2017 #SLOIFF Surf Nite – Between Land & Sea

Posted by Larry Gleeson

NORTH AMERICAN PREMIERE

Presented by San Luis Obispo Collection

Also sponsored by Apple Farm, City of Pismo Beach, Cliffs Resort, Quality Suites of San Luis Obispo, Sea Venture Resort, Coast 104.5, and Sycamore Mineral Springs Resort & Spa.

Directed by SLO Film Fest alum, Ross Whitaker (his short Bye Bye Now screened at SLO Film Fest in 2010) Between Land and Sea,  screening March 17th at 7 PM in the stunning Art Deco inspired Fremont Theater, chronicles a year in the life of an Irish surf town at the mercy of the Atlantic Ocean.

Against the backdrop of Ireland’s stunning west coast, this film digs deep into the day to day lives of the surf community, taking the audience beyond the bluster of the typical adrenaline fueled film to create a very real portrait of those who choose the surf lifestyle.

Irish Big Wave surfer Ollie O’Flaherty will be in attendance, along with the Irish Patagonia surf ambassador, Tom Doidge-Harrison. Both are featured throughout the film and will be traveling to San Luis Obispo for the Premiere.

And if that’s not enough for you, the evening will begin with a short called CHANDLER’S ARK, about Scott Chandler’s quest to put a record number of dogs on a surf board and have them catch a wave! It’s entertaining, amazing and…no dogs were harmed in the making of that film.

But wait there’s more…

Coast 104.5’s Adam Monteil will host the event! Join Surf Nite special guests, visiting filmmakers, and fellow Surf Nite attendees at an After-party in the Festival VIP tent after the movie and Q&A. $10 and a Surf Nite wristband is the cover charge for beer, wine and snacks in the Filmmakers tent.

Get your tickets here!

surf2520nite2520at2520the2520the2520fremont252c25202008
Surf Nite 2015 at the SLO Film Fest in downtown San Luis Obispo, Calif. The Art Deco inspired Fremont Theater hosts this epic wave event. Lining the street each year are a collection of classic surfing rides. An event and sight not to be missed! (Photo via kcet.org)

 

*To learn more about SLOIFF click here.

Screen Shot 2017-03-09 at 9.34.04 AM

(Source: slofilmfest.org)

#SLOIFF is vamping up for its 2017 Opening Night

Posted by Larry Gleeson.

The 23rd San Luis Obispo SLO Film Fest (SLOIFF) is vamping up for its Opening Night. After last year’s mesmerizing Opening Night Film, Nosferatu, this year’s fest is starting with Academy Award Nominee Leslie Iwerks’ new documentary on New Orleans famed restaurateur Ella Brennan, “ELLA BRENNAN: Commanding the Table.” The Brennan family is the first family of restauranting in NOLA. Three generations of the iconic Brennan family operate and run 17 dining establishments!

new-orleans-historic-restaurant-commanders-palace-dining-room-2
The Brennan family’s Commander’s Palace Couples Dining Room in New Orleans, Louisiana. (Photo via neworleans.com)

The Festival Headquarters, located at 1003 Osos St. (corner of Monterey), is open for business. According to the festivals’ website, slofilmfest.org, “the Festival Ticket Mistresses look forward to helping you with ticket and pass purchases, and festival information.” Click here for the Festival Headquarters hours.

This year promises to be the biggest and best festival yet!

To learn more about SLOIFF click here.

More from #SLOIFF

We are proud of the great lineup of films and panels at this year’s SLO Film Fest that celebrate women in diverse ways. Highlighting inspiring and talented role models, strong protagonists and just all-round cool chicks, check out this must-see selection in this year’s program: Equal Means Equal Ella Brennan: Commanding the Table A Tribute to Debbie Reynolds […]

via SLO Film Fest celebrates Int’l Women’s Day with movies and panels! — San Luis Obispo International Film Festival

ABOUT #SLOIFF

Posted by Larry Gleeson

Located halfway between San Francisco and Los Angeles, surrounded by lush vineyards, ranchland and a 100-mile coastline, the San Luis Obispo International Film Festival (SLOIFF) is headquartered in the quaint, sophisticated downtown of San Luis Obispo on the spectacular Central Coast of California. As a premiere 6-day annual event, the SLOIFF showcases contemporary and classic film screenings in a wide variety of venues, from the city’s classic art deco Fremont Theatre, to the popular independent Palm Theatre, with a variety of unexpected venues from the wine country of Paso Robles to the seaside towns of Avila Beach and Pismo Beach.

This year marks the 23rd year for the festival with run dates of March 14-19. Tickets and passes are still available here.

That being said variety is the spice of life, and the SLOIFF is proud to embrace that philosophy in its programming. From cutting edge documentaries to tried and true cinema classics, the SLOIFF celebrates film on the ‘big screen’ by offering something for everyone. Experience HOLLYWOOD & VINES EVENTS that pair excellent local wines with film classics. Or the RED CARPET EVENTS, where celebrities from Hollywood filmmakers to action sports legends are welcomed.

