The SLO Film Fest is delighted to put South Africa in the spotlight this year for its 14th Annual Surf Nite in SLO!
Surfers Unite! The California premiere of SATORI by South African filmmaker Rick Wall will be featured on the Big Screen at the historic Fremont Theatre in San Luis Obispo on Friday, March 15th at 7pm. Cape Town residents, filmmaker Rick Wall and SATORI surfer Rod Torr will attend.
Surf Nite in SLO is presented by Surfing for Hope, a non-profit organization in Pismo Beach created to help inspire people challenged by cancer through the positive energy of surfing.
Surf Nite is also presented by the City of Pismo Beach and sponsored by Cliffs Hotel and Spa, SeaVenture, Sycamore Mineral Springs Resort, Apple Farm Inn, Coast 104.5, Quality Suites San Luis Obispo, Anthony Peckham and Hilary Saner.
The beautifully cinematic SATORI, shot in dramatic black and white and color, documents a close-knit group of local big wave surfers who have dedicated their lives to the ocean and riding the huge waves off the shores of picturesque Cape Town, South Africa. “Satori” is a Japanese Buddhist word meaning a sudden moment of awakening or ‘glimpse of truth’ – the essence of surfing for many.
Featuring the awe-inspiring waves at two surf breaks on the South peninsula, the film focuses on the infamous “Dungeons” below the sentinel mountain in Hout Bay, and Sunset Reef, 1 km. out to sea off the small seaside village of Kommetjie. While each surfer is surfing these waves for different reasons, the film discovers that there is a connection that unites them – their love and respect for the raw beauty of the ocean.
2016 Surf Nite special guest Chris Bertish, pictured above, right, with HollywoodGlee, is featured in the film along with an interesting cast of characters from all walks of life.
Director/cinematographer Rick Wall and surfer Rod Torr who is also featured in the film, will be in attendance for a Q&A hosted by Coast 104.5’s Adam Montiel.
Rod Torr founded Kommetjie Surf in South Africa in 2007, and is passionate about the environment, the ocean and the pursuit of big waves. A lifetime surfer and long time friend of Rick Wall, he was an integral part in seeking funding and assisting with the production of the film.
Opening for SATORI will be a 30-minute documentary by filmmaker Graham Nash, and produced for Vans. In 2017, pro surfers Patrick, Dane and Tanner Gudauskas, and Michael February, hosted a surfboard drive to benefit the Waves for Change organization in Cape Town, South Africa. CAN’T STEAL OUR VIBE follows their journey to provide surfboards and a positive outlet to disadvantaged youngsters to help overcome the adversities of poverty, violence and abuse. Filmmaker Graham Nash will attend. Local surfers and businesses will have an opportunity to participate in a surf board drive with more details to come soon.
There will be a wine/beer bar in the lobby beginning at 6:00pm. A raffle of surf-themed items will be part of the excitement that evening, as well as an After Party at the Festival Lounge in downtown San Luis Obispo.
SURF NITE IN SLO – Presented by Surfing for Hope
Friday, March 15 – 7:00pm
Fremont Theatre, SLO
$15 Students & SLO Film Society
Mogul passes & Red Carpet tickets can be used for this event and After Party
Tickets can be purchased by clicking on the Buy Now button
or at Festival HQ at 1040 Court St. SLO
(opens Feb. 15 – check website for hours)
or Day of Show at the Fremont Theatre Box Office. Tickets will be sold first-come, first-served beginning at 6:30pm
Santa Barbara Jewish Film Festival March 6-10, 2019 The New Vic Theatre 33 W. Victoria Street, Santa Barbara
The Fourth Annual Santa Barbara Jewish Film Festival has announced the lineup for its 2019 Festival which will be held at the New Vic Theatre, in downtown Santa Barbara, Calif., from March 6th through March 10th.
