Category Archives: American Film Market

American Film Market, IFTA, television

IFTA Elections: New Chairperson & Board from STUDIOCANAL, Highland Film, More Announced

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Posted by Larry Gleeson

INDEPENDENT FILM & TELEVISION ALLIANCE® ANNOUNCES NEW CHAIRPERSON & BOARD OF DIRECTORS FOR 2025-2027 TERM

Paul Bales of The Asylum Elected Chair; Executives from  Artist View Entertainment, Entertainment Squad, Gleneagles Films, Highland Film Group, STUDIOCANAL, TPC and Vision Films added to Board

Los Angeles, CA – October 30, 2025 – The Independent Film & Television Alliance® (IFTA®), the global trade association for independent film and television production, finance, distribution, and sales companies, today announced the results of its annual elections of the Chairperson and Board of Directors for the 2025-2027 term.  The newly seated Board underscores IFTA’s ongoing commitment to leadership that advances the growth, strength, and global influence of the independent film and television industry.

Paul Bales

Paul Bales, Partner and Chief Operating Officer at The Asylum, has been elected Chairperson. Bales, who has served several terms on the IFTA Board since 2015, succeeds outgoing Chair Clay Epstein (Film Mode Entertainment) who served two consecutive 2-year terms.

Bales joins IFTA’s 15-member Board of Directors, along with seven IFTA member executives : Scott Bedno, Managing Director, Sales & Acquisitions, TPC, Shaked Berenson, CEO, Entertainment Squad, Scott Jones, President/CEO, Artist View Entertainment, Chloé Marquet, Head of International Sales, STUDIOCANAL, Delphine Perrier, COO, Highland Film Group, Lise Romanoff, Managing Director/CEO, Vision Films, and Michael Ryan, Director, Gleneagles Films. This marks the first term on the IFTA Board for Jones and Perrier.

Directors currently serving the second year of their two-year Board term are Brian Beckmann, CFO, Arclight Films,Caroline Couret-Delegue, Managing Director, Film Seekers Limited, Michael Dwyer, EVP, Worldwide Sales & Distribution, Resurgence Media Group, Michael Favelle, CEO, Odin’s Eye Entertainment, Diane Ferrandez, SVP, Worldwide Sales & Distribution, AGC Studios, George Hamilton, Chief Commercial Officer, Protagonist Pictures, and Alice Laffille, VP, International Sales, FilmNation Entertainment.

“I’m proud to serve as Chairperson and to continue IFTA’s vital work on behalf of the Independents,” said Bales. “These are challenging times for the industry, and I’m especially pleased to serve alongside such an experienced and thoughtful group of Directors, each possessing great instincts, knowledge, and the ability to persevere. Our members are the bedrock of a creative and innovative industry and IFTA is committed to supporting their efforts to get independent films made and to reach audiences around the world.”

“Paul’s deep understanding of our business and unwavering commitment to IFTA will make him an outstanding Chairperson,” said Jean Prewitt, IFTA President & CEO. “His leadership, together with our newly appointed Board, will be invaluable as we navigate both the ongoing challenges and new opportunities ahead. Their resilience continues to define what it means to be independent.”

Since 2006, Paul Bales has been the Chief Operating Officer and Partner at The Asylum, a production and distribution company based in Burbank, California. Since its founding in 1997, The Asylum has released more than 500 films and built a library of over 300 original productions, including top-rated series for Syfy and Netflix, and the Sharknadofranchise. Prior to joining The Asylum, Bales served as National Director of SAGIndie, the Screen Actors Guild outreach program for independent producers. Bales has been active with IFTA, having played a key role as an elected member of the Board of Directors throughout his career, most recently during the 2023–2025 term. He is also a long-time member of the Producers Guild of America and the Academy of Television Arts & Sciences.

About the Independent Film & Television Alliance
IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to its member companies in more than 20 countries consisting of independent production and distribution companies, sales agents, and financial institutions engaged in production finance. Each November, it produces the American Film Market, the world’s largest motion picture event, drawing thousands of industry leaders from 80 countries and leading to more than $1 Billion in distribution and film financing deals. IFTA also develops and publishes the IFTA Model Agreements which articulate the industry-wide standards and key definitions for licensing international rights in motion pictures and television programming and are reviewed and revised regularly to keep pace with the evolving worldwide film and television industry. For more information on IFTA, visit www.IFTA-online.org.

Media Contact:
Jennifer Garnick |VP, Communications
Independent Film & Television Alliance
jgarnick@ifta-online.org| +1.310.446.1006
AmericanFilmMarket.com | IFTA-online.org

#AFI, #AFIFEST, AFI DWW+, AFI FEST, AFI Life Achievement Award, AFI Movie Club, AFIDocs, American Film Institute, American Film Market

AFI FEST 2025 PRESENTED BY CANVA ANNOUNCES SPONSORS AND PARTNERS – OPENS ON WEDNESDAY, OCTOBER 22

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Posted by Larry Gleeson

AFI FEST 2025 PRESENTED BY CANVA ANNOUNCES SPONSORS AND PARTNERS FESTIVAL TO PRESENT OVER 160 FILMS
OPENS ON WEDNESDAY, OCTOBER 22

Tickets and Passes Available Online and at the AFI FEST Box Office During Festival

FOR IMMEDIATE RELEASE – Los Angeles, CA, October 20, 2025 — The American Film Institute (AFI) announced today the sponsors and partners for AFI FEST 2025 presented by Canva. This year’s festival runs from Wednesday, October 22 through Sunday, October 26 in Hollywood and the festival line-up includes 7 Red Carpet Premieres, 12 Special Screenings, 14 Luminaries selections, 15 Discovery films, 20 World Cinema selections, 15 Documentaries, 6 After Dark titles, 44 films in the Short Film Competition, and 23 films from the AFI Conservatory Showcase. There are 5 World Premieres, 5 North American Premieres and 5 U.S. Premieres.

Passes and tickets are available at FEST.AFI.com and at the AFI FEST Box Office located inside the TCL Chinese 6 Theatres Lobby during the festival. Sold-out screenings, including Red Carpet Premieres, will have a rush line.

“The worlds of art and entertainment are reliant on the support of those who believe, as AFI does, that film and festivals inspire a communal connection at a time we need them most,” said Bob Gazzale, AFI President & CEO.  “We are deeply grateful for the imperative support of our sponsors that ensure AFI FEST will lift the spirits of the tens of thousands of film lovers who are part of the AFI community.”

Canva returns as this year’s Presenting Sponsor for AFI FEST 2025 presented by Canva. The festival is proud to welcome an exceptional roster of Corporate Partners, including Official Water Partner FIJI Water, Premium Sponsor Apple Original Films, Northern Trust, AMC Networks, AT&T, Amazon MGM Studios, Netflix, and IMDbPro.

AFI FEST is delighted to welcome back AT&T, IMDbPro, Dell Technologies, and Stella Artois. The festival is also excited to welcome new sponsors Northern Trust, HitsBev, and Francis Ford Coppola’s Inglenook Wines.

AT&T returns with UNTOLD STORIES, its $1.2 million production grant program. Immediately following the screening of HONEYJOON—a winning project from the program—AT&T will host a discussion and invite filmmakers in the audience to submit applications for this prestigious grant opportunity.

IMDbPro returns as an AFI FEST sponsor and will host a portrait studio at the invite-only AFI FEST Filmmaker Party, empowering IMDbPro members in attendance with a complimentary professional headshot to enhance their industry presence. IMDbPro Premium members can add these and other images to their IMDb and IMDbPro name pages and select their primary and featured images as part of a suite of tools to manage and showcase their IMDb profile.

Building on last year’s successful workshop, Canva is hosting Design Without Limits: Panel and Workshop with Patty Jenkins and William Means on October 25 at 10:30am. AFI Alumni and collaborators on JUNKIE—screening at the Festival, October 26—director/screenwriter/producer William Means and executive producer Patty Jenkins will share their creative process and vision, from initial concept to final cut.

