely talented women. Cast: Natalie Brown, Melanie Lynskey, Breeda Wool, Christina Kirk. World Premiere

SPOTLIGHT
The Spotlight program is a tribute to the cinema we love from throughout the past year.

Colossal / U.S.A. (Director and screenwriter: Nacho Vigalondo) — An unapologetic party girl dreams of a fresh start only to discover a mysterious and fantastical connection between herself and a city-wrecking monster on the other side of the globe. Cast: Anne Hathaway, Dan Stevens, Jason Sudeikis, Tim Blake Nelson, Austin Stowell.

Frantz / France, Germany (Director: François Ozon, Screenwriters: François Ozon, Philippe Piazzo) — In a small German town after World War I, Anna mourns daily at the grave of her fiancé, Frantz, killed in battle in France. One day a young Frenchman, Adrien, also lays flowers at the grave. His presence, so soon after the German defeat, ignites passions. Cast: Pierre Niney, Paula Beer, Ernst Stötzner, Marie Gruber, Johann von Bülow, Anton von Lucke.

Lady Macbeth / United Kingdom (Director: William Oldroyd, Screenwriter: Alice Birch) — Rural England, 1865: Katherine is stifled by her loveless marriage to a bitter man and his unforgiving family. When she embarks on a passionate affair with a stableman from the estate, the force unleashed inside her is so powerful that she will stop at nothing to get what she wants. Cast: Florence Pugh, Cosmo Jarvis, Paul Hilton, Naomi Ackie, Christopher Fairbank. U.S. Premiere

Look and See: A Portrait of Wendell Berry / U.S.A. (Directors: Laura Dunn, Jef Sewell) — This cinematic portrait of the changing landscapes and shifting values of rural America in the era of industrial agriculture is seen through the mind’s eye of farmer and writer Wendell Berry. THE NEW CLIMATE

Raw / France (Director and screenwriter: Julia Ducournau) — When a young vegetarian undergoes a carnivorous hazing ritual at vet school, she develops an unbidden taste for meat, with unexpected consequences. Cast: Garance Marillier, Ella Rumpf, Rabah Nait Oufella, Laurent Lucas, Joana Preiss.

Sami Blood / Sweden (Director and screenwriter: Amanda Kernell) — Elle Marja, 14, is a reindeer-breeding Sámi girl. Exposed to race biology examinations at her boarding school and the racism of the 1930s, she starts dreaming of another life—one that demands she become someone else and break all ties with her family and culture. Cast: Lene Cecilia Sparrok, Mia Sparrok, Maj-Doris Rimpi, Olle Sarri, Hanna Alström, Malin Crépin. U.S. Premiere

Their Finest / United Kingdom (Director: Lone Scherfig, Screenwriter: Gaby Chiappe) — During the 1940 London Blitz, untried screenwriter Catrin struggles to find her voice amidst war, as she and a makeshift cast work under fire to create a film to lift the nation’s spirits—and inspire America to join the war. Cast: Gemma Arterton, Sam Claflin, Bill Nighy, Jack Huston, Jake Lacy, Jeremy Irons. U.S. Premiere

KIDS
This section of the Festival is especially for our youngest independent film fans. Programmed in cooperation with Utah Film Center, which presents the annual Tumbleweeds Film Festival, Utah’s premiere film festival for children and youth.

The Mars Generation / U.S.A. (Director: Michael Barnett) — Aspiring teenage astronauts reveal that a journey to Mars is closer than you think. World Premiere. SALT LAKE CITY OPENING NIGHT FILM

My Life as a Zucchini / Switzerland, France (Director: Claude Barras, Screenwriter: Céline Sciamma) — After his mother’s death, Zucchini is befriended by a police officer, Raymond, who accompanies him to a foster home filled with other orphans his age. There, with the help of his newfound friends, Zucchini eventually learns to trust and love as he searches for a new family of his own. World Premiere (English Version)

RED DOG: True Blue / Australia (Director: Kriv Stenders, Screenwriter: Daniel Taplitz) — When 11-year-old Mick is shipped off to his grandfather’s cattle station in Australia’s remote Pilbara, he prepares himself for a life of dull hardship but instead finds myth, adventure and a friendship with a scrappy, one-of-a-kind pup that will change his life forever. Cast: Levi Miller, Bryan Brown, Hanna Mangan-Lawrence, Thomas Cocquerel, Jason Isaacs. North American Premiere

SPECIAL EVENTS
One-of-a-kind moments highlighting new independent works that add to the unique Festival experience. An evolving section, this year includes episodic work, short films and live post-screening discussions.