SBJFF co-chair Mashey Bernstein sees the key word for the festival as “community.” “Our films reach out not only to the Jewish community, but the Santa Barbara community as a whole. We want EVERYONE who attends to come away with a positive feeling; one that they can only get by sharing the warmth and joy of shared community in the darkness and warmth of a movie theater.”
This year’s lineup includes critically acclaimed feature films, documentaries, and shorts from Australia, Austria, France, Germany, Israel, Mexico, United Kingdom and the United States, including World and American premiers. The films cover a range of topics from the life of a well-known author to the mysteries of the ritual bath, from the unexpected triumph of an Israeli baseball team to the darkest hours of our history. Numerous films and programs will also feature invited directors, actors and experts in the field to supply personal information and context.
Highlights for this year’s festival include the 1924 silent movie, City Without Jews, with an original music score and performance by San Francisco based Composer Sascha Jacobson and his string quintet (Saturday, March 9th at 7:15 pm). Believed to have been lost until a copy was discovered in a Paris flea market in 2015, this silent gem was restored by the Austrian national film archive. The sometimes ironical and humorous tale foretells a future that became all too frighteningly real less than ten years later. Other highlights include the opening night film Promise at Dawn by renowned French director Eric Barbier, that tells the story of Jewish writer Romain Gary who twice won the Goncourt Prize for French literature. On Friday March 8th at 1:00 pm, the Festival will show Dear Fredy, a story of a proud and openly gay Jew in a time of great peril who finds love in the most unlikely of places before his mysterious death. Following Dear Fredy, the Festival will screen the American premier of the Australian movie, Outback Rabbis.Outback Rabbis follows two indefatigable Chassidic Rabbis who go to the hinterlands of Australia to find lost Jews.
On Sunday March 10th there will A FREE program Heading Home about the formation of the Israeli baseball team and its entry onto the world stage. (10:30 am), a shorts program with a wide variety of takes on the Jewish experience (1:00 pm), and the Festival conclusion, a delightful yet thought provoking movie from Mexico, Leona, that explores the issue of assimilation in its large Sephardi community.
Awards for best feature, documentary and short will be announced prior to Leona’s screening at 7:00 pm.
Organized by the Jewish Federation of Greater Santa Barbara, the 2019 Santa Barbara Jewish Film Festival includes five days of high quality, unique films that showcase a wide range of documentaries, dramas, comedies, and shorts by American, European, and Israeli filmmakers.
Mission Statement: The Jewish Federation of Greater Santa Barbara produces the Santa Barbara Jewish Film Festival specifically to celebrate the diversity of Jewish history, culture, and identity, while hoping that the films and their stories will resonate beyond these settings and speak to universal experiences and issues that confront our common humanity.The 2019 Santa Barbara Jewish Film Festival is chaired by Mashey Bernstein and Ron Zonen.
The 2019 SBJFF is a proud recipient of an Events and Festivals Grant from the City of Santa Barbara and the Santa Barbara County Office of Arts and Culture.
So come on out, see some excellent films and help support these fine filmmakers. Until next time, I’ll see you at the movies!
Celebration to Take Place April 12th During The 2019 TCM Classic Film Festival
Turner Classic Movies (TCM) announced it will honor iconic comedian, actor and author Billy Crystal with a hand and footprint ceremony at the world-famous TCL Chinese Theatre IMAX®in Hollywood during the tenth annual TCM Classic Film Festival on Friday, April12.Crystal, a Tony Award® and six time Emmy® winner and Golden Globe® nominee, starring in cinematic classics such as The Princess Bride(1987), When Harry Met Sally…(1989), City Slickers(1991) in addition to hosting the Academy Awards nine times.