FIJI Water, the No. 1 premium imported bottled water in the U.S., proudly returns as the Official Water of AFI FEST. FIJI Water will once again appear at all red carpet premieres with its signature FIJI Water Bar, and throughout the festival, providing 500 mL bottles made from 100% recycled plastic (rPET) to keep attendees refreshed as they celebrate another year of exceptional achievements in film.

Northern Trust is the sponsor of the Red Carpet Premiere screening of JAY KELLY on October 23. AMC Networks is once again presenting the AFI Conservatory Showcase, scheduled for October 23-24.

This year’s In-Kind Sponsors include Panavision, Illuminar, Eventive, Ovation Hollywood, TCL Chinese Theatres, US Blanks, Cinegear and SirReel.

The Envelope by The Los Angeles Times is back as the festival’s Primary Media Partner and the Red Carpet Premieres Media Partner.

The Wall Street Journal, Variety, The Hollywood Reporter and ABC7 On the Red Carpet are Official Media Partners.

Affiliate Media Partners include TheWrap, IndieWire, Screen International, Los Angeles Magazine and KCRW.

The Official Media Partners and Affiliate Media Partners will each be presenting a dedicated Special Screening. The Wall Street Journal will present RENTAL FAMILY, Variety will present BUGONIA, The Hollywood Reporter will present TRAIN DREAMS, ABC7 On the Red Carpet will present IS THIS THING ON?, TheWrap will present REBUILDING, IndieWire will present THE CHRONOLOGY OF WATER, Screen International will present THE CHORAL and Los Angeles Magazine will present MERRILY WE ROLL ALONG.

This year’s Cultural Supporters include the European Languages and Movies in America (ELMA), Farhang Foundation, Japan House and SAGindie.

This year’s Community Partners are African Film Critics Association, Amoeba Music, Animation is Film, Antigravity Academy, Armenian Film Society, Asian American Media Alliance, ASIFA (Association International of Film Animation), BAFTA North America, Black Film Space, CalARTS, CAPE, The Cinegogue, Consulate General of France LA, Consulate General of Spain, Consulate of Belgium, Consulate of Croatia, Film Fatales, Film Independent, German Films Service, Ghetto Film School, GLAAD, Goethe Institute, GoldHouse, Hollywood Shorts, Italian Institute of Culture LA, LALIFF(Los Angeles Latino International Film Festival), Latino Filmmakers Network, International Documentary Association, Korean Cultural Center, LACMA, NALIP (National Association of Latino Independent Producers), New Filmmakers LA, Nimruz, Queer Film LA, Reframe, Revival Hub, SEEfest (South East European Film Festival), Trade Commission of Spain LA, Tramp Stamp Grannys, Undocumented Filmmakers Collective, USC Women of Cinematic Arts, VC Media, We The Latin, Women Independent Producers and Women in Film.

As previously announced, the festival will open with SPRINGSTEEN: DELIVER ME FROM NOWHERE and will close with the World Premiere of SONG SUNG BLUE.

JAY KELLY, NUREMBERG, DEAD MAN’S WIRE, CHRISTY and the World Premiere of THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS complete the Red Carpet Premieres section.

To learn more about AFI FEST and to view the full festival lineup visit FEST.AFI.com

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to FEST passes and exclusive one-of-a-kind opportunities at AFI FEST. To learn more, email Advancement@AFI.com.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

About AFI FEST
Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, X.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva
Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

Press contact: Shari Mesulam

Shari@themesulamgroup.com

American Film Institute

 

American Film Market

AMERICAN FILM MARKET® & MARCHÉ DU FILM ANNOUNCE COLLABORATION

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Posted by Larry Gleeson

AMERICAN FILM MARKET® & MARCHÉ DU FILM ANNOUNCE COLLABORATION ON NEW INNOVATION HUB AND AI PROGRAMMING FOR AFM 2025

The AFM Sessions to Feature Weapons’ Producers and Executives from Adobe, Asteria/Moonvalley, Blumhouse, Caviar, Cineverse, Largo.ai, Lyrical Games, Pressman Film, Revelations Entertainment, Screen Engine, UTA, Waypoint Entertainment, and More!

 

Los Angeles, CA – October 20, 2025 — The American Film Market® (AFM®) and Marché du Film today announced the two Markets are collaborating on the Innovation Hub and AI-focused programming at AFM 2025. Marche’s successful innovation focus, Cannes Next, was the catalyst for the two Markets to embrace this new initiative. The Innovation Hub will spotlight cutting-edge creative and business technology tools that support the development, financing, and production of content. Designed as both an exhibition and ideas forum, it will showcase companies at the intersection of creativity, commerce, and technology, connecting AFM attendees with innovators from across tech, media, and entertainment. AFM is set to return for its 46th edition to Los Angeles November 11–16, 2025, at the iconic Fairmont Century Plaza. As part of the collaboration, featured AI Sessions that will be presented include:

 

  • Visualizing the Future of Commercial Content: What AI Means for the Industry
    Thursday, Nov 13 | 11:00 AM – 12:00 PM
    Speakers include Darren Frankel, Head of Film & TV, Adobe; Scott Martin, Founder, Aspen IP Consulting LLC and former Deputy General Counsel, Paramount Pictures; and Lori McCreary, CEO, Revelations Entertainment

 

  • AI in Action: The Platforms Transforming Filmmaking – From Creation to Distribution

Friday, Nov 14 | 9:30 AM – 10:30 AM

Speakers include Will French, Head of Film & Television Finance, Fallbrook; Scott Greenberg, Co-Founder & Executive Chairman, Othelia Technologies; Bryn Mooser, Founder & CEO, Asteria and Co-founder, Moonvalley

In addition, AFM today announced the initial lineup of programming and speakers confirmed for The AFM Sessions presented by Wrapbook and IMDb Pro. Taking place alongside the sales and licensing activity, LocationExpo and Screenings, The AFM Sessions will bring together more than 100 thought leaders, experts and influencers for 30+ panels, workshops, and presentations examining the forces shaping the industry today and the future of film and content across four days (November 12–15).

 

 

Other key highlights of this year’s Sessions include:

Finance I – From Packaging to Payback: Investment, Incentives & International Markets

Wednesday, Nov 12 | 9:30AM – 10:30AM 

Speakers include Ryan Broussard, VP of Sales & Production Incentives, Wrapbook; Jeaneane Davey, Founder, Callisto Advisory, Inc.; Sam Pressman, CEO, Pressman Film; Josh Rosenbaum, Partner & Producer, Waypoint Entertainment

Finance II – How They Did It: Strategies That Brought Projects to Life

Thursday, Nov 13 | 9:30AM – 10:30AM 

Speakers include Mark Fasano, Partner and the CEO, Nickel City Pictures; Jeffrey Greenstein, Founder & CEO, A Higher Standard; Allison Hironaka, Head of Film & TV LA, Caviar; Laura Lewis, Founder & CEO, Rebelle Media

Level Up: The Evolving Relationship Between Filmmaking and Gaming

Thursday, Nov 13 | 1:00PM – 2:00PM 

Speakers include Russell Binder, Partner, Striker Entertainment; Amanda Krouse, Vice President of Business Development, Blumhouse; Blake Rochkind, Head of Lyrical Games, Lyrical; Patrick Sweeney, Founder, Interactive Entertainment Law Group

Dealmakers’ View: Inside Independent Film Sales and Today’s Global Marketplace

Thursday, Nov 13 | 3:00PM – 4:00PM

Speakers include Clay Epstein, President, Film Mode Entertainment; Kevin Goetz, Founder and CEO, Screen Engine; George Hamilton, Chief Commercial Officer, Protagonist Pictures; Steven C. Miller, Filmmaker (Line of Duty)

Fright Club: The Power Players Behind Modern Horror

Thursday, Nov 13 | 4:30PM – 5:30PM 
Speakers include Jake Carter, Agent, UTA, Jacob Jaffke, SVP, Oddball Entertainment (MaXXXine, Pearl); J.D. Lifshitz, Founder, BoulderLight Pictures (Weapons, Barbarian); Raphael Margules, Founder, BoulderLight Pictures (Weapons, Barbarian)

