I’m a veteran of several film festivals including the Newport Beach Film Festival, the Berlin International Film Festival, the American Film Institute's AFIFest Hollywood and AFI DOCS, the famed Venice International Film Festival, the San Luis Obispo SLO Film Fest, and the Santa Barbara International Film Festival's family of festivals including the SBIFF, the SBIFF Wave Festivals and the SBIFF Showcase Film Series. To date I’ve written and published over 100 film reviews and have work posted on four sites including sbccfilmreviews.org, imdb.com. I have also been published in Classic Film Images magazine.
In addition to writing reviews and covering film festivals, I am currently seeking distribution for new films. I have contacts in several major markets including Los Angeles, New York, Toronto, and Cannes, France.
So when you’re looking for your film to get noticed, remember HollywoodGlee can help. We have professional marketers, respected critics and the most knowledgeable contacts on what film festival and/or distribution channel is right for you and your film.
See you at the movies!
Poolside screenings of BEACH PARTY (1963) with actor Frankie Avalon in attendance, A MIGHTY WIND (2003) with actors Michael McKean and Annette O’Toole in attendance, and the previously announced HAIRSPRAY (1988) with actor Ricki Lake in attendance
A 35th anniversary screening of STAND AND DELIVER (1988) with actors Edward James Olmos and Lou Diamond Phillips and author Luis Reyes in attendance
A 40th anniversary screening of RISKY BUSINESS (1983) with actor Rebecca De Mornay in attendance
A 75th anniversary screening of THE TREASURE OF THE SIERRA MADRE (1948) with Danny Huston in attendance
A screening of the Sam Peckinpah Western THE WILD BUNCH (1969) presented in 70mm
The CLUB TCM presentation THE EVOLUTION OF HENSON PUPPETRY with Brian Henson – producer, director and son of the legendary Jim Henson – and a team of master puppeteers in attendance
WARNER NIGHT AT THE MOVIES, a recreation of the typical moviegoing experience from Hollywood’s golden age, complete with cartoons, short subjects, and trailers from the era, followed by a new restoration of the feature film THE STRAWBERRY BLONDE (1941)
And much more!
To view the full schedule including films and presentations, click here.
The 38th Santa Barbara International Film Festival (SBIFF) has closed after another successful run from February 8th to February 18th, 2023. In all, SBIFF showcased 52 world premiere films as well as 78 US premieres! Official events included screenings, filmmaker Q&As, industry panels, and celebrity tributes, held throughout the city, including at the historic Arlington Theatre.
The Opening Night Film, Wednesday, February 8, featured the WORLD Premiere of MIRANDA’S VICTIM, a biographical crime drama, directed by Michelle Danner and starring Abigail Breslin, Ryan Phillippe, Luke Wilson, Donald Sutherland, Mireille Enos and Andy Garcia.
SANTA BARBARA, CALIFORNIA – FEBRUARY 09: Angela Bassett speaks onstage at the Montecito Award Ceremony during the 38th Annual Santa Barbara International Film Festival at The Arlington Theatre on February 09, 2023 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)
Without missing a beat,the following evening SBIFF feted Angela Bassett, who incidentally is nominated for Best Supporting Oscar for this year’s performance in Marvel Studios’ BLACK PANTHER: WAKANDA FOREVER directed by Ryan Coogler from Disney Studios. Bassett received the festival’s Montecito Award. The Montecito Award is named after one of the most beautiful and stylish areas in SantaBarbara. Past recipients include Penélope Cruz, Amanda Seyfried, Lupita Nyong’o, Melissa McCarthy, Saoirse Ronan, Isabelle Huppert, Sylvester Stallone, Jennifer Aniston, Oprah Winfrey, Daniel Day-Lewis, Geoffrey Rush, Julianne Moore, Kate Winslet, Naomi Watts and Javier Bardem.
SANTA BARBARA, CALIFORNIA – FEBRUARY 10: Honoree Cate Blanchett poses with the Outstanding Performer of the Year Award during the 38th Annual Santa Barbara International Film Festival at the Arlington Theatre on February 10, 2023 in Santa Barbara, California. (Photo by Rebecca Sapp/Getty Images for SBIFF)
On Friday, February 10th, the SBIFF Filmmaker Seminars kicked off with a timely topic of Overcoming Adversity/Fight the Power: Documentary Activism at Work at 11:00 am at Tamsen Gallery at 911 1/2 State Street across from the Fiesta 5 Theatre. The new and improved free film format (daily) screened TÁR, directed by Todd Field and starring Cate Blanchett, at 2:00 pm at the Arlington Theatre. Blanchett’s performance in TAR has a strong chance of landing the actress her third Academy Award. Consequently, SBIFF honored Blanchett with its OUTSTANDING PERFORMER OF THE YEAR AWARD.
The morning of Saturday, February 11th, brought out the Writers Panel featuring The Daniels (Everything Everywhere All at Once), Todd Field (Tár), Kazuo Ishiguro (Living), Rian Johnson (Glass Onion: A Knives Out Mystery), Tony Kushner (The Fabelmans), Martin McDonagh (The Banshees of Inisherin), Ruben Östlund (Triangle of Sadness), Lesley Paterson (All Quiet on the Western Front), Sarah Polley (Women Talking).
The afternoon brought the Women’s Panel with Anne Alvergue – Director (The Martha Mitchell Effect), Ruth E. Carter – Costume Designer (Black Panther: Wakanda Forever),Hannah Minghella – Producer (The Boy, The Mole, The Fox and The Horse), Domee Shi – Director (Turning Red), Gwendolyn Yates Whittle – Sound Editor (Avatar: The Way of Water),Mary Zophres – Costume Designer (Babylon).
SANTA BARBARA, CALIFORNIA – FEBRUARY 11: Jamie Lee Curtis speaks at the Maltin Modern Master Award ceremony during the 38th Annual Santa Barbara International Film Festival at Arlington Theatre on February 11, 2023 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)
In the evening, SBIFF hosted the Maltin Modern Master Award honoring Jamie Lee Curtis. The Modern Master Award was established in 1995 and is the highest accolade presented by SBIFF. Created to honor an individual who has enriched our culture through accomplishments in the motion picture industry, it was re-named the Maltin Modern Master Award in 2015 in honor of long-time SBIFF moderator and renowned film critic Leonard Maltin. Past recipients include Nicole Kidman, Javier Bardem, Bill Murray, Brad Pitt, Glenn Close, Denzel Washington, Michael Keaton, Bruce Dern, Ben Affleck, Christopher Plummer, Christopher Nolan, James Cameron, Clint Eastwood, Cate Blanchett, Will Smith, George Clooney and Peter Jackson.
