The 21st Busan International Film Festival will show a total of 299 movies from 69 countries, and among them 122 films will premiere at the event, its organizers said Sunday.
The annual festival, which will open Thursday and run through Oct. 15, will show a wide variety of films ranging from critically acclaimed films to experimental movies and those made by female directors.
Under the World Cinema section, numerous award-wining films from the 2016 Cannes Film Festival will be featured. Among those are I, Daniel Blake by Ken Loach, It’s Only the End of the World by Xavier Dolan and Personal Shopper by Olivier Assayas.
A Window on Asian Cinema section also boasts a variety of films that have been highly acclaimed in Cannes. The list includes Ma‘ Rosa by Brillante Mendoza and The Salesman by Asghar Farhadi.
Korean-Chinese Zhang Lu’s A Quiet Dream will be screened as the opening movie. It is about a young Korean woman named Ye-ri who runs a bar and takes care of her paralyzed father. The Dark Wind by Hussein Hassan will be the closing movie.
For the Gala Presentation, four movies — Bleed for This by Ben Younger, Daguerrotype by Kiyoshi Kurosawa, Rage by Lee Sang-il, and Your Name by Makoto Shinkai — wait to meet cinemagoers in the southern port city of Busan.
Those who look for some experimental Korean movies should check out the following films: The Table by Kim Jong-kwan, Picture of Hell by Park Ki-yong and Jane By Cho Hyun-hoon.
Female directors’ works such as Desperate Sunflowers by Hitomi Kuroki and The Long Excuse by Miwa Nishikawa will also be screened.
Desperate Sunflowers is a directorial debut film by a well-known Japanese actress who starred in, most famously, Paradise Lost in 1997.
For those who consider themselves to be avid, patient film fans, try A Lullaby to the Sorrowful Mystery by Lav Diaz. The running time is 480 minutes. (Yonhap)
October 2, 2016 – Today’s White House Student Film Festival in Washington, DC, marked AFI’s third annual collaboration on the event, which inspires and celebrates young filmmakers from around the nation. AFI welcomed aspiring K–12 filmmakers to the White House to premiere their work for an audience of special guests and film artists from in front of and behind the camera, including Ty Burrell, Alfre Woodard and STRANGER THINGS creators Matt Duffer and Ross Duffer and star Millie Bobby Brown.
AFI is a founding partner of the festival, which took place this year preceding South by South Lawn, an elaborate outdoor event celebrating the arts to be held on Monday, October 3. As part of AFI’s ongoing mission to educate today’s audiences and tomorrow’s storytellers — a mandate that began when AFI was born in the White House Rose Garden in 1965 — participating filmmakers will continue to learn about the art form after the festival by working closely with AFI Conservatory alumni as mentors.
Open to K–12 student filmmakers, storytellers were encouraged to submit their short film based on this year’s festival theme, “The World I Want to Live In.” Thirteen finalist films were screened at the event, followed by a meet-and-greet with festival attendees. In line with this year’s theme of looking toward the future, and the festival’s annual spirit of innovation, Virtual Reality stations were also part of the experience for guests, filmmakers and their families.
Since the White House Student Film Festival inception in 2014, AFI has worked on President Barack Obama’s program as an advisor and producer, reviewing submissions and creating a celebration that includes educational opportunities for the selected young filmmakers. This year, that partnership continued as the White House Student Film Festival highlighted both the Administration’s commitment to public service and AFI’s ongoing mission to nurture the next generation of storytellers.
Terry Gilliam‘s longtime passion projectThe Man Who Killed Don Quixote has been delayed again. The writer-director was going to start shooting the film (for the second time) next week, but another unexpected curveball has been thrown in this troubled project’s direction. Gilliam called the most recent delay of his fantastical adaptation of Miguel de Cervantes’ novel “slight.”
What’s preventing Don Quixote from going before cameras this time? Money.
While speaking with Jonathan Ross on the BBC Radio 2 talk show (via Indiewire), Gilliam explained the delay:
“I was supposed to start to be shooting it starting next Monday. It’s been slightly delayed. I had this producer, a Portuguese chap, who claimed he’d get all the money together in time. And a few weeks ago, he proved that he didn’t have the money. So we are still marching forward. It is not dead. I will be dead before the film is.”