Downward Dog / U.S.A. (Showrunners: Kat Likkel, John Hoberg, Creators: Michael Killen, Samm Hodges) — The story of a struggling millennial, Nan, as observed from the point of view of her lonely and philosophical dog, Martin. The Festival will premiere the first four episodes of the series, followed by an extended Q&A with the cast, creators and showrunners. Cast: Allison Tolman, Samm Hodges, Lucas Neff, Kirby Howell-Baptiste, Barry Rothbart. World Premiere

The History of Comedy / U.S.A. (Executive Producers: Mark Herzog, Christopher G. Cowen, Sean Hayes, Todd Milliner) — Utilizing archival footage punctuated by contemporary interviews with comedy legends and scholars, this is the history of not only what makes us laugh, but how comedy has affected the social and political landscape throughout history. The Festival will premiere two episodes of this docuseries, Spark of Madness and Going Blue, followed by an extended Q&A. World Premiere

I Love Dick / U.S.A. (Directors: Jill Soloway, Andrea Arnold, Kimberly Peirce, Executive Producers: Jill Soloway, Sarah Gubbins, Andrea Sperling, Victor Hsu) — Chris and Sylvere, a married couple in the intellectual community of Marfa, Texas, become obsessed with a charismatic artist named Dick. What follows is the unraveling of a marriage, the deification of a reluctant messiah and the awakening of the female gaze. The Festival will present the first three episodes of this Amazon original series, followed by an extended Q&A. Cast: Kevin Bacon, Kathryn Hahn, Griffin Dunne, Roberta Colindrez, India Menuez, Phoebe Robinson. World Premiere

RISE / Canada (Director and screenwriter: Michelle Latimer) — This vibrant and immersive documentary series explores the front lines of indigenous resistance. Episodes Apache Stronghold, Sacred Water and Red Power examine factors that threaten indigenous liberation in the 21st century. A series of contrasts, this series is both a condemnation of colonialism and a celebration of indigenous peoples. Continuing Sundance Institute’s ongoing commitment to presenting bold stories from within the Native American and Indigenous communities, we are proud to debut three episodes: Apache Stronghold, Sacred Water and Red Power, followed by an extended Q&A. World Premiere. THE NEW CLIMATE

Shots Fired / U.S.A. (Executive Producers: Gina Prince-Bythewood, Reggie Rock Bythewood, Brian Grazer, Francie Calfo) — After racially-charged shootings in a North Carolina town, an investigator digs into the cases alongside a special prosecutor. Together they seek justice while navigating the ensuing media attention and public unrest threatening the divided town. The Festival will premiere two episodes of this 10-hour series, followed by an extended Q&A. Cast: Sanaa Lathan, Stephan James, Helen Hunt, Richard Dreyfuss, Stephen Moyer, Mack Wilds. World Premiere

TIME: The Kalief Browder Story / U.S.A. (Director: Jenner Furst, Executive Producers: Jenner Furst, Shawn “Jay Z” Carter, Harvey Weinstein, David C. Glasser, Nick Sandow, Julia Willoughby Nason, Michael Gasparro) — After his arrest at age 16, Kalief Browder fought the system and prevailed, despite unthinkable circumstances. He became an American hero. The Festival will debut the first two episodes of this in-depth, humanizing look at a broken justice system, followed by an extended Q&A. World Premiere

Docuseries Showcase — The Festival is proud to debut individual episodes from two exciting new Netflix docuseries, featuring an extended Q&A with directors Morgan Neville and Rashida Jones.