This year’s Opening Night is blasting off with a New Orleans style theme party followed by Leslie Iwerks new film, “ELLA BRENNAN: Commanding the Table,” about one of New Orleans’ most famous restaurants, Commander’s Palace. The evening is sponsored by Jim Sargen, Taste Buds, The Krush 92.5, Cafe Musique and the following restaurants & caterers:

Baklava RoyaleThe Spoon TradeGiuseppe’s, ChipwreckedPapi’s GrillBunn Thai, The Cracked CrabEfren’s Mexican RestaurantJeffery’s CateringApple FarmOki Momo Asian GrillVivant Fine CheesesSurfside Deli, and Bon Temps Creole Cafe

And libations from: Amplify WinesBaker and Brian, Barrel House BrewingField RecordingsOpolo VineyardKynsi WineryCass Winery, The Central RoastTimbre Wines, Puffers of Pismo, Robin Bogue formerly of William James, Summerland Wines, Cambria Wines, Talley Vineyards and M Special Brewing Company.

And afterward Opening night enjoy premieres of INDEPENDENT FILMS – films that you may not have a chance to see anywhere else. Filmmakers from all over the world attend the Festival and offer informative Q & A sessions after the screening of their films.Last year’s Borrowed Time made it all the way to the Academy of Motion Picture Arts and Sciences 2017 Oscars as an animated short.

This is a film festival and locale on the move within the filmmaking world. If you haven’t made it yet, get there. You’ll be glad you did! Check out this year’s Lineup and create your own film viewing schedule. I did.

See you at the cinema!

SLOIFF MISSION STATEMENT: To entertain, educate and inspire film-goers and filmmakers. Movies Matter!

SLOIFF VISION STATEMENT: The SLOIFF will continue to grow in importance as a successful regional event, providing cultural and economic benefit to San Luis Obispo County by promoting the concept that “Movies Matter” and that the art of film is a cultural force with the capacity to transform lives of individuals and society at large, we will nurture new filmmakers, attract new audiences, and develop film-related youth outreach and education programs. We will expand collaboration with other community non-profits, and the local hospitality and wine industries with events that emphasize the uniqueness of our area.

(Source: slofilmfest.org)

TCM to Honor Carl Reiner and Rob Reiner

Posted by Larry Gleeson

TCM to Honor Father & Son Filmmaking Icons Carl Reiner and Rob Reiner with Hand and Footprint Ceremony

Celebration to Take Place April 7 at the 2017 TCM Classic Film Festival

Screen Shot 2017-03-06 at 12.11.26 PM

Turner Classic Movies (TCM) will honor legendary father and son film icons Carl Reiner and Rob Reiner during a hand and footprint ceremony at the world-famous TCL Chinese Theater IMAX® in Hollywood during the eigth annual TCM Classic Film Festival on Friday, April 7. TCM will celebrate the storied careers of the father and son duo who have collectively worked in the industry for over a century and amassed countless accolades along the way. This marks the first occasion that a father and son have jointly been honored with a hand and footprint ceremony at the TCL Chinese Theater IMAX®.

 

Industry titan Carl Reiner has been a celebrated director and comedic performer for more than 70 years, gaining a loyal following for his sketch comedy work alongside Sid Caesar and Mel Brooks and for directing such beloved films as Oh, God! (1977), Dead Men Don’t War Plaid (1982), Where’s Poppa? (1970), The Jerk (1979) and for creating and writing The Dick Van Dyke Show, for which he collected multiple Emmys® during his career.

 

Filmmaker and political activist Rob Reiner has had an equally illustrious career, from his Emmy®-award winning role on the revered television sitcom All in the Family to his work behind the camera, directing such American cinematic classics as This Is Spinal Tap (1984), Stand by Me (1986), The Princess Bride (1987), When Harry Met Sally… (1989), Misery (1990) and A Few Good Men (1992). Renowned for his staunch support of civil rights, Reiner is a co-founder of the American Foundation for Equal Rights and has long lent his support to non-profits that address social and environmental issues.

 

“Carl Reiner is a genuine comedy pioneer, a breakthrough artist from Hollywood’s golden era,” said TCM host Ben Mankiewicz, who also serves as the official host of the TCM Classic Film Festival. “It’s never easy following in the footsteps of a force as innovative and creative as that, but Rob found his own way to success, as an actor, first as a vital part of the social relevance of All in the Family, then as thoughtful director and producer of both comedies and dramas. There’s is a family that belongs forever imprinted in Hollywood history.”

