Category Archives: AFI FEST

AFI FEST 2025 PRESENTED BY CANVA ANNOUNCES SPONSORS AND PARTNERS – OPENS ON WEDNESDAY, OCTOBER 22

Posted by Larry Gleeson

AFI FEST 2025 PRESENTED BY CANVA ANNOUNCES SPONSORS AND PARTNERS FESTIVAL TO PRESENT OVER 160 FILMS
OPENS ON WEDNESDAY, OCTOBER 22

Tickets and Passes Available Online and at the AFI FEST Box Office During Festival

FOR IMMEDIATE RELEASE – Los Angeles, CA, October 20, 2025 — The American Film Institute (AFI) announced today the sponsors and partners for AFI FEST 2025 presented by Canva. This year’s festival runs from Wednesday, October 22 through Sunday, October 26 in Hollywood and the festival line-up includes 7 Red Carpet Premieres, 12 Special Screenings, 14 Luminaries selections, 15 Discovery films, 20 World Cinema selections, 15 Documentaries, 6 After Dark titles, 44 films in the Short Film Competition, and 23 films from the AFI Conservatory Showcase. There are 5 World Premieres, 5 North American Premieres and 5 U.S. Premieres.

Passes and tickets are available at FEST.AFI.com and at the AFI FEST Box Office located inside the TCL Chinese 6 Theatres Lobby during the festival. Sold-out screenings, including Red Carpet Premieres, will have a rush line.

“The worlds of art and entertainment are reliant on the support of those who believe, as AFI does, that film and festivals inspire a communal connection at a time we need them most,” said Bob Gazzale, AFI President & CEO.  “We are deeply grateful for the imperative support of our sponsors that ensure AFI FEST will lift the spirits of the tens of thousands of film lovers who are part of the AFI community.”

Canva returns as this year’s Presenting Sponsor for AFI FEST 2025 presented by Canva. The festival is proud to welcome an exceptional roster of Corporate Partners, including Official Water Partner FIJI Water, Premium Sponsor Apple Original Films, Northern Trust, AMC Networks, AT&T, Amazon MGM Studios, Netflix, and IMDbPro.

AFI FEST is delighted to welcome back AT&T, IMDbPro, Dell Technologies, and Stella Artois. The festival is also excited to welcome new sponsors Northern Trust, HitsBev, and Francis Ford Coppola’s Inglenook Wines.

AT&T returns with UNTOLD STORIES, its $1.2 million production grant program. Immediately following the screening of HONEYJOON—a winning project from the program—AT&T will host a discussion and invite filmmakers in the audience to submit applications for this prestigious grant opportunity.

IMDbPro returns as an AFI FEST sponsor and will host a portrait studio at the invite-only AFI FEST Filmmaker Party, empowering IMDbPro members in attendance with a complimentary professional headshot to enhance their industry presence. IMDbPro Premium members can add these and other images to their IMDb and IMDbPro name pages and select their primary and featured images as part of a suite of tools to manage and showcase their IMDb profile.

Building on last year’s successful workshop, Canva is hosting Design Without Limits: Panel and Workshop with Patty Jenkins and William Means on October 25 at 10:30am. AFI Alumni and collaborators on JUNKIE—screening at the Festival, October 26—director/screenwriter/producer William Means and executive producer Patty Jenkins will share their creative process and vision, from initial concept to final cut.

FIJI Water, the No. 1 premium imported bottled water in the U.S., proudly returns as the Official Water of AFI FEST. FIJI Water will once again appear at all red carpet premieres with its signature FIJI Water Bar, and throughout the festival, providing 500 mL bottles made from 100% recycled plastic (rPET) to keep attendees refreshed as they celebrate another year of exceptional achievements in film.

Northern Trust is the sponsor of the Red Carpet Premiere screening of JAY KELLY on October 23. AMC Networks is once again presenting the AFI Conservatory Showcase, scheduled for October 23-24.

This year’s In-Kind Sponsors include Panavision, Illuminar, Eventive, Ovation Hollywood, TCL Chinese Theatres, US Blanks, Cinegear and SirReel.

The Envelope by The Los Angeles Times is back as the festival’s Primary Media Partner and the Red Carpet Premieres Media Partner.

The Wall Street Journal, Variety, The Hollywood Reporter and ABC7 On the Red Carpet are Official Media Partners.

Affiliate Media Partners include TheWrap, IndieWire, Screen International, Los Angeles Magazine and KCRW.

The Official Media Partners and Affiliate Media Partners will each be presenting a dedicated Special Screening. The Wall Street Journal will present RENTAL FAMILY, Variety will present BUGONIA, The Hollywood Reporter will present TRAIN DREAMS, ABC7 On the Red Carpet will present IS THIS THING ON?, TheWrap will present REBUILDING, IndieWire will present THE CHRONOLOGY OF WATER, Screen International will present THE CHORAL and Los Angeles Magazine will present MERRILY WE ROLL ALONG.

This year’s Cultural Supporters include the European Languages and Movies in America (ELMA), Farhang Foundation, Japan House and SAGindie.