  • Abstract: The Art of Design / U.S.A. (Director and executive producer: Morgan Neville) — A look beyond blueprints and computers into the art and science of design, showcasing great designers from every discipline whose work shapes our world. The Festival will debut one episode of the series, followed by an extended Q&A with Director and Executive Producer Morgan Neville. Cast: Christoph Niemann. World Premiere
  • Hot Girls Wanted: Turned On / U.S.A. (Director: Rashida Jones, “Women on Top,” Executive Producers: Rashida Jones, Ronna Gradus, Jill Bauer, Peter LoGreco) — Porn has gone mainstream; the question is, can we handle it? This exploration of the intersection of sex and technology is told through the stories of the people whose lives are defined by the current explosion of internet porn—whether they’re creating it, consuming it, or both. The Festival will debut one episode of the series, followed by an extended Q&A with Director and Executive Producer Rashida Jones. World Premiere

Independent Pilot Showcase — We are proud to present the world premieres of these outstanding pilot presentations, highlighting the best in episodic series work from the independent community.

  • Playdates / U.S.A. (Writers: Giles Andrew, Dan Marshall, Creators: Giles Andrew, Dan Marshall, Alex Bourne) — Uprooted from their Midwestern life, Bennett, a new stay-at-home dad, and Julie, a working mom, are forced to take their kids on playdates inside the elitist parenting culture of Silicon Beach. Cast: Paul Scheer, Carla Gallo, Miles Fisher, Craig Frank, Gemma Brooke Allen, Landon Gordon. World Premiere
  • Shit Kids / U.S.A. (Director and creator: Kyle Dunnigan) — The daughter of an earth-shatteringly boring couple, along with the son of an equally humdrum set of parents, have decided to plot their parents’ murders. Cast: Kyle Dunnigan, Kevin Berntson, Candace Brown, Margee Magee, Grace van Dien, Doug Noble. World Premiere
  • When The Street Lights Go On / U.S.A. (Director: Brett Morgen, Screenwriters: Eddie O’Keefe, Chris Hutton) — The residents of a small town grapple with the ruthless killing of a young girl and a teacher. Cast: Max Burkholder, Odessa Young, Adam Long, Ben Winchell, Kelli Mayo, Graham Beckel. World Premiere

Made in Cuba — We are proud to present these three cinematic and affecting Cuban short documentaries, reflecting Sundance Institute’s longstanding commitment to international artists. These films were guided by the Institute’s Documentary Film Program in collaboration with La Escuela Internacional de Cine y TV (EICTV) and The Guardian Multimedia Program.

  • Connection (Conectifai) / Cuba (Director: Horizoe Garcia Miranda) — ETECSA—Cuba’s only telephone company—installed Wi-Fi routers in 18 public parks in 2016. For many Cubans, this meant being able to go online for the first time. This film shows us how Cubans of all ages initially explore social media, online dating and more. U.S. Premiere
  • Great (Muy Bien) / Cuba (Director: Sheyla Pool Pástor) — The United States restored diplomatic relations with Cuba in 2015, making it no longer unrealistic for Cubans to dream of one day living and working abroad. Cubans of all ages and diverse aspirations enroll at the makeshift Big Ben English school in Havana. U.S. Premiere
  • House for Sale (Casa en Venta) / Cuba (Director: Emanuel Giraldo Betancur) — After more than 50 years, the ban on individuals in Cuba selling their houses was lifted in 2011. Three Cubans invite us into their homes—full of memories, souvenirs and family members—to hear their “sales pitch.” U.S. Premiere

Midnight Episodic Showcase — For the after-dark crowd, we present the world premieres of two thrilling new episodic additions to our Midnight lineup: Pineapple, from Adaptive Studios, and Snatchers, from Stage 13, followed by an extended Q&A with the creators of both series.