 

This marks the seventh consecutive year TCM has featured a hand and footprint ceremony at the legendary TCL Chinese Theatre IMAX®. In 2011, Peter O’Toole was the honoree, followed by Kim Novak in 2012, Jane Fonda in 2013, Jerry Lewis in 2014, Christopher Plummer in 2015 and Francis Ford Coppola in 2016.

 

Carl Reiner Biography

Depending on who you talk to, Carl Reiner is best known as a co-star on the legendary television program, Your Show of Shows…or as the creator and co-star of The Dick Van Dyke Show…or as The Interviewer of “The 2000 Year Old Man”…or a director of feature films, including Where’s Poppa (1970), Oh, God! (1977), The Jerk (1979) and All of Me (1984)…or as father of actor-writer-director-producer Rob Reiner and husband of jazz vocalist Estelle Reiner…or as the recipient of twelve Emmy Awards…or…

 

Born in the Bronx, Reiner is the son of a watchmaker. At Evander Childs High School, his interest was baseball, but at age sixteen he took a job as a machinist’s helper in the millinery trade. He simultaneously enrolled in drama school for eight months and landed a part as a second tenor in an updated version of The Merry Widow.

 

Reiner subsequently served in World War II, first training as a radio operator in the Air Force, followed by an assignment to Georgetown University to study French in order to become an interpreter, then as a Teletype operator in the Signal Corps, and later as a comedian and actor with Maurice Evans’ Special Services Entertainment Unit.  He toured the Pacific for eighteen months in G.I. revues.

 

Upon his honorable discharge in 1946, he won the leading role in the national company of Call Me Mister and after three more years in various Broadway musicals, joined Sid Caesar and Imogene Coca on Your Show of Shows.

 

In 1958, his first novel, Enter Laughing, was published. An autobiographical work, the book chronicled Reiner’s frustrations as a young machinist helper in the millinery trade and his eventual entry into show business.  The book subsequently became the basis for a Broadway play (adapted by Joe Stein) and feature film (directed and co-produced by Reiner) of the same name.

 

In 1961, Reiner conceived The Dick Van Dyke Show, which would become one of the most famous and best loved sitcoms in television history. Of course, audiences have never forgotten his co-starring role on the show as the toupee-wearing producer, Alan Brady. That same year, he wrote his first feature film, The Thrill of It All, for Doris Day and James Garner.

 

Reiner’s other feature film credits as a director include: The Comic (1969), co-written by Reiner and Aaron Ruben; Where’s Poppa? (1970), starring George Segal and Ruth Gordon; Oh, God! (1977), starring George Burns; films with actor Steve Martin: The Jerk (1979), Dead Men Don’t Wear Plaid (1982), The Man With Two Brains (1983) and All of Me (1984); Summer Rental (1985), with John Candy; The One And Only (1978), with Henry Winkler; Summer School (1987), with Mark Harmon; Bert Rigby, You’re A Fool! (1989), which Reiner also wrote; Sibling Rivalry (1990), with Kirstie Alley; Fatal Instinct (1993) with Armand Assante and Kate Nelligan; and That Old Feeling (1997), with Bette Midler and Dennis Farina. Mr. Reiner and Mel Brooks released a CD and book with new material in Oct. 1997, The 2000 Year Old Man In The Year 2000. (Harper Collins Publisher and Rhino Records Distributor)

 

His motion picture acting credits include a starring role in The Russians Are Coming, The Russians Are Coming (1966), and featured or cameo roles in It’s A Man, Mad, Mad, Mad World (1963), The Gazebo (1959), Generation (1969), Dead Men Don’t Wear Plaid (1982), The End (1978), and Slums of Beverly Hills (1998). His most recent acting role was of Sol in the remake of Ocean’s 11 in 2002.  He is the voice of one of the characters in Good Boy, which opened in October 2003. He reprised his role of Saul in Ocean’s 12, which opened December, 2004 and Ocean’s 13 which opened in June 2007.

 

His TV acting credits include features roles in Beggars and Choosers, Family Law, The Bernie Mack Show, Crossing Jordan, The Bonnie Hunt Show and, most recently, Boston Legal.   He is the voice of one of the characters in the new DreamWorks animated television show Father Of The Pride. TV Land produced and broadcast an animated half-hour pilot of Reiner’s famous character, Alan Brady.  He’s also had recurring roles in Disney’s Jake and the Neverland Pirates as well as animated TV show Family Guy from 20th Century Fox.

 

His second novel, All Kinds of Love, was published in 1993.  His third novel, Continue Laughing, was published in l995.  How Paul Robeson Saved My Life, a book of short stories, was published in l999.  His latest book, My Anecdotal Life, was published in April of 2003 and his children’s book, Tell Me A Scary Story, was published in Fall 2003. The Two Thousand Year Old Man Goes To School was published Spring 2005.  NNNNN, a novel, was published in February 2006.  Another book, Just Desserts, was published in July 2009.  He has published two other children’s books: Tell Me Another Scary Story and Tell Me A Silly Story. Carl’s memoir, I Remember Me, was published in January 2012.