Back in March, it was reported Gilliam would begin principal photography on October 4th. The film, which will star Adam Driver and Michael Palin– (Monty Python), was said to have an $18 million budget. The Man Who Killed Don Quixote started to appear genuinely close to happening, but that still sounds like the case, despite the new delay. As Gilliam said, they’re marching forward.
A few months ago, the director’s plan was to have the film finished in time for next year’s Cannes Film Festival. He told reporters at this year’s fest he’s ready to get this movie out of his head and into the world (Source: Indiewire):
“We should be here in Cannes next year with the finished film, and then you can ask me why I made such a mess of it or why I made such a wonderful film. I think it’s going to be great…It’s one of those dream nightmares that never leave you until you finish the thing. I want to get this film out of my life so that I can get on with the rest of my life.”
If this recent delay is only momentary, Gilliam can probably still reach that 2017 Cannes premiere he wants. The last we saw of the filmmaker he was scouting locations for The Man Who Killed Don Quixote, which is set to co-star Olga Kurylenko, Stellan Skarsgård, and Joana Ribeiro. After 20 years of waiting, Terry Gilliam will, sadly, just have to wait a little bit longer complete The Man Who Killed Don Quixote.
La La Land, the sophomore feature follow-up by critically acclaimed Whiplash director, Damien Chazelle, is scheduled for a limited release beginning on December 9th. La La Land, an early favorite for Oscar nominations after strong showings at the Venice, Toronto and Telluride film festivals, is a musical drama about a jazz pianist who falls for an aspiring actress in Los Angeles, California. Ryan Gosling plays the jazz pianist, Sebastian while Emma Stone plays the aspiring actress/playwright Mia. Ms. Stone captured hearts at Venice receiving a Silver Lion for Best Actress for her role as Mia.In addition, La La Land won the coveted Audience Award at the Toronto Film Festival.
The official roll-out release remains scheduled for December 16th.
As wedding festivities get underway in a Bedouin village in Southern Israel, Jalila finds herself in the awkward position of hosting her husband Suliman’s marriage to a second, much younger wife. During the celebration, Jalila stumbles across her eldest daughter Layla’s involvement with a boy from her university—a strictly forbidden liaison that would shame the family. Burying the indignity of Suliman and his new bride living next door, Jalila also tries to contain Layla’s situation by clamping down on her. But Layla sees a different life for herself…
Written and Directed by Elite Zexer
Starring Khadija Alakel, Haitham Omari, Ruba Blal-Asfour, Lamis Ammar,
Country of Origin: Israel
Running Time: 87 min
Here’s what leading critics are saying:
“Critics’ Pick. Coursing with feeling – an ethnographic melodrama, rich in cultural specifics, but also universal longings.” – Alan Scherstuhl, Village Voice
“One of the most-admired films at this year’s Sundance. A lovely, deeply affecting film.” – Bilge Ebiri, New York Magazine
“A complex drama with characters to match. The choices (Zexer) makes in terms of visuals, tone and script establish her as a strong directorial presence.” – Kimber Myers, The Playlist
This year’s Tokyo International Film Festival is set to take place in less than a month, and two Chinese-language films are in the final competition for the top Tokyo Grand Prix.
The two films are Mr. No Problem by mainland director Mei Feng and Shed Skin Papa by Hong Kong director Roy Szeto. Mr. No Problem, shot in stylish black-and-white, is a three-act fable set in wartime Chongqing. It focuses on the indifferent rich, the head clerk on a farm, and some young intruders. Based on a 1943 short story, the film is screenwriter Mei Feng’s directorial debut and stars well known comedian and actor Fan Wei.
Comedy Shed Skin Papa calls to mind the tale of Benjamin Button. As a frustrated director faces debt and a divorce, his elderly father suddenly regains his youth. Elements of history and romance then unfold. Adapted from a play by Norihiko Tsukuda, the film stars Hong Kong actors Francis Ng and Louis Koo.