Latinos Navigating Hollywood: Challenges and Opportunities

Friday Nov 14 | 3:30PM – 4:30PM 

Speakers include Rafael Agustin, Writer (Jane the Virgin); Yolanda Macias, Chief Motion Pictures Officer, Cineverse; Robert Munoz, President, Mucho Mas Media; Anthony Nardolillo, Director (7th & Union, Chicago Med); Patricia Riggen, Director (G20, Dopesick)

The AFM Pitch Conference

Saturday, Nov 15 | 9:30AM – 12:30PM

Speaker/Judges include Cassian Elwes, Elevated Film Sales; Lee Jessup, Lee Jessup Career Coaching; Loni Rodgers, Independent Producer & Consultant

View the current Programming Lineup

AFM will again serve as the year’s most essential meeting point for the global independent industry — where projects are packaged, deals are made, and the business of film and series takes center stage. More than 260 exhibitors, including leading sales, production and finance companies, international trade organizations and national umbrella stands, and participants from more than 70 countries are already confirmed for AFM25, with additional companies still signing up daily. With distributors and buyers from 58 territories also confirmed, AFM is set for a full house. Exhibiting Companies include:

A24, AGC Studios, All Rights Entertainment, Altitude, Anton, Architect, Artedis SA – Cinema Arts, Ashland Media Finance, Bankside Films, Beta Cinema, Blue Fox Entertainment, Charades, CONTENTS PANDA, Cornerstone Films, Electric Entertainment, Epic Pictures Group, Embankment Films, Epsilon Film, Essential Film Group, Fantawild Animation, Film Factory Entertainment, Film Seekers, France TV Distribution, Gaumont, Global Constellation, GOODFELLAS, HanWay Films, Highland Film Group, K5 International, Kinology, Lionsgate, Mister Smith Entertainment, mk2 Films, Mokster Films, NEON, north.five.six, Pathé, Palisades Park Pictures, Protagonist Pictures, Pulsar Content, Reason 8 Films, RedRover Co., Ltd, Rocket Science, SND M6 Group, STUDIOCANAL, Studio TF1, The Match Factory, The Playmaker Munich, Toei Company, TrustNordisk, Unifrance, Vision Media, Voltage Pictures, WME Independent, WTFilms, XYZ Films, and many more.

 

 

About the American Film Market® (AFM®)
The AFM is where the global film and television business comes to life every November. The only independently produced international sales market, hundreds of finance, production, sales and distribution companies and thousands of professionals from every segment of the industry, convene at AFM for six days of discovery, development, deal making, networking, marketplace discussions and world-class conferences. The AFM is produced by the Independent Film & Television Alliance® (IFTA®) and serves as the annual fundraiser for the association.

About the Independent Film & Television Alliance® (IFTA®)
IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to independent companies around the world. 

About Marché du Film – Festival de Cannes

The Marché du Film, the business hub of the Festival de Cannes, is the world’s largest international gathering of film professionals, bringing together over 15,000 participants from around the world, including sales agents, producers, distributors, festival programmers and film institutions. Each year, the market hosts more than 1,500 exclusive screenings, 4,000 projects in development, and 250 industry events.
Website: www.marchedufilm.com

About Cannes Next


Cannes Next is the Marché du Film’s innovation-focused platform for business, networking, and exploring the future of entertainment. From AI to virtual production, immersive storytelling and other new technologies, Cannes Next dives deep into the tech trends and transformations that are shaping our industry.

Media Contact: Jennifer Garnick

VP, Communications & Programming

jgarnick@ifta-online.org | 310-446-100

 

 

#AFI, #AFIFEST, AFI DWW+, AFI FEST, AFI Life Achievement Award, AFI Movie Club, AFIDocs, American Film Institute, American Film Market, TCL Chinese Theatre, television

WORLD PREMIERE OF THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS SET FOR AFI FEST 2025 PRESENTED BY CANVA

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Posted by Larry Gleeson

WORLD PREMIERE OF THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS SET FOR AFI FEST 2025 PRESENTED BY CANVA

 

Patrick Star (Bill Fagerbakke) and SpongeBob SquarePants (Tom Kenny) in The Spongebob Movie: Search For Squarepants from Paramount Animation and Nickelodeon.

 

FOR IMMEDIATE RELEASE — Los Angeles, CA, September 18, 2025 – Today, the American Film Institute (AFI) announced that THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS from Paramount Animation and Nickelodeon Movies, in association with Domain Entertainment and MRC, will have its World Premiere at AFI FEST 2025 presented by Canva. Desperate to be a big guy, SpongeBob sets out to prove his bravery to Mr. Krabs by following The Flying Dutchman — a mysterious swashbuckling ghost pirate — on a seafaring comedy-adventure that takes him to the deepest depths of the deep sea where no Sponge has gone before. The family-friendly film, directed by Derek Drymon, will screen in the afternoon on October 26, the Closing Day of the festival, at the historic TCL Chinese Theatre as part of the Red Carpet Premieres section. Passes are available at FEST.AFI.com.

Bob Gazzale, AFI President and CEO

“If nautical nonsense be something you wish, then join AFI for the World Premiere of THE SPONGEBOB MOVIE:       SEARCH FOR SQUAREPANTS,” said Bob Gazzale, AFI President and CEO. “Spongebob is an American icon — absorbent and yellow and porous is he — and AFI is honored to host this celebration under the sea.”

 

The film features Tom Kenny, Clancy Brown, Rodger Bumpass, Bill Fagerbakke, Carolyn Lawrence, Mr. Lawrence, George Lopez, Isis “Ice Spice” Gaston, Arturo Castro, Sherry Cola with Regina Hall and Mark Hamill, and it will be released on December 19.

Making its Los Angeles debut with the feature is the new short film TEENAGE MUTANT NINJA TURTLES CHROME ALONE 2: LOST IN NEW JERSEY. From producers Seth Rogen, Evan Goldberg, James Weaver, Jeff Rowe, and Ramsay McBean and directed by Kent Seki, the film reunites audiences with the Turtle brothers from the 2023 feature TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM for a festive adventure. When a mysterious toy company seeks to profit off the turtles’ new hero status, the brothers follow the clues to New Jersey and make a shocking discovery in this all new original short.

The festival will take place October 22–26 at the TCL Chinese Theatres in the heart of Hollywood and feature a curated selection of Red Carpet Premieres, Special Screenings, World Cinema, Documentaries and Short Films.

As previously announced, Academy Award®-winning filmmaker Guillermo del Toro will serve as the Guest Artistic Director for this year’s festival, and the festival will open with SPRINGSTEEN: DELIVER ME FROM NOWHERE and will close with the World Premiere of SONG SUNG BLUE.

Passes to AFI FEST 2025 are now available for purchase online at FEST.AFI.com. Festivalgoers have the opportunity to purchase a Star Pass or upgrade to a Patron Pass. The AFI FEST Star Pass is a five-day pass with access to all screenings (excluding Red Carpet Premieres), early screening selection before individual tickets go on sale, priority theater access, entry to the festival lounge, invitation to the festival mixer to mingle with filmmakers and guests, a complimentary AFI FEST tote and free Rush Line access to all screenings. The AFI FEST Patron Pass features all the benefits of the Star Pass plus two tickets to all of the star-studded Red Carpet Premieres held at the historic TCL Chinese Theatre and priority screening selection before Star passholders.

The full festival lineup will be unveiled on September 30. Individual tickets will be available on October 6.

AFI FEST is recognized by the Academy of Motion Picture Arts and Sciences as a qualifying festival for the Live Action, Animated and Documentary Short Film categories for the annual Academy Awards®. AFI FEST is also a qualifying festival for consideration for the British Short Film categories of both the BAFTA Film Awards and the British Independent Film Awards (BIFA).

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to exclusive one-of-a-kind opportunities at AFI events, including AFI FEST. To learn more, email Advancement@AFI.com.