This year’s Community Partners are African Film Critics Association, Amoeba Music, Animation is Film, Antigravity Academy, Armenian Film Society, Asian American Media Alliance, ASIFA (Association International of Film Animation), BAFTA North America, Black Film Space, CalARTS, CAPE, The Cinegogue, Consulate General of France LA, Consulate General of Spain, Consulate of Belgium, Consulate of Croatia, Film Fatales, Film Independent, German Films Service, Ghetto Film School, GLAAD, Goethe Institute, GoldHouse, Hollywood Shorts, Italian Institute of Culture LA, LALIFF(Los Angeles Latino International Film Festival), Latino Filmmakers Network, International Documentary Association, Korean Cultural Center, LACMA, NALIP (National Association of Latino Independent Producers), New Filmmakers LA, Nimruz, Queer Film LA, Reframe, Revival Hub, SEEfest (South East European Film Festival), Trade Commission of Spain LA, Tramp Stamp Grannys, Undocumented Filmmakers Collective, USC Women of Cinematic Arts, VC Media, We The Latin, Women Independent Producers and Women in Film.

As previously announced, the festival will open with SPRINGSTEEN: DELIVER ME FROM NOWHERE and will close with the World Premiere of SONG SUNG BLUE.

JAY KELLY, NUREMBERG, DEAD MAN’S WIRE, CHRISTY and the World Premiere of THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS complete the Red Carpet Premieres section.

To learn more about AFI FEST and to view the full festival lineup visit FEST.AFI.com

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to FEST passes and exclusive one-of-a-kind opportunities at AFI FEST. To learn more, email Advancement@AFI.com.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

About AFI FEST
Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, X.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva
Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

Press contact: Shari Mesulam

Shari@themesulamgroup.com

American Film Institute

 

The News about AFI FEST presented by Canva keeps getting better!

Posted by Larry Gleeson

The news about AFI FEST presented by Canva keeps getting better!

 

Following the announcement of  the Red Carpet Premieres section: Noah Baumbach’s JAY KELLY, starring George Clooney and Adam Sandler; CHRISTY, starring Sydney Sweeney; NUREMBERG, starring Russell Crowe; and Gus Van Sant’s DEAD MAN’S WIRE, starring Bill Skarsgård, several new titles have been added  to the Special Screenings section!

 

Passes on Sale!

A limited number of tickets will go on sale October 6. For priority access, purchase a Patron Pass. A Patron Pass allows you to reserve two tickets to each Red Carpet Premiere with priority access to Special Screenings before they go on sale to the general public.Joining AFI today gets you 20% off AFI FEST tickets plus complimentary tickets at the Cinephile level and above. Upgrading to Premiere Circle gives exclusive access including Red Carpet Premieres. For more info, contact Peter Indall at pindall@AFI.com

 

WORLD PREMIERE OF THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS SET FOR AFI FEST 2025 PRESENTED BY CANVA

Posted by Larry Gleeson

WORLD PREMIERE OF THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS SET FOR AFI FEST 2025 PRESENTED BY CANVA

 

Patrick Star (Bill Fagerbakke) and SpongeBob SquarePants (Tom Kenny) in The Spongebob Movie: Search For Squarepants from Paramount Animation and Nickelodeon.

 

FOR IMMEDIATE RELEASE — Los Angeles, CA, September 18, 2025 – Today, the American Film Institute (AFI) announced that THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS from Paramount Animation and Nickelodeon Movies, in association with Domain Entertainment and MRC, will have its World Premiere at AFI FEST 2025 presented by Canva. Desperate to be a big guy, SpongeBob sets out to prove his bravery to Mr. Krabs by following The Flying Dutchman — a mysterious swashbuckling ghost pirate — on a seafaring comedy-adventure that takes him to the deepest depths of the deep sea where no Sponge has gone before. The family-friendly film, directed by Derek Drymon, will screen in the afternoon on October 26, the Closing Day of the festival, at the historic TCL Chinese Theatre as part of the Red Carpet Premieres section. Passes are available at FEST.AFI.com.

Bob Gazzale, AFI President and CEO

“If nautical nonsense be something you wish, then join AFI for the World Premiere of THE SPONGEBOB MOVIE:       SEARCH FOR SQUAREPANTS,” said Bob Gazzale, AFI President and CEO. “Spongebob is an American icon — absorbent and yellow and porous is he — and AFI is honored to host this celebration under the sea.”

 

The film features Tom Kenny, Clancy Brown, Rodger Bumpass, Bill Fagerbakke, Carolyn Lawrence, Mr. Lawrence, George Lopez, Isis “Ice Spice” Gaston, Arturo Castro, Sherry Cola with Regina Hall and Mark Hamill, and it will be released on December 19.

Making its Los Angeles debut with the feature is the new short film TEENAGE MUTANT NINJA TURTLES CHROME ALONE 2: LOST IN NEW JERSEY. From producers Seth Rogen, Evan Goldberg, James Weaver, Jeff Rowe, and Ramsay McBean and directed by Kent Seki, the film reunites audiences with the Turtle brothers from the 2023 feature TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM for a festive adventure. When a mysterious toy company seeks to profit off the turtles’ new hero status, the brothers follow the clues to New Jersey and make a shocking discovery in this all new original short.

The festival will take place October 22–26 at the TCL Chinese Theatres in the heart of Hollywood and feature a curated selection of Red Carpet Premieres, Special Screenings, World Cinema, Documentaries and Short Films.

As previously announced, Academy Award®-winning filmmaker Guillermo del Toro will serve as the Guest Artistic Director for this year’s festival, and the festival will open with SPRINGSTEEN: DELIVER ME FROM NOWHERE and will close with the World Premiere of SONG SUNG BLUE.