Sunday morning, February 12th, brought out the Producers Panel, 11:00am at the Arlington Theatre featuring Gail Berman (Elvis), Jerry Bruckheimer (Top Gun: Maverick), Todd Field (Tár), Dede Gardner (Women Talking), Malte Grunert (All Quiet on the Western Front), Erik Hemmendorff (Triangle of Sadness), Kristie Macosko Krieger (The Fabelmans), Jon Landau (Avatar: The Way of Water), Jonathan Wang (Everything Everywhere All at Once).
Sunday afternoon highlighted the International Directors Panel, 2:00pm at the Arlington Theatre with Colm Bairéad (The Quiet Girl), Edward Berger (All Quiet on the Western Front), Lukas Dhont (Close), Santiago Mitre (Argentina, 1985), Jerzy Skolimowski (Eo).
On Monday February 13th, the Filmmaker Seminar “Say it Loud: How Under-Represented Voices Get Heard,” featured Maureen Bharoocha, Director (The Prank) Alison Millar, Director (Lyra) Caylee So, Director (The Harvest) Victor Nunez, Director (Rachel Hendrix) Angie Wang, Juror (Director, MDMA (2017)).
The Daily Free Filmfeatured David Crosby: Remember My Name – 2:00pm @ Arlington Theatre. The screening was followed by a Q&A with Director A.J. Eaton.
In the evening the Variety Artisans Award, took place at the Arlington Theatre, recognizing M. M. Keeravaani – Songwriter (RRR), Son Lux – Composer (Everything Everywhere All at Once), Catherine Martin – Costume Designer (Elvis), Florencia Martin – Production Designer (Babylon), Claudio Miranda – Cinematography (Top Gun: Maverick), Adrien Morot – Hairstyling/Make Up (The Whale), Paul Rogers – Editing (Everything Everywhere All at Once), Eric Saindon – VFX (Avatar: The Way of Water), Sound Team (All Quiet on the Western Front).
SANTA BARBARA, CALIFORNIA – FEBRUARY 14: Brendan Fraser receives the American Riviera Awardonstage at the American Riviera Award Ceremony during the 38th Annual Santa Barbara International Film Festival at the Arlington Theatre on February 14, 2023 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)
On Tuesday, Brendan Fraser was honored with the American Riviera Award and an in-person conversation about his career, leading up to this year’s performance as Charlie in the A24 film THE WHALE, a story from Darren Aranofsky, of a reclusive English teacher living with severe obesity who attempts to reconnect with his estranged teenage daughter for one last chance at redemption.
The American Riviera Award was established to recognize actors who have made a significant contribution to American Cinema. Previous recipients include Kristen Stewart, Delroy Lindo, Renée Zellweger, Viggo Mortenson, Sam Rockwell, Jeff Bridges, Michael Keaton, Rachel McAdams, Mark Ruffalo, Patricia Arquette, Ethan Hawke, Robert Redford, Quentin Tarantino, Martin Scorsese, Annette Bening, Sandra Bullock, Mickey Rourke, Tommy Lee Jones, Forrest Whitaker, Philip Seymour Hoffman, Kevin Bacon and Diane Lane.
Wednesday brought The Virtuosos, moderated by Deadline’s Dave Karger, and featured AUSTIN BUTLER (ELVIS), KERRY CONDON (THE BANSHEES OF INISHERIN), DANIELLE DEADWYLER (TILL), NINA HOSS (TÁR), STEPHANIE HSU (EVERYTHING EVERYWHERE ALL AT ONCE), JEREMY POPE (THE INSPECTION), KE HUY QUAN (EVERYTHING EVERYWHERE ALL AT ONCE), JEREMY STRONG (ARMAGEDDON TIME). The VirtuososAward is an honor created to recognize a select group of talent whose noteworthy performances in film have elevated them into the national cinematic dialogue.
Thursday, Colin Farrell & Brendan Gleeson, received the Cinema Vanguard Award, presented by Director Martin McDonagh. The CinemaVanguardAward recognizes actors who have forged their own path, taking artistic risks and making a significant and unique contribution to film.
Colin Farrell has had a distinguished career of nearly twenty-plus years in film and television. He can be seen in Warner Bros.’ The Batman for director Matt Reeves; in the MGM film Thirteen Lives for director Ron Howard; in the BBC / AMC drama “The North Water”; and After Yang which premiered at the 2021 Cannes Film Festival and also made its North American debut at the 2022 Sundance Film Festival. Farrell was most recently seen in Tim Burton’s 2019 live action film Dumbo and Fox’s 2018 ensemble feature Widows, directed by Steve McQueen and co-starring Viola Davis. In 2017, Farrell made his second film with Yorgos Lanthimos, The Killing of the Sacred Deer opposite Nicole Kidman for A24. The film premiered at the Cannes Film Festival along with Sofia Coppola’s The Beguiled in which he also starred with Nicole Kidman, Elle Fanning, and Kirsten Dunst. That same year, he appeared opposite Denzel Washington in the Sony film Roman Israel, Esq., written and directed by Dan Gilroy.
SANTA BARBARA, CALIFORNIA – FEBRUARY 16: Honorees Colin Farrell and Brendan Gleeson pose with their Cinema Vanguard Awards during the 38th Annual Santa Barbara International Film Festival at the Arlington Theatre on February 16, 2023 in Santa Barbara, California. (Photo by Rebecca Sapp/Getty Images for SBIFF)
A former teacher, Dublin-born Brendan Gleeson left the profession to pursue a career in his first love – acting. He joined the Irish theater company Passion Machine and has since starred on the stage, in films, and on television, winning fans and awards worldwide. Other recent films include: The Coen Brothers’ The Ballad of Buster Scruggs for Netflix; Hampstead, opposite Diane Keaton; Paddington 2 also starring Hugh Grant, Sally Hawkins, and Julie Walters; Trespass Against Us opposite Michael Fassbender; Vincent Perez’s Alone in Berlin opposite Emma Thompson; Assassin’s Creed once again with Michael Fassbender; the Warner Bros. Ben Affleck Live By Night; Ron Howard’s In the Heart of the Sea; and Suffragette opposite Carey Mulligan and Meryl Streep, once again winning the BIFA Award for Best Supporting Actor.
The next evening, Martin McDonagh (The Banshees Of Inisherin) and Todd Field (Tár) were honored as the Best Directors of the Year. Scott Feinberg, Executive Editor of Awards at the Hollywood Reporter hosted the evening.