Canva, the all-in-one visual communication and collaboration platform, returns as the exclusive Presenting Sponsor of AFI FEST 2025. Designed to empower entertainment professionals to visualize their ideas into impactful film and TV projects, Canva will be integrated throughout AFI FEST including hosting industry networking events, hands-on training workshops for filmmakers, and powering the festival’s digital and printed materials. Entertainment professionals can explore resources to pitch projects, plan shoots, and bring creative visions to life at canva.com/entertainment.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

 

About AFI FEST

Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, Twitter.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva

Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

Press Contact: American Film Institute

Shari Mesulam, Shari@themesulamgroup.com

American Film Market, Hollywood, IDFA

AMERICAN FILM MARKET® RETURNS TO LOS ANGELES WITH STRONG GLOBAL MOMENTUM FOR 2025 EDITION NOVEMBER 11-16

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With Exhibition Space Selling Rapidly, Leading Production, Sales, and Buying Companies from Over 60 Countries Have Registered

American Film Market makes its highly anticipated return to Los Angeles at the Fairmont Century Plaza, November 11-16, 2025.

Los Angeles, CA – August 7, 2025 — The American Film Market® (AFM®) today announced the current lineup of participating Exhibitors for its 46th edition, taking place November 11–16, 2025, at the Fairmont Century Plaza in Los Angeles. With more than three months to go before AFM’s highly anticipated return to Los Angeles, Market organizers are seeing remarkable early interest and commitments from across the global film and television industry.

Exhibition space is already substantially sold, and production, sales, and buying companies from over 60 countries have registered to attend to date. This early momentum signals a renewed sense of optimism and engagement across the independent film and television industry, as well as highlights AFM’s enduring position for global players to gather to do business, network, present and screen completed films and works-in-progress and gain insights into the current marketplace.

AFM 2025 Exhibitors currently include leading international companies and organizations such as: 13 Films, AGC Studios, Altitude, Anton, Architect, The Asylum, Bankside Films, Beta Cinema, Blue Fox Entertainment, Charades, Cornerstone Films, Embankment Films, Entertainment Squad, Essential, Film Mode Entertainment, Filmax, Fortitude International, Gaumont, GOODFELLAS / Wild Bunch International, HanWay Films, Highland Film Group, K5 International, Kinostar, Lionsgate, The Match Factory, Myriad Pictures, NEON, north.five.six, Pathé Films, Protagonist Pictures, SND M6 Group, STUDIOCANAL, STUDIO TF1, TrustNordisk, Upgrade, The Veterans, Vision Films, UMG / Lakeshore, Voltage Pictures, WME Independent, and XYZ Films, among many others.

In addition, National Umbrella Stands hosting sales and production companies will represent countries including China, France, Germany, Italy, and Thailand, organized respectively by China Film Co-Production Corporation, Unifrance, German Films – Service + Marketing, the Italian Trade Agency with the DGCA Ministry of Culture, and Thailand’s Department of International Trade Promotion (DITP).

AFM Screenings will take place just steps away from the Fairmont Century Plaza at the AMC Century City 15, offering a premium theatrical setting for showcasing films and presentations to Buyers and industry professionals.

Alongside the Market, AFM’s LocationEXPO® is expanding this year, reflecting increased demand from national and regional film commissions, production service companies, and attendees seeking global production support, shooting locations, and incentives.

AFM 2025 will also feature the return of its highly regarded conference series, The AFM Sessions.Spanning four full days, the program will bring leading voices from across the global industry to its stages to explore the trends and technologies shaping the film and television landscape — from development through distribution. Speakers and additional session details will be announced in the coming weeks.

For the current list of AFM Exhibitors, visit:https://exhibitors.americanfilmmarket.com/exhibitor-list-2025/

For the initial schedule for The AFM Sessions, visit:

The AFM Sessions


For more information on AFM and to register, visit: americanfilmmarket.com

# # #

About the American Film Market® (AFM®)
The AFM is where the global film and television business comes to life every November. The only independently produced international sales market, hundreds of finance, production, sales and distribution companies and thousands of professionals from every segment of the industry, convene at AFM for six days of discovery, development, deal making, networking, marketplace discussions and world-class conferences. The AFM is produced by the Independent Film & Television Alliance® (IFTA®) and serves as the annual fundraiser for the association.

About the Independent Film & Television Alliance® (IFTA®)
IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to independent companies around the world. 


Media Contact:

Jennifer Garnick | VP, Communications & Programming

Independent Film & Television Alliance

jgarnick@ifta-online.org | +1.310.446.1006

AmericanFilmMarket.com | IFTA-online.org

American Film Market

AMERICAN FILM MARKET® EXHIBITORS SHOW STRONG EARLY SUPPORT FOR INAUGURAL 2024 LAS VEGAS EVENT

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Palms Casino Resort, Las Vegas, Nevada, home of the 2024 American Film Market.

Los Angeles, CA – July 15, 2024 — The American Film Market® (AFM®) today announced the current lineup of participating Exhibitors for its upcoming 45th edition, scheduled for November 5-10, 2024. This year marks a significant milestone as the AFM relocates to the Palms Casino Resort in Las Vegas for the first time.

With AFM still four months away, Exhibitor registrations are surging, with early sign-ups far surpassing previous years. Currently, 145 sales, production, and distribution companies, along with international trade organizations, film commissions, and national umbrella stands from 25 countries have secured spaces in The Palms’ Fantasy Tower, AFM’s designated hub. The ongoing influx of Exhibitor commitments establishes serious momentum for the Las Vegas show and indicates that AFM 2024 will exceed recent participation levels.

Exhibitors to date include major international companies and organizations such as A24, AGC Studios, Altitude Film Sales, Anton, Arclight Films, The Asylum, Bankside Films, Black Bear Pictures, Blue Fox Entertainment, Charades, Cinema Management Group, CJ ENM, Cornerstone, Embankment Films Limited, The Exchange, Fantawild Animation Inc., Film Factory Entertainment, Film Mode Entertainment, Film Seekers, FilmNation, Gaumont, GOODFELLAS /Wild Bunch International, HanWay Films, Highland Film Group, Inc., Indie Rights, Lakeshore, Lionsgate, Myriad, NEON, Pathé Films, The Playmaker Munich, Protagonist Pictures, STUDIOCANAL, Telepool GmbH, The Match Factory, Trust Nordisk, Unifrance, The Veterans, Vision Films, Inc., Voltage Pictures, WestEnd Films, WME Independent, and XYZ Films, among many others. 

Buyer and Attendee participation is also running strong since registration opened in mid-June, with participants from 45 countries already registered. Organizers estimate total participation to come from more than 80 countries. 

Early commitments from Exhibitors and Buyers underscores the event’s global significance and returning confidence in the business.  The convenience of hosting all participants and Market activities in a single location, including AFM Screenings at The Palms’ Brenden Theatres and The AFM Sessions, also is welcomed by Exhibitors and Buyers alike. 

AFM 2024 will be a landmark event for global content, offering unparalleled opportunities for discovering the newest independent film and TV productions and projects and an energetic and efficient environment for business transactions, networking, knowledge sharing, and educational opportunities. Further details about AFM Exhibitors and the comprehensive event schedule, conferences and speakers will be announced in the coming weeks and months.

For the Current List of AFM Exhibitors, visit:americanfilmmarket.com/exhibitor-list-2024

For More Information on AFM and to Register, visit: americanfilmmarket.com.

About the American Film Market® (AFM®)

The AFM is where the global film and television business comes to life every November. The only independently produced international sales market, hundreds of finance, production, sales and distribution companies and thousands of professionals from every segment of the industry, convene at AFM for six days of discovery, development, deal making, networking, marketplace discussions and world-class conferences. The AFM is produced by the Independent Film & Television Alliance® (IFTA®) and serves as the annual fundraiser for the association.  

 

About the Independent Film & Television Alliance® (IFTA®)


IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to independent companies around the world. 