 

In 2014, the second volume of his memoirs, I Just Remembered, was published. The third volume, What I Forgot To Remember, was published last year, along with another children’s book, The Secret Treasure of Taka Pahka. His next book, Why and When The Dick Van Dyke Show Was Born, was also released in 2015.  His latest, Carl Reiner, Now You’re Ninety-Four, was just released in November 2016.

 

Reiner was married for 64 years to Estelle, before her passing in October 2008.  They are also parents of two other children: Annie Reiner, a poet-painter-playwright-psychoanalyst; and Lucas Reiner, a painter-screenwriter-director.  They are the proud grandparents of five grandchildren.  He calls all three of his children “terribly civilized, wonderful human beings.”

 

Rob Reiner Biography

Rob Reiner first came to fame as an actor in the landmark television series All In the Family but went on to become the acclaimed director of some of the most popular and influential motion pictures of the past few decades, deftly moving among many styles.  His work ranges from the pure comedy of This Is Spinal Tap (1984) and The Princess Bride (1987) to the intense drama of Stand By Me (1986), Misery (1990), A Few Good Men (1992) and Ghosts of Mississippi (1996); from the romantic comedy of When Harry Met Sally… (1989), The American President (1995) and Flipped (2010) to the poignant comedy-drama, The Bucket List (2007), And So It Goes (2014) starring Michael Douglas and Diane Keaton, Being Charlie (2015), which was co-written by Reiner’s son, Nick and LBJ (2016) starring Woody Harrelson, and he is currently in post production on his latest Shock and Awe which again stars Woody Harrelson along with Alec Baldwin, Tommy Lee Jones and James Marsden.

 

Reiner is also a vigorous political activist and was instrumental in establishing the California Children & Families Commission, which he chaired for seven years. Recently, he and his wife Michele joined with the American Foundation for Equal Rights to bring the landmark federal court challenge to California’s Prop. 8, the ban on marriage for gay and lesbian couples.

 

About The TCL Chinese Theatre IMAX ®

Since 1927, The TCL Chinese Theatre has been the home of the most important, star powered red carpet movie premieres and special events, where Hollywood’s biggest and brightest talents have come to watch their movies.  The most famous movie theatre on the globe is world-renowned for its unique forecourt of the stars, featuring cement hand and footprints of major movie stars, from Marilyn Monroe to Brad Pitt, and numerous stars from all eras of Hollywood. In 2013, the main theatre was relaunched as the world’s largest IMAX® theatre.

 

About the 2017 TCM Classic Film Festival

For the eighth consecutive year, thousands of movie lovers from around the globe will descend upon Hollywood for the TCM Classic Film Festival. The 2017 festival is set to take place Thursday, April 6 – Sunday, April 9, 2017. Over four packed days and nights, attendees will be treated to an extensive lineup of great movies, appearances by legendary stars and filmmakers, fascinating presentations and panel discussions, special events and more.

 

TCM host Ben Mankiewicz will serve as official host of the TCM Classic Film Festival, with TCM’s Tiffany Vazquez introducing various events. The festival’s official hotel and central gathering point for the eighth consecutive year will be The Hollywood Roosevelt Hotel, which has a longstanding role in movie history and was the site of the first Academy Awards® ceremony. The Hollywood Roosevelt Hotel will also offer special rates for festival attendees. Screenings and events during the festival will be held at the TCL Chinese Theatre IMAX, the TCL Chinese 6 Theatres and the Egyptian Theatre, as well as other Hollywood venues.

 

Description of the 2017 festival theme Make ‘Em Laugh: Comedy In The Movies:

From lowbrow to high, slapstick to sophisticated comedies of manners—the 2017 TCM Classic Film Festival will showcase the greatest cinematic achievements of lone clowns, comedic duos and madcap ensembles.

 

Festival Passes

Passes for the 2017 TCM Classic Film Festival are on sale now. Fans are able to purchase them through the TCM Classic Film Festival website. As the number of passes available is limited, fans are encouraged to purchase their passes as soon as possible.

 

The “Spotlight” Festival Pass: $2,149 – Includes all privileges available to “Classic” and “Essential” passholders, priority entry to all screening events; plus entry to the exclusive opening-night party following the red-carpet gala screening at TCL Chinese Theatre; meet-and-greet events with special guests,; and a limited edition TCM Classic Film Festival poster.

 

The “Essential” Festival Pass: $799 – Includes all privileges available to “Classic” passholders, plus entry to the opening-night red-carpet gala screening at TCL Chinese Theatre and official TCM Classic Film Festival gift bags.

 

The “Classic” Festival Pass: $649 – Includes access to all film programs at festival venues Thursday, April 6 – Sunday, April 9 (does not include admittance to the opening-night red-carpet gala screening at TCL Chinese Theatre or the opening-night party); access to all Club TCM events, panels and poolside screenings at the Hollywood Roosevelt Hotel; an opening-night welcome reception at the Hollywood Roosevelt Hotel; and the closing-night event.