  • Pineapple / U.S.A. (Director and writer: Arkasha Stevenson) — When a miner’s daughter is assaulted in the local coal mine, she utters only one word, leaving the town’s sheriff baffled. The event quickly spirals out of control, impacting the entire town. The Festival will premiere three short-form episodes of this uniquely cinematic drama series. Cast: Tyler Vickers, Kel Owens, Ron Gilbert, Gloria Vonn, Lucille Sharp, Brooklyn Robinson. World Premiere
  • Snatchers / U.S.A. (Directors: Stephen Cedars, Benji Kleiman, Screenwriters: Scott Yacyshyn, Benji Kleiman, Stephen Cedars) — After status-obsessed teen Sara has sex for the first time, she wakes up the next day nine months pregnant—with an alien. Turning to her nerdy ex-bestie, Hayley (the only person she can trust without ruining her reputation), they strive to put an end to all the carnage. The Festival will premiere eight short-form episodes of this otherworldly horror-comedy series. Cast: Mari Nepi, Gabrielle Elyse, Austin Fryberger, J.J. Nolan, Nick Gomez, Rich Fulcher. World Premiere

Short-Form Episodic Showcase — A celebration of the evolving landscape of content consumption, we present these short-form episodic series as new voices in the medium, defying broadcast boilerplates with a redefinition of traditional episodic conventions.

  • The Chances / U.S.A. (Director: Anna Kerrigan, Creators: Josh Feldman, Shoshannah Stern) — Best friends Kate and Michael, who are deaf, try their best to see their friendship through new changes in their lives, as Kate adjusts to being newly married and Michael attempts to get over his ex-boyfriend. The Festival will debut five episodes of this short-form episodic series. Cast: Josh Feldman, Shoshannah Stern, Aaron Costa Ganis, Lucas Near-Verbrugghe, Darryl Stephens, Wilson Cruz. World Premiere
  • Gente-fied / U.S.A. (Creator: Marvin Lemus, Executive Producers: Charles D. King, Aaliyah Williams, America Ferrera) — Seven characters deal with the effects of change in LA’s Boyle Heights. Bicultural millennials and old-school business owners hustle to create spaces that celebrate their Latino identities—even while faced with rent hikes, a housing crisis, and a steady stream of outsiders threatening to gentrify their barrio. The Festival will debut three episodes of this short- form episodic series. Cast: Edsson Morales, Alicia Sixtos, Victoria Ortiz, Yareli Arizmendi, Salvador Velez Jr, Rafael Sigler. World Premiere
  • Strangers / U.S.A. (Director: Mia Lidofsky, Executive Producers: Michael B. Clark, Alex Turtletaub, Jesse Peretz, Mia Lidofsky) — Isobel decides to rent out her spare bedroom in order to generate much-needed extra income after a messy and painful breakup. With the help of her best friend, she navigates the most emotionally, sexually and professionally complicated time of her life, while hosting a constant stream of new guests. The Festival will debut the first three episodes of this short- form episodic series. Cast: Zoë Chao, Meredith Hagner, Jemaine Clement, Breeda Wool, Matthew Oberg, Shiri Appleby. World Premiere

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern WildFruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshinesex, lies, and videotapeReservoir Dogs, Hedwig and the Angry InchAn Inconvenient TruthPrecious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

sundance_logo
Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

# # #
MEDIA CONTACT:
SPENCER ALCORN
310-360-1981
spencer_alcorn@sundance.org

SUNDANCE INSTITUTE ANNOUNCES SHORTS FOR 2017 SUNDANCE FILM FESTIVAL

DECEMBER 6, 2016  

FOR IMMEDIATE RELEASE                              

Park City, UT — Sixty-eight short films, announced today, will complement the lineup of longer fare at the 2017 Sundance Film Festival. The short film slate aligns thematically with other Festival categories, including Midnight and The New Climate, the Festival’s new programming strand highlighting climate change and the environment. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort January 19-29.

screen-shot-2016-12-06-at-3-57-00-pm

The Institute’s support for short films extends internationally and year-round. Select Festival short films are presented as a traveling program at over 50 theaters in the U.S. and Canada each year, and short films and filmmakers take part in regional Master Classes geared towards supporting emerging shorts-makers  in several cities. Sundance Institute’s Documentary Film Program, supported by the John D. and Catherine T. MacArthur Foundation and in partnership with The Guardian and The New York Times’ Op-Docs, provides grants to makers of documentary shorts around the world, including new filmmakers in Cuba featured in a Special Event program at this year’s Festival.

