Posted by Larry Gleeson
By Justine Harrison
Ten years ago, MANCHESTER BY THE SEA would have been a Miramax or Paramount Vintage picture. Now? It’s being distributed by a company that began as an online bookseller.
The history of Hollywood is a long and winding one. Over the course of its existence, it has been everything from a series of content factories to an accessory for giant multinational
When Kenneth Lonergan’s Manchester by the Sea opens in theaters this week, it will be the latest offering from Amazon Films, the film distribution branch of the online bookseller
Many of the biggest independent and semi-independent film distributors from the last century have either folded or been dramatically transformed. Miramax and New Line, arguably the biggest and most powerful of these mini-major studios, are now much smaller companies. The Weinstein brothers left Miramax in the 2000s to form The Weinstein Company, and Disney ultimately chose to sell the company off. Its film library, which includes every one of Quentin Tarantino’s pictures up to Kill Bill, is now distributed by former rival Lionsgate. New Line has similarly lost much of the influence it once had, and it now exists as a subsidiary of Warner Brothers. Warner Independent Pictures (Before Sunset, A Scanner Darkly)and Paramount Vantage (No Country for Old Men, Nebraska) have been completely shut down. These companies and subdivisions lived and died on their ability to sell and spread comparatively small, specific movies as comparatively small, specific movies. New Line made its name with A Nightmare on Elm Street and the Teenage Mutant Ninja Turtles franchises, both of which were huge hits in comparison to their budgets. Miramax sold itself as a haven for filmmakers championed as auteurs – Tarantino, Kevin Smith and their peers. Paramount Vantage distributed the Coens after a string of unsuccessful movies, and Warner Independent Pictures backed Richard Linklater on two of his more ambitious projects (his first return to Jesse and Céline, ten years after Before Sunrise and a cell-shaded adaptation of Phillip K. Dick’s quietly dystopian drug war story, featuring a post-rehab pre-Iron Man Robert Downey, Jr.). While some of these movies have become blockbusters, none of them (Teenage Mutant Ninja Turtles aside, and even with the success of the cartoon, New Line could not put Disney money behind their adaptation) could initially have been sold as such. So they narrowed their focus, and tailored their products to a specific audience that they could reach. When they overplayed their hand, or the audience moved on, they failed.
Streaming enables the targeting of a more specific audience than ever before, for both good and ill. Amazon can play specifically to folks who want to see Manchester by the Sea or The Neon Demon and guarantee that they will have an audience, but it will be just as easy for a movie to get lost in the endless backrows, particularly if it is only pointed out to a specific audience. It’s why I’m glad Amazon has been making a push to get their movies into theaters, and why simultaneously I want them to push harder. They’ve distributed some really amazing movies, and I want those movies to have a life beyond an ad saying that they are now streaming on Amazon Prime.