 

The “Palace” Festival Pass: $299 – Includes access to all screenings and events at the historic TCL Chinese Theatre (excluding the opening-night red-carpet gala) and the Egyptian Theatre Friday, April 7 – Sunday, April 9, as well as poolside screenings at the Hollywood Roosevelt Hotel.

 

About Turner Classic Movies (TCM)

Turner Classic Movies (TCM) is a two-time Peabody Award-winning network that presents great films, uncut and commercial-free, from the largest film libraries in the world highlighting the entire spectrum of film history. TCM features the insights of hosts Robert Osborne and Ben Mankiewicz, plus interviews with a wide range of special guests and serves as the ultimate movie lover destination. Currently in its 22nd year as a leading authority in classic film, TCM offers critically acclaimed series like The Essentials, along with annual programming events like 31 Days of Oscar® in February and Summer Under the Stars in August. TCM also directly connects with movie fans through events as the annual TCM Classic Film Festival in Hollywood and the TCM Classic Cruise, as well as through the TCM Classic Film Tour in New York City and Los Angeles. In addition, TCM produces a wide range of media about classic film, including books and DVDs, and hosts a wealth of material online at tcm.com and through the Watch TCM mobile app.

 

TCM is a division of Turner, a Time Warner company, Turner creates and programs branded news, entertainment, sports, animation and young adult multi-platform content for consumers around the world. Turner brands and businesses include CNN/U.S., HLN, CNN International and CNN.com, TBS, TNT, TCM, truTV, Cartoon Network, Boomerang, Adult Swim, Turner Sports, Bleacher Report, FilmStruck, Super Deluxe, iStreamPlanet and ELEAGUE

(Source: TCM Press Release)

Exploring Themes In the SXSW Film Lineup: Not Just About Animals

Posted by Larry Gleeson

By Neha Aziz

This year SXSW has a handful of films that feature animals in their titles. But why judge a film by its title (or poster)! These movies crossover many of screening sections, from Documentary to Midnighters to Global. Getting curiouser and curiouser!

Bad Lucky Goat

(Colombia) (World Premiere) Director/Screenwriter: Samir Oliveros

After accidentally killing a bearded goat, teenage siblings Corn and Rita must quickly find a way to repair their father’s truck, enlisting the help of a butcher, rastafari drum makers, a pawn shop and even a witch doctor, in a 24-hour adventure around Port Paradise. Cast: Honlenny Huffington, Kiara Howard, Elkin Robinson, Michel Robinson, Ambrosio Huffington, Jean Bush.

Hounds of Love

(Australia) (North American Premiere) Director/Screenwriter: Ben Young

In the mid 1980’s seventeen-year-old Vicki Maloney is randomly abducted from a suburban street by a disturbed couple. As she observes the dynamic between her captors she quickly realizes she must drive a wedge between them if she is to survive. Cast: Ashleigh Cummings, Emma Booth, Stephen Curry, Susie Porter, Damian de Montemas, Harrison Gilbertson, Fletcher Humphrys.

Paa Joe & The Lion

(Ghana, United Kingdom) (North American Premiere) Director: Benjamin Wigley

A true story about the art of love and death. A thought provoking and cinematic documentary film rooted in the universal themes of love, death and legacy set against one of the most beautiful art-forms in the world – Ghana’s very own fantasy coffin.

PIG: The Final Screenings

(World Premiere) Director: Adam Mason

A savage satire of gender politics in America, Adam Mason is guaranteed to shock and offend with Pig. Created with actor and long time collaborator Andrew Howard, Pig is a virtuoso piece of pure cinema. Cast: Andrew Howard, Guy Burnet, Lorry Stone, Juliet Quintin-Archard, Molly Black.

Rat Film

(U.S. Premiere) Director/Screenwriter: Theo Anthony

Across walls, fences, and alleys, rats not only expose our boundaries of separation but make homes in them. Rat Film is a feature-length documentary that uses the rat—as well as the humans that love them, live with them, and kill them.

The festival will run March 10-18, 2017. For more information on attending  click here!

About SXSW

The SXSW Film Festival celebrates raw innovation and emerging talent both behind and in front of the camera. Featuring provocative documentaries, comedies, genre standouts and more, the festival has become known for the high caliber and diversity of films presented, and for its smart, enthusiastic audiences.

Running simultaneously with SXSW Interactive and SXSW Music, film festival attendees have the opportunity to connect with tech and music industry experts, making the SXSW Film Festival an unparalleled experience at the forefront of discovery, creativity, and innovation.