Mike Plante, Senior Programmer for the Sundance Film Festival, said, “Each year we see more short films from around the country and from more regions around the world, which is exciting as we want to discover new voices to support. This year’s crop captures the full spectrum of what short films can be: emotional, hilarious, horrifying and touching — sometimes all at once.”

Among the shorts the Festival has shown in recent years are World of Tomorrow, Thunder Road, Whiplash, The Tsunami and the Cherry Blossom, Gregory Go Boom and Edmond.

The Short Film program is presented by YouTube.

U.S. NARRATIVE SHORT FILMS

American Paradise / U.S.A. (Director and screenwriter: Joe Talbot) — A desperate man in Trump’s America tries to shift his luck with the perfect crime in this story inspired by true events.

Cecile on the Phone / U.S.A. (Director: Annabelle Dexter-Jones, Screenwriters: Annabelle Dexter-Jones, Ellen Greenberg) — Overwhelmed by doubt and confusion after her ex-boyfriend’s return to New York, Cecile embarks on a series of telephone conversations that serve only to distract her from the one conversation she really needs to have.

Come Swim / U.S.A. (Director and screenwriter: Kristen Stewart) — This is a diptych of one man’s day, half impressionist and half realist portraits.

GOOD CRAZY / U.S.A. (Director and screenwriter: Rosa Salazar) — A complex chick deals with a vanilla beau, a shitty brunch and a dead coyote all in a Los Angeles day. There’s batshit crazy and then there’s good crazy—she fits somewhere in between.

Hardware / U.S.A. (Director: Stephen Jacobson, Screenwriters: Ellen Stringer, Stephen Jacobson) — An amateur electronic-drum enthusiast travels to a housewares trade show looking to strike up the perfect business partnership. When things don’t go as planned, he finds himself at the mercy of the electronic drumbeat playing in his head.

Hold On / U.S.A. (Director and screenwriter: Christine Turner) — Family bonds are tested when a young man is left to care for his grandmother one morning.

Hot Seat / U.S.A. (Director and screenwriter: Anna Kerrigan) — Teenaged Andrea uses a male stripper to gain the respect and admiration of cool girl Daphne in this exploration of coming-of-age sexuality and teen girls’ complex relationships, based on a true story.

I Know You from Somewhere / U.S.A. (Director and screenwriter: Andrew Fitzgerald) — A young woman incurs the wrath of the internet after she inadvertently becomes a viral sensation.

Kaiju Bunraku / U.S.A. (Directors: Lucas Leyva, Jillian Mayer, Screenwriter: Lucas Leyva) — Here’s a day in the life of a husband and wife living in a world of giant monsters.

Laps / U.S.A. (Director and screenwriter: Charlotte Wells) — On a routine morning, a woman on a crowded New York City subway is sexually assaulted in plain sight.

LostFound / U.S.A. (Director: Shakti Bhagchandani, Screenwriters: Shakti Bhagchandani, Emre Gulcan) — This story portrays a day in the life of a woman in the Nation of Islam.

Lucia, Before and After / U.S.A. (Director and screenwriter: Anu Valia) — After traveling 200 miles, a young woman waits out Texas’s state-mandated 24-hour waiting period before her abortion can proceed.

New Neighbors / U.S.A. (Director and screenwriter: E.G. Bailey) — How far will a mother go to protect her children?

Night Shift / U.S.A. (Director and screenwriter: Marshall Tyler) — Get a glimpse into a day in the life of a bathroom attendant in a Los Angeles nightclub.

Rubber Heart / U.S.A. (Director: Lizzy Sanford, Screenwriters: Lizzy Sanford, Anna Cordell) — After a painful dry spell, a woman attempts to have a one-night stand.

Shinaab / U.S.A. (Director and screenwriter: Lyle Corbine) — A young Anishinaabe man struggles with his place in the inner city of Minneapolis.

Toru / U.S.A. (Directors and screenwriters: Jonathan Minard, Scott Rashap) — An infant’s life is transformed by a new technology.

INTERNATIONAL NARRATIVE SHORT FILMS

5 Films About Technology / Canada (Director and screenwriter: Peter Huang) — Take a satirical look at the dumber side of technology.