Passes to AFI FEST 2025 are now available for purchase online at FEST.AFI.com. Festivalgoers have the opportunity to purchase a Star Pass or upgrade to a Patron Pass. The AFI FEST Star Pass is a five-day pass with access to all screenings (excluding Red Carpet Premieres), early screening selection before individual tickets go on sale, priority theater access, entry to the festival lounge, invitation to the festival mixer to mingle with filmmakers and guests, a complimentary AFI FEST tote and free Rush Line access to all screenings. The AFI FEST Patron Pass features all the benefits of the Star Pass plus two tickets to all of the star-studded Red Carpet Premieres held at the historic TCL Chinese Theatre and priority screening selection before Star passholders.

The full festival lineup will be unveiled on September 30. Individual tickets will be available on October 6.

AFI FEST is recognized by the Academy of Motion Picture Arts and Sciences as a qualifying festival for the Live Action, Animated and Documentary Short Film categories for the annual Academy Awards®. AFI FEST is also a qualifying festival for consideration for the British Short Film categories of both the BAFTA Film Awards and the British Independent Film Awards (BIFA).

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to exclusive one-of-a-kind opportunities at AFI events, including AFI FEST. To learn more, email Advancement@AFI.com.

Canva, the all-in-one visual communication and collaboration platform, returns as the exclusive Presenting Sponsor of AFI FEST 2025. Designed to empower entertainment professionals to visualize their ideas into impactful film and TV projects, Canva will be integrated throughout AFI FEST including hosting industry networking events, hands-on training workshops for filmmakers, and powering the festival’s digital and printed materials. Entertainment professionals can explore resources to pitch projects, plan shoots, and bring creative visions to life at canva.com/entertainment.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST Presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at elevating emerging storytellers and technology, including AFI DWW+ and the AFI Cinematography Intensive Workshop. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

 

About AFI FEST

Now in its 39th year, AFI FEST is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 22-26, 2025. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, Twitter.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

About Canva

Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide. Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world’s most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease.

Press Contact: American Film Institute

Shari Mesulam, Shari@themesulamgroup.com

AFI FEST 2024 PRESENTED BY CANVA ANNOUNCES GRAND JURY AWARD WINNERS

Posted by Larry Gleeson

AFI FEST 2024 PRESENTED BY CANVA ANNOUNCES

GRAND JURY AWARD WINNERS

Winners for Live Action Short, Documentary Short and Animated Short

Qualify for Academy Award® Consideration

Festival Confirms Record High Attendance with

Over 30% Increase in Ticket and Pass Sales

FOR IMMEDIATE RELEASE – Los Angeles, CA, October 28, 2024 — The American Film Institute (AFI) announced today the Grand Jury Award winners and Special Mentions for AFI FEST 2024 presented by Canva. The Grand Jury Award winners for Live Action Short, Documentary Short and Animated Short will be eligible for the 2024 Best Live Action Short, Best Documentary Short and Best Animated Short Academy Awards®. This year’s jury was comprised of Academy Award®-nominated filmmaker Sophia Nahli Allison, film programmer Nora Bernard and comedian, actor, filmmaker, podcaster and author Paul Scheer.

Grand Jury Prize – Live Action Short

TWO PEOPLE EXCHANGING SALIVA (DEUX PERSONNES ÉCHANGEANT DE LA SALIVE) (DIR Natalie Musteata and Alexandre Singh)

Jury Statement: “At a commendable 36 minutes, this film illustrates how desire and yearning can clash in a capitalistic society while showcasing queerness as commonplace.”

Grand Jury Prize – Documentary Short

LAND OF LOST TOYS (DIR Nicholas Stachurski)

Jury Statement: “This revealing documentary challenges our conceptions and explores the humanity of a group of people in Detroit who fight not only for their survival but also for companions who can’t on their own.”

Grand Jury Prize – Animated Short

HUMANTIS (DIR Paris Baillie)

Jury Statement: “HUMANTIS is a stunning work of art that delves into the complexities and challenges of change and the unexpected beauty that emerges from self-transformation and acceptance. The stop motion breathes new life into an otherworldly visual narrative, showcasing the depths of a vibrant imagination and skillful craftsmanship.”

Special Jury Mentions

Special Jury Mention for Freedom and Expression – Live Action Short

A SHORT FILM ABOUT KIDS (DIR Ibrahim Handal)

Jury Statement: “Through a breezy style and cinematic language, we were drawn into a world where, with a little ingenuity, burdened youth can experience joy and self-determination.”

Special Jury Mention for New Voice – Documentary Short

YOU’RE TOO SENSITIVE (DIR Dan Chen)

Jury Statement: “YOU’RE TOO SENSITIVE receives a special mention for its unique approach to reimagining home movies, not only as documentation of what we wish to be seen and remembered but also reveals the private moments that speak to the complexities of family dynamics. “

Special Jury Mention for Craft – Animated Short

SILENT PANORAMA (DIR Nicolas Piret)

Jury Statement: “The jury would like to acknowledge SILENT PANORAMA with a special mention for artistic craftsmanship as this subtle and immersive story comes to life beautifully and meticulously on a single sheet of paper.”

This year’s festival welcomed a record number of attendees with ticket and pass sales reaching 30% higher than the previous year.