(Sourced from: sxsw.com)

Bona Film Group Makes Significant IMAX Commitment With 30-Theatre Agreement In China

Posted by Larry Gleeson

SHANGHAI, Feb. 26, 2017 /PRNewswire/ — IMAX Corp. (NYSE: IMAX) and IMAX China Holding, Inc. (HKSE: 1970) today announced an agreement with Bona Film Group, a leading film distributor and vertically integrated film production company in China, for 30 new IMAX® theatres to be located in new complexes throughout China. The Companies plan to open five theatres annually beginning this year through 2022. Today’s agreement significantly increases Bona Film Group’s IMAX footprint to 35 from five and positions the Company among the top five IMAX exhibitor partners in China.

“As one of the most influential film studios in China and a growing force in the nation’s exhibition market, today’s substantial sales agreement with Bona Film Group underscores the confidence China’s leading industry players have in IMAX to deliver long-term strategic value,” said IMAX CEO Richard L. Gelfond. “Our partnership with Bona reflects our diverse and multifaceted approach to our business in China, which, following our record signings activity in 2016, has recently surpassed the U.S. as our largest market.”

In 2012, Bona opened its first IMAX theatre in Tianjin followed by installations in Beijing, Taiyuan and Wuhan with a fifth theatre slated to open in Dalian. Bona Film Group first partnered with IMAX on the release of the martial arts epic Flying Swords of Dragon Gate in 2011, which marked the first IMAX® 3D presentation of a Chinese-language movie. The film became second-highest grossing IMAX film of 2011 in China. Released in 2014, White-Haired Witch was the second Bona Film Group title presented in IMAX.

“Today’s agreement is a direct result of the tremendous success of our existing IMAX theatres and IMAX film releases,” said Yu Dong, Founder and Chairman of Bona Film Group. “As we aggressively expand our cinema circuit, IMAX will serve as a key entertainment attraction in our new locations that we believe will strengthen their overall performance. IMAX has become one of the strongest entertainment brands in China and we are proud to associate ourselves with the premium IMAX brand and the superior cinematic experience it offers.”

About Bona Film Group Limited
Bona Film Group Limited was the first Chinese film company listed in Nasdaq and now has completed the privatization and raised series A funding, which makes the company’s evaluation at 15 billion yuan. As a leading private film company in China, Bona Film Group has “large-scale production, forward-looking layout, deep-plowing business” as its business model and boasts outstanding performance in the Chinese film market in the past 17 years. Bona’s business includes film & television production and distribution, cinema investment and management, advertising and marketing, talent representation, location-based entertainment and showcase city investment, construction and operation. As of January 2017, Bona has 41 theaters in operation with 336 screens.

For more information about Bona, please visit http://www.bonafilm.cn.

About IMAX China
IMAX China is a subsidiary of IMAX Corporation, and is incorporated under the laws of Cayman Islands. IMAX China was established by IMAX Corporation specifically to oversee the expansion of IMAX’s business throughout Greater China. IMAX China trades on the Hong Kong Stock Exchange under the stock code “HK.1970.”

About IMAX Corporation
IMAX, an innovator in entertainment technology, combines proprietary software, architecture and equipment to create experiences that take you beyond the edge of your seat to a world you’ve never imagined. Top filmmakers and studios are utilizing IMAX theatres to connect with audiences in extraordinary ways, and, as such, IMAX’s network is among the most important and successful theatrical distribution platforms for major event films around the globe.

IMAX is headquartered in New York, Toronto and Los Angeles, with offices in London, Tokyo, Shanghai and Beijing. As of Dec. 31, 2016, there were 1,215 IMAX theatres (1,107 commercial multiplexes, 16 commercial destinations and 92 institutions) in 75 countries. On Oct. 8, 2015, shares of IMAX China, a subsidiary of IMAX Corp., began trading on the Hong Kong Stock Exchange under the stock code “HK.1970.”

IMAX®, IMAX® 3D, IMAX DMR®, Experience It In IMAX®, An IMAX 3D Experience®, The IMAX Experience®, IMAX Is Believing® and IMAX nXos® are trademarks of IMAX Corporation. More information about the Company can be found at www.imax.com.

(News provided by Imax Corporation)

The AFI FEST Interview: Director Mike Ott on CALIFORNIA DREAMS

Posted by Larry Gleeson

Mike Ott is a four-time AFI FEST alumnus with his feature films LITTLEROCK (AFI FEST 2010), PEARBLOSSOM HWY (AFI FEST 2012) and ACTOR MARTINEZ (AFI FEST 2016), and the short film LANCASTER, CA (AFI FEST 2015). We caught up with Ott to talk about his latest feature, CALIFORNIA DREAMS, which just had its world premiere at the 2017 Berlin Critics’ Week and will have its North American premiere at SXSW in March. (Watch a clip below.)

screen-shot-2017-03-03-at-4-46-49-pmIn the film, Ott presents five unique individuals in pursuit of a big life change. Through auditions set up in small towns across Southern California, the film shows genuine characters with big Hollywood aspirations who, for various reasons, have never had the opportunity to pursue their dreams.