SANTA BARBARA, CALIFORNIA – FEBRUARY 17: (L-R) Todd Field, Martin McDonagh and Scott Feinberg speak onstage at the Outstanding Directors of the Year Award Ceremony during the 38th Annual Santa Barbara International Film Festival at the Arlington Theatre on February 17, 2023 in Santa Barbara, California. (Photo by Tibrina Hobson/Getty Images for SBIFF)
After a clip from The Banshees of Inisherin, director Martin McDonagh stated that although he started out with plays, McDonagh noted that he always would’ve preferred to do movies, as those were his great love. In fact, McDonagh never had a great fondness for theater, finding that plays could be somewhat dull. So, when he started writing plays, he tried to take them as far from dullness as he could, attempting to infuse as much cinematic character as possible. When McDonagh made the jump to film, his biggest fear was making films that could be seen as playlike, being overly wordy or limited in scope.
Field, on the other hand, talked about his original interest in music, after a clip from Tar, and how working at a movie theater caused him to fall in love with the medium. Even so, he originally intended to pursue music in school, though he followed a girl into theater. Field stated that he had the character of Lydia Tár running around his head for years.
After ten days, the 38th Santa Barbara International Film Festival came to a close with the U.S Premiere of “I LIKE MOVIES.”
I Like Movies
In closing, while last year, SBIFF had its triumphant return to in-person screenings, panels, and events with 48 world premier and 95 U.S. premieres, this year’s SBIFF expanded its free screenings and its run back to its more recent fare of ten days of film with 52 world premieres and 78 U.S. premieres. In addition, with the American Film Institute’s Hollywood AFI FEST and AFI DOCS combining into a very truncated five days of film, SBIFF was able to attract pre-eminnent filmmakers such as Barbara Kopple (an AFI DOCS Board member). Furthermore, with the world famous Sundance Film Festival being laser-focused on first-time filmmakers (over 50% of its 2023 programming was devoted to first-time filmmakers), and underserved filmmakers, SBIFF was also able to attract film wizardry from Gabriela Cowperthwaite and her riveting geopolitical documentary, The Grab, featuring investigative reporter, Nathan Halverson of the non-profit, Center for Investigative Reporting.
SBIFF Q&A with Director Gabriela Cowperthwaite (center) and Investigative Reporter Mathan Halverson (left) following the screening of The Grab, a geopolitical documentary on “the money, influence, and alarming rationale behind covert efforts to control the most vital resource on the planet.” (Photo cr. Larry Gleeson/HollywoodGlee)
SBIFF’s Programming Director Claudia Puig summed it up by saying, “This 38th edition of the SantaBarbara International FilmFestival drew filmmakers from as far as Turkey, India, Israel, and Sierra Leone, half of whom were women. We were delighted with the enthusiastic reception to our diverse program of 200 films from 43 countries. Cinema is one of the most powerful vehicles for empathy, providing a window of understanding to all who seek to look through it. We thank the filmmakers in attendance and our avid SantaBarbara audience for so heartily embracing the festival experience. Several films prompted standing ovations and packed theaters, marking 2023 a full-throttled return to celebrating cinema from around the globe.”
An eclectic jury composed of Angie Wang, Antonio Marziale, Christina Birro, Elizabeth Marighetto, Gwen Deglise, Jean Oppenheimer, Jeff Arch, Lela Meadow Conner, Leslie Ekker, Margy Rochlin, Nicole Noren, Perry Lang, Robert Abele, Steven Raphael, Tim Cogshell, and Tim Matheson, deemed the following films award worthy:
Audience Choice Award sponsored by The SantaBarbara Independent: 26.2 TO LIFE Directed by Christine Yoo
Panavision Spirit Award for Independent Cinema: I LIKE MOVIES Directed by Chandler Levack
Jeffrey C. Barbakow Award – Best International Feature Film: A MAN (ARU OTOKO) Directed by Kei Ishikawa
Best Documentary Award: A BUNCH OF AMATEURS Directed by Kim Hopkins
Nueva Vision Award for Spain/Latin America Cinema: MANUELA Directed by Clara Cullen
Best Middle Eastern/Israeli Film Award: THE TASTE OF APPLES IS RED (TA’AM AL TUFAH, AHMAR) Directed by Ehab Tarabieh
Best Nordic Film Award: SUMMERLIGHT AND THEN COMES THE NIGHT (SUMARLJÓS OG SVO KEMUR NÓTTIN) Directed by Elfar Aðalsteins
Social Justice Award for Documentary Film: BLACK MAMBAS Directed by Lena Karbe
ADL Stand Up Award, sponsored by ADL SantaBarbara/Tri-Counties, the Skinner Social Impact Fund, and Steve & Cindy Lyons: THE QUIET GIRL (AN CAILÍN CIÚIN) Directed by Colm Bairéad
Best Documentary Short Film Award: NOWHERE TO GO BUT EVERYWHERE (行き止まりのむこう側) Directed by Masako Tsumura, Erik Shirai
Bruce Corwin Award – Best Live-Action Short Film: THE MOISTURE (RUTUBET) Directed by Turan Haste
*Now eligible for the 2024 Academy Awards
Bruce Corwin Award – Best Animated Short Film: EPICENTER (소문의 진원지) Directed by Heeyoon Hahm
*Now eligible for the 2024 Academy Awards
This years films (and Mike’s Field Trip to the Movies), in my opinion, were the crux of what makes the Santa Barbara Film Festival the massively successful community event that it is. Santa Barbara has historically been a Hollywood film premiere town hearkening back to the silent film era. And, Roger Durling, the Executive Director of the Santa Barbara International Film Festival for two decades now, has been able to tap into this zeitgeist over and over again while making the festival more accessible to Santa Barbarans and more inclusive to all ranks of filmmakers. Until next year, I’ll see you at the movies!
SANTA BARBARA, CALIFORNIA – FEBRUARY 18: SBIFF Executive Director Roger Durling speaks at the Awards Breakfast during the 38th Annual Santa Barbara International Film Festival at El Encanto on February 18, 2023 in Santa Barbara, California. (Photo by Rebecca Sapp/Getty Images for SBIFF)
About the SantaBarbara International FilmFestival
The SantaBarbara International FilmFestival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 37 years, SBIFF has become one of the leading film festivals in the United States – attracting 100,000 attendees and offering 11 days of 200+ films, tributes and symposiums, fulfilling their mission to engage, enrich, and inspire the SantaBarbara community through film.
SBIFF continues its commitment to education and the community throughout many free educational programs and events. In 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day. In 2019, SBIFF opened its own Education Center in downtown SantaBarbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.
Matthew Mishory’s Documentary Who Are the Marcuses?
About Unlikely Philanthropists Whose $500 Million Gift Seeks
Peace and Climate Action Through Water Technology
Screens at Santa Barbara International Film Festival February 13 and 15
Who Are the Marcuses?, a feature documentary about a mysterious Long Island couple whose half a billion-dollar gift to Ben-Gurion University in Israel inspires peace and climate action through water tech, will screen at the Santa Barbara International Film Festival next month.