The festival lineup included 6 Red Carpet Premieres, 13 Special Screenings, 13 Luminaries selections, 15 Discovery films, 12 World Cinema selections, 14 Documentaries, 4 After Dark titles, 54 films in the Short Film Competition, and 28 films from the AFI Conservatory Showcase presented by AMC Networks. Of the official selections 48% were directed by women and non-binary filmmakers and 26% were directed by BIPOC filmmakers. There were 4 World Premieres, 6 North American Premieres and 7 U.S. Premieres. The program represented 44 countries and included 9 Best International Feature Oscar® submissions, including DAHOMEY (Senegal), GRAND TOUR (Portugal), I’M STILL HERE (Brazil), SANTOSH (UK), THE SEED OF THE SACRED FIG (Germany), SUJO (Mexico), UNDER THE VOLCANO (Poland), UNIVERSAL LANGUAGE (Canada) and VERMIGLIO (Italy). The festival also presented two special events: Directors Spotlight: Robert Zemeckis in Conversation with Tom Hanks and Pitch Perfect: Crafting Impactful Visual Decks from a Storyteller’s Perspective

AFI Conservatory Alumni with films at AFI FEST included Andrea Arnold, Carolina Costa, Amanda Freedman, Affonso Gonçalves, Heidi Levitt, Charlie McDowell, Rachel Morrison, Samir Oliveros and Paul Schrader.

Returning filmmakers included Andrea Arnold, Maura Delpero, Mati Diop, Jeanne Drouet, Miguel Gomes, Alain Guiraudie, Damian Kocur, Philippe Lesage, Rungano Nyoni, Jeanne Paturle, Alex Ross Perry, Mohammad Rasoulof, Cecile Rousset, Hong Sang-soo, Paul Schrader, Chris Smith, Faye Tsakas and Jia Zhang-Ke.

Guests at the festival included Pam Abdy, JJ Abrams, Amy Adams, Sophia Nahli Allison, Fred Armisen, Glen Ballard, Lance Bangs, Scott Beck, Alan Bergman, Nora Bernard, Paul Bettany, Leslie Bibb, Jacqueline Bisset, Laurent Bouzereau, Gerald Casale, Samantha Casiano, Ben Chaplin, Tommy Chong, Glenn Close, Toni Collette, Jennifer Connelly, Ryan Coogler, Merlin Crossingham, Maisie Crow, Ted Danson, Dr. Austin Dennard, Julie Delpy, Zoey Deutch, Michelle Dockery, Molly Duane, Gustavo Dudamel, Chloe East, Francesca Eastwood, Jean Picker Firstenberg, William Goldenberg, Hugh Grant, Tom Hanks, John Hillcoat, Nicholas Hoult, Thomas Hooten, Bryce Dallas Howard, Ron Howard, Jon Huertas, Marianne Jean-Baptiste, Barry Jenkins, Jharrel Jerome, Angelina Jolie, Caleb Landry Jones, Spike Jonze, Kathleen Kennedy, Kristie Macosko Krieger, Ed Lachman, Jennifer Lawrence, Pablo Larraín, Philippe Lesage, Jennifer Lopez, Leonard Maltin, Cheech Marin, Frank Marshall, Charlie McDowell, Malcolm McDowell, Selton Mello, Logan Miller, Rachel Morrison, Mark Mothersbaugh, Robert Mothersbaugh, Oscar Nuñez, Elizabeth Olsen, Nick Park, Noah Parker, Dylan Penn, Abbie Perault, Andrea Riseborough, Anthony Robles, Judy Robles, Sam Rockwell, RaMell Ross, Eric Roth, Tom Rothman, Santigold, Peter Sarsgaard, Paul Scheer, Paul Schrader, Alan Silvestri, Lawrence Sher, Stacey Sher, Jurnee Smollett, Steven Spielberg, Mary Steenburgen, George Stevens, Jr., Sharon Stone, Sophie Thatcher, Fernanda Torres, John Turturro, Milo Ventimiglia, Lulu Wang, Diane Warren, Matthew Weiner, Nat Wolff, Bryan Woods, Robin Wright, Cedric Yarbrough, Robert Zemeckis, Amy Ziering, Amanda Zurawski, and Wallace & Gromit.

Canva was the exclusive Presenting Sponsor of AFI FEST. FIJI Water was the festival’s Official Water Sponsor. Corporate Partners for AFI FEST 2024 included Premium Sponsor Apple Original Films, AMC Networks, First Entertainment Credit Union, Amazon MGM Studios and Netflix. The Envelope by The Los Angeles Times was the festival’s Primary Media Partner. Official Media Partners are The Wall Street Journal, Variety, The Hollywood Reporter and ABC7 On the Red Carpet. Affiliate Media Partners include TheWrap, IndieWire, Screen International and KCRW.

To learn more about AFI FEST, visit FEST.AFI.com

AFI is a nonprofit, donor-powered organization. Join AFI’s Premiere Circle to support the American Film Institute and enjoy access to exclusive one-of-a-kind opportunities at AFI events. To learn more, email Advancement@AFI.com.

About the American Film Institute (AFI)

The American Film Institute (AFI) is a nonprofit organization with a mandate to champion the moving image as an art form. Established in 1967, AFI launched the first comprehensive history of American film and sparked the movement for film preservation in the United States. In 1969, AFI opened the doors of the AFI Conservatory, a graduate-level program to train narrative filmmakers. The Conservatory, which counts Deniese Davis, Affonso Gonçalves, Susannah Grant, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison as Alumni, is ranked as one of the top film schools in America. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST presented by Canva and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland. AFI Movie Club is a destination for movie lovers from around the world to celebrate and engage with the art form every day. Other pioneering programs include workshops aimed at increasing diversity in the storytelling community, including AFI DWW+ and the AFI Cinematography Intensive for Women. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, X.com/AmericanFilm, TikTok.com/@americanfilminstitute and Instagram.com/AmericanFilmInstitute.