“Billy Crystal has long been among the most versatile talents working in Hollywood. And I say “talent” because Billy is so much more than an actor. Trying to define his career into a signature role or moment feels futile. Is it his lead performance in When Harry Met Sally, the ensemble he led in City Slickers, or his scene-stealing supporting part as Miracle Max in The Princess Bride? Then again, it might be his prodigious resume of voice acting work or his consistently impressive work hosting the Academy Awards, which he’s done nine times (only Bob Hope has done it more). From Soap to Monsters, Inc. Crystal has emerged as one of the great story tellers of his generation –on the big screen, the small screen, and in front of a live audience,” said Ben Mankiewicz, TCM prime time anchor and official host of the TCM Classic Film Festival. “For these and a fifty other reasons, we’re thrilled to be able to honor Billy for his contributions to this industry with a hand and footprint ceremony outside the TCL Chinese Theatre.”
This marks the ninth consecutive year TCM has featured a hand and foot print ceremony at the legendary TCL Chinese Theatre IMAX®. In 2011, Peter O’Toole was the honoree, followed by Kim Novak in 2012, Jane Fonda in 2013, Jerry Lewis in 2014, Christopher Plummer in 2015, Francis Ford Coppola in 2016,Carl and Rob Reiner in 2017 and Cicely Tyson in 2018.
About the 2019 TCM Classic Film Festival
For the tenth consecutive year, thousands of movie lovers from around the globe will descend upon Hollywood for the TCM Classic Film Festival. The 2019 festival is set to take place Thursday, April 11 –Sunday, April 14, 2019. Over four packed days and nights, attendees will be treated to an extensive lineup of great movies, appearances by legendary stars and filmmakers, fascinating presentations and panel discussions, special events and more.
TCM Prime time host Ben Mankiewicz will serve as official host of the TCM Classic Film Festival. The festival’s official hotel and central gathering point for the ninth consecutive year (was it not the first year?) will be The Hollywood Roosevelt Hotel, which has a longstanding role in movie history and was the site of the first Academy Awards® ceremony. The Hollywood Roosevelt Hotel will also offer special rates for festival attendees. Screenings and events during the festival will be held at the TCL Chinese Theatre IMAX, the TCL Chinese 6 Theatres and the Egyptian Theatre, as well as other Hollywood venues.
Whether it’s in the afternoon, at first sight, or in the air, the TCM Classic Film Festival will celebrate love in all of its forms. For the 10th annual Festival, and the 25th anniversary of TCM, there will be many-splendored moments to revel in romance and obsessions, delight in faithful friendships and surrender to the enduring allure of the silver screen with fellow classic movie lovers.
In Love and War Takes Audience Award and Captures Nordic Cinema Competition at Santa Barbara International Film Festival
In Love and War, from Director Kasper Torsting and Producer Ronnie Fridthjof, who co-wrote the screenplay together about a soldier in Denmark who returns home after three years of fighting on the front lines in WWI, harks back to Lars von Trier and Thomas Vinterberg’s Dogme 95, a film movement orchestrated to compete with Hollywood’s domination of the industry. Dogme 95 focused filmmakers on story, acting and theme and away from special effects and “MTV style editing.” Torsting and Fridthjof’s efforts seem to have brought von Trier and Vinterberg’s vision to fruition with In Love and War, winner of the coveted Audience Award for the 34th Santa Barbara International Film Festival as well as winner of the strong-fielded Nordic Cinema Competition.
The mise-en-scene and production design are at once gorgeous and stunning in this character-driven story that unfolds in dramatic fashion as lead character, Ebsen, portrayed by Sebastian Jessen, after already serving a three-year stint refuses to return to the front in order to renew and rebuild his family life. Consequently, Ebsen’s refusal forces him into hiding and to watch as a German Army officer, Gerhard, portrayed by Tom Wlaschiha, woos Ebsen’s wife, Kirstine, portrayed by Rosalinde Mynster, while winning the affection and admiration of Ebsen’s young son, Carl, portrayed by Axel Homann.
Interestingly enough, this is the first Danish film to address the German occupation of southern Denmark during WWI. Many of the Germans stayed in the area after the war and started families living side-by-side their Danish comrades. And, according to Director Torsting, it’s a part of Danish history that is washed over and hasn’t been addressed until now. Torsting made the film in an attempt to enlighten the present generation of a largely forgotten past.