And so we put goldfish in the pool. / Japan (Director and screenwriter: Makoto Nagahisa) — One summer day, 400 goldfish were found in the swimming pool of a secondary school. This is a story about the four 15-year-old girls who put them there.

And The Whole Sky Fit In The Dead Cow’s Eye / Chile, U.S.A. (Director and screenwriter: Francisca Alegría) — Emeteria is visited by the ghost of her patrón, Teodoro. She believes he has come to take her to the afterlife—but he has more devastating news.

Dadyaa — The Woodpeckers of Rotha / Nepal, France (Directors and screenwriters: Pooja Gurung, Bibhusan Basnet) — Atimaley and Devi’s village is haunted by memories. When a dear friend leaves the village without saying goodbye, the old couple faces a dilemma: keep living with the memories or leave the village for good?

Dawn of the Deaf / United Kingdom (Director and screenwriter: Rob Savage) — When a strange sound wipes out the hearing population, a small group of deaf people must band together to survive.

Dear Mr. Shakespeare / United Kingdom (Director: Shola Amoo, Screenwriter: Phoebe Boswell) — An exploration of Shakespeare’s intentions when writing Othello explores the play’s racial themes in historical and contemporary settings, and draws wider parallels between immigration and blackness in the UK today.

The Geneva Convention / France (Director and screenwriter: Benoit Martin) — As Hakim is waiting for the bus after class, he is caught in a vendetta between teenagers. He’s not exactly keen to be involved, but can he avoid it?

HEAT / Poland (Directors and screenwriters: Agata Trzebuchowska, Mateusz Pacewicz) — A young boy does an unusual favor for a friend, assuming his identity to visit his senile grandmother. The woman takes him for a walk, and tells him about the biggest mystery of her life.

Kao Shi (A Test) / China (Director and screenwriter: Zuxiang Zhao) — In a small-town high school, days before the college entrance exam, teacher Chen Jun finds out that the father of his most promising student has died in a mining accident. Telling him—or not—bears heavy consequences.

MappaMundi / Austria (Director and screenwriter: Bady Minck) — Through the eyes of cosmic cartographers, the viewer takes a voyage through 950 million years of Earth history and 15,000 years of cartography. This accelerated journey visualizes the change in our world—a change unnoticeable in a single lifetime.

Mare Nostrum / France, Syrian Arab Republic (Directors: Rana Kazkaz, Anas Khalaf, Screenwriter: Rana Kazkaz) — On a Mediterranean shore, a Syrian father makes a decision that puts his daughter’s life at risk.

Pedro / Portugal (Directors and screenwriters: André Santos, Marco Leão) — Pedro gets home at dawn. Before the young boy falls asleep, his lonely mother drags him to the beach.

Slapper / Australia (Director: Luci Schroder, Screenwriters: Luci Schroder, Sam West) — A broke and rebellious teen navigates a suburban wasteland, hustling money for the morning-after pill—before it’s too late.

What Tears Us Apart / France (Director and screenwriter: Wei Hu) — A Chinese couple visits the daughter they gave up for adoption 30 years ago. While meeting the French adoptive parents, language barriers become apparent and the birth mother’s hidden emotions rise to the surface.

DOCUMENTARY SHORT FILMS

Alone / U.S.A. (Director: Garrett Bradley) — This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.

Bayard & Me / U.S.A. (Director: Matt Wolf) — Walter Naegle’s boyfriend, Bayard Rustin, was a famous civil rights activist 30 years Walter’s senior. In the 1980s, Bayard decided to adopt Walter for legal protection. This love story is about a time when gay marriage was inconceivable.

Close Ties / Poland (Director: Zofia Kowalewska) — Barbara and Zdzislaw will soon celebrate their 45th anniversary—despite their constant bickering, and the fact that Zdzislaw spent eight of those years living with another woman. This is a portrait of a relationship that, somewhat inexplicably, perseveres.

Deer Squad: The Movie / U.S.A. (Directors: Pipus Larsen, Kenneth Gug, Scott J. Ross) — Kelvin Peña, a charismatic 17-year-old from rural Pennsylvania, shares his story of going viral after befriending a group of wild deer in his backyard.