 

About AFI FEST presented by Canva
Now in its 38th year, AFI FEST presented by Canva is a world-class event, showcasing the best films from across the globe. This year’s edition takes place in Los Angeles from October 23-27, 2024. With an innovative slate of programming, the five-day festival presents screenings, panels and conversations, featuring both master filmmakers and new cinematic voices. AFI FEST presented by Canva includes high-profile films with Q&As featuring the films’ cast and crew and a robust lineup of fiction and nonfiction features and shorts, providing a one-of-a-kind experience for movie fans. Additional information is available at FEST.AFI.com. Connect with AFI’s film festival at Facebook.com/AFIFEST, Twitter.com/AFIFEST, Instagram/AmericanFilmInstitute, TikTok/@AmericanFilmInstitute and YouTube.com/AFI.

 

About Canva

Launched in 2013, Canva is a free online visual communications and collaboration platform with a mission to empower everyone in the world to design. Featuring a simple drag-and-drop user interface and a vast range of templates ranging from presentations, documents, websites, social media graphics, posters, apparel to videos, plus a huge library of fonts, stock photography, illustrations, video footage, and audio clips, anyone can take an idea and create something beautiful. Entertainment professionals can access resources to help them express their ideas, pitch film and TV projects, plan shoots and beyond at canva.com/entertainment.

Until next time….I’ll see you at the movies!

 

HollywoodGlee celebrating the start of the 2019 AFI FEST. (Photo credit: Larry Gleeson)

 

Press contact:

American Film Institute: Shari Mesulam, shari@themesulamgroup.com

 

AFI FEST 2022 Tickets on Sale Now

Posted by Larry Gleeson

From Special Screenings and international Oscar® submissions to captivating short films and powerful documentaries, tickets to AFI FEST 2022 will be available to purchase starting today, October 12 at 11:00 a.m. PT. Check out the film guide and full festival schedule now.

I have several films on my “must-see” list featured below. Stay tuned as the American Film Institute has combined AFI FEST and AFI DOCS this year in what is shaping up to be a spectacular showcase of film and cinema!

 

ALCARRAS

ALCARRAS – In Spain’s official Oscar® submission and the second feature from Carla Simón (SUMMER 1993, AFI FEST 2017), the close-knit Solé family, nestled in the rural village of Alcarràs, experiences an eventful summer when the livelihood of their peach orchard is threatened.

 

THE VOLCANO: RESCUE FROM WHAKAARI

 

In 2019, a volcano erupted on Whakaari in New Zealand without warning, raining down rocks and debris, and enveloping the island in a quiet, dark cloud of burning-hot steam. As the debris settled and onlookers gasped from the opposite shore, a rescue mission stirred into action; 47 tourists were trapped on the island, and another boat of tourists was just returning, having narrowly escaped. In this unbelievable new documentary from Academy Award® nominee Rory Kennedy (LAST DAYS IN VIETNAM, AFI FEST 2014), rescuers and survivors each recount their own version of the worst day of their lives, sharing what it means to cling to hope and life and to make impossible choices.

 

WOMEN TALKING

 

Adapted from Miriam Toews’ acclaimed novel and based on real events, Academy Award®-nominated director Sarah Polley (STORIES WE TELL) tells the riveting story of a tight-knit group of women who are part of an isolated religious community with an epidemic of sexual abuse. In the wake of this horrific discovery, they must decide to forgive their attackers or leave the colony forever. Shifting the lens away from the heinous crime and onto its ramifications sets the stage for a nuanced yet incisive examination of patriarchal oppression, religious imperatives, and conflicting values. Featuring a formiddable ensemble cast including Rooney Mara, Claire Foy, Jessie Buckley, and Frances McDormand.

AFI FEST 2022

The complete AFI FEST program includes 125 titles (7 Red Carpet Premieres, 6 Special Screenings, 12 Discovery, 12 World Cinema, 12 Documentary, 30 Short Film Competition, 43 AFI Conservatory and 3 Guest Artistic Director Selections). Of the official selections, 53% are directed by women, 32% are directed by BIPOC filmmakers and 11% are directed by LGBTQIA+ filmmakers. This year’s program represents 31 countries and includes six International Feature Oscar® submissions, ALCARRÀS (Spain), BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS (Mexico), CLOSE (Belgium), EO (Poland), JOYLAND (Pakistan) and SAINT OMER (France).

 

Returning filmmakers to AFI FEST include Lucien Castaing-Taylor (DE HUMANI CORPORIS FABRICA), Guillermo del Toro (GUILLERMO DEL TORO’S PINOCCHIO), Alice Diop (SAINT OMER), Quentin Dupieux (SMOKING CAUSES COUGHING/FUMER FAIT TOUSSER), Alain Gomis (REWIND & PLAY), Sam Green (32 SOUNDS), Luca Guadagnino (BONES AND ALL), Kristy Guevara-Flanagan (BODY PARTS), Mark Gustafson (GUILLERMO DEL TORO’S PINOCCHIO), Mia Hansen-Løve (ONE FINE MORNING/UN BEAU MATIN), Joanna Hogg (THE ETERNAL DAUGHTER), Alejandro González Iñárritu (BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS), Nikyatu Jusu (NANNY), Rory Kennedy (THE VOLCANO: RESCUE FROM WHAKAARI), Léa Mysius (THE FIVE DEVILS), Andrea Pallaoro (MONICA), Hlynur Pálmason (GODLAND/VANSKABTE LAND/VOLAÐA LAND), Jafar Panahi (NO BEARS), Verena Paravel (DE HUMANI CORPORIS FABRICA), Alice Rohrwacher (LE PUPILLE), Hong Sang-soo (WALK UP), Albert Serra (PACIFICTION), Carla Simón (ALCARRÀS), Jerzy Skolimowski (EO), Chris Smith (“SR.”), Steven Spielberg (THE FABELMANS) and Florian Zeller (THE SON).