With a painter’s touch, In Love and War’s cinematographer, Jesper Toffner, paints a remarkable canvas of landscape scenes coupled with period costuming that invites and encapsulates the viewer into the world of Ebsen and his quadrapalegic battle-buddy, Jes, portrayed by Morten Brovn, as both men try to not only survive but to hold on to their sense of self while everyone and everything around them is changing due to the formidable German influence.
Much more than an historical treatment, In Love and War digs into the human condition and what men and women do when faced with the difficult choices the cruelty of war posits onto the less fortunate. In addition, the film is in two languages, German and Danish, with English subtitles. Featuring stellar acting from the cast, including Ulrich Thomsen, Thurle Lindhardt, with Natalie Madueno and a driving musical score from Robin Hoffman that heightens the film’s suspense as Ebsen reaches the moment that will decide his fate and the fate of his family.
In Love and War is a highly compelling, emotionally moving film with a run time of 135 minutes and made its North American Premiere at the 34th Santa Barbara International Film Festival presented by UGG.
The 34th Santa Barbara International Film Festival (SBIFF) presented by UGG has come and gone. With its many tributes, panels, forums, educational and free community programs, and films, this year’s festival offered a little something for everyone.
The festival opened with one of the most emotionally riveting first night films in recent memory as SBIFF Board member, Mimi deGruy, unveiled her film Deep Diving: The Life and Time s of Mike deGruy featuring her deceased husband’s treasure trove of underwater footage as well as delving into his passion and activism for the dark ocean water and its inhabitants.
Without missing a beat, the Breakfast Club (the nickname given by SBIFF Director Roger Durling for the first movies of the day starting at 8:00 AM) kicked off with The Biggest Little Farm, a beautifully constructed documentary that follows a young couple, John Chester, a writer and filmmaker, and his wife, Molly, a culinary writer, as they make the transition from urbanites to traditional farmers. The Biggest Little Farm was one of the festival darlings.
A personal favorite film of mine this year was the tragic, genre-bending Birds of Passage, a cartel film on the Northern Colombian Wayuu tribes in the late 1960’s and 1970’s. Filmmakers Cristina Gallego and Ciro Guerra weave together a tapestry of cultural artifacts with a Shakespearean-style delivery that accentuates the early beginnings of cartel life.
Yet, one of the most mesmerizing aspects of the festival was contained in the Nordic Cinema Sidebar. Harking back to Lars von Trier and Thomas Vinterberg’s Dogme 95, a film movement orchestrated to compete with Hollywood’s domination of the industry, that focused filmmakers on story, acting and theme and away from special effects and “MTV style editing.” Their efforts seem to have come to fruition with In Love and War, winner of the coveted Audience Award for this year as well as winner of the formidable Nordic Cinema Competition.
First-time, feature-length, movie-maker/director, Vanessa Filho traveled in from Paris, France, with her deep, introspective work, Angel Face, featuring Marion Cotillard. A delightful presence at this year’s festival, Filho also participated in the Women Directors Forum, in addition to walking the red carpet at the Outstanding Performer of the Year tribute. I had the good fortune to sit with Filho in the Hotel Santa Barbara’s Garden Room shortly after her arrival for a brief interview.
Unfortunately, the one that got away, A Seed for Change, from one-man production team, Alexandros Ikonomidis, was a film about his experience in dealing with the financial crisis of 2008 and its life-altering, economic fallout. Due to pressing circumstances I could not attend screenings for this selection. However, I did communicate with Ikonomidis, albeit too late to see his film and its overriding themes of self-sufficiency and survival.
In addition to the traditional Opening Night and Closing Night Films, SBIFF has loaded several tributes into its Phase 2 Oscar cannon. This year had Rami Malek as its Outstanding Performer of the Year recognizing his portrayal of Freddie Mercury in Bohemian Rhapsody. Malek is sweeping award ceremonies thus far and continues to be the front-runner for a Best Actor Oscar from the Academy of Motion Pictures Arts and Science later this month. We shall see!