UC Santa Barbara alumnus Matthew Mishory (the upcoming Fioretta; Artur Schnabel: No Place of Exile) directed the film. Producers are Rubber Ring’s and Stone Canyon’s Bradford Schlei (Swingers, Spun) and Alvaro Fernandez along with executive producers Rob Levine (Law & Order, Columbo), Marc Bennett (Shared Legacies) and Rhino Films’ Stephen Nemeth (Dogtown and the Z Boys, Climate Refugees, Fear and Loathing in Las Vegas).
“Our film has powerful messages about climate change, water technology, the environment, and philanthropy that can change our world,” Mishory says. “But films are also about storytelling, and this one tells a story so unbelievable and inspiring, it can only be true. Screening at Santa Barbara is a homecoming for me and a dream come true for the production team. The region is both a growing eco-technology hub and fragile coastal ecosystem.”
Who Are the Marcuses? reconstructs the lives of Holocaust refugees Lottie and Howard Marcus, an unassuming couple from Great Neck, New York, who retired to a modest two-bedroom apartment in San Diego, California. Former dentist Howard passed away in 2014 at age 104, and Lottie died less than two years later. In 2016, Ben-Gurion University of the Negev announced that the Marcuses had given them over half a billion dollars: the largest single charitable donation to the State of Israel in its history. The film simultaneously traces the development of Israel’s vital water technology from pre-state to the present; how the Marcuses’ endowment has ensured continued leading-edge development in water science for not only the Israeli people, but the world as a whole; sets the family’s gift in geopolitical context; and explores both its impact and implications for regional peace through technology exchange. It features an original score by legendary musician and peace activist David Broza.
Who were these virtually unknown philanthropists who had never publicly revealed their wealth or intentions? How did they accumulate millions by getting in on the early days of the greatest financial services empire ever built? What compelled them and their daughter Ellen to give it all away? And why were the Marcuses so captivated by the issue of water scarcity and a little-known but innovative university in the Israeli desert?
Who are the Marcuses? features Warren Buffett; Israeli President Isaac Herzog; historian Daniel Gordis; best-selling philosopher Micah Goodman; E. Randol Schoenberg; author and activist Seth M. Siegel, and many others. The film was shot on location in Israel and the USA throughout 2021.
The film will screen twice at the Festival:
Monday, February 13th, 2023 8:30AM PST
Metropolitan Metro 4 Theatre, Screen 4, 618 State St, Santa Barbara, CA 93101
Wednesday, February 15th, 2023 3PM PST (Reception to Follow)
Metropolitan Metro 4 Theatre, Screen 4, 618 State St, Santa Barbara, CA 93101
Following this morning’s Press Conference, the Santa Barbara International Film Festival (SBIFF), announced its highly anticipated lineup for the 38th edition, which will run February 8 to 18, 2023. The festival will showcase 52 world premieres and 78 U.S. premieres from 43 countries, along with tributes featuring the year’s top talent, panel discussions, and free community education and outreach programs.
SBIFF’s Executive Director Roger Durling stated this morning, “At a time where there’s a dwindling of movie theater attendance, the role of film festivals has never been more important. At SBIFF, with the 38th edition, our marching orders are clear, to celebrate movies and to nurture and exalt the film community, the artists as well as the cinephiles. It’s a great slate with 43 countries represented.”
OPENING NIGHT
SBIFF 2023 will kick off on Opening Night Wednesday, February 8 with the WORLD Premiere of MIRANDA’S VICTIM. Directed by Michelle Danner and starring Abigail Breslin, Ryan Phillippe, Luke Wilson, Donald Sutherland, Mireille Enos and Andy Garcia.
It’s 1963 when eighteen-year-old Patricia “Trish” Weir is kidnapped and brutally raped at knife-point. Committed to putting Ernesto Miranda in prison, Trish’s life is destroyed by America’s legal system as she triggers a law that transforms the nation.
CLOSING NIGHT
SBIFF 2023 will close on Saturday, February 18 with the US Premiere of I LIKE MOVIES. Directed by Chandler Levack and starring Isaiah Lehtinen, Romina D’Ugo, Krista Bridges, Percy Hynes White.
Lawrence, a socially inept, 17-year-old cinephile, gets a job at a video store, where he forms a complicated friendship with his older female manager.
THE TRIBUTES
SBIFF is an important showcase for Academy Award frontrunners, many of whom have arrived as nominees and gone on to win the Oscar. The 38th SBIFF proudly celebrates some of the year’s finest work in film. All tributes will be in person at the historic Arlington Theatre.
Montecito Award honoring Angela Bassett – Thursday, February 9 at 8:00pm. Moderated by Roger Durling.
Outstanding Performer of the Year Award presented by Manitou Fund honoring Cate Blanchett – Friday, February 10 at 8:00pm. Moderated by Scott Feinberg.
Maltin Modern Master Award honoring Jamie Lee Curtis – Saturday, February 11 at 8:00pm. Moderated by Leonard Maltin.
Variety Artisans Award sponsored by Variety – Monday, February 13 at 8:00pm. Honorees to be announced. Moderated by Jazz Tangcay.
American Riviera Award sponsored by Deadline honoring Brendan Fraser – Tuesday, February 14 at 8:00pm. Moderated by Pete Hammond.
Virtuosos Award honoring Austin Butler (Elvis), Kerry Condon (The Banshees of Inisherin), Danielle Deadwyler (Till), Nina Hoss (Tár), Stephanie Hsu (Everything Everywhere All At Once), Jeremy Pope (The Inspection), Ke Huy Quan (Everything Everywhere All At Once), and Jeremy Strong (Armageddon Time) – Wednesday, February 16 at 8:00pm. Moderated by Dave Karger.
Cinema Vanguard Award honoring Colin Farrell and Brendan Gleeson – Thursday, February 16 at 8:00pm. Moderated by Dave Karger
Outstanding Directors of the Year Award sponsored by The Hollywood Reporter – Friday, February 17 at 8:00pm. Honorees to be announced. Moderated by Scott Feinberg.
THE PANELS
SBIFF has become renowned for creating smart, insightful panels that feature a who’s who in the world of filmmaking, including many Oscar contenders. Returning will be our annual Producers Panel, Writers Panel, and Women’s Panel and introducing the NEW International Directors Panel. All Panels will be in person at the historic Arlington Theatre. Panelists to be announced.
