Tag Archives: Berlinale 2022

Successful Berlinale Flying the Flag for Cinema

Posted by Larry Gleeson


Successful Berlinale 2022: Flying the Flag for Cinema

 

On the last day of the festival, Berlinale director duo Mariette Rissenbeek and Carlo Chatrian bid farewell to the audience at the Cineplex Titania cinema © Sandra Weller / Berlinale 2022

 

The 72nd Berlin International Film Festival wrapped successfully with numerous audience screenings. On the last day of the festival, Berlinale director duo Mariette Rissenbeek and Carlo Chatrian bid farewell to the audience at the Cineplex Titania cinema (former Titania-Palast) – the very setting in which the festival was held for the first time in 1951.

Despite the ongoing pandemic, the Berlinale 2022 was able to take place as an in-person festival in compliance with a strict hygiene and security concept, and the organizers were delighted with the lively interest shown by the public and trade visitors. Due to the pandemic, only 50 percent of seats in the cinemas were occupied.  This stipulation was enthusiastically accepted and a total of 156,000 tickets were sold. The Berlinale also took to the spotlight as a media event.

 

Iris Berben featured on the Red Carpet and Big Screen at the 2022 Berlinale Opening Gala (Photo cr. Berlinale)

 

The 2022 festival took place in a different format: From February 10 to 16, film teams from abroad presented their films to the public and accredited audiences at the premieres.

On the evening of February 16, the festive Award Ceremony festive took place in the Berlinale Palast, culminating in the presentation of the Golden Bear to Alcarràs (director: Carla Simón). From February 17 to 20, the public had an opportunity to see the Berlinale films in repeat screenings during the “Publikumstage” (“audience days”).

 

Carlo Chatrian, left, and Mariette Rissenbeek

“The successful conclusion of the Berlinale 2022 gives us great pleasure and confidence for the future. Sharing a cultural experience is possible even in times of pandemic; indeed, it becomes especially important then. We intended to fly the flag for cinema with this year’s festival, and we were thrilled to receive so much support for this from audiences and filmmakers alike,” commented Mariette Rissenbeek and Carlo Chatrian.

 

While the festival was able to take place in person, the European Film Market (EFM), the Berlinale Co-Production Market, Berlinale Talents, and the WCF Day of the World Cinema Fund were realized primarily as online formats.

At the WCF Day on February 16, 2022, the panels and discussions focused on the development of funding and decolonization strategies. With its differentiated funding program, the World Cinema Fund has been working to promote cultural diversity, cooperation, sustainable development, and the promotion of cinema in regions with weak film infrastructures since 2004, and thus aims to contribute to the democratization of international filmmaking.

 

Check out the recording of WCF Day 2022!

 

In addition, 1,438 pre-arranged and specially planned individual meetings with interested co-producers and financiers took place at the Berlinale Co-Production Market for the feature film and series projects selected in 2022. Three cash prizes were awarded to new projects. The pitching events “Co-Pro Series” and “Books at Berlinale” as well as the talk formats were also very popular with the 574 participants. Alcarràs by Carla Simón was the second former Berlinale Co-Production Market project to win the Golden Bear. In 2019, the project had already won the Eurimages Co-Production Development Award.

The online edition of the European Film Market (EFM) of the 72nd Berlinale came to a successful conclusion on February 17 and Berlinale Talents also looked back on a successful 20th-anniversary edition.

The 73rd International Film Festival Berlin will take place from February 16 to 26, 2023.

 

(Press release provided by Berlinale Press Office)

Honorary Golden Bear for Isabelle Huppert at the upcoming 2022 Berlinale

Posted by Larry Gleeson

The Homage section of the 72nd Berlin International Film Festival will be dedicated to French film and stage actor Isabelle Huppert, who will be awarded an Honorary Golden Bear for lifetime achievement. In conjunction with the Award Ceremony on February 15, 2022, at the Berlinale Palast, the festival will screen as a Berlinale Special Gala À propos de Joan (About Joan, dir: Laurent Larivière). Huppert is often seen as one of the most versatile actors in the world and has played an impressive range of characters in almost 150 cinema and television productions.

Isabelle Huppert has been closely linked with the film festival for many years and has starred in seven Competition films to date. She was first a guest in Berlin with La vengeance d’une femme (A Woman’s Revenge, dir: Jacques Doillon). Director François Ozon cast her in his dark musical comedy 8 Femmes (8 Women) as an unprepossessing woman who emerges in the end as a confident beauty. The ensemble cast was awarded a Silver Bear for outstanding artistic accomplishment. In L’Avenir (Things to Come), she also plays a woman re-discovering her freedom as a philosophy teacher in a failing marriage. Director Mia Hansen-Løve won the Silver Bear as Best Director for the film.