The Santa Barbara International Film Festival (SBIFF), presented by UGG®, will return for the 35th edition January 15 – 25, 2020. 200+ Films featuring over 120 World and US premieres, Industry Panels, Celebrity Tributes, and Educational and Free Community Programs will be held throughout Santa Barbara, including the Arlington and Lobero Theatres.
“We’re so grateful to all of our honorees, filmmakers, attendees, sponsors, press and volunteers for making the 34th edition our best yet. We’re adjusting our dates and we’re already looking forward to celebrating our 35th anniversary! – SBIFF Executive Director Roger Durling.
Also announced today were the award winning films for the 34th Festival at a breakfast held in their honor at Belmond El Encanto. All awards were announced, culminating in the coveted Audience Choice Award sponsored by The Santa Barbara Independent, which went to Kasper Torsting’s In Love and War (I krig & kærlighed). The films were chosen by jury members Anthony and Arnette Zerbe, David and Sandy Wasco, Joe Medjuck, Katharine O’Brien, Leslie Zemeckis, Margaret Lazarus, Olivia Hamilton, Paul Brickman, Roger Avary, and Tamara Asseyev.
Congratulations to ALL the Winners:
Audience Choice Award sponsored by The Santa Barbara Independent: Kasper Torsting’s In Love and War (I krig & kærlighed)Best Documentary Short Film Award: Leslie Iwerks’s Selling Lies Bruce Corwin Award – Best Live Action Short Film: Christopher Wollebekk’s My Brother Amal (Min bror Amal) Bruce Corwin Award – Best Animated Short Film: Rachel Johnson’s Henrietta Bulkowski Best Documentary Awardsponsored by SEE International: Johnny Sweet’s Quiet Storm: The Ron Artest Story Jeffrey C. Barbakow Award – Best International Feature Film: Bettina Oberli’s With the Wind (Le vent tourne) Panavision Spirit Award for Independent Cinema: Sam Friedlander’s Babysplitters Nueva Vision Award for Spain/Latin America Cinema: Celia Rico Clavellino’s Journey to a Mother’s Room (Viaje al cuarto de una madre) Valhalla Award for Best Nordic Film: Kasper Torsting’s In Love and War (I krig & kærlighed) ADL Stand Up Award: Javier Fesser’s Champions (Campeones) Social Justice Award for Documentary Film: Elizabeth Mirzaei and Gulistan Mirzaei’s Laila at the Bridge
Three awards were handed out for short films. The Bruce Corwin Award for Best Live Action Short Film went to Christopher Wollebekk’s My Brother Amal (Min bror Amal). The Jury remarked “My Brother Amal displayed shining performances, brilliant directing and quite simply – it made us feel.“The Bruce Corwin Award for Best Animated Short Film went to Rachel Johnson’s Henrietta Bulkowski. The Jury awarded the film “for it’s inventive story, craft and heart – it is a film that sticks in your mind long after you see it.“ Best Documentary Short Film was awarded to Leslie Iwerks’s Selling Lies. The Jury called the film “eye opening and chilling, Selling Lies clarified, disturbed and shifted our perspective.”
Sponsored by SEE International, the Best Documentary Film Award went to Johnny Sweet’s Quiet Storm: The Ron Artest Story. The jury remarked that “The power of this Doc cannot be denied, a testament to it’s subject and all involved. The gathering of top notch Interviewees and historical footage, the editing, camera, sound, all make for perfectly paced and gripping film.”Bettina Oberli’s With the Wind (Le vent tourne) is the recipient of the Jeffrey C. Barbakow Award for Best International Film. The Jury remarked that “With extraordinary moments of natural life beautifully captured, and equal portions dystopic nightmare, director Bettina Oberli’s eulogy for luddite optimism acknowledges that only part of us is sane and wanting for creation, while simultaneously exists an opposing primal need to burn one’s own house down until the foundations are blackened.”