Writers Panel – Saturday, February 11 at 11:00am – Moderated by Anne Thompson
Women’s Panel – Saturday, February 11 at 2:00pm – Moderated by Claudia Puig
Producers Panel – Sunday, February 12 at 11:00am – Moderated by Glenn Whipp
International Directors Panel – Sunday, February 12 at 7:00pm – Moderated by Roger Durling *FREE Admission
EDUCATIONAL PROGRAMS, FREE PROGRAMS, AND OTHER MENTIONS
SBIFF Poster Designed by Acclaimed Artist Patricia Chidlaw
The 2023 SBIFF poster was painted by acclaimed artist and Santa Barbara resident Patricia Chidlaw. She commented “As an artist I am honored to be part of this celebration of artistry that is the Santa Barbara Film Festival. And happy my painting can pay homage to our historic movie palace: the Arlington Theater.”
Mike’s FieldTrip to the Movies – Named for renowned nature cinematographer Mike deGruy, Mike’s FieldTrip to the Movies uses filmmaking to nurture creative, confident, and culturally aware thinkers. This year’s program will be offered to 4,000+ 4th–6th grade students from Title I (low-income) schools throughout Santa Barbara County. This year will feature an in-person Q&A with Guillermo del Toro following a screening of GUILLERMO DEL TORO’S PINOCCHIO from Netflix. Sponsored by John C. Mithun Foundation, Montecito Bank & Trust, Patagonia, Union Bank, Bentson Foundation, and Volentine Family Foundation.
Film Studies Program – The Film Studies Program will invite 30 undergraduate film students from across the country to the Film Festival where they’ll take part in a packed curriculum that turns the festival into an interactive classroom. Participants receive priority access to the films, panels, filmmaker seminars, tributes, as well as intimate Q&As with filmmakers.
10–10–10 Student Screenwriting and Filmmaking Mentorship and Competition – The 10-10-10 Program is made up of 20 area high school and college screenwriters and filmmakers. This year’s program includes filmmaking workshops, individual mentorship, and access to casting, visual effects, producing and sound mentors. The student screenwriters and directors are paired together and guided through the process of taking a film from script to screen. Sponsored by Kaleidoscope Productions.
Free Filmmaker Seminars – SBIFF will again present seminars with filmmakers premiering at this year’s festival. These seminars will be FREE to the public and will take place on each weekday during the Festival at Tamsen Gallery at 911 1/2 State Street.
The ADL Stand Up Award sponsored by ADL Santa Barbara/Tri-Counties – This award will be presented to a dramatic film in the festival that represents an important message consistent with ADL’s efforts “to secure justice and fair treatment for all.” The winner will be announced during the Festival.
ABOUT THE SANTA BARBARA INTERNATIONAL FILM FESTIVAL
The Santa Barbara International Film Festival (SBIFF) is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. Over the past 38 years, SBIFF has become one of the leading film festivals in the United States – attracting 100,000 attendees and offering 11 days of 200+ films, tributes, and symposiums, fulfilling their mission to engage, enrich, and inspire the Santa Barbara community through film.
Sponsors of the 38th SBIFF include: Manitou Fund, City of Santa Barbara, Kaleidoscope Productions, Montecito Bank & Trust, ADL Santa Barbara/Tri-Counties, Union Bank, Patagonia, Panavision, Montecito Med Spa, Visit the Santa Ynez Valley, Boxed Water is Better, Château Malartic-Lagravière, Toad&Co, Topa Topa Brewing Company, NEFT Vodka, Vega Coffee, Saige Private Wealth, Bentson Foundation, John C. Mithun Foundation, Volentine Family Foundation, California Arts Council, and many more supporting through trade.
SBIFF continues its commitment to education and the community throughout many free educational programs and events. In 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. After a capital campaign and renovation, the theatre is now SBIFF’s new state-of-the-art, year-round home, showing new international and independent films every day. In 2019, SBIFF opened its own Education Center in downtown Santa Barbara on State Street to serve as a home for its many educational programs and a place for creativity and learning.
Patrica Chidlaw unveils her artwork for the Official 2023 Santa Barbara International Film Festival Poster. (Photo by Larry Gleeson/HollywoodGlee)
The 2023 Santa Barbara International Film Festival (SBIFF) is just around the corner with its slated run from February 8th to the 18th. While Santa Barbara is historically known as a Hollywood film premiere town, SBIFF announced this morning at its 2023 press conference, held at the Sullivan Goss Art Gallery in downtown Santa Barbara, a whopping 52 world premiere films as well as 78 US premieres! In all 43 countries will be represented through the visual medium of film. Los Angeles-based critic, Claudia Puig, is back as the festival’s programming director.
OPENING NIGHT FILM
SBIFF 2023 will kick off on Opening Night Wednesday, February 8 with the WORLD Premiere of MIRANDA’S VICTIM. Directed by Michelle Danner and starring Abigail Breslin, Ryan Phillippe, Luke Wilson, Donald Sutherland, Mireille Enos and Andy Garcia.
It’s 1963 when eighteen-year-old Patricia “Trish” Weir is kidnapped and brutally raped at knife-point. Committed to putting Ernesto Miranda in prison, Trish’s life is destroyed by America’s legal system as she triggers a law that transforms the nation.
CLOSING NIGHT FILM
SBIFF 2023 will close on Saturday, February 18 with the US Premiere of I LIKE MOVIES. Directed by Chandler Levack and starring Isaiah Lehtinen, Romina D’Ugo, Krista Bridges, Percy Hynes White.
Lawrence, a socially inept, 17-year-old cinephile, gets a job at a video store, where he forms a complicated friendship with his older female manager.
SBIFF Festival Roger Durling provides a sneak peek of the 2023 Santa Barbara International Film Festival, slated to run from February 8th to February 23rd, 2023, this morning January 18th, at the Sullivan Goss Art Gallery in downtown Santa Barbara, California. (Photo by Larry GLeeson/HollywoodGlee)
During his tenure as festival director, Roger Durling, a master of his craft, has shown an uncanny ability in guiding the Santa Barbara Film Festival to a very organic, unique and distinct flavor. And, this year seems to be no exception. Mexican film auteur, Guillermo del Toro, has signed on to mentor a master class with his latest film, Pinocchio, to 3rd graders as part of the ever-expanding Mike’s Field Trip to the Movies (named after long-time festival advocate Mike DeGruy). In addition, SBIFF staffer Claire Waterhouse is spearheading the festival’s Film Studies Program to 30 student recipients from across the country. SBIFF’s Executive Director Roger Durling stated this morning, “At a time where there’s a dwindling of movie theater attendance, the role of film festivals has never been more important. At SBIFF, with the 38th edition, our marching orders are clear, to celebrate movies and to nurture and exalt the film community, the artists as well as the cinephiles. It’s a great slate with 43 countries represented.”
