Posted by Larry Gleeson
Another full day at the 2022 Sundance Film Festival with second screenings of Cooper Raif’s Cha Cha Real Smooth, a far-reaching, exquisitely cinematic effort, and Descendant, a documentary from Margaret Brown delving into the Clotilda, a renegade slave ship from 1859 that ensnared 150 Africans and brought them up into the Mobile River then was burned to hide the illegal run. Efforts were made to keep any and all references to the voyage hidden. The descendants from the Clotilda settled into an area known as Africatown and managed to keep their story alive primarily via the oral tradition.
Brown also reveals the enduring power imbalance that persists between the descendants of Timothy Meaher, the man who chartered the illegal expedition, and the descendants of those who were enslaved aboard it.
Cha Cha Real Smooth, like its central character, Andrew, portrayed by Raif, struggles to find its footing. Nevertheless, it is a sweetly sentimental story with a strong production design with a bountiful color pallette. Raif writes, directs, and stars with significant support from seasoned pros Dakota Johnson, Leslie Mann, and Brad Garrett. Raif is a remarkable talent comparable to the young Canadian filmmaker extraordinaire, Xavier Dolan. Of note, this is Dakota Johnson’s third film of the year (Lost Daughter premiered at the 2021 Telluride Film Festival) and her second Sundance film, following the highly compelling and well-executed story, Am I OK? from Tig Notaro and Stephanie Allyne. Stay tuned for more on Am I OK?
So many films, so little time…
Until next time, I’ll see you at the movies!