AFI FEST 2022 will take place exclusively in person in Los Angeles from November 2-6. AFI members receive discounts on passes and tickets and other exclusive benefits. To become an AFI member, visit AFI.com/join/.

The World Premiere of Apple Original Film’s SELENA GOMEZ: MY MIND AND ME will open the festival and the U.S. premiere of Universal Pictures’ and Amblin Entertainment’s THE FABELMANS, directed by AFI Life Achievement Award recipient and Academy Award®-winning director Steven Spielberg, will close AFI FEST 2022. Additional Red Carpet Premieres include BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS, directed by Academy Award®-winning director Alejandro González Iñárritu; the U.S. Premiere of GUILLERMO DEL TORO’S PINOCCHIO, directed by Academy Award®-winning director Guillermo del Toro and Emmy Award® winner Mark Gustafson; LIVING, directed by Oliver Hermanus; SHE SAID, directed by Emmy Award®-winning director Maria Schrader; and THE SON, directed by Academy Award® winner Florian Zeller. Academy Award®-nominated filmmaker Ava DuVernay will serve as Guest Artistic Director at AFI FEST 2022 and will be showcasing three independent films amplifying the voices of women directors including HELLION (2014), directed by Kat Candler and starring Academy Award®-nominee Juliette Lewis and Aaron Paul; MOSQUITA Y MARI (2012) directed by Aurora Guerrero and YELLING TO THE SKY (2011), directed by Victoria Mahoney and starring Academy Award®-nominee Gabourey Sidibe and Zoë Kravitz.

 

Harvey Keitel and Daphna Kastner – AFI FEST 2021 Red Carpet Premiere Screening of THE POWER OF THE DOG, TCL Chinese Theatre, Los Angeles, California, Nov. 11, 2021 – Photo Credit: Rob Latour/AFI/Shutterstock

 

RED CARPET PREMIERES

Kirsten Dunst – AFI FEST 2021 Red Carpet Premiere Screening of THE POWER OF THE DOG, TCL Chinese Theatre, Los Angeles, California, Nov. 11, 2021 – Photo Credit: Rob Latour/AFI/Shutterstock

AFI rolls out the red carpet for the most anticipated films of the festival. Sure to be an exciting celebration of the best in film, the section delivers world-class filmmakers, talented actors and artisans, and a dose of Hollywood magic that can only be found at the iconic TCL Chinese Theatre.

Stay tuned!

 

DO THE RIGHT THING (1989) – AFI Movie Club Pick for April 11, 2022

Posted by Larry Gleeson

Do the Right Thing is a 1989 American comedy-drama film produced, written, and directed by Spike Lee, starring Lee himself, Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson, Giancarlo Esposito, Bill Nunn, John Turturro, and Samuel L. Jackson, and is the feature film debut of Martin Lawrence and Rosie Perez. The story explores a Brooklyn neighborhood’s simmering racial tension between its African-American residents and the Italian-American owners of a local pizzeria, culminating in tragedy and violence on one of the hottest of summer days.

 

 

Appearing on the 10th-anniversary edition of the American Film Institute’s list of the greatest American films, DO THE RIGHT THING (1989) explores racial tensions exacerbated by the summer heat in a New York neighborhood. An imperative work from iconic director and 2011 AFI Honorary Degree recipient Spike Lee, the film features Public Enemy’s powerful call to action – “Fight the Power” – which was since ranked #40 on AFI’s list of the greatest movie songs of all time.

 

 

The film ends with the following quotes by Martin Luther King, Jr., and Malcolm X: “‘Violence as a way of achieving racial justice is both impractical and immoral. It is impractical because it is a descending spiral ending in destruction for all. The old law of an eye for an eye leaves everybody blind. It is immoral because it seeks to humiliate the opponent rather than win his understanding; it seeks to annihilate rather than to convert. Violence is immoral because it thrives on hatred rather than love. It destroys the community and makes brotherhood impossible. It leaves society in a monologue rather than dialogue. Violence ends by defeating itself. It creates bitterness in the survivors and brutality in the destroyers,’ – Martin Luther King”; and, “‘I think there are plenty of good people in America, but there are also plenty of bad people in America and the bad ones are the ones who seem to have all the power and be in these positions to block things that you and I need. Because this is the situation, you and I have to preserve the right to do what is necessary to bring an end to that situation, and it doesn’t mean that I advocate violence, but at the same time I am not against using violence in self-defense. I don’t even call it violence when it’s self-defense, I call it intelligence,’ – Malcolm X.”