The Diver / Mexico (Director: Esteban Arrangoiz) — Julio César Cu Cámara is the chief diver in the Mexico City sewer system. His job is to repair pumps and dislodge garbage that flows into the gutters to maintain the circulation of sewage waters. THE NEW CLIMATE

Fish Story / United Kingdom (Director: Charlie Lyne) — Behind a fishy tale lies this search for the truth.

Hairat / Ethiopia (Director: Jessica Beshir) — This is a visual and lyrical exploration of the nightly ritual between a man in Eastern Ethiopia and his feral companions.

Legal Smuggling with Christine Choy / U.S.A. (Director: Lewie Kloster) — Academy Award–nominated documentary filmmaker Christine Choy undergoes an adventure of wild proportions when she accidentally smuggles cigarettes.

My Father’s Tools / Canada (Director: Heather Condo) — Stephen continues producing traditional baskets to honor his father and thus finds peace in his studio as he connects with the man who taught him the craft.

Project X / U.S.A. (Directors: Laura Poitras, Henrik Moltke) — A top secret handbook takes viewers on an undercover journey to the site of a hidden partnership. Based on NSA documents, this film reveals the inner workings of a windowless skyscraper in Manhattan.

The Rabbit Hunt / U.S.A. (Director: Patrick Bresnan) — On the weekends during the harvest season, 17-year-old Chris and his family hunt rabbits in the sugarcane fields of the Florida Everglades.

Ten Meter Tower / Sweden (Directors: Maximilien Van Aertryck, Axel Danielson) — People who have never been up a 10-meter diving tower must choose whether to jump or climb down in this entertaining study of people in a vulnerable position.

Tough / United Kingdom (Director: Jennifer Zheng) — New light is shed on childhood cultural misunderstandings when a Chinese mother and her British-born daughter speak as adults for the first time. Some things can only be understood with maturity.

Visions of an Island / U.S.A. (Director: Sky Hopinka) — Indigenous and foreign presences coexist on an Alaskan island in the center of the Bering Sea. THE NEW CLIMATE

Waiting for Hassana / Nigeria (Director: Ifunanya Maduka) — In 2014, 276 teenage girls came together for exams in Chibok, Nigeria—by dawn, nearly all had disappeared, and their school was burned to the ground. Jessica, an escapee, shares her haunting account of a friendship violently interrupted by Boko Haram.

White Riot: London / United Kingdom (Director: Rubika Shah) — In 1977, immigration divides Britain. What happens when a punk fanzine challenges the status quo?

MIDNIGHT SHORT FILMS

Do No Harm / New Zealand (Director and screenwriter: Roseanne Liang) — 3:00 a.m., 1980s Hongjing: In an aging private hospital, a single-minded surgeon is forced to break her physician’s oath when violent gangsters storm in to stop a crucial operation.

Fucking Bunnies / Finland (Director: Teemu Niukkanen, Screenwriters: Antti Toivonen, Teemu Niukkanen) — Raimo’s comfortable, middle-class bubble is burst when a Satan-worshipping sex cult moves in next door.

Hot Winter: A film by Dick Pierre / U.S.A. (Director: Jack Henry Robbins, Screenwriters: Jack Henry Robbins, Nunzio Randazzo) — One of the first films in American cinema to address climate change, Hot Winter: A film by Dick Pierre, was also a hardcore porno. All sex scenes have been removed as to not distract from the conscious message. THE NEW CLIMATE

A Nearly Perfect Blue Sky (Un ciel bleu presque parfait) / France (Director and screenwriter: Quarxx) — You might think that Simon lives a monotonous life, but you would be wrong—contrary to appearances, he doesn’t live alone among the ruins of an old farm. Between kidnapper and guardian angel, he never takes his eyes off his roommate.

Pussy / Poland (Director and screenwriter: Renata Gasiorowska) — Alone at home one evening, a young girl decides to have a solo pleasure session—but not everything goes according to plan.

The Robbery / U.S.A. (Director: Jim Cummings, Screenwriters: Jim Cummings, Dustin Hahn) — Crystal robs a liquor store—it goes pretty OK.

