Reviewed by Larry Gleeson. Viewed at the Mann Chinese theater as part of the AFI film festival, Hollywood, Calif.
Hitchcock, known for powerhouse suspense films like Psycho (1960), Birds (1963) and North by Northwest (1959), shows cooped up newlyweds, a buxom young skimpily-clad, shapely exercise-crazed maiden, a lonely, love sick lady, a socially-inclined, romantic-minded musician and a seemingly ordinary housewife married to a seemingly normal traveling salesman, whom Stewart’s character, Jeffries, claims has murdered the wife. Jeffries doesn’t actually see the murder. Nevertheless, he is convinced the salesman murdered his wife after witnessing several highly acute, suspicious events . Stewart’s facial expressions and what appear to be exaggerated eye movements key the viewer in on action as Stewart plays the role of Jeffries, a wounded war hero who confined to a wheelchair and who passes the time by peering out his rear window at the neighbors as they go about their everyday lives. Jeffries also uses his camera with a telescopic lens to provide up-close detail of his subjects and he frantically uses exploding flashbulbs as he attempts to thwart the murdering salesman’s efforts to silence Jeffries.
Hitchcock introduces and develops several strong and powerful characters, most notably in the form of Grace Kelly, later known as the Princess Consort of Monaco, as Jeffries love interest. Kelly’s striking good lucks coupled with her patient, unrequited love for Jeffries provide the viewer a glimpse into Hitchcock’s portrayal of a 1950’s socialite. She credibly plays the role of murder investigator with a refreshing vim and vigor. In addition, Wendell Corey plays a rather uninteresting yet wary detective who also happened to be a war buddy of Jeffries. Thelma Ritter plays Stella, Jeffries’ physical therapist, who drops by for daily therapy and, at times colorful banter. And, Raymond Burr plays the antagonist, a wife-murdering, traveling salesman who dwells across from the rear window. Rear Window is splendid film, an Academy Award Runner-up for Best Picture to the American drama film, On the Waterfront (1954), about longshoreman corruption and mob violence starring Marlon Brando, I recommend wholeheartedly.