Moreover, the festival has a formidable lineup of panels, tributes, and filmmaker seminars in store. Stay tuned for more!
From Special Screenings and international Oscar® submissions to captivating short films and powerful documentaries, tickets to AFIFEST 2022 will be available to purchase starting today, October 12 at 11:00 a.m. PT. Check out the film guide and full festival schedule now.
I have several films on my “must-see” list featured below. Stay tuned as the American Film Institute has combined AFI FEST and AFI DOCS this year in what is shaping up to be a spectacular showcase of film and cinema!
ALCARRAS
ALCARRAS – In Spain’s official Oscar® submission and the second feature from Carla Simón (SUMMER 1993, AFI FEST 2017), the close-knit Solé family, nestled in the rural village of Alcarràs, experiences an eventful summer when the livelihood of their peach orchard is threatened.
THE VOLCANO: RESCUE FROM WHAKAARI
In 2019, a volcano erupted on Whakaari in New Zealand without warning, raining down rocks and debris, and enveloping the island in a quiet, dark cloud of burning-hot steam. As the debris settled and onlookers gasped from the opposite shore, a rescue mission stirred into action; 47 tourists were trapped on the island, and another boat of tourists was just returning, having narrowly escaped. In this unbelievable new documentary from Academy Award® nominee Rory Kennedy (LAST DAYS IN VIETNAM, AFI FEST 2014), rescuers and survivors each recount their own version of the worst day of their lives, sharing what it means to cling to hope and life and to make impossible choices.
WOMEN TALKING
Adapted from Miriam Toews’ acclaimed novel and based on real events, Academy Award®-nominated director Sarah Polley (STORIES WE TELL) tells the riveting story of a tight-knit group of women who are part of an isolated religious community with an epidemic of sexual abuse. In the wake of this horrific discovery, they must decide to forgive their attackers or leave the colony forever. Shifting the lens away from the heinous crime and onto its ramifications sets the stage for a nuanced yet incisive examination of patriarchal oppression, religious imperatives, and conflicting values. Featuring a formiddable ensemble cast including Rooney Mara, Claire Foy, Jessie Buckley, and Frances McDormand.
AFI FEST 2022
The complete AFI FEST program includes 125 titles (7 Red Carpet Premieres, 6 Special Screenings, 12 Discovery, 12 World Cinema, 12 Documentary, 30 Short Film Competition, 43 AFIConservatory and 3 Guest Artistic Director Selections). Of the official selections, 53% are directed by women, 32% are directed by BIPOC filmmakers and 11% are directed by LGBTQIA+ filmmakers. This year’s program represents 31 countries and includes six International Feature Oscar® submissions, ALCARRÀS (Spain), BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS (Mexico), CLOSE (Belgium), EO (Poland), JOYLAND (Pakistan) and SAINT OMER (France).
Returning filmmakers to AFI FEST include Lucien Castaing-Taylor (DE HUMANI CORPORIS FABRICA), Guillermo del Toro (GUILLERMO DEL TORO’S PINOCCHIO), Alice Diop (SAINT OMER), Quentin Dupieux (SMOKING CAUSES COUGHING/FUMER FAIT TOUSSER), Alain Gomis (REWIND & PLAY), Sam Green (32 SOUNDS), Luca Guadagnino (BONES AND ALL), Kristy Guevara-Flanagan (BODY PARTS), Mark Gustafson (GUILLERMO DEL TORO’S PINOCCHIO), Mia Hansen-Løve (ONE FINE MORNING/UN BEAU MATIN), Joanna Hogg (THE ETERNAL DAUGHTER), Alejandro González Iñárritu (BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS), Nikyatu Jusu (NANNY), Rory Kennedy (THE VOLCANO: RESCUE FROM WHAKAARI), Léa Mysius (THE FIVE DEVILS), Andrea Pallaoro (MONICA), Hlynur Pálmason (GODLAND/VANSKABTE LAND/VOLAÐA LAND), Jafar Panahi (NO BEARS), Verena Paravel (DE HUMANI CORPORIS FABRICA), Alice Rohrwacher (LE PUPILLE), Hong Sang-soo (WALK UP), Albert Serra (PACIFICTION), Carla Simón (ALCARRÀS), Jerzy Skolimowski (EO), Chris Smith (“SR.”), Steven Spielberg (THE FABELMANS) and Florian Zeller (THE SON).
AFI FEST 2022 will take place exclusively in person in Los Angeles from November 2-6. AFI members receive discounts on passes and tickets and other exclusive benefits. To become an AFI member, visit AFI.com/join/.
The World Premiere of Apple Original Film’s SELENA GOMEZ: MY MIND AND ME will open the festival and the U.S. premiere of Universal Pictures’ and Amblin Entertainment’s THE FABELMANS, directed by AFI Life Achievement Award recipient and Academy Award®-winning director Steven Spielberg, will close AFI FEST 2022. Additional Red Carpet Premieres include BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS, directed by Academy Award®-winning director Alejandro González Iñárritu; the U.S. Premiere of GUILLERMO DEL TORO’S PINOCCHIO, directed by Academy Award®-winning director Guillermo del Toro and Emmy Award® winner Mark Gustafson; LIVING, directed by Oliver Hermanus; SHE SAID, directed by Emmy Award®-winning director Maria Schrader; and THE SON, directed by Academy Award® winner Florian Zeller. Academy Award®-nominated filmmaker Ava DuVernay will serve as Guest Artistic Director at AFI FEST 2022 and will be showcasing three independent films amplifying the voices of women directors including HELLION (2014), directed by Kat Candler and starring Academy Award®-nominee Juliette Lewis and Aaron Paul; MOSQUITA Y MARI (2012) directed by Aurora Guerrero and YELLING TO THE SKY (2011), directed by Victoria Mahoney and starring Academy Award®-nominee Gabourey Sidibe and Zoë Kravitz.
Harvey Keitel and Daphna Kastner – AFI FEST 2021 Red Carpet Premiere Screening of THE POWER OF THE DOG, TCL Chinese Theatre, Los Angeles, California, Nov. 11, 2021 – Photo Credit: Rob Latour/AFI/Shutterstock
RED CARPET PREMIERES
Kirsten Dunst – AFI FEST 2021 Red Carpet Premiere Screening of THE POWER OF THE DOG, TCL Chinese Theatre, Los Angeles, California, Nov. 11, 2021 – Photo Credit: Rob Latour/AFI/Shutterstock
AFI rolls out the red carpet for the most anticipated films of the festival. Sure to be an exciting celebration of the best in film, the section delivers world-class filmmakers, talented actors and artisans, and a dose of Hollywood magic that can only be found at the iconic TCL Chinese Theatre.