Do the Right Thing was ranked 96th on AFI’s 2007 100 Years…100 Movies–10th Anniversary Edition list of the greatest American films. It was added to the National Film Registry in 1999, and won Best Picture and Best Director from the Los Angeles Film Critics Association, in addition to Best Picture, Best Director, and Best Supporting Actor (Danny Aiello) from the Chicago Film Critics Association. The New York Film Critics awarded Ernest Dickerson with Best Cinematography, and the film received the following Academy Award nominations: Actor in a Supporting Role (Danny Aiello), and Writing (Screenplay Written Directly for the Screen). The Golden Globe Awards also nominated Do the Right Thing for Best Motion Picture – Drama; Best Performance by an Actor in a Supporting Role in a Motion Picture (Danny Aiello); Best Director – Motion Picture; and Best Screenplay – Motion Picture.

Until next time, I’ll see you at the movies!

 

HollywoodGlee celebrating the start of the 2019 AFI FEST presented by Audi. (Photo credit: Larry Gleeson)

 

About AFI Movie Club

AFI has created a global, virtual gathering of those who love the movies. As a non-profit, AFI Movie Club is a member-powered organization, dependent upon the support of its movie fans. To support AFI Movie Club please consider becoming a member or donating. AFI Movie Club was launched as a free program to raise the nation’s spirits by bringing artists and audiences together. AFI shines a spotlight on an iconic movie each day. Audiences can “gather” at AFI.com/MovieClub to find out how to watch the featured movie of the day with the use of their preexisting streaming service credentials. AFI MOVIE CLUB (Source: AFI News Release)

 

 

FILM REVIEW: Jane Campion’s The Power Of The Dog

Posted by Larry Gleeson

THE POWER OF THE DOG: BENEDICT CUMBERBATCH as PHIL BURBANK in THE POWER OF THE DOG. (Photo credit: KIRSTY GRIFFIN/NETFLIX © 2021)

 

Jane Campion’s latest work, The Power of the Dog, screened as part of a Red Carpet Premiere at the historic Chinese Theatre in Hollywood California, during the American Film Institute’s  AFI FEST 2021, on Thursday, November 11th. Campion is a New Zealand screenwriter, producer, and director. She is the second of seven women ever nominated for the Academy Award for Best Director and the first female filmmaker to receive the Palme d’Or; both of these achievements came for The Piano (1993).

 

The Power of the Dog,  written and directed by Campion, is set in 1925 Montana and circles around two well-off brothers who own an influential ranching operation. The Burbank brothers, played by Jesse Plemons and Benedict Cumberbatch, come across as polar opposites. Phil Burbank, played by Cumberbatch, is an infamous Phi Beta Kappa graduate of Yale University who prefers the daily grind of working the ranch with the hired hands. Cumberbatch brings a deep dark presence to the character in what might be his best performance to date. Plemmons plays Gordon Burbank,  the slower, mild-mannered younger brother, embodying a ranch gentleman with grace and style. Kirsten Dunst portrays Rose Gordon, a compelling love interest as a saloon-style restaurant owner who serves dinners to the locals with her son, Peter, portrayed by Kodi Smith-McPhee in a breakout performance.

While The Power of the Dog is set in Montana, the actual film location is New Zealand – adding a surreal quality. And, Campion’s writing matches it full force. The twists and turns in the dramatic, psychological, roller-coaster ride narrative combined with Cumberbatch’s powerful, dark character portrayal set the audience on the edge of their seats and their eyes fixed on the big screen. Undoubtedly, Campion is in the mix for her second Oscar for screenwriting and appears to be in the mix for a directorial nod as well.

 

Q & A, on November 11th, 2021, following the screening of The Power of the Dog, inside Hollywood’s TCL Chinese Theatre. (Photo by Larry Gleeson/HollywoodGlee)

 

Following the screening, a fun-filled Q & A unfolded as the film’s actors, editor, cinematographer, and director sparred, cajoled, and informed under the watchful eye of moderator Hahn as she effectively marshaled the energies of The Power of the Dog conversation. The Power of the Dog, set for a December 1st, 2021, release date,  is a magnificent and majestic work tantalizing and titillating – a bonafide Oscar contender for now – in multiple categories! Highly recommended. One of the year’s best films!

 

Benedict Cumberbatch as Phil Gordon in Jane Campion’s The Power of the Dog, set for a December 1st, 2021 release. (Photo Cr. KIRSTY GRIFFIN/NETFLIX © 2021 Cross City Films Limited/Courtesy of Netflix)

Until next time, I’ll see you at the movies!

FILM CAPSULE: Sean Baker’s RED ROCKET

Posted by Larry Gleeson

Sean Baker ( Tangerine, The Florida Project, Starlet) and A24’s Red Rocket, a dramedy, featuring Simon Rex, a standout media personality, Suzanna Son, and Bree Elrod, tells the tale of Mikey Saber, a washed up, 20 year veteran performer in the adult film industry who returns home for more of the same, screened last night at the 2021 AFI FEST.

Simon Rex as Mikey Saber in Sean Baker’s Red Rocket (Photo from fest.afi.com)

Red Rocket, follows Mikey Saber (played by a compelling Simon Rex), as he futilely careens in and out of harrowing situations in dark places never fully grasping the ramifications of his actions and choices. Bree Elrod as Lexi, and Suzanna Son as Strawberry, deliver riveting performances with exquisite line execution. Rex turns in a tour de force performance as Mikey Saber.

Red Rocket is Sean Baker at his best in this low, low-budget filmmaking. Providing a snapshot of Mikey and the socially marginalized characters that are in his orbit, Baker elevates Red Rocket with snappy dialogue, carefully executed camera work, and the trust he places in the audience. Captivating work from start to finish.