Sam Friedlander’s Babysplitters took home the Panavision Spirit Award for Independent Cinema. The Jury remarked that “Babysplitters was presented to the festival as a work in progress. Even so, we appreciated the strong comic timing, the good heart, and a slew of laugh-out-loud moments. With some editorial discipline, this has the potential to become a true comic treat.”
The Nueva Vision Award for Spain/Latin America Cinema went to Celia Rico Clavellino’s Journey to a Mother’s Room (Viaje al cuarto de una madre). The Jury remarked that the film “A very delicately composed film. Beguilingly simple in it’s reach yet totally engrossing. Beautiful to look at, beautifully acted.”
The Valhalla Award for Best Nordic Film was awarded to Kasper Torsting ‘s In Love and War (I krig & kærlighed). The Jury remarked that the film “Intricate tale of the anguish of war. Totally unpredictable, highly original. Amazing Photography, editing and acting.”
Sponsored by Santa Barbara and Tri-Counties ADL, The ADL Stand Up Award went to Javier Fesser’s Champions (Campeones). “Campeones champions the value of inclusion, which is a touchstone of ADL’s worldwide effort to embrace diversity, to foster mutual respect, and to fight hate,” said Regional Director, Cyndi Silverman. “This is also a film about community,” she continued, “and we are thrilled for our community to see it.”
The Social Justice Award for Documentary Film went to Elizabeth Mirzaei and Gulistan Mirzaei’s Laila at the Bridge. The jury remarked that “The filmmaker’s access to life and death events that unfolded right in front of our eyes, the personal force and dynamism of Laila fighting the powers that control money and drugs in Afghanistan on behalf of the addicts kept us riveted. Laila’s openness and deep understanding of addiction combined with the horror of the police keeping the addicts under a bridge and letting them die there was astounding.”
The Audience Choice Award sponsored by the Santa Barbara Independent went to Kasper Torsting’s In Love and War (I krig & kærlighed). 1917: A Danish soldier fighting under the German regime fakes his own death to escape the horrors in the trenches and return to his wife and son—only to find that everything has changed.
ABOUT THE SANTA BARBARA INTERNATIONAL FILM FESTIVAL
The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 33 years, SBIFF has become one of the leading film festivals in the United States – attracting 95,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.
Sponsors of the 34th SBIFF include: UGG®, Toyota Mirai, Belvedere Vodka, City of Santa Barbara, Amazon Studios, ADL, Montecito Bank & Trust, IMDbPro, Union Bank, Driscoll’s, Santa Barbara Vintners Foundation, Bentson Foundation, SEE International, Manitou Fund, Patagonia, Winchester Mystery House, Netflix, Mary Beth Riordan, Lynda Weinman & Bruce Heavin, Volentine Family Foundation, and many more supporting through trade.
SBIFF continues its commitment to education and the community throughout many free educational programs and events. In June 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day.
Industry veterans Melissa Gilbert and Tim Busfield premiered their first feature film, Guest Artist, starring Jeff Daniels, under the newly formed Grand River Production Company, this weekend at the 2019 Santa Barbara International Film Festival presented by UGG. Daniels also adapted Guest Artist from an acclaimed play he authored with the same title.
I had the privilege to sit down with Busfield and Gilbert in between screenings. Here is an excerpt from our talk.
Guest Artist is a drama about a a legendary but troubled playwright (Jeff Daniels) who has come to a small Michigan town to mount his latest play. While there he meets a precocious young man who idolizes Daniel’s character. What unfolds during their meeting is sheer brilliance. Guest Artist is entered into the Independent Competition sponsored by Panavision and is screening tonight at the Metro 2 at 8:20 PM and tomorrow at the Fiesta 4 at 5:40 PM. I got a peak at it and the writing is fantastic and I really liked the concept and theme. After our interview, I came up with a title for a forthcoming play: Patience of a Saint. And, stay tuned for forthcoming SBIFF film reviews.