AFI: What made you want to take a documentary approach to this quintessential story of making it big in Hollywood?

MO: The more films I make, the more my work leans toward incorporating documentary into fiction. The purely fictional story of making it in Hollywood has been done so many times and much better than I could ever do it. And not to say that docs on Hollywood haven’t been done to death too, but the approach we took with this film somehow gave us a bit of a strange, fresh look into a story that’s been told before. At least, that’s my hope.

AFI: This film centers around Cory Zacharia, who has been a staple of your films since LITTLEROCK. What is it about Cory that keeps bringing you back to him as both a character and subject?

MO: I remember one of my professors in grad school talking about casting and he said something to the degree of, “Casting is like if you had to spend all evening at a party watching someone. Who’s the person at the party you’d want to listen to talk, or watch interact with others, or eat a sandwich, etc.?” For me, it’s Cory. He has such unique and earnest reactions to his experiences in the world. It’s just something I find so refreshing when the rest of actors (and most of humanity) are trying to be complicated and ironic. It’s nice to explore ideas with someone who has no sense of sarcasm or irony; only pure love and joy for life, along with a point of view that is sometimes so foreign. The truth is, Cory is still such an enigma to me. Every film I’ve made was in some way to get to understand him more and how his mind works. I don’t know if I’ll ever quite figure him out, but making these films has been a big part of the journey for me.

AFI: How did you find your other subjects for CALIFORNIA DREAMS, as they all have such varied and interesting stories?

MO: I had read an article years ago about famous people and what their favorite film was and I saw that Trump’s favorite film was CITIZEN KANE, and I remember thinking how fitting that was. For some reason, it got me thinking about the link between who you are as a person and what kind of art you’re attracted to and what that says about your secret (or not-so-secret) self.

We put up flyers at local dive bars and grocery stores in my hometown and posted on non-casting websites to find people to audition, and the audition was for the person to come in and do a monologue of their choice from one of their favorite films. After each monologue, I’d interview them about the reading and try to find out how the monologue, or the film or the character they picked, related to their life.

But we didn’t want a bunch of out-of-work actors to come in and audition. We wanted to find genuine characters who didn’t live in Hollywood but who had always wanted the opportunity to be part of it.

AFI: This film is exploring some ideas set forth in your previous films, specifically the struggle with the American dream in small town U.S.A. What is it about that landscape and community that keeps bringing you back to tell these stories?

MO: Maybe because I grew up in a pretty small town and these little struggles we have in life are the ones that I find speak to the human condition in such an illuminating way — small things like wanting to go on a first date, move out of your parents house or even just leave the state on vacation for the first time ever. Those are the moments I like to explore and they remind me of what Richard Linklater said about DAZED AND CONFUSED: “Maybe the stakes in the film seem pretty low, but when it’s your life, they’re actually very high.” These are the same kind of characters I want to be surrounded by in my real life. I want to hang out with the weird kid from Bakersfield who works at Arby’s and who can’t make it to Hollywood or who can’t find love but has always dreamed of it, not the cool dude from Encino who’s mildly famous and hanging out at Soho House. That’s why AMERICAN MOVIE is one of my favorite films — and also why we have Mark Borchardt do a cameo in the movie as an homage to the film that inspired pretty much everything I make — outsiders who can’t or won’t ever quite fit into the mainstream.

AFI: This is your sixth film and you have been lucky enough to screen your work at festivals all over the world. How have you been able to master navigating the film festival world? Do you have any advice for other filmmakers who are having their first festival experiences?

MO: I’ve been very lucky in that regard, but a lot of that came from my experience with my first film ANALOG DAYS. While traveling with that film, I was worried that I had to make a certain kind of film next, and found myself trying to think about ideas that I wasn’t that attracted to but thought were “right thing to do for my career.” But the more I traveled with ANALOG DAYS and met filmmakers from all over the world, I found the people I looked up to or connected with weren’t the people with latest hit like NAPOLEON DYNAMITE-type hit film, but instead were the artists who were purely following their interests and making weird shit that no one else could make but them. And that was a very important moment for me, to learn that it’s okay to follow your interests and to be okay with the fact that your interests aren’t always going to be what’s most popular. And that’s why I ended up making almost four films in a row with Cory. I was like, this is who I want to see in films, this is who I find interesting, and if you want to watch it then great, and if not, then that’s fine too.

My advice for filmmakers having their first festival experience is to just enjoy the moment; getting to show your film to an audience is such an amazing experience. Unfortunately I think a lot of people go to festivals with other agendas thinking they have to network, and end up talking about themselves incessantly or walking around pitching themselves and their projects like some robot. Personally that makes my skin crawl, but to each his own. I’d say if you’re really interested in meeting people and making meaningful connections, you shouldn’t talk about films at all (especially your own). That’s how you know you’ve made a real friend on that festival circuit — when you can talk about anything and everything but film.