About Palms Casino Resort

Palms Casino Resort is a trailblazer as the first Las Vegas resort fully owned and operated by a Native American tribe, the San Manuel Band of Mission Indians. With 766 hotel rooms and suites across two towers, Palms offers a dynamic mix of bars and restaurants including the acclaimed steakhouse Scotch 80 Prime, the popular A.Y.C.E Buffet, and celebrity chef-driven eateries including Mabel’s BBQ by Chef Michael Symon and sky-high dining at Vetri Cucina from Chef Marc Vetri. Home to live entertainment venues, and unique lifestyle experiences within a redesigned 95,000-square-foot casino, amenities include free valet and self-parking, The Pearl (a 2,500-seat concert theater), Ghostbar Rooftop Lounge, The Spa & Salon, the Brenden Theatre 14-screen cinema, over 190,000 square feet of meeting space, and nearly 600 units at Palms Place condominiums. Sammy’s Island at Palms Pool, named after rock legend Sammy Hagar, offers island fun and laid-back vibes. Palms features innovative suites like the Hardwood Suite for basketball fans, the Kingpin Suite for bowling enthusiasts, and many more theme suites. The Sky Villa suites, with masterful artwork and private pools & terraces, with breathtaking views of the Strip provide unmatched luxury for unforgettable experiences. Located just west of the Las Vegas Strip off I-15 on Flamingo Road, Palms Casino Resort is owned by The San Manuel Gaming and Hospitality Authority (SMGHA), an affiliate of the San Manuel Band of Mission Indians. For more details, visit palms.com or the Palms Press Room. 

 

Press Release: Jennifer Garnick | VP, Communications, Independent Film & Television Alliance

American Film Market

AFM Announces Move to Las Vegas’ Palms for 2024

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Posted by Larry Gleeson

IFTA® ANNOUNCES AMERICAN FILM MARKET® MOVE TO LAS VEGAS’ PALMS CASINO RESORT FOR 2024 SHOW, NOVEMBER 5-10 

 

Companies Including Arclight Films, Blue Fox Entertainment, Cornerstone, Film Mode Entertainment, FilmNation Entertainment, HanWay Films, Lakeshore Entertainment, Millennium Media, Myriad Pictures, NEON, Protagonist Pictures, The Exchange, WME Independent & XYZ Films Already Committed as Exhibitors at the Palms for AFM24

 

Los Angeles, CA – March 8, 2024 — The Independent Film & Television Alliance® (IFTA®) and its Board of Directors today announced that the American Film Market® (AFM®), its industry flagship event, will relocate to Palms Casino Resort in Las Vegas for its 45th edition. Scheduled for November 5 to 10, 2024, this move marks a new chapter for AFM.

The American Film Market (AFM) will relocate to Palms Casino Resort in Las Vegas for its 45th edition, scheduled for November 5 to 10, 2024. (Photo Credit: Palms Casino Resort)

Held in Los Angeles and Santa Monica for over four decades, AFM is a cornerstone event for the independent entertainment industry. The decision to move AFM to Las Vegas comes after a multi-city search and careful consideration of the needs of AFM’s Exhibiting Sales Companies and Buyers and reflects IFTA’s dedication to creating the optimal environment where the global film and television industry can converge, collaborate, and conduct business seamlessly.

“After extensive research, discussions with the Board and invaluable feedback from stakeholders, this move underscores our determination to evolving AFM to meet today’s industry needs,” said Clay Epstein, IFTA Chairperson and President of Film Mode Entertainment. “The strength of the AFM lies in its ability to create community and present a sophisticated platform for all our participants’ activities in one convenient location. The Palms enables us to do all of that and beyond.”

Palms Casino Resort offers a wealth of modern facilities and conveniences, all in a single location for an enhanced market experience. Highlights include newly renovated rooms and suites for Exhibitor office space and guest rooms, the Brenden Theatres’ 14 screen state-of-the-art multiplex, and more than 170,000 square feet of dedicated conference, meeting, and event space.

Las Vegas presents easy travel options, including domestic and international flights from over 160 locations, and its close proximity to Los Angeles, with over 35 daily flights, expands the options and allows AFM participants easy stopovers. Furthermore, Las Vegas offers a wealth of dining, sleeping, entertaining, and shopping opportunities, providing added value for AFM participants.

Epstein further added, “This move to Las Vegas is generating support and enthusiasm from colleagues around the world and we are excited to welcome everyone to AFM 2024 in November.”

Major production, finance, sales and distribution companies, including Arclight Films, Blue Fox Entertainment, Blacktop International, Cinema Management Group, Cornerstone, The Exchange, Film Mode Entertainment, FilmNation Entertainment, Film Seekers, HanWay Films, A Higher Standard, Lakeshore Entertainment, Millennium Media, Myriad Pictures, NEON, Protagonist Pictures, The Asylum, The Solution Entertainment Group, Vision Films, WME Independent and XYZ Films have already committed to participating in AFM24 in the new Las Vegas Palms locale, underscoring the industry’s enthusiasm for this monumental move and the importance of AFM to their businesses.

Jean Prewitt, IFTA President & CEO commented:  “AFM was created by the Independents and remains the Independents’ market.  The industry has called for a fresh look at how the market can better serve a rapidly changing business.  The Board has made a monumental decision that allows us to better serve these needs.  We look forward to introducing everyone to the new AFM venue and its offerings.”

“We’re delighted to extend a warm welcome to the American Film Market,” said Cynthia Kiser Murphey, General Manager of Palms Casino Resort. “Our team members are committed to providing the Palms signature and personalized hospitality to each and every guest. The AFM’s needs and our offerings make for a perfect match and we look forward to hosting the AFM participants this November.”

As AFM prepares to make its debut in Las Vegas this Fall, further details will be unveiled in the coming weeks and months.

 

About the American Film Market® (AFM®)

The AFM is where the global film and television business comes to life every November. The only independently produced international sales market, hundreds of finance, production, sales and distribution companies and thousands of professionals from every segment of the industry, convene at AFM for six days of discovery, development, deal making, networking, marketplace discussions and world-class conferences. The AFM is produced by the Independent Film & Television Alliance® (IFTA®) and serves as the annual fundraiser for the association.

 

About the Independent Film & Television Alliance® (IFTA®)
IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to independent companies around the world.

 

About Palms Casino Resort

Palms Casino Resort is making history as the first resort in Las Vegas fully owned and operated by a Native American Tribe. Palms Casino Resort features two distinct towers with 766 hotel rooms and suites, a diverse mix of bars, restaurants, live entertainment venues, and immersive lifestyle experiences across a 95,000-square-foot reimagined casino. Offering free valet and self-parking, the resort also includes over 190,000 square feet of meeting, convention, and event space; the Pearl, a 2,500-seat theater; an expansive pool, The Spa & Salon at Palms; a wedding chapel; the Brenden Theatre 14-screen cinema and nearly 600 units at Palms Place condominiums.

Palms is located just west of the center of the Las Vegas Strip off I-15 on Flamingo Road. Palms Casino Resort is owned by The San Manuel Gaming and Hospitality Authority (“SMGHA”) an affiliate of the San Manuel Band of Mission Indians. For more information visit http://www.palms.com/ or the Palms Press Room. Follow Palms on social media Facebook Twitter Instagram.

 

Media Contact:
Jennifer Garnick | VP, Communications
jgarnick@ifta-online.org | 1+310.446.1006

 

 

#AFI, #AFIFEST, AFI FEST, American Film Market, Documentary, Feature Film

AFI FEST 2021 – Day 1

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Posted by Larry Gleeson

Meet the Press Film Festival in collaboration with AFI opens the first day of the 2021 AFI FEST. Meet the Press Film Festival highlights topics such as criminal justice reform, climate change, immigration and racial and gender bias. Along with the shorts, the festival also features live discussions with filmmakers, subjects, NBC News correspondents and anchors. These are excellent films with timely topics! Also available today virtually. Director of AFI Festivals, Michael Lumpkin on the Meet The Press Film Festival:

 

Michael Lumpkin, Director AFI Festivals

“We are all storytellers, whether as journalists or filmmakers, our job is the same. We share a commitment to bringing important truths to our audience — be it in a theater, on television or any other screen..

 

 

Julia

Julie Cohen’s deliberative documentary Julia on Julia Childs, the 20th Century American pioneer in the kitchen and out is an informative piece – well researched. The night belongs to the Jane Campion directed The Power Of the Dog as it makes its Red Carpet Premiere at the TCL Chinese Theatre – a “must-see” film for AFI FEST 2021.

