Why Does Sundance Institute Celebrate Indigenous Voices?

Posted by Larry Gleeson

By Adam Piron

We’re in a moment. As much as Indigenous people have always been carving their own ways throughout the dynamics of colonialism, the time we’re in now has been the result of generations of Indigenous people’s vigilance against being silenced. From the tribes of first contact to the current struggle of the Wet’suwet’en Nation’s land defenders, Indigenous people in North America (and everywhere) have remained steadfast in upholding their rights to control their own land and voices. It’s from this resilience that we’re still here and it’s by their collective strength that we continue to maintain the foundation we have.

At Sundance Institute’s Indigenous Program, our core values in how we support our artists have been rooted in that foundation and spirit of change. As filmmaker Darol Olu Kae recently stated in SEEN:

“When faced with the violent history of cinema and its logic of storytelling, Black, Brown, and Indigenous artists can’t afford to simply appropriate the prerogatives of white image-makers. We have a different kind of history that requires us to move differently…”

Whether it’s been the success of television series like Sterlin Harjo’s Reservation Dogs, Taika Waititi’s recent Oscar win, or Sky Hopinka’s I’ll Remember You as You Were, not as What You’ll Become, now currently on view at the Museum of Modern Art, Indigenous artists are continuing to forge new paths for not only what it means for us to make our own images, but also for the possibilities that this work creates for generations to come. As a program, we’re proud to support, uphold and celebrate all of our artists and alumni as they continue to add to that foundation and push forward.

In the continued spirit of celebrating Native American Heritage Month, my team and I also felt that in affirming our program’s support we ought to also share the values that inform the work that we do and why we celebrate the voices of our Indigenous artists and their communities. We hope you find them meaningful and that you continue to support and embolden Indigenous voices to tell their own stories.

Sundance Institute Indigenous Program’s Values Statement

Since the birth of the moving image, Native American communities have been mined for their imagery and stories but have rarely had creative control in the stories being told about their communities. This has resulted in the misrepresentation and invisibility of Native people in contemporary American popular culture and around the world. In the early years of Robert Redford’s involvement with the film and television industry, he noticed the absence of Native writers, directors, and personally began to mentor and support them to tell their own stories. In keeping with this early work, in 1981 Native American filmmakers were invited to participate in the founding meetings of Sundance Institute and its first filmmaking Lab. Thanks to our founder, this formed the commitment for the Sundance Institute to serve Native filmmakers in its work nurturing artists. Since then that commitment has grown to become a core program of the Institute, the Indigenous Program, and provides deep support and championing of Indigenous-created stories that have broadened to include supporting Indigenous filmmakers on a global scale.

The Indigenous Program has prioritized serving Native American filmmakers in the United States and North America with opportunities like the Merata Mita Fellowship being awarded to an Indigenous woman honoree selected from a global pool. The Institute’s Feature Film Program, Documentary Film Program, and Sundance Film Festival actively outreach to Indigenous artists and collaborate with the Indigenous Program to identify artists for support. Since its founding, the Sundance Institute has supported four generations of Indigenous artists who have firmly established our filmmaking community and created a significant body and canon of Cinema, and now the fifth generation is starting to emerge who we are beginning to invest in.

The Sundance Institute Indigenous Program honors and upholds the inherent Sovereignty of Tribal Nations and Indigenous Peoples. We respect and uphold that Sovereignty and the nuances of Indigenous cultures, kinship and community, and their right to determine belonging and citizenship. Throughout the Program’s history, and across Sundance Institute, this has remained a priority of our mandate of support for Indigenous storytelling. For Indigenous Peoples, the community comes in many forms and we recognize the shifting nature of community due to colonization and genocide that has impacted Indigenous peoples across the US and around the world in different ways.

Throughout the history of Sundance Institute and the Indigenous Program, we have maintained our commitment to supporting the voices of Indigenous artists and self-determination in storytelling. The Sundance Institute Indigenous Program works with Indigenous communities around the world from the Pacific, Australasia, Circumpolar Arctic, North America, and Latin America. Today, the artists and allies from these regions have contributed to a thriving global Indigenous Cinema community. In our work we emulate our core values of decolonizing the screen and uplifting the voices of Indigenous artists, recognizing that telling Indigenous stories comes with deep obligations and responsibilities towards Indigenous peoples, communities, and their Sovereignty.

(From Sundance.org)

New Date Set for AFI Life Achievement Award Tribute to Julie Andrews

Posted by Larry Gleeson

Gala Tribute To Take Place June 9, 2022

Tribute to Premiere on TNT and Encore on Turner Classic Movies

December 1, 2021

The American Film Institute announced today that the 48th AFI Life Achievement Award Gala Tribute celebrating Julie Andrews will take place June 9, 2022, at the Dolby Theatre in Los Angeles. The event was originally scheduled for 2020 but was postponed due to health and safety concerns. The air date for the premiere of the Emmy® Award-winning Tribute special on TNT and encore presentations on sister network Turner Classic Movies (TCM) will be announced at a later date.

Bob Gazzale, AFI President and CEO

“Julie Andrews has sent spirits soaring across generations,” said Bob Gazzale, AFI President and CEO. “This new date for her AFI Tribute enriches our anticipation to celebrate her in a manner worthy at a time the world needs it most.”

A legendary actress of both stage and screen, Andrews has enchanted and delighted audiences around the world with her uplifting and inspiring body of work. She continues to captivate viewers in front of the camera, with her remarkable wit, characteristic grace, and an incandescent and unmistakable voice all of her own — while also shining a light on humanitarian issues in her activism and philanthropic work.

A three-time Academy Award nominee, Andrews’ star turn in MARY POPPINS won her both a BAFTA and an Oscar®. From her early debut as Polly Browne in “The Boyfriend” to her critically acclaimed Eliza Doolittle in the Broadway hit “My Fair Lady” to her timeless performance as Maria von Trapp in THE SOUND OF MUSIC to her groundbreaking dual roles in the gender-bending VICTOR/VICTORIA, Andrews has proven herself an accomplished and versatile actress. Throughout an illustrious career that spans seven decades, she has won five Golden Globes, three Grammys®, and two Emmys® for projects infused with her incomparable charm and recognized for their ability to enthrall audiences worldwide. The critically lauded Andrews is also a Kennedy Center honoree, a Disney Legend inductee and the recipient of a SAG Life Achievement Award.

On stage and screen, she has delivered transcendent performances known for their elegance, artistry, and humor, with additional acting credits including “Camelot” (1960), THE AMERICANIZATION OF EMILY (1964), TORN CURTAIN (1966), HAWAII (1966), THOROUGHLY MODERN MILLIE (1967), STAR! (1968), 10 (1979), LITTLE MISS MARKER (1980), THE MAN WHO LOVED WOMEN (1983), DUET FOR ONE (1986), ENCHANTED (2007) and AQUAMAN (2018). She has also starred in multiple, successful franchises, including THE PRINCESS DIARIES 1 and 2 (2001); SHREK 2 (2004), SHREK THE THIRD (2007) and SHREK FOREVER AFTER (2010); and DESPICABLE ME (2010), DESPICABLE ME 3 (2017) and the upcoming MINIONS (2022). Recently, Andrews played a sharp-tongued gossip writer in Regency London in Shonda Rhimes’ Netflix series BRIDGERTON, marking her continued evolution as an actress and icon. Andrews’ second memoir, “Home Work: A Memoir of My Hollywood Years” — a follow-up to her successful 2008 New York Times Best Seller, “Home: A Memoir of My Early Years” — was released in 2019.

(Sourced from AFI News Release)