Festival to kick off in person January 19 and expand online with on-demand curated program beginning January 24
PARK CITY, UTAH – The nonprofit Sundance Institute today announced initial details for the upcoming 2023 Sundance Film Festival, taking place from January 19-29, 2023.
Designed with the priority of bringing the Sundance community back together in theaters to watch and experience next year’s culture-shaping stories, the Sundance Film Festival begins in person, in Utah in Park City, Salt Lake City, and the Sundance Resort, on January 19 and runs through the 29th. Beginning on Tuesday, January 24, the Festival expands, welcoming audiences across the country to view select films online.
The digital offering showcases an on-demand, curated selection of feature films from the 2023 Festival, including all competition titles (U.S. Dramatic, U.S. Documentary, World Cinema Dramatic, World Cinema Documentary, and NEXT), as well as exciting work across other sections of the feature film program, alongside episodic work and short films. The 2023 Festival culminates with weekend screenings of this year’s Sundance Award–winning films on January 28–29, both in person and online.
Audiences globally can experience a regenerated edition of New Frontier that tunes to today’s times, emphasizing independent artistic practice and environmental engagement at the crossroads of film, art, and new media technology. New Frontier will feature a cutting-edge lineup of multimedia works and keynote discussions on a bespoke spatialized digital platform beginning January 24 when the online portion of the Festival kicks off. For the past two years, New Frontier has provided audiences with a gold-standard destination to experience the Festival together while physically apart.
“We are excited to bring the Sundance community together for the 2023 Sundance Film Festival, a celebration of independent filmmaking. After two years of being apart, our priority is reuniting in person, while still sharing bold new films with audiences across the country through online access,” said Joana Vicente, CEO of the Sundance Institute. “We’ve designed this year’s Festival based on our learnings from previous years — embracing the traditions that have been meaningful in the past, while also looking toward accessibility for audiences and expanding the platform we provide our storytellers.”
The health and safety of the Sundance Institute staff, artists, volunteers, and audiences remains of the utmost importance to the Institute. The Sundance Institute continues to work with its COVID-19 safety team and are following all CDC guidelines. All staff and volunteers working the Festival will be required to mask and test weekly. Sundance is also requesting that attendees wear masks in all Sundance Film Festival spaces to keep themselves and other Festival community members safe while encouraging all attendees to test before attending and during the Festival and to be up to date on all COVID-19 vaccinations.
The 2023 Sundance Film Festival will be led by Sundance Institute CEO Joana Vicente. The Festival is programmed by a year-round team headed by Director of Programming Kim Yutani, along with Senior Programmers: Shari Frilot (also Chief Curator of New Frontier), John Nein (also Director of Strategic Initiatives), Mike Plante (Shorts), Charlie Sextro, Basil Tsiokos, Heidi Zwicker; Programmers: Ash Hoyle, Adam Montgomery, Sudeep Sharma, Ana Souza, Ania Trzebiatowska, and Stephanie Owens, who joins the team. The shorts programming team includes Emily Doe, Lisa Ogdie, Adam Piron, Mike Plante, DaManuel Richardson, Saidah Russell, Amanda Salazar, Irene Suico Soriano, Landon Zakheim, and Heidi Zwicker. Coordinators supporting the team include Cameron Asharian, Kat Hazelton, and Kelly Young. The full programming team is supported by programming associates and screeners.
“We can’t wait for our 2023 Festival to give a bold start to the year, with the help of our inspiring storytellers, ingenious creators, and engaged audiences,” said Kim Yutani, Sundance Film Festival Director of Programming. “For 39 years, the Sundance Film Festival has been a stalwart in the independent film community, and we’re thrilled to continue to be such an exciting annual gathering for artists and audiences.”
Program Submissions are currently open. They close on the following dates: Feature film submissions close September 5 (official) and September 26 (late), 2022. Short film submissions close September 5 (late), 2022. New Frontier submissions close September 9 (late), 2022. Episodic content submissions close August 26 (official) and September 12 (late), 2022. Details on applications, including frequently asked questions, are available here.
Members of the professional community accredited through the Press and Industry offices will have access to the 2023 program in person and online through on-demand viewing windows. In-person attendance is being prioritized with a limited number of online P&I badges available.
Information on ticket packages and venues will be announced in late September. Stay up to date at festival.sundance.org, and visit lodging.sundance.org to help plan your stay at the Festival.
Sundance Institute
As a champion and curator of independent stories, the Sundance Institute provides and preserves the space for artists across storytelling media to create and thrive. Founded in 1981 by Robert Redford, the Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Collab, a digital community platform, brings a global cohort of working artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported and showcased such projects as Summer of Soul (…Or, When the Revolution Could Not Be Televised), CODA, Flee, Passing, Clemency, Never Rarely Sometimes Always, Zola, On the Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, City So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams, and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.
ACADEMY BOARD OF GOVERNORS 2022-2023 OFFICERS ELECTED
LOS ANGELES, CA – Producer Janet Yang was elected president of the Academy of Motion Picture Arts and Sciences by the organization’s Board of Governors.
Executive producer Janet Yang prior to a 25th Anniversary screening of “The Joy Luck Club” presented by the Academy of Motion Picture Arts and Sciences on Wednesday, August 22, 2018.
“Janet is a tremendously dedicated and strategic leader who has an incredible record of service at the Academy. She has been instrumental in launching and elevating several Academy initiatives on membership recruitment, governance, and equity, diversity, and inclusion,” noted Academy CEO, Bill Kramer. “I am thrilled that she is taking on the esteemed role of Academy President and look forward to working closely with her on our shared vision to serve our membership, celebrate the collaborative arts and sciences of motion pictures, and inspire the next generation of filmmakers.”
Teri E. Dorman, Vice President (chair, Membership Committee)
Donna Gigliotti, Vice President/Secretary (chair, Governance Committee)
Lynette Howell Taylor, Vice President (chair, Awards Committee)
Larry Karaszewski, Vice President (chair, History and Preservation Committee)
David Linde, Vice President/Treasurer (chair, Finance Committee)
Isis Mussenden, Vice President (chair, Museum Committee)
Kim Taylor-Coleman, Vice President (chair, Equity and Inclusion Committee)
Wynn P. Thomas, Vice President (chair, Education and Outreach Committee)
Yang is beginning her first term as president and her second term as a Governor-at-Large, a position for which she was nominated by the sitting Academy President and elected by the Board of Governors. Gigliotti, Karaszewski, Linde, Mussenden, and Thomas were re-elected as officers. It will be the first officer stint for Dorman, Howell Taylor, and Taylor-Coleman.