The Power of the Dog

 

The Virtual Screenings make their premiere as well with the Meet the Press viewings available and the AFI Conservatory Showcase. Both are HollywoodGlee recommended selections. The short form is often overlooked, yet the stories are succinct, informative, while showcasing fresh voices and pertinent messaging.

Until next time, I’ll see you at the movies!

 

For ticketing and more information visit fest.afi.com.

#AFI, #AFIFEST, American Film Market, Film Festival

AFI FEST 2021: Feature Films Screening Virtually

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Posted by Larry Gleeson

AFI FEST 2021 is offering some of this year’s outstanding feature films and shorts programs virtually! Join in for AFI FEST 2021, Nov. 10-14, 2021. Learn more about the films below and visit FEST.AFI.com for more curated lists, filmmaker videos, and more.

CITIZEN ASHE

Following the virtual and theatrical screenings, watch a special conversation with director-producer Rex Miller and director Sam Pollard moderated by AFI FEST Programmer Julia Kipnis.

Born and raised in a segregated Virginia, Arthur Ashe rose to the top of the overwhelmingly white world of tennis in the 1960s to achieve many firsts as the most prevalent Black man in the sport. Reticent early in his career to address racial strife in America until the events of 1968, Ashe became an outspoken civil rights activist in the fight against racial discrimination, South African apartheid, and later the stigma surrounding HIV and AIDS. This insightful documentary includes exclusive interviews with Ashe’s family, Black activists, and tennis cohorts Billie Jean King and John McEnroe. With striking archival footage and previously unheard audiotapes, FEST alum Sam Pollard (SAMMY DAVIS, JR.: I’VE GOTTA BE ME) and Rex Miller’s latest film celebrates the inspirational life of this groundbreaking tennis champion and humanitarian. Learn more about the film.

Screening in-person |  November 13, 1:00 p.m. | Buy In-Person Ticket(s)

Virtual screening available beginning November 13, 12:00 p.m. PST | Buy Virtual Ticket(s)

THE FIRST WAVE

While we are living in a post-vaccinated and variant-driven pandemic, it is imperative to process this moment in history – this moment we are still collectively living in. Matthew Heineman’s THE FIRST WAVE documents one of New York City’s hardest-hit hospitals as the COVID-19 pandemic peaked in Spring 2020, with doctors, nurses, and patients fighting to survive. This powerful and intimate documentary reminds us how far we have come and how many lives have been affected. It is a therapeutic watch, forcing us to confront the harsh reality of the disease, creating space to grieve over our collective trauma and be an active witness to history. Learn more about the film. 

Screening in-person |  November 12, 4:00 p.m. | Buy In-Person Ticket(s)

Virtual screening available beginning November 12, 12:00 p.m. PST | Buy Virtual Ticket(s)

HIT THE ROAD

In this fascinating, standout debut from Panah Panahi, son of acclaimed Iranian filmmaker Jafar Panahi (TAXI, 3 FACES), an endearing yet frenzied family of four is on a mysterious road trip to an unknown destination. An overprotective mother, a nonchalant father, an anxious older brother, and a scene-stealing, rambunctious younger brother pack themselves and their sickly dog into an SUV as they traverse an expansive Iranian landscape. Brimming with charismatic performances and a darkly humorous family dynamic, Panahi takes us on an unforgettable journey that is as profound as it is absurdist. A breakout feature from a bold and assured new voice in world cinema. Learn more about the film.

Screening in-person |  November 13, 3:45 p.m. | Buy In-Person Ticket(s)

Virtual screening available beginning November 13, 12:00 p.m. PST | Buy Virtual Ticket(s)

PARIS, 13TH DISTRICT

Adapted from Adrian Tomine’s acclaimed graphic novel, PARIS, 13TH DISTRICT weaves a breezy tapestry of modern love stories. Beautifully realized in crisp black-and-white cinematography, the electrifying, multicultural 13th arrondissement sets the stage for a panoramic tale of four young lovers. Lucie Zhang delivers a breakout performance as free-spirited Émilie, who begins a casual relationship with her new roommate Camille (Makita Samba). Noémie Merlant (PORTRAIT OF A LADY ON FIRE) plays wide-eyed student Nora, whose new life in Paris is complicated when she is accidentally mistaken for cam girl Amber Sweet (Jehnny Beth). Stepping away from his usual genre fare, Jacques Audiard, along with script collaborators Céline Sciamma and Léa Mysius, brings to life the sprawling dreams of desire and human connection in the city of love. Learn more about the film.

Screening in-person |  November 11, 8:15 p.m.  | Buy In-Person Ticket(s)

Virtual screening available beginning November 11, 12:00 p.m. PST | Buy Virtual Ticket(s)

PETITE MAMAN

After the death of her grandmother, eight-year-old Nelly goes to her mother’s childhood home as her parent’s sort through the estate. Nelly explores the nearby woods where her mother, Marion, used to play as a child and finds the tree fort she’s heard stories about for years. After Nelly’s mother suddenly leaves the next morning, Nelly meets a girl her own age in the woods, building a fort. Following her masterpiece film PORTRAIT OF A LADY ON FIRE, Céline Sciamma crafts an enchanting and poetic coming-of-age story. Modest and poignant in its approach, PETITE MAMAN beautifully explores grief, memory, and imagination through a child’s eyes. Learn more about the film.

Screening in-person |  November 13, 1:15 p.m. | Buy In-Person Ticket(s)

Virtual screening available beginning November 13, 12:00 p.m. PST | Buy Virtual Ticket(s)

SIMPLE AS WATER

The impact of humanitarian crises knows no real borders. The Syrian civil war has devastated its people, causing refugees to migrate far and wide in an effort to survive. Academy Award®-winning director Megan Mylan (LOST BOYS OF SUDAN; SMILE PINKI) documents just a handful of the courageous families affected by the conflict and the efforts to rebuild their lives in new surroundings. From Germany, Greece, Turkey, and across the ocean to America, these families dream for a better future far away from the traumas caused in their homeland and endured during their treacherous journeys. SIMPLE AS WATER puts faces to a catastrophe that is often too extreme to put into any words. Learn more about the film. 

Screening in-person |  November 11, 4:30 p.m. | Buy In-Person Ticket(s)

Virtual screening available beginning November 11, 12:00 p.m. PST | Buy Virtual Ticket(s)

TO WHAT REMAINS

World Premiere

Over 200 aircraft were shot down over the island of Palau in the South Pacific during World War II. In the early 1990s, Dr. Pat Scannon went to Palau to help a dive team locate a Japanese trawler sunk on a mission by future President George H.W. Bush during the war. With a successful discovery, the trip gave Scannon the vision to create Project Recover, an organization with a mission to bring home missing-in-action World War II veterans.

This powerful documentary follows Scannon and a team of professionals, volunteers and other veterans searching for those left behind in forgotten battles. Led by scientific data and personal accounts of war, the team’s perseverance has provided recognition and closure for families over three decades. AFI FEST is honored to host the world premiere of this remarkable documentary to celebrate all U.S. veterans on November 11. Learn more about the film.

Screening in-person | November 11, 5:00 p.m. | Buy In-Person Ticket(s)

Virtual screening available beginning November 12, 12:00 p.m. PST | Buy Virtual Ticket(s)

VERA DREAMS OF THE SEA (VERA ANDRRON DETIN)

North American Premiere

Unassuming sign language interpreter Vera (Teuta Ajdini) lives a quiet life alongside retired husband Fatmir in their modest Pristina apartment. Happy to be a vessel for others to navigate the world, her hopes for her daughter and granddaughter’s future are intrinsically linked to the family’s newly valuable country house. But when her husband takes his own life and his cousin Ahmet begins insisting that Fatmir had promised him the rural home, Vera suddenly finds herself trapped in a deeply patriarchal culture where the word of men is final. Unyielding to increasingly violent pressure, Vera discovers how deep the corruption in men’s hearts can run, as well as the strength to stand her ground in this taut drama from director Kaltrina Krasniqi. Learn more about the film.