Summer’s Puke Is Winter’s Delight / Japan (Director and screenwriter: Sawako Kabuki) — Painful events become memories over time. Still, we vomit and eat again. Life is eco.

ANIMATED SHORT FILMS

The Bald Future / France (Director and screenwriter: Paul Cabon) — Being a bald man sucks. Knowing you’ll become one is worse.

Black Holes / U.S.A., France (Directors and screenwriters: David Nicolas, Laurent Nicolas) — Dave is about to lead the first mission to Mars when he’s teamed up with a sentient melon, who claims to be the reincarnation of a fashion designer, upstaging his big moment and driving him to the brink of madness.

Broken – The Women’s Prison at Hoheneck / Germany (Directors: Volker Schlecht, Alexander Lahl, Screenwriters: Alexander Lahl, Max Mönch) — This animated documentary about Hoheneck, the main women’s prison in former East Germany, is based on original interviews with former inmates. It’s a film about political imprisonment, forced labor and enormous profits on both sides of the Iron Curtain.

Drawn & Recorded: Teen Spirit / U.S.A. (Director: Drew Christie, Screenwriters: Drew Christie, Bill Flanagan) — This is the story behind one of the most iconic songs ever written, animated in the style of a pop-up book.

How’s your prostate? / France (Directors: Jeanne Paturle, Cécile Rousset, Screenwriters: Jeanne Paturle, Cécile Rousset, Cécile Mille) — One friend tells the other about the very strange time when, beside a swimming pool, she learned about her father’s prostate, his erectile function and his nighttime fantasies.

It’s a Date / U.S.A. (Director and screenwriter: Zachary Zezima) — This film explores miscommunication, perceptions and vulnerability in the modern world. Everyone is an alien at first.

Jonas and the Sea / Netherlands (Director: Marlies Van der Wel, Screenwriters: Ruben Picavet, Marlies Van der Wel) — Jonas has dreamed of living in the sea all his life, but it’s impossible. Or is it?

The Laughing Spider / Japan (Director: Keiichi Tanaami) — The early childhood memory of aerial attacks leaves a lasting impression, with strong stimulus and disquiet.

LOVE / France, Hungary (Director and screenwriter: Réka Bucsi) — Abstract haiku-like situations reveal the changing atmosphere on one planet caused by a meteoric impact in a distant solar system. Inhabitants on this pulsing planet become one with each other, in various ways, in this three-chapter exploration of affection.

Nighthawk / Slovenia, Croatia (Director: Špela Čadež, Screenwriters: Gregor Zorc, Špela Čadež) — Attempting to remove an unresponsive badger from a dark road, a police patrol soon realizes that the animal is not dead but rather dead drunk. Things take an even stranger turn when the creature wakes up.

Nutag — Homeland / Canada (Director and screenwriter: Alisi Telengut) — This hand-painted visual poem explores the ideas of diaspora, homeland and the mass deportations of the Kalmyk people during World War II.

Summer Camp Island / U.S.A., South Korea (Director and screenwriter: Julia Pott) — Oscar and his best friend, Hedgehog, just got dropped off at summer camp. Once the parents leave the island, the strangeness lurking beneath the surface is revealed—aliens exist, horses become unicorns and there are monsters under the bed.

Trumpet Man / Hong Kong (Director and screenwriter: Emily Wong) — A turntable springs out a woman named Avocado; her instinct creates a man called Soul. Passion swings both, and an uncertain madness strikes Soul heavily. Seeds of passion breed conflict among five men, eventually leading Soul to a deeper understanding of life.

Victor & Isolina / U.S.A. (Director: William Caballero) — Creatively visualized through 3D printing, two elderly Latinos embark on a resonating he said/she said account of the events that led them to live separately after more than 50 quirky and stressful years together.

One film announced today was funded through a Kickstarter campaign: Black Holes.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern WildFruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshinesex, lies, and videotapeReservoir Dogs, Hedwig and the Angry InchAn Inconvenient TruthPrecious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

# # #
CONTACT: SPENCER ALCORN
                       310-360-1981
                       SPENCER_ALCORN@SUNDANCE.ORG