Thursday, February 7, 2019
Michael B. Jordan is set to receive the Santa Barbara International Film Festival’s CinemaVanguardAward for his work in two of the year’s critically acclaimed, culturally significant and record-breaking box office hits, Marvel’s Black Panther and Annapurna’s Creed II. Jordan will be honored Thursday, February 7th, 2019, at the historic Arlington Theater in Santa Barbara, CA.
“It’s thrilling to honor Michael B. Jordan this year for the emboldened way he’s shown us what it means to be a movie star for the 21st century – mixing sensitivity with swagger, choosing important material that remains full of integrity yet become world phenomenon, and forging a cinematic partnership with visionary director Ryan Coogler,” says Roger Durling, Executive Director, Santa Barbara International Film Festival.
Jordan first garnered industry-wide attention for his breakout role in Fruitvale Station, his first collaboration with Ryan Coogler. In 2016, Jordan launched his own production company, Outlier Society Productions, with a multiyear first-look deal with Skydance Media. In 2018, Jordan returned to the silver screen as the tormented and revenge driven Erik Kilmonger in Marvel and Disney’s Black Panther which ignited a cultural movement and went on to become the 9th highest growing film of all time at $1.3 Billion among other accolades. Additionally, Jordan got back into the producer’s seat for the highly anticipated sequel Creed II, which broke the box-office record for highest grossing Thanksgiving opening, where he also returned to his starring role as Adonis Creed. Earlier this year, Jordan was also instrumental in implementing a broad diversity and inclusion policy which has been adapted by Warner Media for all productions from HBO, Warner Bros. and Turner.
The CinemaVanguardAward recognizes actors who have forged their own path, taking artistic risks and making a significant and unique contribution to film. Previous honorees include William DeFoe, Casey Affleck, Michelle Williams, Rooney Mara, Eddie Redmayne, Felicity Jones, Martin Scorsese, Leonardo DiCaprio, Amy Adams, Jean Dujardin, Bernice Bejo, Nicole Kidman, Peter Sarsgaard, Christoph Waltz, Vera Farmiga, Kristin Scott Thomas, Stanley Tucci and Ryan Gosling.
Virtuosos Award presented to Sam Elliott, Claire Foy, John David Washington, and more
SANTA BARBARA, Calif. (February 6, 2019) – The 34th Annual Santa Barbara International Film Festival (SBIFF) continued its tribute series with the presentation of the Virtuosos Award presented by Ugg, which recognizes a select group of talent whose noteworthy performances in film have elevated them into the national cinematic dialogue.
This year’s honorees included: Yalitza Aparicio (Roma) Sam Elliott (A Star is Born), Elsie Fisher (Eighth Grade) Claire Foy (First Man), Richard E. Grant (Can You Ever Forgive Me?), Thomasin Harcourt McKenzie (Leave No Trace), John David Washington (BlacKkKlansman) and Steven Yeun (Burning).
Prior to being presented with their awards, each honoree engaged in a one-on-one discussion with Turner Classic Movies host Dave Karger. The one-on-one discussions were followed by a panel discussion, also moderated by Karger.
The evening was full of warmth and laughter and the the utmost appreciation for legend Elliott, who received a standing ovation upon taking the stage.
The most memorable moment of the evening took place during the full panel when Karger asked each honoree to name an actor with whom they feel they would have an amazing rapport. Washington immediately responded with “Beyoncé,” put down the microphone, and pretended to walk away. The entire panel and audience broke out into laughter. After a few moments of contemplation, Yeun, Grant, Foy, Fisher, and McKenzie decided to give the same answer as Washington. Elliott, however, continued to hold out and when he gave his answer it caught everyone by surprise. “I’d like to work with Claire Foy,” he finally said. The audience cheered and applauded and Foy exclaimed with a smile, “Good god. Oh my god. I actually think I’m blushing.