Screening in-person  |  November 13, 7:30 p.m. | Buy In-Person Ticket(s)

Virtual screening available beginning November 13, 12:00 p.m. PST | Buy Virtual Ticket(s)

You might also be interested in…

SHORT FILM PROGRAMS – Screening virtually

Curated from hundreds of entries, this year’s short films highlight unique voices from around the planet – 34 films presented in five programs. And although the films are short – none longer than 23 minutes – each still proves that these emerging and established filmmakers can push the form of storytelling in inventive, challenging, and sometimes hilarious ways.

 

SHORTS PROGRAM 1

Following the virtual program, AFI Festivals Shorts Programmer Eric Moore leads a conversation between filmmakers Louise Monlaü (THE DEATH CLEANER), Diana Cam Van Nguyen (LOVE, DAD), Juliana Kasumu (BABYBANGZ), Alexandra Matheou (A SUMMER PLACE).

ZONDER MEER: A boy has disappeared and may have drowned. Five-year-old Lucie is trying to understand what is going on around her. How long can you hold your breath?

MISERY LOVES COMPANY: One night, Seolgi is lying on a grass field with friends. A shooting star falls, and dark and intrusive thoughts hit her, and her melancholy blooms into “flower people.”

NALUJUK NIGHT: Every January 6th, families in the Inuit community of Nain, Canada, celebrate Nalujuk Night, when eerie figures in tattered fur clothing arrive to reward the good and punish the bad.

THE DEATH CLEANER (EL LIMPIADOR): For a forensic cleaner in Mexico City, healing is at the core of his service.

LOVE, DAD (MILÝ TATI)a; She finds letters full of love her dad wrote her years ago.

BABYBANGZ: BABYBANGZ visualizes the story of Anastasia Ebel, owner of a natural hair salon in Mid-city, and her mission to foster opportunities for intentional reflection, for herself and her community.

A SUMMER PLACE: On the day of Tina’s birthday, she is ready to give up on everything until an extraordinary encounter changes her life.

Screening in-person |  November 12, 3:00 p.m. | Buy In-Person Ticket(s)

Virtual screening available beginning November 11, 12:00 p.m. PST | Buy Virtual Ticket(s)

SHORTS PROGRAM 2

Following the virtual program, AFI Festivals Shorts Programmer Eric Moore leads a conversation between filmmakers Bar Cohen (HER DANCE), Sean Wang (H.A.G.S.), Cosmo Collins Salovaara (ENVIAR Y RECIBIR), Sorayos Prapapan (NEW ABNORMAL), Güzin Kar (YOUR STREET).

HER DANCE (RIKUD HASSIDI): After not being invited to her sister’s wedding, Aya, a transwoman, shows up by surprise on a Shabbat night at the Orthodox Jewish community where her family lives.

H.A.G.S: https://fest.afi.com/2021/short-film-competition-2021/h-a-g-s/

ENVIAR Y RECIBIR: A warehouse worker at a fast-fashion company forms an attachment to a piece of damaged inventory.

NEW ABNORMAL: Based on a true story, NEW ABNORMAL is a reflection on human life during the COVID-19 pandemic, as well as under the Emergency decree. USA Premiere.

MON AMI QUI BRILLE DANS LA NUIT: A ghost loses their memory after being struck by lightning. They meet Arthur, who tries to help them.

YOUR STREET (DEINE STRASSE): The grey present of an industrial area is being charged with its past, linked to a tragic episode in the history of Germany. Are public memorials collective remembrance or repression?

SANDSTORM (MULAQAT): Zara shares a sensual dance video with her virtual boyfriend, who blackmails her. She begins her search for the strength to reject the confines of a patriarchal society.

Screening in-person |  November 12, 6:00 p.m. | Buy In-Person Ticket(s)

Virtual screening available beginning November 11, 12:00 p.m. PST | Buy Virtual Ticket(s)

SHORTS PROGRAM 3

Following the virtual program, AFI Festivals Shorts Programmer Eric Moore leads a conversation between filmmakers Sam Davis and Rayka Zehtabchi (ARE YOU STILL THERE?), Malika Zouhali-Worrall (VIDEO VISIT), Federico Torrado (YORUGA), Gabriel Herrera (MOTORCYCLIST’S HAPPINESS WON’T FIT INTO HIS SUIT), Michelle Uranowitz and Daniel Jaffe (SALES PER HOUR), Johnson Cheng (ONLY THE MOON STANDS STILL).

ARE YOU STILL THERE?: On a hot day, Safa’s car battery dies, leaving her stranded in a strip mall parking lot. When her mom arrives, the two struggle to jump-start a car.

VIDEO VISIT: Each week, people visit the Brooklyn Public Library to video call incarcerated loved ones. A story of two mothers and their sons, and the librarians who keep the families connected.

YORUGA: A lonely old man pays a visit to Yoruga, one of the last animals on Earth.

MOTORCYCLIST’S HAPPINESS WON’T FIT INTO HIS SUIT (AMOTOCICLISTA NO LE CABE LA FELICIDAD EN EL TRAJE): He sits proudly on his motorbike, encompassed in majestic red and the dazzling admiration of others. A playful re-enactment with reversed roles that targets the hubris of colonial conquerors.

SALES PER HOUR: SALES PER HOUR tells the story of a young woman who faces a moral dilemma when she witnesses a sexual encounter at the clothing store where she works.

ONLY THE MOON STANDS STILL (明月依旧): Three generations of Chinese women say goodbye to their family ballroom dance studio. Executive produced by Lena Waithe, starring Shirley Chen and Mardy Ma.

Screening in-person |  November 12, 9:00 p.m. | Buy In-Person Ticket(s)

Virtual screening available beginning November 11, 12:00 p.m. PST | Buy Virtual Ticket(s)

SHORTS PROGRAM 4

Following the virtual program, AFI FEST Programmer Julia Kipnis leads a conversation between filmmakers Zahida Pirani (EL CARRITO), Claudrena N. Harold (PRIDE), Eliane Esther Bots (IN FLOW OF WORDS), Stephanie Camacho Castillas (MANO SANTA), Nash Edgerton (SHARK), Siyou Tan (STRAWBERRY CHEESECAKE).

EL CARRITO: Nelly slogs through another unsuccessful day of street vending in Queens, New York. Determined to improve her circumstances, she makes a risky business decision that ends in misfortune. World Premiere

PRIDE: An aspiring writer finalizes stories for “Pride,” a student-run newspaper. Over a hectic two days in the early 1990s, she puts the finishing touches on the upcoming issue.

ANXIOUS BODY: Living things, artificial things, geometry shapes, and lines. When these different things encounter, a new direction is born.

IN FLOW OF WORDS: The narratives of three interpreters of the International Criminal Tribunal for the former Yugoslavia, who interpreted shocking testimonies without regard for their own feelings and personal histories. North American Premiere.

MANO SANTA: A grandfather harbors his runaway grandson after fleeing the constraints of home.

SHARK: SHARK follows the continuing adventures of Jack, who loves to prank. But in his latest relationship, he may have finally met his match.

SOFT ANIMALS: Two ex-lovers cross paths in a train station.

STRAWBERRY CHEESECAKE: In Singapore, where even vapes are illegal, three rebellious schoolgirls are caught smoking by the principal. Their revenge prank takes a sinister turn. North American Premiere

Screening in-person |  November 13, 2:15 p.m. | Buy In-Person Ticket(s)

Virtual screening available beginning November 11, 12:00 p.m. PST | Buy Virtual Ticket(s)

SHORTS PROGRAM 5

Following the virtual program, AFI Festivals Shorts Programmer Eric Moore leads a conversation between filmmakers Elizabeth Lo (MISTRESS DISPELLER), Urška Djukićz (GRANNY’S SEXUAL LIFE), Karolina Kajetanowicz (GREEN), Suzannah Mirghani (AL-SIT), and Mitch Kalisa (PLAY IT SAFE).

PLAYTIME (GIOCHI): A mother wants to play with her son. A boy wants to find out what his friend is giving a girl. A cat has disappeared. But these are only games. North American Premiere.

MISTRESS DISPELLER: A professional “mistress dispeller” works with a married couple struggling with infidelity in contemporary China. World Premiere.