A total of sixteen films have been selected to compete for the highest honors in Tokyo. They also include Italy-France-Switzerland co-production Seven Minutes and After You’re Gone from Russia.
Established in 1995, the Tokyo International Film Festival is among the most competitive film festivals in Asia. This year’s event will open on October 25th and feature more than 200 films from around the world.
Manila (CNN Philippines Life) — Three years ago, Quezon City launched its first independent film festival, QCinema, as a platform for young and emerging filmmakers and, according to Mayor Herbert Bautista, to establish the city as a film capital like Bangkok and Hong Kong. The festival opened with three competition films, awarded with ₱500,000 post-production grants each. Over the years, it has expanded into a sprawling international film festival, not only producing some of the most memorable Filipino films in recent years, but opening its slate to Philippine premieres of international films from prestigious film festivals around the world such as Cannes, Locarno, and Berlin.
This year, the lineup includes diverse picks from around the world and a new competition program, “Asian New Wave,” featuring films from young filmmakers around the region.
The main competition slate features seven films from Filipino directors:
Ang Manananggal sa Unit 23B by Prime Cruz stars Ryza Cenon and Martin Del Rosario. The film is about a manananggal who falls in love with a brokenhearted boy.
Baboy Halas: Wailings in the Forest by Davao-based filmmaker Bagane Fiola features a Mindanaoan cast. It tackles the life of one of the last old Manobo families in the mountains of Mindanao and how they cope with some unusual changes in their environment.
Best. Partee. Ever. by first-time filmmaker Howard “HF” Yambao stars JC De Vera as a discreet gay man who spends five years in jail for drug pushing.
Hinulid by Kristian Sendon Cordero stars Nora Aunor as a woman who returns home in Cagbunga, Camarines Sur to bury her son in their village that is watched over by the Tolong Hinulid (Three Dead Christs). The cast is all Bikol.
Patay na si Hesus by Victor Kaiba Villanueva is a Cebuano comedy-drama which stars Jaclyn Jose as Isay, a single mother of a dysfunctional family who learns that her ex-husband, Hesus, has died.
Purgatoryo by Roderick Cabrido is about the death of Ilyong who is killed by the police after he was caught stealing. This sets a chain of events involving the complex relationship of gambling lord, a policeman, a funeral parlor owner, and her two helpers. The film stars Bernardo Bernardo and Arnold Reyes.
Women of the Weeping River by Sheron Dayoc is about Satra, a widow living in Southern Mindanao who befriends an aging woman in the village to help her hold peace talks with a rival family.
The short film competition has eight entries:
Hondo by Aedrian Araojo
If You Leave by Eduardo Dayao
Kung Saan May Naiwan by Joshua Joven and Kaj Palanca
Nang Lumipad ang Batang Agila by Mihk Vergara
Padating by Gabrielle Tayag
Papa’s Shadow by Inshallah Montero
Sayaw sa Butal by Victor Nierva
Viva Viva Escolta by Janus Victoria
The new competition program “Asian Next Wave” features six entries from filmmakers from China, Indonesia, Malaysia, Philippines, Singapore, and Thailand.
Aside from the competition films, the festival is also screening acclaimed films from international film festivals such as Ken Loach’s Palme D’Or winner I, Daniel Blake, João Pedro Rodrigues’s Locarno winner, The Ornithologist, and the animated film companion to Train to Busan, Seoul Station. Park Chan-wook’s Cannes shocker, The Handmaiden opens the film festival.A focus on acclaimed director Mike De Leon will feature his restored classics, Kakabakaba Ka Ba?,Kung Mangarap Ka’t Magising, and Hindi Nahahati ng Langit. Newly restored films Laurice Guillen’s Kasal? (1980) and Butch Perez’s Haplos (1982) will also premiere.
A screening of the Three Colors trilogy, Red, White, and Blue, will also be held on the 20th death anniversary of the Polish filmmaker Krzysztof Kieślowski.
The QCinema International Film Festival will be held on October 13 to 22.
*Featured image: Nora Aunor stars in Kristian Sendon Cordero’s Hinulid, a Circle Competition entry in this year’s QCinema International Film Festival. (Photo credit Hinulid Facebook page)