Actor Christopher Lloyd presented each honoree with their award.
Additional highlights from the evening include:
Steven Yeun on the ambiguity of Burning:
When asked about people’s reactions to the film – particularly the ending, which is very ambiguous – Yeun told Karger: “To me Director Lee’s films have always been a way of reflecting the world back at the viewer. I think what we were all trying to go for was an openness…to tell you a story that you kind of direct, that you impose what these people are and what they did.”
John David Washington on how he came to work with Spike Lee:
Washington recounted how Spike reached out to him with the project out of the blue. “It was almost like we were working already,” he mused. “I got a text message from a number I didn’t recognize, and it read, ‘Yo this Spike. Call me.’”
Thomasin Harcourt McKenzie on acting:
McKenzie spoke at length about acting as a profession, which included noting how: “It’s not just putting on a performance; it’s not faking; it’s being; it’s sharing true emotions; and it’s an opportunity to make a difference and to tell really important stories.”
Richard E. Grant on working with Melissa McCarthy:
Grant said it took “3.5 nanoseconds” for him to know that working with Melissa McCarthy would be great. “We met on a Friday, two years ago in New York in January, and we had two hours together to talk through the scenes in the movie,” he recalled. “I asked her if she was a method actress and she said no; and she said, are you a method actor, and I said no. So we started talking about wigs, and teeth, and costumes, and where our characters lived, and grew up, and what their sex lives were, and then we’re off and running.” He joked: “We started shooting on a Monday and she’s have my twins in August.”
Claire Foy (First Man) on channeling emotion while acting:
“I feel that I never want to cheapen someone’s real life experience,” she told Karger. Instead of thinking back to a moment in her own life in order to channel a particular type of emotion into a scene, Foy asserted: “I find it moving enough or heartbreaking enough to just think about what someone was going through.”
Elsie Fisher (Eighth Grade) on eighth grade vs tenth grade:
Fisher filmed Eighth Grade immediately following her actual eighth grade year in school. She is now in tenth grade and when asked what a film about tenth grade might look like, she contemplated: “Eighth grade is kind of just chaos – it’s like war. But tenth grade is like two summers after the war, where you can still have PTSD from it but you’re a little cooler now.”
Sam Elliott (A Star is Born) on realizing the scope of his role in the final version of the film:
Elliott didn’t realize how substantial his role was in the film until he saw the film at the Toronto International Film Festival. Prior to the screening in Toronto, he had seen a second assembly where, in his own words, “the relationship between Stefani and Bradley was fully blown, the music was fully developed, but the supporting cast really had gotten hit hard in the edit.” Upon seeing the film in Toronto, Elliott recalled: “That was one of the things that got me. Oh, I really am in this movie.”
Stay tuned for more on the hottist ticket in town, the 34th Santa Barbara International Film Festival.
NETFLIX NABS NORTH AMERICAN RIGHTS TO GRANT SPUTORE’S SCI-FI THRILLER “I AM MOTHER”
Netflix has acquired the North American rights to I Am Mother out of the 2019 Sundance Film Festival. Directed by Grant Sputore in his feature film debut and starring two-time Academy Award® winner Hilary Swank (Boys Don’t Cry, Million Dollar Baby), up-and-comer Clara Rugaard (Teen Spirit, Good Favour), Golden Globe® and Emmy® nominee Rose Byrne (Instant Family, X-Men: Apocalypse), is a sci-fi thriller about a teenage girl (Rugaard), who is the first of a new generation of humans to be raised by Mother (Byrne), a robot designed to repopulate the earth after the extinction of humankind. But the pair’s unique relationship is threatened when an injured stranger (Swank) arrives with news that calls into question everything Daughter has been told about the outside world and her Mother’s intentions.
The film is based on a story by Sputore and Michael Lloyd Green.