GRANNY’S SEXUAL LIFE (BABIČINO SEKSUALNO ŽIVLJENJE): A trip into grandmother’s youth and the memories of her intimate life illustrate the status of Slovenian women in the first half of the 20th century. USA Premiere.

GREEN (ZIELEŃ): Roadside greenery is created to be driven past, not to be in. Geometrical, artificial, and overgrown by weeds. Your body is the same, dragged through life instead of living it.

AL-SIT: In a cotton farming village in Sudan, Nafisa has a crush on Babiker, but her parents have arranged her marriage to Nadir, a young Sudanese businessman. Can Nafisa choose for herself?

PLAY IT SAFE: Jonathan is out of place in his drama school. Pigeonholed and typecast in parts, Jonathan decides to demonstrate to his peers their prejudices during a class role-play exercise.

Screening in-person |  November 13, 4:45 p.m. | Buy In-Person Ticket(s)

Virtual screening available beginning November 11, 12:00 p.m. PST | Buy Virtual Ticket(s)

With health and safety being a top priority, AFI FEST 2021 will require all festival-goers who attend in-person events and/or screenings to be fully vaccinated.  Learn more about AFI’s annual film festival celebrating the best in global cinema at FEST.AFI.com.

Individual tickets and passes to AFI FEST 2021 are currently available on FEST.AFI.com. AFI Members receive exclusive discounts and benefits to the festival. To become an AFI member, visit AFI.com/join/.

(Source: AFI News)

American Film Market, Documentary

More AFM HIGHLIGHTS – Producing Standout Documentary Features Panel

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Posted by Larry Gleeson

Audiences are seeking out more documentaries than ever before.  Producers and distributors on Producing Standout Documentary Features Panel, moderated by Kevin Iwashina, Head of Documentary, Endeavor Content, discuss producing for success in the documentary marketplace answering the penultimate question, “What elements will help a doc stand out?” Panelists participating included Ross Dinerstein, Founder & CEO, Campfire Studios, Anna Godas, CEO, DogWoof, Helen Huang, Acquisitions Consultant, Dan O’Meara, EVP Non-fiction, NEON and Co-head, SUPER LTD.

Following are pertinent excerpts!

How are you working with streamers? 

Ann Godas – “I think it’s evolved, as you say – it used to be that Netflix was the only sort of streamer really, in the market, and being very aggressive, and in the past couple of years, Apple TV, now HBO Max are launching internationally, Disney+, [etc]. Especially during COVID, we found that – cinemas were literally closed – there was a huge demand for content from these new players alongside the likes of Netflix. Obviously, Netflix are producing a lot more, but so are we…the relationship with streamers is changing in the sense that before, for us, they used to be a buyer, and now we have different types of relationships with them.”

“It [streaming] has really evolved and changed the game of the market, but I feel we’ve evolved alongside the market and that’s how we have stayed quite relevant…”

What is the theatrical life of a documentary? 

Ross Dinerstein – “Some docs are verité talking heads that work really well to watch at home, but some docs have real scope to them and real cinematic imagery…it just really depends on the visual component and recognition before you’ve even seen the film.”

Helen Huang – “When I began in acquisitions at Showtime, I did have a much wider, broader mandate for buying documentaries before the streamers came along and started driving prices up for pay-services and first run. In the beginning, when I wasn’t competing in terms of dollars against the streamers, then I had a broader range of buying category as well. I could buy prestige documentaries, sports documentaries, music documentaries, I could buy narratives, I could buy any number of topics. And as the streamers started recognizing the value of nonfiction storytelling, the prices started going up for available independent documentaries…”

“When the prices started going up, we had to become much more specific about what we considered right for our platform – so our strategy had to change.”

“As we progressed in our documentary buying, we bifurcated into two directions – one was awards and prestige, and one was commerciality, and [overall] meeting a broader base of subscription value for each documentary that we bought.”

How is co-production impacting the global market for Docs? 

Anne Godas – “As financiers and producers what we’re after is something a bit more, with potentially more return, which is to fully finance documentaries through accessing soft funding in specific territories. For us, the best ones tend to be so far Denmark, and Scandinavia in general, Australia, and you can get a fully financed project with some equity from us and soft funding and maybe a couple more investors but that’s a model we, as financiers, we prioritize over the old coproduction model that again – it’s a good model, but not such an entrepreneurial model if you’re looking for a bigger return.” 

Ross Dinerstein – “As someone who raises money for indie docs I have investors that will say, ‘well why don’t we sell a couple of territories to cover our risk?’ and I’ll say we can’t do that because if we take a film to the market, and the world isn’t available, we are going to miss out on the big splashy Netflix deal or NEON deal.”

When you look at acquiring films, do you need to have the world available or you just buy it for US? 

Dan O’Meara – “Truth is, that it really does depend on the deal. If we’re being asked to pay a significant MG, if we’re competing with a streamer for the world, then yeah, we need the world to be available.” “more and more, we just need to, yes, mitigate our risk if we’re paying a big MG and then also – honestly if it’s an awards film (and this is important) to be able to control the world allows us to be able to do what we need to do when it comes time to campaign for Academy Award. So much of the doc branch is international and very often we find ourselves at this time of year trying to get ahold of the distributors of some of our films in all these various territories and find out what their level of commitment is to spend on screenings that we need to do in those individual territories in order to get people to watch the movie. So, owning the world allows us to you know holistically go out and make sure that we’re reaching all the doc branches. But look, it’s hard.”

Dan O’Meara – “There’s only like three or four buyers in the streaming space that would buy something that would just be North America…Hulu, HBO proper, Showtime…”

“It’s a different game…and luckily I have empirical evidence with some of my indie docs down the road, years later, that we made for X and sold for 2X, 3X, that I can use.”

“The stuff that I’m in production [for] now, take it to the market next year, and who knows what the world’s going to be ? Whereas back in the day, I would have a $5 million genre film with 30% covered in tax credits, and a $1.5mil in presales with Germany, UK, France, and US (I would have Kevin [Iwashina] sell US) and we typically did pretty well – but that’s just not a way to raise money anymore.”

Helen Huang – “[For Showtime], we didn’t just buy for US, we also needed part of the LATAM territory…If you had sold of your entire LATAM territory exclusively somewhere else, you couldn’t complete a deal with us.”

Biggest area of ROI on docs? 

Dan O’Meara – “Before the streaming boom really sort of happened, I was trying to get things financed at a level where I could afford to work on them for as long as it takes…”

“I had to be making a lot of films and they all take forever to get financed they take forever to sell and then to deliver and then to actually see any money on and so you need to have a lot of stuff in the pipeline. I think there’s a lot more information now than certainly back then…now there are so many streamers, and so many of them are trying to make a name for themselves with original content in nonfiction that I feel like this opportunity keeps expanding. And maybe that’ll also plateau at some point, I’m sure it has to…”

“What Ross [Dinerstein] is doing is very smart, which is looking at…what’s working well for the streamers and making the kinds of films that are entertaining, engaging, that go beyond the festival audience…they don’t even think of it as a documentary, they think of it as a movie they saw…”

“These weren’t documentaries, these were movies. Some of it is just following your taste – so if your taste leads you to something that is more artistic and idiosyncratic, there’s a market there as well. But if your tastes are really broad, then year, I feel like there’s a lot of opportunity right now and it’s a good time to be getting into it.”

Ross Dinerstein – “It’s all about storytelling, and the basic fundamentals of storytelling are – is it engaging, is it universally relatable, is there a three-act structure? So, it doesn’t really matter for me if it’s a doc or narrative film, it’s something that I’m passionate about and something that’s interesting to me. We…have 16 productions in full blown production right now, and not one project is remotely the same…it is developing for specific buyers that we know are going to buy stuff…”

What is working for you – 2-3 things that you use to evaluate if a film is worth pursuing 

Dan O’Meara – “The things that, for me personally, that I use to evaluate whether we should buy a film to release it theatrically is whether or not I want to go see it in a theater twice or three times. If I do, it means that I didn’t just appreciate it, but there are moments that I want to relive, and that I want to see other people experience for the first time. And that was the case…all of our most successful docs had those moments.”