 

Berlinale directors Carlo Chatrian, left, and Mariette Rissenbeek

“We are proud to welcome Isabelle Huppert back to the festival,” say Berlinale directors Mariette and Carlo Chatrian, “the Honorary Golden Bear may seem like a natural progression in a career without equal since Isabelle Huppert is one of the few artists recognized with acting awards at all major film festivals. But Isabelle Huppert is more than a celebrated actor — she is an uncompromising artist who doesn’t hesitate to take risks and flout mainstream trends. Awarding her our most prestigious prize is to accentuate cinema as an art form, independent and unconditional. We often see actors as tools in the hands of filmmakers, but Isabelle Huppert is a clear example that the dynamic can be a true exchange. Actors can be the true engine of creating not only emotions but also concepts of cinema.”

 

Isabelle Huppert (Photo cr. Phillip Gay/Berlinale)

 

Isabelle Huppert began studying acting at the age of 14, and later attended the Conservatoire nationale supérieur d’art dramatique in Paris.

She began her career on stage and made her screen debut with Faustine et le bel été (Faustine and the Beautiful Summer, dir: Nina Companeez). Huppert’s first appearance in an international production was in the film Rosebud (dir: Otto Preminger). Two years later, her starring performance as the shy young woman Béatrice in Claude Goretta’s La Dentellière (The Lacemaker) won her the BAFTA as Most Promising Newcomer.

Huppert early on came to the attention of a host of top filmmakers, such as Jean-Luc Godard and Bertrand Tavernier. Her first turn for Godard was as the star of his Sauve qui peut (la vie) (Every Man for Himself). Other world-renowned directors soon seized on Huppert’s diverse acting talents, including Olivier Assayas, Catherine Breillat, Patrice Chéreau, Claire Denis, Andrzej Wajda, and Joachim Trier, as well as American filmmakers such as Curtis Hanson, Hal Hartley, Ira Sachs, and David O. Russell. Italian filmmakers Paolo and Vittorio Taviani gave her the lead in their film Le affinità elettive (Elective Affinities) and she was part of the ensemble in Marco Bellocchio’s Bella Addormentata (Dormant Beauty).

Acclaimed French director Claude Chabrol cast Isabelle Huppert in a total of seven films, with each character as mutable and complex as the next, beginning with the title role in Violette Nozière. That garnered her first Palme D’Or for Best Actress at the Cannes film festival. Huppert and Sandrine Bonnaire played a pair of homicidal friends in the director’s La Cérémonie, a role that won her a César. Huppert’s final collaboration with Chabrol was her complex portrayal of a powerful judge in L’ivresse du pouvoir (Comedy of Power), which premiered in Competition at the Berlinale.

The actor’s film career has also been shaped by her work with Austrian director Michael Haneke, with whom she has made four movies. Her outstanding lead performance in his controversial 2001 drama La Pianiste (The Piano Teacher) brought her accolades as Best Actress in Cannes and at the European Film Awards, among others. Beginning with her appearance in Brillante Mendoza’s Captive, shown in Competition in Berlin, Huppert has increasingly worked with Asian directors. That same year, she was in Hong Sang-soo’s Da-reun na-ra-e-seo (In Another Country), playing three different women who all have the same name.

Huppert has also made successful films with other German-language directors and actors. She appeared alongside Hanna Schygulla in Storia di Piera (The Story of Piera) directed by Marco Ferreri. And she took on the lead as the nameless writer who increasingly loses touch with reality in the film adaptation of Ingeborg Bachmann’s Malina (dir: Werner Schroeter), winning the German Film Prize. She was top-billed in Swiss director Ursula Meier’s Home.

Isabelle Huppert has been nominated for the French film prize César more than any other actress in France and has twice won one. Her virtuoso acting style has also brought her two Palmes D’Or at Cannes. She has appeared in more than 20 films shown in competition there — yet another record. She won a Golden Globe as Best Actress for her work in the thriller Elle (dir: Paul Verhoeven). That role as a successful businesswoman who takes revenge on her rapist also resulted in her first Academy Award nomination.

In addition to her successful onscreen career, Isabelle Huppert also continues working on stage and has been awarded the Europe Theater Prize, among others. After premiering the French version of Orlando, she took to the stage under Robert Wilson’s direction once again as the glacial marchioness Merteuil in Heiner Müller’s Quartett. She was equally brilliant in Sarah Kane’s play 4.48 Psychosis staged by Claude Régy. Guest performance of that play in Berlin marked the first time that Huppert appeared on a German stage, entrancing audiences with her intense portrayal.

The French-German-Irish co-production À propos de Joan (About Joan) directed by Laurent Larivière, which stars Huppert alongside Lars Eidinger, will be released in Germany in 2022.

The Homage films:

La Dentellière (The Lacemaker), France / FRG / Switzerland, 1977, Claude Goretta
Sauve qui peut (la vie) (Every Man for Himself), France / Switzerland / FRG / Austria, 1980, Jean-Luc Godard
La Cérémonie, France / Germany, 1995, Claude Chabrol
La Pianiste (The Piano Teacher), France / Austria / Germany, 2001, Michael Haneke
8 Femmes (8 Women), France / Italy, 2002, François Ozon
L’Avenir (Things to Come), France / Germany, 2016, Mia Hansen-Løve
Elle, France / Germany / Belgium, 2016, Paul Verhoeven

The Homage is mounted under the aegis of the Deutsche Kinemathek.

(Sourced from Berlinale Press Release)