Interestingly,  the Q & A immediately following the screening led by AFI Programming Director Sarah Harris got a little saucy. Baker and Rex took exception when an audience member, who coincidentally works in the adult film industry and performs in Ninja Thyberg’s Pleasure, also screening at AFI FEST 2021, stated his displeasure hearing the audience guffawing loudly at a term thrown out by Lexi at Red Rocket’s end.

(Left to right) Sarah Harris, AFI Programming Director, Director Sean Baker, Actor Simon Rex, Actor Bree Elrod, and Actor Suzanna Son participate in a Q&A, on November 12, 2021, following the AFI FEST screening of RED ROCKET, at the Chinese Theatre in Hollywood, Calif. (Photo by Larry Gleeson/HollywoodGLee)

Baker shared the film had five consultants work over the script and scene work to make Red Rocket’s depiction of a former porn star as realistic as possible. Rex chimed in stating few people in the audience would recognize the industry term.

Red Rocket is Sean Baker’s strongest work to date. Not for the faint of heart. Earthy with frontal nudity. Coming to theatres December 10th. Very warmly recommended!

FILM REVIEW: KING RICHARD Serves Up An Ace @AFIFEST

Posted by Larry Gleeson

King Richard, the Will Smith-led, Warner Bros. biopic, served as the 2021 AFI FEST Closing Night Film at the historic Hollywood Chinese Theatre with a Red Carpet Premiere.

King Richard tells the story of Richard Williams, the father of women’s tennis superstar sisters, Venus and Serena Williams. With a run time of 144 minutes, King Richard seemed to reach its conclusion too quickly – a tribute to how mesmerizing the film is. Numerous times the audience erupted with applause and approval as the Williams family overcame obstacle after obstacle. Will Smith portrayed Richard Williams with fortitude and tenderness – qualities not always evident from Richard Williams’ public persona. Saniyya Sidney and Demi Singleton portray Venus and Serena in very compelling performances. Aunjanue Ellis portrays Oracene ‘Brandy’ Williams. Ellis and Smith play off each other remarkably well. The pair were recently announced as the recipients of the 2022 Santa Barbara International Film Festival’s (SBIFF) Outstanding Performers of the Year. Kudos to Casting Directors Rich Delia and Avy Kaufman!

In life, Richard Williams often came across in the media as brash, touting with a braggadociousness how his daughters were coming to dominate women’s tennis, the likes of which had never been seen before, would never be seen again, and there wasn’t anything anyone could do about it. What he didn’t tell the public, and what King Richard tells so well, is he also wanted his daughters to have a real childhood, meaningful adolescence, and to be prepared to lead successful lives. Throughout King Richard, Richard Williams came across as a devoted husband, loving father, and dedicated coach delving into some of his formative life experiences growing up in a racist environment. Rearing his family in Compton, California, also had its challenges for Williams. But, Richard Williams had a plan – he wanted a better life for his family.

Technically speaking the film is very solid. The film’s cinematography is excellent. AFI Conservatory Alumnus, Robert Elswit utilizes some natural lighting with traditional lenses and frames for establishing shots juxtaposed with fast zoom lenses to capture the action with tight framing combined with extreme closeups of the Williams sisters, generating some major pace with their groundstrokes and capturing winning overhead smashes. Editor Pamela Martin made the shots and their complementary counterparts (returns) appear seamless with the continuity editing and helped create some riveting moments with the shots provided. In addition, non-diegetic sounds kept the film’s pace and helped match the film’s tone and the actors’ emotionality. Kris Bowers is credited with the music. Costuming, make-up, and production design are all complementary to the characters and the period covered in the film.

And, last but not least, Director Reinaldo Marcus Green, helming only his second feature film, steered King Richard to a beautiful conclusion culminating in Venus’s first professional matches and first tennis matches of any kind in three years. The excitement she (and Serena later) brought to the game of tennis encouraged an entire generation of young African-American girls that anything is possible if they are willing to put in the work. Credit to Zach Baylin for writing sharp dialogue and creating an engaging narrative.

King Richard is chock full of inspiration and hope. Ahhh…the power of film and the magic of AFI FEST – Hollywood. Talk about speaking truth to power in layers. Look for King Richard in theatres and on HBO Max Friday. Highly recommended!

Unti next time, I’ll see you at the movies!

Halle Berry BRUISED on the Red Carpet at #AFIFEST 2021

Posted by Larry Gleeson

Academy Award winner Halle Berry made her directorial with BRUISED, a triumphant story of a fighter who reclaims her power, in and out of the ring, when everyone has counted her out.

Berry, cast, and team walked the Red Carpet at the historic Chinese Theatre in Hollywood, California!

Put up your dukes! Congratulations Halle!!!

 

Valentina Shevchenko – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021.
Bob Gazzale, Halle Berry and Ted Sarandos – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021
Brad Feinstein – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021
Ambre – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021
Stephan James – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021
Halle Berry and Van Hunt – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021
Danny Boyd, Jr. – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021
Terri Seymour – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021
Erica Banks – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021
Halle Berry – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021
Shamier Anderson – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021
Halle Berry – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021
Halle Berry – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021
Michelle Rosenfarb – AFI FEST 2021 World Premiere of BRUISED – TCL Chinese Theatre, Los Angeles, CA, Nov. 13, 2021