Yang’s extensive film-producing credits include “The Joy Luck Club,” “The People vs. Larry Flynt,” “Zero Effect,” “High Crimes,” “Dark Matter,” “Shanghai Calling” and the Oscar®-nominated animated feature “Over the Moon.” She won an Emmy® for the HBO film “Indictment: The McMartin Trial.” A member of the Academy’s Producers Branch since 2002, Yang most recently served on the Board as vice president and chair of the Membership Committee and prior to that, the Membership and Governance Committee. She is also co-chair of the Academy’s Asian Affinity Group.
The Board of Governors sets the Academy’s strategic vision, preserves the organization’s financial health, and assures the fulfillment of its mission. For a complete listing of the Academy’s 2022-2023 Board of Governors.
ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers, and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach, and the Academy Museum of Motion Pictures.
Hybrid Filmocracy Fest III Concludes and Award Winners Announced
Tentpole ‘Film Market’ Elevates Networking and Sales
Los Angeles, CA (July 19, 2022) – The third edition of Filmocracy Fest presented a strong lineup of features and shorts competing for top prizes, both in person and online, including the Best of the Fest category, which was available online-only. The Festival ended with a celebratory Awards Ceremony on July 17. Award Winners include:
Best Narrative Feature: 1-800-HOT NITE written and directed by Nick Richey Best Documentary Feature: HOSTILE written and directed by Sonita Gale Best Short Narrative: THESE HANDS WERE MADE FOR KNOCKIN’ directed by Laura Herring Best Short Documentary: ELSA directed by Cameron Mitchell
Best Student Film: HAIR, TIE, EGG, HOMEWORK, BOOKS by Lu Runxiao Audience Award – Narrative Feature: BUCK ALAMO written and directed by Ben Epstein Audience Award – Documentary Feature: ART AND KRIMES BY KRIMES by Alysa Nahmias Audience Award – Short: GROUNDED directed by Jesse Richards Inspiration Award: THE HUMAN TRIAL directed by Lisa Hepner and Guy Mossman
Watch the full Awards Ceremony here
The Festival also presented the second edition of its Film Market, a curated environment for independent filmmakers to come together and connect with industry leaders. This unique event streamlines the film acquisition process, removing intermediaries and allowing talent to present their work directly to executives. In its successful first edition, films were acquired and brought to Cannes for sales opportunities and distribution deals.
“I participated in the first Filmocracy virtual market and found it to be so productive and enjoyable that I didn’t hesitate to participate in the next one (and more ongoing in the future),” recalls Archstone Entertainment’s Jack Sheehan. “Not only was I impressed by the tech and the ease, efficacy, and intuitiveness of the platform, it seemed to flow almost effortlessly. I was lucky enough to find several projects I liked, one of which I actually closed a deal on and brought to the physical Cannes festival a month later, and we’re closing a multitude of deals, to both our and the filmmaker’s delight. I think this platform is top of the competition of virtual markets and will be a mainstay for years to come. Selfishly I hope not too many of my competitors find out about it!”
The number of participating buyers, sales agents, and distribution companies grew significantly since the last event. The robust list of participants for the second edition included some of the largest global film companies: Sundance, Endeavor Content, Blue Fox, 13 Film, XYZ Films, The Exchange, Radiant Films International, and Periphery, amongst many others. Some of the films up for sale included Steve Balderson’s ALCHEMY OF THE SPIRIT, Nicholas deKay’s THE ARK OF LILBURN, Austin Chapman’s LACRIMOSA, Christine Yoo’s 26.2 TO LIFE: THE SAN QUENTIN PRISON MARATHON, and Katie O’Regan’s GOOD MORNING MISS AMERICA. Amidst films picked up by top-name companies are Daniel Diosdad’s THE NOMAD (for international sales by Archstone Entertainment) and Juan P. Reyes’ SAMLAND (for South Korean rights by Strana Media), with negotiations ongoing for many more projects.
Liquid Media Group’s Co-Founder and Interim CEO Joshua Jackson shares, “Liquid Media is very proud to be, for the second time, presenting sponsors of Filmocracy Fest. It is core to what we do to be able to support emerging storytellers, emerging voices, inside of our community. I’ve always felt very proud and very lucky to be part of this big, wild, funny, crazy—sometimes difficult—global community of storytellers, whether in front of the camera or behind it. Filmocracy Fest exists to uplift the community, to make it easier for us to find each other and our audiences, and the addition of the market is an amazing new tool for filmmakers. We couldn’t be happier to support this and look forward to seeing you at the next one.”
Film Market attendees paid a nominal fee of $100, with a VIP option available for $500 that allowed passholders to skip queues. The in-person portion of the event kicked off with a cocktail party, followed by initial meetings at LA Gondola. The following day, filmmakers had four minutes to rapid-fire pitch their films to their preferred media partners, either in person or digitally. Attendees were also invited to Opening Night of Filmocacy Fest to celebrate their cinematic achievements.
“I had a great time attending the Filmocracy Film Market,” says Los Angeles-based writer/director/producer Debbie Peiser. “Filmocracy created an amazing virtual experience from start to finish. I loved that they sent a brochure of which distributors would be attending so I could research and prepare before my meetings. It was so fun to sit in the virtual waiting room with other filmmakers. I was so impressed by the site design and I would definitely attend again!”
The Filmocracy Fest Film Market has established itself, in a very short time, as a vibrant and highly sought-after marketplace for the discovery of films and filmmaking talent by top name producers, distributors, and production companies. Filmocracy’s CEO Paul Jun concludes, “Our Film Market is filling an important need in the industry by putting filmmakers face-to-face with decisionmakers. Through our virtual platform we’re able to foster industry relationships for filmmakers who lack a professional network.”
About Filmocracy:
Filmocracy is a film and festival streaming platform that hosts over 100 film festivals each year and has a constantly evolving and rotating library of more than 3,500 streaming titles. Users are rewarded with virtual popcorn for watching and rating films, which can be spent in their shop to earn movie tickets, redeem gift cards, or attend virtual film festivals hosted from around the world. Filmocracy brings together a powerful combination of technologies to enhance the virtual cinema and conference experience for filmmakers, industry professionals, and audiences around the world. Filmocracy’s mission is to help all independent filmmakers reach wider audiences and grow their communities through storytelling. Festival Co-Founder Paul Jun serves as CEO of Filmocracy. In December 2020, Filmocracy staged the First Annual Filmocracy Fest, an all-digital juried film festival presenting a slate of 44 films; panels; mentorship program; live performances; script readings; cause-related partners; and dozens of virtual conversations with directors and industry talent. Jon Fitzgerald serves as Executive Director.
*Press release courtesy of Henry Eshelman, Platform Media Group