(Source: afi.com)

 

Amazon’s Success With ‘Manchester’ Points to Changes in Movie Business

Posted by Larry Gleeson.

By Leon Lazaroff

After Amazon showed it can make a film that wins over critics and the public, the movie industry may need to compromise on when films become available for streaming.

The way people watch video has changed dramatically over the past 10 years — even the past two — as streaming services such as Amazon (AMZN) , Netflix (NFLX) and Hulu have made subscription video on demand and binge-watching as customary as Sunday viewing of the NFL.

Yet as TV viewing has been transformed by technology, the film industry has mostly stayed the same.

In winning two Oscars on Sunday for its Manchester by the Sea, Amazon followed Hollywood’s conventional rules for film distribution, opening the family drama starring Casey Affleck in theaters while keeping it away from streaming services, including its own.

But movie theater attendance was flat in 2016, and video-on-demand and DVD sales have fallen by 50% over the past 10 years. Further highlighting the disconnect between consumer demand for mobile video and a movie industry huddled in Los Angeles, the audience for Sunday’s Academy Awards ceremony on Disney‘s (DIS) ABC was the lowest in nine years for the industry’s marquee event, according to Nielsen.

To reverse worrisome trends, Hollywood is being forced to consider making some films available at home near or when they open in theaters, a practice known in the industry as a day-and-date release.

Amazon’s impressive wins on Sunday for best actor and best original screenplay could accelerate a demand for streaming first-run films, said Jason Krikorian, a co-founder of Sling Media and a general partner at early-stage venture capita firm DCM Ventures.

“As companies like Amazon and others remain quite focused on delivering top-notch content to devices in your home, then consumers will also get used to consuming top-notch two-hour-type content, movies, just as they have very good television,” Krikorian said from Menlo Park, Calif. “Once more new films are available in a home setting, that will create a consumer expectation, a level of enjoyment that will further add to that momentum.”

In recent months, the heads of Hollywood’s major studios have been meeting with theater owners to talk about making some films available for streaming near or on the same day they open at the local cinema. Thus far, nothing definitive has emerged from these conversations, though conversations are ongoing, said Stacey Snider, chairman and CEO of 21st Century Fox (FOXA) unit 20th Century Fox Film, earlier this month at Recode’s Code Media conference.

“Most films, even the blockbusters, have done 90% to 95% of their business within three or four weeks [of opening],” Snider said. “So who is this helping to not offer much earlier, and who is it hurting?”

Snider herself was circumspect, proclaiming that there are pluses and minuses to narrowing or shutting the window between the day that a film debuts in a theater to the day when it is available for streaming.

“Sooner seems to make sense,” she said. “But if whatever corner of the market that we have is creating a huge, global, big and beautiful cinematic experience, then the last thing we want to do is commoditize it, make it so that it’s interchangeable with the home entertainment center.”

The solution, Snider added, isn’t to be found in “smashing the window but in tightening it.”

So far, theater owners have resisted such moves, declaring that so-called day-and-date releases are ultimately bad for the studios. Theater owners often site the disappointing numbers for the films Margin Call (2011) and Arbitrage (2012), both released by Roadside Attractions, the independent distribution company that’s 43% owned by Lions Gate Entertainment (LGF.A) .

“They got out of that business because it doesn’t work,” said Patrick Corcoran, a Los Angeles-based spokesman for the National Association of Theatre Owners. “Customers have a sense that it’s maybe not worth the same thing because it’s simultaneously available in the home.”

Offering first-run films in the home, Corcoran said, is a race to the bottom. The proliferation of high-quality television serials has produced a glut in the home market. Adding new films to the mix would undercut pricing for the studios and the theaters.

Nonetheless, Corcoran acknowledged that studios are eager to offset declines in VOD and DVD sales and that the industry is willing to work with them to accomplish that goal.

A compromise may be in order.

One popular option is that some films would be available for a given period of time at a higher price, $50 for example, and that theater owners would share in a portion of the digital revenue. While the studios and theater owners aren’t likely to make their blockbuster films immediately available online, it’s possible smaller-budget films such as Fences, the drama starring Denzel Washington and Oscar-winner Viola Davis and produced by Viacom‘s (VIAB) Paramount Pictures, might be. Finding a price point to entice customers and keep studios and theater owners happy, though, will be tricky.

Still, as Amazon seeks to be a bigger player in Hollywood, at least for small-to-medium-budget films that play well with adult audiences, it’s increasingly likely that the world’s largest retailer with a burgeoning Prime membership business will push for a shorter release window.

And when it does, it’s possible that more people will want to stay up late to watch the Academy Awards. Especially if Warren Beatty and Faye Dunaway make a return

 

 (Source: thestreet.com)